Jelly Roll Quotes

We've searched our database for all the quotes and captions related to Jelly Roll. Here they are! All 46 of them:

The word itself has another color. It’s not a word with any resonance, although the e was once pronounced. There is only the bump now between b and l, the relief at the end, the whew. It hasn’t the sly turn which crimson takes halfway through, yellow’s deceptive jelly, or the rolled-down sound in brown. It hasn’t violet’s rapid sexual shudder or like a rough road the irregularity of ultramarine, the low puddle in mauve like a pancake covered in cream, the disapproving purse to pink, the assertive brevity of red, the whine of green.
William H. Gass
Roll me in sugar and call me a fuckin jelly-doughnut!
Stephen King (The Dark Tower (The Dark Tower, #7))
Jelly beans! Millions and billions of purples and yellows and greens and licorice and grape and raspberry and mint and round and smooth and crunchy outside and soft-mealy inside and sugary and bouncing jouncing tumbling clittering clattering skittering fell on the heads and shoulders and hardhats and carapaces of the Timkin works, tinkling on the slidewalk and bouncing away and rolling about underfoot and filling the sky on their way down with all the colors of joy and childhood and holidays, coming down in a steady rain, a solid wash, a torrent of color and sweetness out of the sky from above, and entering a universe of sanity and metronomic order with quite-mad coocoo newness. Jelly beans!
Harlan Ellison ("Repent, Harlequin!" Said the Ticktockman)
Deep Song Belief is what buries us—that & the belief in belief— No longer do I trust liltlessness —leeward is the world's way—Go on plunge in —the lungs will let us float. Joy is the mile- high ledge the leap—a breath above the lip of the abandoned quarry—belief the dark the deep.
Kevin Young (Jelly Roll)
I was there when the first dreams came off the assembly line. I was there when the corrupted visions that had congealed in the vats were pincered up and hosed off and carried down the line to be dropped onto the rolling belts. I was there when the first workmen dropped their faceplates and turned on their welding torches. I was there when they began welding the foul things into their armor, when they began soldering the antennae, bolting on the wheels, pouring in the eye-socket jelly. I was there when they turned the juice on them and I was there when the things began to twitch.
Harlan Ellison
After Father had served the chicken and mashed potatoes and peas and Mother had passed the hot rolls, Beezus decidedthe time had come to tell Aunt Beatrice about being Sacajawea. "Do you know what I did last week?" she began. "I want some jelly," said Ramona "You mean, 'Please pass the jelly,' "corrected Mother while Beezus waited patiently. 'No, what did you do last week?" asked Aunt Beatrice. "Well, last week I-" Beezus began again. " like purple jelly better then red jelly," said Ramona. ' Ramona , stop interrupting your sister," said Father. "Well, Ido like purple jelly better then red jelly," insisted Ramona."Never mind," said Mother. "Go no, Beezus." Last week-" said Beezus, looking at her aunt, who smiled as if she understood."Excuse me, Beezus," Mother cut in. "Ramona, we do not put jelly on our mashed potatoes." "I like jelly on my mashed potatoes."Ramona stirred potato and jelly aroud with her fork. "Ramona you heard what your mother said." Father looked stern. "If I can ut butter on my mashed potateos, why can't I put jelly? I put butter and jelly on toast," said Ramona. Father couldn't help laughing. "That's a hard question to answer." "But Mother-" Beezus began."I like jelly on my mashed potateos," interrupted Ramona, looking sulky.
Beverly Cleary (Beezus and Ramona (Ramona, #1))
SPRING POEM It is spring, my decision, the earth ferments like rising bread or refuse, we are burning last year's weeds, the smoke flares from the road, the clumped stalks glow like sluggish phoenixes / it wasn't only my fault / birdsongs burst from the feathered pods of their bodies, dandelions whirl their blades upwards, from beneath this decaying board a snake sidewinds, chained hide smelling of reptile sex / the hens roll in the dust, squinting with bliss, frogbodies bloat like bladders, contract, string the pond with living jelly eyes, can I be this ruthless? I plunge my hands and arms into the dirt, swim among stones and cutworms, come up rank as a fox, restless. Nights, while seedlings dig near my head I dream of reconciliations with those I have hurt unbearably, we move still touching over the greening fields, the future wounds folded like seeds in our tender fingers, days I go for vicious walks past the charred roadbed over the bashed stubble admiring the view, avoiding those I have not hurt yet, apocalypse coiled in my tongue, it is spring, I am searching for the word: finished finished so I can begin over again, some year I will take this word too far.
Margaret Atwood (You are Happy)
NEW ORLEANS JAZZ: RECOMMENDED LISTENING Louis Armstrong, “Heebie Jeebies,” February 26, 1926 Louis Armstrong, “Potato Head Blues,” May 10, 1927 Louis Armstrong, “Struttin’ with Some Barbecue,” December 9, 1927 Louis Armstrong, “West End Blues,” June 28, 1928 Sidney Bechet, “I’ve Found a New Baby,” September 15, 1932 Sidney Bechet, “Wild Cat Blues,” June 30, 1923 Johnny Dodds, “Perdido Street Blues,” July 13, 1926 Freddie Keppard, “Stock Yards Strut,” September, 1926 Jelly Roll Morton, “Black Bottom Stomp,” September 15, 1926 Jelly Roll Morton, “Sidewalk Blues,” September 21, 1926 King Oliver, “Dipper Mouth Blues,” April 6, 1923 King Oliver, “Froggie Moore,” April 6, 1923
Ted Gioia (How to Listen to Jazz)
It was a delicious meal -- skim milk, wheat middlings, leftover pancakes, half a doughnut, the rind of a summer squash, two pieces of stale toast, a third of a gingersnap, a fish tail, one orange peel, several noodles from a noodle soup, the scum off a cup of cocoa, an ancient jelly roll, a strip of paper from the lining of the garbage pail, and a spoonful of raspberry jello.
E.B. White
He could feel the shape of his eyeballs beneath his lids, round and hot, tasty bits of jelly rolling restless to and fro, looking vainly for oblivion, while the rising sun turned his lids a dark and bloody red.
Diana Gabaldon (Voyager (Outlander, #3))
As winter went on, longer than long, we both freaked out. My mania grew to insane proportions. I sat in the study room at night, wildly typing out Dali-esque short stories. I sat at my desk in our room, drinking tea, flying on speed. She'd bang into the room in a fury. Or, she'd bang into the room, laughing like a maniac. Or, she'd bang into the room and sit under the desk eating Nutter-Butters. She was a sugar freak. She'd pour packets of sugar down her throat, or long Pixie-Stix. She was in constant motion. At first I wondered if she too had some food issues, subsisting mostly on sugar and peanut butter-and-jelly sandwiches on Wonder Bread, but my concern (as she pointed out) was “total transference, seriously, Max. Maybe you're just hungry.” Some Saturdays, we'd go to town together, buy bags and bags of candies, Tootsie Rolls (we both liked vanilla best; she always smelled delicious and wore straight vanilla extract as perfume, which made me hungry), and gummy worms and face- twisting sour things and butterscotch. We'd lie on our backs on the beds, listening to The Who and Queen, bellowing, “I AM THE CHAMPION, YES I AM THE CHAMPION” through mouths full of sticky stuff, or we'd swing from the pipes over the bed and fall shrieking to the floor.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
The Hearse Song Don't you ever laugh as the hearse goes by, For you may be the next to die. They wrap you up in a big white sheet From your head down to your feet. They put you in a big black box And cover you up with dirt and rocks. All goes well for about a week, Then your coffin begins to leak. The worms crawl in, the worms crawl out, The worms play pinochle on your snout. They eat your eyes, they eat your nose, They eat the jelly between your toes. A big green worm with rolling eyes Crawls in your stomach and out your eyes. Your stomach turns a slimy green, And pus pours out like whipping cream. You spread it on a slice of bread, And that's what you eat when you're dead.
Alvin Schwartz (Scary Stories to Tell in the Dark)
Frankie,I noticed as I flipped the mic up to its normal position, was staring at me through narrowed eyes, clapping so slowly that I could actually measure the silence in between beats. I felt about three inches tall as I stepped off the stage. ~~~ "...and went down like a rock.Bam." "Oh,man. What did you do?" "What could I do?" I shrugged. "I hopped up, took a bow, and ran. I was late to meet you." Alex was gently rubbing my bare knee. I'd rolled up my jeans to show him the bruise already blossoming there. "I would have caught you," he said, fingers sliding to the inside of my leg and making my insides feel like jelly. "Not likely, O Gallant One.The stage is only a foot high." "I gotta see this place sometime.
Melissa Jensen (The Fine Art of Truth or Dare)
Cold leek and potato soup. Little pastry boats filled with minced chicken or fish in a white sauce. A large green salad, a tomato and spring onion salad, a cold roast of beef with horseradish or port wine jelly to taste, cold roasted chickens with sage and onion stuffing, with a variety of crisp cold vegetables, each with their proper sauces. Fruit salad. A marmalade-filled roulade with slices of sugared oranges and crème Chantilly which was even now rolling in its damp tea towel as though there were no such things as culinary accidents in the world. Cheeses and fruits and coffee or tea.
Kerry Greenwood (Murder and Mendelssohn (Phryne Fisher, #20))
Aw, play it, Mister Benbow!” somebody cried. The earth rolls relentlessly, and the sun blazes for ever on the earth, breeding, breeding. But why do you insist like the earth, music? Rolling and breeding, earth and sun for ever relentlessly. But why do you insist like the sun? Like the lips of women? Like the bodies of men, relentlessly? “Aw, play it, Mister Benbow!” But why do you insist, music? Who understands the earth? Do you, Mingo? Who understands the sun? Do you, Harriett? Does anybody know—among you high yallers, you jelly-beans, you pinks and pretty daddies, among you sealskin browns, smooth blacks, and chocolates-to-the-bone—does anybody know the answer? “Aw, play it, Benbow!” “It’s midnight. De clock is strikin’ twelve, an’ … ” “Aw, play it, Mister Benbow!
Langston Hughes (Not Without Laughter)
Ooh, I'm very hungry,' said Gerty Green dragon to her sister, Greta. 'Ooh, me too,' said Greta Green dragon to her sister, Gerty. 'Let's have our picnic. What did you bring for us to eat? Ooh, I hope there's Lime jelly.' Greta was very excited, and she began to look around for a suitable picnic spot. 'I didn't bring the picnic,' said a very dismayed Gerty Green dragon. 'I thought you were bringing it, Greta.' Greta Green dragon was distraught. 'But I thought you did Gerty.' A big, fat tear rolled down Greta Green dragon's cheek. A big, fat tear rolled down Gerty Green dragon's cheek. 'Waaaaagghhh.' They both cried in unison. 'Now what shall we do?' The twin green dragons sat on the grass verge at the side of the dusty lane and cried. They cried, and cried, and cried.
Ann Perry (The Dragon Sanctuary)
The next forty minutes are a festival of soul eating. I know many immigrant families incorporate their traditional dishes into the Thanksgiving feast, but not my folks. Our menu is Norman Rockwell on crack. Turkey with gravy. Homemade cranberry relish and the jellied stuff from the can. Mashed potatoes, sweet potatoes with marshmallows, green bean casserole. Cornbread stuffing and buttery yeast rolls. The only nods to our heritage are mustard-seed pickled carrots and dill-cucumber salad, to have something cool and palate-cleansing on the plate. A crazy layered Jello-O dish, with six different colors in thin stripes, looking like vintage Bakelite. Jeff and the girls show up just in time for desserts... apple pie, pumpkin pie, pecan bars, cheesecake brownies, and Maria's flan.
Stacey Ballis
GERMAN APPLE PANCAKE ••• 2 tart cooking apples (Granny Smiths are good) 1 lemon ½ stick (4 tablespoons) unsalted butter ¼ cup brown sugar ½ teaspoon cinnamon Small grating of nutmeg 3 eggs ¾ cup flour Pinch of salt 1 tablespoon sugar 1 cup milk Sugar for sprinkling Rum or cognac (optional) Peel the apples, core them, and slice them thinly. Shower them with about 2 tablespoons of lemon juice. Melt half the butter (2 tablespoons) in a medium skillet, and stir in the brown sugar, cinnamon, and nutmeg. Add the apple slices and cook over medium-high heat for about 8 minutes, until they’ve become quite darkly caramelized and smell impossibly delicious. Remove them from the heat. Meanwhile, beat the eggs. Gently whisk in the flour, salt, and sugar. Add the milk. The batter should be thin. Melt a couple of teaspoons of butter in an 8-inch skillet, and when it’s hot, pour in a third of a cup of batter, tilting the pan so that it covers the entire surface, making a thin crepe. Cook just until set, about 2 minutes. Evenly distribute a third of the apples over the crepe, pour another third of a cup of batter over the apples, then turn the pancake (this is easiest if you have two pancake turners) and allow the bottom to brown. Turn out onto a large plate, sprinkle generously with sugar, and roll the pancake up like a jelly roll. Sprinkle with a bit more sugar and, if you like, a splash of lemon juice. Repeat this until you have three plump rolled pancakes. If you want to flame your creations, lightly warm a few tablespoons of rum or cognac for each pancake in a pan, add the pancakes, spoon the liquor over the top, and set the pancakes on fire. Serves 6
Ruth Reichl (Save Me the Plums: My Gourmet Memoir)
Maria winks at me, takes a mouthful of stuffing, and rolls her eyes in ecstasy. The next forty minutes are a festival of soul eating. I know many immigrant families incorporate their traditional dishes into the Thanksgiving feast, but not my folks. Our menu is Norman Rockwell on crack. Turkey with gravy. Homemade cranberry relish and the jellied stuff from the can. Mashed potatoes, sweet potatoes with marshmallows, green bean casserole. Cornbread stuffing and buttery yeast rolls. The only nods to our heritage are mustard-seed pickled carrots and dill-cucumber salad, to have something cool and palate-cleansing on the plate. A crazy layered Jello-O dish, with six different colors in thin stripes, looking like vintage Bakelite. Jeff and the girls show up just in time for desserts... apple pie, pumpkin pie, pecan bars, cheesecake brownies, and Maria's flan.
Stacey Ballis (Off the Menu)
COOKBOOK FOR THE MODERN HOUSEWIFE The cover was red with a subtle crosshatch pattern and distressed, the book's title stamped in black ink- all of it faded with age. Bordering the cookbook's cover were hints of what could be found inside. Alice tilted her head as she read across, down, across, and up the cover's edges. Rolls. Pies. Luncheon. Drinks. Jams. Jellies. Poultry. Soup. Pickles. 725 Tested Recipes. Resting the spine on her bent knees, the cookbook dense yet fragile in her hands, Alice opened it carefully. There was an inscription on the inside cover. Elsie Swann, 1940. Going through the first few, age-yellowed pages, Alice glanced at charts for what constituted a balanced diet in those days: milk products, citrus fruits, green and yellow vegetables, breads and cereals, meat and eggs, the addition of a fish liver oil, particularly for children. Across from it, a page of tips for housewives to avoid being overwhelmed and advice for hosting successful dinner parties. Opening to a page near the back, Alice found another chart, this one titled Standard Retail Beef Cutting Chart, a picture of a cow divided by type of meat, mini drawings of everything from a porterhouse-steak cut to the disgusting-sounding "rolled neck." Through the middle were recipes for Pork Pie, Jellied Tongue, Meat Loaf with Oatmeal, and something called Porcupines- ground beef and rice balls, simmered for an hour in tomato soup and definitely something Alice never wanted to try- and plenty of notes written in faded cursive beside some of the recipes. Comments like Eleanor's 13th birthday-delicious! and Good for digestion and Add extra butter. Whoever this Elsie Swann was, she had clearly used the cookbook regularly. The pages were polka-dotted in brown splatters and drips, evidence it had not sat forgotten on a shelf the way cookbooks would in Alice's kitchen.
Karma Brown (Recipe for a Perfect Wife)
I was always crazy about any Chinese takeout since everything on those long menus is so tempting, but when the craving really hit, the folks at Panda Delight over on Richmond almost knew without asking to pack me up an order of wings, a couple of egg rolls, shrimp dumplings, pork fried rice, and the best General Tso's chicken this side of Hong Kong. When my friend at the shelter, Eileen Silvers, got married at Temple Beth Yeshurum, I had a field day over the roast turkey and lamb and rice and baked salmon and jelly cakes on the reception buffet, and when me and Lyman would go out to Pancho's Cantina for Mexican, nothing would do but to follow up margaritas and a bowl of chunky guacamole and a platter of beef fajitas with a full order of pork carnitas and a few green chile sausages. And don't even ask about the barbecue and links and jalapeño cheese bread and pecan pie at Tinhorn BBQ. Just the thought still makes me drool.
James Villas (Hungry for Happiness)
The introduction of cinematography enabled us to corral time past and thus retain it not merely in the memory - at best, a falsifying receptacle - but in the objective preservative of a roll of film. But, if past, present and future are the dimensions of time, they are notoriously fluid. There is no tension in the tenses and yet they are always tremulously about to coagulate. The present is a liquid jelly which settles into a quivering, passive mass, the past, as soon as - if not sooner than - we are aware of it as present. Yet this mass was intangible and existed only conceptually until arrival of the preservative, cinema. The motion picture is usually regarded as only a kind of shadow play and few bother to probe the ontological paradoxes it presents. For it offers us nothing less than the present tense experience of time irrefutably past. So that the coil of film has, as it were, lassoed inert phenomena from which the present had departed, and when projected upon a screen, they are granted a temporary revivification. [...] The images of cinematography, however, altogether lack autonomy. Locking in programmed patterns, they merely transpose time past into time present and cannot, by their nature, respond to the magnetic impulses of time future for the unachievable future which does not exist in any dimension, but nevertheless organizes phenomena towards its potential conclusions. The cinematographic model is one of cyclic recurrences alone, even if these recurrences are instigated voluntarily, by the hand of man viz. the projectionist, rather than the hand of fate. Though, in another sense, the action of time is actually visible in the tears, scratches and thumbprints on the substance of the film itself, these are caused only by the sly, corrosive touch of mortality and, since the print may be renewed at will, the flaws of aging, if retained, increase the presence of the past only by a kind of forgery, as when a man punches artificial worm-holes into raw or smokes shadows of fresh pain with a candle to produce an apparently aged artefact. Mendoza, however, claimed that if a thing were sufficiently artificial, it became absolutely equivalent to the genuine.
Angela Carter (The Infernal Desire Machines of Doctor Hoffman)
Uncle Charles lived in a shady wooden house out in the country, and he was too old to eat corn on the cob. He lay in bed, shrunken and brown and very old. He complained that the pictures were hung crooked on the wall, and they took down all the framed pictures - it was not that. He complained that his bed was placed in a wrong corner, and so they moved the bed - it was not that. Then his voice failed, and when he tried to talk, it was as though his throat had filled with glue, and they could not understand the words. One Sunday the Wests had gone out to see him and taken Frankie with them; she had tiptoed to the open door of the back bedroom. He looked like an old man carved in brown wood and covered with a sheet. Only his eyes had moved, they were like blue jelly, and she had felt they might come out from the sockets and roll like blue wet jelly down his stiff face. She had stood in the doorway staring at him - then tiptoed away, afraid. They finally made out that he complained the sun shone the wrong way through the window, but that was not the thing that hurt him so. And it was death.
Carson McCullers (The Member of the Wedding)
St. Louis Blues (1929) I hate to see de evenin' sun go down, Hate to see de evenin' sun go down 'Cause ma baby, he done lef' dis town. Feelin' tomorrow like I feel today, Feel tomorrow like I feel today, I'll pack my trunk, make ma git away. Saint Louis woman wid her diamon' rings Pulls dat man 'roun' by her apron strings. 'Twant for powder an' for store-bought hair, De man ah love would not gone nowhere, nowhere. Got de Saint Louis Blues jes as blue as ah can be. That man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Col'nel loves his mint an' rye. I'll love ma baby till the day ah die. Been to de gypsy to get ma fortune tole, To de gypsy, done got ma fortune tole, Cause I'm most wile 'bout ma Jelly Roll. Gypsy done tole me, "Don't you wear no black." Yes, she done told me, "Don't you wear no black. Go to Saint Louis, you can win him back." Help me to Cairo, make Saint Louis by maself, Git to Cairo, find ma old friend Jeff, Gwine to pin maself close to his side; If ah flag his train, I sho' can ride. Got de Saint Louis Blues jes as blue as ah can be. That man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Colonel loves his mint an' rye. I'll love ma baby till the day I die. You ought to see dat stovepipe brown of mine, Lak he owns de Dimon' Joseph line, He'd make a cross-eyed o'man go stone blin'. Blacker than midnight, teeth lak flags of truce, Blackest man in de whole of Saint Louis, Blacker de berry, sweeter am de juice. About a crap game, he knows a pow'ful lot, But when worktime comes, he's on de dot. Gwine to ask him for a cold ten-spot, What it takes to git it, he's cert'nly got. Got de Saint Louis Blues jes as blue as ah can be. Dat man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Col'nel loves his mint an' rye. I'll love ma baby till the day ah die. A black-headed gal makes a freight train jump the track, said a black-headed Gal makes a freight train jump the track, But a long tall gal makes a preacher ball the jack. Lawd, a blonde-headed woman makes a good man leave the town, I said Blonde-headed woman makes a good man leave the town, But a red-headed woman makes a boy slap his papa down. Oh, ashes to ashes and dust to dust, I said ashes to ashes and dust to dust, If my blues don't get you, my jazzing must.
Bessie Smith
And the winner is,” he sings. He waits, opening the folded piece of paper slowly, drawing out the suspense. I can barely hear him over my own heartbeat, which is thumping like crazy. Is it too late to back out? Shit. I don’t want to do this. “The winner is the person who guessed twelve hundred and forty-eight!” The crowd is silent, and all the participants look to one another. But then I hear a thump, thump, thump, thump as someone comes up the stairs onto the platform. I see the baseball cap before I see the rest of him, and I hope to God that’s Sean’s cap. But Sean didn’t even buy a ticket. Not a single one. Yet it’s his brown gaze that meets mine. It’s his baseball cap, and they are his tattoos. They’re his broad shoulders and his long strides that eat up the distance between us. He turns his hat backward and looks down at me. He stops with less than an inch to spare between us. “Congratulations,” I squeak out. “You didn’t even buy a ticket. How did you…?” “I bought one hundred and forty-two tickets, dummy,” he says. My heart trips a beat. “You did?” All he had to buy was one. I put the winning number on the piece of paper I gave him. He nods, and he takes my face in his hands. His thumbs draw little circles on my cheeks as his fingers thread into the hair at my temples. “You didn’t look at the paper I gave you….” My heart is pounding like mad. “What paper?” he asks. His smile is soft and inviting, and I want to fall into him. “The one you put in your pocket.” His brow furrows. “Never mind,” I say, breathless. He spent 142 dollars for a kiss he already owned in more ways than one. If I loved this man any more, it would be dangerous. He looks down into my eyes, not moving. He’s going to kiss me, right? “What’s the plan here?” “I’m going to kiss my girl,” he says, smiling at me. My breath hitches. “But you have to say yes, first.” He hasn’t let me go. He’s holding me tightly, forcing me to meet his eyes. “This isn’t going to be a one-time thing.” I can’t even think, and he wants me to commit? “It’s not,” I breathe. “You promise?” His gaze searches mine like he’s going to find the secrets to the universe there. “I swear on your life,” I say. He chuckles. “My life?” I nod. His eyebrows draw together. “Aren’t you supposed to swear on your own life?” “My life means nothing if you’re not in it.” His hands start to tremble against my face, and he closes his eyes and takes a deep breath. Logan’s brothers start to chant, “Kiss, kiss, kiss, kiss…,” and the crowd joins in. “You better kiss me,” I say, “or they’re going to get restless.” A tear rolls down my cheek, and he brushes it back with his thumb, his gaze soft and warm. His eyes open, and he leans closer to me. I step onto my tiptoes to get to him because I can’t wait one more second. He stops a breath away from me, just like he did in the room. He waits. “You have to close the distance,” he says to me. He’s making me choose. I fall into him and press my lips to his. He freezes. But then he starts to kiss me. And all the fireworks at the state fair couldn’t compare to the ones that go off in my head.
Tammy Falkner (Just Jelly Beans and Jealousy (The Reed Brothers, #3.4))
Rolling my eyes, I took Dylan’s hand and followed Harlow inside. Jace sat in the front of the TV. I knew he was grumpy based on the way he didn’t look at me. When I flopped next to him on the couch, he did smile. “You smell like a strip club,” he said, narrowing his eyes at me. “How would you know?” “I’m not telling you my secrets.” Shaking my head, I sighed loudly. “Why do you make me do this to you? It’s like you want to suffer.” Jace knew what was coming, but his escape came too late. I pinned him on the couch and tickled him. Despite his efforts to seem unfazed, he couldn’t withstand armpit tickling. While I tormented my laughing brother, Dad and Mom walked out from the kitchen. “He missed you,” Mom said as I finally let Jace up. Catching his breath, my brother leaned next to me on the couch. “I miss beating you at videogames.” “I miss you beating me too,” I said, kissing his head. Harlow flopped on the couch next to us and I smiled at the familiar comfort of my family. Dylan watched us with a slight grin. When he caught Tad and Toni’s gazes, his smile grew. Suspicious now, I glanced at Harlow who was busy gluing herself to me. “Are they up to something?” I whispered. “Am I going to be embarrassed?” “I don’t know. If you feel embarrassed, I’ll punch Dylan in the crotch and distract everyone.” Rolling my eyes at her threat, I studied Dylan who grinned at me. “What?” I asked, nervous now. “She’s on to you,” Dad said. “Better ask now before she gets squirrely.” “Squirrely,” Jace snorted. “She gets batty too.” Harlow laughed. “Winnie can do so many animal impressions.” Ignoring them, I stood up and walked to a still smiling Dylan. “What?” “What happened to patience?” Without thinking, I reached to pinch my hand. Dylan took both hands then knelt on one knee. “Don’t,” Harlow blurted, grabbing for me. Everyone frowned at her. A moment passed where she stared at me in horror. Suddenly, she shrugged. “I meant don’t stop. Go ahead, Dylan.” The mood in the room shifted back to anticipation. Our gaze focused on Dylan who smiled up at me. “I know it’s been a few weeks. I don’t care. I love you and you love me, right?” “I love you so much.” “I’m not stupid. I know we’ll have problems. We run into issues. When we do, we’ll work them out. We’ll figure them out because we belong together. You believe that, don’t you?” “Yes,” I whispered, staring into his beautiful dark eyes. “Winona Todds, you are perfection and I refuse to live without you. Will you marry me?” My legs turning to jelly, I knelt down too. “Yes,” I whispered, afraid he was about to change his mind. Maybe it was a trick. All these awful things rushed through my mind. I wasn’t good enough for Dylan. He was going to leave me one day. I didn’t deserve to be happy when I was so weak. “You love me,” he whispered, pressing his forehead against mine. “You want me to be happy.” “Yes,” I said, tears rolling down my cheeks. “You’re what I need to survive.” “I’m not really strong yet.” “I love you now. I don’t want to wait. Do you want to wait for me?” Shaking my head, I looked at my smiling parents then back at Dylan. “We’re in love and planning to live together. We need to make our relationship official, so your daddy won’t kick my ass.” Even laughing, I asked, “You want this?” “I can give up everything else in my life, but never you. Married or not, you belong with me.” I exhaled uneasily then smiled. “Yes, I will marry you.
Bijou Hunter (Damaged and the Bulldog (Damaged, #6))
1 cup milk plus: 1. Small bowl cold cereal + blueberries + yogurt 2. 1 egg, scrambled or boiled + 1 slice toast + strawberries 3. 1 cut-up chicken sausage + toast + ½ banana 4. ½ bagel + cream cheese + raspberries 5. 1 slice ham on toast + ½ orange 6. ½ tortilla rolled up with cheese + melon + yogurt 7. Small bowl oatmeal + cut-up bananas and strawberries Lunch and Dinner 1. 1 salmon cake + carrots + rice 2. Fish pie + broccoli 3. 3 oz salmon + cup of pasta + peas 4. 2 fish sticks + cup couscous + veg 5. ½ breast of chicken + veg + small potato 6. Roast chicken + dumplings + veg 7. 1 meat or peanut-butter-and-jelly sandwich + apple + yogurt 8. 1 small homemade pizza + fruit 9. Pasta with tomato sauce and cheese + veg 10. Chicken risotto + veg 11. Ground beef + potato + peas 12. Small tuna pasta bake + veg 13. 4 meatballs + pasta + veg 14. Chicken stir-fry with veg + rice
Jo Frost (Jo Frost's Toddler Rules: Your 5-Step Guide to Shaping Proper Behavior)
Just because they were homey didn't mean they were ordinary. Most versions of this recipe relied on butterscotch chips, waxy little chunks of hydrogenated oil and synthetic butterscotch flavor. Bev's used malted milk powder and a truckload of butter, relying on the interaction between the oven's heat and the milk powder to give that toasty, caramelized flavor that suggested rather than screamed butterscotch. Melody's version also subbed brown sugar for some of the white with a healthy shot of molasses to add a deep, earthy note. At the last moment, she added some chopped hazelnuts from a little glass jar in the cabinet for extra texture and flavor. Thoughts of Justin faded as she mixed and spread the batter, then slid the shallow jelly roll pan into the oven where it would bake into a sheet of butterscotchy, nutty deliciousness. When it came out dozens of minutes later, fragrant and golden brown, she inhaled the aroma, basking in her sense of accomplishment at a perfect result. There was nothing like taking basic ingredients and transforming them into something both beautiful and tasty.
Carla Laureano (Brunch at Bittersweet Café (The Saturday Night Supper Club, #2))
What Is True Prayer? Spiritual exercises are the way to become more aware of this life. Spiritual exercises, contemplation, and prayer of the right kind are all the same. Basically, it’s opening your heart to God or the Holy Spirit and listening. Correct prayer is listening to God. If a person is going to err in prayer, it’s through too much telling or talking to God. There’s nothing wrong with telling or asking; there’s nothing wrong with talking to God. But after you’ve asked your question, listen. Be quiet and listen. Listening is true prayer, prayer of the highest sort. Even prayer where you’re asking God something is of a high sort, or it can be. But sometimes people carry it to extremes. When I was a child, my parents had us say our childhood prayers at bedtime. As I grew up and went to divinity school, I would still say my prayers at night. Not that those of us at divinity school were very righteous. A very small percentage were truly pious, and the rest of us were about average. We got along. We knew God was there. We did our lessons; we did our Bible study and science and math. There were also those in divinity school who were quite nonpious. I used to say my prayers nightly, but away from home I could try out my wings a little bit. Some nights I’d just lie there and ask God for all kinds of things. I’d ask God for riches. I’d ask God to get rid of my toothaches. They came from all the sugar I ate; I hadn’t made the connection between sugar and tooth decay. Every Sunday I’d go to the bakery and buy all this wonderful chocolate, all these jelly-filled rolls—I’d just stuff myself. I’d buy enough for my friends too. It took me years to figure out what I was doing, and I think the toothaches helped. Life has a way of teaching us better. This is what I learned about prayer, that sometimes there is a wrong sort of prayer: you ask God to take away a toothache when basically you should stop eating the things that give you the toothache. But that’s how we learn. People ask God to make them rich, and at the same time they squander their money. They have done this their whole lives. What kind of a prayer is that? It’s a prayer of irresponsibility. You’re not taking responsibility for your own welfare. I’m not talking about people who through the circumstances of life find themselves in a bad situation or after being retired for twenty years find that inflation has eaten into their savings and it’s very difficult for them to take care of themselves. These are very real problems. If these people ask God for help, you would expect that. But mostly, true prayer is listening to God.
Harold Klemp (Our Spiritual Wake-Up Calls (Mahanta Transcripts Book 15))
Quinn pauses his sit-ups on his punching bag. “What…like her…?” He gestures to his crotch. I roll my eyes and unravel my black hand-wraps. Donnelly tosses his towel over his shoulder. “Her clit? It’s not a big bad word.” Oscar butts in, “Everyone lay off Quinn—alright, my little bro is young, impressionable, and still has his innocence and virtue; whereas the rest of us have lost our ever-loving minds.” Quinn chucks his green boxing glove at his older brother, ten years apart in age. “Bro, I can say clit every day easily. Clit, clit, clit, clit—” “We get it,” I say, dropping my hand-wraps on the mats. Quinn scratches his unshaven jaw, sweat built on his golden-brown skin, and a tiny scar sits beneath his eye. Likewise, his nose is a little crooked from a short stint and bad blow in a pro-boxing circuit. Oscar has similar lasting marks. Security jokes that no matter how many punches Oscar and Quinn have taken as pro-boxers in the past, they’ll always be handsome motherfuckers. “I purposefully censored myself,” Quinn clarifies. “I wasn’t about to mention a teenage girl’s…you know.” “Clit,” Donnelly says. “Jelly bean,” Oscar adds. “Magic button.” Donnelly smirks. Quinn shakes his head like we’re all the fucked-up ones. My brows spike. “You’re the one who assumed ‘clitoris piercing’ at the word ‘unmentionable’.” I tilt my head at him. “And weren’t you like a teenager like one year ago?” Oscar and Donnelly laugh loudly, and Quinn gives me a faint death-glare. He needs to work on his “intimidation” a bit—he’s very green: brand new to security detail, and at twenty, he’s the youngest bodyguard in the whole team. If he screws up, that
Krista Ritchie (Damaged Like Us (Like Us, #1))
If my husband tells me one more time that he needs to rest because he “worked all day,” I will throw all of his clothes on the front lawn, kick his car into neutral and watch it roll away and I’ll sell all of his precious sports stuff on eBay for a dollar. And then I’ll kill him. He seriously doesn’t get it! Yes, he worked all day, but he worked with English speaking, potty trained, fully capable adults. He didn’t have to change their diapers, give them naps and clean their lunch from the wall. He didn’t have to count to 10 to calm himself, he didn’t have to watch Barney 303,243,243 times, and he didn’t have to pop his boob out 6 times to feed a hungry baby and I KNOW he didn’t have peanut butter and jelly crust for lunch. He DID get TWO 15-minute breaks to “stroll,” an hour break to hit the gym, and a 1 hour train ride home to read or nap. So maybe I don’t get a paycheck, maybe I stay in my sweatpants most of the day, maybe I only shower every 2 or 3 days, maybe I get to “play” with our kids all day … I still work a hell of a lot harder in one hour than he does all day. So take your paycheck, stick it in the bank and let me go get a freakin’ pedicure once a month without hearing you say “Maybe if you got a job … and had your own money.” Ouch.
John Medina (Brain Rules for Baby: How to Raise a Smart and Happy Child from Zero to Five)
Got himself fired for pulling a sword on an acknowledged perp. Slid it right through the fabric of the perp’s shirt, gliding the flat of the blade along the base of his neck, and pinned him to a warped and bubbled expanse of vinyl siding on the wall of the house that the perp was trying to break into. Thought it was a pretty righteous bust. But they fired him anyway because the perp turned out to be the son of the vice-chancellor of the Farms of Merryvale. Oh, the weasels had an excuse: said that a thirty-six-inch samurai sword was not on their Weapons Protocol. Said that he had violated the SPAC, the Suspected Perpetrator Apprehension Code. Said that the perp had suffered psychological trauma. He was afraid of butter knives now; he had to spread his jelly with the back of a teaspoon. They said that he had exposed them to liability. The Deliverator had to borrow some money to pay for it. Had to borrow it from the Mafia, in fact. So he’s in their database now—retinal patterns, DNA, voice graph, fingerprints, footprints, palm prints, wrist prints, every fucking part of the body that had wrinkles on it—almost—those bastards rolled in ink and made a print and digitized it into their computer. But it’s their money—sure they’re careful about loaning it out. And when he applied for the Deliverator job they were happy to take him, because they knew him. When he got the loan, he had to deal personally with the assistant vice-capo of the Valley, who later recommended him for the Deliverator job. So it was like being in a family. A really scary, twisted, abusive family. CosaNostra
Neal Stephenson (Snow Crash)
Consume rarely or never Wheat products—wheat-based breads, pasta, noodles, cookies, cakes, pies, cupcakes, breakfast cereals, pancakes, waffles, pita, couscous; rye, bulgur, triticale, kamut, barley Unhealthy oils—fried, hydrogenated, polyunsaturated (especially corn, sunflower, safflower, grapeseed, cottonseed, soybean) Gluten-free foods—specifically those made with cornstarch, rice starch, potato starch, or tapioca starch Dried fruit—figs, dates, prunes, raisins, cranberries Fried foods Sugary snacks—candies, ice cream, sherbet, fruit roll-ups, craisins, energy bars Sugary fructose-rich sweeteners—agave syrup or nectar, honey, maple syrup, high-fructose corn syrup, sucrose Sugary condiments—jellies, jams, preserves, ketchup (if contains sucrose or high-fructose corn syrup), chutney
William Davis (Wheat Belly: Lose the Wheat, Lose the Weight, and Find Your Path Back to Health)
This city is a real triumph of the chordate, because the eye, our only raw fishlike internal organ, indeed swims here: it darts, flaps, oscillates, dives, rolls up. Its exposed jelly dwells with atavistic joy on reflected palazzi, spiky heels, gondolas, etc., recognizing in the agency that brought them to the surface none other than itself.
Joseph Brodsky (Watermark)
steak, two dishes of Jell-O, a peanut butter and jelly sandwich, three cartons of milk, a salad, a roll, and a huge piece of carrot cake with cream cheese frosting.
Jake Maddox (Lacrosse Attack (Jake Maddox Sports Stories))
Katherine sits at a table of four. She's a defensive diner, with her back to the wall like Al Capone. James asks for her order. Tea. Spicy tofu. Does she want it with, or without pork? She wants the pork. Would she like brown rice? No, she says, brown rice is an affectation of Dagou's, not authentic. White rice is fine. Whatever her complications, James thinks, they're played out in the real world, not in her palate. But Katherine's appetite for Chinese food is hard-won. She's learned to love it, after an initial aversion, followed by disinclination, and finally, exploration. Everyone knows she grew up in Sioux City eating peanut-butter-and-jelly sandwiches, carrot sticks, and "ants on a log" (celery sticks smeared with peanut butter, then dotted with raisins). Guzzling orange juice for breakfast, learning to make omelets, pancakes, waffles, and French toast. On holidays, family dinners of an enormous standing rib roast served with cheesy potatoes, mashed potatoes, and sweet potatoes with marshmallows, Brussels sprouts with pecans, creamed spinach, corn casserole, and homemade cranberry sauce. Baking, with her mother, Margaret Corcoran, Christmas cookies in the shapes of music notes, jingle bells, and double basses. Learning to roll piecrust. Yet her immersion in these skills, taught by her devoted mother, have over time created a hunger for another culture. James can see it in the focused way she examines the shabby restaurant. He can see it in the way she looks at him. It's a clinical look, a look of data collection, but also of loss. Why doesn't she do her research in China, where her biological mother lived and died? Because she works so hard at her demanding job in Chicago. In the meantime, the Fine Chao will have to do.
Lan Samantha Chang (The Family Chao)
He grazed a fang across my collarbone and I shivered. The building pressure had me on the edge and teetering. It was absolutely ridiculous that I was so close to orgasm with only a few strokes of his fingers, but Devin managed to pull it out of me as I grabbed the sheets at my side and pressed the side of my face into the bed. The heat slammed into me in waves. It was all I could do to hold on for the ride, letting out a senseless sound of pleasure. He pulled his hand away slowly, kissing my forehead. "More?" "No," I breathed. "You, now, please." I pulled him down and kissed him deeply. He shifted how he was leaning over me, scooting up the bed as he did it. As he pressed himself firmly against my entrance, I was ready to beg for it if I had to. I wanted Devin. Now. He slid himself just inside. A sharp breath, my eyes widened. The nostalgia pinch of being stretched open surprised me. "I'm all right," I breathed. "It's just been a while." He pressed in a little farther. I dug my nails lightly into his back, and he growled in approval. He grazed my neck with his fangs and a soft noise escaped my lips; he licked and kissed my skin on his way back up to my mouth. An ice-cold breeze whipped past us. I held on tighter as Devin thrust deep inside. I screamed as the waves of pleasure hit again, somehow even harder than before. I removed my nails from his back when I realized how deeply I had dug them into his skin, but he didn't seem to notice. Everything felt like jelly. Content, unwound jelly. I rolled on my side, catching my breath as Devin curled me into his body, one hand lazily stroking my stomach. "How do you feel?" "That was intense," I breathed. "Is it always like that with fae?" "Too much?" He nuzzled into my hair.
Sabrina Blackburry (Dirty Lying Faeries (The Enchanted Fates, #1))
An hour and a half later, we are the proud parents of two massive sheets of Monster Cake, some impressive concoction called Unicorn Ice Cream Bread, three dozen Kitchen Sink Macaroons, peanut-butter-and-jelly cupcakes, a three-layer Paige creation dubbed Sex-Positve Brownies ("Slutty Brownies," Pepper explained, "but Paige took a course on feminism and sex work, so."), an ungodly amount of banana pudding, and a bunch of misshapen cake balls we rolled around in melted chocolate and stuck in the fridge.
Emma Lord (Tweet Cute)
god bless the talker that know how to jelly roll, can call them to be baptized in your syrup and sweat. go-go cover your soul leave all funktified and without regrets. go-go, you-you, d.c.’s afro-beat, blues boo. go-go, grab Gabriel hit ’em over the head with his harp. go-go, chuck Joshua. the best horns are all vanity ’til go-go, blow ’em back. djembe voiced and voodooed go-go, gather in your prayers, liftin’ your legs in pure elegance.
DaMaris B. Hill (Breath Better Spent: Living Black Girlhood)
I’m sure our newcomers appreciate hearing that being diagnosed with HIV is not all doom and gloom.” The leader’s gaze swept over all the others in the circle. “With an attitude like Duncan’s, great things will happen to you. Don’t let the disease define you. Make the disease work for you instead.” An hour later, the meeting was over. John had gotten the opportunity to introduce himself to the group, something he would have preferred to have skipped, but that wasn’t allowed. Everyone must participate in that part; only the question and answer session that followed was optional. He hadn’t mentioned that he used to be a cop, certainly not that he had been fired. He’d just said that he was a private eye and that he would be happy to be their spy if they needed one. “That wasn’t so bad now, was it?” Linda asked John when they were outside the room and in the hallway, where donuts and coffee and tea were served. Most of the participants milled around there, connecting with each other. John shrugged and grabbed a jelly donut. “I guess not.” The bespectacled leader named Robert came up to them then. He was on the short side and had an emaciated face with delicate features. He stuck out a bony hand toward John. John took it and gave it a firm shake. “John, it’s so nice to have you join us today,” Robert said with a broad smile that displayed big, graying teeth. Robert was HIV-positive as well, and in the chronic HIV stage. “Thank you for having me,” John said and returned the smile as best he could. “It’s been very…educational. I’m glad I came.” “Great,” Robert said, then his attention went to Linda. “Thanks for bringing your friend, Linda. And for coming again yourself.” “Oh, of course,” Linda said and smiled. Her hazel eyes glittered with warmth. “It’s a great group and you’re a great leader.” “Thank you. That’s so kind of you to say.” Robert tossed a glance over his shoulder, then leaned in toward John and Linda. “I just wanted to apologize for Doris.” “Apologize?” Linda repeated. “What did she do?” “Well, for starters, she’s not 33. She’s 64 and has been infected for thirty years. She’s also a former heroin addict and prostitute. She likes to pretend that she’s someone else entirely, and because we don’t want to upset her, we humor her. We pretend she’s being truthful when she talks about herself. I’d appreciate it if you help us keep her in the dark.” That last sentence had a tension to it that the rest of Robert’s words hadn’t had. It was almost like he’d warned them not to go against his will, or else. Not that it had been necessary to impress that on either John or Linda. John especially appreciated the revelation. Maybe having HIV was not as gruesome as Doris had made it seem then. Six Yvonne jerked awake when the phone rang. It rang and rang for several seconds before she realized where she was and what was going on. She pushed herself up on the bed and glanced around for the device. When she eventually spotted it on the floor beside the bed, it had stopped ringing. Even so, she rolled over on her side and fished it up to the bed. Crossing her legs Indian-style, she checked who had called her. It was Gabe, which was no surprise. He was the only one who had her latest burner number. He had left her a voicemail. She played it. “Mom, good news. I have the meds. Jane came through. Where do you want me to drop them off? Should I come to the motel? Call me.” Exhilaration streamed through her and she was suddenly wide awake. She made a fist in the air. Yes! Finally something was going their way. Now all they had to do was connect without Gabe leading the cops to her. She checked the time on the ancient clock radio on the nightstand. It was past six o’clock. So she must have slept
Julia Derek (Cuckoo Avenged (Cuckoo Series, #4))
4½ ounces cream cheese ½ cup butter 1 cup flour jelly or preserves Sugar Belle melts her butter, blends it with the cheese, and stirs in the flour to make a nice smooth dough. Then she puts it in the freezing compartment for about an hour, until it’s firm. Next, she nips little pieces off, about the size of golf balls, rolls them out, trims them into squares, and puts a teaspoon of jelly on each. (If you wonder why Sugar Belle doesn’t just roll the whole thing out and cut it into squares, it is because the dough is hard to handle that way.) Then she folds them into triangles, seals the edges with a floured fork, and bakes them on a greased cooky sheet at 450º until they’re brown, which is from ten to fifteen minutes. And when she puts a big plateful of these in front of her husband, you just ought to see his face light up!
Peg Bracken (The I Hate to Cook Book (50th Anniversary Edition))
Sara had never eaten such a delicious meal in her life: succulent lobster and quail meat baked in pastry, and chicken breasts rolled in crumbly batter, fried in butter, and covered with a rich Madeira sauce. Derek kept urging her to try different morsels: a bite of potato soufflé dabbed with sour cream, a spoonful of liqueur-flavored jelly that dissolved on her tongue, a taste of salmon smothered in herbs.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
I wanted something for myself, a cake that was complicated and beautiful, a cake that would take up time I didn't have with enough tricky steps to keep my mind completely off of the matters at hand. I thought about a chocolate layer cake with burnt orange icing and the orange in the icing made me consider a Grand Marnier cake instead. Finally, in a complete non sequitur, I settled on a charlotte. I would make a scarlet empress. I closed my eyes and imagined myself making a jelly roll, the soft sheet of sponge cake laid across my counter. I spread the cake with a seedless raspberry preserve and then I rolled it up with even ends. I was nearly asleep. My parents were floating away from me. I took a knife and started slicing off the roll, but I didn't let it end. No matter how many rounds I cut, there was more there for me, an endless supply of delicate spirals of cake. It was the baker's equivalent to counting sheep, lulling myself to sleep through spongy discs of jam. There were enough slices of jelly roll for me to shingle the roof, to cover the house, to lay a walkway out to the street. In my dreams I made the house a cake, and inside the cake our lives were warm and sweet and infinitely protected.
Jeanne Ray (Eat Cake)
So don’t be jelly When I roll on through, Nabbin’ more ass than a goddamn zoo.
Douglas Hackle (Is Winona Ryder Still with the Dude from Soul Asylum? and Other LURID Tales of TERROR and DOOM!!!)
When Ada woke up the next morning, the house was filled with unusual smells. Her aunt had prepared breakfast – or a banquet, more like it. Grilled halloumi with za’atar, baked feta with honey, sesame halva, stuffed tomatoes, green olives with fennel, bread rolls with black olive spread, fried peppers, spicy sausage, spinach börek, puff-pastry cheese straws, pomegranate molasses with tahini, hawthorn jelly, quince jam and a large pan of poached eggs with garlic yogurt were all neatly arrayed on the table.
Elif Shafak (The Island of Missing Trees)
Here's to Mulberry Jane She made jam when she came Somebody cut off her feet Now jelly rolls in the street.
Lou Reed