Jeff Quotes

How did you become blind, uh, Jeff is it?" Yeah, Jeff. Well, I looked directly at the sun, you know, the way they always tell you not to. If only I had listened.

I'll be famous one day, but for now I'm stuck in middle school with a bunch of morons." - Greg Heffley,

If there's one thing I learned from Rodrick, it's to set people's expectations real low so you end up surprising them by practically doing nothing at all.

And you're blind?" Uh-huh," Iggy said, trying to sound bored. Were you born that way?" No." How did you become blind, uh, Jeff, is it?" Yeah, Jeff. Well, I looked directly at the sun, you know, the way they always tell you not to. If only I had listened.

You can't expect everyone to have the same dedication as you.

Jeff, I have a problem.” “I’m glad you’ve finally realized I’m your answer, Merit.

There's nothing good about goodnight when it means goodbye.

Nothing in life is fair. Fair is a dirty word and I'll thank you not to use that language around me.

You're driving me NORMAL!

That's how the madness of the world tries to colonize you: from the outside in, forcing you to live in its reality.

The effect of this cannot be understood without being there. The beauty of it cannot be understood, either, and when you see beauty in desolation it changes something inside you. Desolation tries to colonize you.

After all, Fnick is Superman," said Iggy. "Shut up, Jeff," I said, but I was smiling. I lifted Iggy's fingers to my face so that he knew.

The best person I know is Myself.

Weren't we all crazy in our sleep? What was sleep, after all, but the process by which we dumped our insanity into a dark subconscious pit and came out on the other side ready to eat cereal instead of our neighbor's children?

If you're going to live, you might as well do painful, brave, and beautiful things.

Monkeys can't talk, stupid!

Silence creates its own violence.

The rifle itself has no moral stature, since it has no will of its own. Naturally, it may be used by evil men for evil purposes, but there are more good men than evil, and while the latter cannot be persuaded to the path of righteousness by propaganda, they can certainly be corrected by good men with rifles.

I like the mountains because they make me feel small,' Jeff says. 'They help me sort out what's important in life.

So if you want to find somebody to blame for the way i am, I guess you'd have to start with the public education system.

some questions will ruin you if you are denied the answer long enough.

I did not like this feeling of having feelings.

I'm a very neat monster." ~Dexter Morgan

Dear Aunt Loretta, Thank you so much for the awesome pants! How did you know I wanted that for Christmas? I love the way the pants look on my legs! All my friends will be so jealous that I have my very own pants. Thank you for making this the best Christmas ever! Sincerely, Greg

I have no advice for anybody; except to, you know, be awake enough to see where you are at any given time, and how that is beautiful, and has poetry inside. Even places you hate.

Zoo-Wee Mama!

The map had been the first form of misdirection, for what is a map but a way of emphasizing some things and making other things invisible?

I slid Mallory a glance. “He’s (Jeff) your test? He thinks anything with breasts looks good.” "Since you don’t qualify, that’s why I asked him over.

A circle looks at a square and sees a badly made circle.

Life's only obligation, afterall, was to be interesting.

Whatever made me the way I am left me hollow, empty inside, unable to feel. It doesn't seem like a big deal. I'm quite sure most people fake an awful lot of everyday human contact. I just fake it all. I fake it very well, and the feelings are never there.

There are certain kinds of deaths that one should not be expected to re-live, certain kinds of connections that are so deep that when broken you feel the snap of the link inside you.

Sometimes we focus so much on what we don't have that we fail to see, appreciate, and use what we do have!

But as I have noticed on more than one occaision, life itself is unfair, and there is no complaint department, so we might as well accept things the way they happen, clean up the mess, and move on.

I didn't really know what to expect from detention but when I waked into the room, the first thought I had was, I don't belong in here with these future criminals.

Anybody can be charming if they don't mind faking it, saying all the stupid, obvious, nauseating things that a conscience keeps most people from saying. Happily, I don't have a conscience. I say them.

See, when you're a little kid, nobody ever warns you that you've got an expiration date. One day you're hot stuff and the next day you're a dirt sandwich.

Nothing makes you feel more naked than someone identifying a desire you never knew you possessed.

My idea of a fun night was diving into a massive pile of To Be Read pile of books stacked near my dresser... I was the girl who loved everything geeky.

Well, the problem is, it's not easy for me to think of ways to improve myself, because I'm pretty much one of the best people I know.

The problem with the designated driver program, it's not a desirable job, but if you ever get sucked into doing it, have fun with it. At the end of the night, drop them off at the wrong house.

Really now: If you can't get me my newspaper on time, how can you expect me to refrain from killing people?

We all live in a kind of continuous dream,” I told him. “When we wake, it is because something, some event, some pinprick even, disturbs the edges of what we’ve taken as reality.

For the record, I think it should be illegal for a boy to have to fold his mother's underwear.

Perhaps because I'll never be one, humans are interesting to me.

Nothing that lived and breathed was truly objective—even in a vacuum, even if all that possessed the brain was a self-immolating desire for the truth.

YO MOMMA

I want to be ripped apart by music. I want it to be something that feeds and replenishes, or that totally sucks the life out of you. I want to be dashed against the rocks.

I'm not really sure what makes a book a 'classic' to begin with, but I think it has to be at least fifty years old and some person or animal has to die at the end.

Jeff: The drive from the valley? Peanut: Was bad as hell! Jeff: Traffic? Peanut: Sucked like hell! Jeff: Drivers? Peanut: Angry as hell! Jeff: And you? Peanut: Were scared as hell! Jeff: Parking? Peanut: Sucked more like hell! Jeff: So? Peanut: We're in hell!

I often find myself in situations where it seems to me like everyone else has read the instruction book

Perhaps my only real expertise, my only talent, is to endure beyond the endurable.

Death comes for all of us. For us, for our patients: it is our fate as living, breathing, metabolizing organisms. Most lives are lived with passivity toward death -- it's something that happens to you and those around you. But Jeff and I had trained for years to actively engage with death, to grapple with it, like Jacob with the angel, and, in so doing, to confront the meaning of a life. We had assumed an onerous yoke, that of mortal responsibility. Our patients' lives and identities may be in our hands, yet death always wins. Even if you are perfect, the world isn't. The secret is to know that the deck is stacked, that you will lose, that your hands or judgment will slip, and yet still struggle to win for your patients. You can't ever reach perfection, but you can believe in an asymptote toward which you are ceaselessly striving.

So I've started wearing sweatpants to bed because I really don't need Santa seeing me in my underwear.

Stupid, Stupid Rat Creatures!

I'm not sure what I am. I just know there's something dark in me. I hide it. I certainly don't talk about it, but it's there always, this Dark Passenger. And when he's driving, I feel alive, half sick with the thrill of complete wrongness. I don't fight him, I don't want to. He's all I've got. Nothing else could love me, not even... especially not me. Or is that just a lie the Dark Passenger tells me? Because lately there are these moments when I feel connected to something else... someone. It's like the mask is slipping and things... people... who never mattered before are suddenly starting to matter. It scares the hell out of me.

For the most part, you don't hold the people you love in your heart because they rescued you from drowning or pulled you from a burning house. Mostly you hold them in your heart because they save you, in a million quiet and perfect ways, from being alone.

I love anything that haunts me...and never leaves

I know I'll die someday, but I buy books like an immortal.

Feeling - what authentic human fun!

Expect to feel pleasure. Knowledge is sexy. Expect to feel pain. Knowledge is torture.

Why do so many people start their messages with, "It's me"? Of course it is you. We all know that. But who the hell ARE you?

You could know the what of something forever and never discover the why.

You and your group of nerds fall into a pit and it's full of dynamite and you blow up. The End.

You can either waste time worrying about a death that might not come or concentrate on what’s left to you.

We all just want to be people, and none of us know what that really means.

It’s like, everything really is two ways, the way we all pretend it is and the way it really is

Silence! I kill you!

Mutilated corpses with a chance of afternoon showers. I got dressed and went to work.

Because I am an inhuman monster, I tend to be logical,...

Successful people do what unsuccessful people are not willing to do.

If we can keep our competitors focused on us while we stay focused on the customer, ultimately we'll turn out all right.

I don't know if this makes me a bad person or whatever, but it's hard for me to get interested in other people's vacations.

That wouldn't be a bad way to die...giving off light for millions of years after you're gone.

What can you do when your five senses are not enough?

The mind picks some very bad times to take a walk doesn't it?

I sometimes look at my bookshelf now and think about how someday I'm going to die without ever reading a lot of the books there. And one might be life-changingly good and I'll never know.

If you’re not stubborn, you’ll give up on experiments too soon. And if you’re not flexible, you’ll pound your head against the wall and you won’t see a different solution to a problem you’re trying to solve.

A man who discovers his pants are on fire tends to have very little time to worry about somebody else's box of matches

I am unlovable...I have tried to involve myself in other people, in relationships, and even - in my sillier moments - in love. But it doesn't work. Something in me is broken or missing and sooner or later the other person catches me Acting or one of Those Nights comes along.

I think people understand things different when they get older. It’s not a question of getting soft, or seeing things in the gray areas instead of black and white. I really believe I’m just understanding things different. Better.

In my life long study of human beings, I have found that no matter how hard they try, they have found no way yet to prevent the arrival of Monday morning. And they do try, of course, but Monday always comes, and all the drones have to scuttle back to their dreary workday lives of meaningless toin and suffering.

First of all, let me get this straight: This is a JOURNAL, not a diary. I know what it says on the cover, but when Mom went out to buy this thing I SPECIFICALLY told her to get one that didn't say 'diary' on it.

Where lies the strangling fruit that came from the hand of the sinner I shall bring forth the seeds of the dead to share with the worms that gather in the darkness and surround the world with the power of their lives while from the dimlit halls of other places forms that never were and never could be writhe for the impatience of the few who never saw what could have been. In the black water with the sun shining at midnight, those fruit shall come ripe and in the darkness of that which is golden shall split open to reveal the revelation of the fatal softness in the earth. The shadows of the abyss are like the petals of a monstrous flower that shall blossom within the skull and expand the mind beyond what any man can bear, but whether it decays under the earth or above on green fields, or out to sea or in the very air, all shall come to revelation, and to revel, in the knowledge of the strangling fruit—and the hand of the sinner shall rejoice, for there is no sin in shadow or in light that the seeds of the dead cannot forgive. And there shall be in the planting in the shadows a grace and a mercy from which shall blossom dark flowers, and their teeth shall devour and sustain and herald the passing of an age. That which dies shall still know life in death for all that decays is not forgotten and reanimated it shall walk the world in the bliss of not-knowing. And then there shall be a fire that knows the naming of you, and in the presence of the strangling fruit, its dark flame shall acquire every part of you that remains.

I am not shy about admitting my modest talents. For example, I am happy to admit that I am better than average at clever remarks, and I also have a flair for getting people to like me. But to be perfectly fair to myself, I am ever-ready to confess my shortcomings, too, and a quick round of soul-searching forced me to admit that I had never been any good at all at breathing water. As I hung there from the seat belt, dazed and watching the water pour in and swirl around my head, this began to seem like a very large character flaw.

We’re all taught from a young age that there are only two choices: pink or blue, Bratz or Power Rangers, cheerleading or football. We see gender in two dimensions because that’s what society has taught us from birth. But, are you ready for a shocking revelation? SOCIETY NEEDS TO CHANGE.

The truth is, what you do matters. What you do today matters. What you do every day matters. Successful people just do the things that seem to make no difference in the act of doing them and they do them over and over and over until the compound effect kicks in.

She's it. She's my everything. She's the standard by which I'll judge beauty for the rest of my life. I'll measure every touch to her breath on my skin. Every voice to her voice. Every mind to her mind. My measure of perfection. The name carved into me. If I could, I would lie with her under these stars until my heart burst.

Then one day, this kid named Darren Walsh touched the Cheese with his finger, and that's what started this thing called the Cheese Touch. It's basically like the Cooties. If you get the Cheese Touch, you're stuck with it until you pass it on to someone else. The only way to protect yourself from the Cheese Touch is to cross your fingers.

When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate. Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader. That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations. Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb Iron Dragon's Daughter gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies? Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge. The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.

There was this book Dad used to read to me every night called "The Giving Tree." It was a really good book, but the back of it had a picture of the author, this guy named Shel Silverstein. But Shel Silverstein looks more like a burglar or a pirate than a guy who should be writing books for kids. Dad must have known that picture kind of freaked me out, because one night after I got out of bed, Dad said: "IF YOU GET OUT OF BED AGAIN TONIGHT, YOU'LL PROBABLY RUN INTO SHEL SILVERSTEIN IN THE HALLWAY." That really did the trick, Ever since then, I STILL don't get out of bed at night, even if I really need to use the bathroom.

I am walking forever on the path from the border to base camp. It is taking a long time, and I know it will take even longer to get back. There is no one with me. I am all by myself. The trees are not trees the birds are not birds and I am not me but just something that has been walking for a very long time…

Have you noticed how difficult it is just to get along in the world? If you're no good at all in your job, people treat you badly and eventually you will be unemployed. And if you're a little better than competent, everyone expects miracles from you, every single time. Like most of life, it's a no-win situation. And if you dare to mention it, no matter how creatively you phrase your complaints, you are shunned as a whiner.

I very frequently get the question: 'What's going to change in the next 10 years?' And that is a very interesting question; it's a very common one. I almost never get the question: 'What's not going to change in the next 10 years?' And I submit to you that that second question is actually the more important of the two -- because you can build a business strategy around the things that are stable in time. ... [I]n our retail business, we know that customers want low prices, and I know that's going to be true 10 years from now. They want fast delivery; they want vast selection. It's impossible to imagine a future 10 years from now where a customer comes up and says, 'Jeff I love Amazon; I just wish the prices were a little higher,' [or] 'I love Amazon; I just wish you'd deliver a little more slowly.' Impossible. And so the effort we put into those things, spinning those things up, we know the energy we put into it today will still be paying off dividends for our customers 10 years from now. When you have something that you know is true, even over the long term, you can afford to put a lot of energy into it.

Dylan and Leonard Cohen and Patti Smith, all dark, all romantic. When I say “romantic,” I mean a sensibility that sees everything, and has to express everything, and still doesn’t know what the fuck it is, it hurts that bad. It just madly tries to speak whatever it feels, and that can mean vast things. That sort of mentality can turn a sun-kissed orange into a flaming meteorite, and make it sound like that in a song.

What were you thinking when we were holding hands diagonally?" I ask. Jeff says, "I was thinking, 'It's going to be so hard for her when she chooses not to get on that lifeboat and stay with me.'" I decide I can't start this marriage with a lie. "Really?" I say. "'Cause I was thinking that it was going to be so hard for you when I got on the lifeboat and you had to stay behind." He is appalled. I plead my case. "Remember when we saw Titanic how mad I was at Kate Winslet when she climbed out of the lifeboat and back into the ship? I think she encumbered Leonardo DiCaprio. If she had gone on the lifeboat, then he could have had that piece of wood she was floating on and they both would have survived. I would never do that to you." I wait for his response, hoping that in the twenty-first century romantic love can be defined as not lying about your plans to get on the lifeboat and remembering to get your partner some pills. He just laughs. With that settled, we begin our married life.

Suppose that a man leaps out of a burning building—as my dear friend and colleague Jeff Goldberg sat and said to my face over a table at La Tomate in Washington not two years ago—and lands on a bystander in the street below. Now, make the burning building be Europe, and the luckless man underneath be the Palestinian Arabs. Is this a historical injustice? Has the man below been made a victim, with infinite cause of complaint and indefinite justification for violent retaliation? My own reply would be a provisional 'no,' but only on these conditions. The man leaping from the burning building must still make such restitution as he can to the man who broke his fall, and must not pretend that he never even landed on him. And he must base his case on the singularity and uniqueness of the original leap. It can't, in other words, be 'leap, leap, leap' for four generations and more. The people underneath cannot be expected to tolerate leaping on this scale and of this duration, if you catch my drift. In Palestine, tread softly, for you tread on their dreams. And do not tell the Palestinians that they were never fallen upon and bruised in the first place. Do not shame yourself with the cheap lie that they were told by their leaders to run away. Also, stop saying that nobody knew how to cultivate oranges in Jaffa until the Jews showed them how. 'Making the desert bloom'—one of Yvonne's stock phrases—makes desert dwellers out of people who were the agricultural superiors of the Crusaders.

Perhaps our dreams are there to be broken, and our plans are there to crumble, and our tomorrows are there to dissolve into todays, and perhaps all of this is all a giant invitation to wake up from the dream of separation, to awaken from the mirage of control, and embrace whole-heartedly what is present. Perhaps it is all a call to compassion, to a deep embrace of this universe in all its bliss and pain and bitter-sweet glory. Perhaps we were never really in control of our lives, and perhaps we are constantly invited to remember this, since we constantly forget it. Perhaps suffering is not the enemy at all, and at its core, there is a first-hand, real-time lesson we must all learn, if we are to be truly human, and truly divine. Perhaps breakdown always contains breakthrough. Perhaps suffering is simply a right of passage, not a test or a punishment, nor a signpost to something in the future or past, but a direct pointer to the mystery of existence itself, here and now. Perhaps life cannot go 'wrong' at all.

A Master is not someone who merely revels in the benefits that he reaps from the power and control that he wields over his sub. A Master is not just an automaton who emotionally doles out orders and watches with amusement as his minions perform his bidding. A Master is not a person who only relishes the benefits that his superior status entitles him. Certainly all of these characteristics could and often do exist within a Master. He may be demanding and at times selfish. He may genuinely enjoy and even be aroused by the power that he has over a sub. He may be able to expertly control his emotions, issuing his commands and enforcing his discipline with stone-faced determination. But a true Master, a Master such as Matt, was so invested in his sub that he was actually in a way a slave himself. He was a slave to his love for me. He was a slave to his responsibility. He was a slave to the passion and the commitment. He was a slave to his overwhelming desire to protect his property at all costs. He was a slave to his slave. I knew without questions that he loved me so much he'd literally lay down his life for me. He owned me, and his ownership owned him

Sometimes people walk away from love because it is so beautiful that it terrifies them. Sometimes they leave because the connection shines a bright light on their dark places and they are not ready to work them through. Sometimes they run away because they are not developmentally prepared to merge with another- they have more individuation work to do first. Sometimes they take off because love is not a priority in their lives- they have another path and purpose to walk first. Sometimes they end it because they prefer a relationship that is more practical than conscious, one that does not threaten the ways that they organize reality. Because so many of us carry shame, we have a tendency to personalize love's leavings, triggered by the rejection and feelings of abandonment. But this is not always true. Sometimes it has nothing to do with us. Sometimes the one who leaves is just not ready to hold it safe. Sometimes they know something we don't- they know their limits at that moment in time. Real love is no easy path- readiness is everything. May we grieve loss without personalizing it. May we learn to love ourselves in the absence of the lover.