Charmed Witch Quotes

We've searched our database for all the quotes and captions related to Charmed Witch. Here they are! All 100 of them:

Eye of newt, and toe of frog, Wool of bat, and tongue of dog, Adder's fork, and blind-worm's sting, Lizard's leg, and owlet's wing,— For a charm of powerful trouble, Like a hell-broth boil and bubble. Double, double toil and trouble; Fire burn, and caldron bubble.
William Shakespeare
Asleep, he looks like a bleeding Prince Charming chained in the dungeon. When I was little, I always thought I’d be Cinderella, but I guess this makes me the wicked witch. But then again, Cinderella didn’t live in a post-apocalyptic world invaded by avenging angels.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
This isn't your average book, it's pure gold: Twelve Fail-Safe Ways to Charm Witches. Explains everything you need to know about girls. IF only I'd had this last year I'd have known exactly how to get rid of Lavender and I would've known how to get going with... Well Fred and George gave me a copy, and I've learned a lot. You'd be surprised, it's not all about wandwork, either.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
A witch, a vampire, and a pixy walk into a bar, I thought as I led the way into the Squirrel’s End. It was early, and the sun had yet to set when the door swung shut behind Jenks, sealing us in the warm air smelling faintly of smoke. Immediately Nick yanked it open to come in behind us. And there’s the punch line.
Kim Harrison (A Fistful of Charms (The Hollows, #4))
Friendship is constant in all other things Save in the office and affairs of love. Therefore all hearts in love use their own tongues. Let every eye negotiate for itself, And trust no agent; for beauty is a witch Against whose charms faith melteth into blood.
William Shakespeare (Much Ado About Nothing)
No bit of tail ever comes between you and Prince Charming. He must have entranced you." "Prince Charming?" Falin asked, the question barely a whisper. "What did you think PC stood for? Politically Correct?
Kalayna Price (Grave Witch (Alex Craft, #1))
Ms. Craft, while I’m sure your charming personality endears you to many people, is there anyone you know who would want to kill you?
Kalayna Price (Grave Witch (Alex Craft, #1))
Not all of us are evil. We're not a threat. I've met charming witches. Good, lovely, peaceful witches. But you judge us. And fear us. You persecute us. You burn us.
Míriam Bonastre Tur (Hooky (Hooky, #1))
a certain bohemian, good-witch sort of charm
Michael Cunningham (The Hours)
I sniffed, wiping my eyes. “Look at that,” I muttered. “The bastard made me cry.” Jenks’ wings made a cool spot on my neck. “Want me to pixy him?” “No. But now I don’t have the chance of a ghost’s fart in a windstorm to get that Pandora charm.” That’s not really what was bothering me, though. It was Trent. Why did I even care what he thought?
Kim Harrison (White Witch, Black Curse (The Hollows, #7))
Gilderoy Lockhart, Order of Merlin, Third Class, Honorary Member of the Dark Force Defense League, and five times winner of Witch Weekly's Most Charming Smile Award. But I don't talk about that; I didn't get rid of the Banden Banshee by smiling at him.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
Yes, yes, I know what you’re thinking! ‘It’s all right for him, he’s an internationally famous wizard already!’ But when I was twelve, I was just as much of a nobody as you are now. In fact, I’d say I was even more of a nobody! I mean, a few people have heard of you, haven’t they? All that business with He-Who-Must-Not-Be-Named!” He glanced at the lightning scar on Harry’s forehead. “I know, I know — it’s not quite as good as winning Witch Weekly’s Most-Charming-Smile Award five times in a row, as I have — but it’s a start, Harry, it’s a start.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
You could say that Elphaba brought us together,' said Boq softly. 'I'm closer to her and so I'm closer to you.' Galinda seemed to give up. She leaned her head back on the velvet cushions of the swing and said, 'Boq, you know despite myself I think you're a little sweet. You're a little sweet and you're a little charming and you're a little maddening and you're a little habit-forming.' Boq held his breath. But you're little!' she concluded. 'You're a Munchkin, for god's sake!' He kissed her, he kissed her, he kissed her, little by little by little.
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
Yeah? You want to do some other worldly hanky panky? She laughed and almost fell off the couch. "Hanky Panky?" "Don't knock it till you try it
Carrie Ann Ryan (Charmed Spirits (Holiday, Montana, #1))
We’ll tell the nurses she’s a new student with an interest in nursing. They’ll be charmed.' Tess flips her braids over her should. 'I am particularly adorable today.
Jessica Spotswood (Star Cursed (The Cahill Witch Chronicles, #2))
Prince Charming fooling around with the local witch. We're a diplomatic nightmare.
Gina Chen (Violet Made of Thorns)
I'm experiencing some jacked-up version of magical PTSD.
Kelly Moran (Charmed (Fated #2))
The Weird Sisters, hand in hand, Posters of the sea and land, Thus do go, about, about, Thrice to thine, thrice to mine, And thrice again to make up nine. Peace, the charm's wound up.
William Shakespeare (Macbeth)
I give Finn a wicked smile. "Don't you think a peg leg would be charming? Like a pirate? The first mate of the Calypso had one, didn't he?" "It would add a certain rakish factor. Have you got a spare eye patch?" "Be serious, you two. Gangrene is no laughing matter," Mrs. O'Hare scolds.
Jessica Spotswood (Born Wicked (The Cahill Witch Chronicles, #1))
Silent. So it should be. You have no place in this world, Luthiel. And there is no other.' Zalos reached out and lifted a few strands of her hair. 'Bright songs and the magic of hope are but a dangerous illusion. The fake comfort of witches charms.
Robert Fanney
Hannah’s magic cure for every ill,” Nat had said. “Blueberry cake and a kitten.” Kit smiled to see it working its charm on Prudence. But there was an invisible ingredient that made the cure unfailing. The Bible name for it was love.
Elizabeth George Speare (The Witch of Blackbird Pond)
Once upon a time there was a king who had three beautiful daughters. No, no, wait. Once upon a time there were three bears who lived in a wee house in the woods. Once upon a time there were three soldiers, tramping together down the road after the war. Once upon a time there were three little pigs. Once upon a time there were three brothers. No, this is it. This is the variation I want. Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts. Bounce, effort, and snark. Contemplation and enthusiasm. Ambition and strong coffee. Sugar, curiosity, and rain. And yet, there was a witch. There's always a witch. This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening. The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short. The next boy was studious and open hearted. Though it's true, he was an outsider. And the girl was witty, Generous, and ethical. Though it's true, she felt powerless. The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic. She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them. She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it. She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think. Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so. What she did instead was cursed them. "When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame." The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches. There, surely, they would be safe. There, Surely, the witch would never find them. But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting. The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories. Then she gave them a box of matches. The children were entranced, for nearly sixteen they have never seen fire. Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen. Go on, she said, the flames will cleanse your souls. Go on, she said, for you are independent thinkers. Go on, she said. What is this life we lead, if you did not take action? And they listened. They took the matches from her and they struck them. The witch watched their beauty burn, Their bounce, Their intelligence, Their wit, Their open hearts, Their charm, Their dreams for the future. She watched it all disappear in smoke.
E. Lockhart (We Were Liars)
This wasn’t what she expected. Never, in her wildest dreams. This... this was the Blood Queen of Garbhán Isle? Scourge of the Madron lands? Destroyer of Villages? Demon Killer of Women and Children? She who had blood pacts with the darkest of gods? This was Annwyl the Bloody? Talaith watched, fascinated, as Annwyl held onto Morfyd the Witch’s wrists. Morfyd — the Black Witch of Despair, Killer of the Innocent, Annihilator of Souls, and all around Mad Witch of Garbhán Isle or so she was called on the Madron lands — had actually tried to sneak up on Annwyl to put ointment on the nasty wound the queen had across her face. But as soon as the warrior saw her, she squealed and grabbed hold of her. Now Annwyl lay on her back, Morfyd over her, trying her best to get Annwyl to stop being a ten year old. “If you just let me—” “No! Get that centaur shit away from me, you demon bitch!” “Annwyl, I’m not letting you go home to my brother looking like that. You look horrific.” “He’ll have to love me in spite of it. Now get off!” ... “Ow!” “Crybaby.” No, this isn’t what Talaith expected. Annwyl the Blood Queen was supposed to be a vicious, uncaring warrior bent on revenge and power. She let her elite guard rape and and pillage wherever they went, and she used babies as target practice while their mothers watched in horror. That’s what she was supposed to be and that’s what Talaith expected to find. Instead, she found Annwyl. Just Annwyl. A warrior who spent most of her resting time reading or mooning over her consort. She was silly, charming, very funny, and fiercely protective of everyone. Her elite guard, all handpicked by Annwyl, were sweet, vicious fighters and blindingly loyal to their queen.
G.A. Aiken (About a Dragon (Dragon Kin, #2))
I once knew of a minstrel who bragged of having had a thousand women, one time each. He would never know what I knew, that to have one woman a thousand times, and each time find in her a different delight, is far better. I knew now what gleamed in the eyes of old couples when they stared at each other across a room...My familiarity with her was a more potent love elixir than any potion sold by a hedge-witch in the market.
Robin Hobb (Fool's Assassin (The Fitz and the Fool, #1))
Beauty is an illusion that eyes see and mind discerns—a serpent that looks charming but stings hard— a witch that tempts and damns.
Mubashar Nawaz & Khurram Shahzad
No one likes an angry woman. She is the worst kind of villain: a witch, obnoxious and ugly and full of spite and bitterness. Shrill. I do anything to avoid that feeling, anything to stop myself from being that woman. I try to make anything resembling anger seem spunky and charming and sexy. I fold it into something small, tuck it away.
Emily Ratajkowski (My Body)
Pierce truly was a black witch. He had tried to kill with magic. It didn’t matter if the charm was white, black, or polka dotted with silver sparkles.
Kim Harrison (Pale Demon (The Hollows, #9))
hither,hither, from thy home,airy sprite, i bid thee come! born of roses, fed on dew, charms and potions canst thow brew? bring me here, with elfin speed,the fragment philter witch i need; make it sweet and swift and stong, spirite amserw now my song hither i come, from my airy home, afar silver moon. take magic spell, and use it well. or its powers will vanish soon!
Louisa May Alcott (Little Women (Little Women #1))
She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witch-men, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the pensive, as though it had been looking at the image of its own tenebrous and passionate soul.
Joseph Conrad (Heart of Darkness)
He gave Sophie the smile which had no doubt charmed the Witch of the Waste and possibly Lettie too, firing it along the fork, across the cream, straight into Sophie’s eyes, dazzlingly. “If you can bully Calcifer, the King should give you no trouble at all.” Sophie stared through the dazzle and said nothing. This, she thought, was where she slithered out. She was leaving. It was too bad about Calcifer’s contract. She had had enough of Howl. First green slime, then glaring at her for something Calcifer had done quite freely, and now this! Tomorrow she would slip off to Upper Folding and tell Lettie all about it.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Thrice the brinded cat hath mew’d. Thrice and once the hedge-pig whined. Harpier cries ’Tis time, ’tis time. Round about the cauldron go; In the poison’d entrails throw. Toad, that under cold stone Days and nights has thirty-one Swelter’d venom sleeping got, Boil thou first i’ the charmed pot. Double, double toil and trouble; Fire burn, and cauldron bubble. Fillet of a fenny snake, In the cauldron boil and bake; Eye of newt and toe of frog, Wool of bat and tongue of dog, Adder’s fork and blind-worm’s sting, Lizard’s leg and owlet’s wing, For a charm of powerful trouble, Like a hell-broth boil and bubble. Scale of dragon, tooth of wolf, Witches’ mummy, maw and gulf Of the ravin’d salt-sea shark, Root of hemlock digg’d i’ the dark, Liver of blaspheming Jew, Gall of goat, and slips of yew Silver’d in the moon’s eclipse, Nose of Turk and Tartar’s lips, Finger of birth-strangled babe Ditch-deliver’d by a drab, Make the gruel thick and slab: Add thereto a tiger’s chaudron, For the ingredients of our cauldron. Double, double toil and trouble; Fire burn and cauldron bubble. By the pricking of my thumbs, Something wicked this way comes.
William Shakespeare
for beauty is a witch, Against whose charms faith melteth into blood.
William Shakespeare (Much Ado About Nothing)
Ivy had once said that sharing blood was a way to show deep affection, loyalty, and friendship. I felt that way about her, but what she wanted from me was so far from what I understood that I was afraid. She wanted to share with me something so complex and intangible that the shallow emotional vocabulary of human and witch didn’t have the words or cultural background to define it. She was waiting for me to figure it out. And I lumped it all with sex because I didn’t understand.
Kim Harrison (A Fistful of Charms (The Hollows, #4))
Witches married outside their species all the time, especially before the Turn. There were perfectly acceptable options: adoption, artificial insemination, borrowing your best friend’s boyfriend for a night. Issues of what was morally right and wrong tended not to matter when you found yourself in love with a man you couldn’t tell you weren’t human. It sort of went with the whole hiding-among-humans-for-the-last-five-thousand-years thing.
Kim Harrison (A Fistful of Charms (The Hollows, #4))
Traitor, witch, abomination. All those words came to him, but others crowded in, too: beautiful, charmed one. Röed fetla, he’d called her, little red bird, for the color of her Grisha Order. The color she loved.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
My stubborn little witch,” he said softly. “Don’t believe for a clockwork minute that you are unlovable. If I were a mortal, a man not doomed to walk the earth as a haunted specter, I would be the first suitor in line. Please believe that.” She hiccupped. “You… you’d want to court me?” Jack laughed. “Court you? I’d follow you around like Finney and stare at you all moony-eyed. I’d spend my days fending off your other would-be suitors, my evenings charming Flossie, and my nights stealing kisses at your window.
Colleen Houck (The Lantern's Ember)
You listen to me, and listen good!" she shouted, shocking me. "I am not evil because I have a thousand years of demon smut on my soul!" she exclaimed, the tips of her hair trembling and her face flushed. "Every time you disturb reality, nature has to balance it out. The black on your soul isn't evil, it's a promise to make up for what you have done. It's a mark, not a death sentence. And you can get rid of it given time." "Ceri, I'm sorry," I fumbled, but she wasn't listening. "You're an ignorant, foolish, stupid witch," she berated, and I cringed, my grip tightening on the copper spell pot and feeling the anger from her like a whip. "Are you saying because I carry the stink of demon magic, that I'm a bad person?" "No..." I wedged in. "That God will show no pity?" she said, green eyes flashing. "That because I made one mistake in fear that led to a thousand more that I will burn in hell?" "No. Ceri -" I took a step forward. "My soul is black," she said, her fear showing in her suddenly pale cheeks. "I'll never be rid of it all before I die, but it won't be because I'm a bad person but because I was a frightened one.
Kim Harrison (A Fistful of Charms (The Hollows, #4))
Non-magic people (more commonly known as Muggles) were particularly afraid of magic in medieval times, but not very good at recognizing it. On the rare occasion that they did catch a real witch or wizard, burning had no effect whatsoever. The witch or wizard would perform a basic Flame-Freezing Charm and then pretend to shriek with pain while enjoying a gentle, tickling sensation. Indeed, Wendelin the Weird enjoyed being burned so much that she allowed herself to be caught no less than forty-seven times in various disguises.
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
Guilt can be a very destructive emotion.
Deborah Blake (Dangerously Charming (Broken Riders, #1))
I glanced at the pain charms draped around my neck, thinking I looked like a drunken prostitute at Mardi Gras.
Kim Harrison (Dead Witch Walking (The Hollows, #1))
Oberon said from behind the counter. I busied myself making Emily's tea and spoke to him through our link. 'Yes, well, she's decided to take the high road, so I'll be happy to walk it with her as long as she likes.' 'Nope. She's a witch. A polite witch, but still a witch. She's got a charm on her hair that would have had me giving her anything she wanted if I hadn't been wearing protection. Don't take anything from her, by the way.' 'Oh yes she does. Emily has probably already told her.' 'How would you know the difference if she did? You think all sausages are magic.
Kevin Hearne (Hounded (The Iron Druid Chronicles, #1))
There is an odd quirk in the human mind that makes a fearful man prefer to go quietly to a wicked-looking, gnarled "witch" for a countercharm than to a respectable licensed sorcerer or an accredited priest of the Church.
Randall Garrett (Murder and Magic (Lord Darcy, #1))
The third encounter came towards the end of the afternoon when Sophie had worked her way quite high into the hills. A countryman came whistling down the lane towards her. A shepherd, Sophie thought, going home after seeing to his sheep. He was a well set up young fellow of forty or so. "Gracious!" Sophie said to herself. "This morning I'd have seen him as an old man. How one's point of view does alter!" When the shepherd saw Sophie mumbling to herself, he moved rather carefully over to the other side of the lane and called out with great heartiness, "Good evening to you, Mother! Where are you off to?" "Mother?" said Sophie. "I'm not your mother, young man!" "A manner of speaking," the shepherd said, edging along against the opposite hedge. "I was only meaning a polite inquiry, seeing you walking into the hills at the end of the day. You won't get down into Upper Folding before nightfall, will you?" Sophie had not considered this. She stood in the road and thought about it. "It doesn't matter really," she said, half to herself. "You can't be fussy when you're off to seek your fortune." "Can't you indeed, Mother?" said the shepherd. He had now edged himself downhill of Sophie and seemed to feel better for it. "Then I wish you luck, Mother, provided your fortune don't have nothing to do with charming folks' cattle." And he took off down the road in great strides, almost running, but not quite. Sophie stared after him indignantly. "He thought I was a witch!" she said to her stick. She had half a mind to scare the shepherd by shouting nasty things after him, but that seemed a little unkind.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
I know a charm that can cure pain and sickness, and lift the grief from the heart of the grieving. I know a charm that will heal with a touch. I know a charm that will turn aside the weapons of an enemy. I know another charm to free myself from all bonds and locks. A fifth charm: I can catch an arrow in flight and take no harm from it. A sixth: spells sent to hurt me will hurt only the sender. A seventh charm I know: I can quench a fire simply by looking at it. An eighth: if any man hates me, I can win his friendship. A ninth: I can sing the wind to sleep and calm a storm for long enough to bring a ship to shore. For a tenth charm, I learned to dispel witches, to spin them around in the skies so that they will never find their way back to their own doors again. An eleventh: if I sing it when a battle rages it can take warriors through the tumult unscathed and unhurt, and bring them safely back to their hearths and their homes. A twelfth charm I know: if I see a hanged man I can bring him down from the gallows to whisper to us all he remembers. A thirteenth: if I sprinkle water on a child’s head, that child will not fall in battle. A fourteenth: I know the names of all the gods. Every damned one of them. A fifteenth: I had a dream of power, of glory, and of wisdom, and I can make people believe in my dreams. A sixteenth charm I know: if I need love I can turn the mind and heart of any woman. A seventeenth, that no woman I want will ever want another. And I know an eighteenth charm, and that charm is the greatest of all, and that charm I can tell to no man, for a secret that no one know but you is the most powerful secret there can ever be.
Neil Gaiman (American Gods)
I smirked as I recalled how Jenks’s kids took to Ceri, and how Ellasbeth’s mother, another pure-blood elf, adored Jenks. I didn’t have any such “charmed” feelings for the lump of somnolent rock in the belfry rafters, and as far as I knew, neither did any other witch.
Kim Harrison (The Outlaw Demon Wails (The Hollows, #6))
God, what I wouldn’t give to live in a fairytale, sometimes. Or even just a romantic comedy. In them, this wouldn’t fly. Like, imagine if Prince Charming had picked up the glass slipper and decided the city was too big to scour it for someone who fit the damn thing? Or if Prince Phillip saw Maleficent blowing fire all over the forest and went nope, fuck that, too risky? Or if Prince Eric was all like, “Hmm, I could fight the giant octopus sea witch from my nightmares, but then I could also sail home and return to eating fish I now know are sentient, safe in denial and cognitive goddamn dissonance!”? But they wouldn’t, they wouldn’t have done any of that, because in stories guys fight. They fight for the person they care about, and they don't give up, ever.
Sophie Gonzales (Only Mostly Devastated)
She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witch-men, that hung about her, glittered and trembled at every step.
Joseph Conrad (Heart of Darkness)
We teach children from a very young age that not having a girlfriend or boyfriend is almost a problem – but happily, we also let them understand that there’s ‘still time’. But we never give them the option of not wanting one. With girls, it’s reinforced by an armada of clichés and conventions conveyed through the fairy stories they absorb, from the sleeping beauty waiting for a kiss from a prince to be brought back to life, to the lonesome wicked witch who devours other people’s children. Boys, meanwhile, grow up with a more nuanced vision, thanks to a fantasy world peopled by solitary heroes who achieve extraordinary things because of their superpowers. The message is fundamentally the same, but boys have more opportunities to develop different perspectives. They’re not so bound to this image of themselves trapped in a depressing and inert solitude. Their sense of self-worth is not conditioned by the fact of having a girlfriend or a wife. They’re encouraged to be actors in a turbulent life, to reach for their dreams, to give their all to reach the top of the mountain. Little girls, meanwhile, must wait for their Prince Charming to turn up.
Pauline Harmange (I Hate Men)
Not really riding weather, is it, miss? Unless you're a duck." He chuckled at his own joke. "Quack," Jenna said...
Deborah Blake (Dangerously Charming (Broken Riders, #1))
At the sight of Day, her whole face lit up. "Mikhail! You came! Barbara said you would, but that we might have to wait for hell to freeze over first. Did it?
Deborah Blake (Dangerously Charming (Broken Riders, #1))
Regret doesn’t mean it wasn’t the right choice to make,
Elle Adams (Charms & Chapters (Library Witch Mystery #2))
That’s right, dear. We must all hunt for the pussy.” She turned to the crowd with a witch’s piercing scream. “Hunt for pussy, everyone!
Diana Wynne Jones (The Chronicles of Chrestomanci, Vol. I: Charmed Life and The Lives of Christopher Chant)
Never let your enemy know how much they affect you, or you lose,
Davina Baron (Charmed by the Witch)
Even the witch ends up with Prince Charming sometimes.
Jennifer Harlow (What's a Witch to Do?)
Novice-ranked Witches were offered a few different choices: healing, enchanting, divination, wardcraft, charms, potions, summoning, and to my shock, necromancy.
Tobias Begley (The Enchanter (Journals of Evander Tailor #1))
I’m charming and debonair. Magnetic. I can’t even walk across a room without witches falling into my lap.
isthisselfcare (Draco Malfoy and the Mortifying Ordeal of Being in Love)
The job Chrestomanci has is to make sure this world isn’t run entirely by witches. Ordinary people have rights too.
Diana Wynne Jones (Charmed Life (Chrestomanci, #1))
He said he was not afraid because years before a witch doctor gave him a charm against evil spirits. "Let me see that charm," I asked. "It's words," he said. "It's a word charm." "Can you say them to me?" "Sure," he said and he droned, "In nomine Patris et Filli et Spiritus Sancti." "What does it mean?" He raised his shoulder. "I don't know," he said. "It's a charm against evil spirits so I am not afraid of them." I've dredged this conversation out of a strange-sounding Spanish but there is no doubt one of his charm, and it worked for him.
John Steinbeck (Travels with Charley: In Search of America)
Thank you,” said Lee’s voice. “And now we turn to regular contributor Royal, for an update on how the new Wizarding order is affecting the Muggle world.” “Thanks, River,” said an unmistakable voice, deep, measured, reassuring. “Kingsley!” burst out Ron. “We know!” said Hermione, hushing him. “Muggles remain ignorant of the source of their suffering as they continue to sustain heavy casualties,” said Kingsley. “However, we continue to hear truly inspirational stories of wizards and witches risking their own safety to protect Muggle friends and neighbors, often without the Muggles’ knowledge. I’d like to appeal to all our listeners to emulate their example, perhaps by casting a protective charm over any Muggle dwellings in your street. Many lives could be saved if such simple measures are taken.” “And what would you say, Royal, to those listeners who reply that in these dangerous times, it should be ‘Wizards first’?” asked Lee. “I’d say that it’s one short step from ‘Wizards first’ to ‘Purebloods first,’ and then to ‘Death Eaters,’” replied Kingsley. “We’re all human, aren’t we? Every human life is worth the same, and worth saving.” “Excellently put, Royal, and you’ve got my vote for Minister of Magic if ever we get out of this mess,” said Lee. “And now, over to Romulus for our popular feature ‘Pals of Potter.’” “Thanks, River,” said another very familiar voice; Ron started to speak, but Hermione forestalled him in a whisper. “We know it’s Lupin!
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
My brother, are you aware that you are presently taking the form of a rather large and distinctly emerald-hued bear? Not that it isn't an improvement on your usual excessive good lucks, but...
Deborah Blake (Dangerously Charming (Broken Riders, #1))
Andrew Theitic (ed.), The Witches’ Almanac, Witches’ Almanac Publications Tess Whitehurst, Magical Housekeeping: Simple Charms and Practical Tips for Creating a Harmonious Home, Llewellyn, 2010
Erica Feldmann (HausMagick: Transform Your Home with Witchcraft)
Do you want to tell me what you're doing up here in the middle of the woods?" He gazed at her milky white skin, dark hair, and wide eyes. "If you're looking for the seven dwarfs, they live in the next forest over.
Deborah Blake (Dangerously Charming (Broken Riders, #1))
There is nothing to be found in human eyes, and that is their terrifying and dolorous enigma, their abominable and delusive charm. There is nothing but that which we put there ourselves. That is why honest gazes are only to be found in portraits. The faded and weary eyes of martyrs, expressions tortured by ecstasy, imploring and suffering eyes, some resigned, others desperate... the gazes of saints, mendicants and princesses in exile, with pardoning smiles... the gazes of the possessed, the chosen and the hysterical... and sometimes of little girls, the eyes of Ophelia and Canidia, the eyes of virgins and witches... as you live in the museums, what eternal life, dolorous and intense, shines out of you! Like precious stones enshrined between the painted eyelids of masterpieces, you disturb us across time and across space, receivers of the dream which created you! You have souls, but they are those of the artists who wished you into being, and I am delivered to despair and mortification because I have drunk the draught of poison congealed in the irises of your eyes. The eyes of portraits ought to be plucked out.
Jean Lorrain (Monsieur De Phocas)
I swore I wasn't going to rescue any more damsels in distress," Day muttered. To his surprise, Barbara gave him a lopsided grin, banging on the side of the trailer to make it produce a door. "What makes you think she isn't rescuing you?" she asked, and stomped inside without a backward look.
Deborah Blake (Dangerously Charming (Broken Riders, #1))
She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witch-men, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul.
Joseph Conrad (Heart of Darkness)
Once upon a time, isn't that how all fairy tales begin? Except this isn't your average fairy tale. There are no charming princes or wicked witches within these pages and the fair maidens are more deadly than any big bad wolf. This is a fairy tale in the truest sense of the words; a story about fairies... the real story.
Amy Sumida (The Four Clever Brothers)
Day gazed out at the sky, where a shooting star was winging across the heavens. "I stepped in between Jenna and the hex. I wasn't even thinking; it was just instinctive." "Of course it was." Barbara gazed at him fondly. "You may think you have changed, but your gallantry was never just for show; it's part of who you are.
Deborah Blake (Dangerously Charming (Broken Riders, #1))
Why do you two have swords?" "Yes," Day asked. "Why do we?" He headed toward the door without waiting for the answer. "There is a gigantic beast rising from the lake and coming toward the hut," Gregori said, as if he'd just told them the neighbors were coming for breakfast. "We should probably stop it before it gets here.
Deborah Blake (Dangerously Charming (Broken Riders, #1))
the witch was an empiricist: she relied on her senses rather than on faith or doctrine, she believed in trial and error, cause and effect. Her attitude was not religiously passive, but actively inquiring. She trusted her ability to find ways to deal with disease, pregnancy, and childbirth—whether through medications or charms.
Barbara Ehrenreich (Witches, Midwives, & Nurses: A History of Women Healers)
And from right to left along the lighted shore moved a wild and gorgeous apparition of a woman. "She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witch-men, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul.
Joseph Conrad (Heart of Darkness)
The Gypsy’S Song* Come, cross my hand! My art surpasses All that did ever Mortal know; Come, Maidens, come! My magic glasses* Your future Husband’s form can show: For ’tis to me the power is given Unclosed the book of Fate to see; To read the fixed resolves of heaven, And dive into futurity. I guide the pale Moon’s silver waggon; The winds in magic bonds I hold; I charm to sleep the crimson Dragon, Who loves to watch o’er buried gold: Fenced round with spells, unhurt I venture Their sabbath strange where Witches keep; Fearless the Sorcerer’s circle enter, And woundless tread on snakes asleep. Lo! Here are charms of mighty power! This makes secure an Husband’s truth; And this composed at midnight hour Will force to love the coldest Youth: If any Maid too much has granted, Her loss this Philtre* will repair; This blooms a cheek where red is wanted, And this will make a brown girl fair! Then silent hear, while I discover What I in Fortune’s mirror view; And each, when many a year is over, Shall own the Gypsy’s sayings true.
Matthew Gregory Lewis (The Monk)
this matter will not go uninvestigated.” He glanced at Madam Bones, who readjusted her monocle and stared back at him, frowning slightly. “I would remind everybody that the behavior of these dementors, if indeed they are not figments of this boy’s imagination, is not the subject of this hearing!” said Fudge. “We are here to examine Harry Potter’s offenses under the Decree for the Reasonable Restriction of Underage Sorcery!” “Of course we are,” said Dumbledore, “but the presence of dementors in that alleyway is highly relevant. Clause seven of the Decree states that magic may be used before Muggles in exceptional circumstances, and as those exceptional circumstances include situations that threaten the life of the wizard or witch himself, or witches, wizards, or Muggles present at the time of the —” “We are familiar with clause seven, thank you very much!” snarled Fudge. “Of course you are,” said Dumbledore courteously. “Then we are in agreement that Harry’s use of the Patronus Charm in these circumstances falls precisely into the category of exceptional circumstances it describes?” “If there were dementors, which I doubt —” “You have heard from an eyewitness,” Dumbledore interrupted. “If you still doubt her truthfulness, call her back, question her again. I am sure she would not object.” “I — that — not —” blustered Fudge, fiddling with the papers before him. “It’s — I want this over with today, Dumbledore!” “But naturally, you would not care how many times you heard from a witness, if the alternative was a serious miscarriage of justice,” said Dumbledore.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Hermione made purple and gold streamers erupt from the end of her wand and drape themselves artistically over the trees and bushes. “Nice,” said Ron, as with one final flourish of her wand, Hermione turned the leaves on the crabapple tree to gold. “You’ve really got an eye for that sort of thing.” “Thank you, Ron!” said Hermione, looking both pleased and a little confused. Harry turned away, smiling to himself. He had a funny notion that he would find a chapter on compliments when he found time to peruse his copy of Twelve Fail-Safe Ways to Charm Witches; he caught Ginny’s eye and grinned at her before remembering his promise to Ron and hurriedly striking up a conversation with Monsieur Delacour. “Out of the way, out of the way!” sang Mrs. Weasley, coming through the gate with what appeared to be a giant, beach-ball-sized Snitch floating in front of her. Seconds later Harry realized that it was his birthday cake, which Mrs. Weasley was suspending with her wand, rather than risk carrying it over the uneven ground. When the cake had finally landed in the middle of the table, Harry said, “That looks amazing, Mrs. Weasley.” “Oh, it’s nothing, dear,” she said fondly. Over her shoulder, Ron gave Harry the thumbs-up and mouthed, Good one.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Oh, but if I took you there now,” said she, “I shouldn’t see your brother and your sisters. I very much want to know your charming relations. You are to be the Prince and – later on – the King; that is understood. But you must have courtiers and nobles. I will make your brother a duke and your sisters duchesses.” “There’s nothing special about them,” said Edmund, “and anyway, I could always bring them some other time.
C.S. Lewis (The Lion, the Witch, and the Wardrobe (Chronicles of Narnia, #2))
In the current schema for men’s upbringing and socialization, as we have said, “there is no Princess Charming.” On the contrary: men learn to mistrust love, to see it as a trap, a threat to their independence, and to see the couple almost as a necessary evil.63 Women are conditioned to wait for the love that will make them happy, that will bring them the wealth and pleasure of shared intimacy, that will show them who they truly are.
Mona Chollet (In Defense of Witches: The Legacy of the Witch Hunts and Why Women Are Still on Trial)
As they made their way there, he had to admit that Graves Glen was a pretty place. The sun was setting behind the low mountains that surrounded the town, turning the sky a deep purple. The lights strung between the streetlamps twinkled, and in every store window, there was some charming display—a pile of pumpkins, cardboard witches on broomsticks, more fairy lights. “It’s like being in a souvenir postcard,” Rhys said. “‘Greetings from Halloweentown.
Erin Sterling (The Ex Hex (The Ex Hex, #1))
A bedraggled woman stood on his doorstep in the pouring rain, and his first impulse was to slam the door in her face. But she had clearly come as far as she could; her pale face was twisted in pain, and she shivered convulsively beneath a denim jacket that was as soaking wet as the rest of her. Long black strands of hair hung down in twisted ribbons like seaweed in the vanishing daylight, reminding him of a sea creature he'd once dated briefly in his more adventurous youth.
Deborah Blake (Dangerously Charming (Broken Riders, #1))
In the middle of the night, she'd woken up with a memory of her grandmother's voice ringing in her ears. "When it happens," the older woman had said, holding on to Jenna's hand with surprising strength for someone with one foot in the grave, "and it will, don't stay in the cities. She can find you in the city. Too many eyes and whispering tongues that no one can see. Run to the woods, far away from everything and everyone you ever knew. Run, girl, run as far and as fast as you can.
Deborah Blake (Dangerously Charming (Broken Riders, #1))
Non-magic people (more commonly known as Muggles) were particularly afraid of magic in medieval times, but not very good at recognizing it. On the rare occasion that they did catch a real witch or wizard, burning had no effect whatsoever. The witch or wizard would perform a basic Flame-Freezing Charm and then pretend to shriek with pain while enjoying a gentle, tickling sensation. Indeed, Wendelin the Weird enjoyed being burned so much that she allowed herself to be caught no less than forty-seven times in various disguises. Harry
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
They sat in silence for a moment. Then Jenna said," The son of a god, huh? That explains a lot." He raised an eyebrow. "Oh?" Jenna smirked at him, a mischievous look in her sparkling blue eyes. "You know, the whole super strong, ridiculously gorgeous thing. But obviously you've been told that a lot over the years. I don't expect it means much anymore." A voice far in the back of head said something faint about bad ideas, but he hit it with a large mental stick until it sputtered and shut up. "It depends on who says it," he answered, and bent his head down and kissed her.
Deborah Blake (Dangerously Charming (Broken Riders, #1))
It seems obvious that throughout history, as one of the few professions open to women, midwifery must have attracted women of unusual intelligence, competence, and self-respect§. While acknowledging that many remedies used by the witches were “purely magical” and worked, if at all, by suggestion, Ehrenreich and English point out an important distinction between the witch-healer and the medical man of the late Middle Ages: . . . the witch was an empiricist; She relied on her senses rather than on faith or doctrine, she believed in trial and error, cause and effect. Her attitude was not religiously passive, but actively inquiring. She trusted her ability to find ways to deal with disease, pregnancy and childbirth—whether through medication or charms. In short, her magic was the science of her time. By contrast: There was nothing in late mediaeval medical training that conflicted with church doctrine, and little that we would recognize as “science”. Medical students . . . spent years studying Plato, Aristotle and Christian theology. . . . While a student, a doctor rarely saw any patients at all, and no experimentation of any kind was taught. . . . Confronted with a sick person, the university-trained physician had little to go on but superstition. . . . Such was the state of medical “science” at the time when witch-healers were persecuted for being practitioners of “magic”.15 Since asepsis and the transmission of disease through bacteria and unwashed hands was utterly unknown until the latter part of the nineteenth century, dirt was a presence in any medical situation—real dirt, not the misogynistic dirt associated by males with the female body. The midwife, who attended only women in labor, carried fewer disease bacteria with her than the physician.
Adrienne Rich (Of Woman Born: Motherhood as Experience and Institution)
Crucially, some people with different, equally disquieting gifts could see these aspects of others. In the poetic fragment known as the Ljóðatal, the ‘List of Spells’, Odin boasts of his magical ability with a series of individual charms, and in one of them we see the true viciousness of his power: I know a tenth [spell]: if I see sorceresses playing up in the air, I can so contrive it that they go astray from the home of their shapes [heimhama] from the home of their minds [heimhuga]. The spell is directed against the independent spirits of witches, sent out from their bodies on their mistresses’ errands. Odin’s charm is terrible in its severance of their very souls, cut away to dissipate forever.
Neil Price (Children of Ash and Elm: A History of the Vikings)
Well, happy birthday anyway.” “Wow--that’s right, I forgot! I’m seventeen!” Harry seized the wand lying beside his camp bed, pointed it at the cluttered desk where he had left his glasses, and said, “Accio Glasses!” Although they were only around a foot away, there was something immensely satisfying about seeing them zoom toward him, at least until they poked him in the eye. “Slick,” snorted Ron. Reveling in the removal of his Trace, Harry sent Ron’s possessions flying around the room, causing Pigwidgeon to wake up and flutter excitedly around his cage. Harry also tried tying the laces of his trainers by magic (the resultant knot took several minutes to untie by hand) and, purely for the pleasure of it, turned the orange robes on Ron’s Chudley Cannons posters bright blue. “I’d do your fly by hand, though,” Ron advised Harry, sniggering when Harry immediately checked it. “Here’s your present. Unwrap it up here, it’s not for my mother’s eyes.” “A book?” said Harry as he took the rectangular parcel. “Bit of a departure from tradition, isn’t it?” “This isn’t your average book,” said Ron. “It’s pure gold: Twelve Fail-Safe Ways to Charm Witches. Explains everything you need to know about girls. If only I’d had this last year I’d have known exactly how to get rid of Lavender and I would’ve known how to get going with…Well, Fred and George gave me a copy, and I’ve learned a lot. You’d be surprised, it’s not all about wandwork, either.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Mia shook her head in exasperation as she felt Sirius take one hand while Remus took the other. "Mother of Merlin, how am I going to live with the two of you?" They led her through the opening into the Alley, where she was grateful to not hear that many people nearby. All she needed now was to wake up with her photo in the Daily Prophet, Sirius and Remus being suspected of witch-napping or worse. "I think we'll all get along famously," Sirius said, gently touching her elbow as he helped direct her over the cobblestones without falling. "Any problems we have, a few Silencing Charms can easily fix; isn't that right, Moony?" "Not sure why you'd even bother," Remus said with a chuckle. "Any noises Mia makes, I've already heard in abundance.
Shaya Lonnie (The Debt of Time)
There's no such thing as witches. But there used to be. It used to be the air was so thick with magic you could taste it on your tongue like ash. Witches lurked in every tangled wood and waited at every midnight-crossroad with sharp-toothed smiles. They conversed with dragons on lonely mountaintops and rode rowan-wood brooms across full moons; they charmed the stars to dance beside them on the summer solstice and rode to battle with familiars at their heels. It used to be witches were wild as crows and fearless as foxes, because magic blazed bright and the night was theirs. But then came the plague and the purges. The dragons were slain and the witches were burned and the night belonged to men with torches and crosses. Witching isn’t all gone, of course. My grandmother, Mama Mags, says they can’t ever kill magic because it beats like a great red heartbeat on the other side of everything, that if you close your eyes you can feel it thrumming beneath the soles of your feet, thumpthumpthump. It’s just a lot better-behaved than it used to be. Most respectable folk can’t even light a candle with witching, these days, but us poor folk still dabble here and there. Witch-blood runs thick in the sewers, the saying goes. Back home every mama teaches her daughters a few little charms to keep the soup-pot from boiling over or make the peonies bloom out of season. Every daddy teaches his sons how to spell ax-handles against breaking and rooftops against leaking. Our daddy never taught us shit, except what a fox teaches chickens — how to run, how to tremble, how to outlive the bastard — and our mama died before she could teach us much of anything. But we had Mama Mags, our mother’s mother, and she didn’t fool around with soup-pots and flowers. The preacher back home says it was God’s will that purged the witches from the world. He says women are sinful by nature and that magic in their hands turns naturally to rot and ruin, like the first witch Eve who poisoned the Garden and doomed mankind, like her daughter’s daughters who poisoned the world with the plague. He says the purges purified the earth and shepherded us into the modern era of Gatling guns and steamboats, and the Indians and Africans ought to be thanking us on their knees for freeing them from their own savage magics. Mama Mags said that was horseshit, and that wickedness was like beauty: in the eye of the beholder. She said proper witching is just a conversation with that red heartbeat, which only ever takes three things: the will to listen to it, the words to speak with it, and the way to let it into the world. The will, the words, and the way. She taught us everything important comes in threes: little pigs, bill goats gruff, chances to guess unguessable names. Sisters. There wer ethree of us Eastwood sisters, me and Agnes and Bella, so maybe they'll tell our story like a witch-tale. Once upon a time there were three sisters. Mags would like that, I think — she always said nobody paid enough attention to witch-tales and whatnot, the stories grannies tell their babies, the secret rhymes children chant among themselves, the songs women sing as they work. Or maybe they won't tell our story at all, because it isn't finished yet. Maybe we're just the very beginning, and all the fuss and mess we made was nothing but the first strike of the flint, the first shower of sparks. There's still no such thing as witches. But there will be.
Alix E. Harrow (The Once and Future Witches)
A man who is awake in the open field at night or who wanders over silent paths experiences the world differently than by day. Nighness vanishes, and with it distance; everything is equally far and near, close by us and yet mysteriously remote. Space loses its measures. There are whispers and sounds, and we do not know where or what they are. Our feelings too are peculiarly ambiguous. There is a strangeness about what is intimate and dear, and a seductive charm about the frightening. There is no longer a distinction between the lifeless and the living, everything is animate and soulless, vigilant and asleep at once. What the day brings on and makes recognizable gradually, emerges out of the dark with no intermediary stages. The encounter suddenly confronts us, as if by a miracle: What is the thing we suddenly see - an enchanted bride, a monster, or merely a log? Everything teases the traveller, puts on a familiar face and the next moment is utterly strange, suddenly terrifies with awful gestures and immediately resumes a familiar and harmless posture. Danger lurks everywhere. Out of the dark jaws of the night which gape beside the traveller, any moment a robber may emerge without warning, or some eerie terror, or the uneasy ghost of a dead man - who knows what may once have happened at that very spot? Perhaps mischievous apparitions of the fog seek to entice him from the right path into the desert where horror dwells, where wanton witches dance their rounds which no man ever leaves alive. Who can protect him, guide him aright, give him good counsel? The spirit of Night itself, the genius of its kindliness, its enchantment, its resourcefulness, and its profound wisdom. She is indeed the mother of all mystery. The weary she wraps in slumber, delivers from care, and she causes dreams to play about their souls. Her protection is enjoyed by the un-happy and persecuted as well as by the cunning, whom her ambivalent shadows offer a thousand devices and contrivances. With her veil she also shields lovers, and her darkness keeps ward over all caresses, all charms hidden and revealed. Music is the true language of her mystery - the enchanting voice which sounds for eyes that are closed and in which heaven and earth, the near and the far, man and nature, present and past, appear to make themselves understood. But the darkness of night which so sweetly invites to slumber also bestows new vigilance and illumination upon the spirit. It makes it more perceptive, more acute, more enterprising. Knowledge flares up, or descends like a shooting star - rare, precious, even magical knowledge. And so night, which can terrify the solitary man and lead him astray, can also be his friend, his helper, his counsellor.
Walter F. Otto (Homeric Gods: The Spiritual Significance of Greek Religion. Tr from German by Moses Hadas. Reprint of the 1954 Ed)
Muggles remain ignorant of the source of their suffering as they continue to sustain heavy casualties,” said Kingsley. “However, we continue to hear truly inspirational stories of wizards and witches risking their own safety to protect Muggle friends and neighbors, often without the Muggles’ knowledge. I’d like to appeal to all our listeners to emulate their example, perhaps by casting a protective charm over any Muggle dwellings in your street. Many lives could be saved if such simple measures are taken.” “And what would you say, Royal, to those listeners who reply that in these dangerous times, it should be ‘Wizards first’?” asked Lee. “I’d say that it’s one short step from ‘Wizards first’ to ‘Purebloods first,’ and then to ‘Death Eaters,’” replied Kingsley. “We’re all human, aren’t we? Every human life is worth the same, and worth saving.” “Excellently put, Royal, and you’ve got my vote for Minister of Magic if ever we get out of this mess,” said Lee. “And now, over to Romulus for our popular feature ‘Pals of Potter.
J.K. Rowling (Harry Potter: The Complete Collection (Harry Potter, #1-7))
Charlie, I want to get married," she said. "Well, so do I, darling -" "No, you don't understand," she said. "I want to get married right now." Froggy knew from the desperate look in her eyes that Red was dead serious. "Sweetheart, are you sure now is a good time?" he said. "I'm positive," Red said. "If the last month has taught me anything, it's how unpredictable life can be - especially when you're friends with the Bailey twins. This could very well be the last chance we'll ever get! Let's do it now, in the Square of Time, before another magical being can tear us apart!" The idea made Froggy's heart fill with joy, but he wasn't convinced it was the right thing to do. "Are you sure this is the wedding you want?" he asked. "I don't mean to be crude, but the whole street is covered in a witch's remains." A large and self-assured smile grew on Red's face. "Charlie, I can't think of a better place to get married than on the ashes of your ex-girlfriend," she said. "Mother Goose, will you do the honors?" Besides being pinned to the ground by a three-ton lion statue, Mother Goose couldn't think of a reason why she couldn't perform the ceremony. "I suppose I'm available," she said. "Wonderful!" Red squealed. "And for all intents and purposes, we'll say the Fairy Council are our witness, Conner is the best man, and Alex is my maid of honor. Don't worry, Alex! This will only take a minute and we'll get right back to helping you!" Red and Froggy joined hands and stood in the middle of Times Square as Mother Goose officiated the impromptu wedding. "Dearly beloved, we are gathered here today - against our will - to unexpectedly watch this frog and woman join in questionable matrimony. Do you, Charlie Charming, take Red Riding Hood as your lovably high-maintenance wife?" "I do," Froggy declared. "And do you, Red Riding Hood, take Charlie Charming as your adorably webfooted husband?" "I do," Red said. "Then it is with the power mistrusted in me that I now pronounce you husband and wife! You may kiss the frog!" Red and Froggy shared their first kiss as a married couple, and their friends cheered. "Beautiful ceremony, my dear," Merlin said. "Believe it or not, this isn't the strangest wedding I've been to," Mother Goose said.
Chris Colfer (Worlds Collide (The Land of Stories, #6))
Harry!” he panted, massaging his immense chest beneath his emerald-green silk pajamas. “My dear boy…what a surprise…Minerva, do please explain…Severus…what…?” “Our headmaster is taking a short break,” said Professor McGonagall, pointing at the Snape-shaped hole in the window. “Professor!” Harry shouted, his hands at his forehead. He could see the Inferi-filled lake sliding beneath him, and he felt the ghostly green boat bump into the underground shore, and Voldemort leapt from it with murder in his heart-- “Professor, we’ve got to barricade the school, he’s coming now!” “Very well. He-Who-Must-Not-Be-Named is coming,” she told the other teachers. Sprout and Flitwick gasped; Slughorn let out a low groan. “Potter has work to do in the castle on Dumbledore’s orders. We need to put in place every protection of which we are capable while Potter does what he needs to do.” “You realize, of course, that nothing we do will be able to keep out You-Know-Who indefinitely?” squeaked Flitwick. “But we can hold him up,” said Professor Sprout. “Thank you, Pomona,” said Professor McGonagall, and between the two witches there passed a look of grim understanding. “I suggest we establish basic protection around the place, then gather our students and meet in the Great Hall. Most must be evacuated, though if any of those who are over age wish to stay and fight, I think they ought to be given the chance.” “Agreed,” said Professor Sprout, already hurrying toward the door. “I shall meet you in the Great Hall in twenty minutes with my House.” And as she jogged out of sight, they could hear her muttering, “Tentacula. Devil’s Snare. And Snargaluff pods…yes, I’d like to see the Death Eaters fighting those.” “I can act from here,” said Flitwick, and although he could barely see out of it, he pointed his wand through the smashed window and started muttering incantations of great complexity. Harry heard a weird rushing noise, as though Flitwick had unleashed the power of the wind into the grounds. “Professor,” Harry said, approaching the little Charms master, “Professor, I’m sorry to interrupt, but this is important. Have you got any idea where the diadem of Ravenclaw is?” “--Protego Horribilis--the diadem of Ravenclaw?” squeaked Flitwick. “A little extra wisdom never goes amiss, Potter, but I hardly think it would be much use in this situation!” “I only meant--do you know where it is? Have you ever seen it?” “Seen it? Nobody has seen it in living memory! Long since lost, boy!” Harry felt a mixture of desperate disappointment and panic. What, then, was the Horcrux?
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
So you were bored and decided to come looking for me?” He trailed a finger over the exposed part of her upper chest. “Something like that.” Blushing prettily, she brushed his hand away, but not before giving his fingers a squeeze. “Well, I’m busy, so unless you want to help Heather and me in our endeavors, you will have to find some way to amuse yourself.” Grey sighed. “All right, I’ll go, but only because I’m likely to ruin whatever beautification potions you two lovely witches are brewing.” Behind Rose, the maid Heather giggled. Grey grinned at Rose’s wide-eyed disbelief as she looked at first her maid and then him. “Have you always charmed women so easily?” Grey’s humor faded. “I’m afraid so.” And then softly, “It if offends you…” She shoved her palm into his shoulder. “Don’t be an idiot. Flirt with my maid all you want. But I don’t want to hear anything from you when I smile at the footmen.” God she was amazing. He slipped his arms around her, no caring that the maid could see, even though she made a great pretense of not looking. “Are you going out tonight?” Rose pushed against his chest. “Grey, I’m all sweat and grime.” “I don’t care. Answer me, are you going out?” She arched a brow. “Are you trying to get rid of me?” “No.” He held her gaze as he lowered his head, but he didn’t kiss her. He simply let the words drift across her sweet lips. “I’d keep you here every night if I could.” She shivered delicately. Christ, he could kiss her. He could make love to her right there. “All you have to do is ask.” “I won’t have you give up your society for me.” Something flickered in her dark eyes. “It wouldn’t be much of a sacrifice.” Because of the gossip? How long before she began to resent him for it? He could just push her away and be done with it-tell her to go out and find herself a lover, but he would rather carve up the rest of his face than do that. Instead, he took the coward’s route. He didn’t ask for an explanation. He didn’t want to know what she’d heart about him or what they’d said about her. He simply smiled and decided to take advantage of what time he had left. Because he loved having her with him, and spending what had always been lonely hours in company better than any he might have deserved or ever wished for. “You are sweaty and grimy,” he murmured in his most seductive tones. “And now I find I am as well. Shall we meet in the bath in, say, twenty minutes? I’ll scrub your back if you’ll scrub mine.” Of course, when she joined him later, and their naked bodies came together in the hot, soapy water, all thoughts of scrubbing disappeared. And so did-for a brief while-all of Grey’s misgivings. But he knew they’d be back.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Nine nights I hung on the bare tree, my side pierced with a spear's point. I swayed and blew in the cold winds and hot winds, without food, without water, a sacrifice of myself to myself, and the worlds opened to me. 'For a tenth charm, I learned to dispel witches, to spin them around in the skies so that they will never find their way back to their own doors again. 'An eleventh: if I sing it when a battle rages it can take warriors through the tumult unscathed and unhurt, and bring them safely back to their hearth and their home. 'A twelfth charm I know: if I see a hanged man I can bring him down from the gallows to whisper to us all he remembers. ' A thirteenth: if I sprinkle water on a child's head, that child will not fall in battle. 'A fourteenth: I know the names of all the gods. Every damned one of them. 'A fifteenth: I have a dream of power, of glory, and of wisdom, and I can make people believe my dreams.' His voice was so low now that Shadow had to strain to hear it over the plane's engine noise. 'A sixteenth charm I know: if I need love I can turn the mind and heart of any woman. 'A seventeenth, that no woman I want will ever want another. 'And I know an eighteenth charm, and that charm is the greatest of all, and that charm I can tell to no man, for a secret that no one knows but you is the most powerful secret there can ever be.
Neil Gaiman (American Gods)
And for the matter, or substance of the invisible agents, so fancied; they could not by natural cogitation, fall upon any other conceit, but that it was the same with that of the soul of man; and that the soul of man, was of the same substance, with that which appeareth in a dream, to one that sleepeth; or in a looking-glass, to one that is awake; which, men not knowing that such apparitions are nothing else but creatures of the fancy, think to be real, and external substances; and therefore call them ghosts; as the Latins called them imagines, and umbræ; and thought them spirits, that is, thin aërial bodies; and those invisible agents, which they feared, to be like them; save that they appear, and vanish when they please. But the opinion that such spirits were incorporeal, or immaterial, could never enter into the mind of any man by nature; because, though men may put together words of contradictory signification, as spirit, and incorporeal ; yet they can never have the imagination of any thing answering to them: and therefore, men that by their own meditation, arrive to the acknowledgment of one infinite, omnipotent, and eternal God, chose rather to confess he is incomprehensible, and above their understanding, than to define his nature by spirit incorporeal, and then confess their definition to be unintelligible: or if they give him such a title, it is not dogmatically, with intention to make the divine nature understood; but piously, to honour him with attributes, of significations, as remote as they can from the grossness of bodies visible. Then, for the way by which they think these invisible agents wrought their effects; that is to say, what immediate causes they used, in bringing things to pass, men that know not what it is that we call causing, that is, almost all men, have no other rule to guess by, but by observing, and remembering what they have seen to precede the like effect at some other time, or times before, without seeing between the antecedent and subsequent event, any dependence or connexion at all: and therefore from the like things past, they expect the like things to come; and hope for good or evil luck, superstitiously, from things that have no part at all in the causing of it: as the Athenians did for their war at Lepanto, demand another Phormio; the Pompeian faction for their war in Africa, another Scipio; and others have done in diverse other occasions since. In like manner they attribute their fortune to a stander by, to a lucky or unlucky place, to words spoken, especially if the name of God be amongst them; as charming and conjuring, the liturgy of witches; insomuch as to believe, they have power to turn a stone into bread, bread into a man, or any thing into any thing.
Christopher Hitchens (The Portable Atheist: Essential Readings for the Nonbeliever)
Beauty Void lay the world, in nothingness concealed, Without a trace of light or life revealed, Save one existence which second knew- Unknown the pleasant words of We and You. Then Beauty shone, from stranger glances free, Seen of herself, with naught beside to see, With garments pure of stain, the fairest flower Of virgin loveliness in bridal bower. No combing hand had smoothed a flowing tress, No mirror shown her eyes their loveliness No surma dust those cloudless orbs had known, To the bright rose her cheek no bulbul flown. No heightening hand had decked the rose with green, No patch or spot upon that cheek was seen. No zephyr from her brow had fliched a hair, No eye in thought had seen the splendour there. Her witching snares in solitude she laid, And love's sweet game without a partner played. But when bright Beauty reigns and knows her power She springs indignant from her curtained bower. She scorns seclusion and eludes the guard, And from the window looks if doors be barred. See how the tulip on the mountain grown Soon as the breath of genial Spring has blown, Bursts from the rock, impatient to display Her nascent beauty to the eye of day. When sudden to thy soul reflection brings The precious meaning of mysterious things, Thou canst not drive the thought from out thy brain; Speak, hear thou must, for silence is such pain. So beauty ne'er will quit the urgent claim Whose motive first from heavenly beauty came When from her blessed bower she fondly strayed, And to the world and man her charms displayed. In every mirror then her face was shown, Her praise in every place was heard and known. Touched by her light, the hearts of angels burned, And, like the circling spheres, their heads were turned, While saintly bands, whom purest at the sight of her, And those who bathe them in the ocean sky Cries out enraptured, "Laud to God on high!" Rays of her splendour lit the rose's breast And stirred the bulbul's heart with sweet unrest. From her bright glow its cheek the flambeau fired, And myriad moths around the flame expired. Her glory lent the very sun the ray Which wakes the lotus on the flood to-day. Her loveliness made Laila's face look fair To Majnún, fettered by her every hair. She opened Shírín's sugared lips, and stole From Parvíz' breast and brave Farhád's the soul. Through her his head the Moon of Canaan raised, And fond Zulaikha perished as she gazed. Yes, though she shrinks from earthly lovers' call, Eternal Beauty is the queen of all; In every curtained bower the screen she holds, About each captured heart her bonds enfolds. Through her sweet love the heart its life retains, The soul through love of her its object gains. The heart which maidens' gentle witcheries stir Is, though unconscious, fired with love of her. Refrain from idle speech; mistake no more: She brings her chains and we, her slaves, adore. Fair and approved of Love, thou still must own That gift of beauty comes from her alone. Thou art concealed: she meets all lifted eyes; Thou art the mirror which she beautifies. She is that mirror, if we closely view The truth- the treasure and the treasury too. But thou and I- our serious work is naught; We waste our days unmoved by earnest thought. Cease, or my task will never end, for her Sweet beauties lack a meet interpreter. Then let us still the slaves of love remain For without love we live in vain, in vain. Jámí, "Yúsuf and Zulaikha". trans. Ralph T. H. Griffith. Ballantyne Press 1882. London. p.19-22
Nūr ad-Dīn 'Abd ar-Rahmān Jāmī
I know a charm that can cure pain and sickness, and lift the grief from the heart of the grieving. “I know a charm that will heal with a touch. “I know a charm that will turn aside the weapons of an enemy. “I know another charm to free myself from all bonds and locks. “A fifth charm: I can catch a bullet in flight and take no harm from it.” His words were quiet, urgent. Gone was the hectoring tone, gone was the grin. Wednesday spoke as if he were reciting the words of a religious ritual, as if he were speaking something dark and painful. “A sixth: spells sent to hurt me will hurt only the sender. “A seventh charm I know: I can quench a fire simply by looking at it. “An eighth: if any man hates me, I can win his friendship. “A ninth: I can sing the wind to sleep and calm a storm for long enough to bring a ship to shore. “Those were the first nine charms I learned. Nine nights I hung on the bare tree, my side pierced with a spear’s point. I swayed and blew in the cold winds and the hot winds, without food, without water, a sacrifice of myself to myself, and the worlds opened to me. “For a tenth charm, I learned to dispel witches, to spin them around in the skies so that they will never find their way back to their own doors again. “An eleventh: if I sing it when a battle rages it can take warriors through the tumult unscathed and unhurt, and bring them safely back to their hearth and their home. “A twelfth charm I know: if I see a hanged man I can bring him down from the gallows to whisper to us all he remembers. “A thirteenth: if I sprinkle water on a child’s head, that child will not fall in battle. “A fourteenth: I know the names of all the gods. Every damned one of them. “A fifteenth: I have a dream of power, of glory, and of wisdom, and I can make people believe my dreams.” His voice was so low now that Shadow had to strain to hear it over the plane’s engine noise. “A sixteenth charm I know: if I need love I can turn the mind and heart of any woman. “A seventeenth, that no woman I want will ever want another. “And I know an eighteenth charm, and that charm is the greatest of all, and that charm I can tell to no man, for a secret that no one knows but you is the most powerful secret there can ever be.” He sighed, and then stopped talking. Shadow could feel his skin crawl. It was as if he had just seen a door open to another place, somewhere worlds away where hanged men blew in the wind at every crossroads, where witches shrieked overhead in the night.
Neil Gaiman (American Gods)
CLAUDIO: [...]for beauty is a witch Against whose charms faith melteth into blood.
William Shakespeare
She’d arrived at the conclusion that, no matter how charmed she thought the lives of witches and wizards were from her childhood stories . . . everyone had problems. Dead, undead, human, wolf . . . didn’t matter. Everyone was fucked in their own special way.
Laura Bickle (Nine of Stars (Wildlands, #3))
you don’t just get over the sudden loss of a parent like you sometimes see in books or movies. In real life you can’t gloss over those emotions, and they stick with you forever. Time doesn’t heal all wounds, you only get used to dealing with them.
Cece Rose (White Charms and Dark Secrets (Grey Witch #2))
Thanks, Baba. You are always such a comfort." She gave him a wry look. "I know. I've been considering becoming a counselor. Or possibly a nurse." Day shook his head. "If I were you, Baba Yaga, I'd stick to your day job.
Deborah Blake (Dangerously Charming (Broken Riders, #1))
A rising tide of desire threatened to swamp her like a tidal wave, washing away fear and doubt and leaving behind it the knowledge that in her topsy turvy life, she was certain of only one thing: she wanted this man, right now, and she'd deal with the consequences later.... "I want to make love to you," he said, his voice low and thrumming through her veins as if it were a music only she could hear.
Deborah Blake (Dangerously Charming (Broken Riders, #1))
At Jenna's questioning glance, he explained, "As the White Rider, I used to wear all white. Few people here have ever seen me dressed in any other way. I wouldn't wonder that most of them could be standing right in front of me, wearing these clothes, and not even look twice." Jenna grinned at him. "Not if they're female, they won't. I doubt there's a woman alive who would not look twice at you, babe." He snorted, absurdly pleased by the flattery, although he tried not to show it. "We'll just have to try and stay away from women, then, won't we?
Deborah Blake (Dangerously Charming (Broken Riders, #1))