Jealousy Image Quotes

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Cruelty has a human heart, And Jealousy a human face; Terror the human form divine, And Secresy the human dress. The human dress is forged iron, The human form a fiery forge, The human face a furnace sealed, The human heart its hungry gorge. - "A DIVINE IMAGE
William Blake (The Complete Poems)
It amazes me to this day to think about women in the workplace who spend more time trying to damage other women’s images or opportunities than they do on improving their own abilities.
Reham Khan (Reham Khan)
Youth and beauty are not accomplishments. They're the temporary happy byproducts of time and/or DNA. Don't hold your breath for either.
Carrie Fisher
People who hate you because of a mere jealousy over your success hurt themselves in disguise. This is because you carry an image of who they wish they had become. Don't hate them back because they may also become like you one day and it will mean hurting that image you carry!
Israelmore Ayivor
If a negative viewer looks at you with an ugly fiendish eye, find a way and pluck off his eyes, or better still, protect your good image.
Michael Bassey Johnson
He looked at her and tried to discover behind her lascivious expression the familiar features that he loved tenderly. It was as if he were looking at two images through the same lens, at two images superimposed one on the other with one showing through the other. These two images showing through each other were telling him that everything was in the girl, that her soul was terrifyingly amorphous, that it held faithfulness and unfaithfulness, treachery and innocence, flirtatiousness and chastity. This disorderly jumble seemed disgusting to him, like the variety to be found in a pile of garbage. Both images continued to show through each other, and the young man understood that the girl differed only on the surface from other women, but deep down was the same as they: full of all possible thoughts, feelings, and vices, which justified all his secret misgivings and fits of jealousy. The impression that certain outlines delineated her as an individual was only a delusion to which the other person, the one who was looking, was subject--namely himself. It seemed to him that the girl he loved was a creation of his desire, his thoughts, and his faith and that the real girl now standing in front of him was hopelessly other, hopelessly alien, hopelessly ambiguous. He hated her.
Milan Kundera (Laughable Loves)
In the face of God's obvious inadequacies, the pious have generally held that one cannot apply earthly norms to the Creator of the universe. This argument loses its force the moment we notice that the Creator who purports to be beyond human judgment is consistently ruled by human passions— jealousy, wrath, suspicion, and the lust to dominate. A close study of our holy books reveals that the God of Abraham is a ridiculous fellow—capricious, petulant, and cruel—and one with whom a covenant is little guarantee of health or happiness. If these are the characteristics of God, then the worst among us have been created far more in his image than we ever could have hoped.
Sam Harris (The End of Faith: Religion, Terror, and the Future of Reason)
Is it thy will, thy image should keep open My heavy eyelids to the weary night? Dost thou desire my slumbers should be broken, While shadows like to thee do mock my sight? Is it thy spirit that thou send'st from thee So far from home into my deeds to pry, To find out shames and idle hours in me, The scope and tenor of thy jealousy? O, no! thy love, though much, is not so great: It is my love that keeps mine eye awake: Mine own true love that doth my rest defeat, To play the watchman ever for thy sake: For thee watch I, whilst thou dost wake elsewhere, From me far off, with others all too near.
William Shakespeare
That was the worst period of all: it is my profession to imagine, to think in images: fifty times through the day, and immediately I woke during the night, a curtain would rise and the play would begin: always the same play, Sarah making love, Sarah with X, doing the same things that we had done together, Sarah kissing in her own particular way, arching herself in the act of sex and uttering that cry like pain, Sarah in abandonment. I would take pills at night to make me sleep quickly, but I never found any pills that would keep me asleep till daylight.
Graham Greene (The End of the Affair)
Before You post *Will this ultimately glorify me or God? *Will this stir or muffle healthy affections for Christ? *Will this merely document that I know something that others don’t? *Will this misrepresent me or is it authentic? *Will this potentially breed jealousy in others? *Will this fortify unity or stir up unnecessary division? *Will this build up or tear down? *Will this heap guilt or relieve it? *Will this fuel lust for sin or warn against it? *Will this overpromise and instill false hopes in others?
Tony Reinke (12 Ways Your Phone Is Changing You)
Entering by the carré, a piece of mirror- glass, set in an oaken cabinet, repeated my image. It said I was changed: my cheeks and lips were sodden white, my eyes were glassy, and my eyelids swollen and purple. On rejoining my companions, I knew they all looked at me - my heart seemed discovered to them: I believed myself self-betrayed. Hideously certain did it seem that the very youngest of the school must guess why and for whom I despaired.
Charlotte Brontë (Villette)
My mother looked at my image as if she were looking at a wicked little girl come to scornfully show herself to her poor mother. There was love in her look, but with such jealousy mixed in that the feelings became quickly slurred. It was what my mother gave me, so I took it and I gave it back; I reveled in her jealousy as she reveled in my vanity. Reveling and rageful, we went between sleep and dreams right there in the dining room. Silent and still, we attacked each other like animals.
Mary Gaitskill (Veronica)
So here is what I see when we reclaim the church ladies: a woman loved and free is beautiful. She is laughing with her sisters, and together they are telling their stories, revealing their scars and their wounds, the places where they don't have it figured out. They are nurturers, creating a haven where the young, the broken, the tenderhearted, and the at-risk can flourish. These women are dancing and worshiping, hands high, faces tipped toward heaven, tears streaming. They are celebrating all shapes and sizes, talking frankly and respectfully about sexuality and body image, promising to stop calling themselves fat. They are saving babies tossed in rubbish heaps, rescuing child soldiers, supporting mamas trying to make ends meet halfway around the world, thinking of justice when they buy their daily coffee. They are fighting sex trafficking. They are pastoring and counseling. They are choosing life consistently, building hope, doing the hard work of transformation in themselves. They are shaking off the silence of shame and throwing open the prison doors of physical and sexual abuse, addictions, eating disorders, and suicidal depression. Poverty and despair are being unlocked - these women know there are many hands helping turn that key. There isn't much complaining about husbands and chores, cattiness, or jealousy when a woman knows she is loved for her true self. She is lit up with something bigger than what the world offers, refusing to be intimidated into silence or despair.
Sarah Bessey (Jesus Feminist: An Invitation to Revisit the Bible's View of Women)
We have a very particular friendship,” she announced during dinner one night. Uncle Horace, somehow finding that claim to be credible, began to protest the propriety of the duke’s interest and sit in on the visits. The image of her uncle glaring at the Duke of Kesgrave in possessive jealousy over weak tea was the only thing that had made her smile in two weeks.
Lynn Messina (An Infamous Betrayal (Beatrice Hyde-Clare Mysteries, #3))
Eleven years she had lived in the dark house and its gloomy garden. He was jealous of the very light and air getting to her, and they kept her close. He stopped the wide chimneys, shaded the little windows, left the strong-stemmed ivy to wander where it would over the house-front, the moss to accumulate on the untrimmed fruit trees in the red-walled garden, the weeds to over-run its green and yellow walks. He surrounded her with images of sorrow and desolation. He caused her to be filled with fears of the place and of the stories that were told of it, and then on pretext of correcting them, to be left in it in solitude, or made to shrink about it in the dark. When her mind was most depressed and fullest of terrors, then, he would come out of one of the hiding-places from which he overlooked her, and present himself as her sole resource.
Charles Dickens (Christmas Stories)
Religion has no power if God is not truly 'dangerous,' but religion also seeks to manage God, and make God safe. The second commandment speaks against the management of God. We cannot help but make our images of God, for God has given us imagination. But every image we make of God is finally a box: a cage, potentially an idol, from which the living God keeps breaking out. And if we try to keep God there, then God comes out with 'jealousy' to overturn our careful construction. The third commandment speaks against the management of God. To take God's name in vain is to make God useful to our projects and ourselves. We are wont to trivialize the truth of God and then disparage it for being trivial. We are told God's name in order to love this God, but loving God is not managing God but fearing [respecting] God. And with God, the attitudes of love and fear [respect] are not contradictory but complementary.
Daniel James Meeter
My friend was aboard Sewee, untying his vessel from an ancient sunken post. “Ben?” No response. I slipped off my shoes and waded to the runabout. Pulled myself up the tiny ladder. Found Ben’s hand waiting at the rail. He effortlessly hoisted me into the boat, maneuvering my weight like it was nothing. I sometimes forgot how strong Ben was. How warm his hands could feel. Ben released me. Went back to coiling line. “Are you okay?” I immediately realized it was the wrong thing to say. “Of course I’m okay.” Gruff. Distant. I stood watching him, unsure what to say next. Unbidden, the image of a bench sprang to mind. The two of us, huddled close. Me crying in his arms. I felt blood rush to my face, was grateful for the concealing darkness. “No one expects you to like Chance,” I said finally. “Good.” Not looking up. “Because I don’t.” Another awkward silence. Then Ben huffed, “You like him enough for both of us.” I straightened, surprised. Was that what was bothering him? Jealousy? Why would Ben be jealous of Chance? After everything that spoiled boy had done to me? Did Ben think I was some ditz? That my memory reset with every pretty smile? Am I? I felt a nervous twinge in my stomach. Felt it grow. Ben. Jealous. Because of his feelings for me. The issue would not simply go away. “Ben. I . . .” Words failed. My face grew hot. Ben’s hands stopped moving. He stared at the deck, his long black hair fanning his face. He sucked in a breath, as if on the verge of something.
Kathy Reichs (Terminal (Virals, #5))
For the first time in all history, a great nation must go on arming itself more and more, not for conquest—not for jealousy—not for war—but for peace! Pray God it may never be necessary, but if foreign nations don’t sharply heed our warning, there will, as when the proverbial dragon’s teeth were sowed, spring up an armed and fearless warrior upon every square foot of these United States, so arduously cultivated and defended by our pioneer fathers, whose sword-girded images we must be. . .or we shall perish!
Sinclair Lewis (It Can't Happen Here)
She was the first close friend who I felt like I’d re­ally cho­sen. We weren’t in each other’s lives be­cause of any obli­ga­tion to the past or con­ve­nience of the present. We had no shared his­tory and we had no rea­son to spend all our time to­ gether. But we did. Our friend­ship in­ten­si­fied as all our friends had chil­dren – she, like me, was un­con­vinced about hav­ing kids. And she, like me, found her­self in a re­la­tion­ship in her early thir­ties where they weren’t specif­i­cally work­ing to­wards start­ing a fam­ily. By the time I was thirty-four, Sarah was my only good friend who hadn’t had a baby. Ev­ery time there was an­other preg­nancy an­nounce­ment from a friend, I’d just text the words ‘And an­other one!’ and she’d know what I meant. She be­came the per­son I spent most of my free time with other than Andy, be­cause she was the only friend who had any free time. She could meet me for a drink with­out plan­ning it a month in ad­vance. Our friend­ship made me feel lib­er­ated as well as safe. I looked at her life choices with no sym­pa­thy or con­cern for her. If I could ad­mire her de­ci­sion to re­main child-free, I felt en­cour­aged to ad­mire my own. She made me feel nor­mal. As long as I had our friend­ship, I wasn’t alone and I had rea­son to be­lieve I was on the right track. We ar­ranged to meet for din­ner in Soho af­ter work on a Fri­day. The waiter took our drinks or­der and I asked for our usual – two Dirty Vodka Mar­ti­nis. ‘Er, not for me,’ she said. ‘A sparkling wa­ter, thank you.’ I was ready to make a joke about her un­char­ac­ter­is­tic ab­sti­nence, which she sensed, so as soon as the waiter left she said: ‘I’m preg­nant.’ I didn’t know what to say. I can’t imag­ine the ex­pres­sion on my face was par­tic­u­larly en­thu­si­as­tic, but I couldn’t help it – I was shocked and felt an un­war­ranted but in­tense sense of be­trayal. In a de­layed re­ac­tion, I stood up and went to her side of the ta­ble to hug her, un­able to find words of con­grat­u­la­tions. I asked what had made her change her mind and she spoke in va­garies about it ‘just be­ing the right time’ and wouldn’t elab­o­rate any fur­ther and give me an an­swer. And I needed an an­swer. I needed an an­swer more than any­thing that night. I needed to know whether she’d had a re­al­iza­tion that I hadn’t and, if so, I wanted to know how to get it. When I woke up the next day, I re­al­ized the feel­ing I was ex­pe­ri­enc­ing was not anger or jeal­ousy or bit­ter­ness – it was grief. I had no one left. They’d all gone. Of course, they hadn’t re­ally gone, they were still my friends and I still loved them. But huge parts of them had dis­ap­peared and there was noth­ing they could do to change that. Un­less I joined them in their spa­ces, on their sched­ules, with their fam­i­lies, I would barely see them. And I started dream­ing of an­other life, one com­pletely re­moved from all of it. No more chil­dren’s birth­day par­ties, no more chris­ten­ings, no more bar­be­cues in the sub­urbs. A life I hadn’t ever se­ri­ously con­tem­plated be­fore. I started dream­ing of what it would be like to start all over again. Be­cause as long as I was here in the only Lon­don I knew – mid­dle-class Lon­don, cor­po­rate Lon­don, mid-thir­ties Lon­don, mar­ried Lon­don – I was in their world. And I knew there was a whole other world out there.
Dolly Alderton (Good Material)
Consider for a few moments the enormous aesthetic claim of its chief contemporary rival—what we may loosely call the Scientific Outlook, 1 the picture of Mr. [H. G.] Wells and the rest. Supposing this to be a myth, is it not one of the finest myths which human imagination has yet produced? The play is preceded by the most austere of all preludes: the infinite void, and matter restlessly moving to bring forth it knows not what. Then, by the millionth millionth chance—what tragic irony—the conditions at one point of space and time bubble up into that tiny fermentation which is the beginning of life. Everything seems to be against the infant hero of our drama—just as everything seems against the youngest son or ill-used stepdaughter at the opening of a fairy tale. But life somehow wins through. With infinite suffering, against all but insuperable obstacles, it spreads, it breeds, it complicates itself, from the amoeba up to the plant, up to the reptile, up to the mammal. We glance briefly at the age of monsters. Dragons prowl the earth, devour one another, and die. Then comes the theme of the younger son and the ugly duckling once more. As the weak, tiny spark of life began amidst the huge hostilities of the inanimate, so now again, amidst the beasts that are far larger and stronger than he, there comes forth a little naked, shivering, cowering creature, shuffling, not yet erect, promising nothing, the product of another millionth millionth chance. Yet somehow he thrives. He becomes the Cave Man with his club and his flints, muttering and growling over his enemies’ bones, dragging his screaming mate by her hair (I never could quite make out why), tearing his children to pieces in fierce jealousy till one of them is old enough to tear him, cowering before the horrible gods whom he created in his own image. But these are only growing pains. Wait till the next act. There he is becoming true Man. He learns to master Nature. Science comes and dissipates the superstitions of his infancy. More and more he becomes the controller of his own fate. Passing hastily over the present (for it is a mere nothing by the time scale we are using), you follow him on into the future. See him in the last act, though not the last scene, of this great mystery. A race of demigods now rules the planet—and perhaps more than the planet—for eugenics have made certain that only demigods will be born, and psychoanalysis that none of them shall lose or smirch his divinity, and communism that all which divinity requires shall be ready to their hands. Man has ascended his throne. Henceforward he has nothing to do but to practise virtue, to grow in wisdom, to be happy. And now, mark the final stroke of genius. If the myth stopped at that point, it might be a little bathetic.
C.S. Lewis (The Weight of Glory)
A world conqueror had appeared in modern times. Alexander, Caesar, Attila, Genghis Khan, Napoleon—another such as these, appearing in the age of electricity, of rotary presses and radio, when nine men out of ten would have said it was impossible. A world conqueror has to be a man of few ideas, and those fixed; a peculiar combination of exactly the right qualities, both good and bad—iron determination, irresistible energy, and no scruples of any sort. He has to know what he wants, and permit no obstacle to stand in the way of his getting it. He has to understand the minds of other men, both foes and friends, and what greeds, fears, hates, jealousies will move them to action. He must understand the mass mind, the ideals or delusions which sway it; he must be enough of a fanatic to talk their language, though not enough to be controlled by it. He must believe in nothing but his own destiny, the glorified image of himself on the screen of history; whole races of mankind made over in his own image and according to his will. To accomplish that purpose he must be liar, thief, and murderer upon a world-wide scale; he must be ready without hesitation to commit every crime his own interest commands, whether upon individuals or nations.
Upton Sinclair (Dragon's Teeth (World's End Lanny Budd, #3))
A fierce battle was taking place at Tobruk, and nothing thrilled him more than spirited warfare and the prospect of military glory. He stayed up until three-thirty, in high spirits, “laughing, chaffing and alternating business with conversation,” wrote Colville. One by one his official guests, including Anthony Eden, gave up and went to bed. Churchill, however, continued to hold forth, his audience reduced to only Colville and Mary’s potential suitor, Eric Duncannon. Mary by this point had retired to the Prison Room, aware that the next day held the potential to change her life forever. — IN BERLIN, MEANWHILE, HITLER and Propaganda Minister Joseph Goebbels joked about a newly published English biography of Churchill that revealed many of his idiosyncrasies, including his penchant for wearing pink silk underwear, working in the bathtub, and drinking throughout the day. “He dictates messages in the bath or in his underpants; a startling image which the Führer finds hugely amusing,” Goebbels wrote in his diary on Saturday. “He sees the English Empire as slowly disintegrating. Not much will be salvageable.” — ON SUNDAY MORNING, a low-grade anxiety colored the Cromwellian reaches of Chequers. Today, it seemed, would be the day Eric Duncannon proposed to Mary, and no one other than Mary was happy about it. Even she, however, was not wholly at ease with the idea. She was eighteen years old and had never had a romantic relationship, let alone been seriously courted. The prospect of betrothal left her feeling emotionally roiled, though it did add a certain piquancy to the day. New guests arrived: Sarah Churchill, the Prof, and Churchill’s twenty-year-old niece, Clarissa Spencer-Churchill—“looking quite beautiful,” Colville noted. She was accompanied by Captain Alan Hillgarth, a raffishly handsome novelist and self-styled adventurer now serving as naval attaché in Madrid, where he ran intelligence operations; some of these were engineered with the help of a lieutenant on his staff, Ian Fleming, who later credited Captain Hillgarth as being one of the inspirations for James Bond. “It was obvious,” Colville wrote, “that Eric was expected to make advances to Mary and that the prospect was viewed with nervous pleasure by Mary, with approbation by Moyra, with dislike by Mrs. C. and with amusement by Clarissa.” Churchill expressed little interest. After lunch, Mary and the others walked into the rose garden, while Colville showed Churchill telegrams about the situation in Iraq. The day was sunny and warm, a nice change from the recent stretch of cold. Soon, to Colville’s mystification, Eric and Clarissa set off on a long walk over the grounds by themselves, leaving Mary behind. “His motives,” Colville wrote, “were either Clarissa’s attraction, which she did not attempt to keep in the background, or else the belief that it was good policy to arouse Mary’s jealousy.” After the walk, and after Clarissa and Captain Hillgarth had left, Eric took a nap, with the apparent intention (as Colville
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
YOU FIRST When entering into relationships, we have a tendency to bend. We bend closer to one another, because regardless of what type of relationship it might be — romantic, business, friendship — there’s a reason you’re bringing that other person into your life, and that means the load is easier to carry if you carry it together, both bending toward the center. I picture people in relationships as two trees, leaning toward one another. Over time, as the relationship solidifies, you both become more comfortable bending, and as such bend farther, eventually resting trunk to trunk. You support each other and are stronger because of the shared strength of your root system and entwined branches. Double-tree power! But there’s a flaw in this mode of operation. Once you’ve spent some time leaning on someone else, if they disappear — because of a breakup, a business upset, a death, a move, an argument — you’re all that’s left, and far weaker than when you started. You’re a tree leaning sideways; the second foundation that once supported you is…gone. This is a big part of why the ending of particularly strong relationships can be so disruptive. When your support system presupposes two trunks — two people bearing the load, and divvying up the responsibilities; coping with the strong winds and hailstorms of life — it can be shocking and uncomfortable and incredibly difficult to function as an individual again; to be just a solitary tree, alone in the world, dealing with it all on your own. A lone tree needn’t be lonely, though. It’s most ideal, in fact, to grow tall and strong, straight up, with many branches. The strength of your trunk — your character, your professional life, your health, your sense of self — will help you cope with anything the world can throw at you, while your branches — your myriad interests, relationships, and experiences — will allow you to reach out to other trees who are likewise growing up toward the sky, rather than leaning and becoming co-dependent. Relationships of this sort, between two equally strong, independent people, tend to outlast even the most intertwined co-dependencies. Why? Because neither person worries that their world will collapse if the other disappears. It’s a relationship based on the connections between two people, not co-dependence. Being a strong individual first alleviates a great deal of jealousy, suspicion, and our innate desire to capture or cage someone else for our own benefit. Rather than worrying that our lives will end if that other person disappears, we know that they’re in our lives because they want to be; their lives won’t end if we’re not there, either. Two trees growing tall and strong, their branches intertwined, is a far sturdier image than two trees bent and twisted, tying themselves into uncomfortable knots to wrap around one another, desperately trying to prevent the other from leaving. You can choose which type of tree to be, and there’s nothing inherently wrong with either model; we all have different wants, needs, and priorities. But if you’re aiming for sturdier, more resilient relationships, it’s a safe bet that you’ll have better options and less drama if you focus on yourself and your own growth, first. Then reach out and connect with others who are doing the same.
Colin Wright (Considerations)
Daisy wasn’t certain why the notion that Matthew Swift could be in love with her should set her entire world upside-down. But it did. “If he is,” she asked Evie unsteadily, “then why is he so determined to pawn me off on Lord Llandrindon? It would be so easy for him to fall in with my father’s plans. And he would be richly rewarded. If on top of that he actually cares for me in the bargain, what could be holding him back?” “Maybe he wants to find out if you love him in return?” “No, Mr. Swift’s mind doesn’t work that way, any more than my father’s does. They’re men of business. Predators. If Mr. Swift wanted me, he wouldn’t stop to ask for my permission any more than a lion would stop and politely ask an antelope if he would mind being eaten for lunch.” “I think the two of you should have a forthright conversation,” Evie declared. “Oh, Mr. Swift would only evade and prevaricate, exactly as he has done so far. Unless…” “Unless?” “…I could find some way to make him let his guard down. And force him to be honest about whether he feels anything for me or not.” “How will you do that?” “I don’t know. Hang it, Evie, you know a hundred times more about men than I do. You’re married to one. You’re surrounded by them at the club. In your informed opinion, what is the quickest way to drive a man to the limits of his sanity and make him admit something he doesn’t want to?” Seeming pleased by the image of herself as a worldly woman, Evie contemplated the question. “Make him jealous, I suppose. I’ve seen civilized men fight like dogs in the alley behind the club over the f-favors of a particular lady.” “Hmm. I wonder if Mr. Swift could be provoked to jealousy.” “I should think so,” Evie said. “He’s a man, after all.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
In his defense (sort of), Bryant looked around the league and saw peers firing away from all angles. The uber-athletic Vince Carter had the green light in Toronto, as did Allen Iverson in Philadelphia, Tracy McGrady in Orlando, Paul Pierce in Boston. There was an understandable sense of jealousy from Bryant, who aspired to not merely lead the league in scoring but fulfill an image he couldn’t possibly live up to. “There was a game against Toronto when Kobe decided he needed to go one-on-one against Vince,” Jackson recalled. “He had no space to operate, and he kept going right at him. Nothing kills team spirit like that.
Jeff Pearlman (Three-Ring Circus: Kobe, Shaq, Phil, and the Crazy Years of the Lakers Dynasty)
The dream flew through thousands of years and left in me just a sense of the whole. I know only that the cause of the fall was I. Like a foul trichina, like an atom of plague infecting whole countries, so I infected that whole happy and previously sinless earth with myself. They learned to lie and began to love the lie and knew the beauty of the lie. Oh, maybe it started innocently,with a joke, with coquetry, with amorous play, maybe, indeed, with an atom, but this atom of lie penetrated their hearts, and they liked it. Then sensuality was quickly born, sensuality generated jealousy, and jealousy - cruelty. . . Oh, I don’t know, I don’t remember, but soon, very soon, the first blood was shed; they were astonished and horrified, and began to part, to separate. Alliances appeared, but against each other now. Rebukes, reproaches began. They knew shame, and shame was made into a virtue. The notion of honor was born, and each alliance raised its own banner. They began tormenting animals, and the animals withdrew from them into the forests and became their enemies. There began the struggle for separation,for isolation, for the personal, for mine and yours. They started speaking different languages. They knew sorrow and came to love sorrow, they thirsted for suffering and said that truth is attained only through suffering. Then science appeared among them. When they became wicked, they began to talk of brotherhood and humaneness and understood these ideas. When they became criminal, they invented justice and prescribed whole codices for themselves in order to maintain it, and to ensure the codices they set up the guillotine. They just barely remembered what they had lost, and did not even want to believe that they had once been innocent and happy. They even laughed at the possibility of the former happiness and called it a dream. They couldn’t even imagine it in forms and images, but - strange and wonderful thing - having lost all belief in their former happiness, having called it a fairy tale, they wised so much to be innocent and happy again, once more, that they fell down before their hearts’ desires like children, they deified their desire,they built temples and started praying to their own idea, their own “desire,” all the while fully believing in its unrealizability and unfeasibility, but adoring it in tears and worshipping it. And yet, if it had so happened that they could have returned to that innocent and happy condition which they had lost, or if someone had suddenly shown it to them again and asked them: did they want to go back to it? - they would certainly have refused. They used to answer me: “Granted we’re deceitful,wicked and unjust, we know that and weep for it, and we torment ourselves over it,and torture and punish ourselves perhaps even more than that merciful judge who will judge us and whose name we do not know. But we have science, and through it we shall again find the truth, but we shall now accept it consciously, knowledge is higher than feelings, the consciousness of life is higher than life. Science will give us wisdom, wisdom will discover laws, and knowledge of the laws of happiness is higher than happiness.” That’s what they used to say, and after such words each of them loved himself more than anyone else, and they couldn’t have done otherwise. Each of them became so jealous of his own person that he tried as hard as he could to humiliate and belittle it in others, and gave his life to that. Slavery appeared, even voluntary slavery: the weak willingly submitted to the strong, only so as to help them crush those still weaker than themselves. Righteous men appeared, who came to these people in tears and spoke to them of their pride, their lack of measure and harmony, their loss of shame. They were derided or stoned. Holy blood was spilled on the thresholds of temples.
Fyodor Dostoevsky (The Dream of a Ridiculous Man)
Jealousy was a very hard emotion for me to overcome. When I was young, I had a lot of jealousy. By and by, I learned to get rid of it. It still crops up every now and then. It’s such a poisonous emotion because, at the end of the day, you’re no better off with jealousy. You’re unhappier, and the person you’re jealous of is still successful or good-looking or whatever they are. One day, I realized with all these people I was jealous of, I couldn’t just choose little aspects of their life. I couldn’t say I want his body, I want her money, I want his personality. You have to be that person. Do you want to actually be that person with all of their reactions, their desires, their family, their happiness level, their outlook on life, their self-image? If you’re not willing to do a wholesale, 24/7, 100 percent swap with who that person is, then there is no point in being jealous. Once I came to that realization, jealousy faded away because I don’t want to be anybody else. I’m perfectly happy being me. By the way, even that is under my control. To be happy being me. It’s just there are no social rewards for it.
Eric Jorgenson (The Almanack of Naval Ravikant: A Guide to Wealth and Happiness)
I find women friends easier. Openness is obvious (I like to think), undemandingness is total (I hope), loyalty invulnerable (I imagine). Intuition moves without prejudice, emotion is undisguised, there is no prestige involved. Conflicts which arise are trusting and not infectious. Together we have danced every imaginable turn: suffering, tenderness, passion, foolishness, betrayal, anger, comedy, tedium, love, lies, joy, jealousies, adultery, overstepping boundaries, good faith. And here are even more: tears, eroticism, mere eroticism, disasters, triumphs, troubles, abuse, fights, anxiety, pining, eggs, sperm, bleeding, departure, panties. Here are even more - best to finish before the rails run out - impotence, lechery, terror, the proximity of death, death itself, black nights, sleepless nights, white nights, music, breakfasts, breasts, lips, pictures. Turn towards the camera and behold another jumble of images: skin, dog, rituals, roast duck, whale steak, bad oysters, cheating and fiddling, rapes, fine clothes, jewellery, touches, kisses, shoulders, hips, strange lights, streets, towns, rivals, seducers, hairs in the comb, long letters, explanations, all that laughter, ageing, aches, spectacles, hands, hands, hands.
Ingmar Bergman (The Magic Lantern)
Now, sisters and friends, I want you to do something. Go look in the mirror. Take off any worldly lens that has affected the way you see yourself—a lens of insecurity, jealousy, comparison, negativity, self-hatred, or anything else. And stare at yourself. You are altogether beautiful, my darling. Wow, the Lord takes such great delight in you. Look at the color of your eyes. Look at the strands of your hair and the unique shapes and features of your face. God made you, and you are exactly how He intended you to be. He created every detail—details no other person on earth has. He did this so He could reveal a new image of beauty and another side of Himself to the world.
Sadie Robertson (Live)
Flip a negative statement of jealousy into a positive statement about your values, goals and abilities? For example, “I am grateful I am someone who wants to be the best I can be, and who works hard to achieve my goals”.
Lauren Martin (Jealousy is the Moon (Emotion Series))
I seek to harm myself, I expel myself from my paradise, busily provoking within myself the images (of jealousy, abandonment, humiliation) which can injure me; and I keep the wound open, I feed it with other images, until another wound appears and produces a diversion.
Roland Barthes (A Lover's Discourse: Fragments)
I am locked into this crisis where I am questioning my continuance as a human being. What do the days ahead hold for me? Can I pick myself up from the floor, scooping up the millions of scattered pieces, and face the nothingness of tomorrow? The writing can only reflect a surface image of what is going on. This does not devalue its importance. Its very existence may be the key to another person’s feelings. Feelings. Those parts that we all try to hide from each other. The shame, the jealousy, the guilt and insecurity. Our inferiority. Who can put up the most convincing mask to hide the inner turmoil? It’s all about chasing illusions that don’t really exist. It’s like hating some bastard yet when he dies we realise he wasn’t so bad after all. 1st June ’77 I think of the Unit Community while doing my exercises. The once strong foundation of our Community – the meetings – is crumbling. Crumbling in the sense that it will evaporate into the impotent ways of the whole prison system, be smothered by their stringent restrictions, bound up in bureaucracy. And even if this did happen, people would still visit the place from outside and say what a fine place it was because it will always be that bit different from the main penal system. They will see it only as it is,
Jimmy Boyle (Pain of Confinement: Prison Diaries)
By 1656 there were only twenty-seven Jewish families in the country, and most Englishmen were scarcely aware of their presence. But underneath this seemingly secure existence there were undercurrents of strong hatred. The privileged status of the Jewish minority aroused the jealousies of the merchants and the city fathers of London.
Bernard Glassman (Anti-Semitic Stereotypes Without Jews: Images of the Jews in England 1290-1700 (Title Not in Series))
The popular image of a scientist is a disinterested and objective observer who dispassionately studies empirical data. But in reality, science is marked by fads, trends, paradigms, fashions, feuds, warring camps, petty jealousies, and die-hard beliefs. Conventional science usually reacts to new findings with disparagement. When confronted with the evidence for energy healing, one skeptic exclaimed, “I wouldn’t believe it, even if it were true!” Innovation faces daunting headwinds. The opposition to new therapies has unfortunate side effects. A group of distinguished colleagues and I analyzed US government reports on health-care innovation. We found that the average medical breakthrough takes 17 years to get from lab to patient. Even more startling, only 20% of new treatments jump this “translational gap.” The other 80% are lost forever. The result is that when we seek treatment, we are getting only one fifth of 17-year-old medicine. We would be outraged if we were forced to use a cell phone that was 17 years old, with 80% of its features disabled. But as a society, we treat this paradigm as perfectly reasonable when it comes to taking care of our precious and irreplaceable bodies. The neuroscience establishment fought the idea of neural plasticity tooth and nail. Yet eventually the evidence became too overwhelming to deny, and the weight of scientific opinion began to change. The rats that Marian Diamond studied had either an enriched or an impoverished environment. That changed their brain state. If you’re surrounded by a nurturing physical, emotional, mental, and spiritual environment, you’re in one brain state. If you’re surrounded by danger, uncertainty, and hostility, you’re in a quite different brain state.
Dawson Church (Bliss Brain: The Neuroscience of Remodeling Your Brain for Resilience, Creativity, and Joy)
if you only let your thoughts go, they can come up with all sorts of things, conjuring up images of anyone at all, making caricatures of even the people that you know and love most. The self-preservation instinct. Let your subconscious make parodies of your loss and anxiety and jealousy.
Mons Kallentoft (Summer Death (Malin Fors #2))
So the steps in 3-2-1 are: Find it, Face it, Talk to it, Be it. Step One: Find It. Locate the symptom, pressure, pain, image, person, or thing that seems to be the core of the problem—the fear, anxiety, depression, obsession, jealousy, envy, anger. Locate it, and notice everything about it—the symptoms themselves (the uncomfortable feelings generated by the problematic person, place, or event). Notice its location in your body (for example, head, eyes, chest, breasts, arms, shoulders, stomach, gut, genitals, thighs, lower legs, feet, toes, perhaps single muscles or muscle groups, sometimes bodily organ systems—digestive, urinary, reproductive, respiratory, circulatory, neuronal). Notice its general size, color, shape, smell, texture (whatever comes to mind when you think any of those elements). Notice what seems to most trigger it, what seems to soothe it, and activities that often accompany it (for example, increased heart rate, increased breathing, particular muscle tightening, headaches, difficulty swallowing, sexual inadequacy or disinterest). Don’t judge them as good or bad, positive or negative. Just pretend that you are videotaping them, taking pictures of them, exactly as they are, not as you want or wish them to be—you are aiming for just a simple, comprehensive mindfulness of them. Get a lot of plain neutral videotape on every aspect of the problem. Get it fully in your awareness as an object.
Ken Wilber (The Religion of Tomorrow: A Vision for the Future of the Great Traditions - More Inclusive, More Comprehensive, More Complete)
Oddly, so very oddly, God chooses to reveal His heart through the tainted reality of our sinful inner world. For example, He allows the psalmist to portray His anger in terms of a drunk who has just awakened with a hangover and is unleashing his rage (Psalm 78:65). What are we to learn about God through this startling picture? Does it imply that God is somehow sinful? Of course not. It implies that He reveals His heart through the multifaceted images in His Word that draw from our life experience. Language that speaks of God in what we would consider negative emotional terms reveals the mysterious humility of God: He speaks to us in ways that are sometimes shocking, disruptive, and highly charged. Why such an apparently negative focus in this book on anger, fear, jealousy, despair, contempt, and shame? In part, it is an attempt to show these emotions as far more positive and necessary to life than we normally assume. But even more important, it is an effort to open our vision to perceive the unusual heart of God. God feels anger, fear, jealousy, despair, contempt, and shame—and all of these emotions reveal something about His character. Most gloriously, each one points to the scandalous wonder of the Cross.
Dan B. Allender (The Cry of the Soul: How Our Emotions Reveal Our Deepest Questions about God)
Images of a pale dragon caged and raging, locked within a chamber among the roots of a great tree. A wolf upon a plain, a thick chain binding him, small figures swarming, stabbing, the wolf’s jaws wide as it howled. “Ulfrir, wolf-god,” Kráka breathed. “It’s the Guðfalla,” Biórr whispered. “The gods-fall.” So many images, Elvar struggled to take it all in: figures hanging from the boughs of trees, many of them, skeletal wings spiking from their backs. “The Gallows Wood,” Elvar said. She remembered that tale, of how the gods Orna and Ulfrir had found their firstborn daughter slain, her wings hacked from her back. Lik-Rifa had done it, the dragon, Orna’s sister. As vengeance Orna and Ulfrir had hunted Lik-Rifa’s god-touched offspring and slaughtered them. Ripped their backs open and hacked their ribs apart, pulling them out in a parody of wings and hanging the corpses from trees. The blood-eagle, it was now called. The first blood feud, Elvar thought. The images went on and on, telling the tale of the gods at war: Berser the bear, Orna the eagle, Hundur the hound, Rotta the rat, many, many more; and Snaka, father, maker, coiling about them all, glowing venom dripping from his fangs as he entered the blood-fray and consumed his children. “I thought all of the oath stones had been destroyed,” Sighvat said. “We are on the arse-end of the world,” Agnar said. “This one has survived.” He was still staring up at the huge slab, eyes following the glowing lines as they traced the images. “So, that is where your bloodline comes from,” Agnar said to Berak in his chains. He pointed to an image of a giant bear, jaws wide, spittle spraying. Berak said nothing, just glowered at the image. “They are the fathers and mothers of all us Tainted,” Kráka said. “Snaka loved his creations, when he was not feasting on them, and so did his children.” She stared at the serpent-coils that spiralled across the granite. “Why did they fight?” Sighvat muttered. “What started this war, led to the near-destruction of all?” “Jealousy and murder,” Uspa said. “Blood feud. Lik-Rifa the dragon thought her sister was plotting her death, and Rotta the rat fuelled her paranoia. She murdered Orna and Ulfrir’s daughter, created the vaesen in secret, would have used them to destroy Orna and all those who supported her. But Orna found out and lured Lik-Rifa into the caverns and chambers deep within the roots of Oskutreð, the great Ash Tree, and with her siblings bound Lik-Rifa there. That is what caused the war.
John Gwynne (The Shadow of the Gods (The Bloodsworn Saga, #1))
She looked a sight. No wonder he had mistaken her for a little country nobody, no make-up, and her old brown coat. Nothing in the world, she suddenly realized, could be quite so brown or quite so old as an old brown coat and to complete the picture, nothing could make a second-hand station wagon look less imposing than a flat tire and two dusty bags of dog food sitting up in the rear of it, like lumpy old ladies. But no matter what he thought, she'd be a fool to take one insult after another without doing something about it. If she didn't, his attitude was enough to give her an inferiority complex for the rest of her life. David would not know what had happened but he would miss some indefinable voltage that had been part of her in time their marriage would become a bloodless union which he would cease to cherish with jealousy and pride. It might sound a little far-fetched in theory, but in actual practice she knew that it was true.
Rose Franken (Claudia (U))
Jealous- the form of jealousy damage the image of impersonation ,the character who you are , and also can destroy your family. Instead of being jealous of one another be happy with them an shine together
Shaneika Marie
I apologize,” he said stiffly. “I don’t know why I got so upset.” He brushed a few crumbs from his clothing as he stood. “If you will both excuse me, I have some reading I must complete.” Cass turned to her aunt the second Luca disappeared into the portego. “What on earth do you suppose that was about?” she asked. “It appears that during his time in France, your fiancé developed a bit of a temper,” Agnese said mildly, as though Luca’s outburst were perfectly normal. She blotted her mouth with her napkin and signaled a servant to bring her a second pastry. “Let’s just hope he saves some of that passion for your wedding night.” Cass folded her napkin and put it on the table. She felt nauseated. She replayed the conversation with Luca again and again. He hadn’t even denied returning to Venice early. It was true--he’d been in town for at least a week, maybe more. Why had he lied to her? She thought of how she had seen, for just one second, his face contorted with rage as he warned her to be more careful. It was a side of Luca she had never seen--almost as though for just one second, he had slipped on a mask. Or perhaps he had slipped out of a mask. Maybe, in that moment, he had let drop the image of the ever-composed, always righteous Luca. It was more than just jealousy or overprotectiveness. Luca was hiding something. Cass was certain of it.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))