Jamaica Love Quotes

We've searched our database for all the quotes and captions related to Jamaica Love. Here they are! All 71 of them:

I didn't just want Nate to love me. I wanted him to love me the way I loved him. The kind of love that's so big it would last beyond a lifetime.
Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
No matter how happy I had been in the past I do not long for it. The present is always the moment for which I love.
Jamaica Kincaid (The Autobiography of My Mother)
I wish that I could love someone so much that I would die from it.
Jamaica Kincaid (Lucy)
I never meant to fall in love with you. But I did. I felt it the first night I made love to you. I tried to walk away then because I've never felt so lost and yet so fucking found as I felt that night looking into your eyes as I moved inside you.
Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
Upstairs in my bed, where it had all started, I slowly made love to Nate, promising him with every inch of me, that the ‘after’ we’d found together … well … it was forever.
Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
I want to be someone's big love, Dad. I think I deserve to have the man I love love me back just as much.
Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
No, Mary had no illusions about romance. Falling in love was a pretty name for it, that was all.
Daphne du Maurier (Jamaica Inn)
I miss our Would You Rather conversations and your hilarious answers. I miss your laugh. I miss the way I feel when I make you laugh. Like I just won something really important. I miss just sitting with you in perfect, silent understanding. I miss the way you never judge anyone. It’s such a rare find, Liv. And I miss watching how kind you are with everyone. I miss being able to call you and talk to you about random shit and important shit. I miss my best friend. I miss you. I love you.
Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
He lacked tenderness; he was rude; and he had more than a streak of cruelty in him; he was a thief and a liar. He stood for everything she feared and hated and despised; but she knew she could love him... This was no choice made with the mind.
Daphne du Maurier
That the world I was in could be soft, lovely, and nourishing was more than I could bear, and so I stood there and wept, for I didn't want to love one more thing that could make my heart break into a million little pieces at my feet.
Jamaica Kincaid (Lucy)
I don't want to love like a woman or feel like a woman, Mr Davey; there's pain that way, and suffering, and misery that can last a lifetime. I didn't bargain for this; I don't want it.
Daphne du Maurier (Jamaica Inn)
You are not an ugly person all the time; you are not an ugly person ordinarily; you are not an ugly person day to day. From day to day, you are a nice person. From day to day, all the people who are supposed to love you on the whole do. From day to day, as you walk down a busy street in the large and modern and prosperous city in which you work and lie, dismayed and puzzled at how alone you can feel in this crowd, how awful it is to go unnoticed, how awful it is to go unloved, even as you are surrounded by more people than you could possibly get to know in a lifetime that lasted for millennia and then out of the corner of your eye you see someone looking at you and absolute pleasure is written all over the person's face, and then you realize that you are not as revolting a presence as you think you are. And so, ordinarily, you are a nice person, an attractive person, a person capable of drawing to yourself the affection of other people, a person at home in your own skin: a person at home in your own house, with its nice backyard, at home on your street, your church, in community activities, your job, at home with your family, your relatives, your friends - you are a whole person.
Jamaica Kincaid (A Small Place)
Anger engulfed me and I ripped my hand away from him. ‘You left me,’ I growled. ‘You treated me no better than one of your random hookups, and suddenly because you’ve decided that no, wait, you do love me, I'm to come running back?’ I stood up, my chair clattering behind me with the force of the movement. ‘Your words are nice in the moment. But at the end of the day it means fuck all. I don’t trust you with your own feelings, Nate. Why the hell would I trust you with mine?
Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
And so to read is, in truth, to be in the constant act of creation. The old lady on the bus with her Orwell, the businessman on the Tube with Patricia Cornwell, the teenager roaring through Capote -- they are not engaged in idle pleasure. Their heads are on fire. Their hearts are flooding. With a book, you are the landscape, the sets, the snow, the hero, the kiss -- you are the mathematical calculation that plots the trajectory of the blazing, crashing zeppelin. You -- pale, punchable reader -- are terraforming whole worlds in your head, which will remain with you until the day you die. These books are as much a part of you as your guts and your bone. And when your guts fail and your bones break, Narnia, or Jamaica Inn, or Gormenghast will still be there; as pin-sharp and bright as the day you first imagined them -- hiding under the bedclothes, sitting on the bus. Exhausted, on a rainy day, weeping over the death of someone you never met, and who was nothing more than words until you transfused them with your time, and your love, and the imagination you constantly dismiss as "just being a bit of a bookworm.
Caitlin Moran
No, Mary had no illusions about romance. Falling in love was a pretty name for it, that was all. Jem Merlyn was a man, and she was a woman, and whether it was his hands or his skin or his smile she did not know, but something inside her responded to him, and the very thought of him was an irritant and a stimulant at the same time. It nagged at her and would not let her be.
Daphne du Maurier (Jamaica Inn)
...be sure to wash every day, even if it is with your own spit; don't squat down to play marbles—you are not a boy, you know; don't pick people's flowers—you might catch something; don't throw stones at blackbirds, because it might not be a blackbird at all; this is how to make a bread pudding; this is how to make doukona; this is how to make pepper pot; this is how to make a good medicine for a cold; this is how to make a good medicine to throw away a child before it even becomes a child; this is how to catch a fish; this is how to throw back a fish you don't like, and that way something bad won't fall on you; this is how to bully a man; this is how a man bullies you; this is how to love a man; and if this doesn't work there are other ways, and if they don't work don't feel too bad about giving up; this is how to spit up in the air if you feel like it, and this is how to move quick so that it doesn't fall on you; this is how to make ends meet; always squeeze bread to make sure it's fresh; but what if the baker won't let me feel the bread?; you mean to say that after all you are really going to be the kind of woman who the baker won't let near the bread?
Jamaica Kincaid
If a guy loves you, he’ll buy you fucking Jamaica and walk away. He won’t hold that shit over you
Dannika Dark (Six Months (Seven, #2; Mageriverse, #8))
She taught you to fight no matter how hopeless things look. That's a lesson not many people can impart to their kids, but she did. She taught you to be brave, Liv, and she taught you life is fragile. People say that all the time, but they never really understand until one minute they're laughing with someone they love and the next they're crying over their grave.
Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
That's never been my life, nor ever will." "Why not? You'll wed a farmer one day, or small tradesman, and live respectably among your neighbours. Don't tell them you lived once at Jamaica Inn, and had love made to you by a horse-thief. They'd shut their doors against you. Good-bye, and here's prosperity to you.
Daphne du Maurier (Jamaica Inn)
And the places she turns up in Jamaica are all the more curious. I remember being at sound-system dances and hearing everyone from Bob Marley Kenny Rogers (yes, Kenny Rogers) to Sade to Yellowman to Beenie Man being blasted at top volume while the crowd danced and drank up a storm. But once the selector (DJ in American parlance) began to play a Celine Dion song, the crowd went buck wild and some people started firing shots in the air.... I also remember always hearing Celine Dion blasting at high volume whenever I passed through volatile and dangerous neighborhoods, so much that it became a cue to me to walk, run or drive faster if I was ever in a neighborhood I didn't know and heard Celine Dion mawking over the airwaves.
Carl Wilson (Let's Talk About Love: A Journey to the End of Taste)
Witch Baby wanted to ask Ping how to find her Jah-Love angel. She knew Raphael was not him, even though Raphael had the right eyes and smile and name. She knew how he looked--the angel in her dream--but she didn't know how to find him. Should she roller-skate through the streets in the evenings when the streetlights flicker on? Should she stow away to Jamaica on a cruise ship and search for him in the rain forests and along the beaches? Would he come to her? Was he waiting, dreaming of her in the same way she waited and dreamed?
Francesca Lia Block (Witch Baby (Weetzie Bat, #2))
I wrote home to say how lovely everything was, and I used flourishing words and phrases, as if I were living life in a greeting card - the kind that has a satin ribbon on it, and quilted hearts and roses, and is expected to be so precious to the person receiving it that the manufacturer has placed a leaf of plastic on the front to protect it.
Jamaica Kincaid (Lucy)
At the top of the page I wrote my full name [...] At the sight of it, many thoughts rushed through me, but I could write down only this: "I wish I could love someone so much that I would die from it." And then as I looked at this sentence a great deal of shame came over me and I wept and wept so much that the tears fell on the page and caused all the words to become one great big blur.
Jamaica Kincaid
They knew that Jamaica produced sugar, rum and bananas, that Nigeria produced cocoa, and that British Guiana had large natural resources; but these names, though as familiar as the products with which they were associated, were of places far away, and no one seemed really interested in knowing anything about the peoples who lived there or their struggles towards political and economic betterment.
E.R. Braithwaite (To Sir, With Love)
I was surrounded by love, and not some cheesy, overbearing, faux in-your-face kind of love, but real, intimate, I-know-all-your-quirks-and-habits-and-still-love-you kind of love.
Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
She was a woman, and for no reason in heaven or earth she loved him. He had kissed her, and she was bound to him for ever.
Daphne du Maurier (Jamaica Inn)
Observing any human being from infancy, seeing someone come into existence, like a new flower in bud, each petal first tightly furled around another, and then the natural loosening and unfurling, the opening into a bloom, the life of that bloom, must be something wonderful to behold; to see experience collect in the eyes, around the corners of the mouth, the weighing down of the brow, the heaviness in heart and soul, the thick gathering around the waist, the breasts, the slowing down of footsteps not from old age but only with the caution of life-all this is something so wonderful to observe, so wonderful to behold; the pleasure for the observer, the beholder, is an invisible current between the two, observed and observer, beheld and beholder, and I believe that no life is complete, no life is really whole, without this invisible current, which is in many ways a definition of love.
Jamaica Kincaid (The Autobiography of My Mother)
Pero el silencio era diáfana en el calor de las cuatro, y por la ventana del dormitorio se veía el perfil de la ciudad antigua con el sol de la tarde en las espaldas, sus cúpulas doradas, su mar en llamas hasta Jamaica.
Gabriel García Márquez (Love in the Time of Cholera)
He stood for everything she feared and hated and despised; but she knew she could love him. Nature cared nothing for prejudice. Men and women were like the animals on the farm at Helford, she supposed; there was a common law of attraction for all living things, some similarity of skin or touch, and they would go to one another. This was no choice made with the mind. Animals did not reason, neither did the birds in the air. Mary was no hypocrite; she was bred to the soil, and she had lived too long with birds and beasts, had watched them mate. and bear their young, and die. There was precious little romance in nature, and she would not look for it in her own life.
Daphne du Maurier (Jamaica Inn)
I cannot tell you how angry it makes me to hear people from North America tell me how much they love England, how beautiful England is, with its traditions. All they see is some frumpy, wrinkled-up person passing by in a carriage waving at a crowd. But what I see is the millions of people, of whom I am just one, made orphans: no motherland, no fatherland, no gods, no mounds of earth for holy ground, no excess of love which might lead to the things that an excess of love sometimes brings, and worst and most painful of all, no tongue.
Jamaica Kincaid (A Small Place)
And so to read is, in truth, to be in the constant act of creation. The old lady on the bus with her Orwell, the businessman on the Tube with Patricia Cornwell, the teenager roaring through Capote -- they are not engaged in idle pleasure. Their heads are on fire. Their hearts are flooding. With a book, you are the landscape, the sets, the snow, the hero, the kiss -- you are the mathematical calculation the plots the trajectory of the blazing, crashing zeppelin. You -- pale, punchable reader -- are terraforming whole worlds in your head, which will remain with you until the day you die. These books are as much a part of you as your guts and your bone. And when your guts fail and your bones break, Narnia, or Jamaica Inn, or Gormenghast will still be there; as pin-sharp and bright as the day you first imagined them -- hiding under the bedclothes, sitting on the bus. Exhausted, on a rainy day, weeping over the death of someone you never met, and who was nothing more than words until you transformed them with your time, and your love, and the imagination you constantly dismiss as "just being a bit of a bookworm.
Caitlin Moran (Moranifesto)
My father could not love, but he believed he could, and that must be enough, because perhaps half the world feels that way. He believed he loved me, but I could tell him how untrue that was, I could list for him the number of times he had placed me squarely within the jaws of death; I could list for him the number of times he had failed to be a father to me, his motherless child, while on his way to becoming a man of this world. He loved, he loved; he loved himself. It is perhaps the way of all men.
Jamaica Kincaid (The Autobiography of My Mother)
She smelled sometimes of lemons, sometimes of sage, sometimes of roses, sometimes of bay leaf. At times I would no longer hear what it was she was saying; I just liked to look at her mouth as it opened and closed over words, or as she laughed. How terrible it must be for all the people who had no one to love them so and no one whom they loved so, I thought.
Jamaica Kincaid (Annie John)
I loved very much - and so used to torment until she cried - a girl named Sonia.
Jamaica Kincaid (Annie John)
Mary had no illusions about romance. Falling in love was a pretty name for it, that was all.
Daphne du Maurier (Jamaica Inn)
I wish I could love someone so much that I would die from it.
Jamaica Kincaid (Lucy (Picador Collection))
What I see is the millions of people, of whom I am just one, made orphans: no motherland, no fatherland, no gods, no mounds of earth for holy ground, no excess of love which might lead to the things that an excess of love sometimes brings, and worst and most painful of all, no tongue. (For isn't it odd that the only language I have in which to speak of this crime is the language of the criminal who committed the crime? And what can that really mean? For the language of the criminal can contain only the goodness of the criminal's deed. The language of the criminal can explain and express the deed only from the criminal's point of view. It cannot contain the horror of the deed, the injustice of the deed, the agony, the humiliation inflicted one me.
Jamaica Kincaid
No, Mary had no illusions about romance. Falling in love was a pretty name for it, that was all. Jem Merlyn was a man, and she was a woman, and whether it was his hands or his skin or his smile she did not know, but something inside her responded to him, and the very thought of him was an irritant and a stimulant at the same time. It nagged at her and would not let her be. She knew she would have to see him again.
Daphne du Maurier (Jamaica Inn)
If loving a man meant this pain and anguish and sickness, she wanted none of it. It did away with sanity and composure and made havoc of courage. She was a babbling child now when once she had been indifferent and strong.
Daphne du Maurier (Jamaica Inn)
Women think differently to men; they travel separate paths. That's why I have no liking for them; they make for trouble and confusion. It was pleasure enough to take you to Launceston, Mary, but when it comes to life and death, like my business now, God knows I wish you a hundred miles away, or sitting primly, your sewing in your lap, in a trim parlour somewhere, where you belong to be." "That's never been my life, nor ever will." "Why not? You'll wed a farmer one day, or small tradesman, and live respectably among your neighbours. Don't tell them you lived once at Jamaica Inn, and had love made to you by a horse-thief. They'd shut their doors against you. Good-bye, and here's prosperity to you.
Daphne du Maurier (Jamaica Inn)
There is a way to be cruel that seems Jamaican to me. But I’ve heard other islanders say the same thing, so maybe it’s a Caribbean thing. Though Africans and African Americans tell me that it’s a similar way with them, so maybe it’s a black thing. It’s saying exactly what you think, regardless of how it will affect the listener. Perhaps this is the language of the oppressed—the colonized, the enslaved. Maybe our kind doesn’t have time for soft words. My friend, from Jamaica same as me, says that she prefers this to people talking behind her back. I don’t know that I agree.
Alexia Arthurs (How to Love a Jamaican)
So, Ryan, back to my Economy model. In motor-vehicle parlance, she's the cloth-seats and plastic-steering-wheel version. But she gets you from A to B. This model comes only in white. My sister-in-law's a lovely black woman from Jamaica and she said to me, she said, Ron! Don't you dare do an Economy black woman. And I love women, I do, and I thought, yeah, show respect. Also, Bridget would knock the shit out of me.
Jeanette Winterson (Frankissstein: A Love Story)
No one observed and beheld me, I observed and beheld myself; the invisible current went out and it came back to me. I came to love myself out of defiance, out of despair, because there was nothing else. Such a love will do, but it will only do, it is not the best kind; it has the taste of something left out on a shelf too long that has turned rancid, and when eaten makes the stomach turn. It will do, it will do, but only because there is nothing else to take its place; it is not to be recommended.
Jamaica Kincaid
When I looked at them sitting around me, the church in the distance, beyond that our school, with throngs of girls crossing back and forth in the schoolyard, beyond that the world, how I wished that everything would fall away, so that suddenly we'd be sitting in some different atmosphere, with no future full of ridiculous demands, no need for any sustenance save our love for each other, with no hindrance to any of our desires, which would, of course, be simple desires — nothing, nothing, just sitting on our tombstones forever.
Jamaica Kincaid
No, when the stresses are too great for the tired metal, when the ground mechanic who checks the de-icing equipment is crossed in love and skimps his job, way back in London, Idlewild, Gander, Montreal; when those or many things happen, then the little warm room with propellers in front falls straight down out of the sky into the sea or on to the land, heavier than air, fallible, vain. And the forty little heavier-than-air people, fallible within the plane's fallibility, vain within its larger vanity, fall down with it and make little holes in the land or little splashes in the sea. Which is anyway their destiny, so why worry? You are linked to the ground mechanic's careless fingers in Nassau just as you are linked to the weak head of the little man in the family saloon who mistakes the red light for the green and meets you head-on, for the first and last time, as you are motoring quietly home from some private sin. There's nothing to do about it. You start to die the moment you are born. The whole of life is cutting through the pack with death. So take it easy. Light a cigarette and be grateful you are still alive as you suck the smoke deep into your lungs. Your stars have already let you come quite a long way since you left your mother's womb and whimpered at the cold air of the world. Perhaps they'll even let you go to Jamaica tonight. Can't you hear those cheerful voices in the control tower that have said quietly all day long, 'Come in BOAC. Come in Panam. Come in KLM'? Can't you hear them calling you down too: 'Come in Transcarib. Come in Transcarib'? Don't lose faith in your stars. Remember that hot stitch of time when you faced death from the Robber's gun last night. You're still alive, aren't you? There, we're out of it already. It was just to remind you that being quick with a gun doesn't mean you're really tough. Just don't forget it. This happy landing at Palisadoes Airport comes to you courtesy of your stars. Better thank them.
Ian Fleming (Live and Let Die (James Bond, #2))
And so all this fuss over empire—what went wrong here, what went wrong there—always makes me quite crazy, for I can say to them what went wrong: they should never have left their home, their precious England, a place they loved so much, a place they had to leave but could never forget. And so everywhere they went they turned it into England; and everybody they met they turned English. But no place could ever really be England, and nobody who did not look exactly like them would ever be English, so you can imagine the destruction of people and land that came from that. The English hate each other and they hate England, and the reason they are so miserable now is that they have no place else to go and nobody else to feel better than.
Jamaica Kincaid (A Small Place)
They were both comparative mirrors of each other. It was clear to her now more than he had used her and she was outraged that she had someone allowed it if not instigated it. Kitty retreated; she bit her lips to hold back the tears. She was a strong woman. The car purred to life and the tall shadowy figure of the boy she had the most earthshaking sex with a few nights ago gaped at her with contempt from behind the glass. She raced into traffic and a push cart man swung his arms at her motor car belting out expletives, scolding Kitty for her reckless driving. She wanted to go home but first she wanted to be at one with the wind. She listened to the sound of the cars whooshing by and the bubbly nature of the people heading into the Chinese owned supermarkets and knew she was finally home. It always found her. It found her in the men she fell in love with. Tom was a good man but he was safe and Kitty never liked safe, she was reckless and risqué like the malefactor blood that ran in her veins. She could not run from it. The Ghetto was not just a place; it was a state of mind. She always thought she was running from the Ghetto but the Ghetto was with her even to the deepest corners of the earth for the Ghetto was her. You could not run away from yourself.
Crystal Evans (Ghetto Slam)
He grinned. “One must take what one can get, Majesty.” He clapped a hand to his chest in a gesture of dramatic eloquence. “I am an admiral, yes, but I am your admiral. And I, dear sovereign, am at your command.” “My command is for you to get the hell out of my life. I’ve heard all the stories about you! You’re a rake and a libertine! You’re a wenching womanizer with a reputation from here to Jamaica!” “That was before I met you, love.” “But you’re too young to be an admiral!” “Why thank you. How nice to know that at thirty-six, I am still considered ‘young.’” He gave a charming, dimpled grin that made her heart flutter in her breast despite the fact she was positively furious with him. “Suffice it to say that I’m considered to be a very good commander. My promotions came swiftly. More lemonade, my dear?
Danelle Harmon (My Lady Pirate (Heroes of the Sea #3))
Kokomo Aruba, Jamaica, ooh I want to take ya Bermuda, Bahama, come on pretty mama Key Largo, Montego, baby why don't we go, Jamaica Off the Florida Keys, there's a place called Kokomo That's where you want to go to get away from it all Bodies in the sand, tropical drink melting in your hand We'll be falling in love to the rhythm of a steel drum band Down in Kokomo [Chorus] Aruba, Jamaica, ooh I want to take you to Bermuda, Bahama, come on pretty mama Key Largo, Montego, baby why don't we go Ooh I want to take you down to Kokomo, we'll get there fast and then we'll take it slow That's where we want to go, way down in Kokomo. Martinique, that Montserrat mystique We'll put out to sea and we'll perfect our chemistry And by and by we'll defy a little bit of gravity Afternoon delight, cocktails and moonlit nights That dreamy look in your eye, give me a tropical contact high Way down in Kokomo [Chorus] Port au Prince, I want to catch a glimpse Everybody knows a little place like Kokomo Now if you want to go and get away from it all Go down to Kokomo [Chorus] Aruba, Jamaica, ooh I want to take you to Bermuda, Bahama, come on pretty mama Key Largo, Montego, baby why don't we go Ooh I want to take you down to
Beach Boys
The snow was the color and texture of a half-cooked egg white, making the world seem soft and lovely and - unexpectedly, to me - nourishing. That the world I was in could be soft, lovely, and nourishing was more than I could bear, and so I stood there and wept, for I didn't want to love one more thing in my life, didn't want one more thing that could make my heart break into a million little pieces at my feet.
Jamaica Kincaid (Lucy)
and Lloyd’s fathers hustled side by side in Jamaica before they were killed in a deal gone wrong. Carrying on with their legacy, Kenyon and Lloyd did things the same way as their fathers, but they grew up more like brothers than cousins, so their bond had been stronger.
Leo Sullivan (Keisha & Trigga : A Gangster Love Story)
Knowledge is power; knowledge of oneself is unshakeable power.
Marrett Green (Sugar and Spice & Everything Irie: Savoring Jamaica's Flavors)
I wrote home to say how lovely everything was, and I used flourishing words and phrases, as if I were living life in a greeting card - the kind that has a satin ribbon on it, and quilted hearts and roses, and is expected to be so precious to the person receiving it that the manufacturer has placed a leaf of plastic on the front to protect it. Everyone I wrote to said how nice it was to hear from me, how nice it was to know I was doing well, that I was very much missed, and that they couldn't wait until the day came when I returned.
Jamaica Kincaid (Lucy)
I had come to feel that my mother's love for me was designed solely to make me into an echo of her; and I didn't know why, but I felt that I would rather be dead than become just an echo of someone.
Jamaica Kincaid (Lucy)
I remember my first dose of Klonopin the way I imagine the elect recall their high school summer romances, bathed in the golden light of a perfect carelessness, untouched and untouchable by time's predations or the foulness of any present pain. As Cat Stevens wrote, The first cut is the deepest, though I've always preferred Norma Fraser's cover to the original (the legendary Studio One, Kingston, Jamaica, 1967). Stevens sings it like a pop song, but Fraser knows the line is true, that she'll never love like that again. Her voice soars over the reverb like a bird in final flight. The first cut is the deepest. I've since learned all about GABA receptors and molecular binding, benzos and the dangers of tolerance, but back then I knew only that I had received an invisible and highly effective surgery to the mind, administered by a pale yellow tablet scored down the middle and no larger than an aspirin. There is so much drivel about psychoactive meds, so much corruptions, bad faith over- and underprescription, vagueness, profiteering, ignorance, and hope, that it's easy to forget they sometimes work, alleviating real suffering, at least for a time. This was such a time.
Adam Haslett (Imagine Me Gone)
Giovanni, in love with her unabashed feminine strength and her reconciliation of love and revolution. I spent nearly every waking moment around Nikki, and I loved her dearly. But sibling relationships are often fraught with petty tortures. I hadn’t wanted to hurt her. But I had. At the time, I couldn’t understand my mother’s anger. I mean this wasn’t really a woman I was punching. This was Nikki. She could take it. Years would pass before I understood how that blow connected to my mom’s past. My mother came to the United States at the age of three. She was born in Lowe River in the tiny parish of Trelawny, Jamaica, hours away from the tourist traps that line the coast. Its swaths of deep brush and arable land made it great for farming but less appealing for honeymoons and hedonism. Lowe River was quiet, and remote, and it was home for my mother, her older brother Ralph, and my grandparents. My maternal great-grandfather Mas Fred, as he was known, would plant a coconut tree at his home in Mount Horeb, a neighboring area, for each of his kids and grandkids when they were born. My mom always bragged that hers was the tallest and strongest of the bunch. The land that Mas Fred and his wife, Miss Ros, tended had been cared for by our ancestors for generations. And it was home for my mom until her parents earned enough money to bring the family to the States to fulfill my grandfather’s dream of a theology degree from an American university. When my mom first landed in the Bronx, she was just a small child, but she was a survivor and learned quickly. She studied the other kids at school like an anthropologist, trying desperately to fit in. She started with the way she spoke. She diligently listened to the radio from the time she was old enough to turn it on and mimicked what she heard. She’d always pull back enough in her interactions with her classmates to give herself room to quietly observe them, so that when she got home she could practice imitating their accents, their idiosyncrasies, their style. Words like irie became cool. Constable became policeman. Easy-nuh became chill out. The melodic, swooping movement of her Jamaican patois was quickly replaced by the more stable cadences of American English. She jumped into the melting pot with both feet. Joy Thomas entered American University in Washington, D.C., in 1968, a year when she and her adopted homeland were both experiencing
Wes Moore (The Other Wes Moore: One Name, Two Fates)
I had come to feel that my mother’s love for me was designed solely to make me into an echo of her; and I didn’t know but I felt that I would rather be dead than become just an echo of someone. That was not a figure of speech. Those thoughts would have come as a complete surprise to my mother, for in her life she had found that her ways were the best ways to have, and she would have been mystified as to how someone who came from inside her would want to be anyone different from her. I did not have an answer to this myself. But there it was. Thoughts like these had brought me to be sitting on the edge of a Great Lake with a woman who wanted to show me her world and hoped that I would like it, too. Sometimes there is no escape, but often the effort of trying will do quite nicely for a while.
Jamaica Kincaid (Lucy)
She could imagine the demise of the fowl of the air, fish in the sea, mankind itself, but not that the only man she had ever loved would no longer love her. She complained about the weather, she complained about all sorts of things that ordinarily she would not have noticed; she criticized my behavior, and then she criticized herself for criticizing me.
Jamaica Kincaid (Lucy)
They make love that plants lehua, and they share pleasures that tease breaking waves out of a calm bay. To ho'āikāne in our mo'olelo is to enact all the possibilities of pleasure between our bodies and to learn from how 'āina grounds the pleasure to be shared and treasured between us.
Jamaica Osorio
Had I been provided with a choice, I would have chosen to stay. I didn’t know we were poor, and I didn’t feel any of the desperation that dictated our lives. I just remember being loved, safe, and happy. In retrospect, I realize this is a credit to the efforts of my mother and my surrogate family rather than a credit to the island. Nevertheless, leaving Jamaica still felt like a betrayal. I didn’t know then that when you leave someone or something behind not by choice, you never trade your allegiance to them. I assimilated well enough to call America home many years ago, but my longing for Jamaica never fully went away. Assimilation, though necessary, comes with a price. It created an unwelcome wedge between me and my homeland.
Jayma Anne Montgomery (AlieNation: The Imitated Life)
this is how to love a man; and if this doesn't work there are other ways, and if they don't work don't feel too bad about giving up
Jamaica Kincaid (Girl)
Step by Step… Can you write out your ideal business step by step Here is a business I am setting up for a client. She wants to shipping start her own shipping company… One she will need a US partner to collect and transfer packages to her in Jamaica. She will also need one in China. I have two contacts. One has a warehouse in Florida The other has two in China. Chinese connect makes goods available within 3 weeks, she has to tell her customers four. The US connect makes it within 3-5 days. She has to tell them within a week… Next she will need a website where her customers can login and track their packages. This will come with individual dashboards. She will need an interface and warehouse management software and logistics APIs. She will also need an automated email set up (journey) to send emails to her customers without her or her agents needing to do that. Without this Saas she would have to hire someone to reply to messages and emails about , someone to call and track, use usps and FedEx tracking numbers to track and reply back to customers. She also needs a beta ApI to allow her warehouse guy to update the CRM with information about her customers packages… Key nodes such as - Intransit to destinations Held at customs Clearance In transit to store Pick up available etc… These will come in as email notifications Fully automated. Everything will be connected using Webhooks… entire system. Saas she might need to use a combination of GOhighlevel, Workiz and To run this as a System as as Service. Each platform can work together using webhooks. Gohighlevel as a Saas is $500 a month Workiz is $200 dollars She can use Odoo which is open source alternative as a CRM And Clickup as Management. This is how a conversational business plan looks. You can see it. You can research it. You can confirm that it’s plausible. It doesn’t sound like pipedreams. It sounds workable to credit companies /banks and investors. It sounds doable to a BDO Client. I also sound as if I know what I am doing. Not a lot of technical language. A confused prospective business investor or banker don’t want to use a dictionary to figure out everything… They want to see the vision as clear as day. You basically need to do to them what I did to you when you joined my programme. It must sound plausible. All businesses is a game of wit. Every deal that is signed benefits both party. Whether initially or in the long term. Those are the sub-tenets of business. Every board meeting or meeting with regulatory boards, banks, credit facilities, municipalities is a game of convincing people to see your thing through… Everyone does Algorithm is simple. People want you to solve their problems with speed and efficiency. Speed is very important and automation. Progress, business and production are tied to ego… that’s why people love seh oh dem start a business or dem have dem online business and nah sell one rass thing. Cause a lot of people think being successful and looking successful are one and the same thing until they meet someone like me or people who done the work… Don’t rush it… you are young and you have time. There are infact certain little nuances Weh yuh only ago learn through experience. Experience and reflection. One of the drawbacks of wanting to run your business by yourself with you and your family members is that you guys will have to be reliant on yourself for feedback which is not alw
Crystal Evans
(+256)778346320 JAMAICA,USA,UK LOVE SPELLS THAT WORK IMMEDIATELY//NORWAY/OSLO POWERFUL LOVE SPELLS THAT WORK FASTER
Baba Afuwa
I had been to Jamaica and the Bahamas, and to Europe a few times, but this was my first time being this far from home. I felt Nairobi's foreigness - or really, my own foreigness in relation to it - immediately, even in the first strains of morning. It's a sensation I've come to love as I've traveled more, the way a new place signals itself instantly and without pretense. The air has different weight from what you're used to; it carries smells you can't quite identify, a faint whiff of wood smoke or diesel fuel, maybe, or the sweetness of something blooming in the trees. The same sun comes up, but looking slightly different from what you know.
Michelle Obama (Becoming)
I sat in my little Brooklyn apartment and tried to listen: listen for the voice of my mother, listen for the singsong voices of my grandmothers, both passed away. Jamaica Kincaid taught me that the women I loved might not have been known to many people in the world but they were opera singers. They had beauty in their voices; great dramas were at the cruxes of their lives. And if I could catch those voices - the way they loved, the way they taught, the way they turned their faces away in pain, and how they stood in their own power-then their words on the page might become a song worth singing.
Veronica Chambers (Well-Read Black Girl: Finding Our Stories, Discovering Ourselves)
Loyalty-Over-Love; Trust No One! Take No Shorts, Take No Prisoners!
Lyric Hawkins (Rott3n Apple: Decisions Of A Wall Street Thug)
James Bond creator Ian Fleming purchased a retreat in Jamaica he named GoldenEye that was perched over a ravishingly lovely beach to provide him with the epiphanies and artistic fuel that would increase his craft. (I find it fascinating that he instructed his gardeners not to walk past the window of his writing studio as it would break his artistic trance.)
Robin S. Sharma (The Titan Playbook: Aim for Iconic, Rise to Legendary, Make History)
She clung to her like macca bush
Nicole Y. Dennis-Benn
It's kind of getting on my nerves if you want the truth, listening to her go on and on about how she can't believe she's fallen in love with this young man from Jamaica that she met on vacation, but her problem is that she is afraid of marriage because of what she's seen it do to love, how much you actually lose, for instance, like spontaneity: everything seems to have to be planned out in advance, and she does not always want to know what is going to happen next; and then how about passion: it gets pushed out of the way or maybe even shoved over and down to the bottom of the list of needs to that list of wants and is now considered superfluous, and where there used to be joy and laughter and warm smiles all of a sudden they cross over the picket line and everybody's pissed about something stressed out every day and so she feels that marriage is just so misrepresented, so overrated and not at all redeeming and plus it changes people and she does not want to be changed.
Terry McMillan (How Stella Got Her Groove Back)
She pinched hard, picking up pieces of my almost nonexistent flesh and twisting it around. At first, I vowed not to cry, but it went on for so long that tears I could not control streamed down my face. I cried so much that my chest began to heave, and then, as if my heaving chest caused her to have some pity on me, she stopped pinching and began to kiss me on the same spots where shortly before I had felt the pain of her pinch. Oh, the sensation was delicious--the combination of pinches and kisses. And so wonderful we found it that, almost every time we met, pinching by her, followed by tears from me, followed by kisses from her were the order of the day. I stopped wondering why all the girls whom I had mistreated and abandoned followed me around with looks of love and adoration on their faces.
Jamaica Kincaid (Annie John)
The issue I have with people who say they love me… Is that I don’t feel loved by them. Their love often seems more like opportunism to me or masked usery. Am not saying this man don’t love me or rate me. I don’t feel that love. I don’t feel loved by him… I am not saying a family member don’t love me or isn’t a good person or hasn’t been good to me… I am just saying that this person they project or profess to be… Is someone I have never experienced… Yes you are this great person to other people… The thing is… I don’t know that person. I’ve never experienced that person and those I reserve the right to feel the way I feel about you as a person and this experience… It also can’t be love if standing up for myself makes you hate me. Love would have led to empathy and not feelings of umbrage. “You know I love you” You can say I love you. But I don’t feel loved by you… Your love means nothing to me if I don’t feel or experience it. Selah.
Crystal Evans