Jaguar Animal Quotes

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With most animals, as with man, the alertness of the senses diminishes after years of work, after domestic habits and progress of culture.
Alexander von Humboldt (Jaguars and Electric Eels (Penguin Great Journeys))
Japan and Hong Kong are steadily whittling away at the last of the elephants, turning their tusks (so much more elegant left on the elephant) into artistic carvings. In much the same way, the beautiful furs from leopard, jaguar, Snow leopard, Clouded leopard and so on, are used to clad the inelegant bodies of thoughtless and, for the most part, ugly women. I wonder how many would buy these furs if they knew that on their bodies they wore the skin of an animal that, when captured, was killed by the medieval and agonizing method of having a red-hot rod inserted up its rectum so as not to mark the skin.
Gerald Durrell (The Aye-Aye and I)
In the rain forest, no niche lies unused. No emptiness goes unfilled. No gasp of sunlight goes untrapped. In a million vest pockets, a million life-forms quietly tick. No other place on earth feels so lush. Sometimes we picture it as an echo of the original Garden of Eden—a realm ancient, serene, and fertile, where pythons slither and jaguars lope. But it is mainly a world of cunning and savage trees. Truant plants will not survive. The meek inherit nothing. Light is a thick yellow vitamin they would kill for, and they do. One of the first truths one learns in the rain forest is that there is nothing fainthearted or wimpy about plants.
Diane Ackerman (The Rarest of the Rare: Vanishing Animals, Timeless Worlds)
I read the paragraph again. A peculiar feeling it gave me. I don't know if you have ever experienced the sensation of seeing the announcement of the engagement of a pal of yours to a girl whom you were only saved from marrying yourself by the skin of your teeth. It induces a sort of -- well, it's difficult to describe it exactly; but I should imagine a fellow would feel much the same if he happened to be strolling through the jungle with a boyhood chum and met a tigress or a jaguar, or what not, and managed to shin up a tree and looked down and saw the friend of his youth vanishing into the undergrowth in the animal's slavering jaws. A sort of profound, prayerful relief, if you know what I mean, blended at the same time with a pang of pity. What I'm driving at is that, thankful as I was that I hadn't had to marry Honoria myself, I was sorry to see a real good chap like old Biffy copping it. I sucked down a spot of tea and began brooding over the business.
P.G. Wodehouse
I wish for you four animals: a mink on the shoulders, a Jaguar in the garage, a tiger in the bedroom, and a jackass to pay for it all. To you!
John Oldale
Sorry. You don’t think he’s hot?” She waited for my answer, but I was too busy choking. I just shook my head no. “That boy makes me want to turn into a jaguar.” “A what?” “A jaguar. You know, a woman who goes after younger men?” She wiggled her eyebrows. “You mean a cougar?” I laughed. “Yeah, yeah, that’s it. I knew it was one of those feline animals.” Shoving a cookie in her mouth, a devilish grin slowly crept across her face. “What?” I asked nervously, unsure I wanted to hear the answer. “I was just thinking about that sexy, young man and what he could do to this old pussy—cat.
Beth Ehemann (Room for More (Cranberry Inn, #2))
I saw once a jaguar in zoo, behind a glass, so that all the bugs in hueman form could gawk at it and humiliate it. This animal felt a noble and persistent sadness, being observed everywhere by the obsequious monkeys, not even monkeys, that were taunting it with stares. He could tell—I saw this! He could tell he was living in a simulated environment and that he had no power to move or live. His sadness crushed me and I will always remember this animal. I never want to see life in this condition!
Bronze Age Pervert (Bronze Age Mindset)
Somewhere close I knew spear-nosed bats flew through the tree crowns in search of fruit, palm vipers coiled in ambush in the roots of orchids, jaguars walked the river's edge; around them eight hundred species of trees stood, more than are native to all of North America; and a thousand species of butterflies, 6 percent of the entire world fauna, waited for the dawn.About the orchids of that place we knew very little. About flies and beetles almost nothing, fungi nothing, most kinds of organisms nothing. Five thousand kinds of bacteria might be found in a pinch of soil, and about them we knew absolutely nothing. This was wilderness in the sixteenth-century sense, as it must have formed in the minds of the Portuguese explorers, its interior still largely unexplored and filled with strange, myth-engendering plants and animals. From such a place the pious naturalist would send long respectful letters to royal patrons about the wonders of the new world as testament to the glory of God. And I thought: there is still time to see this land in such a manner.
Edward O. Wilson (The Diversity of Life (Questions of Science))
With the vague hope that it might somehow explain his dream, he took one of his old textbooks from the shelves and tried to read the chapter on lycanthropy. The book cataloged the queerly universal primitive beliefs that human beings could change into dangerous carnivorous animals. He skimmed the list of human wolves and bears and jaguars, human tigers and alligators and sharks, human cats and human leopards and human hyenas. The were-tigers of Malaysia, he read, were believed invulnerable in the transformed
Jack Williamson (Darker Than You Think)
I do trust you though. I think if someone tried to take me, you’d at least fight them for me a little…” I watched his face for a moment before narrowing my eyes. “Wouldn’t you?” That had his other eye popping open, his cheeks still slightly pink, but everything else about him completely alert. “You know I would.” Why that pleased me so much, I wasn’t going to overanalyze. “If someone tried to take you, I know aikido, some jiu-jitsu, and kickboxing,” I offered him up. “But my dentist says I have really strong teeth, so I’d be better off trying to bite someone’s finger or ear off instead.” Aaron’s eyebrows climbed up his forehead almost comically. “Like a little Chihuahua,” he suggested, the spoon going into his mouth with a sly grin. I winked at him, immediately regretting it. I didn’t want it to come across like I was flirting. “I was thinking more of a piranha. I’ve only had one filling in my entire life,” I told him, wishing each word coming out of my mouth wasn’t coming out of it. If he thought I was being awkward or a flirt, he didn’t make it known. “Or a raptor.” “A lion.” “A tiger.” “Did you know a jaguar has twice the strength in its bite than a tiger does?” Aaron frowned as he took another bite of his oatmeal. “No shit?” “No. Two thousand pounds per square inch. They’re the only big cat that kills their prey by biting its head, through bone and everything. A tiger bites the neck of whatever animal they’re eating to cut their air and blood flow off. Crazy, huh?” He looked impressed. “I had no idea.” I nodded. “Not a lot of people do.” “Is there anything that bites harder than they do?” “Crocodiles. The really big ones. I’m pretty sure they have about 4000 or 5000 psi bites.” For the fifty-second time, I shrugged. “I like watching the Animal Channel and Discovery,” I said, making it sound like an apology. Aaron gave me that soft smile that made me feel like my insides were on fire. Then he winked. “I don’t know much about crocodiles, but I know all about alligators,” he offered. “Did you know there are only two species left in the world?” “There are?” “American alligator and the Asian alligator. More than a fifth of all of them live in Florida.” “We have some gators in Texas. There’s a state park by Houston where you can go and you can usually see a bunch. I went camping there one time.” One corner of his mouth tilted up as he chewed. “Look at you, Rebel Without a Cause.” With anyone else, I’d probably think they were picking on me, but I could see the affection on Aaron’s face. I could feel the kindness that just came off him in waves, so I winked back at him. “I live life on the edge. I should start teaching a class on how to be bad.” “Right? Quitting your job, coming to Florida even though you were worried….” He trailed off with a grin and a look out of the corner of his eye. “I pretty much have my masters and license to practice. I’ll teach people everything I know.
Mariana Zapata (Dear Aaron)
Now she could smell what the jaguar could smell, odors deeper and richer than anything she had experienced before, layers of smell she could read like Fray Tomás had read the words in her father’s book: the wet decay of leaves, the death fear of a mouse, the poisonous cloy of datura, water and mud and insects, the wind carrying the smell of other animals, the wind itself, and the girl, of course, always the girl with her juicy flesh. The girl smelled incredibly good. Should the jaguar do this? Should Teresa eat herself?
Sharman Apt Russell (Teresa of the New World)
To those who serve to protect the exotic animals in the rainforest. Thanks for making it possible for so many of them to remain in their natural habitat and for stopping those who are destroying the animals or transporting them from their homes in the wild.
Terry Spear (Jaguar Pride (Heart of the Jaguar, #4))
Another aspect of our multidimensional selves and communication is with the Earth and Earth energies. We each have a unique relationship with the Earth Mother whose planet we live on. We each communicate multidimensionally with nature. We communicate subtly and sometimes not so subtly with nature spirits, the Devas or Angels of plants, with tree spirits and the elementals. The elementals I speak of here are the Gnomes, Sylphs, Salamanders, and Undines. We also have the ability to communicate directly with the four elements: fire, air, earth, and water. This is how high level initiates and Masters have been able to control the weather. Every aspect of nature, in truth, contains a spiritual essence or being that embodies that particular form. We also have the ability to multidimensionally communicate with crystals and gemstones, and the elemental beings that create the form and physical substance itself. We also each can communicate multidimensionally with animals. There are many on this plane that can talk to animals and they will telepathically talk back in words and images. Many of us have multidimensional communication with pets that have passed over to the other side and are functioning as spirit guides and helpers. There are also spirit animals such as the eagle, jaguar, owl, bear, lion, and tiger, which come as guides and helpers as well on a physical and/or etheric level.
Joshua D. Stone (The Golden Book of Melchizedek: How to Become an Integrated Christ/Buddha in This Lifetime Volume 2)
Tapping rubber was hazardous work, Soldado explained, rife with danger. There were índios bravos in the woods, not to mention aggressive, venomous snakes. And jaguars. One time he went to visit the station of a fellow rubber tapper and found it vacant. “His ladder was kicked over,” Soldado said in his low, deadpan voice. “His bucket was turned over. Latex was splashed on the ground like spilled milk.” Jaguar paw prints the size of a human hand led away into the forest, where he and his neighbors found the beast seated triumphantly on the body, the man’s throat ripped open, head devoured, stomach spilling innards. The animal bolted, and when the men tracked it down and finally shot it, they found their friend’s hair lodged in its teeth. “That jaguar came right up into the tree after him,” Soldado said, dread seeming to strangle his voice, as though it’d happened only yesterday.
Scott Wallace (The Unconquered: In Search of the Amazon's Last Uncontacted Tribes)
That is no metaphorical statement," he said. "I mean what I say. Big animals like that have the capacity to read thoughts. And I don't mean guess. I mean they know everything directly.
Carlos Castaneda (The Power of Silence: Further Lessons of don Juan)
You have to understand that all we see is beauty. Yes, human passions are animalistic and raw but that is nothing to be hidden. We believe that it is when we are closest to nature, a vestige of nature that can never be taken out of us. So when you are out there and your inner animal comes out, know that we are seeing a jaguar hunting prey, a flower blossoming, and a bird swooping through the air unhindered by the ground.
Joya Lively (Her First Ceremony: A Reverse Harem Romance (Ancient Pleasures))
The lion,” she thought, “is very noble. There is no creature so noble. The elephant is noble too and the elands and the jaguar. But they are nothing compared to the lion. The crocodile is not noble at all. It is an old evil like the serpent in the Garden of Eden; cunning and full of malice, and even when it hunts, it does so in a way that shows no true courage. But the lion…” She sighed. “The lion is wonderful and all the beasts of the earth are not much beside it.
T.M Cicinski (From Whence The Rivers Run)
In transforming natural environments into artificial form, the United States is the most advanced country in the world. This is not an accident. It is inherent in our economic system. To the capitalist, profit-oriented mind, there is no outrage so great as the existence of some unmediated nook or cranny of creation which has not been converted into a new form that can then be sold for money. This is because in the act of converting the natural into the artificial, something with no inherent economic value becomes “productive” in the capitalist sense. An uninhabited desert is “nonproductive” unless it can be mined for uranium or irrigated for farms or covered with tracts of homes. A forest of uncut trees is nonproductive. A piece of land which has not been built upon is nonproductive. Coal or oil that remains in the ground is nonproductive. Animals living wildly are nonproductive. Virtually any land, any space, any material, any time that remains in an original, unprocessed, unconverted form is an outrage to the sensibilities of the capitalist mind. Iron, tungsten, trees, oil, sulphur, jaguars and open space are searched out and transformed because transformation creates economic benefits for the transformers. In economics this transformation has a name: “value added.” Value added derives from all the processes that alter a raw material from something which has no intrinsic economic value to something which does. Each change in form, say, from iron ore in the ground to iron or steel to car to car which is heavily advertised adds value to the material. The only raw materials which have intrinsic economic value before processing are gold and silver. This is only because people have agreed on these values in order to define a value for paper money, which certainly has no intrinsic value. It is, then, the nature of profit seeking to convert as much as possible of what has not been processed and exists in its own right into something which has the potential for economic gain.
Jerry Mander (Four Arguments for the Elimination of Television)
Río de Janeiro y Brasil entero son un paraíso en el que abunda todo lo que la vida animal tiene de delicado y bravío, del colibrí al jaguar. Hay ríos que parecen lagos, lagos que parecen mares y cascadas que rugen, y una luz tropical que deslumbra...
Javier Moro (El Imperio eres tú)
come to call “ideograms.” An ideogram is often a pictorial character that refers not to the visible entity that it explicitly pictures but to some quality or other phenomenon readily associated with that entity. Thus—to invent a simple example—a stylized image of a jaguar with its feet off the ground might come to signify “speed.” For the Chinese, even today, a stylized image of the sun and moon together signifies “brightness”; similarly, the word for “east” is invoked by a stylized image of the sun rising behind a tree.5 The efficacy of these pictorially derived systems necessarily entails a shift of sensory participation away from the voices and gestures of the surrounding landscape toward our own human-made images. However, the glyphs which constitute the bulk of these ancient scripts continually remind the reading body of its inherence in a more-than-human field of meanings. As signatures not only of the human form but of other animals, trees, sun, moon, and landforms, they continually refer our senses beyond the strictly human sphere.6 Yet even a host of pictograms and related ideograms will not suffice for certain terms that exist in the local discourse. Such terms may refer to phenomena that lack any precise visual association. Consider, for example, the English word “belief.” How might we signify this term in a pictographic, or ideographic, manner? An image of a phantasmagorical monster, perhaps, or one of a person in prayer. Yet no such ideogram would communicate the term as readily and precisely as the simple image of a bumblebee, followed by the figure of a leaf. We could, that is, resort to a visual pun, to images of things that have nothing overtly to do with belief but which, when named in sequence, carry the same sound as the spoken term “belief” (“bee-leaf”). And indeed, such pictographic puns, or rebuses, came to be employed early on by scribes in ancient China and in Mesoamerica as well as in the Middle East, to record certain terms that were especially amorphous or resistant to visual representation. Thus, for instance, the Sumerian word ti, which means
David Abram (The Spell of the Sensuous: Perception and Language in a More-Than-Human World)
(Female) I experienced what I can only describe as pure awareness, though not self-identified. An awareness that travels in search of more, ever increasing, ever expanding and unattached – free of any limit, binding or density. It was pure awareness moving through space, though not like a dark starry sky, rather like the intervals between everything all combined. The “I” or “me” was gone. It was an experience of no individuality yet I had very definite awareness and full existence. I said “I need help” – expressing a desire for the attention of others to enable me to focus, maneuver and navigate in such an unknown dimension. With the group attention, we journeyed to the “left-overs” of God, as Carlos Castaneda put it, or the outer limits of God. Then jointly we journeyed beyond, co-creating, co-realizing and traveling – exploring out into the very “nothing” beyond the universe, and then into the somethingness of form, like the energy of somethingness at the atomic or molecular level. We began recapitulating the evolution into form, rapidly entering all phases and kingdoms – the elemental, mineral, vegetable, animal…each with a new found awareness, understanding and capability. An experience of “Hey, look what I can do” of grand proportions. Each evolution finding itself, experiencing the opportunity of intention – particularly in the human form, and delighting in it, deliriously and hysterically. It literally cracked me up, through all the episodes of evolution.
Ralph Metzner (The Toad and the Jaguar)
(Male) After moving into the space of formlessness, I felt directed toward my solar plexus area. It was very different than other experiences with healing body work – I was totally disidentified with my body, but somehow in it with a warmth of intention and orientation. I took a breath and a rippling of freedom passed through layers of mind out through the physical form. The pleasure of the experience brings waves of joy and a smiling feeling. Jaguar emerged when I asked to open to his fierceness within me, to have the courage to move through fear blocks. Jaguar, my power animal, appears as I focus on a tightness in my upper back. He is biting me there, where I am contracting with fear and holding back. His energy is filling me, I am becoming him, moving my face and arms as a jaguar. It feels very good, very strong, uninhibited. Then I feel the courage to let go of my job (which I had been too afraid to do) and move into creating my own livelihood.
Ralph Metzner (The Toad and the Jaguar)
A shattering annihilation, a feeling of being inside an explosion, and being fragmented into countless tiny shards. I felt as though I was being turned inside out, as though my innards were extruding through my mouth. My body was apparently rolling on the ground (as I later realized), coiled into a ball like the ourobouros serpent. All distinctions between inner and outer, self and other, above and below, were obliterated. Animal sounds appeared to be coming from my mouth. There were no feelings of fear, indeed no feelings at all, other than a kind of impersonal ecstasy. No sense of body, no sense of self, no “I” – only a sparkling sense of awe-inspiring beauty (RM).
Ralph Metzner (The Toad and the Jaguar)
They had camped on a sandbar and built a fire. Bruce cut the meat into strips, but as he laid it on hot stones to cook, he “heard a loud screaming growl.” He grabbed his M16 and turned just in time to see an animal charging them; he had the weapon on full-auto and sprayed it with “at least twenty rounds”; it dropped five feet from him: a huge, seven-foot jaguar.
Douglas Preston (The Lost City of the Monkey God)
The jungle is like a different planet — a world of shadows, bugs, jaguars, anacondas. But none of these animals did us as much harm as the humans.
Ingrid Betancourt
Once at this point a student commented, ‘This is too primitive.’ I responded, ‘Haven’t you noticed branding?’ Nowadays marketing is full of animals. They’re found on alcoholic beverages, cars and all sorts of other things. Besides, a great number of the most important registered brands in the world associate their products with jaguars, horses, crocodiles, eagles, snakes, etc. Animals can also be seen on coats of arms, of the major cities of the world, on flags, etc. These ancient archetypes have more impact on our unconscious than any new design, regardless of how aesthetically pleasing it is. Now, if these archetypes determine who we are in the waking state, imagine how great their power is in the dream state, where the mind doesn’t filter information. Here, we have access to what is called the power of dreams.
Sergio Magaña (El secreto tolteca: Prácticas ancestrales para comprender el poder de los sueños (Spanish Edition))