Ivy Quotes

Tell me why the stars do shine, Tell me why the ivy twines, Tell me what makes skies so blue, And I'll tell you why I love you. Nuclear fusion makes stars to shine, Tropisms make the ivy twine, Raleigh scattering make skies so blue, Testicular hormones are why I love you.

But, like ivy, we grow where there is room for us.

Plan B?' Ivy said. 'What is plan B?' Jenks reddened. 'Grab the fish and run like hell,' he muttered, and I almost giggled.

And I watch my words from a long way off. They are more yours than mine. They climb on my old suffering like ivy.

Geez, you guys. I know I'm popular and all, but seriously, you're a bit too co-dependent for me. I'm going to need you to step away from my personal bubble." A wispy vine-woman curled ivy tendrils around his arm, and he sliced through them with his dagger. "No! Bad Wraith! No touchie!

This isn't a game for me. I love you, Ivy, and one day you're going to believe me.

Ivy turned. 'He bit you on the neck?' she said, deadpan serious but for her eyes. 'Oh, then it's got to be love. She won't let me bite her neck.

You’re easy to read, Ivy, but the whole book of you is complicated.

Sometimes it's the little things that count most.

How right it is to love flowers and the greenery of pines and ivy and hawthorn hedges; they have been with us from the very beginning.

Ivy!' I stammered, then glared at Kisten. 'You told Ivy? Thanks a hell of a lot. Want to call my mom next?

A boy who once wiped his ass with poison ivy probably doesn't belong in a smart people's club.

This tower, patched unevenly with black ivy, arose like a mutilated finger from among the fists of knuckled masonry and pointed blasphemously at heaven. At night the owls made of it an echoing throat; by day it stood voiceless and cast its long shadow.

I don't know when it started - this thing - bit it's growing, muffling me, suffocating me like poison ivy. I grew into it. It grew into me. We blurred at the edges, became an amorphous, seeping, crawling thing.

Your welcome means more to me, Ivy Alisha Tamwood, than a thousand souls. Watching Rachel work is a wonder of one catastrophe after another.

You think Ivy's a planner? She has nothing on a motivated elf with too much money.

Ivy waved the wet handkerchief, as much as to say, words cannot possibly articulate my profound distress. Then, because Ivy never settled for meaningful gestures when verbal embellishments could compound the effect, she said, "Words cannot possibly articulate my profound distress.

There was no secret I did not tell him, there was no moment we did not share. We didn't grow up, we grew in; like ivy wrapping, molding each other into perfect yins and yangs

Sit, Phantom!" Ivy cooed. "On your bottom!" "Oh, for goodness' sake!" Gabriel put down his book and pointed a longer finger at Phantom. "Sit," he commanded in a deep voice. Phantom looked sheepish and sank straight to the floor. Ivy scowled in frustration. "I've been trying to get him to do that all day! What is it with dogs and male authority?

I wouldn't have been sent back to help you," Tristan continued. "I wouldn't have been made an angel if it weren't important that you live, Ivy. I want you to be mine" -Ivy could hear the pain in his voice- "but you're not." "I am!" she cried out loud. "We're on different sides of a river," he said, "and it's a river that neither of us can cross. You were meant for somebody else.

None of us got where we are solely by pulling ourselves up by our bootstraps. We got here because somebody - a parent, a teacher, an Ivy League crony or a few nuns - bent down and helped us pick up our boots.

How would you feel about sharing your bed?" she asked. Tristan blinked. "Excuse me?" "He'd love to!" Gary said. Tristan shot him a look, "Good," said Ivy, failing to notice Gary's wink. "Ella can be a pillow hog, but all you have to do is roll over her.

What was the point in satin and lace if it didn't make a man struggle to speak?

Rachel?” came Ivy’s voice from her room. “Where’s my sword?” “In the foyer where you left it last week when the evangelists were canvassing the neighborhood

Anyone, Eliza is thinking, who describes dying as ‘slipping away’ or ‘peaceful’ has never witnessed it happen. Death is violent, death is a struggle. The body clings to life, as ivy to a wall, and will not easily let go, will not surrender its grip without a fight.

Face it, you stupid little cookie maker,” Jenks said, almost sounding fond, “in the last couple of days you’ve seen what it’s like to be in a family, with all the touchy tempers and irritation that goes on. Now you get to see the other side, where we do stupid stuff for each other just because we like you. Rache is the little sister. Ivy’s the big sister. I’m the uncle from out of state, and you’re the rich nephew no one likes but we put up with you anyway because we feel sorry for you. Just let me help, huh? It won’t kill you.

Uh... ," Ivy stammered, and I glanced up to see her eyes wide in consideration. "I'm kidding," I said. "It passed the lethal-amulet test, remember?" "Not that. You keep it in your underwear drawer?" I hesitated, wondering why I was embarrassed. "Well, where do you put your elven magic?" I asked.

He didn’t save me, though. He allowed me the freedom to save myself, which is the very best type of rescue.

Blood hell, what happened to you?" - Dante The dark wisard and I had a mild disagreement." -Viper What sort of disagreement?" -Dante I thought he should be dead and he disagreed." -Viper

If you tell me to leave, I'll turn and walk away. I swear that, Ivy, but I had to try one more time. I'm not going to possibly go to my grave without trying. Please. Don't let me go.

The robin flew from his swinging spray of ivy on to the top of the wall and he opened his beak and sang a loud, lovely trill, merely to show off. Nothing in the world is quite as adorably lovely as a robin when he shows off - and they are nearly always doing it.

My point is that when you fall in love it's with a real person with flaws. Not with a perfect character from a fairy tale.

I want to be someone strong and brave enough to make hard choices. But I want to be fair and loving enough to make the right ones.

Jenks enthusiastically leaned against the counter and opened the box. Bypassing the plastic knife, he broke off about a third of it and took a huge bite. Ivy watched, appalled, and I shrugged. His mouth moving as he hummed, Jenks finished unpacking the sacks. I was half dead, Ivy was whoring herself to keep me safe, but Jenks was okay as long as he had chocolate.

Lilac Rose LaRoux. Untouchable. Toxic. I should've been named Ivy, or Foxglove, or Belladonna.

I mean to say, really, I am near to developing a neurosis - is there anyone around who doesn't want to study or kill me?" Floote raised a tentative hand. "Ah, yes, thank you, Floote." "There is also Mrs Tunstell, madam," he offered hopefully, is if Ivy were some kind of consolation prize. "I notice you don't mention my fair-weather husband." "I suspect, at this moment, madam, he probably wants to kill you." Alexia couldn't help smiling. "Good point.

Ah, Ivy, thought Alexia happily, spreading a verbal fog wherever she goes.

Ivy Hisselpenny was the unfortunate victim of circumstances that dictated she be only-just-pretty, only-just-wealthy, and possessed of a terrible propensity for wearing extremely silly hats.

This isn't some kind of game for me. I love you, Ivy Lyons, and one day you're going to believe me. - Tristan Carruthers -

[Minho] pulled one of his knives from a pocket and, without missing a beat, cut a big piece of ivy off the wall. He threw it on the ground behind him and kept running. “Bread crumbs?” Thomas asked, the old fairy tale popping into his mind. Such odd glimpses of his past had almost stopped surprising him. “Bread crumbs,” Minho replied. “I’m Hansel, you’re Gretel.

You look like the vamp who bled the cat.

Ah, Lady Maccon, how lovely. I did wonder when you would track us down.” “I was unavoidably delayed by husbands and Ivys,” explained Alexia. “These things, regrettably, are bound to occur when one is married and befriended.

...Ivy’s COOK THE STEAK, DON’T STAKE THE COOK apron...

Poison Ivy tastes like an itch when you have it on your tongue, and I’d say that love tastes the same, only itchier.

His affections, like ivy, were the growth of time, they implied no aptness in the object.

The funny thing is, Ivy, falling in love with you was as easy as breathing. The best time of my life.

Love, our subject: we've trained it like ivy to our walls.

Love can be broken but never forgotten.

He blows out a breath, takes a step toward me. The hallway is so narrow that I’m pinned between the wall and his body, heat rolling off him in waves. “Yeah,” he says, voice low. “I feel things.” His green eyes burn. It’s the most emotion I’ve seen from him so far, and I have trouble taking a full breath, my lungs compressed with tension. “That’s the whole point, Ivy. I want you to feel them, too.

His right ear still held both studs, and I wondered who had the missing earring. I would have asked, but was afraid he’d tell me Ivy had it.

I've often thought there ought to be a manual to hand to little kids, telling them what kind of planet they're on, why they don't fall off it, how much time they've probably got here, how to avoid poison ivy, and so on. I tried to write one once. It was called Welcome to Earth. But I got stuck on explaining why we don't fall off the planet. Gravity is just a word. It doesn't explain anything. If I could get past gravity, I'd tell them how we reproduce, how long we've been here, apparently, and a little bit about evolution. I didn't learn until I was in college about all the other cultures, and I should have learned that in the first grade. A first grader should understand that his or her culture isn't a rational invention; that there are thousands of other cultures and they all work pretty well; that all cultures function on faith rather than truth; that there are lots of alternatives to our own society. Cultural relativity is defensible and attractive. It's also a source of hope. It means we don't have to continue this way if we don't like it.

I’d tell you that you can’t stay mad forever,” Ivy commented, “but I’m pretty sure you’d take that as a challenge.

But I want to be better than the lessons they taught me. I want my love to be greater that my hate, my mercy to be stronger than my vengeance.

Alexia, did you know there is an entire regiment decamping on your front lawn? Laddy Maccon sighed. "Really, Ivy, I would never have noticed.

I love you, Ivy. I'll never stop loving you." She leaned against the winsow, looking out on a pale and glittering night. She looked through tears. I prayed for one more chance to reach you," he said, "to tell you how much I love you and to tell you to keep on loving. Someone else was meant for you, Ivy, and you were meant for someone else." She stood up straight. "No." Yes, love," he said, softly but firmly. No!" Promise me, Ivy-" I'll promise you nothing but that I love you," she cried. Listen to me," Tristan pleaded. "You know I can't stay any longer." The pale, glittering night was raining now, and fresh tears gleamed on her cheeks, but he had to leave. I love you," he said. "I love you. Love him. - Tristan Carruthers -

He is life's liberating force. He is release of limbs and communion through dance. He is laughter, and music in flutes. He is repose from all cares -- he is sleep! When his blood bursts from the grape and flows across tables laid in his honor to fuse with our blood, he gently, gradually, wraps us in shadows of ivy-cool sleep.

I was tired of well-meaning folks, telling me it was time I got over being heartbroke. When somebody tells you that, a little bell ought to ding in your mind. Some people don't know grief from garlic grits. There's somethings a body ain't meant to get over. No I'm not suggesting you wallow in sorrow, or let it drag on; no I am just saying it never really goes away. (A death in the family) is like having a pile of rocks dumped in your front yard. Every day you walk out and see them rocks. They're sharp and ugly and heavy. You just learn to live around them the best way you can. Some people plant moss or ivy; some leave it be. Some folks take the rocks one by one, and build a wall.

i love you Ivy. I'll never stop loving you." "I prayed for one more chance to reach you," he said, "to tell you how much I love you and to tell you to keep on loving. Someone else was meant for you,Ivy, and you were meant for someone else.

You're in my head, you're in my heart, and I've lost so much already. I can't lose you too.

Quen's gaze went to Ivy and Jenks. Peeved, I crossed my legs and shook my head. "We're a team. I'm not asking them to leave so you can tell me of whatever piss-poor problem you've landed yourself in." The older elf's brow wrinkled. He took an angry breath. "Look," I said, my finger jabbing out to point at him. "I don't like you. Jenks doesn't like you. And Ivy wants to eat you. Start talking.

Honesty was a tough customer... Once you started allowing yourself some honesty, it couldn't easily be contained or limited to one part of your life. It was like poison ivy or a bossy houseguest. Once it was there, you couldn't tell it what to do. You had to really fight to keep it from taking over.

Not everything in life is black and white. Sometimes the best parts are gray. Just remember that not everything can fit into one your neat little boxes.

Are you going to spend what might be your last your last few days together in Franklen Grove sulking and sighing? Or are you are you going to make the most of them?" "Im a profetional sulker," Ivy replied "And I have a very dramatic sigh,"Olivia said and sighed dramaticly.

He loved the extensive vaults where you could hear the night birds and the sea breeze; he loved the craggy ruins bound together by ivy, those dark halls, and any appearance of death and destruction. Having fallen so far from so high a position, he loved anything that had also fallen from a great height

Innocent tourists? You make me sound like the big bad wolf.” “And you’re not?” I questioned. “Only if you’re Red Riding Hood,” he said flirtatiously. “Wow, that’s original.

Today people look at me, at my job and my Ivy League credentials, and assume that I’m some sort of genius, that only a truly extraordinary person could have made it to where I am today. With all due respect to those people, I think that theory is a load of bullshit. Whatever

This is what the Problem means,” he went on. “This is the effect it has. Lives lost, loved ones taken before their time. And then we hide our dead behind iron walls and leave them to the thorns and ivy. We lose them twice over, Lucy. Death’s not the worst of it. We turn our faces away.

I don't know what your damage is, but in case you've failed to notice,we're in a bit of trouble here. Can you focus on something other than trying to get into my pants?" His lips curled. " I can multitask.

The world is round and the place which may seem like the end may also be only the beginning.

Cherie, did the table do something I did not see or were you just attempting to teach it a lesson?" "I was imagining it was Evor." "Strange that they do not resemble each other." "I have a good imagination." "Ah, in that case, I do not suppose you are imagining I'm Brad Pitt?

They told of dripping stone walls in uninhabited castles and of ivy-clad monastery ruins by moonlight, of locked inner rooms and secret dungeons, dank charnel houses and overgrown graveyards, of footsteps creaking upon staircases and fingers tapping at casements, of howlings and shriekings, groanings and scuttlings and the clanking of chains, of hooded monks and headless horseman, swirling mists and sudden winds, insubstantial specters and sheeted creatures, vampires and bloodhounds, bats and rats and spiders, of men found at dawn and women turned white-haired and raving lunatic, and of vanished corpses and curses upon heirs.

Ivy returned his direct gaze with a particularly innocent smile. "The great advantage," she said, "of being thought silly, is that people forget and begin to think one might also be foolish. I may, Professor Lyall, be a trifle enthusiastic in my manner and dress, but I am no fool.

Often, when I am able to check out a book, I read it a dozen times before returning it, desperate to remain lost in the magic of someone else's story.

You can’t even see it. I’m the safest thing you’ll ever find

You don't stop loving someone just because they disappoint you.

He kissed me between the shoulder blades. “Getting along together was never the problem with you and me,” he said. “We’re both easy. It’s just the rest of the world that’s hard.

Be classy, if you must say anything at all. I think silence is very classy.

Don't you have somewhere you need to be?" she gritted. "The kitchen? The sewers? The fires of hell?

You were not acting. You were not pretending." The teasing dropped from his tone as his voice hardened. "You were riding my hand, and Ivy, there isn't a damn thing wrong with that. What's wrong is that you're acting like nothing happened between us. That's total shit. You lit up for me like a damn firework and I barely touched you.

His gaze had the intensity of a laser. “But it’s not the same with you.” My heart faltered. “Why?” “Because, Callahan.” The brown eyes came closer. “I never loved anyone the way I love you.

Ben kissed me like he could kiss me forever, like he had to kiss me forever and he wanted to, he wanted me, and when he felt my surprise at that, I could feel again how beautiful I was to him, how I was beautiful beyond words.

Sometimes you could get so turned around that even breathing became complicated.

I'm not sure how we got to this place, where a girl's only value is in what kind of marriage she has, how capable she is of keeping a man happy.

Maybe I’ll be okay. Maybe I’ll make it to the ocean.

And I watch my words from a long way off. They are more yours than mine. They climb on my old suffering like ivy. It climbs the same way on damp walls. You are to blame for this cruel sport. They are fleeing from my dark lair. You fill everything, you fill everything. Before you they peopled the solitude that you occupy, and they are more used to my sadness than you are. Now I want them to say what I want to say to you to make you hear as I want you to hear me.

Private Parts The first love of my life never saw me naked - there was always a parent coming home in half an hour - always a little brother in the next room. Always too much body and not enough time for me to show it. Instead, I gave him my shoulder, my elbow, the bend of my knee - I lent him my corners, my edges, the parts of me I could afford to offer - the parts I had long since given up trying to hide. He never asked for more. He gave me back his eyelashes, the back of his neck, his palms - we held each piece we were given like it was a nectarine that could bruise if we weren’t careful. We collected them like we were trying to build an orchid. And the spaces that he never saw, the ones my parents half labeled “private parts” when I was still small enough to fit all of myself and my worries inside a bathtub - I made up for that by handing over all the private parts of me. There was no secret I didn’t tell him, there was no moment I didn’t share - and we didn’t grow up, we grew in, like ivy wrapping, moulding each other into perfect yings and yangs. We kissed with mouths open, breathing his exhale into my inhale - we could have survived underwater or outer space. Breathing only of the breathe we traded, we spelled love, g-i-v-e, I never wanted to hide my body from him - if I could have I would have given it all away with the rest of me - I did not know it was possible. To save some thing for myself. Some nights I wake up knowing he is anxious, he is across the world in another woman’s arms - the years have spread us like dandelion seeds - sanding down the edges of our jigsaw parts that used to only fit each other. He drinks from the pitcher on the night stand, checks the digital clock, it is 5am - he tosses in sheets and tries to settle, I wait for him to sleep. Before tucking myself into elbows and knees reach for things I have long since given up.

There is sweet music here that softer falls Than petals from blown roses on the grass, Or night-dews on still waters between walls Of shadowy granite, in a gleaming pass; Music that gentlier on the spirit lies, Than tir'd eyelids upon tir'd eyes; Music that brings sweet sleep down from the blissful skies. Here are cool mosses deep, And thro' the moss the ivies creep, And in the stream the long-leaved flowers weep, And from the craggy ledge the poppy hangs in sleep.

Is this Tree of Life a God one could worship? Pray to? Fear? Probably not. But it did make the ivy twine and the sky so blue, so perhaps the song I love tells a truth after all. The Tree of Life is neither perfect nor infinite in space or time, but it is actual, and if it is not Anselm's "Being greater than which nothing can be conceived," it is surely a being that is greater than anything any of us will ever conceive of in detail worthy of its detail. Is something sacred? Yes, say I with Nietzsche. I could not pray to it, but I can stand in affirmation of its magnificence. This world is sacred.

He knows me better than anyone ever has. Than anyone ever will again. I would have stopped it if I could have. But I've learned the hard way, we can't choose who we love. Love chooses us. Love doesn't care about what's convenient or easy or planned. Love has its own agenda and all we can do is get out of its way.

Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!

Bishop stares at me. "What do you want me to say, Ivy?" he asks finally. "That I agree with what my father did? That I don't? What's the answer you're looking for?" "I'm not looking for a specific answer," I tell him, although the part of me that's been coached to kill him hopes he agrees with his father. "I want to know what you think." "I think," Bishop says, "that we can love our families without trusting everything they tell us. Without championing everything they stand for." He delivers the words matter-of-factly, but his eyes are locked on mine. "I think that sometimes things aren't as simple as our fathers want us to believe.

That night we played truth or dare. You said that after a while you stopped trying to earn your mother's affection." I pause. "Why didn't you give up with me, too?" "You know why," he says quietly. I close my eyes. I do know, but I'm not sure if I'm ready to hear it. But some part of me must be, because I wouldn't have asked the question otherwise, not of Bishop, the boy who never chooses to say something easy just because the truth is hard. Maybe I want to hear it so that i will know, once and for all, that there is no going back. "Because I'm in love with you, Ivy," he whispers. "Giving up on you isn't an option." He lifts my hair away from the back of my neck and kisses the delicate skin there. My breath shudders out of me. The silence spirals into the dark room, and maybe it was foolish to ask the question, but I'm not sorry. I uncurl his hand and kiss his palm, his skin cool and dry. I place his hand over my heart, cover it with my own. We fall asleep that way. His lips on my neck. My heart in his hand.

What is the matter with these people, these people who won't stop fighting, won't stop hurting each other long enough to see that a body is a thing of beauty, is a miracle of rivers and oceans and islands and continents contained within itself? That the brain is divided into two hemispheres, each symmetrical, each perfect, each with its own system of waterways. These people of war should be shown an x-ray of an intraparenchymal hemorrhage, of a hemorrhage in an eighteen-year-old girl's brain, a girl named Ivy. Take a look at that, people of war. See, you should not hurt each other, and this is why. Without you ever even trying, this is what can happen to your body, your beautiful body, and your brain, your beautiful symmetrical brain, and your heart, and your soul.

It was in fact the ordinary nature of everything preceding the event that prevented me from truly believing it had happened, absorbing it, incorporating it, getting past it. I recognize now that there was nothing unusual in this: confronted with sudden disaster we all focus on how unremarkable the circumstances were in which the unthinkable occurred, the clear blue sky from which the plane fell, the routine errand that ended on the shoulder with the car in flames, the swings where the children were playing as usual when the rattlesnake struck from the ivy. "He was on his way home from work — happy, successful, healthy — and then, gone," I read in the account of a psychiatric nurse whose husband was killed in a highway accident. In 1966 I happened to interview many people who had been living in Honolulu on the morning of December 7, 1941; without exception, these people began their accounts of Pearl Harbor by telling me what an "ordinary Sunday morning" it had been. "It was just an ordinary beautiful September day," people still say when asked to describe the morning in New York when American Airlines 11 and United Airlines 175 got flown into the World Trade towers. Even the report of the 9/11 Commission opened on this insistently premonitory and yet still dumbstruck narrative note: "Tuesday, September 11, 2001, dawned temperate and nearly cloudless in the eastern United States.

Ultraviolence" He used to call me DN That stood for deadly nightshade Cause I was filled with poison But blessed with beauty and rage Jim told me that He hit me and it felt like a kiss Jim brought me back Reminded me of when we were kids With his ultraviolence Ultraviolence Ultraviolence Ultraviolence I can hear sirens, sirens He hit me and it felt like a kiss I can hear violins, violins Give me all of that ultraviolence He used to call me poison Like I was poison ivy I could have died right there Cause he was right beside me Jim raised me up He hurt me but it felt like true love Jim taught me that Loving him was never enough With his ultraviolence Ultraviolence Ultraviolence Ultraviolence I can hear sirens, sirens He hit me and it felt like a kiss I can hear violins, violins Give me all of that ultraviolence We could go back to New York Loving you was really hard We could go back to Woodstock Where they don't know who we are Heaven is on earth I will do anything for you, babe Blessed is this, this union Crying tears of gold, like lemonade I love you the first time I love you the last time Yo soy la princesa, comprende mis white lines Cause I'm your jazz singer And you're my cult leader I love you forever, I love you forever With his ultraviolence (lay me down tonight) Ultraviolence (in my linen and curls) Ultraviolence (lay me down tonight) Ultraviolence (Riviera girls) I can hear sirens, sirens He hit me and it felt like a kiss I can hear violins, violins Give me all of that ultraviolence

Gormenghast, that is, the main massing of the original stone, taken by itself would have displayed a certain ponderous architectural quality were it possible to have ignored the circumfusion of those mean dwellings that swarmed like an epidemic around its outer walls. They sprawled over the sloping arch, each one half way over its neighbour until, held back by the castle ramparts, the innermost of these hovels laid hold on the great walls, clamping themselves thereto like limpets to a rock. These dwellings, by ancient law, were granted this chill intimacy with the stronghold that loomed above them. Over their irregular roofs would fall throughout the seasons, the shadows of time-eaten buttresses, of broken and lofty turrets, and, most enormous of all, the shadow of the Tower of Flints. This tower, patched unevenly with black ivy, arose like a mutilated finger from among the fists of knuckled masonry and pointed blasphemously at heaven. At night the owls made of it an echoing throat; by day it stood voiceless and cast its long shadow.

My old friend, what are you looking for? After years abroad you’ve come back with images you’ve nourished under foreign skies far from you own country.’ ‘I’m looking for my old garden; the trees come to my waist and the hills resemble terraces yet as a child I used to play on the grass under great shadows and I would run for hours breathless over the slopes.’ ‘My old friend, rest, you’ll get used to it little by little; together we will climb the paths you once knew, we will sit together under the plane trees’ dome. They’ll come back to you little by little, your garden and your slopes.’ ‘I’m looking for my old house, the tall windows darkened by ivy; I’m looking for the ancient column known to sailors. How can I get into this coop? The roof comes to my shoulders and however far I look I see men on their knees as though saying their prayers.’ ‘My old friend, don’t you hear me? You’ll get used to it little by little. Your house is the one you see and soon friends and relatives will come knocking at the door to welcome you back tenderly.’ ‘Why is your voice so distant? Raise your head a little so that I understand you. As you speak you grow gradually smaller as though you’re sinking into the ground.’ ‘My old friend, stop a moment and think: you’ll get used to it little by little. Your nostalgia has created a non-existent country, with laws alien to earth and man.’ ‘Now I can’t hear a sound. My last friend has sunk. Strange how from time to time they level everything down. Here a thousand scythe-bearing chariots go past and mow everything down

He says that woman speaks with nature. That she hears voices from under the earth. That wind blows in her ears and trees whisper to her. That the dead sing through her mouth and the cries of infants are clear to her. But for him this dialogue is over. He says he is not part of this world, that he was set on this world as a stranger. He sets himself apart from woman and nature. And so it is Goldilocks who goes to the home of the three bears, Little Red Riding Hood who converses with the wolf, Dorothy who befriends a lion, Snow White who talks to the birds, Cinderella with mice as her allies, the Mermaid who is half fish, Thumbelina courted by a mole. (And when we hear in the Navaho chant of the mountain that a grown man sits and smokes with bears and follows directions given to him by squirrels, we are surprised. We had thought only little girls spoke with animals.) We are the bird's eggs. Bird's eggs, flowers, butterflies, rabbits, cows, sheep; we are caterpillars; we are leaves of ivy and sprigs of wallflower. We are women. We rise from the wave. We are gazelle and doe, elephant and whale, lilies and roses and peach, we are air, we are flame, we are oyster and pearl, we are girls. We are woman and nature. And he says he cannot hear us speak. But we hear.

Gwen was kind of amazed. A mother with several degrees and a prestigious position at an Ivy League college did not ensure that she’d be any less embarrassing to her child than a mother who became a nurse through night school. Gwen knew this when Alla launched into her “unfortunate changes in my vagina after the birth of Lachlan” discussion. “No. It was his shoulders. He’s always had very large shoulders. I mean look at him. Even as a baby they were freakishly long.” “Freakishly?” Lock snapped. “They stretched me right out.” “Mom!” Brody shrugged and reached for more moo goo gai pork. “I didn’t mind.” “Dad!” “Well, darling, you were always quite large, so it made things a little easier for both of us when it came to sex.” “Mom!” Alla shook her head. “I don’t know what happened to you, Lachlan MacRyrie.” She turned to Gwen. “I’ve always insisted on being quite open about human bodies when talking to my children. There’s no shame in a woman’s body. And like everything else in the world, it ages. So while you still have the exquisite body you’ve been blessed with, Gwen dear, and that prebirth vagina— enjoy it.” “Is there any way to get you to stop?” Lock begged.

Nu mă interesează un bărbat decât în măsura în care cred că-l stăpânesc ca femeie, în care cred că sunt pentru el, într-un moment din viaţă, o fiinţă unică, de neînlocuit. Ştiu că sunt femei mai frumoase decât mine, dar asta nu are nicio însemnătate, fiindcă oricât de frumoasă ar fi o femeie, se poate totdeauna ivi alta, care să fie şi mai frumoasă. Dar cred că poate exista o adâncime sufletească, o sensibilitate, o inteligenţă care pot însufleţi în aşa fel un anumit fizic, care pot crea o feminitate infungibilă(cum se spune în Drept despre bunurile care nu se pot schimba între ele, cum ar fi un tablou, un covor, un exemplar de carte dintr-o ediţie rară), amalgam unic de însuşiri de neînlocuit, cel puţin într-o clipă dată, pentru un om într-un anume climat sufletesc