Roxanne Quotes

We've searched our database for all the quotes and captions related to Roxanne. Here they are! All 100 of them:

How obvious it is now--the gift you gave him. All those letters, they were you... All those beautiful powerful words, they were you!.. The voice from the shadows, that was you... You always loved me!" Roxanne
Edmond Rostand (Cyrano de Bergerac)
Supermom wasn't a bad job description. The pay was lousy if you were talking about real money. But the payoff was priceless in so many other ways.
Roxanne Henke
Why sip from a tea cup, when you can drink from the river.
Steve Martin (L.A. Story and Roxanne: Screenplays)
It was like someone in a suit walked up to me and gave me a certificate, which stated “Roxanne Giselle Logan, Your Life is Fucked”.
Kristen Ashley (Rock Chick Redemption (Rock Chick, #3))
Tex (wearing a tux, and not happy about it) boomed from across the room, “Roxanne Giselle Lo… I mean, Nightingale! When are those fuckin’ harpists gonna shut the fuck up and so we can get some rock ‘n’ roll?
Kristen Ashley (Rock Chick Regret (Rock Chick, #7))
That’s what love’s all about, Roxanne. You love someone, you trust them always to tel you the truth.
Kristen Ashley (Rock Chick Redemption (Rock Chick, #3))
The history of the United States is a history of settler colonialism—the founding of a state based on the ideology of white supremacy, the widespread practice of African slavery, and a policy of genocide and land theft.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
Speak to me...be eloquent, be brilliant for me. Improvise! Rhapsodize!... I ask for cream and you give me milk and water... Please gather your dreams together into words. - Roxanne, Cyrano de Bergerac
Edmond Rostand
You hear even a hint that a blizzard’s coming, Roxanne Giselle, you go straight to the store and buy toilet paper, you hear me? And make a pot of chili or stew. Don’t get caught out. I don’t want a phone call saying you starved to death, stuck in the house with no stew.
Kristen Ashley (Rock Chick Redemption (Rock Chick, #3))
A tree falls in the forest, thought Roxanne, staring bleakly out of the window. A man tells a woman he loves her. But if no-one is present to hear it does he really make a sound? Did it really happen?
Madeleine Wickham (Cocktails for Three)
Look at history,” Eva continued, rubbing a temple. “Roxanne Shanté out-rapping grown men at fourteen. Serena winning the US Open at seventeen. Mary Shelley writing Frankenstein at eighteen. Josephine Baker conquering Paris at nineteen. Zelda Fitzgerald’s high school diary was so fire that her future husband stole entire passages to write The Great Gatsby. The eighteenth-century poet Phillis Wheatley published her first piece at fourteen, while enslaved. Joan of Arc. Greta Thunberg. Teen girls rearrange the fucking world.
Tia Williams (Seven Days in June)
Roxanne is dreaming in quantum code. Great swirling vortices of air, tornadoes and hurricanes.
James Aura (The Hurricane Code)
Our nation was born in genocide.… We are perhaps the only nation which tried as a matter of national policy to wipe out its indigenous population. Moreover, we elevated that tragic experience into a noble crusade. Indeed, even today we have not permitted ourselves to reject or feel remorse for this shameful episode. —Martin Luther King Jr.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
I embrace the label of bad feminist because I am human. I am messy. I'm not trying to be an example. I am not trying to be perfect. I am not trying to say I have all the answers.
Roxane Gay
To be loved for beauty is a poor reward; it is to love a mask, a temporary dress, a sham unworthy of the loving heart. Your beauty which at first but dazzled me, now that I see more clearly, disappears and is not seen at all.“ Roxanne to Christian
Edmond Rostand (Cyrano de Bergerac; comédie héroïque en cinq actes. Edited with introd. and notes by Oscar Kuhns (French Edition))
Complaining is seductive on those days when happiness requires too much energy.
Roxane Gay
I don’t want to fear life—I want to live it.
Roxanne St. Claire (They All Fall Down)
they were looking for housekeepers and cooks, and I was dying to get out of Australia and see the rest of the world. It's a Sagittarius thing, you know. We just move on and on, like tumbleweeds.
Roxanne St. Claire (Tropical Getaway)
Columbus Day is still a federal holiday despite Columbus never having set foot on any territory ever claimed by the United States.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
It was nothing like Roxanne singing, where it seemed that everyone's heart would have to wait until she finished before it could beat again.
Ann Patchett (Bel Canto)
… Besides, the moment comes, and pity those for whom it never comes, when love resents clever ripostes and nimble repartee, instead of what is deeply felt and nobly told.“ Cyrano to Roxanne
Edmond Rostand (Cyrano de Bergerac: Comédie héroïque en cinq actes en vers (French Edition))
He bent over Farid and wiped some soot from his cold forehead. "Roxanne knows it," he said. "She'll tell it to you. Just go to her and... and tell her I've had to go away. Tell her I'm going to find out if the story is true." He spoke with a strange kind of hesitation, as if it were infinitely difficult to find the right words. "And remind her of my promise— that I'll always find a way back to her, wherever I am. Will you tell her that?
Cornelia Funke (Inkspell (Inkworld, #2))
Feelings follow actions.
Roxanne Henke (The Secret of Us)
I won’t ridicule you.” He walked up to the window. “Want a Coke?’ “Cherry slurpe.” He rolled his eyes. “And you make fun of me.” “See? Ridicule because I want a slurpy.” “Vivi, you’re thrity-one years old.” “Right. So make it a vodka slurpy and meet me at that table.
Roxanne St. Claire (Face of Danger (The Guardian Angelinos, #3))
A person should never be sorry for loving someone. Only for not loving someone.
Roxanne Snopek (Three River Ranch (Three River Ranch, #1))
I would be happy to defend you ladies,” Duke said with a shine in his eyes. Every man on earth thinks his dick is magic. Alex could hear Roxanne saying it in her head the day they had met.
Meg Elison (The Book of the Unnamed Midwife (The Road to Nowhere, #1))
Money doesn't make you happy," Mom insists, whipping carrots and lettuce out of the cart. "Money doesn't make you laugh when you're lonely, or make you full of contentment on Christmas morning.
Roxanne St. Claire (Don't You Wish)
How then can the US society come to terms with its past? How can it acknowledge responsibility? The late Native historian Jack Forbes always stressed that while living persons are not responsible for what their ancestors did, they are responsible for the society they live in, which is a product of that past. Assuming this responsibility provides a means of survival and liberation. Everyone and everything in the world is affected, for the most part negatively, by US dominance and intervention, often violently through direct military means or through proxies.
Roxanne Dunbar-Ortiz
Reality is highly overrated.
Roxanne Bland (The Underground)
How can a monster tell if he’s a monster if he’s never known anything else?
Jina S. Bazzar (Heir of Ashes (The Roxanne Fosch Files, #1))
Euro-American colonialism, an aspect of the capitalist economic globalization, had from its beginnings a genocidal tendency.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
Having had nothing, I will not settle for crumbs.
Roxanne Dunbar-Ortiz
When one faces pain on a daily basis, one either learns to live with it or let it consume him.
Jina S. Bazzar (Heir of Ashes (The Roxanne Fosch Files, #1))
Do you have everything you need?" No. She needed blinders to keep from staring at him, and a box of tissue to wipe the drool. Throw in some steel armour for her heart and a fail-safe chastity belt, and then she'd be good to go.
Roxanne St. Claire (The Sins Of His Past)
David turned on the TV and sat on the couch. He could grade the Calc I homework but that always depressed him. It would almost put him in mourning, sitting Shiva, but it had to be done. He would get up early in the morning and do it. He chuckled. The TV had a stupid dog commercial. Cocker Spaniel mix. Same kind of mutt Miriam brought into their marriage. She was a dog person. Named it Lucky. Lucky died of poisoning while David was at home one afternoon. Somehow the dog had gotten into Clorox. Not so lucky. That had been their only fight. David did not want to get another dog. Claimed it would remind him of Lucky. When David was little, about eight or nine years old, he had learned Clorox would kill a dog. Their neighbor had a German shepherd. Sol would throw rocks at it when they walked to school. One day the dog got out and bit Sol, and if the neighbors had not stopped it, the dog may have mauled Sol to death. The dog’s name was Roxx, short for Roxanne. It was found dead a couple of days later. Poisoned. David was not a dog person.
Michael Grigsby (Segment of One)
Everything in US history is about the land—who oversaw and cultivated it, fished its waters, maintained its wildlife; who invaded and stole it; how it became a commodity (“real estate”) broken into pieces to be bought and sold on the market. US
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
You never say what I expect you to say, Roxanne. You never do what I expect, either. Each time I ask you to hang out, I wonder if you'll go off on me, or ignore me." "Ask me? You never ask, Ryker, you just take." He smirks, still staring at the fire. "That's only because I'm afraid you'll say no.
Ali Dean (Black Diamond (Stark Springs Academy #1))
One of the things that happens is that during sleep, your brain cleans itself of waste that has accumulated during the day. “During slow-wave sleep, your cerebral spinal fluid channels open up more and remove metabolic waste from your brain,” Roxanne explained to me. Every night, when you go to sleep, your brain is rinsed with a watery fluid. This cerebrospinal fluid washes through your brain, flushing out toxic proteins and carrying them down to your liver to get rid of them. “So when I’m talking to college students, I call this brain-cell poop. If you can’t focus well, it might be you have too much brain-cell poop circulating.” That can explain why, when you are tired, “you get a hung-over sort of feeling”—you are literally clogged up with toxins. This positive kind of brainwashing can only happen when you are asleep.
Johann Hari (Stolen Focus: Why You Can't Pay Attention - and How to Think Deeply Again)
...books change lives, in big ways and small, from the simple desire to spend a few quiet hours in a comfy chair, swept away by a story, to the profound realization that the reader is not alone in the world, that there is someone else like him or her, someone who has faced the same fears, the same confusions, the same grief, the same joys. Reading is a way to live more lives, to experience more worlds, to meet people we care about and want to know more about, to understand others and develop a compassion for what they confront and endure. It is a way to learn how to knit or build a house or solve an equation, a way to be moved to laughter and wonder and to learn how to live...in all our fascination with technology we've forgotten that a simple book can make a difference.
Roxanne J. Coady (The Book That Changed My Life: 71 Remarkable Writers Celebrate the Books That Matter Most to Them)
You're pretty low maintenance, as women go." "I am, am I?" She sounded amused. "Yeah. Like a cactus.
Roxanne Snopek (Saving the Sheriff (Three River Ranch, #3.5))
No, no, I could never be a woman. I'd just stay at home and play with my breasts all day.
Steve Martin (L.A. Story and Roxanne: Screenplays)
True love stories never have endings.
Roxanne Snopek (Finding Home)
Sorry I kept you waiting so long.” His smile brought one to her face. “I don’t mind. I’d wait an eternity for you.
Roxanne Kade (Therian (The Bloody Crescent, #1))
Great, Yoda wrote the directions.
Roxanne St. Claire (They All Fall Down)
If you read a book, you will unlock unknown doors of your soul. And who knows; you can find a treasure inside…
George Spyrou (Roxanne)
A lot of people think moving will solve their problems, when what they're really doing is running away.
Roxanne Snopek (The Chocolate Cure (Love at the Chocolate Shop, #4))
Rarely do women get to be the centre of attention. Rarely do our stories get to matter.
Roxane Gay
He gives me that hint of a half smile tempered with those smoky eyes, a look that’s probably stolen virginities, broken hearts, and inspired a few bad poems.
Roxanne St. Claire (They All Fall Down)
Special Assistant Agent in Charge Lang." He nearly smiled at the title she knew she'd botched again. "Just 'Mr Lang' is fine.
Roxanne St. Claire (Shiver of Fear (The Guardian Angelinos, #2))
Independent radical women often live lonely lives if they expect equality.
Roxanne Dunbar-Ortiz
Just two naked guys enjoying a manly hug in the middle of the apocalypse. - Cody Forester, Werewolf Apocalypse
Roxanne Smolen (Werewolf Apocalypse (The Amazing Wolf Boy Book 4))
The systems of colonization were modern and rational, but its ideological basis was madness.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
Nihil Relinquere et Nihil Vestigi. It says 'to leave nothing behind and no trace.
Roxanne St. Claire (They All Fall Down)
Knowledge is power, the only power that can set you free.
Roxanne Veletzos (The Girl They Left Behind: A Novel)
They not only left me for the wolves, but they did it to cover their scents while the wolves were busy ravaging me –and they took cover.
Jina S. Bazzar (Heir of Ashes (The Roxanne Fosch Files, #1))
But two wrongs do not make a right. Feminism's failings do not mean we should eschew feminism entirely. People do terrible things all the time, but we do not disown our humanity.
Roxane Gay
Settler colonialism, as an institution or system, requires violence or the threat of violence to attain its goals.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
I am not the kind of person who becomes so invested in a book or movie or television show that my interest becomes a hobby or intense obsession, one where I start to declare allegiances or otherwise demonstrate a serious level of commitment to something fictional I had no hand in creating. Or, I didn't used to be that kind of person. Let me be clear: Team Peeta. I cannot fathom how one could be on any other team. Gale? I can barely acknowledge him. Peeta, on the other hand, is everything. He frosts things and bakes bread and is unconditional and unwavering in his love, and also he is very, very strong. He can throw a sack of four, is what I'm saying. Peeta is a place of solace and hope, and he is a good kisser.
Roxane Gay
US history, as well as inherited Indigenous trauma, cannot be understood without dealing with the genocide that the United States committed against Indigenous peoples. From the colonial period through the founding of the United States and continuing in the twenty-first century, this has entailed torture, terror, sexual abuse, massacres, systematic military occupations, removals of Indigenous peoples from their ancestral territories, and removals of Indigenous children to military-like boarding schools. The absence of even the slightest note of regret or tragedy in the annual celebration of the US independence betrays a deep disconnect in the consciousness of US Americans.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
Cases of genocide carried out as policy may be found in historical documents as well as in the oral histories of Indigenous communities. An example from 1873 is typical, with General William T. Sherman writing, “We must act with vindictive earnestness against the Sioux, even to their extermination, men, women and children … during an assault, the soldiers can not pause to distinguish between male and female, or even discriminate as to age.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
[Theodore] Roosevelt referred to [Emilio] Aguinaldo as a "renegade Pawnee" and observed that Filipinos did not have the right to govern their country just because they happened to occupy it.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
He brushes my cheek, wiping a tear. "From the soul or whatever indefinable part of you makes you Annie. I like that part." The pad of his thumb circles my cheekbone, and I can't take my eyes off his.
Roxanne St. Claire (Don't You Wish)
The continuity between invading and occupying sovereign Indigenous nations in order to achieve continental control in North America and employing the same tactics overseas to achieve global control is key to understanding the future of the United States in the world.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
How does Sting know she doesn’t have to turn on the red light? I bet under different circumstances she’d love not to put on the red light, but she’s got bills to pay. If he’s telling her she doesn’t have to turn on the red light, he needs to offer an alternative. I’d appreciate Sting’s suggestion more if he followed, “You don’t have to sell your body to the night,” with “because I found you a stable nine-to-five that comes with benefits, a dental plan, and a matching 401K.
Steven Barker (Now for the Disappointing Part: A Pseudo-Adult?s Decade of Short-Term Jobs, Long-Term Relationships, and Holding Out for Something Better)
In the United States the legacy of settler colonialism can be seen in the endless wars of aggression and occupations; the trillions spent on war machinery, military bases, and personnel instead of social services and quality public education; the gross profits of corporations, each of which has greater resources and funds than more than half the countries in the world yet pay minimal taxes and provide few jobs for US citizens; the repression of generation after generation of activists who seek to change the system; the incarceration of the poor, particularly descendants of enslaved Africans; the individualism, carefully inculcated, that on the one hand produces self-blame for personal failure and on the other exalts ruthless dog-eat-dog competition for possible success, even though it rarely results; and high rates of suicide, drug abuse, alcoholism, sexual violence against women and children, homelessness, dropping out of school, and gun violence.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
There are more than five hundred federally recognized Indigenous communities and nations, comprising nearly three million people in the United States. These are the descendants of the fifteen million original inhabitants of the land, the majority of whom were farmers who lived in towns.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
Many people lack the passion to keep trying in their relationships. I believe that is why people start to resent their lovers and start cheating on them. It's sad really. Love is so wonderful and so worth fighting for.
Roxanne Hargrove
The global Indigenous cause reached a major milestone in 2007 when the UN General Assembly passed the Declaration on the Rights of Indigenous Peoples. Only four members of the assembly voted in opposition, all of them Anglo settler-states - the United States, Canada, New Zealand, and Australia.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
The alley is a pitch for about twenty women leaning in doorways, chain-smoking. In their shiny open raincoats, short skirts, cheap boots, and high-heeled shoes they watch the street with hooded eyes, like spies in a B movie. Some are young and pretty, and some are older, and some of them are very old, with facial expressions ranging from sullen to wry. Most of the commerce is centred on the slightly older women, as if the majority of the clients prefer experience and worldliness. The younger, prettier girls seem to do the least business, apparent innocence being only a minority preference, much as it is for the aging crones in the alley who seem as if they’ve been standing there for a thousand years. In the dingy foyer of the hotel is an old poster from La Comédie Française, sadly peeling from the all behind the desk. Cyrano de Bergerac, it proclaims, a play by Edmond Rostand. I will stand for a few moments to take in its fading gaiety. It is a laughing portrait of a man with an enormous nose and a plumed hat. He is a tragic clown whose misfortune is his honour. He is a man entrusted with a secret; an eloquent and dazzling wit who, having successfully wooed a beautiful woman on behalf of a friend cannot reveal himself as the true author when his friend dies. He is a man who loves but is not loved, and the woman he loves but cannot reach is called Roxanne. That night I will go to my room and write a song about a girl. I will call her Roxanne. I will conjure her unpaid from the street below the hotel and cloak her in the romance and the sadness of Rostand’s play, and her creation will change my life.
Sting (Broken Music: A Memoir)
. . . [H]ad North America been a wilderness, undeveloped, without roads, and uncultivated, it might still be so, for the European colonists could not have survived. They appropriated what had already been created by Indigenous civilizations. They stole already cultivated farmland and the corn, vegetables, tobacco, and other crops domesticated over centuries, took control of the deer parks that had been cleared and maintained by Indigenous communities, used existing roads and water routes in order to move armies to conquer, and relied on captured Indigenous people to identify the locations of water, oyster beds, and medicinal herbs.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
Jodi Byrd writes: “The story of the new world is horror, the story of America a crime.” It is necessary, she argues, to start with the origin of the United States as a settler-state and its explicit intention to occupy the continent. These origins contain the historical seeds of genocide. Any true history of the United States must focus on what has happened to (and with) Indigenous peoples—and what still happens.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
The objective of US colonialist authorities was to terminate their existence as peoples—not as random individuals. This is the very definition of modern genocide as contrasted with premodern instances of extreme violence that did not have the goal of extinction.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
There are no supermoms. Eventually, you just have to hope your kid survives all your parental screw-ups.
Roxanne Snopek (Finding Home)
I'm named after my father, Rudolph," he said, then shot her a stern look. "But if you connect that with my red nose --
Roxanne Snopek (Saving the Sheriff (Three River Ranch, #3.5))
She tossed a handful of snow at his face, then shrieked as the wind whipped it back into her own. Red hooted. "Karma's a boomerang, sweetheart. Don't forget it.
Roxanne Snopek (Saving the Sheriff (Three River Ranch, #3.5))
Great. He had a ranch with no power, a burgeoning blizzard, animals depending on him and now, a frightened, felonious elf to look after.
Roxanne Snopek (Saving the Sheriff (Three River Ranch, #3.5))
The most revered presidents—Jefferson, Jackson, Lincoln, Wilson, both Roosevelts, Truman, Kennedy, Reagan, Clinton, Obama—have each advanced populist imperialism while gradually increasing inclusion of other groups beyond the core of descendants of old settlers into the ruling mythology.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
The Cherokee Nation took a case against Georgia to the US Supreme Court. With Chief Justice John Marshall writing for the majority, the Court ruled in favor of the Cherokees. Jackson ignored the Supreme Court, however, in effect saying that John Marshall had made his decision and Marshall would have to enforce it if he could, although he, Jackson, had an army while Marshall did not.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
She managed to clear her throat. "I'm sure this is impossible for you to comprehend, Deuce, but somehow, some way, without formal therapy or controlled substances, every single resident in the town of Rockingham, Massachusetts, has managed to survive your long absence. Every. Single. One.
Roxanne St. Claire (The Sins Of His Past)
Once a year, take her somewhere she’s never been. Once a month, do something new that melts her in the sack. Once a week, stop everything and just listen to her. Once a day, catch her doing one thing you love. Once an hour, kiss her on the mouth. And every minute of every day, be grateful that you got her.
Roxanne St. Claire (Barefoot in White (Barefoot Bay Brides Trilogy, #1; Barefoot Bay Universe, #8))
L. Frank Baum, a Dakota Territory settler later famous for writing The Wonderful Wizard of Oz, edited the Aberdeen Saturday Pioneer at the time. Five days after the sickening event at Wounded Knee, on January 3, 1891, he wrote, “The Pioneer [sic] has before declared that our only safety depends upon the total extermination of the Indians. Having wronged them for centuries we had better, in order to protect our civilization, follow it up by one more wrong and wipe these untamed and untamable creatures from the face of the earth.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
A “race to innocence” is what occurs when individuals assume that they are innocent of complicity in structures of domination and oppression.25 This concept captures the understandable assumption made by new immigrants or children of recent immigrants to any country. They cannot be responsible, they assume, for what occurred in their adopted country’s past. Neither are those who are already citizens guilty, even if they are descendants of slave owners, Indian killers, or Andrew Jackson himself. Yet, in a settler society that has not come to terms with its past, whatever historical trauma was entailed in settling the land affects the assumptions and behavior of living generations at any given time, including immigrants and the children of recent immigrants.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
Between 1968 and 1973, the United States and Britain, the latter the colonial administrator, forcibly removed the indigenous inhabitants of the islands, the Chagossians. Most of the two thousand deportees ended up more than a thousand miles away in Mauritius and the Seychelles, where they were thrown into lives of poverty and forgotten. The purpose of this expulsion was to create a major US military base on one of the Chagossian islands, Diego Garcia.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
She pulled her arm free from his grasp and stood back, her arms crossed. "So, what then? You're holding me hostage? Are you even really a sheriff?" "I am," he said, highly amused at her attempt at bravado. "You wanna see my badge?
Roxanne Snopek (Saving the Sheriff (Three River Ranch, #3.5))
Investors, monarchies, and parliamentarians devised methods to control the processes of wealth accumulation and the power that came with it, but the ideology behind gold fever mobilized settlers to cross the Atlantic to an unknown fate. Subjugating entire societies and civilizations, enslaving whole countries, and slaughtering people village by village did not seem too high a price to pay, nor did it appear inhumane. The systems of colonization were modern and rational, but its ideological basis was madness.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
histories. Anishinaabe (Ojibwe) historian Jean O’Brien names this practice of writing Indians out of existence “firsting and lasting.” All over the continent, local histories, monuments, and signage narrate the story of first settlement: the founder(s), the first school, first dwelling, first everything, as if there had never been occupants who thrived in those places before Euro-Americans.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
In many ways, likability is a very elaborate lie, a performance, a code of conduct dictating the proper way to be. Characters who don't follow this code become unlikable. Critics who criticize a character's unlikability cannot necessarily be faulted. They are merely expressing a wider cultural malaise with all things unpleasant, all things that dare to breach the norm of social acceptability.
Roxane Gay
Under the crust of that portion of Earth called the United States of America—"from California . . . to the Gulf Stream waters"—are interred the bones, villages, fields, and sacred objects of American Indians. They cry out for their stories to be heard through their descendants who carry the memories of how the country was founded and how it came to be as it is today. [opening lines of the Introduction; ellipsis sic].
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
You don't necessarily have to do anything once you acknowledge your privilege. You don't have to apologize for it. You need to understand the extent of your privilege, the consequences of your privilege, and remain aware that people who are different from you move through and experience the world in ways you might never know anything about. They might endure situations you can never know anything about. You could, however, use that privilege for the greater good-to try to level the playing field for everyone, to work for social justice, to bring attention to how those without certain privileges are disenfranchised. We've ween what the hoarding of privilege has done, and the results are shameful.
Roxane Gay
I saw them,” he said. I frowned. “Saw what?” He took a deep breath as he eyed me. “The paintings.” For a moment, I didn’t get where he was going with this. Not when he traced the curve of my cheek with his thumb and not when a soft smile curved his lips. And then it hit me. “The paintings?” I swallowed and started to sit up, but he didn’t let me get very far. “The paintings at my place?” When he nodded, I felt my face heat like I was out under the summer sun. “The ones that are . . . ?” “Of me?” he supplied. I squeezed my eyes shut. “Oh my God. Seriously?” “Yes.” Mortified, I didn’t know what to say. “They were in my closet. Why were you in my closet?” “Looking for a psycho stalker,” he answered. My eyes popped opened. “That . . . that was like two weeks ago! You saw them back then and didn’t say anything.” Reece sat up, bringing me with him. Somehow my body ended up between his legs and we were face-to-face. “I didn’t say anything, because I figured you’d respond this way.” “Of course I’d respond this way! It’s embarrassing. You probably think I’m some kind of freak. A stalker—a creepy stalker who paints pictures of you when you’re not around.” “I don’t think you’re a stalker, babe.” His voice was dry. I screwed up my face. “I can’t believe you saw them.” He chuckled, and my eyes narrowed on him. “Honestly? I really didn’t know how you truly felt about me until I saw them.” My brows flew up. “I thought you were all-knowing.” Reece smirked. “I had my suspicions that you were in love with me from the first time you laid eyes on me.” “Oh dear baby Jesus in a manger,” I muttered. “But I don’t think I was a hundred percent until I saw those paintings, especially the one of me in the kitchen. You painted that after . . . after I left.” His brows lowered as he gave a little shake of his head. “It’s nothing to be embarrassed about. I think it’s sweet.
Jennifer L. Armentrout (Fall with Me (Wait for You, #4))
It makes perfect sense that many of us obsess over our bodies. There is nothing more inescapable. Our bodies moves us through our lives. They bring pleasure and pain. Sometimes our bodies serve us well, and other times our bodies become terribly incovenient. There are times when our bodies betray us or our bodies are betrayed by others. I think about my body all the time - how it looks, how it feels, how I can make it smaller, what I should put into it, what I am putting into it, what has been done to it, what I do to it, what I let others do to it. This bodily preoccupation is exhausting.
Roxane Gay
My love for these books, at its purest, is not really about Peeta or anything silly and girly. I love that a young woman character is fierce and strong but hum in ways I find believable, relatable. Katniss is clearly a heroine, but a heroine with issues. She intrigues me because she never seems to know her own strength. She isn't blandly insecure the way girls are often forced to be in fiction. She is brave but flawed. She is a heroine, but she is also a girl who loves two boys and can't choose which boy she loves more. She is not sure she is up to the task of leading a revolution, but she does her best, even as she doubts herself. Katniss endures the unendurable. She is damaged and it shows. At times, it might seem like her suffering is gratuitous, but life often presents unendurable circumstances people manage to survive. Only the details differ. The Hunger Games trilogy is dark and brutal, but in the end, the books also offer hope - for a better world and a better people and, for one woman, a better life, a life she can share with a man who understands her strength and doesn't expect her to compromise that strength, a man who can hold her weak places and love her through the darkest of her memories, the worst of her damage. Of course I love the Hunger Games. The trilogy offers the tempered hope that everyone who survives something unendurable hungers for.
Roxane Gay
The consequences of this amassing of fortunes were first felt in the catastrophe experienced by small farmers in Europe and England. The peasants became impoverished, dependent workers crowded into city slums. For the first time in human history, the majority of Europeans depended for their livelihood on a small wealthy minority, a phenomenon that capitalist-based colonialism would spread worldwide. The symbol of this new development, indeed its currency, was gold. Gold fever drove colonizing ventures, organized at first in pursuit of the metal in its raw form. Later the pursuit of gold became more sophisticated, with planters and merchants establishing whatever conditions were necessary to hoard as much gold as possible. Thus was born an ideology: the belief in the inherent value of gold despite its relative uselessness in reality. Investors, monarchies, and parliamentarians devised methods to control the processes of wealth accumulation and the power that came with it, but the ideology behind gold fever mobilized settlers to cross the Atlantic to an unknown fate. Subjugating entire societies and civilizations, enslaving whole countries, and slaughtering people village by village did not seem too high a price to pay, nor did it appear inhumane. The systems of colonization were modern and rational, but its ideological basis was madness.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
Crazy Horse was a new kind of leader to emerge after the Civil War, at the beginning of the army’s wars of annihilation in the northern plains and the Southwest. Born in 1842 in the shadow of the sacred Paha Sapa (Black Hills), he was considered special, a quiet and brooding child. Already the effects of colonialism were present among his people, particularly alcoholism and missionary influence. Crazy Horse became a part of the Akicita, a traditional Sioux society that kept order in villages and during migrations. It also had authority to make certain that the hereditary chiefs were doing their duty and dealt harshly with those who did not.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
Hanging a banner from the front of the Bureau of Indian Affairs building that proclaimed it to be the “Native American Embassy,” hundreds of protesters hailing from seventy-five Indigenous nations entered the building to sit in. BIA personnel, at the time largely non-Indigenous, fled, and the capitol police chain-locked the doors announcing that the Indigenous protesters were illegally occupying the building. The protesters stayed for six days, enough time for them to read damning federal documents that revealed gross mismanagement of the federal trust responsibility, which they boxed up and took with them. The Trail of Broken Treaties solidified Indigenous alliances, and the “20-Point Position Paper,”14 the work mainly of Hank Adams, provided a template for the affinity of hundreds of Native organizations. Five years later, in 1977, the document would be presented to the United Nations, forming the basis for the 2007 UN Declaration on the Rights of Indigenous Peoples.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
It’s not that Jackson had a “dark side,” as his apologists rationalize and which all human beings have, but rather that Jackson was the Dark Knight in the formation of the United States as a colonialist, imperialist democracy, a dynamic formation that continues to constitute the core of US patriotism. The most revered presidents—Jefferson, Jackson, Lincoln, Wilson, both Roosevelts, Truman, Kennedy, Reagan, Clinton, Obama—have each advanced populist imperialism while gradually increasing inclusion of other groups beyond the core of descendants of old settlers into the ruling mythology. All the presidents after Jackson march in his footsteps. Consciously or not, they refer back to him on what is acceptable, how to reconcile democracy and genocide and characterize it as freedom for the people.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
In focusing on “cultural change” and “conflict between cultures,” these studies avoid fundamental questions about the formation of the United States and its implications for the present and future. This approach to history allows one to safely put aside present responsibility for continued harm done by that past and the questions of reparations, restitution, and reordering society.9 Multiculturalism became the cutting edge of post-civil-rights-movement US history revisionism. For this scheme to work—and affirm US historical progress—Indigenous nations and communities had to be left out of the picture. As territorially and treaty-based peoples in North America, they did not fit the grid of multiculturalism but were included by transforming them into an inchoate oppressed racial group, while colonized Mexican Americans and Puerto Ricans were dissolved into another such group, variously called “Hispanic” or “Latino.” The multicultural approach emphasized the “contributions” of individuals from oppressed groups to the country’s assumed greatness. Indigenous peoples were thus credited with corn, beans, buckskin, log cabins, parkas, maple syrup, canoes, hundreds of place names, Thanksgiving, and even the concepts of democracy and federalism. But this idea of the gift-giving Indian helping to establish and enrich the development of the United States is an insidious smoke screen meant to obscure the fact that the very existence of the country is a result of the looting of an entire continent and its resources. The fundamental unresolved issues of Indigenous lands, treaties, and sovereignty could not but scuttle the premises of multiculturalism.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
warfare would be waged west of the Mississippi as it had been earlier against the Abenakis, Cherokees, Shawnees, Muskogees, and even Christian Indians. In the Civil War, these methods played a prominent role on both sides. Confederate regular forces, Confederate guerrillas such as William Quantrill, and General Sherman for the Union all engaged in waging total war against civilians. The pattern would continue in US military interventions overseas, from the Philippines and Cuba to Central America, Korea, Vietnam, Iraq, and Afghanistan. The cumulative effect goes beyond simply the habitual use of military means and becomes the very basis for US American identity. The Indian-fighting frontiersmen and the “valiant” settlers in their circled covered wagons are the iconic images of that identity. The continued popularity of, and respect for, the genocidal sociopath Andrew Jackson is another indicator. Actual men such as Robert Rogers, Daniel Boone, John Sevier, and David Crockett, as well as fictitious ones created by James Fenimore Cooper and other best-selling writers, call to mind D. H. Lawrence’s “myth of the essential white American”—that the “essential American soul” is a killer.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
During the Pequot War, Connecticut and Massachusetts colonial officials had offered bounties initially for the heads of murdered Indigenous people and later for only their scalps, which were more portable in large numbers. But scalp hunting became routine only in the mid-1670s, following an incident on the northern frontier of the Massachusetts colony. The practice began in earnest in 1697 when settler Hannah Dustin, having murdered ten of her Abenaki captors in a nighttime escape, presented their ten scalps to the Massachusetts General Assembly and was rewarded with bounties for two men, two women, and six children.24 Dustin soon became a folk hero among New England settlers. Scalp hunting became a lucrative commercial practice. The settler authorities had hit upon a way to encourage settlers to take off on their own or with a few others to gather scalps, at random, for the reward money. “In the process,” John Grenier points out, “they established the large-scale privatization of war within American frontier communities.”25 Although the colonial government in time raised the bounty for adult male scalps, lowered that for adult females, and eliminated that for Indigenous children under ten, the age and gender of victims were not easily distinguished by their scalps nor checked carefully. What is more, the scalp hunter could take the children captive and sell them into slavery. These practices erased any remaining distinction between Indigenous combatants and noncombatants and introduced a market for Indigenous slaves. Bounties for Indigenous scalps were honored even in absence of war. Scalps and Indigenous children became means of exchange, currency, and this development may even have created a black market. Scalp hunting was not only a profitable privatized enterprise but also a means to eradicate or subjugate the Indigenous population of the Anglo-American Atlantic seaboard.26 The settlers gave a name to the mutilated and bloody corpses they left in the wake of scalp-hunts: redskins.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
Parallel to the idea of the US Constitution as covenant, politicians, journalists, teachers, and even professional historians chant like a mantra that the United States is a “nation of immigrants.” From its beginning, the United States has welcomed—indeed, often solicited, even bribed—immigrants to repopulate conquered territories “cleansed” of their Indigenous inhabitants. From the mid-nineteenth century, immigrants were recruited to work mines, raze forests, construct canals and railroads, and labor in sweatshops, factories, and commercial farm fields. In the late twentieth century, technical and medical workers were recruited. The requirements for their formal citizenship were simple: adhere to the sacred covenant through taking the Citizenship Oath, pledging loyalty to the flag, and regarding those outside the covenant as enemies or potential enemies of the exceptional country that has adopted them, often after they escaped hunger, war, or repression, which in turn were often caused by US militarism or economic sanctions. Yet no matter how much immigrants might strive to prove themselves to be as hardworking and patriotic as descendants of the original settlers, and despite the rhetoric of E pluribus unum, they are suspect. The old stock against which they are judged inferior includes not only those who fought in the fifteen-year war for independence from Britain but also, and perhaps more important, those who fought and shed (Indian) blood, before and after independence, in order to acquire the land. These are the descendants of English Pilgrims, Scots, Scots-Irish, and Huguenot French—Calvinists all—who took the land bequeathed to them in the sacred covenant that predated the creation of the independent United States. These were the settlers who fought their way over the Appalachians into the fertile Ohio Valley region, and it is they who claimed blood sacrifice for their country. Immigrants, to be accepted, must prove their fidelity to the covenant and what it stands for.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))