Ita Quotes

I grabbed Liam's arm as he passed me on his way to the tunnel door, kissing his cheek. "See you later tonight." He stepped down into the tunnel, shouldering a backpack Cole had left for him there. When I turned to say good-bye to the other Stewart, he'd stooped, turned his cheek toward me, and was waiting. I flicked it with my finger, making him laugh again. "You're impossible," I informed him. "It's all part of my charm," he said, shifting the heavy bag on his shoulder. "Take care of things, Boss." "Take care of him." I said, pointedly. He gave one last mock salute before shutting the door to the tunnel. I waited until the sound of his and the others' steps faded completely before locking the door after him.

A SCAR SHOULDN’T REMIND YOU OF HOW YOU GOT HURT AND THE PAIN THAT CAME WITH IT…A SCAR SHOULD SIMPLY REMIND YOU THAT YOU SURVIVED

Before meeting you, I didn't know what it was like to feel lonely. I never even considered myself to be alone. That's because when you feel lonely, it means that there is someone for you to miss.

I, myself, had a very complicated relationship with emptiness, blankness, nothingness. Sometimes I wanted only to fill it, frightened that if I didn’t it would eat me alive or kill me. But sometimes I longed for total annihilation in it—a beautiful, silent erasure. A desire to be vanished.

You don't see the world as it is, you see it,as you are.

She is a mortal danger without meaning to be one; she's exquisite without giving ita thought; shes a trap set by nature, a rose in which love lies in ambush! Anyone who has seen her smile has known perfection. She creates grace without movement and makes all divinity fit into her slightest gesture. And neither Venus in her shell, nor Diana striding in the great, blossoming forest, can compare to her when she goes through the streets of paris in her sedan chair.

NINA Think of me sometimes. TRIGORIN I shall never forget you. I shall always remember you as I saw you that bright day--do you recall it?--a week ago, when you wore your light dress, and we talked together, and the white seagull lay on the bench beside us.

It is strange,” the man said. “People get such a small amount of time. So many I’ve known say it—as soon as you feel you’re getting a handle on things, the day is done, the night falls, and the light goes out.

At your birth a seed is planted. That seed is your uniqueness. It wants to grow, transform itself, and flower to its full potential. It has a natural, assertive energy to it. Your Life's Task is to bring that seed to flower, to express your uniqueness through your work. You have a destiny to fulfill. The stronger you feel and maintain it--as a force, a voice or in whatever form-- the greater your chance of fulfilling this Life's Task and achieving mastery.

A whole new thing. A forging of the humble parts of bread and cheese into a greater whole. I call it...a cheese-trap.

Said a disciple, 'I don't trade my love for money.' Said the Master, 'isn't itas bad - or worse - that you trade it for love?

We humans may be brilliant and we may be special, but we are still connected to the rest of life. No one reminds us of this better than our dogs. Perhaps the human condition will always include attempts to remind ourselves that we are separate from the rest of the natural world. We are different from other animals; it's undeniably true. But while acknowledging that, we must acknowledge another truth, the truth that we are also the same. That is what dogs and their emotions give us-- a connection. A connection to life on earth, to all that binds and cradles us, lest we begin to feel too alone. Dogs are our bridge-- our connection wo who we really are, and most tellingly, who we want to be. When we call them home to us, it'as as if we are calling for home itself. And that'll do, dogs. That'll do.

Zoe leaned closer to Ruth, nearly nose to nose. “If they were made from better stuff, they would have pretended the fault was theirs. They would have made a moment of it--a pretty moment.

Kehilangan memang memilukan. Tapi kehilangan hanya ada ketika kita sudah merasa memiliki. Bagaimana kalu kita tidak pernah merasa memiliki? dan sebaiknya ita jangan terlalu merasa memiliki. Sebaliknya, kita malah yang harus merasa dimiliki. Oleh Sang Maha Pemilik".

Tess, Tess, Tessa. Was there ever a more beautiful sound than your name? To speak it aloud makes my heart ring like a bell. Strange to imagine that, isn’t it—a heart ringing? But when you touch me, that is what it is like, as if my heart is ringing in my chest and the sound shivers down my veins and splinters my bones with joy.

The seeking of a mate shall be undertaken with due preparation and care. A life-bond should never be contemplated as a light thing--unlike a legal union or sanctified joining, the sealing of souls CANNOT be severed. When a mate is SOULBOUND to another--LIFEMATED, as some have come to regard it--a mystery is engaged. In one aspect mystical, the lifemating process is the most sublime endeavor that a Refarian may assume. Once formed, the bond must be ever cherished and nurtured by the process of lifelong rigor.

If you’ve learned anything from your parents, it ought to be this—love works only when it’s mutual. Otherwise, eventually it becomes exactly what you call it—a meaningless word. For both parties.

The Boy will not be a failure. Mythili knows.She has seen the generations before.The boy will make it.As his father has said,he does not have the option of failure.He will crack atleast one entrance exam,and he will one day have a nice house in a suburb of San Francisco,or in a suburb of a suburb of San Francisco.He will find a cute Tamil Brahmin wife and make her produce two sweet children.He will drive a Toyota Corolla to work.And there,in the conference room of his office,he will tell his small team,with his hands stretched wide in a managerial way,'We must think out of the box

His shadow splayed out huge before him, and his mind gleamed with ancient wars and winged beings, a mountain of melted demon bones and the city on the far side of it--a city that had vanished in the mists of time.

For my nymphet I needed a diminutive with a lyrical lilt to it. One of the most limpid and luminous letters is "L". The suffix "-ita" has a lot of Latin tenderness, and this I required too. Hence: Lolita. However, it should not be pronounced as you and most Americans pronounce it: Low-lee-ta, with a heavy, clammy "L" and a long "o". No, the first syllable should be as in "lollipop", the "L" liquid and delicate, the "lee" not too sharp. Spaniards and Italians pronounce it, of course, with exactly the necessary note of archness and caress. Another consideration was the welcome murmur of its source name, the fountain name: those roses and tears in "Dolores." My little girl's heartrending fate had to be taken into account together with the cuteness and limpidity. Dolores also provided her with another, plainer, more familiar and infantile diminutive: Dolly, which went nicely with the surname "Haze," where Irish mists blend with a German bunny—I mean, a small German hare.

I thought I was getting better at this. I thought I was starting to make peace with being in love with a girl who despises me, but I don't think I'm so okay with it after all. Somewhere along the line I made a dark bargain with the universe without ever really being aware of it--a bargain that if I was allowed to see her, even if we never spoke, then I could live with that. And now a week without her has swallowed up all of my rational thinking. I feel like a junkie, sick for my next fix and not sure when it will come.

This book carries the urgency of racing against time, of having important things to say. Paul confronted death—examined it, wrestled with it, accepted it—as a physician and a patient. He wanted to help people understand death and face their mortality.

It's nice to look forward to, isn't it—a life of work and play and little daily adventures side by side with somebody you love?

Some years later, long after he and Megadeth parted company, Jay Jones was stabbed to death with a butter knife during-rumor has it-a fight over a bolonga sandwich. That's not funny, of course. But, if you knew Jay, neither is it particularly suprising.

For a long time... I've been asking myself this question... Am I a memory? Are you... a memory? Are we just... a collection of memories? I've always been waiting... for the person who disappeared beyond those rails. Now I understand. It didn't end here. This place... was just the beginning.

If you stand a lantern under a tree every insect in the forest creeps up to it—a curious assembly, since though they scramble and swing and knock their heads against the glass, they seem to have no purpose—something senseless inspires them.

Reading Proust nearly silenced Virginia Woolf. She loved his novel, but loved it rather too much. There wasn’t enough wrong with it—a crushing recognition when one considers Walter Benjamin’s assessment of why people become writers: because they are unable to find a book already written that they are completely happy with. And

Besides, you know how I love the theater, and let's face it-a wedding is like a big show followed by a cast party.

White-crested waves crash on the shore. The masts sway violently, every which way. In the gray sky the gulls are circling like white flakes. Rain squalls blow past like gray slanting sails, and blue gaps open in the sky. The air brightens. A cold silvery evening. The moon is overhead, and down below, in the water; and all around it-a wide frame of old, hammered, scaly silver. Etched on the silver-silent black fishing boats, tiny black needles of masts, little black men casting invisible lines into the silver. And the only sounds are the occasional plashing of an oar, the creaking of an oarlock, the springlike leap and flip-flop of a fish. ("The North")

Social scientific research is and always will be tentative and imperfect. It does not claim to transform economics, sociology, and history into exact sciences. But by patiently searching for facts and patterns and calmly analyzing the economic, social, and political mechanisms that might explain them, it can inform democratic debate and focus attention on the right questions. It can help to redefine the terms of debate, unmask certain preconceived or fraudulent notions, and subject all positions to constant critical scrutiny. In my view, this is the role that intellectuals, including social scientists, should play, as citizens like any other but with the good fortune to have more time than others to devote themselves to study (and even to be paid for it—a signal privilege).

For the world is an ever-elusive and ever-disappointing mirage only from the standpoint of someone standing aside from it—as if it were quite other than himself—and then trying to grasp it. But a third response is possible. Not withdrawal, not stewardship on the hypothesis of a future reward, but the fullest collaboration with the world as a harmonious system of contained conflicts—based on the realization that the only real "I" is the whole endless process.

Often, it'a not one great, dramatic thing that God asks us to do but hundreds of little everyday things. If we want to be used by Him, if we're ready to be used and aren't all tangled up with your own plans and projects, then He'll show us the work He has for us.

Tanyakan pada laki-laki itu tentang duka akibat perpisahan, dia tidak akan menjawab apa-apa kecuali saputan mendung di wajahnya. Tanyakan pada laki-laki itu perihnya pengkhianatan, kau akan melihat kedua tangannya terkepal dan rahangnya mengeras karena amarah. Tanyakan pada laki-laki itu pedihnya kehilangan orang yang disayang, dia masih bertahan dalam bisunya tapi air matanya tak sanggup ditahannya lagi. Tetapi... coba tanyakan padanya, mengapa sudi dipecundangi cinta. Yakinlah, laki-laki itu pasti tertawa. Menertawakan pertanyaanmu yang dianggapnya bodoh, lalu berkata, “Kalau kau pernah mengecap cinta, kau tak akan pernah bertanya.

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You’ve got a great ass,” he said, never taking his eyes from mine as we walked, oblivious to anyone watching us. “Your screams when I fuck you? I like that shit, too. The noises you make when I drive my cock balls deep and you ask for more? Fuck, I seriously like it…a lot.

The course led them to the moment when, in answer to the highest of one's values, one's spirit makes one's body become the tribute, recasting it--as proof, as sanction, as reward--into a single sensation of such intensity of joy that no other sanction of one's existence is necessary.

I realized... I've been granted a lucky life... all along... because I was able to meet you.

Mag-sorry kung ikaw ang may kasalanan. Kung hindi naman, ikaw ang unang mag-reach out. I-tae sa kubeta ang lecheng pride. Kung simpleng away lang naman, kabobohan ang patagalin o palalain pa ito. Tandaan, walang perpektong relasyon. Pero ang "pagbabati" mula sa isang away, ang isa sa pinakamatamis na bahagi nito.

At your birth a seed is planted. That seed is your uniqueness. It wants to grow, transform itself, and flower to its full potential. It has a natural, assertive energy to it. Your Life’s Task is to bring that seed to flower, to express your uniqueness through your work. You have a destiny to fulfill. The stronger you feel and maintain it—as a force, a voice, or in whatever form—the greater your chance for fulfilling this Life’s Task and achieving mastery.

On a great day the thing that makes it great may fill the least part of it—as a meal takes little time to eat, but the killing, baking, and dressing, and the swilling and scraping after it, take long enough.

I touched follow on my phone's screen. I saw it—a vision—two half sisters who had never known of one another's existence, sending the most modern version of a smoke signal, each from her own coast. I see you. I see you, too.

Conversely, there are places I bid farewell to long before knowing I must leave, places and people whose disappearance I rehearse not just to learn how to live without them when the time comes but to put off their loss by foreseeing ita bit at a time beforehand. I live in the dark so as not to be blinded when darkness comes. I do the same with life, making it more conditional and provisional than it already is, so as to forget that one day my birthday will come around and I won't be there to celebrate it. It is still unthinkable that those who cause us the greatest pain and turned us inside out could at some point in time have been totally unknown, unborn to us.

Marriage is more than a piece of paper. It'a a mystery. In fact, there is a Misdrash that suggests that marriage is made in heaven between soul mates.

Money will be with you for the rest of your life, so take the time to build a positive relationship with it—a relationship that you control.

In order to gain new experiences, to expand your horizons, to give fate—or serendipity or whatever you want to call it—a chance. And that only happens if we say yes to things.

Thank God. You are now a little bit lighter, you are a little bit more you. ’Cause if you can lose it—a car, an idea, a belief, a woman—it wasn’t yours.

They clapped palms and John dragged the other male off the snow with his good arm. Then they walked off into the night, side by side. It was almost, John reflected, as if they’d done this before— Murhder started to whistle a cheery little tune, and John had to do a double take. After a silent laugh, John joined in, finding a perfect harmony: “Don’t Worry, Be Happy.” When Murhder started doing a hop’ita-skip’ita every third step, John Fred Astaire’d, too. Just two vampires, looking for the undead, ready to enjoy some good old-fashioned bloodshed. Besties.

It was too much the way of Monseigneur under his reverses as a refugee, and it was much too much the way of native British orthodoxy, to talk of this terrible Revolution as if it were the one only harvest ever known under the skies that had not been sown—as if nothing had ever been done, or omitted to be done, that had led to it—as if observers of the wretched millions in France, and of the misused and perverted resources that should have made them prosperous, had not seen it inevitably coming, years before, and had not in plain words recorded what they saw.

I walked out of the condos onto the flat lithesome beach this morning, and took a walk in my swimming trunks and no shirt on. And I thought that one natural effect of life is to cover you in a thin layer of . . . what? A film? A residue or skin of all the things you've done and been and said and erred at? I'm not sure. But you are under it, and for a long time, and only rarely do you know it, except that for some unexpected reason or opportunity you come out--for an hour or even a moment--and you suddenly feel pretty good. And in that magical instant you realize how long it's been since you felt just that way. Have you been ill, you ask. Is life itself an illness or a syndrome? Who knows? We've all felt that way, I'm confident, since there's no way that I could feel what hundreds of millions of other citizens haven't. Only suddenly, then, you are out of it--that film, that skin of life--as when you were a kid. And you think: this must've been the way it was once in my life, though you didn't know it then, and don't really even remember it--a feeling of wind on your cheeks and your arms, of being released, let loose, of being the light-floater. And since that is not how it has been for a long time, you want, this time, to make it last, this glistening one moment, this cool air, this new living, so that you can preserve a feeling of it, inasmuch as when it comes again it may just be too late. You may just be too old. And in truth, of course, this may be the last time that you will ever feel this way again.

Depression’s a funny thing. We don’t know what to do about it—as a society—unless we’ve been there ourselves. The person before us is not someone we know, and their unhappiness is often not something we can understand. So we downplay it, and we make the afflicted somehow to blame. No one would ever tell someone with cancer that if they tried a bit harder, if they got out of bed and took a shower, everything would be better, but people told her all those things. That and more, worse.

He identified himself as a primary psychopath, one who had been born with the condition—or gift, as he’d come to think of it—as opposed to being a secondary psychopath and a product of his environment.

She'll be fine," Alex says dismissively, as though I shouldn't worry about it—as though it's none of my concern. I have the sudden urge to kick him in the back of his head. He is kneeling in front of Lena, dabbing antibacterial cream on her leg. I'm mesmerized by the way his fingers move confidently along her skin, as though her body is his to treat and touch and tend to. She was mine before she was yours: The words are there, unexpectedly, surging from my throat to my tongue. I swallow them back.

In the Christian faith it’s almost a philosophical principle that the universal is known through the particular and the abstract through the concrete. We love people universally by loving the particular people we know and can name. We love the world by loving a particular place in it—a specific creek or hill or city or block. The incarnation of Jesus is the ultimate example of this principle, when the one who “fills all in all” became a singular baby in a tangible body in a particular place in time.

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You should be spreading the good word. You should be etching the good word onto the glass scanning beds of library photocopiers. You should be scraping the truth onto old auto parts and throwing them off bridges so that people digging in the mud in a million years will question the world, too. You should be carving eyeballs into tire treads and onto shoe soles so that your every trail speaks of thinking and faith and belief. You should be designing molecules that crystallize into poems of devotion. You should be making bar codes that print out truth, not lies. You shouldn't even throw away a piece of litter unless it has the truth stamped on it--a demand for people to reach a finer place! ...Your new life will be tinged with urgency, as though you're digging out the victims of an avalanche. If you're not spending every waking moment of your life living the truth, if you're not plotting every moment to boil the carcass of the old order, then you're wasting your day.

That’s when I stopped looking at Abby and thinking: What is my anger telling me about her? And started asking: What is my anger telling me about me? My anger was delivering a package with one of my root beliefs in it—a belief that was programmed into me during childhood: Resting is laziness, and laziness is disrespect. Worthiness and goodness are earned with hustle. When Abby rested right in front of me—outside family-designated and approved resting times—she was challenging that root belief. She was activating it, unearthing it, bringing it into the light where I could see it. But unlike my root belief about honesty and fidelity, I didn’t like this one. It didn’t feel true to me. Because when I looked at Abby relaxing, my anger was almost a bitter yearning. Must be nice. Must be nice to rest in the middle of the damn day. Must be nice to feel worthy of the space you take up on the earth without hustling to earn it every minute. Must be nice to rest and still feel worthy. I want to be able to rest and still feel worthy, too. I didn’t want to change Abby. I wanted to change my belief about worthiness.

It's the form it takes when it comes out the other side, of course, that gives a story something unique--its life. The story, in the way it has arrived at what it is on the page, has been something learned, by dint of the story's challenge and the work that rises to meet it--a process as uncharted for the writer as if it had never been attempted before.

Each morning the light came through the slats of the shutters in ripples, and as it washed towards the inhabitants of the Casa Luna it smoothed away memories of the past, It was for this that they had endured long hours in the grey English winter or freezing American climes, for this that they had worked and planned and worked extra hours/ The horrible feelings of stress, tension, anger and frustration that coursed through their veins every day almost unnoticed began to fade.

She was wearing pink gauze—was that possible? She seemed, anyhow, all light, glowing, like some bird or air ball that has flown in, attached itself for a moment to a bramble... Then came the most exquisite moment of her whole life passing a stone urn with flowers in it. Sally stopped; picked a flower; kissed her on the lips. The whole world might have turned upside down! The others disappeared; there she was alone with Sally. And she felt that she had been given a present, wrapped up, and told just to keep it, not to look at it—a diamond, something infinitely precious, wrapped up, which, as they walked (up and down, up and down) she uncovered, or the radiance burnt through, the revelation, the religious feeling!

God's blessings, however, aren't always bigger, better, and beautiful. In fact, I truly believe that God gifts His chosen leaders with a very unusual blessing. You might even call it a weird blessing because most of the time we call it...a burden.

Why is it—as I've noticed," Stepan Trofimovitch whispered to me once, "why is it that all these desperate socialists and communists are at the same time such incredible skinflints, so avaricious, so keen over property, and, in fact, the more socialistic, the more extreme they are, the keener they are over property... why is it? Can that, too, come from sentimentalism?" I

E tenebris tantis tam clarum extollere lumen qui primus potuisti inlustrans commoda vitae, te sequor, o Graiae gentis decus, inque tuis nunc ficta pedum pono pressis vestigia signis, non ita certandi cupidus quam propter amorem quod te imitari aveo; quid enim contendat hirundo cycnis, aut quid nam tremulis facere artubus haedi consimile in cursu possint et fortis equi vis? tu, pater, es rerum inventor, tu patria nobis suppeditas praecepta, tuisque ex, inclute, chartis, floriferis ut apes in saltibus omnia libant, omnia nos itidem depascimur aurea dicta, aurea, perpetua semper dignissima vita. nam simul ac ratio tua coepit vociferari naturam rerum divina mente coorta diffugiunt animi terrores, moenia mundi discedunt. totum video per inane geri res. apparet divum numen sedesque quietae, quas neque concutiunt venti nec nubila nimbis aspergunt neque nix acri concreta pruina cana cadens violat semper[que] innubilus aether integit et large diffuso lumine ridet: omnia suppeditat porro natura neque ulla res animi pacem delibat tempore in ullo.

This is how athleisure has carved out the space between exercise apparel and fashion: the former category optimizes your performance, the latter optimizes your appearance, and athleisure does both simultaneously. It is tailor-made for a time when work is rebranded as pleasure so that we will accept more of it—a time when, for women, improving your looks is a job that you’re supposed to believe is fun.

In a 2008 wedding toast to Cass Sunstein and Samantha Power, Leon Wieseltier put it about as well as possible: Brides and grooms are people who have discovered, by means of love, the local nature of happiness. Love is a revolution in scale, a revision of magnitudes; it is private and it is particular; its object is the specificity of this man and that woman, the distinctness of this spirit and that flesh. Love prefers deep to wide, and here to there; the grasp to the reach…. Love is, or should be, indifferent to history, immune to it—a soft and sturdy haven from it: when the day is done, and the lights are out, and there is only this other heart, this other mind, this other face, to assist in repelling one’s demons or in greeting one’s angels, it does not matter who the president is. When one consents to marry, one consents to be truly known, which is an ominous prospect; and so one bets on love to correct for the ordinariness of the impression, and to call forth the forgiveness that is invariably required by an accurate perception of oneself. Marriages are exposures. We may be heroes to our spouses but we may not be idols.

This book carries the urgency of racing against time, of having important things to say. Paul confronted death—examined it, wrestled with it, accepted it—as a physician and a patient. He wanted to help people understand death and face their mortality. Dying in one’s fourth decade is unusual now, but dying is not.

If you’ve never passed a winter in Chicago, let me describe it: You can live for a hundred straight days beneath an iron-gray sky that claps itself like a lid over the city. Frigid, biting winds blow in off the lake. Snow falls in dozens of ways, in heavy overnight dumps and daytime, sideways squalls, in demoralizing sloppy sleet and fairy-tale billows of fluff. There’s ice, usually, lots of it, that shellacs the sidewalks and windshields that then need to be scraped. There’s the sound of that scraping in the early mornings—the hack hack hack of it—as people clear their cars to go to work. Your neighbors, unrecognizable in the thick layers they wear against the cold, keep their faces down to avoid the wind. City snowplows thunder through the streets as the white snow gets piled up and sooty, until nothing is pristine.

Nona leans forward, "I had-a love." I nod. "You know how it was? It was like-a trees. Oak and elm." Her voice has been soft, like it was lost in memory, but now she stares at me, her eyes narrowed, and she makes a fist and pounds the side of her chair. "The roots, they bound-a together, but the trees, they are free. You know what it's-a mean?

As my wife saw it—as most people would see it, I imagine—an unwritten book was hardly a financial plan. “In other words,” she said, “you’ve got some magic beans in your pocket. That’s what you’re telling me. You have some magic beans, and you’re going to plant them, and overnight a huge beanstalk is going to grow high into the sky, and you’ll climb up the beanstalk, kill the giant who lives in the clouds, and then bring home a goose that lays golden eggs. Is that it?” “Something like that,” I said. Michelle shook her head and looked out the window. We both knew what I was asking for. Another disruption. Another gamble. Another step in the direction of something I wanted and she truly didn’t. “This is it, Barack,” Michelle said. “One last time. But don’t expect me to do any campaigning. In fact, you shouldn’t even count on my vote.” — AS A KID, I had sometimes watched as my salesman grandfather tried to sell life insurance policies over the phone, his face registering misery as he made cold calls in the evening from our tenth-floor apartment in a Honolulu high-rise. During the early months of 2003, I found myself thinking of him often as I sat at my desk in the sparsely furnished headquarters of my newly launched Senate campaign

Aestus erat, mediamque dies exegerat horam; adposui medio membra levanda toro. pars adaperta fuit, pars altera clausa fenestrae; quale fere silvae lumen habere solent, qualia sublucent fugiente crepuscula Phoebo, aut ubi nox abiit, nec tamen orta dies. illa verecundis lux est praebenda puellis, qua timidus latebras speret habere pudor. ecce, Corinna venit, tunica velata recincta, candida dividua colla tegente coma— qualiter in thalamos famosa Semiramis isse dicitur, et multis Lais amata viris. Deripui tunicam—nec multum rara nocebat; pugnabat tunica sed tamen illa tegi. quae cum ita pugnaret, tamquam quae vincere nollet, victa est non aegre proditione sua. ut stetit ante oculos posito velamine nostros, in toto nusquam corpore menda fuit. quos umeros, quales vidi tetigique lacertos! forma papillarum quam fuit apta premi! quam castigato planus sub pectore venter! quantum et quale latus! quam iuvenale femur! Singula quid referam? nil non laudabile vidi et nudam pressi corpus ad usque meum. Cetera quis nescit? lassi requievimus ambo. proveniant medii sic mihi saepe dies!

You'd be as rich as kings if you could find it, and you know it's here, and you stand there skulking. There wasn't one of you dared face Bill, and I did it--a blind man! And I'm to lose my chance for you! I'm to be a poor, crawling beggar, sponging for rum, when I might be rolling in a coach! If you had the pluck of a weevil in a biscuit you would catch them still.

That’s when I stopped looking at Abby and thinking: What is my anger telling me about her? And started asking: What is my anger telling me about me? My anger was delivering a package with one of my root beliefs in it—a belief that was programmed into me during childhood: Resting is laziness, and laziness is disrespect. Worthiness and goodness are earned with hustle.

I remember looking out the window of the little maid's room where we had been installed, seeing the lights of the Palisades across the way, and thinking, There! There it is! There's New York, this wonderful city, I'll go live there someday. Even being in New York, the actual place, I found the idea of New York so wonderful that I could only imagine it as some other place, greater than any place that would let me sleep in it--a distant constellation of lights I had not yet been allowed to visit. I had arrived in Oz only to think, Well, you don't LIVE in Oz, do you?

In India we have two different systems. One we call history; history takes note of the facts. Another we call purana, mythology; it takes note of the truth. We have not written histories about Buddha, Mahavira or Krishna, no. That would have been dragging something immensely beautiful into the muddy unconsciousness of humanity. We have not written histories about these people, we have written myths. What is a myth? A myth is a parable, a parable that only points to the moon but says nothing about it—a finger pointing to the moon, an indication, an arrow, saying nothing.

In some odd way that you don't understand and can't begin to articulate you feel and acquaintance with it--a familiarity on an unfamiliar level. Somewhere in the deep sediment of your being some long-dormant fragment of primordial memory, some little severed tail of DNA, has twitched or stirred. It is a motion much too faint to be understood or interpreted, but somehow you feel certain that this large, brooding, hypnotic presence has an importance to you at a species level--perhaps even at a sort of tadpole level--and that in some way your visit here is more than happenstance.

How divine the coming of the morning,—the coming of the Sun,—exorcising the shadowy terrors of the night with infinite restoration of color! I look upon the woods, and they are not the same: the palms have vanished; the cypresses have fled away; trees young and comely and brightly green replace them. A hand is laid upon my shoulder,—the hand of the gray Captain: 'Go forward, and see what you have never seen before.' Even as he speaks, our boat, turning sharply, steams out of the green water into—what can I call it?—a flood of fluid crystal,—a river of molten diamond,—a current of liquid light?

And right there you have it. That’s the principle behind consciousness integration. A world without a living intelligence behind it—a soul, in other words—isn’t actually a world at all. It’s merely a place. The result is the emptiness and despair experienced by our test subjects. Austen’s novel feels alive because it is alive, just as the world that you and I profess to live in is alive. It’s made by a mind, not a machine, and that mind is what gives it the sense of deep order and purpose. You may not see it, but you can sense its presence, and that’s what makes life not merely endurable but also worth living.

Curl moaned. Mattie rocked. Propelled by the sound, Mattie rocked her out of that bed, out of that room, into a blue vastness just underneath the sun and above time. She rocked her over Aegean seas so clean they shine like crystal, so clear the fresh blood of sacrificed babies torn from their mothers arms and given to Neptune could be seen like pink froth on the water. She rocked her on and on, past Dachau, where soul-gutted Jewish mothers swept their children's entrails off laboratory floors. They flew past the spilled brains of Senegalese infants whose mothers had dashed them on the wooden sides of slave ships. And she rocked on. She rocked her into her childhood and let her see murdered dreams. And she rocked her back, back into the womb, to the nadir of her hurt, and they found it-a slight silver splinter, embedded just below the surface of her skin. And Mattie rocked and pulled-and the splinter gave way, but its roots were deep, gigantic, ragged, and they tore up flesh with bits of fat and muscle tissue clinging to them. They left a huge hole, which was already starting to pus over, but Mattie was satisfied. It would heal.

If I seem to be over-interested in junk, it is because I am, and I have a lot of it, too—half a garage full of bits and broken pieces. I use these things for repairing other things. Recently I stopped my car in front of the display yard of a junk dealer near Sag Harbor. As I was looking courteously at the stock, it suddenly occurred to me that I had more than he had. But it can be seen that I do have a genuine and almost miserly interest in worthless objects. My excuse is that in this era of planned obsolescence, when a thing breaks down I can usually find something in my collection to repair it—a toilet, or a motor, or a lawn mower. But I guess the truth is that I simply like junk.

I am not the same, he thought. I see, I hear differently. He did not know when the change started, but it was there; when a sound came to him now he didn’t just hear it but would know the sound. He would swing and look at it—a breaking twig, a movement of air—and know the sound as if he somehow could move his mind back down the wave of sound to the source. He could know what the sound was before he quite realized he had heard it. And when he saw something—a bird moving a wing inside a bush or a ripple on the water—he would truly see that thing, not just notice it as he used to notice things in the city. He would see all parts of it; see the whole wing, the feathers, see the color of the feathers, see the bush, and the size and shape and color of its leaves. He would see the way the light moved with the ripples on the water and see that the wind made the ripples and which way that wind had to blow to make the ripples move in that certain way.

I should still, paradoxical as it may sound, like to maintain the opposite valuation of the dream in relation to the mysterious foundation of our being, whose phenomena we are. The more aware I become of these omnipotent art impulses in nature, and find in them an ardent longing for illusion and for redemption by illusion, the more I feel compelled to make the metaphysical assumption that the truly existent, the primal Oneness, eternally suffering and contradictory, also needs the delightful vision, the pleasurable illusion for its constant redemption: an illusion that we, utterly caught up in it and consisting of it—as a continuous becoming in time, space and causality, in other words—are required to see as empirical reality.

And the sleds! (Or, as the Williamsburg children called them, the sleighs.) There was a child’s dream of heaven come true! A new sled with a flower someone had dreamed up painted on it—a deep blue flower with bright green leaves—the ebony-black painted runners, the smooth steering bar made of hard wood and gleaming varnish over all! And the names painted on them! “Rosebud!” “Magnolia!” “Snow King!” “The Flyer!” Thought Francie, “If I could only have one of those, I’d never ask God for another thing as long as I live.” There

thoughtful scrapbook for me, in which they gathered little notes of love and appreciation from other artists or celebrities they worked with or saw in their travels. Joey Lawrence (remember Joey from Blossom?), who was such a heartthrob at the time, apparently left a significantly sweet message. Well, Tommy saw the lovefest of a book, ripped it up, and burned it in the fireplace before I was able to see it—a childish act of cruelty, especially to Billy and Syd, who went through all that effort to prove to me how big I was even among the stars.

I think I'll say goodnight here," Jack said. "My dad's not so bad." "Oh yeah,he was great...right up until the time I started dating his daughter." I'd seen how my dad had become considerably colder toward Jack. There were little clues,like the other evening when out of nowhere he told Jack about how every football player he went to high school with had gotten fat after graduation.We'd been talking about what to make for dinner. "Okay," I said. "Maybe next time." I leaned over to peck him on the cheek, but he grabbed my face in both of his hands and kissed me. His breath tasted like the mints the chaperones had passed out when the dance was over, and when he parted his lips against mine, I shivered, but not because of the cold. I pressed against him even more and hoped the dark inside the car obscured my dad's view. But I knew better than to push it.As I was about to break away,Jack put his hands behind my waist and pulled me even closer,practically lifting me over the center console,so I was sitting in his lap. I pulled back. "My dad's going to love that-" He put his finger over my lips, cutting me off. "Please don't talk about your dad when I'm kissing you. Besides, unless he's enacted a law against it-" "Which he may well do after tonight," I interrupted. He smiled and then brought my face to his again for a few moments before finally releasing me. "After that kiss,we'd better dream of the same thing tonight," he said with a smirk. My face got even warmer,but I tried to speak in a calm voice. "I'll probably dream my usual dream,where I show up to school without any clothes on." "Me too." Jack chuckled.I gave his shoulder a playful shove.

A pen is more personal and that gives me some control over it—a feeling of power as the words flow with the electric thrill that runs down my arm, through my fingers and onto the clean white page. It is a sensuous act, writing by hand. The feel of the paper, as my hand glides over it, its touch, and its texture. The flow of ink, the gliding motion of the pen, the letters themselves as they appear as if by magic in my individual script. No two people have the same handwriting. Your character, your personality is revealed the minute you put pen to paper. I'm

We all hygger: gathered around a table for a shared meal or beside a fire on a dark night, when we sit in the corner of our local cafe or wrap ourselves in a blanket at the end of a day on the beach. Lying spoons, baking in a warm kitchen, bathing by candlelight, being alone in bed with a hot water bottle and a good book - these are all ways to hygge. Hygge draws meaning from the fabric of ordinary living. It'a a way of acknowledging the sacred in the secular, of giving something ordinary a special context, spirit and warmth and taking time to make it extraordinary.

As I think of them going up and down before those schoolroom windows—the Doctor reading with his complacent smile, an occasional flourish of the manuscript, or grave motion of his head; and Mr. Dick listening, enchained by interest, with his poor wits calmly wandering God knows where, upon the wings of hard words—I think of it as one of the pleasantest things, in a quiet way, that I have ever seen. I feel as if they might go walking to and fro for ever, and the world might somehow be the better for it—as if a thousand things it makes a noise about, were not one half so good for it, or me.

And here before me stands a marvelously groomed little man who is pinning a hero's medal on me because some of his forebears were Alfred the Great and Charles the First, and even King Arthur, for anything I knew to the contrary. But I shouldn't be surprised if inside he feels as puzzled about the fate that brings him here as I. we are public icons, we two: he an icon of kingship, and I an icon of heroism, unreal yet very necessary; we have obligations above what is merely personal, and to let personal feelings obscure the obligations would be failing in one's duty. This was clearer still afterward, at lunch at the Savoy....; they all seemed to accept me as a genuine hero, and I did my best to behave decently, neither believing in it too obviously, nor yet protesting that I was just a simple chap who had done his duty when he saw it--a pose that has always disgusted me. Ever since, I have tried to think charitably of people in prominent positions of one kind or another. We cast them in roles, and it is only right to consider them as players, without trying to discredit them with knowledge of their off-stage life--unless they drag it into the middle of the stage themselves.

Life is dangerous,Gary," Gregori said softly. "You are Rambo, remember?" Savannah's laughter rang out, rivaling the jazz quartet playing on the corner. Heads turned to listen to he, then to watch her, stealing away the attention of the audience gathered in a loose semi-circle around the quartet. She moved in the human world, completely comfortable in it,a part of it. Gregori had walked unseen, and that was how he preferred it.She was dragging him into her world. He could hardly believe he was walking down a crowded street with a mortal wwith half the block staring openly at them. "I didn't know you knew who Rambo was," Savannah said, trying not to giggle. She couldn't imagine Gregori in a theater watching a Rambo movie. "You saw a Rambo flick?" Gary was incredulous. Gregori made a sound somewhere between contempt and derision. "I read Gary's memories on the subject. Interesting. Silly,but interesting." He glanced at Gary. "This is your hero?" Gary's grin was as michievous as Savannah's. "Until I met you, Gregori." Gregori growled, a low rumble of menace. His two companions just laughed disrespectfully, not in the least intimidated. "I'll bet he's a secret Rambo fan," Savannah whispered confidentially. Gary nodded. "He probably sneaks into movie theaters for every old showing.

Is pathological anxiety a medical illness, as Hippocrates and Aristotle and modern pharmacologists would have it? Or is it a philosophical problem, as Plato and Spinoza and the cognitive-behavioral therapists would have it? Is it a psychological problem, a product of childhood trauma and sexual inhibition, as Freud and his acolytes would have it? Or is it a spiritual condition, as Søren Kierkegaard and his existentialist descendants claimed? Or, finally, is it—as W. H. Auden and David Riesman and Erich Fromm and Albert Camus and scores of modern commentators have declared—a cultural condition, a function of the times we live in and the structure of our society?

Conventionality is not morality. Self-righteousness is not religion. To attack the first is not to assail the last. To pluck the mask from the face of the Pharisee, is not to lift an impious hand to the Crown of Thorns. These things and deeds are diametrically opposed: they are as distinct as is vice from virtue. Men too often confound them: they should not be confounded; appearance should not be mistaken for truth; narrow human doctrines, that only tend to elate and magnify a few, should not be substituted for the world-redeeming creed of Christ. There is—I repeat it—a difference; and it is a good, and not a bad action to mark broadly and clearly the line of separation between them.

So, when I read of a recent study that found that children are significantly more inclined to eat “difficult” foods like liver, spinach, broccoli—and other such hard-to-sell “but-it’s-good-for-you” classics—when they are wrapped in comfortingly bright packages from McDonald’s, I was at first appalled, and then … inspired. Rather than trying to co-opt Ronald’s all-too-effective credibility among children to short-term positive ends, like getting my daughter to eat the occasional serving of spinach, I could reverse-engineer this! Use the strange and terrible powers of the Golden Arches for good—not evil! I plan to dip something decidedly unpleasant in an enticing chocolate coating and then wrap it carefully in McDonald’s wrapping paper. Nothing dangerous, mind you, but something that a two-and-a-half-year-old will find “yucky!”—even upsetting—in the extreme. Maybe a sponge soaked with vinegar. A tuft of hair. A Barbie head. I will then place it inside the familiar cardboard box and leave it—as if forgotten—somewhere for my daughter to find. I might even warn her, “If you see any of that nasty McDonald’s … make sure you don’t eat it!” I’ll say, before leaving her to it. “Daddy was stupid and got some chocolate … and now he’s lost it…” I might mutter audibly to myself before taking a long stroll to the laundry room. An early, traumatic, Ronald-related experience can only be good for her.

I didn’t kiss you just then because I fucking care about you. I’ve cared about you for a long time. When I kiss you for the first time, it’s not going to be overpowered with grief and trepidation. And you aren’t going to jump when I touch you.” I bring my hand up, grazing it along her cheek. She trembles and I don’t know how to take that. “You can be pissed at me all you want—I’m used to it—as long as you understand that I wanted to kiss you. That it’s a struggle, even right now, to keep myself from tasting you. Shit, Annie. It’s always been a struggle with you. But I want your lips healed. Your heart whole. And I want you to be sure I’m who you want. Because I’m not playing around here. I’m all in. I don’t know if it’s right or wrong, and I’m at the point that I don’t really give a shit anymore. But I’m putting it out there so at least you understand how I feel.” I push

One day in the spring of 1894 or so, Amanda Cobb looked out her kitchen window and saw Tyrus and a bunch of Negro boys merrily hauling a cart laden with scrap metal, broken furniture, and other things they’d found in backyards and vacant lots around town. They were headed toward the junkyard to try to make a few dollars, and Mrs. Cobb knew for what. “He was always thinking up ways of earning money to buy baseball supplies,” she would tell a writer for the Springfield (Massachusetts) Sunday Union and Republican in 1928. “He was always playing when he was a child. In fact, we had a hard time getting him to go to school. I remember that the first money he earned he spent for a mitt. He couldn’t have been more than six years old when a neighbor asked him to take his cow to the pasture and gave Ty some change for doing it. Ty didn’t buy candy or ice cream. He knew what he wanted, and he got it—a baseball glove.

Who among us has not heard it? The wolf of this beloved, damaged earth, beckoning us by name just outside our safe living room, demanding our own response? The strange and persistent furry-pawed knocking? We peek tentatively through the door, just ajar, and see that there is no road, no sidewalk, barely a trail—and that obscured by stones, by leaves, by an intimation of the remains of those who have walked before us upon the unyielding circle of life. In spite of it all, we long to walk this path. For we know that there is more than what has been given and named by the overculture, more than what we have been told is true, more than green gardens and nature calendars, and recycling, and a summer hike in the mountains, and an occasional camping trip. More, even, than an hourlong “forest bath,” however lovely that sounds. We know there is a wilder earth, and upon it—within it—a wilder, more authentic human self. We know the need of each for the other is absolute.

He couldn’t believe that his hands were clammy and his heart pounding. He’d gone into full-scale battle with less apprehension. Both men spoke excellent English, so there was no language barrier, and if truth be told, he spoke fluent Japanese. Standing in front of the door, he took a moment to inspect his clothing. He was barefoot, wore jeans and a carelessly buttoned shirt that had a few bloodstains clinging to it. Damn. He should have changed. What the hell was he doing? He should have carried her off like a caveman. He could persuade her to marry him. Wine. Sex. Candlelight. Yeah, he could manage that. But asking stone-face swordsmen for permission? They were probably laughing at his predicament. He would be if Azami was his sister. Sam took a breath and knocked on the door before he talked himself out of it—a polite knock when he wanted to pound until the door broke down and he just demanded they hand her over to him. He wasn’t going away without her. If she thought about it took long, she’d change her mind. What sane woman wouldn’t?

John watched the pale black road, and he remembered a single moment during his time away in the wilderness. He wished he had told Doris about it-a single moment in Needles, California, months and months ago, facing west in the late afternoon. There had been a heavy rainstorm over just a small, localized patch of the desert, and from the patch beside it, a dust storm blew in. The sun caught the dust and the moisture in a way John had never seen before, and even though he knew it was backward, it seemed to him the sun was radiating black sunbeams down onto the earth, onto Interstate 40 and the silver river of endless pioneers that flowed from one part of the continent to the other. John felt that he and everybody in the New World was a part of a mixed curse and blessing from God, that they were a race of strangers, perpetually casting themselves into new fires, yearning to burn, yearning to rise from the charcoal, always newer and more wonderful, always thirsty, always starving, always believing that whatever came to them next would mercifully erase the creatures they'd already become as they crawled along the plastic radiant way.

My eyes were covered and closed: eddying darkness seemed to swim round me, and reflection came in as black and confused a flow. Self-abandoned, relaxed, and effortless, I seemed to have laid me down in the dried-up bed of a great river; I heard a flood loosened in remote mountains, and felt the torrent come: to rise I had no will, to flee I had no strength. I lay faint, longing to be dead. One idea only still throbbed life-like within me--a remembrance of God: it begot an unuttered prayer: these words went wandering up and down in my rayless mind, as something that should be whispered, but no energy was found to express them-- "Be not far from me, for trouble is near: there is none to help." It was near: and as I had lifted no petition to Heaven to avert it--as I had neither joined my hands, nor bent my knees, nor moved my lips--it came: in full heavy swing the torrent poured over me. The whole consciousness of my life lorn, my love lost, my hope quenched, my faith death-struck, swayed full and mighty above me in one sullen mass. That bitter hour cannot be described: in truth, "the waters came into my soul; I sank in deep mire: I felt no standing; I came into deep waters; the floods overflowed me.

You’re like a Boy Scout, huh?” It’s my attempt at flirting—probably only slightly less effective than Dirty Dancing’s “I carried a watermelon.” He does the mouth-quirk thing again. “Not even close.” There’s a bad-boy edge in the way he says it—a heavy hint of the forbidden—that gets my heart pounding and my jaw eager to drop. To cover my reaction, I nod vigorously. “Right, me neither . . . Never been a—” Too vigorously. So vigorously that my elbow slips in the flour on the counter and I almost knock myself unconscious. But Logan’s not only big and brawny—he’s quick. Fast enough to catch me by the arm and waist to steady me before I bash the side of my head against the butcher block. “Are you all right, Ellie?” He leans down, looking at me intently—a look I’ll see in my dreams tonight . . . assuming I can sleep. And, wow, Logan has great eyelashes. Thick and lengthy and midnight black. I bet they’re not the only part of him that’s thick and lengthy. My gaze darts down to his promised land, where his pants are just tight enough to confirm my suspicions—this bodyguard may have a service revolver in his pocket, but he’s got a magnum in his pants. Yum. “Yeah, I’m good.” I sigh. “Just . . . you know . . . tired. But I’m cool . . . totally cool.” And I shake it off, like I actually am

There was once a stonecutter, who was dissatisfied with himself and with his position in life. One day, he passed a wealthy merchant's house, and through the open gateway, saw many fine possessions and important visitors. "How powerful that merchant must be!" thought the stonecutter. He became very envious, and wished that he could be like the merchant. Then he would no longer have to live the life of a mere stonecutter. To his great surprise, he suddenly became the merchant, enjoying more luxuries and power than he had ever dreamed of, envied and detested by those less wealthy than himself. But soon a high official passed by, carried in a sedan chair, accompanied by attendants, and escorted by soldiers beating gongs. Everyone, no matter how wealthy, had to bow low before the procession. "How powerful that official is!" he thought. "I wish that I could be a high official!" Then he became the high official, carried everywhere in his embroidered sedan chair, feared and hated by the people all around, who had to bow down before him as he passed. It was a hot summer day, and the official felt very uncomfortable in the sticky sedan chair. He looked up at the sun. It shone proudly in the sky, unaffected by his presence. "How powerful the sun is!" he thought "I wish that I could be the sun!" Then he became the sun, shining fiercely down on everyone, scorching the fields, cursed by the farmers and laborers. But a huge black cloud moved between him and the earth, so that his light could no longer shine on everything below. "How powerful that storm cloud is!" he thought. "I wish that I could be a cloud!" Then he became the cloud, flooding the fields and villages, shouted at by everyone. But soon he found that he was being pushed away by some great force, and realized that it was the wind. "How powerful it is!" he thought. "I wish that I could be the wind!" Then he became the wind, blowing tiles off the roofs of houses, uprooting trees, hated and feared by all below him. But after a while, he ran up against something that would not move, no matter how forcefully he blew against it--a huge, towering stone "How powerful that stone is”" he thought. I wish that I could be a stone!" Then he became the stone, more powerful than anything else on earth. But as he stood there, he heard the sound of a hammer pounding a chisel into the solid rock, and felt himself being changed. "What could be more powerful than I, the stone?" he thought. He looked down and saw far below him the fixture of a stonecutter.

Is it not very important, while we are young, to be loved and to love? It seems to me that most of us neither love nor are loved. And I think it is essential, while we are young, to understand this problem very seriously because it may be that while we are young, we can be sensitive enough to feel it, to know its quality, to know its perfume and perhaps, when we grow older, it will not be entirely destroyed. So, let us consider the question—that is, not that you should not be loved, but that you should love. What does it mean? Is it an ideal? Is it something far away, unattainable? Or is it something that can be felt by each one at odd moments of the day? To feel it, to be aware, to know the quality of sympathy, the quality of understanding, to help naturally, to aid another without any motive, to be kind, to be generous, to have sympathy, to care for something, to care for a dog, to be sympathetic to the villager, to be generous to your friend, to be forgiving, is that what we mean by love? Or is love something in which there is no sense of resentment, something which is everlasting forgiveness? And is it not possible while we are young, to feel it? Most of us, while we are young, do feel it—a sense of outward agony, sympathy to the villager, to the dog, to those who are little. And should it not be constantly tended? Should you not always have some part of the day when you are helping another or tending a tree or garden or helping in the house or in the hostel so that as you grow into maturity, you will know what it is to be considerate naturally—not with an enforced considerateness that is merely a negative word for one’s own happiness, but with that considerateness that is without motive. So, should you not when you are young, know this quality of real affection? It cannot be brought into being; you have to have it, and those who are in charge of you, like your guardian, your parents, your teachers, must also have it. Most people have not got it. They are concerned with their achievements, with their longings, with their success, with their knowledge, and with what they have done. They have built up their past into such colossal importance that it ultimately destroys them. So, should you not, while you are young, know what it is to take care of the rooms, to care for a number of trees that you yourself dig and plant so that there is a feeling, a subtle feeling of sympathy, of care, of generosity, the actual generosity—not the generosity of the mere mind—that means you give to somebody the little that you may have? If that is not so, if you do not feel that while you are young, it will be very difficult to feel that when you are old. So, if you have that feeling of love, of generosity, of kindness, of gentleness, then perhaps you can awaken that in others.