Splitting Firewood Quotes

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A hard-boiled redhead sang a hard-boiled song in a voice that could have been used to split firewood (Guns at Cyrano's)
Raymond Chandler (The Simple Art of Murder)
I have, to fill my mind and occupy my hands, the daily rounds of my economy. I have food to harvest and preserve in the summer and fall, firewood to gather and saw up and split in the fall and winter, the garden to prepare and plant in the spring. I have clothes and bedclothes to wash, and myself to keep clean and presentable. I have the endless little jobs of housekeeping and repair... I have books to read, and much to sit and watch.
Wendell Berry (Jayber Crow)
I promise that I did not bring you along to make you split firewood,” said Marra. Fenris laughed. The two older women had gone inside to sleep, and it was only the two of them and a very small fire, well away from the barn. “It’s alright,” he said. “I’ve done many things that were terribly important, lives hanging in the balance and so forth. There is something pleasant about chopping wood. If I miss a stroke, nothing awful happens. If a piece of wood is not quite right, it will still burn. If I stack it and it isn’t perfect, clans will not fall.
T. Kingfisher (Nettle & Bone)
Marx, concerning himself with a less remote time ("Critique of the Gotha Program"), declared with equal conviction that the one and only means of correcting offenders (true, he referred to criminals; he never even conceived that his pupils might consider politicals offenders) was not solitary contemplation, not moral soul-searching, not repentance, and not languishing (for all that was superstructures!)—but productive labor. He himself had never taken a pick in hand. To the end of his days he never pushed a wheelbarrow, mined coal, felled timber, and we don't even know how his firewood was split—but he wrote that down on paper, and the paper did not resist.
Aleksandr Solzhenitsyn (The Gulag Archipelago, 1918-1956: An Experiment in Literary Investigation, Books III-IV)
Colette"s "My Mother's House" and "Sido" After seeing the movie "Colette" I felt so sad that it didn't even touch the living spirit of her that exists in her writing. 'What are you doing with that bucket, mother? Couldn't you wait until Josephine (the househelp) arrives?' "And out I hurried. But the fire was already blazing, fed with dry wood. The milk was boiling on the blue-tiled charcoal stove. Nearby, a bar of chocolate was melting in a little water for my breakfast, and, seated squarely in her cane armchair, my mother was grinding the fragrant coffee which she roasted herself. The morning hours were always kind to her. She wore their rosy colours in her cheeks. Flushed with a brief return to health, she would gaze at the rising sun, while the church bell rang for early Mass, and rejoice at having tasted, while we still slept, so many forbidden fruits. "The forbidden fruits were the over-heavy bucket drawn up from the well, the firewood split with a billhook on an oaken block, the spade, the mattock, and above all the double steps propped against the gable-windows of the attic, the flowery spikes of the too-tall lilacs, the dizzy cat that had to be rescued from the ridge of the roof. All the accomplices of her old existence as a plump and sturdy little woman, all the minor rustic divinities who once obeyed her and made her so proud of doing without servants, now assumed the appearance and position of adversaries. But they reckoned without that love of combat which my mother was to keep till the end of her life. At seventy-one dawn still found her undaunted, if not always undamaged. Burnt by fire, cut with the pruning knife, soaked by melting snow or spilt water, she had always managed to enjoy her best moments of independence before the earliest risers had opened their shutters. She was able to tell us of the cats' awakening, of what was going on in the nests, of news gleaned, together with the morning's milk and the warm loaf, from the milkmaid and the baker's girl, the record in fact of the birth of a new day.
Colette (My Mother's House & Sido)
Long ago there was a little boy who lived in the wood with his father and his sister. One night, the three of them were out collecting firewood when they heard a low, delicate whimper. The father realised it was an injured animal and ordered the children to fetch water from the lake, whilst he followed the sound. Hours past but the father did not return. The children became fearful for their father’s safety and in their moment of fright, they disobeyed their father in order to find him. And find him they did. However, he was no longer the man he once was. Both his eyes were slit through their centre, oozing blood down the paleness of his face. His neck had been torn open. The entirety of his midsection was split but nothing, not one, single organ, seemed to be left within. Each limb still remained, however they had been dragged, with some exceptional force, in the opposite direction to which they were designed. The children screamed and ran, though the image of their father’s mangled corpse seemed to chase after them. They slept. Within the whisper of the wind came the sweet tune of a woman’s song. The little girl awoke to the feeling of happiness, security and motherly love that the song carried with it. She needed to find the woman it had come from. Leaving her brother, she took off into the wood to try and find the singer. The little boy quickly entered into a spit of panic when he found his sister missing. He didn’t know whether he should call out for her, look for her or wait. But waiting could mean the worst, he thought, and so he took off into the woods after her. He had searched everywhere, every dark corner and decrepit tree, before reaching the lake. The moon reflected off its black surface, which drew his attention to something bobbing within the ripples. It was a leg. When he caught sight of the foot, the boy fell to his knees. He recognised the shoe. It was his sister’s shoe; his sister’s leg. Soon enough, the other body parts came drifting to join the leg, forming a rough manifestation of what was once his sister’s living body. Firstly, there was a head facing down in the water, then arms seemingly blue under the moonlight, and lastly a torso coated in her favourite dress. He felt sick, lost, terrified to his very core. Just as thoughts of never being whole again began to pain his chest, the boy heard the snapping of a twig behind him. He dared to turn around but all he found was a small, black-furred wolf. The wolf approached him timidly, whining deep in its throat to say to the boy that he too was lonely and afraid. The boy put out his hand for the wolf to join him and they sat together. Perhaps he would be OK. Perhaps all that had happened had led to this; something new. He rustled the fur of his new friend, starting with its back then its ear before going under its snout. His hand touched something wet and sticky. He drew it from the wolf to get a better look, only to find a crimson substance now clinging to his small hands. Blood. The wolf turned on the boy as its eyes became a pale blue before thwack! He tore the boy’s face from his head…
S.R. Crawford (Bloodstained Betrayal)
It seemed to Rand like years since there had not been firewood to split. But complaining would not keep the house warm, so he fetched the axe, propped up bow and quiver beside the chopping block, and got to work. Pine for a quick, hot flame, and oak for long burning.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
It was very hard for him to admit it to himself, but having her around had brought him a strange comfort, and he had no idea why. Looking out for her made him feel better somehow. Making sure she was fed and protected against danger—that seemed to work for him, too. It was a lot of trouble, actually. If she hadn’t been around, he wouldn’t go to as much bother with meals. Three out of four nights he’d just open a can of something, but because she’d been sick and needed a hot meal he’d put his best foot forward. Plus, she needed to put on another few pounds. He had spent a lot of time wondering if searching for him, sleeping in her car and probably skipping meals had made her thin and weak. Knowing she was going to be there when he got home, pestering and bothering him, made him hurry a little bit through his work, his chores. He couldn’t figure out why—he was damn sure not going to go over all that old business about the war, about Bobby. Just thinking about that stuff put a boulder in his gut and made his head ache. And yet, he had a ridiculous fear that this phone call to her sister would result in her saying, “I have to go home now.” But there was no use worrying about it—she’s going to leave soon no matter what the sister says. It’s not as though she’d camp out in his cabin through the holidays—she had people at home. Never mind her grousing about her sister, at least she had a sister who loved her, cared about her. And what had she said when she asked for a ride to town? Just a little while longer… It was the first relationship he’d had in about four years. Old Raleigh didn’t count—that had been pure servitude. If the man hadn’t left him part of a mountain, Ian would never have suspected Raleigh was even slightly grateful for the caretaking in the last months. Ian saw people regularly—he worked for the moving company when the weather was good, had his firewood route, went places like the library, had a meal out now and then. People were nice to him, and he was cordial in return. But he never got close; there had been no relationships. No one poked at him like she did, making him smile in spite of himself. That business with the puma—her opening the outhouse door and yelling at him like that—he knew what that was about. She was afraid he’d get hurt by the cat and risked her own skin to warn him. Been a long damn time since he felt anyone really cared about him at all. Maybe that was it, he thought. Marcie thinks she cares, and it’s because I was important to Bobby. If we’d just met somehow, it wouldn’t be like this. But that didn’t matter to him right now. He liked the feeling, alien though it was. He’d be back for her in two and a half hours and while he was delivering a half a cord to some dentist in Fortuna he’d watch the time so he wouldn’t be late getting back to pick her up. And with every split log he stacked, he’d be hoping her family wouldn’t find a way to get her home right away. *
Robyn Carr (A Virgin River Christmas (Virgin River #4))
Instantly, I noticed that our conversation was easy, flirtatious and exciting. It didn’t take very long for us to get to know each other. To start with, I was a little taken aback with both of them being so friendly and talkative. As we talked, I really didn’t know what to call Rita and I stammered some as I attempted to navigate around the social aspects of my dilemma. I didn’t know her last name and “Mrs. Whatjamacallit” didn’t seem appropriate, so I continued using her first name. What seemed awkward to me at first, soon became and sounded acceptable. I also noticed that Connie alternated between calling her mother “Mom” and “Rita.” At first this was strange, but soon I kind of understood the unique relationship between them. For me it seemed different, however I tend to adapt easily and now I was becoming acquainted with a girl who called her mother by her first name. The house was without central heating, but it did have a big cast iron Franklin stove in the living room. Rita looked over to me and asked if I would light the fire. “Guess so,” I replied. I soon found out that lighting the fire encompassed getting and splitting the firewood, and then tending to it. Connie showed me to the front porch where there was a big pile of cordwood, just dumped in one heap. I also noticed that the wind was picking up and was blowing the white stuff onto the porch and covering the woodpile. “Might be a good idea to bring in enough wood to last the night,” I thought aloud. This was going to become a full time job! With Connie’s able help I got a roaring fire going. Rita made sandwiches and poured us all some Coca-Cola, which she topped off with some Canadian Whiskey. Turning the damper down on the fire, I thought to myself that the Franklin stove would never heat this size house, besides the wind was coming in through the cracks around the windows and doors. I knew that the house didn’t have much insulation by how cold the walls were. The windows were single pane, which also didn’t help much, but at least it was shelter. When I mentioned this, Rita said, “Never mind, we’ll all be able to stay warm in bed.” By this time, Connie and I were clowning around and Rita reminded us that she was also there. “I may be momma but I’m not about to freeze, while you kids have all the fun! Besides we only have one bed.” Suddenly the whole scene came into focus. The sandwiches on the kitchen table wouldn’t be our only food. The sandwiches we would have that night would just be the beginning of a feast.
Hank Bracker
Perhaps the small, elderly brother mutely splitting firewood and stacking it in a buckling, corrugated-iron water tank was heard in Heaven more compellingly than the rest of us put together. Maybe there comes a time when the one who lives to pray at last steps over an invisible threshold and into a place where liturgical form, word and gesture dissolve. Where feeding scraps of stale bread to a young magpie translates into intercession that is as fervent as it is unobserved, as effective as it is inexplicable.
Peter Robertson (The Abbot’s Shoes: Seeking a Contemplative Life)