It's So Slippery Quotes

I’ll be your family now,” he says. “I love you,” I say. I said that once, before I went to Erudite headquarters, but he was asleep then. I don’t know why I didn’t say it when he could hear it. Maybe I was afraid to trust him with something so personal as my devotion. Or afraid that I did not know what it was to love someone. But now I think the scary thing was not saying it before it was almost too late. Not saying it before it was almost too late for me. I am his, and he is mine, and it has been that way all along. He stares at me. I wait with my hands clutching his arms for stability as he considers his response. He frowns at me. “Say it again.” “Tobias,” I say, “I love you.” His skin is slippery with water and he smells like sweat and my shirt sticks to his arms when he slides them around me. He presses his face to my neck and kisses me right above the collarbone, kisses my cheek, kisses my lips. “I love you, too,” he says.

You see, I want a lot. Perhaps I want everything the darkness that comes with every infinite fall and the shivering blaze of every step up. So many live on and want nothing And are raised to the rank of prince By the slippery ease of their light judgments But what you love to see are faces that do work and feel thirst. You love most of all those who need you as they need a crowbar or a hoe. You have not grown old, and it is not too late To dive into your increasing depths where life calmly gives out its own secret.

Love is a slippery slope and it's so easy to fall.

And now he is once again finding life more and more difficult, each day a little less possible than the last. In his every day stands a tree, black and dying, with a single branch jutting to its right, a scarecrow's sole prosthetic, and it is from this branch that he hangs. Above him a rain is always misting, which makes the branch slippery. But he clings to it, as tired as he is, because beneath him is a hole bored into the earth so deep that he cannot see where it ends. He is petrified to let go because he will fall into the hole, but eventually he knows he will, he knows he must: he is so tired. His grasp weakens a bit, just a little bit, with every week. So it is with guilt and regret, but also with a sense of inevitability, that he cheats on his promise to Harold.

I don’t …” I sound like I am being strangled. “My family is all dead, or traitors; how can I …” I am not making any sense. The sobs take over my body, my mind, everything. He gathers me to him, and bathwater soaks my legs. His hold is tight. I listen to his heartbeat and, after a while, find a way to let the rhythm calm me. “I’ll be your family now,” he says. “I love you,” I say. I said that once, before I went to Erudite headquarters, but he was asleep then. I don’t know why I didn’t say it when he could hear it. Maybe I was afraid to trust him with something so personal as my devotion. Or afraid that I did not know what it was to love someone. But now I think the scary thing was not saying it before it was almost too late. Not saying it before it was almost too late for me. I am his, and he is mine, and it has been that way all along. He stares at me. I wait with my hands clutching his arms for stability as he considers his response. He frowns at me. “Say it again.” “Tobias,” I say, “I love you.” His skin is slippery with water and he smells like sweat and my shirt sticks to his arms when he slides them around me. He presses his face to my neck and kisses me right above the collarbone, kisses my cheek, kisses my lips. “I love you, too,” he says.

It’s not my fault keys abandon me. I put them in a specific spot, so I’ll know where they are for later—and I swear to God, they sprout legs and run away. Slippery, little Houdini bastards.

A term like capitalism is incredibly slippery, because there's such a range of different kinds of market economies. Essentially, what we've been debating over—certainly since the Great Depression—is what percentage of a society should be left in the hands of a deregulated market system. And absolutely there are people that are at the far other end of the spectrum that want to communalize all property and abolish private property, but in general the debate is not between capitalism and not capitalism, it's between what parts of the economy are not suitable to being decided by the profit motive. And I guess that comes from being Canadian, in a way, because we have more parts of our society that we've made a social contract to say, 'That's not a good place to have the profit motive govern.' Whereas in the United States, that idea is kind of absent from the discussion. So even something like firefighting—it seems hard for people make an argument that maybe the profit motive isn't something we want in the firefighting sector, because you don't want a market for fire.

Fiction and nonfiction are not so easily divided. Fiction may not be real, but it's true; it goes beyond the garland of facts to get to emotional and psychological truths. As for nonfiction, for history, it may be real, but its truth is slippery, hard to access, with no fixed meaning bolted to it. If history doesn't become story, it dies to everyone except the historian.

I feel that from the very beginning life played a terrible conjurer’s trick on me. I lost faith in it. It seems to me that every moment now it is playing tricks on me. So that when I hear love I am not sure it is love, and when I hear gaiety I am not sure it is gaiety, and when I have eaten and loved and I am all warm from wine, I am not sure it is either love or food or wine, but a strange trick being played on me, an illusion, slippery and baffling and malicious, and a magician hangs behind me watching the ecstasy I feel at the things which happen so that I know deep down it is all fluid and escaping and may vanish at any moment. Don’t forget to write me a letter and tell me I was here, and I saw you, and loved you, and ate with you. It is all so evanescent and I love it so much, I love it as you love the change in the days.

Cooking without remuneration" and "slaving over a hot stove" are activities separated mostly by a frame of mind. The distinction is crucial. Career women in many countries still routinely apply passion to their cooking, heading straight from work to the market to search out the freshest ingredients, feeding their loved ones with aplomb. [...] Full-time homemaking may not be an option for those of us delivered without trust funds into the modern era. But approaching mealtimes as a creative opportunity, rather than a chore, is an option. Required participation from spouse and kids is an element of the equation. An obsession with spotless collars, ironing, and kitchen floors you can eat off of---not so much. We've earned the right to forget about stupefying household busywork. But kitchens where food is cooked and eaten, those were really a good idea. We threw that baby out with the bathwater. It may be advisable to grab her by her slippery foot and haul her back in here before it's too late.

Some have argued that because the universe is like a clock, there must be a Clockmaker. As the eighteenth-century British empiricist David Hume pointed out, this is a slippery argument, because there is nothing that is really perfectly analogous to the universe as a whole, unless it's another universe, so we shouldn't try to pass off anything that is just a part of this universe. Why a clock anyhow? Hume asks. Why not say the universe is analogous to a kangaroo? After all, both are organically interconnected systems. But the kangaroo analogy would lead to a very different conclusion about the origin of the universe: namely, that it was born of another universe after that universe had sex with a third universe.

We tend to treat violence and the abuse of power as though they fit into airtight categories: harassment, intimidation, threat, battery, rape, murder. But I realize now that what I was saying is: it’s a slippery slope. That’s why we need to address that slope, rather than compartmentalizing the varieties of misogyny and dealing with each separately. Doing so has meant fragmenting the picture, seeing the parts, not the whole.

I think that slopes are meant to be slippery. I don't know why. I don't even know who invented the stupid notion of them. I don't even know why it matters. Who cares? Who cares about a scarred girl who can't seem to be by herself? Who cares about a scarred girl who mops floors and ferries drugs for her boyfriend? The scarred girl should care. But she doesn't know how and once you let the Makers Mark in, once you let anything like that in, like kissing, or sex, alcohol, drugs, anything that fills up time and makes you feel better, even if it's just for a little while, well, you're going to be a goner. And sometimes, once, maybe twice, she starts to say that she's thinking of taking a class with this lady artist, and stops, because a little mouse taps her brain and heart and whispers, 'But then you won't get to spend so much time with Riley,' and the words, they turn to stone again, fat in her throat, and she can feel little bits of herself disappearing in the large thing of Riley and me and and and ... The slippery slope, it will never, ever end.

I sometimes wonder what I'd see if I could hold your heart in my hands," I told him. "I imagine it fitting perfectly in my palms, soft and slippery, like gelatin that hasn't quite set. It might wobble at the slightest touch, but I sense I'd need to hold it carefully, so it wouldn't slip through my fingers. I also imagine the warmth of the thing. It's usually hidden deep inside, so it's much warmer than the rest of me. I close my eyes and sink into that warmth, and when I do, the sensations of all the things that have disappeared come back to me. I can feel all the things you remember, there in my hands. Doesn't that sound marvelous?

Christ, she missed him outrageously. Disgusted with herself, she ducked her head under the spray and let it pound on her brain. When hands slipped around her waist, then slid up to cup her breasts, she barely jolted. But her heart leaped. She knew his touch, the feel of those long, slim fingers, the texture of those wide palms. She tipped her head back, inviting a mouth to the curve of her shoulder. "Mmm. Summerset. You wild man." Teeth nipped into flesh and made her chuckle. Thumbs brushed over her soapy nipples and made her moan. "I'm not going to fire him." Roarke trailed a hand down the center of her body. "It was worth a shot. You're back..." His fingers dipped expertly inside her, slick and slippery, so that she arched, moaned, and came simultaneously. "Early," she finished on an explosive breath. "God." "I'd say I was just on time.

Whenever I hurt myself, my mother says it is the universe’s way of telling me to slow down. She also tells me to put some coconut oil on it. It doesn’t matter what it is. She often hides stones underneath my pillow when I come home for the weekend. The stones are a formula for sweet dreams and clarity. I dig them out from the streets, she tells me what each one is for. My throat hurts, so she grinds black pepper into a spoonful of honey, makes me eat the entire thing. My mother knows how to tie knots like a ship captain, but doesn’t know how I got that sailor mouth. She falls asleep in front of the TV only until I turn it off, shouts, I was watching that! The sourdough she bakes on Friday is older than I am. She sneaks it back and forth across the country when she flies by putting the starter in small containers next to a bag of carrots. They think it’s ranch dressing, she giggles. She makes tea by hand. Nettles, slippery elm, turmeric, cinnamon- my mother is a recipe for warm throats and belly laughs. Once she fell off of a ladder when I was three. She says all she was worried about was my face as I watched her fall.

But what’s regret anyway? Regret, I am learning these days, is a lot of things. But mostly, it’s a slippery seed of longing, of looking back and asking yourself why you didn’t know better when the answers were so obvious all along.

When your heart breaks, you can actually feel it, an agonizing stab of pain in a muscle that you know for a fact is just a glorified pump. Wherever you are, whatever you are doing, the ordered universe changes, the solid ground beneath your feet becomes a slippery rock. The material world that seemed so safe and solid a moment ago becomes a shifting, ghostly place of shadows and mist. Matters that seemed settled and certain a long ago come suddenly unhinged, and you begin to doubt everything you ever knew to be true.

Home—what other home existed for one who belonged nowhere, but the stormy one in the heart of another for a short time? Was not this the reason why love, when it struck the hearts of the homeless, shook and possessed them so completely—because they had nothing else? Had he not for this very reason tried to avoid it? And had it not followed him and overtaken him and struck him down? It was harder to rise again on the slippery ice of a foreign land than on familiar and accustomed ground.

As if on cue, Fiona appeared in another of the ballroom's multiple doorways. 'Beatrice! Oliver! How many times have I told you no skating in the house? I just had these floors refinished.' 'So that's why it's extra slippery today,' mused Oliver. 'Cool.

It’s not the word that’s important, it’s the right to say any word you want to and to form any sentence you want to, that’s the point and once they start to legally restrict what we can say and what we can’t say then we are on a slippery slope to authoritarianism.” “We’re talking about racists,” said Karen. “No one should be allowed to be racist,” said Mark. “But that’s not down to the Government or the courts,” said Rob desperately, “that should be down to us, we should make it difficult for people to be racist, we should frown upon such language and activity, it should be by peer pressure that we stop people from being abusive and unpleasant, not down to the Government.” “Why not?” demanded Karen, “they make the laws so it’s down to them to make the punishments.” “It’s not about punishment,” pressed Rob, “it’s about morality and social conscience, it’s about standing up for what’s right versus moral laziness, it’s about courage versus cowardice.

She tried her best to climb up one of the legs of the table, but it was too slippery; and when she had tired herself out with trying, the poor little thing sat down and cried. Come, there's no use in crying like that!' said Alice to herself rather sharply.' I advise you to leave off this minute!' She generally gave herself very good advice (though she very seldom followed it), and sometimes she scolded herself so severely as to bring tears into her eyes; and once she remembered trying to box her own ears for having cheated herself in a game of croquet she was playing against herself, for this curious child was very fond of pretending to be two people. 'But it's no use now,' thought poor Alice, 'to pretend to be two people! Why, there's hardly enough of me left to make one respectable person!

I drifted lower, adjusting my position so I could squeeze her ass. Hard. “Your ass is mine…” I reached around and parted her thighs, sliding my fingers past her slippery folds. She was so wet they were drenched within seconds. “And your pussy is mine. Every inch of you belongs to me, and if you ever let another man touch you—” My other hand closed around her throat. “He’ll end up in pieces, and you’ll end up tied to my bed and fucked in every hole until my name is the only one you remember. Do you understand?” Her cunt clenched around my fingers. “Yes.” “Say it. Who do you belong to?” “You,” Ava whispered. “I belong to you.

Love is a funny thing to describe. It's so easy to feel and yet so slippery to talk about. It's like a bar of soap in the bathtub - you have it in your hand until you hold on too tight.

If you don't want a man unhappy politically, don't give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change. Don't give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy. Any man who can take a TV wall apart and put it back together again, and most men can nowadays, is happier than any man who tries to slide-rule, measure and equate the universe, which just wont be measured or equated without making man feel bestial and lonely.

And now he is once again finding life more and more difficult, each day a little less possible than the last. In his every day stands a tree, black and dying, with a single branch jutting to its right, a scarecrow’s sole prosthetic, and it is from this branch that he hangs. Above him a rain is always misting, which makes the branch slippery. But he clings to it, as tired as he is, because beneath him is a hole bored into the earth so deep that he cannot see where it ends. He is petrified to let go because he will fall into the hole, but eventually he knows he will, he knows he must: he is so tired. His grasp weakens a bit, just a little bit, with every week.

Three things: 1- Stop letting pride win. Don't let it destroy and unravel friendships and loves. We blinked, and it's the holidays again. How many more laps around the sun are left? Life is slippery and fleeting, and distance so cold. Stay humble and warm. Remember what counts. 2- Be unapologetically in love with everything. People and the cosmos. Poetry and oceans. The growth everywhere from roses to your heart to the messes that brought you to this level. The ground beneath you. The feeling. Any feeling. The fact that you can feel at all- forever a privilege. 3- Stay tender. Always tender.

He believed in nothing. Which is why his departures and his pursuit of the most intense feelings and acts were so radical, so deep and honest. The truth of life was perfectly clear to him. Nothing was made, every new morning was clear. His only challenge was inward. He had not been disillusioned or had some bad experience that he could put it all down to. He had simply seen the world and that was that. And he understood how slippery every moment was and he liked the thrill of it. Slipping from the knowable to the unknown, walking from one street to the next, being different all the time. In one afternoon he could slip from one personality to another. Why not?

You can’t build a house without nails and wood. If you don’t want a house built, hide the nails and wood. If you don’t want a man unhappy politically, don’t give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of ‘facts’ they feel stuffed, but absolutely ‘brilliant’ with information. Then they’ll feel they’re thinking, they’ll get a sense of motion without moving. And they’ll be happy, because facts of that sort don’t change. Don’t give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy.

You can’t build a house without nails and wood. If you don’t want a house built, hide the nails and wood. If you don’t want a man unhappy politically, don’t give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of ‘facts’ they feel stuffed, but absolutely ‘brilliant’ with information. Then they’ll feel they’re thinking, they’ll get a sense of motion without moving. And they’ll be happy, because facts of that sort don’t change. Don’t give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy. Any man who can take a TV wall apart and put it back together again, and most men can nowadays, is happier than any man who tries to slide-rule, measure, and equate the universe, which just won't be measured or equated without making man feel bestial and lonely. I know, I've tried it; to hell with it.

Rachel left," he says, sighing. "Says she's never coming back." Galen nods. "She always says that. It's probably for the better tonight, though." They both wince as Rayna plants the ball of her foot in Emma's back, splaying her across the sea of shards. "I taught her that," Toraf says. "It's a good move." Neither of the combatants seem to care about the rain, lightning, or the whereabouts of their hostess. The storm billows in, drenching the furniture, the TV, the strange art on the wall. No wonder Rachel didn't want to see this. She fussed over this stuff for days. "So, it kind of threw me when she said she didn't like fish," Toraf says. "I noticed. Surprised me, too, but everything else is there." "Bad temper." "The eyes." "That white hair is shocking though, isn't it?" "Yeah, I like it. Shut up." Galen throws a sideways glare at his friend, whose grin makes him ball his fists. "Hard bones and thick skin, obviously. There's no sign of blood. And she took some pretty hard hits from Rayna," Toraf continues neutrally. Galen nods, relaxes his fists. "Plus, you feel the pull-" Toraf is greeted with a forceful shove that sends him skidding on one foot across the slippery marble floor. Laughing, he comes back to stand beside Galen again. "Jackass," Galen mutters. "Jackass? What's a jackass?" "Not sure. Emma called me that today when she was irritated with me." "You're insulting me in human-talk now? I'm disappointed in you, minnow." Toraf nods toward the girls. "Shouldn't we break this up soon?" "I don't think so. I think they need to work this out on their own." "What about Emma's head?" Galen shrugs. "Seems fine right now. Or she wouldn't have bashed the window into pieces with her forehead.

It is only the recumbent who know what, after all, nature is at no pains to conceal—that she in the end will conquer; the heat will leave the world; stiff with frost we shall cease to drag our feet about the fields; ice will lie thick upon factory and engine; the sun will go out. Even so, when the whole earth is sheeted and slippery some undulation, some irregularity of surface will mark the boundary of an ancient garden, and there, thrusting its head up undaunted in the starlight, the rose will flower, the crocus will burn.

I think you’re rather lovely,” he said, startling himself. “I know I am,” Phoebe assured him. “But it’s always nice to be told so.

It’s impossible to eat onion soup with dignity, so please don’t try,” she remarked, which was embarrassing because he hadn’t been trying.

I can hear you shake,” he whispers. “What are you doing?” “My hand’s under my blouse, my bra. Very softly, I am brushing my finger over my nipple. It’s—so hard. So tight it almost hurts. I am barely touching it and I’m getting hot all over.” He groans, and I get inspired. I tell him, “Touch your nipples, too. Like I did for you at the picnic table in the park.” “Jesus Christ, Carrie. I’m sweating, hot. That feels good, but my cock is harder, please—” “Touch it, something, Brian.” “I am—there’s—pre-cum. I’m slippery. Carrie, God, Carrie, are you wet? Tell me.

Howard had a pine display case, fastened by fake leather straps and stained to look like walnut. Inside, on fake velvet, were cheap gold-plated earrings and pendants of semiprecious stones. He opened this case for haggard country wives when their husbands were off chopping trees or reaping the back acres. He showed them the same half-dozen pieces every year the last time he came around, when he thought, This is the season - preserving done, woodpile high, north wind up and getting cold, night showing up earlier every day, dark and ice pressing down from the north, down on the raw wood of their cabins, on the rough-cut rafters that sag and sometimes snap from the weight of the dark and the ice, burying families in their sleep, the dark and the ice and sometimes the red in the sky through trees: the heartbreak of a cold sun. He thought, Buy the pendant, sneak it into your hand from the folds of your dress and let the low light of the fire lap at it late at night as you wait for the roof to give out or your will to snap and the ice to be too thick to chop through with the ax as you stand in your husband's boots on the frozen lake at midnight, the dry hack of the blade on ice so tiny under the wheeling and frozen stars, the soundproof lid of heaven, that your husband would never stir from his sleep in the cabin across the ice, would never hear and come running, half-frozen, in only his union suit, to save you from chopping a hole in the ice and sliding into it as if it were a blue vein, sliding down into the black, silty bottom of the lake, where you would see nothing, would perhaps feel only the stir of some somnolent fish in the murk as the plunge of you in your wool dress and the big boots disturbed it from its sluggish winter dreams of ancient seas. Maybe you would not even feel that, as you struggled in clothes that felt like cooling tar, and as you slowed, calmed, even, and opened your eyes and looked for a pulse of silver, an imbrication of scales, and as you closed your eyes again and felt their lids turn to slippery, ichthyic skin, the blood behind them suddenly cold, and as you found yourself not caring, wanting, finally, to rest, finally wanting nothing more than the sudden, new, simple hum threading between your eyes. The ice is far too thick to chop through. You will never do it. You could never do it. So buy the gold, warm it with your skin, slip it onto your lap when you are sitting by the fire and all you will otherwise have to look at is your splintery husband gumming chew or the craquelure of your own chapped hands.

What made my position uncomfortable was the fact that my innocence was so slippery. I could not keep my grip on it. I would look, and it had oozed away, nowhere to be seen. All the facts were elastic.

But scripture has always seemed a slippery thing to me, full of contradictions and loopholes. The same book that urges us to turn the other cheek also asks for an eye for an eye. So which is it?" -Caleb

I am in my old room once more, for a little, and I am caught in musing - - how life is a swift motion, a continuous flowing, changing, and how one is always saying goodbye and going places, seeing people, doing things. Only in the rain, sometimes, only when the rain comes, closing in your pitifully small radius of activity, only when you sit and listen by the window, as the cold wet air blows thinly by the back of your neck - only then do you think and feel sick. You feel the days slipping by, elusive as slippery pink worms, through your fingers, and you wonder what you have for your eighteen years, and you think about how, with difficulty and concentration, you could bring back a day, a day of sun, blue skies and watercoloring by the sea. You could remember the sensual observations that made that day reality, and you could delude yourself into thinking - almost - that you could return to the past, and relive the days and hours in a quick space of time. But no, the quest of time past is more difficult than you think, and time present is eaten up by such plaintive searchings. The film of your days and nights is wound up tight in you, never to be re-run - and the occasional flashbacks are faint, blurred, unreal, as if seen through falling snow. Now, you begin to get scared. You don't believe in God, or a life-after-death, so you can't hope for sugar plums when your non-existent soul rises. You believe that whatever there is has got to come from man, and man is pretty creative in his good moments - pretty mature, pretty perceptive for his age - how many years is it, now? How many thousands? Yet, yet in this era of specialization, of infinite variety and complexity and myriad choices, what do you pick for yourself out of the grab-bag? Cats have nine lives, the saying goes. You have one; and somewhere along the thin, tenuous thread of your existence there is the black knot, the blood clot, the stopped heartbeat that spells the end of this particular individual which is spelled "I" and "You" and "Sylvia." So you wonder how to act, and how to be - and you wonder about values and attitudes.

Refreshed, delighted, invigorated, I walked along, forgetting all my cares, feeling as if I had wings to my feet, and could go at least forty miles without fatigue, and experiencing a sense of exhilaration to which I had been an entire stranger since the days of early youth. About half–past six, however, the grooms began to come down to air their masters’ horses—first one, and then another, till there were some dozen horses and five or six riders: but that need not trouble me, for they would not come as far as the low rocks which I was now approaching. When I had reached these, and walked over the moist, slippery sea–weed (at the risk of floundering into one of the numerous pools of clear, salt water that lay between them), to a little mossy promontory with the sea splashing round it, I looked back again to see who next was stirring. Still, there were only the early grooms with their horses, and one gentleman with a little dark speck of a dog running before him, and one water–cart coming out of the town to get water for the baths. In another minute or two, the distant bathing machines would begin to move, and then the elderly gentlemen of regular habits and sober quaker ladies would be coming to take their salutary morning walks. But however interesting such a scene might be, I could not wait to witness it, for the sun and the sea so dazzled my eyes in that direction, that I could but afford one glance; and then I turned again to delight myself with the sight and the sound of the sea, dashing against my promontory—with no prodigious force, for the swell was broken by the tangled sea–weed and the unseen rocks beneath; otherwise I should soon have been deluged with spray. But the tide was coming in; the water was rising; the gulfs and lakes were filling; the straits were widening: it was time to seek some safer footing; so I walked, skipped, and stumbled back to the smooth, wide sands, and resolved to proceed to a certain bold projection in the cliffs, and then return.

We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.

Ha! Listen, this guy walks into a bar, with a shopping bag, right? He sits down, puts the bag on the bar. Something in the bag is moving, and the bartender says ‘Hey, buddy, no animals in here’. You with me, Jones?” “Yah.” “The guy is looking real unhappy, totally down in the dumps, he reaches in the bag. He pulls out a brass lantern, then a small piano, a little stool, and finally a little guy in a tuxedo, about a foot tall. The little guy sits on the stool and starts playing the piano. Playing the piano, right?” “Yah. Got, it.” “Bartender says,” Williams’ grasp on a handhold slipped for a heart-stopping moment before the suit gloves restored their sticky grip. He could see the problem was some sort of fluid leaking from the access hatch above had coated the handhold. He moved his hand to the left to avoid the slippery fluid, and continued climbing down. “Bartender says, ‘That’s amazing, where’d you get him?’ Guy points to the lamp. ‘Magic genie granted me a wish, But he don’t hear so well-’ Before the guy can stop him, the bartender grabs the lamp, rubs it and shouts ‘I want a million bucks!’. POOF! The bar is filled with ducks! Ducks everywhere, under the tables, in the street outside, feathers flying all over the place. The bartender says ‘What the hell?’ So the guy says ‘I told you the genie don’t hear so well. You really think I asked for a twelve inch pianist?

It’s impossible to attain much success in politics if you’re the sort of person who can’t abide disingenuousness. This isn’t to say politics is full of lies and liars; it has no more liars than other fields do. Actually one hears very few proper lies in politics. Using vague, slippery, or just meaningless language is not the same as lying: it’s not intended to deceive so much as to preserve options, buy time, distance oneself from others, or just to sound like you’re saying something instead of nothing.

Anyway, that’s not what I meant when I said Marco decides when he wins. You don’t understand how slippery he can be. Whatever happens, he’ll shift so it was his plan all along. If he were the last person alive, he’d say we needed the apocalypse and declare victory. It’s what he is.

Before man's bravery I bow my head: More so when valour is unnatural And fear, a bat between the shoulder-blades Flaps its cold webs - but I am ill at ease With propaganda glory, and the lies Of statesmen and the lords of slippery trades. - Before Man's Bravery I Bow My Head May 1941.

The extreme intellectual elegance of the proposal to legalize the distribution and consumption of drugs, touted as the solution to so many problems at once (AIDS, crime, overcrowding in the prisons, and even the attractiveness of drugs to foolish young people) should give rise to skepticism. Social problems are not usually like that. Analogies with the Prohibition era, often drawn by those who would legalize drugs, are false and inexact: it is one thing to attempt to ban a substance that has been in customary use for centuries by at least nine-tenths of the adult population, and quite another to retain a ban on substances that are still not in customary use, in an attempt to ensure that they never do become customary. Surely we have already slid down enough slippery slopes in the last thirty years without looking for more such slopes to slide down.

Sion calls Anne an eel, he calls her a slippery dipper from the slime, and he remembers what the cardinal had called her: my serpentine enemy. Sion says, she goes to it with her brother; he says, what, her brother George? ‘Any brother she's got. Those kind keep it in the family. They do filthy French tricks, like –’ ‘Can you keep your voice down?’ He looks around, as if spies might be swimming by the boat. ‘– and that's how she trusts herself she don't give in to Henry, because if she lets him do it and she gets a boy he's, thanks very much, now clear off, girl – so she's oh, Your Highness, I never could allow – because she knows that very night her brother's inside her, licking her up to the lungs, and then he's, excuse me, sister, what shall I do with this big package – she says, oh,don't distress yourself, my lord brother, shove it up the back entry, it'll come to no harm there.

Surely the Prince of Greed and the Mother of Destruction can kick some demon-ass back to the netherworld. It might mess up your street-cred, but I’m sure an ego the size of yours can take it. Once we’ve averted disaster, you can go back to being the slippery, back-stabbing son-of-a-bitch I know so well.

The concept of 'anti-racism' is an illiberal notion cloaked in liberal terms. lt sounds bold, virtuous and active. No wonder so many well-intentioned people are declaring themselves to be 'anti-racist' with little understanding of its divisive implications. The worst possible way to tackle prejudice is to reanimate the racial divisions of yesteryear through a heightened emphasis on group identity. The wordplay of the anti-racist movement is sufficiently slippery to make rebuttals seem counter-intuitive. Anti-racism proponents have it backward. In order to oppose racism, one must be opposed to anti-racism.

THE VOICE YOU HEAR WHEN YOU READ SILENTLY is not silent, it is a speaking- out-loud voice in your head; it is *spoken*, a voice is *saying* it as you read. It's the writer's words, of course, in a literary sense his or her "voice" but the sound of that voice is the sound of *your* voice. Not the sound your friends know or the sound of a tape played back but your voice caught in the dark cathedral of your skull, your voice heard by an internal ear informed by internal abstracts and what you know by feeling, having felt. It is your voice saying, for example, the word "barn" that the writer wrote but the "barn" you say is a barn you know or knew. The voice in your head, speaking as you read, never says anything neutrally- some people hated the barn they knew, some people love the barn they know so you hear the word loaded and a sensory constellation is lit: horse-gnawed stalls, hayloft, black heat tape wrapping a water pipe, a slippery spilled *chirr* of oats from a split sack, the bony, filthy haunches of cows... And "barn" is only a noun- no verb or subject has entered into the sentence yet! The voice you hear when you read to yourself is the clearest voice: you speak it speaking to you. ~~-Thomas Lux

Six years ago, when I sat down and wrote the essay “Men Explain Things to Me,” here’s what surprised me: though I began with a ridiculous example of being patronized by a man, I ended with rapes and murders. We tend to treat violence and the abuse of power as though they fit into airtight categories: harassment, intimidation, threat, battery, rape, murder. But I realize now that what I was saying is: it’s a slippery slope. That’s why we need to address that slope, rather than compartmentalizing the varieties of misogyny and dealing with each separately. Doing so has meant fragmenting the picture, seeing the parts, not the whole.

A porpoise sounded twenty yards away from us in an explosion of breath, startling us. . . . Then another porpoise broke the water and rolled toward us. A third and a fourth porpoise neared the board and we could feel great secret shapes eyeing us from below. I reached out to touch the back of one, its skin the color of jade, but as I reached the porpoise dove and my hand touched moonlight where the dorsal fin had been cutting through the silken waters. The dolphins had obviously smelled the flood tide of boyhood in the sea and heard the hormones singing in the boy0scented water. None of us spoke as the porpoises circled us. The visitation was something so rare and perfect that we knew by instinct not to speak – and then, as quickly as they had come, the porpoises moved away from us, moved south where there were fish to be hunted. “Each of us would remember that night floating on the waves all during our lives. It was the year before we went to high school when we were poised on the slippery brink between childhood and adulthood, admiring our own daring as we floated free from the vigilance and approval of adult eyes, ruled only by the indifference of stars and fate. It was the purest moment of freedom and headlong exhilaration that I had ever felt. A wordless covenant was set among us the night of the porpoises.

He could feel the end of the battle approaching, and so could the blur of the Sith he faced in the Force, the shadow had become a pulsar of fear. Easily, almost effortlessly, he turned the shadow's fear into a weapon: he angled the battle to bring them both out onto the window ledge. Out in the wind. Out with the lightning. Out on a rain-slicked ledge above a half kilometer drop. Out where the shadow's fear's fear made it hesitate. Out where the shadow's fear turned some of it's Force-powered speed into a Force-powered grip on the slippery permacrete. Out where Mace could flick his blade in one precise arc and slash the shadow's lightsaber in half. One piece flipped back in through the cut open window. The other tumbled from opening fingers, bounced on the ledge, and fell through the rain towards the distant alleys below. Now the shadow was only Palpatine: old and shrunken, thinning hair bleached white by time and care, face lined with exhaustion. 'For all your power, my lord,you are no Jedi. All you are, my lord,' Mace said evenly, staring past his blade, 'is under arrest.

Bryce stumbled on a slippery rock, going down into the frigid water, palms and knees smarting— A strong hand was instantly at her back, but too late to avoid the stinging cuts that now peppered her hands and legs. “Careful,” Azriel warned, setting her on a sturdier rock. Bryce’s stomach hollowed out with her ears this time, and the dagger was right there, the sword so close— Azriel let out a grunt, going rigid. Like he could feel it, too, the weapons’ demand to be together or apart or whatever it was, the strange power of them in proximity to each other— “Watch your footing” was all the male said before stepping back. Far enough away that the sword and the dagger halted their strange tugging at Bryce. Her stomach eased, her hearing with it.

Meditation begins with calming the mind and collecting the attention. The importance of this is revealed at the very beginning of our practice—it is often the first insight we gain when we begin to practice meditation. We see for ourselves how difficult the mind is to control. The mind is so slippery. We feel a breath or two, and then the mind wanders. We become seduced or distracted by thoughts, plans, and memories—sometimes not even pleasant ones. We often relive old arguments or hurts. We hop on a train of association not knowing that we’ve hopped on and having no idea where the train is going. Somewhere down the line we wake up from the dream of our thoughts, often in a completely different mental environment. Perhaps we have become entangled in some drama, some strong emotion, contracted in a strong sense of self, of ego. And all the time it is just the play of our minds.

Taking the ring from her, Sebastian slid it onto his own hand. His hands were so much larger that the circlet would only fit the tip of his smallest finger. Grasping her chin in an intractable hold, he glared into her eyes. “I’ll take your bet,” he said grimly. “I’m going to win it. And in three months, I’m going to put this back on your finger, and take you to bed, and do things to you that are outlawed in the civilized world.” Evie’s resolve did not shield her from the heart-thumping alarm that any rational woman would feel upon hearing such an ominous statement. Nor did it prevent her knees from turning to jelly as he jerked her against his body and fitted his mouth to hers. Her hands, suspended in mid-air, went to his head in a trembling butterfly descent. The texture of his hair, the locks so cool and thick on the surface, so warm and damp at the roots, was too alluring to resist. She slid her fingers into the gleaming golden layers and pulled him even closer, helplessly reveling in the urgent pressure of his mouth. Their tongues mated, slid, stroked, and with each slippery-sweet caress inside the joined cavern of their mouths, she felt a hot coiling deep in her belly… no, deeper than that… in the tightening, liquefying core where she had once taken his invading flesh. It shocked her to realize how much she wanted him there again. She whimpered as he pulled away from her, while frustration washed over them both. “You didn’t say that I couldn’t kiss you,” Sebastian said, his eyes bright with devil-fire. “I’m going to kiss you as long and as often as I like, and you’re not to utter a word of protest. That’s the concession you’ll give in return for my celibacy. Damn you.” Giving her no time either to agree or to object, he released her and strode to the door. “And now, if you’ll excuse me… I’m going to go kill Joss Bullard.

The Language of the Birds" 1 A man saw a bird and found him beautiful. The bird had a song inside him, and feathers. Sometimes the man felt like the bird and sometimes the man felt like a stone—solid, inevitable—but mostly he felt like a bird, or that there was a bird inside him, or that something inside him was like a bird fluttering. This went on for a long time. 2 A man saw a bird and wanted to paint it. The problem, if there was one, was simply a problem with the question. Why paint a bird? Why do anything at all? Not how, because hows are easy—series or sequence, one foot after the other—but existentially why bother, what does it solve? And just because you want to paint a bird, do actually paint a bird, it doesn’t mean you’ve accomplished anything. Who gets to measure the distance between experience and its representation? Who controls the lines of inquiry? We do. Anyone can. Blackbird, he says. So be it, indexed and normative. But it isn’t a bird, it’s a man in a bird suit, blue shoulders instead of feathers, because he isn’t looking at a bird, real bird, as he paints, he is looking at his heart, which is impossible. Unless his heart is a metaphor for his heart, as everything is a metaphor for itself, so that looking at the paint is like looking at a bird that isn’t there, with a song in its throat that you don’t want to hear but you paint anyway. The hand is a voice that can sing what the voice will not, and the hand wants to do something useful. Sometimes, at night, in bed, before I fall asleep, I think about a poem I might write, someday, about my heart, says the heart. 3 They looked at the animals. They looked at the walls of the cave. This is earlier, these are different men. They painted in torchlight: red mostly, sometimes black—mammoth, lion, horse, bear—things on a wall, in profile or superimposed, dynamic and alert. They weren’t animals but they looked like animals, enough like animals to make it confusing, meant something but the meaning was slippery: it wasn’t there but it remained, looked like the thing but wasn’t the thing—was a second thing, following a second set of rules—and it was too late: their power over it was no longer absolute. What is alive and what isn’t and what should we do about it? Theories: about the nature of the thing. And of the soul. Because people die. The fear: that nothing survives. The greater fear: that something does. The night sky is vast and wide. They huddled closer, shoulder to shoulder, painted themselves in herds, all together and apart from the rest. They looked at the sky, and at the mud, and at their hands in the mud, and their dead friends in the mud. This went on for a long time. 4 To be a bird, or a flock of birds doing something together, one or many, starling or murmuration. To be a man on a hill, or all the men on all the hills, or half a man shivering in the flock of himself. These are some choices. The night sky is vast and wide. A man had two birds in his head—not in his throat, not in his chest—and the birds would sing all day never stopping. The man thought to himself, One of these birds is not my bird. The birds agreed.

Alien monsters were pleasant and funny. One early and almost forgotten piece of history tells that Adam, in addition to naming all the sub-lunar creatures, also named the nine hundred and ninety-nine species of creatures who had their homes and nests above the moon, on other moons or trabants or asteroids or planets. And after they were named, the super-lunary creatures went back to their own places, with friendly memories of Earth, the ‘naming place’. So we do have nine hundred and ninety-nine alien species, monstrous but friendly, waiting to meet us again.

You may find it hard to believe, but a true lady won’t just roll over and accept a merciless cad for a suitor just because he manages to water her lawn satisfactorily. I am more than attuned to your personal moral standards and I have no desire to lower myself to them. So call it what you will, foolhardiness, stubbornness or just a pure and true desire to tangle my web with a real gentleman but when it comes down to it, Maxy boy, you have been measured and you have been found wanting. Now please refrain from touching me with your slippery flippers and let us return to our lesson.

...Here, let me see. Stop rubbing it so I can -" He wicks his hand away from his eye just as I lean, and his elbow collides with the side of my face, hard enough that I'm knocked sideways. I try to grab the bedpost, but my hands are so slippery that Islide right off, and crash to the floor, my head connecting painfully with the corner of the drawer I left open. The bottle of oil falls off the edge and shatters into a soupy, amber pool. "What happened! Are you alright?" Percy's got one eye open but blinking frantically, hand extended blindly to me. "I'm fine!" I touch the back of my head, and it comes back damp and red. "No, wait, I'm bleeding." "You're bleeding!?" He yelps. "It's fine! " "It's clearly not if you're bleeding." I can feel a trickle down the back of my neck, and I clap a hand against it, like I can force the blood to stay inside me if I just press tightly enough. "It's fine!" My wrist is wet, and I look just as a drizzle of blood courses down my arm into the crook of my elbow. "God, this is really bleeding!" My vision swims, and when I reach to steady myself I put my hand straight into the oily puddle of lineament, and I crash backward onto the floor. Percy tries to come to my aid, but with one eye closed, he misjudges were he places his foot and steps on me. I screech and he slips and he slips, one leg tangled up in the sheets, and then suddenly the bedroom door bangs opens and there's Scipio. I scream and Percy screams and Scipio lets loud a horrified gurgle, and then Felicity appears behind him in the doorway, claps her hands over her eyes, tries to run with her hands still covered, and slips in one of the dripping puddles we left on the stairs. Her feet go out from under her, and she lands flat on her back at the top of the stairs, hands still valiantly clapped over her eyes, which rather ruins it all.

I noticed that she left her office door open, too.So she could keep an eye on me, no doubt, in case I decided to grab the andirons and make a run for it. I stood for a minute, taking it all in. Not what I'd expected at all. And Edward hadn't been any help: "Heavens, how should I know what's there? Whatever was left after my collective vulture of a family descended,I assume..." The first thing I did was to sit down on the sofa. The old leather creaked loudly enough to make me flinch. But it was worth risking the return of Dr. Rothaus to sit where Edward had sat. Only, it didn't feel very significant. Just cold and little slippery.

I sometimes wonder what I’d see if I could hold your heart in my hands, […] I imagine it fitting perfectly in my palms, soft and slippery, like gelatin that hasn’t quite set. It might wobble at the slightest touch, but I sense I’d need to hold it carefully, so it wouldn’t slip through my fingers. I also imagine the warmth of the thing. It’s usually hidden deep inside, so it’s much warmer than the rest of me. I close my eyes and sink into that warmth, and when I do, the sensations of all the things that have disappeared come back to me. I can feel all the things you remember, there in my hands. — Yōko Ogawa, The Memory Police (Pantheon, 2019)

Hegel did not deceive himself about the revolutionary character of his dialectic, and was even afraid that his Philosophy of Right would be banned. Nor was the Prussian state entirely easy in its mind for all its idealization. Proudly leaning on its police truncheon, it did not want to have its reality justified merely by its reason. Even the dull-witted King saw the serpent lurking beneath the rose: when a distant rumor of his state philosopher's teachings reached him he asked suspiciously: but what if I don't dot the I's or cross the T's? The Prussian bureaucracy meanwhile was grateful for the laurel wreath that had been so generously plaited for it, especially since the strict Hegelians clarified their master's obscure words for the understanding of the common subjects, and one of them wrote a history of Prussian law and the Prussian state, where the Prussian state was proved to be a gigantic harp strung in God's garden to lead the universal anthem. Despite its sinister secrets Hegel's philosophy was declared to be the Prussian state philosophy, surely one of the wittiest ironies of world history. Hegel had brought together the rich culture of German Idealism in one mighty system, he had led all the springs and streams of our classical age into one bed, where they now froze in the icy air of reaction. but the rash fools who imagined they were safely hidden behind this mass of ice, who presumptuously rejoiced who bold attackers fell from its steep and slippery slopes, little suspected that with the storms of spring the frozen waters would melt and engulf them. Hegel himself experienced the first breath of these storms. He rejected the July revolution of 1830, he railed at the first draft of the English Reform Bill as a stab in the 'noble vitals' of the British Constitution. Thereupon his audience left him in hordes and turned to his pupil Eduard Gans, who lectured on his master's Philosophy of Right but emphasized its revolutionary side and polemicized sharply against the Historical School of Law. At the time it was said in Berlin that the great thinker died from this painful experience, and not of the cholera.

Speaking of… I gotta go. I need to be at the field.” His voice rumbled through his chest and against my ear as he spoke. I sighed and stepped out of his arms. I was sad that our couple days together were over and I would be here tonight without him. Classes started tomorrow, and I knew we were going to see a lot less of each other now that the semester was starting. “I’ll walk you out,” I said and followed him to the door. Ivy was still digging through my clothes and called out a good-bye. “Just stay inside,” he said, palming the handle. “It’s cold and slippery out there. You’ll be safer in here.” I grimaced. “You’re probably right.” He grinned. “I’ll call you later, ‘kay?” I nodded. He released the door handle and closed the distance between us with one step. The toes of his shoes bumped against my boots and the front of his jacket brushed against me. My stomach fluttered and my heart rate doubled. The effect he had on me was nothing short of amazing. I tipped my head back so I could look up into his eyes, and the corner of his mouth lifted. He looked at me with so much affection in his gaze that emotion caught in my throat. He didn’t have to say anything because I heard everything just by looking in his eyes. My fingers curled around the hem of his shirt and tangled in the cotton fabric, and at the same time I stretched up, he bent down. The feel of his lips against me was my favorite sensation. Nothing compared to the way his mouth owned mine. His tongue stretched out, sweeping through my mouth with gentle pressure, and I sighed into him and sagged forward. A low laugh vibrated his chest and he pulled back. “Be careful walking to class tomorrow, huh? Don’t fall and hurt yourself.” I nodded, barely comprehending his words. He slipped out the door before reality came flooding back. I rushed forward, caught the closing door, and called out his name. He stopped and turned. The lopsided, knowing smile on his face was smug. “Good luck at practice,” I called, ignoring the few girls who stopped to watch us. “Thanks, baby.” I swear every girl within earshot sighed. I couldn’t even blame them. I shut the door and leaned against it. Ivy put her hands on her hips and looked at me. “I’m gonna need a mega supply of barf bags to put up with you two this semester.” I smiled.

Lucian's thick, long finger slid into me, and I groaned----a pained sound. "That's it," he rasped, fingering me with agonizingly slow pushes. "Fuck, that's it." I gasped, my head light, my thighs clamping around his hand, as though I could hold in the sensation. "Spread your legs a little wider, honey. Let me in. Good girl." He cupped my neck with his free hand, his forehead pressed to mine. "One day soon, I'm going to work myself into this tight sweet honey box, fuck you for hours." My thighs trembled, heat swimming me as my lower belly clenched. "Lucian." I wiggled my hips. He added another finger, fucking them up into me at an angle that had me keening in pleasure. "Right here, Em. Right here is where I'm aching to be." I wanted him there so badly. My body moved with him, rocking against his hand. "Right here is where I'll worship." He kissed me gently, a simple meeting of mouths, as his thumb snaked out and found my clit. He pressed down, rougher now that I was worked up and at the edge. Just how I liked. White-hot head sparked and lit, and I came in a rushing wave that had me straining against him. "Say my name." He rubbed my slippery sex, fingers deep inside me. "Lucian." I sobbed. "Lucian." His grip on my nape was warm, reassuring as he kissed me. "That's my girl," he said as I came down from my high, my body trembling. "My girl." My focus came back as he slipped free from my panties. He lifted his hand to his mouth and, holding my eyes with his crystalline-green eyes, sucked his wet fingers clean. A wicked smile curved his lush mouth as his voice rolled over me like warm honey. "Delicious.

I starved for so long I feared my own hunger for a wolf at the door. She let out the muscled animal of my tongue. Panting, teeth small nipped stars, she switched off the lights. In the slippery dark of her I dissolved, no troubled body or changed face, only this felt through touch, through taste, through scent and breath and pulsing absolution of night, and: Yes to oysters swollen through butter. Yes to things cooled on glass, my hand a hot knife between. Yes to proscuitto, its salt slick, to avocado bursting, ripe. Our teeth clanged. I tasted blood and chocolate. Yes to the fathicksweet of it, to cream, to froth that rises, to the crunched lace of the ear and the tender behind the knee, to that join at the legs where she softened, dimpled, begged me to bite. Three years can you imagine...no lovers no family no feasts...and suddenly this largesse of freckles down her torso, this churning, spilling free.

She used to hate people like him, people who gave up something good, shucked warm meals and solid roofs as if they didn’t matter. But then Barron died and Lila realized that in a way she’d done the same thing. Run away from what could have been a good life. Or at least a happy one. Because it wasn’t enough to be happy, not for Lila. She wanted more. Wanted an adventure. She used to think that if she stole enough, the want would fade, the hunger would go away, but maybe it wasn’t that simple. Maybe it wasn’t a matter of what she didn’t have, of what she wasn’t, but what she was. Maybe she wasn’t the kind of person who stole to stay alive. Maybe she just did it for the thrill. And that scared her, because it meant she didn’t need to do it, couldn’t justify it, could have stayed at the Stone’s Throw, could have saved Barron’s life.... It was a slippery slope, that kind of thinking, one that ended in a cliff, so Lila backed away.

You can't build a house without nails and wood. If you don't want a house built, hide the nails and wood. If you don't want a man unhappy politically, don't give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of non-combustible data, chock them so damned full of 'facts' they fell stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy. because facts of that sort don't change. Don't give them any slippery stuff like philosophy or sociology to tie things up with.

Low dark clouds raced over a steel sea toward Barkley Cove. The wind hit first, rattling windows and hurling waves over the wharf. Boats, tied to the dock, bobbed up and down like toys, as men in yellow slickers tied this line or that, securing. Then sideways rain slammed the village, obscuring everything except the odd yellow form moving about in the grayness. The wind whistled through the sheriff’s window, and he raised his voice. “So, Joe, you had something to tell me?” “Sure do. I found out where Miss Clark will claim she was the night Chase died.” “What? Did you finally catch up to her?” “Ya kiddin’? She’s slipperier’n a damn eel. Gets gone ever’ time I get near. So I drove over to Jumpin’s marina this morning to see if he knew when she’d be coming next. Like everybody else she hasta go there for gas, so I figured I’d catch her up sooner or later. You won’t believe what I found out.” “Let’s have it.” “I got two reliable sources say she was outta town that night.

The Sentinel of Rain I am a creature who cooks on roofs, sleeps on roofs, livess on roofs. The unenlightened call me homeless; my inner circle know me as 'The Sentinel of Rain'. I know all there is to know about roofs: copper roofing, itchy; aluminium sheeting, noisy; precast concrete; dusty; ceramic tiles; slippery. I haven't had the pleasure of crashing on banana leave or straw roofs but I imagine them to be quite comfy, though pitched a bit steep to saunter about, and as for cooking dinner on, fuhgeddaboudit! Those roofs are as flammable as a cellulose nitrate print of The Blue Angel. Thank God I wasn't born in Southeast Asia or in the backward English countryside with their thatch roof cottages. It's good to be homeless in America. There are so many roof choices, the streets are virtually paved with dumpsters, stocked to the gills like the shelves of Walmart, and when it rains ~ and I'm the first to know, there's never an overpass too far to shelter me from nature's whims.

What is a novel, anyway? Only a very foolish person would attempt to give a definitive answer to that, beyond stating the more or less obvious facts that it is a literary narrative of some length which purports, on the reverse of the title page, not to be true, but seeks nevertheless to convince its readers that it is. It's typical of the cynicism of our age that, if you write a novel, everyone assumes it's about real people, thinly disguised; but if you write an autobiography everyone assumes you're lying your head off. Part of this is right, because every artist is, among other things, a con-artist. We con-artists do tell the truth, in a way; but, as Emily Dickenson said, we tell it slant. By indirection we find direction out -- so here, for easy reference, is an elimination-dance list of what novels are not. -- Novels are not sociological textbooks, although they may contain social comment and criticism. -- Novels are not political tracts, although "politics" -- in the sense of human power structures -- is inevitably one of their subjects. But if the author's main design on us is to convert us to something -- - whether that something be Christianity, capitalism, a belief in marriage as the only answer to a maiden's prayer, or feminism, we are likely to sniff it out, and to rebel. As Andre Gide once remarked, "It is with noble sentiments that bad literature gets written." -- Novels are not how-to books; they will not show you how to conduct a successful life, although some of them may be read this way. Is Pride and Prejudice about how a sensible middle-class nineteenth-century woman can snare an appropriate man with a good income, which is the best she can hope for out of life, given the limitations of her situation? Partly. But not completely. -- Novels are not, primarily, moral tracts. Their characters are not all models of good behaviour -- or, if they are, we probably won't read them. But they are linked with notions of morality, because they are about human beings and human beings divide behaviour into good and bad. The characters judge each other, and the reader judges the characters. However, the success of a novel does not depend on a Not Guilty verdict from the reader. As Keats said, Shakespeare took as much delight in creating Iago -- that arch-villain -- as he did in creating the virtuous Imogen. I would say probably more, and the proof of it is that I'd bet you're more likely to know which play Iago is in. -- But although a novel is not a political tract, a how-to-book, a sociology textbook or a pattern of correct morality, it is also not merely a piece of Art for Art's Sake, divorced from real life. It cannot do without a conception of form and a structure, true, but its roots are in the mud; its flowers, if any, come out of the rawness of its raw materials. -- In short, novels are ambiguous and multi-faceted, not because they're perverse, but because they attempt to grapple with what was once referred to as the human condition, and they do so using a medium which is notoriously slippery -- namely, language itself.

Plainly stated, I believe consciousness is an instinct. Many organisms, not just humans, come with it, ready-made. That is what instincts are, something organisms come with. Living things have an organization that allows life and ultimately consciousness to exist, even though they are made from the same materials as the non-living natural world that surrounds them. And instincts envelop organisms from bacteria to humans. Survival, sex, resilience, and walking are commonly thought to be instincts, but so, too, are more complex capacities such as language and sociality—all are instincts. The list is long, and we humans seem to have more instincts than other creatures. Yet there is something special about the consciousness instinct. It is no ordinary instinct. In fact, it seems so extraordinary that many think only we humans can lay claim to it. Even if that’s not the case, we want to know more about it. And because we all have it, we all think we have insight into it. As we will see, it is a slippery, complex instinct situated in the universe’s most impenetrable organ, the brain.

Barnacles stud the smooth dark skin, and crabs scurry across it. That black back must be slippery, treacherous like rock … But you see the hole in its back, the breath going in and out, and you think of all the blowholes along this coast; how a clever man can slip into them, fly inland one moment, back to ocean the next. Always curious, always brave, you take one step and the whale is underfoot. Two steps more and you are sliding, sliding deep into a dark and breathing cave that resonates with whale song. Beside you beats a blood-filled heart so warm it could be fire. Plunge your hands into that whale heart, lean into it and squeeze and let your voice join the whale’s roar. Sing that song your father taught you as the whale dives, down, deep. How dark it is beneath the sea, and looking through the whale’s eyes you see bubbles slide past you like … But there was none of that. Bobby was only imagining, only writing. Held in the sky on a rocky headland, Bobby drew chalk circles on slate, drew bubbles. Bubelz. Roze a wail. He erased the marks with the heel of his hand. It wasn’t true, it was just an old story, and he couldn’t even remember the proper song.

She wasn’t going to be able to navigate the wet very well in those high heels, but I was sure glad she’d worn them. The graceful, unaffected feminine sway of her as she walked was a sight to see. She began making a bee-line for Murphy’s as quickly as she dared in those heels on the concrete, and then the wet slippery street. Proving there’s no fool like a desperate one, I timed my dash through the rain so I’d arrive in time to open the door for her. It is a risk in today’s climate to open a door for a woman, much less make a play for her — clumsy or otherwise. There was an elegance about her though; I could feel it, even from a distance. She didn’t strike me as the hateful, victimhood-embracing type at all; but perhaps I was simply lonely enough to risk a withering gaze or a tongue-lashing accusing me of being part of some dark, patriarchal and misogynistic conspiracy against her kind. It’s a big word, misogynistic, one of those two-dollar words, as my uneducated old man used to say. Misandrist comes before it in the dictionary, but the type of women who throw the word misogynistic around more often than a teenage girl plays with her hair to flirt, act as if misandrist isn’t a real word too.

Jove! I feel as if nothing could ever touch me,” he said in a tone of sombre conviction. “If this business couldn’t knock me over, then there’s no fear of there being not enough time to — climb out, and...” He looked upwards. ‘It struck me that it is from such as he that the great army of waifs and strays is recruited, the army that marches down, down into all the gutters of the earth. As soon as he left my room, that “bit of shelter,” he would take his place in the ranks, and begin the journey towards the bottomless pit. I at least had no illusions; but it was I, too, who a moment ago had been so sure of the power of words, and now was afraid to speak, in the same way one dares not move for fear of losing a slippery hold. It is when we try to grapple with another man’s intimate need that we perceive how incomprehensible, wavering, and misty are the beings that share with us the sight of the stars and the warmth of the sun. It is as if loneliness were a hard and absolute condition of existence; the envelope of flesh and blood on which our eyes are fixed melts before the outstretched hand, and there remains only the capricious, unconsolable, and elusive spirit that no eye can follow, no hand can grasp.

It’s almost time for us to swim,” Turtle said cheerfully. “You can worry about that instead.” He canted his wings and swooped down toward the river. Uneasily, Peril followed him. Don’t think about it. There’s nothing I can do about this NightWing right now anyway. I have to wait until he shows his face a bit closer to me, and then I can burn it off, and then everything will be fine. She flexed her talons, feeling the warm shift of her firescales, and then splashed down right behind Turtle. The river was cold and extremely wet and full of flappy slippery things. Peril did not like it ONE BIT. The flappy slippery things (she assumed most of them were fish) kept touching her and then not bursting into flames and that was so weird. Even the feeling of water all around her scales, pressing in on her, was extremely unsettling. She was also not particularly fond of how much faster than her Turtle could suddenly go. He powered forward in huge wingbeats, steering gracefully with the current, while she flopped around snorting water up her snout and generally feeling like a hippo. A hippo floated past, eyeing her with serene scorn. Fine. Not like a hippo. Like an ostrich suddenly plunked in the middle of an ocean, how about that.

That was when Sam had proposed doing away with Goal-Setting Sunday. “Why do we even bother? We set these goals and make a big deal out of it for a month or so, then we forget all about it. When we do remember it, we feel bad that we didn’t do anything. Why don’t we just skip Goal-Setting Sunday this year?” That had gone over like a pregnant pole-vaulter. Dale had quoted from the book of Revelation about lukewarm churches and how God would spew them out of his mouth. “Do you want the Lord to spit us out, Sam? Is that what you want? ’Cause I tell you right now, that’s what He’ll do. You’re leading us down a slippery slope. First, we’ll stop doing the Goal-Setting Sunday, then the next thing you know there’ll be fornication right here in the church. You watch and see.” Any deviation from tradition had Dale Hinshaw prophesying an outbreak of fornication in the church pews. It took Sam several years to learn he was better off keeping quiet and not suggesting anything new. “Just go along with it,” his wife had told him. “It’s only one Sunday a year. Let them do whatever they’re going to do. It’s easier that way.” So when Dale suggested at the elders meeting that it was time for Goal-Setting Sunday, Sam didn’t argue. They scheduled it for the first Sunday after Easter, which is when they’ve always held it, lest fornication break out in the church.

The secret—to being you, to being Happy?” “Just keep on smiling. Even when you’re sad. Keep on smiling.” Not the most profound advice, admittedly. But Happy is wise, for only a fool or a philosopher would make sweeping generalizations about the nature of happiness. I am no philosopher, so here goes: Money matters, but less than we think and not in the way that we think. Family is important. So are friends. Envy is toxic. So is excessive thinking. Beaches are optional. Trust is not. Neither is gratitude. To venture any further, though, is to enter treacherous waters. A slippery seal, happiness is. On the road, I encountered bushels of inconsistencies. The Swiss are uptight and happy. The Thais are laid-back and happy. Icelanders find joy in their binge drinking, Moldovans only misery. Maybe an Indian mind can digest these contradictions, but mine can’t. Exasperated, I call one of the leading happiness researchers, John Helliwell. Perhaps he has some answers. “It’s simple,” he says. “There’s more than one path to happiness.” Of course. How could I have missed it? Tolstoy turned on his head. All miserable countries are alike; happy ones are happy in their own ways. It’s worth considering carbon. We wouldn’t be here without it. Carbon is the basis of all life, happy and otherwise. Carbon is also a chameleon atom. Assemble it one way—in tight, interlocking rows—and you have a diamond. Assemble it another way—a disorganized jumble—and you have a handful of soot. The arranging makes all the difference. Places are the same. It’s not the elements that matter so much as how they’re arranged and in which proportions. Arrange them one way, and you have Switzerland. Arrange them another way, and you have Moldova. Getting the balance right is important. Qatar has too much money and not enough culture. It has no way of absorbing all that cash. And then there is Iceland: a country that has no right to be happy yet is. Iceland gets the balance right. A small country but a cosmopolitan one. Dark and light. Efficient and laid-back. American gumption married to European social responsibility. A perfect, happy arrangement. The glue that holds the entire enterprise together is culture. It makes all the difference. I have some nagging doubts about my journey. I didn’t make it everywhere. Yet my doubts extend beyond matters of itinerary. I wonder if happiness is really the highest good, as Aristotle believed. Maybe Guru-ji, Sri Sri Ravi Shankar, is right. Maybe love is more important than happiness. Certainly, there are times when happiness seems beside the point. Ask a single, working mother if she is happy, and she’s likely to reply, “You’re not asking the right question.” Yes, we want to be happy but for the right reasons, and,

DAYS ONE THROUGH SIX, ETC. You keep on asking me that – “Which day was the hardest?” Blockheads! They were all hard – And of course, since I’m omnipotent, they were all easy. It was Chaos, to begin with. Can you imagine Primeval Chaos? Of course you can’t. How long had it been swirling around out there? Forever. How long had I been there? Longer than that. It was a mess, that’s what it was. Chaos is Rocky. Fuzzy. Slippery. Prickly. As scraggly and obstreperous as the endless behind of an infinite jackass. Shove on it anywhere, it gives, then slips in behind you, like smog, like lava, like slag. I’m telling you, chaos is – chaotic. You see what I was up against. Who could make a world out of that muck? I could, that’s who – land from water, light from dark, and so on. It might seem like a piece of cake now that it’s done, but back then, without a blueprint, without a set of instructions, without a committee, could you have created a firmament? Of course there were bugs in the process, grit in the gears, blips, bloopers – bringing forth grass and trees on Day Three and not making sunlight until Day Four, that, I must say, wasn’t my best move. And making the animals and vegetables before there was any rain whatsoever – well, anyone can have a bad day. Even Adam, as it turned out, wasn’t such a great idea – those shifty eyes, the alibis, blaming things on his wife – I mean, it set a bad example. How could he expect that little toddler, Cain, to learn correct family values with a role model like him? And then there was the nasty squabble Over the beasts and birds. OK, I admit I told Adam to name them, but – Platypus? Aardvark? Hippopotamus? Let me make one thing perfectly clear – he didn’t get that gibberish from Me. No, I don’t need a planet to fall on Me, I know something about subtext. He did it to irritate Me, just plain spite – and did I need the aggravation? Well, as you know, things went from bad to worse, from begat to begat, father to son, the evil fruit of all that early bile. So next there was narcissism, then bigotry, then jealousy, rage, vengeance! And finally I realized, the spawn of Adam had become exactly like – Me. No Deity with any self-respect would tolerate that kind of competition, so what could I do? I killed them all, that’s what! Just as the Good Book says, I drowned man, woman, and child, like so many cats. Oh, I saved a few for restocking, Noah and his crew, the best of the lot, I thought. But now you’re back to your old tricks again, just about due for another good ducking, or maybe a giant barbecue. And I’m warning you, if I have to do it again, there won’t be any survivors, not even a cockroach! Then, for the first time since it was Primeval Chaos, the world will be perfect – nobody in it but Me.

It’s a good sign that she has no fever, isn’t it?” Pandora asked in the afternoon. “Yes,” Kathleen replied firmly. “I expect that after the excitement of the past week, she needs rest.” “I don’t think that’s what it is,” Cassandra said. She had perched on the settee with a brush and rack of hairpins and a fashion periodical in her lap, experimenting with Pandora’s hair. They were attempting to copy one of the latest styles, an elaborate affair that consisted of locks of hair rolled and pinned into puffs atop the head, with a loose double chatelaine braid falling down the back. Unfortunately Pandora’s chocolaty hair was so heavy and slippery that it refused to stay in its pins, the locks sliding free and collapsing the puffs. “Be stern,” Pandora encouraged. “Use more pomade. My hair will respond only to brute force.” “We should have bought more at Winterborne’s,” Cassandra said with a sigh. “We’ve already gone through half the--” “Wait,” Kathleen said, staring at Cassandra. “What did you just say? Not about the pomade, the thing you said about Helen.” The girl brushed out a lock of Pandora’s hair as she answered. “I don’t think she needs rest because of too much excitement. I think…” She paused. “Kathleen, is it tattling if I say something about someone else that’s private and I know they wouldn’t want it to be repeated?” “Yes. Unless it’s about Helen and you’re telling it to me. Go on.

She drifted down the walk carelessly for a moment, stunned by the night. The moon had come out, and though not dramatically full or a perfect crescent, its three quarters were bright enough to turn the fog and dew and all that had the power to shimmer a bright silver, and everything else- the metal of the streetlamps, the gates, the cracks in the cobbles- a velvety black. After a moment Wendy recovered from the strange beauty and remembered why she was there. She padded into the street before she could rethink anything and pulled up her hood. "Why didn't I do this earlier?" she marveled. Sneaking out when she wasn't supposed to was its own kind of adventure, its own kind of magic. London was beautiful. It felt like she had the whole city to herself except for a stray cat or two. Despite never venturing beyond the neighborhood much by herself, she had plenty of time with maps, studying them for someday adventures. And as all roads lead to Rome, so too do all the major thoroughfares wind up at the Thames. Names like Vauxhall and Victoria (and Horseferry) sprang from her brain as clearly as if there had been signs in the sky pointing the way. Besides Lost Boys and pirates, Wendy had occasionally terrified her brothers with stories about Springheel Jack and the half-animal orphan children with catlike eyes who roamed the streets at night. As the minutes wore on she felt her initial bravery dissipate and terror slowly creep down her neck- along with the fog, which was also somehow finding its way under her coat, chilling her to her core. "If I'm not careful I'm liable to catch a terrible head cold! Perhaps that's really why people don't adventure out in London at night," she told herself sternly, chasing away thoughts of crazed, dagger-wielding murderers with a vision of ugly red runny noses and cod-liver oil. But was it safer to walk down the middle of the street, far from shadowed corners where villains might lurk? Being exposed out in the open meant she would be more easily seen by police or other do-gooders who would try to escort her home. "My mother is sick and requires this one particular tonic that can only be obtained from the chemist across town," she practiced. "A nasty decoction of elderberries and slippery elm, but it does such wonders for your throat. No one else has it. And do you know how hard it is to call for a cab this time of night? In this part of town? That's the crime, really." In less time than she imagined it would take, Wendy arrived at a promenade that overlooked the mighty Thames. She had never seen it from that particular angle before or at that time of night. On either bank, windows of all the more important buildings glowed with candles or gas lamps or even electric lights behind their icy panes, little tiny yellow auras that lifted her heart. "I do wish I had done this before," she breathed. Maybe if she had, then things wouldn't have come to this...

muddy ground. He pushed himself backward, his hands frantically splashing in puddles of muddied water. The darkness of the cemetery made it impossible to see anything more than a shadow, but Cody knew what stalked him. He knew the evil coming. He screamed and jumped back to his feet. He ran as fast as he could on the slippery ground. Another loud crash of thunder followed a bright flash of lightning. He was so close, so close to the entrance to the cemetery, but the rain, stronger than before, hammered down upon him. He splashed through puddles of water, flinching from the sheets of rain slapping his face. He struggled to increase his speed, his tears blending in with the rain. Four bicycles lay scattered on the ground near the entrance of the cemetery. Cody yanked his bicycle upright off the ground and checked behind him, but there wasn’t anything there. He hesitated, his heart breaking at the sight of his friends’ bikes lying next to his. “I’m so sorry,” he cried before mounting his own bike. The mud, caked onto the soles of his shoes, caused his feet to slip on the wet pedals. He peered into the dark depths of the cemetery again and found the familiar shadow creeping towards him. Whimpering again, Cody reached down to scrape the mud off with his bare hands, and then pedaled a mile to his home in the heavy rain. Rain-drenched, Cody jumped the curb in front of his house and dropped his bicycle on the lawn. He ran to his open bedroom window, stumbled through it, and fell onto the floor. His bedroom curtains flapped inward

Her hands found his buttocks, squeezing the densely textured flesh like a cat kneading with its paws, and Jack gasped against her hair. Emboldened, she slid one hand to his sex and touched him, her fingers closing tightly around the pulsing shape. He moved to his side to give her more access to his body, letting her touch him in any manner she wished. Gently she cupped the fuzz-covered pouch at the base of his sex, which felt cool and soft in comparison to the turgid shaft. Her fingertips traced over the ridges of veins that led all the way up to a broad tip. Experimentally she drew the pad of her thumb over the satiny bulb, and he clenched his hands in her hair and groaned. "Does that please you?" she whispered. It appeared that he found it difficult to speak. "Yes," he finally managed with a smothered laugh. "God, yes... if you please me any more, I will probably explode." He tilted her head back and brought their faces together, his features shimmering with a mist of sweat, his eyes ablaze with blue light. His large hand covered hers, helping to guide the head of his shaft to the thatch of soft, wiry curls between her legs. His palm moved to her thigh, hitching it over his hip so that she was spread open for him. "Rub it against yourself," he murmured. Amanda's entire body turned crimson. Slowly she took the head of his shaft in her fingers and brought it to the damp furrow between her thighs. Her breath rushed in harsh surges as she rubbed the tip of his organ over her intimate flesh, until the moisture from her own body made him slippery.

Someone shakes my shoulder. I jerk awake, my eyes wide and searching, and I see Tobias kneeling over me. He wears a Dauntless traitor jacket, and one side of his head is coated with blood. The blood streams from a wound on his ear--the top of his hear is gone. I wince. “What happened?” I say. “Get up. We have to run.” “It’s too soon. It hasn’t been two weeks.” “I don’t have time to explain. Come on.” “Oh God. Tobias.” I sit up and wrap my arms around him, pressing my face into his neck. His arms tighten around me and squeeze. Warmth courses through me, and comfort. If he is here, that means I’m safe. My tears make his skin slippery. He stands and pulls me to my feet, which makes my wounded shoulder throb. “Reinforcements will be here soon. Come on.” I let him lead me out of the room. We make it down the first hallway without difficulty, but in the second hallway, we encounter two Dauntless guards, one a young man and one a middle-aged woman. Tobias fires twice in a matter of seconds, both hits, one in the head and one in the chest. The woman, who was hit in the chest, slumps against the wall but doesn’t die. We keep moving. One hallway, then another, all of them look the same. Tobias’s grip on my hand never falters. I know that if he can throw a knife so that it hits just the tip of my ear, he can fire accurately at the Dauntless soldiers who ambush us. We step over fallen bodies--the people Tobias killed in the way in, probably--and finally reach a fire exit. Tobias lets go of my hand to open the door, and the fire alarm screeches in my ears, but we keep running. I am gasping for air but I don’t care, not when I’m finally escaping, not when this nightmare is finally over. My vision starts to go black at the edges, so I grab Tobias’s arm and hold on tight, trusting him to lead me safely to the bottom of the stairs. I run out of steps to run down, and I open my eyes. Tobias is about to open the exit door, but I hold him back. “Got to…catch my breath…” He pauses, and I put my hands on my knees, leaning over. My shoulder still throbs. I frown, and look up at him. “Come on, let’s get out of here,” he says insistently. My stomach sinks. I stare into his eyes. They are dark blue, with a patch of light blue on his right iris. I take his chin in hand and pull his lips down to mine, kissing him slowly, sighing as I pull back. “We can’t get out of here,” I say. “Because this is a simulation.” He pulled me to my feet with my right hand. The real Tobias would have remembered the wound in my shoulder. “What?” He scowls at me. “Don’t you think I would know if I was under a simulation?” “You aren’t under a simulation. You are the simulation.” I look up and say in a loud voice, “You’ll have to do better than that, Jeanine.” All I have to do now is wake up, and I know how--I have done it before, in my fear landscape, when I broke a glass tank just by touching my palm to it, or when I made a gun appear in the grass to shoot descending birds. I take a knife from my pocket--a knife that wasn’t there a moment ago--and will my leg to be hard as diamond. I thrust the knife toward my thigh, and the blade bends.

He took a napkin-wrapped package out of the bag and offered it to her. “Also,” he added, “I make a mean cheese sandwich. Try one.” Clary smiled reluctantly and sat down across from him. The stone floor of the greenhouse was cold against her skin, but it was pleasant after so many days of relentless heat. Out of the paper bag Jace drew some apples, a bar of fruit and nut chocolate, and a bottle of water. “Not a bad haul,” she said admiringly. The cheese sandwich was warm and a little limp, but it tasted fine. From one of the innumerable pockets inside his jacket, Jace produced a bone-handled knife that looked capable of disemboweling a grizzly. He set to work on the apples, carving them into meticulous eighths. “Well, it’s not birthday cake,” he said, handing her a section, “but hopefully it’s better than nothing.” “Nothing is what I was expecting, so thanks.” She took a bite. The apple tasted green and cool. “Nobody should get nothing on their birthday.” He was peeling the second apple, the skin coming away in long curling strips. “Birthdays should be special. My birthday was always the one day my father said I could do or have anything I wanted.” “Anything?” She laughed. “Like what kind of anything did you want?” “Well, when I was five, I wanted to take a bath in spaghetti.” “But he didn’t let you, right?” “No, that’s the thing. He did. He said it wasn’t expensive, and why not if that was what I wanted? He had the servants fill a bath with boiling water and pasta, and when it cooled down …” He shrugged. “I took a bath in it.” Servants? Clary thought. Out loud she said, “How was it?” “Slippery.

No one acts in a void. We all take cues from cultural norms, shaped by the law. For the law affects our ideas of what is reasonable and appropriate. It does so by what it prohibits--you might think less of drinking if it were banned, or more of marijuana use if it were allowed--but also by what it approves. . . . Revisionists agree that it matters what California or the United States calls a marriage, because this affects how Californians or Americans come to think of marriage. Prominent Oxford philosopher Joseph Raz, no friend of the conjugal view, agrees: "[O]ne thing can be said with certainty [about recent changes in marriage law]. They will not be confined to adding new options to the familiar heterosexual monogamous family. They will change the character of that family. If these changes take root in our culture then the familiar marriage relations will disappear. They will not disappear suddenly. Rather they will be transformed into a somewhat different social form, which responds to the fact that it is one of several forms of bonding, and that bonding itself is much more easily and commonly dissoluble. All these factors are already working their way into the constitutive conventions which determine what is appropriate and expected within a conventional marriage and transforming its significance." Redefining civil marriage would change its meaning for everyone. Legally wedded opposite-sex unions would increasingly be defined by what they had in common with same-sex relationships. This wouldn't just shift opinion polls and tax burdens. Marriage, the human good, would be harder to achieve. For you can realize marriage only by choosing it, for which you need at least a rough, intuitive idea of what it really is. By warping people's view of marriage, revisionist policy would make them less able to realize this basic way of thriving--much as a man confused about what friendship requires will have trouble being a friend. . . . Redefining marriage will also harm the material interests of couples and children. As more people absorb the new law's lesson that marriage is fundamentally about emotions, marriages will increasingly take on emotion's tyrannical inconstancy. Because there is no reason that emotional unions--any more than the emotions that define them, or friendships generally--should be permanent or limited to two, these norms of marriage would make less sense. People would thus feel less bound to live by them whenever they simply preferred to live otherwise. . . . As we document below, even leading revisionists now argue that if sexual complementarity is optional, so are permanence and exclusivity. This is not because the slope from same-sex unions to expressly temporary and polyamorous ones is slippery, but because most revisionist arguments level the ground between them: If marriage is primarily about emotional union, why privilege two-person unions, or permanently committed ones? What is it about emotional union, valuable as it can be, that requires these limits? As these norms weaken, so will the emotional and material security that marriage gives spouses. Because children fare best on most indicators of health and well-being when reared by their wedded biological parents, the same erosion of marital norms would adversely affect children's health, education, and general formation. The poorest and most vulnerable among us would likely be hit the hardest. And the state would balloon: to adjudicate breakup and custody issues, to meet the needs of spouses and children affected by divorce, and to contain and feebly correct the challenges these children face.

We don't have much time. The mono travels just as fast toward its point of ending whether Blaine's with us or not." "You don't really believe he's gone, do you?" Eddie asked. "A slippery pup like him? Come on, get real. He's peeking, I guarantee you." "I doubt it very much," Roland said, and Susannah decided she agreed with him. For now, at least. "You could hear how excited he was at the idea of riddling again after all these years. And-" "And he's confident," Susannah said. "Doesn't expect to have much trouble with the likes of us." "Will he?" Jake asked the gunslinger. "Will he have trouble with us?" "I don't know," Roland said. "I don't have a Watch Me hidden up my sleeve, if that's what you're asking. It's a straight game ... but at least it's a game I've played before. We've all played it before, at least to some extent. And there's that." He nodded toward the book which Jake had taken back from Oy. "There are forces at work here, big ones, and not all of them are working to keep us away from the Tower." Susannah heard him, but it was Blaine she was thinking of-Blaine who had gone away and left them alone, like the kid who's been chosen "it" obediently covering his eyes while his playmates hide. And wasn't that what they were? Blaine's playmates? The thought was somehow worse than the image she'd had of trying the escape hatch and having her head torn off. "So what do we do?" Eddie asked. "You must have an idea, or you never would have sent him away." "His great intelligence-coupled with his long period of loneliness and forced inactivity-may have combined to make him more human than he knows. That's my hope, anyway. First, we must establish a kind of geography. We must tell, if we can, where he is weak and where he is strong, where he is sure of the game and where not so sure. Riddles are not just about the cleverness of the riddler, never think it. They are also about the blind spots of he who is riddled." "Does he have blind spots?" Eddie asked. "If he doesn't," Roland said calmly, "we're going to die on this train.

Pulling her head back, Lillian stared at him with wondering eyes, her lips damp and reddened. Her hands left his hair, her fingertips coming to the hard angles of his cheekbones, delicate strokes of coolness on the blazing heat of his skin. He bent his head, nuzzling his jaw against the pale silk of her palm. “Lillian,” he whispered, “I’ve tried to leave you alone. But I can’t do it anymore. In the past two weeks I’ve had to stop myself a thousand times from coming to you. No matter how often I tell myself that you are the most inappropriate…” He paused as she squirmed suddenly, twisting and craning her neck to look down at the floor. “No matter what I— Lillian, are you listening to me? What the devil are you looking for?” “My pear. I dropped it, and— oh, there it is.” She broke free of him and sank to her hands and knees, reaching beneath a chair. Pulling out the brandy bottle, she sat on the floor and held it in her lap. “Lillian, forget the damned pear.” “How did it get in there, d’you think?” She poked her finger experimentally into the neck of the bottle. “I don’ see how something so big could fit into a hole that small.” Marcus closed his eyes against a surge of aggravated passion, and his voice cracked as he replied. “They… they put it directly on the tree. The bud grows… inside…” He slitted his eyes open and squeezed them shut again as he saw her finger intruding deeper into the bottle. “Grows…” he forced himself to continue, “until the fruit is ripe.” Lillian seemed rather too impressed by the information. “They do? That is the cleverest, cleverest… a pear in its own little… oh no.” “What?” Marcus asked through clenched teeth. “My finger’s stuck.” Marcus’s eyes flew open. Dumbfounded, he looked down at the sight of Lillian tugging on her imprisoned finger. “I can’t get it out,” she said. “Just pull at it.” “It hurts. It’s throbbing.” “Pull harder.” “I can’t! It’s truly stuck. I need something to make it slippery. Do you have some sort of lubricant nearby?” “No.” “Not anything?” “Much as it may surprise you, we’ve never needed lubricant in the library before now.

Alexander’s intense eyes were only on Tatiana, who smiled and said, Carolyn, can’t you see? He is pushing you out of the way. I see. Tell him to stop. Let him, Carolyn, Tatiana whispered. Let him. Show him how to catch that baby. Tania, no! What are you afraid of? Just look at him. Let him catch his baby. Thank you, Tatiana. And Alexander went on one knee between her legs, as Carolyn was anxiously bent by his side, her hands next to his. The order of the universe, Alexander felt, was restored. The belly tightened, Tatiana clenched up, one soft slippery push, and the purple baby glided out, swam out face down, front down into the waiting, grasping, open hands of his father. It’s a boy, Tania, Alexander breathed out without turning his son over. Hold him, just like that, don’t move, Carolyn was saying as she cleaned out his mouth and Alexander finally heard his first sound all night. “Wah . . . Wah . . . Wah . . . Wah . . .” Like a little wailing warble. And with his first breath he became pink not purple. Alexander let the boy be placed front down on Tatiana’s stomach, keeping his hand over him and over her, and after Carolyn tied up the cord, he picked up his warm sticky infant, holding him in his palms, and brought him close to Tatiana’s face, whispering, Tania, our boy. Look how small he is. He pressed his wet forehead into her wet cheek. Look at him flailing, squirming, wailing. Buddy, what? Been cooped up too long? He held the boy in his fanned-out palms. Oh God, how can he be so blessedly tiny? He is smaller than my hands. Yes, my love, said Tatiana, one hand on her husband, one hand on her child. But then you do have very big hands. Standing up, Alexander walked over to the open French doors so he could take a better look at the baby in the moonbeam light. Charles Gordon Pasha, he whispered. Pasha. The baby stopped squirming, moving, crying; he relaxed all his limbs and lay sticky and small and completely still in Alexander’s open palms, blinking, clearing his eyes, blinking, clearing his eyes, trying to focus on his father’s face so close. Tania, whispered Alexander, pressing his damp son to his bare chest, to his heart. Look, Tania, look, what a small, little, lovely, tiny baby.

Just as the two of them finished their plump white asparagus spears in white sauce, they were served a selection of grilled vegetables. To think that onions could become so sweet and rich simply by grilling them! Rika had never been a fan of shishito peppers, but the ones on the plate in front of her were fragrant, with a gentle taste. Before she knew it, she'd devoured many more vegetables than she had the other night in that Japanese bistro, just a few dozen meters from here. She was fairly sure that the red meat being cooked on a section of the hotplate not far from where they were sitting was for them. Eventually, clear juice began oozing from its surface. Even the smell of the melting fat was appealing and mild--- not aggressive or meaty. She watched transfixed as the red turned to pale pink, as the white fat grew translucent. The meat was cut up and served to them in pieces. Rika imagined it would be steaming hot, but when she brought one of the chunks to her lips, she found it to be just the right temperature. The comfort it brought was that of a warm, affectionate tongue entering her mouth. When she bit into the aromatic seared surface of the meat, the juice from the moist, rare sections came seeping out, making the lining of her cheeks tremble. A blood-colored filament flickered across her vision. 'Apparently the garlic-butter rice here is truly out of this world. They use plenty of butter, as well as the leftover meat juices.' Rika was looking at the rice cooking on the hotplate as she spoke. Cloaked in their mantle of amber butter, the grains shimmied and danced before her eyes. There was a sizzle as the chef poured on some soy sauce, and then the short, spirited tango was over. Bowls of the glistening bronze rice appeared before them. Swathed in meat juice and butter, each and every grain shone potently. The rich, heady aroma of the soy sauce stoked Rika's appetite. The garlic singed to a deep brown unleashed a perilous bitterness and astringency across her palate. Slippery with fat, the rice slid across the plane of her tongue and down her throat. The meat she'd eaten before had been fantastically flavorsome, but this rice that had absorbed its juices was truly formidable in its taste. With each movement of her jaw, she felt a new lease of power surging up her body. The sense of fullness brought on a comfortable lethargy, and Rika felt she could happily drop off right at that moment.

Here, for example, is a hypothetical: A football team is going to an away game when one of their vans breaks down. So they ask the mother of one of the players if they can borrow her van to transport them. Sure, she says, but I’m not going to drive. And so she asks the assistant coach to drive the team for her. But then, as they’re driving along, something horrible happens: the van skids off the road and flips over; everyone inside dies. There is no criminal case here. The road was slippery, the driver wasn’t intoxicated. It was an accident. But then the parents of the team, the mothers and fathers of the dead players, sue the owner of the van. It was her van, they argue, but more important, it was she who appointed the driver of her van. He was only her agent, and therefore, it is she who bears the responsibility. So: What happens? Should the plaintiffs win their suit? Students don’t like this case. I don’t teach it that often—its extremity makes it more flashy than it is instructive, I believe—but whenever I did, I would always hear a voice in the auditorium say, “But it’s not fair!” And as annoying as that word is—fair—it is important that students never forget the concept. “Fair” is never an answer, I would tell them. But it is always a consideration. He never mentioned whether something was fair, however. Fairness itself seemed to hold little interest for him, which I found fascinating, as people, especially young people, are very interested in what’s fair. Fairness is a concept taught to nice children: it is the governing principle of kindergartens and summer camps and playgrounds and soccer fields. Jacob, back when he was able to go to school and learn things and think and speak, knew what fairness was and that it was important, something to be valued. Fairness is for happy people, for people who have been lucky enough to have lived a life defined more by certainties than by ambiguities. Right and wrong, however, are for—well, not unhappy people, maybe, but scarred people; scared people. Or am I just thinking this now? “So were the plaintiffs successful?” I asked. That year, his first year, I had in fact taught that case. “Yes,” he said, and he explained why: he knew instinctively why they would have been. And then, right on cue, I heard the tiny “But it’s not fair!” from the back of the room, and before I could begin my first lecture of the season—“fair” is never an answer, etc., etc.—he said, quietly, “But it’s right.

Socrates: So now you won't acknowledge any gods except the ones we do--Chaos, the Clouds, the Tongue--just these three? Strepsiades: Absolutely-- I'd refuse to talk to any other gods, if I ran into them--and I decline to sacrifice or pour libations to them. I'll not provide them any incense... I want to twist all legal verdicts in my favor, to evade my creditors. Chorus Leader: You'll get that, just what you desire. For what you want is nothing special. So be confident--give yourself over to our agents here. Strepsiades: I'll do that--I'll place my trust in you. Necessity is weighing me down--the horses, those thoroughbreds, my marriage--all that has worn me out. So now, this body of mine I'll give to them, with no strings attached, to do with as they like--to suffer blows, go without food and drink, live like a pig, to freeze or have my skin flayed for a pouch-- if I can just get out of all my debt and make men think of me as bold and glib, as fearless, impudent, detestable, one who cobbles lies together, makes up words, a practiced legal rogue, a statute book, a chattering fox, sly and needle sharp, a slippery fraud, a sticky rascal, foul whipping boy or twisted villain, troublemaker, or idly prattling fool. If they can make those who run into me call me these names, they can do what they want--no questions asked. If, by Demeter, they're keen, they can convert me into sausages and serve me up to men who think deep thoughts. Chorus: Here's a man whose mind's now smart, no holding back--prepared to start. When you have learned all this from me you know your glory will arise among all men to heaven's skies. Strepsiades: And what will I get out of this? Chorus: For all time, you'll live with me a life most people truly envy. Strepsiades: You mean one day I'll really see that? Chorus: Hordes will sit outside your door wanting your advice and more-- to talk, to place their trust in you for their affairs and lawsuits, too, things which merit your great mind. They'll leave you lots of cash behind. Chorus Leader: [to Socrates] So get started with this old man's lessons, what you intend to teach him first of all--rouse his mind, test his intellectual powers. Socrates: Come on then, tell me the sort of man you are--once I know that, I can bring to bear on you my latest batteries with full effect. Strepsiades: What's that? By god, are you assaulting me? Socrates: No--I want to learn some things from you. What about your memory? Strepsiades: To tell the truth, it works two ways. If someone owes me something, I remember really well. But if it's poor me that owes the money, I forget a lot. Socrates: Do you have a natural gift for speech? Strepsiades: Not for speaking--only for evading debt. Socrates: ... Now, what do you do if someone hits you? Strepsiades: If I get hit, I wait around a while, then find witnesses, hang around some more, then go to court.

Spaghetti alla puttanesca is typically made with tomatoes, olives, anchovies, capers, and garlic. It means, literally, "spaghetti in the style of a prostitute." It is a sloppy dish, the tomatoes and oil making the spaghetti lubricated and slippery. It is the sort of sauce that demands you slurp the noodles Goodfellas style, staining your cheeks with flecks of orange and red. It is very salty and very tangy and altogether very strong; after a small plate, you feel like you've had a visceral and significant experience. There are varying accounts as to when and how the dish originated- but the most likely explanation is that it became popular in the mid-twentieth century. The first documented mention of it is in Raffaele La Capria's 1961 novel, Ferito a Morte. According to the Italian Pasta Makers Union, spaghetti alla puttanesca was a very popular dish throughout the sixties, but its exact genesis is not quite known. Sandro Petti, a famous Napoli chef and co-owner of Ischian restaurant Rangio Fellone, claims to be its creator. Near closing time one evening, a group of customers sat at one of his tables and demanded to be served a meal. Running low on ingredients, Petti told them he didn't have enough to make anything, but they insisted. They were tired, and they were hungry, and they wanted pasta. "Facci una puttanata qualsiasi!" they cried. "Make any kind of garbage!" The late-night eater is not usually the most discerning. Petti raided the kitchen, finding four tomatoes, two olives, and a jar of capers, the base of the now-famous spaghetti dish; he included it on his menu the next day under the name spaghetti alla puttanesca. Others have their own origin myths. But the most common theory is that it was a quick, satisfying dish that the working girls of Naples could knock up with just a few key ingredients found at the back of the fridge- after a long and unforgiving night. As with all dishes containing tomatoes, there are lots of variations in technique. Some use a combination of tinned and fresh tomatoes, while others opt for a squirt of puree. Some require specifically cherry or plum tomatoes, while others go for a smooth, premade pasta. Many suggest that a teaspoon of sugar will "open up the flavor," though that has never really worked for me. I prefer fresh, chopped, and very ripe, cooked for a really long time. Tomatoes always take longer to cook than you think they will- I rarely go for anything less than an hour. This will make the sauce stronger, thicker, and less watery. Most recipes include onions, but I prefer to infuse the oil with onions, frying them until brown, then chucking them out. I like a little kick in most things, but especially in pasta, so I usually go for a generous dousing of chili flakes. I crush three or four cloves of garlic into the oil, then add any extras. The classic is olives, anchovies, and capers, though sometimes I add a handful of fresh spinach, which nicely soaks up any excess water- and the strange, metallic taste of cooked spinach adds an interesting extra dimension. The sauce is naturally quite salty, but I like to add a pinch of sea or Himalayan salt, too, which gives it a slightly more buttery taste, as opposed to the sharp, acrid salt of olives and anchovies. I once made this for a vegetarian friend, substituting braised tofu for anchovies. Usually a solid fish replacement, braised tofu is more like tuna than anchovy, so it was a mistake for puttanesca. It gave the dish an unpleasant solidity and heft. You want a fish that slips and melts into the pasta, not one that dominates it. In terms of garnishing, I go for dried oregano or fresh basil (never fresh oregano or dried basil) and a modest sprinkle of cheese. Oh, and I always use spaghetti. Not fettuccine. Not penne. Not farfalle. Not rigatoni. Not even linguine. Always spaghetti.

I’ve never much liked the whole setup of Christianity, with its emphasis on being saved, thereby acknowledging a debt that can only be paid by a lifetime of sacrifice and devotion. Must God’s love have strings attached? People who crave salvation should think about how they’re going to feel if it turns out that this God who saved them is, upon closer acquaintance, completely alien. He, possibly she (or, more likely, it), is not now and never has been one of us. Jesus clearly was not one of us, with his crypto-stories about the prodigal who is more beloved by the father than the dutiful son and the sliding pay scale for field hands, with his magic powers that run the gamut from improving the wedding beverage to blasting trees to raising the dead. These days we have born-agains everywhere, even in the White House, carping about how clear and meaningful everything is now that they’ve seen the light and accepted Christ as their Savior. There they were, just sinning along aimlessly, drinking and fornicating down that slippery slope lined with good intentions and ending you know where, when suddenly Jesus reached out and down or across and saved them. And now they feel grateful all the time, every day. It things go wrong, that’s God’s way of testing their faith, and if they are successful and make lots of money, that proves they have been chosen by God. It's supposed to be all about free will, but there’s not much freedom in it. And if God is really so eager to save the desperate from themselves, where was he when my mother was knocking back the Seconal with her lunatic girlfriend from hell.

Treasure Hunters Who Followed the Restalls When I started this book, I intended to tell the full Oak Island story, including those treasure hunters who came after the Restalls. But space will not allow it, so we will have to be satisfied with the briefest of highlights. • Robert Dunfield was the first treasure hunter after the accident. He had a causeway built connecting the mainland to Oak Island. It allowed mammoth equipment to be moved over to the island. Down at the Money Pit end of the island, no work was done to stop the sea water, but the huge machinery moved soil from this place to that in search of the treasure. The work gouged out part of the clearing so that the Money Pit, which had been 32 feet above sea level, was reduced to just 10 feet. His work drastically changed the terrain, giving free rein to the incoming sea water. It turned that end of the island into a huge heap of slippery mud. No treasure was found. • Dan Blankenship and David Tobias formed Triton Alliance Limited, the next treasure-hunting company. After drilling countless exploratory holes, they put down a mammoth caisson; Dan climbed down inside, but the caisson began to slowly collapse, threatening to crush the life out of him. He barely escaped. Before this near-fatal event, Triton had located and videotaped what many believe to be evidence of treasure within a huge cavern beneath the bedrock of the island. Their video also revealed what appears to be a human hand. • Oak Island Tours Inc., the final treasure-hunting company, is still at work on Oak Island. In fact, they have only just begun. This company includes a pervious Oak Island treasure hunter, Dan Blankenship, and four newcomers from Michigan--Craig Tester, Marty Lagina, Rick Lagina, and Alan J. Kostrzewa. It is reported that they possess adequate financing to see the job through to a successful end. I’ve exchanged emails with one of these men from Michigan and met face-to-face with another, and I’m convinced that they respect the island and the searchers who went before them and that they will give their search for treasure their very best effort. I wish them every success.

AJ huffed a heavy sigh. “I’m not good at this.” She sat on the edge of the bed with her hands tucked under her legs. “Good at what?” “This…” he motioned between them “…this relationship stuff. I should care enough to ask you more about your past, the blood thing, the ridiculous profession you’ve chosen, the reason why you’re living with your brother … but I’m too fucking selfish. I can barely deal with my own pathetic life, I just—” She shook her head. “It’s fine. I have nothing to tell.” His head jerked back a fraction as his eyelids fluttered with rapid blinks. “What is that supposed to mean?” Jillian lifted a single shoulder. “You act like I’m on a cliff’s edge just waiting, begging you to ask me about my past and my ‘issues,’ but I’m not. The fact that you don’t ask me about it is why this…” she mimicked his motion between them “…relationship works.” He nodded with an absent stare. She’d gone too far. It was a slippery balance between too much and not enough. It’s human nature to desire what’s perceived as the unattainable. Was she making her past seem too unattainable? “Don’t.” AJ’s gaze snapped to hers. “Don’t what?” “I was simply stating a fact. Don’t interpret it as a game. I’m not playing hard to get with my emotions. It’s not a trap.” He rested his hands on his hips and stared at his feet. “It’s a gift, AJ. You will never have to be my gallant knight on his trusty steed, drawing your sword to defend my honor. I will never gawk at sparkly diamonds in the jewelry store window or ask you where you see our relationship going.” “You sound callous, but I know you’re not. I’ve experienced your compassion.” “That’s a gift too. I’ve never been compassionate toward you with an ulterior motive. I’m not callous. I’m strong. It takes a lot of strength to give unconditionally because the ego is a savage, demanding beast.” He narrowed his eyes a bit. “So nothing … you don’t want anything from me in return.” Jillian smirked, prowling toward him. “I’m compassionate, not a saint.” She slid her hands under his shirt, tracing the definition of each firm plane of muscle. He quirked a brow. “So you want me for my body?” A provocative smirk stole her lips as she pushed up his shirt and teased her teeth over his skin. “I think we both know it’s not for your stellar personality.” “You’re such a bitch,” he growled, grabbing her ass and lifting her up. She wrapped her legs around his waist and laughed. “But an honest bitch.

Science Fiction is a group of symptoms and not a disease,” so a medical student (failed) told me once. “It's like the old disease hydropsy that doctors treated for so long before discovering that it was only a collection of symptoms, sometimes for a heart disease, sometimes for a liver or kidney disease, or sometimes even for a septic throat.” Well, the symptoms for Science Fiction are a prowling avidity to search out and read certain occult texts; an uneasiness or excitement that permates the whole routine of life; it's the ‘itchy ears’, as mentioned in Scripture, seeking for ‘new things’. The symptoms are usually a falcon-like hunting or questing; a series of sudden tuneful encounters; a group of euphorias and buoyancies that cry in opposite directions to be hoarded like misers' treasures and simultaneously to be shared with fellow sufferers of the symptoms; feeling that the ‘World We Live In’ is somehow masked and needs to be unmasked. These and other symptoms indicate either a strange disease or diseases, or they indicate a perpetually new kind of health. Tracing the symptoms back to the ‘disease’ does indicate that the disease is multiple, that it has such names as Hard Science Fiction, Soft Science Fiction, High Fantasy, Low Fantasy, Non-Conforming Adventure Fiction. And sometimes it bears such non-consensus names as Biological Fiction, Ontological Fiction, Eschatological Fiction (did Teilhard, for instance, know that he was writing Eschatological Fiction?), Theological Fiction, or Psychological or Philosophical or Technological or Geological or Historical Fiction. These things and many others share the same complex of symptoms.

All of the real original stories, all of the best stories, were first told by the animals. The bears were superb story-tellers; so were the deep-space geese (they took nine generations to make a migration, laying eggs on the space journey and hatching out of them on the space journey, for the summer-land of their migrations was not on Earth). The brindled cave-cats were very good story-tellers. Among the stories were well-established genre stories. The seals told under-water stories that they learned from river-and-ocean creatures; and the golden weasels, who really came from the moon, told all sorts of space stories. So the Neanderthals, who learned the stories from the animals, had a very good stock of tales.

Another Mystery That time I tagged along with my dad to the dry cleaners — What’d I know then about Death? Dad comes out carrying a black suit in a plastic bag. Hangs it up behind the back seat of the old coupe and says, “This is the suit your grandpa is going to leave the world in.” What on earth could he be talking about? I wondered. I touched the plastic, the slippery lapel of that coat that was going away, along with my grandpa. Those days it was just another mystery. Then there was a long interval, a time in which relatives departed this way and that, left and right. Then it was my dad’s turn. I sat and watched him rise up in his own smoke. He didn’t own a suit. So they dressed him gruesomely in a cheap sports coat and tie, for the occasion. Wired his lips into a smile as if he wanted to reassure us, Don’t worry, it’s not as bad as it looks. But we knew better. He was dead, wasn’t he? What else could go wrong? (His eyelids were sewn closed, too, so he wouldn’t have to witness the frightful exhibit.) I touched his hand. Cold. The cheek where a little stubble had broken through along the jaw. Cold. Today I reeled this clutter up from the depths. Just an hour or so ago when I picked up my own suit from the dry cleaners and hung it carefully behind the back seat. I drove it home, opened the car door and lifted it out into sunlight. I stood there a minute in the road, my fingers crimped on the wire hanger. Then tore a hole through the plastic to the other side. Took one of the empty sleeves between my fingers and held it — the rough, palpable fabric. I reached through to the other side.

But others would think of it, and you would find that there were difficulties. But you are not thinking of it in earnest?” “Yes, in earnest.” “Why so? I should have thought that every day had removed you further and further from any such idea.” “The ground I’m on at present is so slippery.” “Well, yes. I can understand that. But yet it is less slippery than it used to be.” “Ah; — you do not exactly see. What if I were to lose my seat?” “You are safe at least for the next four years, I should say.” “Ah; — no one can tell. And suppose I took it into my head to differ from the Government?” “You must not do that. You have put yourself into a boat with these men, and you must remain in the boat. I should have thought all that was easy to you.” “It is not so easy as it seems. The very necessity of sitting still in the boat is in itself irksome, — very irksome. And then there comes some crisis in which a man cannot sit still.