Women In White Coats Quotes

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Helen, in a white coat and stethoscope, effortlessly achieving the sort of discipline for which lesser women would require black leather and a hunting crop, indicated we should form a line. Being St Mary’s, we formed several clumps and a rhomboid.
Jodi Taylor (A Second Chance (The Chronicles of St. Mary's, #3))
All of these fanatics were white. They took slavery as a personal insult or affront, a stain upon their name. They had seen women carried off to fancy, or watched as a father was stripped and beaten in front of his child, or seen whole families pinned like hogs into rail-cars, steam-boats, and jails. Slavery humiliated them, because it offended a basic sense of goodness that they believed themselves to possess. And when their cousins perpetrated the base practice, it served to remind them how easily they might do the same. They scorned their barbaric brethren, but they were brethren all the same. So their opposition was a kind of vanity, a hatred of slavery that far outranked any love of the slave.
Ta-Nehisi Coates (The Water Dancer)
[Two respondents] minimized the assimilationist implications of the dominant account; Russ Silver rejects the idea entirely. 'I have no interest in being accepted. I consider this system corrupt, and I don't want to be accepted by it. We're in this together. Faggots, junkies, women, blacks, Hispanics, Native Americans, Asians, don't you see it? Don't you see that our white male government doesn't care about us? When I say this it shocks coat-and-tie lesbians and gay men everywhere. Well, I'm sorry, folks; if you had AIDS you would know what I know: The government doesn't give a goddamn cent for a faggot's life.
Vera Whisman (Queer By Choice)
I was of the age when it was natural to seek out a wife, but by then I had seen tasking women promised to tasking men, and then seen how such “promises” were kept. I remember how these young couples would hold one another, each morning before going to their separate tasks, how they would clasp hands at night, sitting on the steps of their quarters, how they would fight and draw knives, kill each other, before being without each other, kill each other, because Natchez-way was worse than death, was living death, an agony of knowing that somewhere in the vastness of America, the one whom you loved most was parted from you, never again to meet in this shackled, fallen world. That was the love the Tasked made, and it was that love that occupied my thoughts when time came to tend to Maynard—how families formed in the shadow and quick, and then turned to dust with the white wave of a hand.
Ta-Nehisi Coates (The Water Dancer)
More than that, these adverts sell a dubious world view. They sell the idea that science is not about the delicate relationship between evidence and theory. They suggest, instead, with all the might of their international advertising budgets, their Microcellular Complexes, their Neutrillium XY, their Tenseur Peptidique Végétal and the rest, that science is about impenetrable nonsense involving equations, molecules, sciencey diagrams, sweeping didactic statements from authority figures in white coats, and that this sciencey-sounding stuff might just as well be made up, concocted, confabulated out of thin air, in order to make money. They sell the idea that science is incomprehensible, with all their might, and they sell this idea mainly to attractive young women, who are disappointingly under-represented in the sciences.
Ben Goldacre (Bad Science)
By the late 1980s, blacks accounted for half of all HIV cases in women; most recent
Damon Tweedy (Black Man in a White Coat: A Doctor's Reflections on Race and Medicine)
When I lived on the Bluff in Yokohama I spend a good deal of my leisure in the company of foreign residents, at their banquets and balls. At close range I was not particularly struck by their whiteness, but from a distance I could distinguish them quite clearly from the Japanese. Among the Japanese were ladies who were dressed in gowns no less splendid than the foreigners’, and whose skin was whiter than theirs. Yet from across the room these ladies, even one alone, would stand out unmistakably from amongst a group of foreigners. For the Japanese complexion, no matter how white, is tinged by a slight cloudiness. These women were in no way reticent about powdering themselves. Every bit of exposed flesh—even their backs and arms—they covered with a thick coat of white. Still they could not efface the darkness that lay below their skin. It was as plainly visible as dirt at the bottom of a pool of pure water. Between the fingers, around the nostrils, on the nape of the neck, along the spine—about these places especially, dark, almost dirty, shadows gathered. But the skin of the Westerners, even those of a darker complexion, had a limpid glow. Nowhere were they tainted by this gray shadow. From the tops of their heads to the tips of their fingers the whiteness was pure and unadulterated. Thus it is that when one of us goes among a group of Westerners it is like a grimy stain on a sheet of white paper. The sight offends even our own eyes and leaves none too pleasant a feeling.
Jun'ichirō Tanizaki (In Praise of Shadows)
More wine for me, pour me some more!" "You smart girl, I knew you're a smart girl, just teasing...” Faces turn red, the dark earth blood is rising. They wink at Pelka, wink at the host: "He knows his goods!" The women feel the buttons constricting them - they undo one, another, a third. By twos the guests go outside to get some air. "Well, my dear guests, are you soaked to the gills? Eh? And now-to dance! Get lively!" The table and the chairs vanish. The middle of the room is empty. Ivan the Monk jumps out of his hole, a tambourine in his hands: "Tim-ta-a-am! Tim-ta-a-am!" “Eh-hey!" the redhead suddenly snatches the tambourine and sweeps off, tapping wildly in a circle. Eyes closed: a white sleepless sun-a white night on the meadow-white columns of smoke swaying over fires... "Eh-ah!"-to whirl herself to death, to whirl out everything, to empty herself - nothing has ever been... Heavy boots are thumping on the floor, beards fly in the wind, the frock-coat tails go flying... hey, get going, faster, faster - a hundred versts an hour! ("The North")
Yevgeny Zamyatin (The Dragon: Fifteen Stories (English and Russian Edition))
It is well known that women carry poison in their pockets. Did you expect a gun? A woman with a gun would be just another policeman. We fall in love with the convicts, remember that. Policemen marry girls from the neighborhood, high school looms over their unions, the first uniform is her prom dress and his black bow tie and white shirt. But the girls are thinking of poison, thinking of poison as the lights go out on the dresser where the revolver has been placed with care for the night. The black shoes, the fine, thick serge of the coat, shoulders and thighs of stallions. And the policemen are usually shot down by someone out of shape, thin, thin, nothing but living bones. Remember that.
Elizabeth Hardwick
The hospital is as busy as it was yesterday. We go in through the main entrance, and people walk in every direction. The people in scrubs and white coats all walk a little bit faster. There’s a guy sleeping on one of the waiting room sofas, and a hugely pregnant woman leaning against the wall by the elevator. She’s swirling a drink in a plastic cup. That baby is giving her T-shirt a run for its money. A toddler is throwing a tantrum somewhere down the hallway. The shrieking echoes. We move to the bank of elevators, too, and Melonhead isn’t one of those guys who insists on pressing a button that’s already lit. He smiles and says “Good afternoon” to the pregnant woman, but I can’t look away from her swollen belly. My mother is going to look like that. My mother is going to have a baby. My brain still can’t process this. Suddenly, the woman’s abdomen twitches and shifts. It’s startling, and my eyes flick up to find her face. She laughs at my expression. “He’s trying to get comfortable.” The elevator dings, and we all get on. Her stomach keeps moving. I realize I’m being a freak, but it’s the creepiest thing I’ve ever seen. I can’t stop staring. She laughs again, softly, then comes closer. “Here. You can feel it.” “It’s okay,” I say quickly. Melonhead chuckles, and I scowl. “Not too many people get to touch a baby before it’s born,” she says, her voice still teasing. “You don’t want to be one of the chosen few?” “I’m not used to random women asking me to touch them,” I say. “This is number five,” she says. “I’m completely over random people touching me. Here.” She takes my wrist and puts my hand right over the twitching. Her belly is firmer than I expect, and we’re close enough that I can look right down her shirt. I’m torn between wanting to pull my hand back and not wanting to be rude. Then the baby moves under my hand, something firm pushing right against my fingers. I gasp without meaning to. “He says hi,” the woman says. I can’t stop thinking of my mother. I try to imagine her looking like this, and I fail. I try to imagine her encouraging me to touch the baby, and I fail. Four months. The elevator dings. “Come on, Murph,” says Melonhead. I look at the pregnant lady. I have no idea what to say. Thanks? “Be good,” she says, and takes a sip of her drink. The elevator closes and she’s gone
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
There were some hours to spare before his ship sailed, and having deposited his luggage, including a locked leather despatch-case, on board, he lunched at the Cafe Tewfik near the quay. There was a garden in front of it with palm trees and trellises gaily clad in bougainvillias: a low wooden rail separated it from the street, and Morris had a table close to this. As he ate he watched the polychromatic pageant of Eastern life passing by: there were Egyptian officials in broad-cloth frock coats and red fezzes; barefooted splay-toed fellahin in blue gabardines; veiled women in white making stealthy eyes at passers-by; half-naked gutter-snipe, one with a sprig of scarlet hibiscus behind his ear; travellers from India with solar tepees and an air of aloof British Superiority; dishevelled sons of the Prophet in green turbans, a stately sheik in a white burnous; French painted ladies of a professional class with lace-rimmed parasols and provocative glances; a wild-eyed dervish in an accordion-pleated skirt, chewing betel-nut and slightly foaming at the mouth. A Greek boot-black with box adorned with brass plaques tapped his brushes on it to encourage customers, an Egyptian girl squatted in the gutter beside a gramophone, steamers passing into the Canal hooted on their syrens. ("Monkeys")
E.F. Benson (The Mummy Walks Among Us)
If a guy has a thing for black women - jungle fever. If a guy has a thing for asian women - yellow fever. If a guy has a thing for indian women - curry craving. Is there a term for having a thing for white women? What about latina woman? For white women: Calcium deficiency? White delight? Snowburn? Mayo madness? Reverse-colonialism? Racism? The other white meat? Empanada ecstacy? Guacamole grip? Tostones temptation? Arepa amor? Cafe con leche? A taste for churros? Sofrito satisfaction? Cortez' revenge? Catholocism? Arroz con pussy? Chile con culo?
stained hanes (94,000 Wasps in a Trench Coat)
Laurie Halloween (1978) I ask you to tell me of a town where this hasn’t happened, where some brute dressed in black hasn’t donned a mask, shadowed a woman, called himself a monster to blot out his own mortality. Tell me why I should mythologize this. Let his shape grow larger than the women crouched with coat hangers, with makeshift daggers as sturdy as their hearts? Something can be vulnerable and powerful both at once, but you cannot understand this, and I have grown so weary trying to explain. You say you want to protect us, but the method, blunt pills forced to mouths, a technique for hysteria, is all wrong. It abrades. White fences are only made of wood, they splinter so easily.
Claire C. Holland (I Am Not Your Final Girl)
Swift came to the table and bowed politely. “My lady,” he said to Lillian, “what a pleasure it is to see you again. May I offer my renewed congratulations on your marriage to Lord Westcliff, and…” He hesitated, for although Lillian was obviously pregnant, it would be impolite to refer to her condition. “…you are looking quite well,” he finished. “I’m the size of a barn,” Lillian said flatly, puncturing his attempt at diplomacy. Swift’s mouth firmed as if he was fighting to suppress a grin. “Not at all,” he said mildly, and glanced at Annabelle and Evie. They all waited for Lillian to make the introductions. Lillian complied grudgingly. “This is Mr. Swift,” she muttered, waving her hand in his direction. “Mrs. Simon Hunt and Lady St. Vincent.” Swift bent deftly over Annabelle’s hand. He would have done the same for Evie except she was holding the baby. Isabelle’s grunts and whimpers were escalating and would soon become a full-out wail unless something was done about it. “That is my daughter Isabelle,” Annabelle said apologetically. “She’s teething.” That should get rid of him quickly, Daisy thought. Men were terrified of crying babies. “Ah.” Swift reached into his coat and rummaged through a rattling collection of articles. What on earth did he have in there? She watched as he pulled out his pen-knife, a bit of fishing line and a clean white handkerchief. “Mr. Swift, what are you doing?” Evie asked with a quizzical smile. “Improvising something.” He spooned some crushed ice into the center of the handkerchief, gathered the fabric tightly around it, and tied it off with fishing line. After replacing the knife in his pocket, he reached for the baby without one trace of self-consciusness. Wide-eyed, Evie surrendered the infant. The four women watched in astonishment as Swift took Isabelle against his shoulder with practiced ease. He gave the baby the ice-filled handkerchief, which she proceeded to gnaw madly even as she continued to cry. Seeming oblivious to the fascinated stares of everyone in the room, Swift wandered to the window and murmured softly to the baby. It appeared he was telling her a story of some kind. After a minute or two the child quieted. When Swift returned to the table Isabelle was half-drowsing and sighing, her mouth clamped firmly on the makeshift ice pouch. “Oh, Mr. Swift,” Annabelle said gratefully, taking the baby back in her arms, “how clever of you! Thank you.” “What were you saying to her?” Lillian demanded. He glanced at her and replied blandly, “I thought I would distract her long enough for the ice to numb her gums. So I gave her a detailed explanation of the Buttonwood agreement of 1792.” Daisy spoke to him for the first time. “What was that?” Swift glanced at her then, his face smooth and polite, and for a second Daisy half-believed that she had dreamed the events of that morning. But her skin and nerves still retained the sensation of him, the hard imprint of his body. “The Buttonwood agreement led to the formation of the New York Stock and Exchange Board,” Swift said. “I thought I was quite informative, but it seemed Miss Isabelle lost interest when I started on the fee-structuring compromise.” “I see,” Daisy said. “You bored the poor baby to sleep.” “You should hear my account of the imbalance of market forces leading to the crash of ’37,” Swift said. “I’ve been told it’s better than laudanum.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
All of these fanatics were white. They took slavery as a personal insult or affront, a stain upon their name. They had seen women carried off to fancy, or watched as a father was stripped and beaten in front of his child, or seen whole families pinned like hogs into rail-cars, steam-boats, and jails. Slavery humiliated them, because it offended a basic sense of goodness that they believed themselves to possess. And when their cousins perpetrated the base practice, it served to remind them how easily they might do the same. They scorned their barbaric brethren, but they were brethren all the same. So their opposition was a kind of vanity, a hatred of slavery that far outranked any love of the slave. Corrine was no different, and it was why, relentless as she was against slavery, she could so casually condemn me to the hole, condemn Georgie Parks to death, and mock an outrage put upon Sophia.
Ta-Nehisi Coates (The Water Dancer)
pained me. I was of the age when it was natural to seek out a wife, but by then I had seen tasking women promised to tasking men, and then seen how such “promises” were kept. I remember how these young couples would hold one another, each morning before going to their separate tasks, how they would clasp hands at night, sitting on the steps of their quarters, how they would fight and draw knives, kill each other, before being without each other, kill each other, because Natchez-way was worse than death, was living death, an agony of knowing that somewhere in the vastness of America, the one whom you loved most was parted from you, never again to meet in this shackled, fallen world. That was the love the Tasked made, and it was that love that occupied my thoughts when time came to tend to Maynard—how families formed in the shadow and quick, and then turned to dust with the white wave of a hand.
Ta-Nehisi Coates (The Water Dancer)
We could also see birches in the woods beyond the thirteen-foot-high fences. And we could see women prisoners in the adjacent field; if the girls saw their mothers among them, they could throw their bread to them, hoping that they would not loft it back, as our rations were greater than anyone else's in the camp. We could see the labs we were taken to on Tuesdays and Thursdays and Saturdays, the two-story buildings of brick, but the rest of our view was limited. If someone had cause to pluck us up and take us somewhere, then there was more we might learn of Auschwitz, but otherwise, we did not see the section of camp called Canada, which featured a series of warehouses so overwhelmed with pillaged splendor that the prisoners named it after a country that represented wealth and luxury to them. Inside Canada's structures, our former possessions loomed in stacks: our spectacles, our coats, our instruments, our suitcases, all of it, even down to our teeth, our hair, anything that could be considered necessary to the business of being human. We did not see the sauna where inmates were stripped, or the little white farmhouse whose rooms were passed off as showers. We did not see the luxuriant headquarters of the SS, where parties took place, parties where the women of the Puff were brought in to dance and sit upon Nazi laps. We did not see, and so we believed we already knew the worst. We couldn't image the greatness of suffering, how artful and calculating it could be, how it could pluck off the members of a family, one after the other, or show an entire village the face of death in one fell swoop.
Affinity Konar (Mischling)
Thai prostitution was a haven for the men and a nuisance for the women. The streets of Phuket were outlined with bars ready to nourish thirsty sailors with euphoric intoxication to smother their pinched nerves from their personal lives deteriorating in their six-month absence. Thailand truly lived up to its port reputation. Hundreds of bikini-clad prostitutes littered the strip. Slim and petite, their narrow hips and flat chests appeared to be the appropriate age for the pink plaid schoolgirl skirts, dress shirts, ties, and pigtails intended to entice pedophilic eroticism. They wore heavy coats of pastel liquid shadow that clashed against their yellow tinted tans. They awkwardly wiggled to a nauseating blend of techno and Reggaeton as cotton-haired granddaddies lustfully gawked at them. Any Caucasian male cannot trek a block without the treatment of a pop culture heartthrob with a trail of Thai teens at his heels. “Wan hunnet baaht!” they taunt in a nasal screech. “Wan hunnet baht and I suck yo cock!” The oriental beauties cup their fists and hold them to their mouths as they wiggle their tongues against their cheeks to provide a clear visual for their performance skills. It’s easy to dismiss the humanity in Thai prostitutes. Their splotchy, heavily accented English allows the language barrier to muffle signs of intellect. They’re overtly sexual in their crotch bearing ensembles, loud and vulgar invitations, and provocative dancing that makes even corner butcher shops feel like Vegas strip clubs. Swarms of them linger in front of bars holding cardboard signs scribbled with magic marker that offer a blow job with the first beer purchased. Their eyes burn into passing tourists, with acute radar for creamy, sun-flushed complexions and potbellies - signals of the deep pockets of white male privilege.
Maggie Georgiana Young (Just Another Number)
Something I can help you find?” he asks. Because to be fair, I’m digging through his drawer. “Nope,” I tell him. “Found it.” “Everly, what in the hell are you doing?” He’s finished buttoning his shirt and is staring at me, hands on hips, the corners of his eyes creased as he frowns. “I’m putting on your underwear,” I tell him, stepping into a pair of his briefs. I was digging around for a black pair. Why the hell do they even sell them in white? Just, no. “Why?” He still looks bewildered, but he’s stopped staring at me to tuck in his shirt. “You got me all worked up and horny in there.” I point a thumb in the direction of the bathroom. “I gave you an orgasm.” He seems confused by my accusation. I snort. “Right. Which you know only makes me want your dick more.” I glance over at the clothing I brought, contemplating what will work with this underwear. I’ve been chatting with his assistant Sandra all week about what people wear to this party. Sawyer was zero help on that front. “Wear whatever you want,” he’d said. As if I can pick an outfit with that kind of direction. “I hope you’re wearing your new cufflinks with that shirt,” I tell him, eyeing his outfit of black slacks and grey dress shirt. He holds up the cat cufflinks I gave him at Christmas and fastens his left sleeve. “I still don’t understand what my underwear has to do with anything.” “Oh!” I pull a solid black sleeveless dress with a full skirt and a wide waistband off the hanger and step into it. “Because you’re obviously planning on having your way with me at this party. Probably gonna shove me into a coat closet and fuck me with your hand over my mouth so no one hears us. And if anyone’s panties are getting left behind at this party, it’s gonna be yours.” He nods slowly and fastens his right sleeve. “Do women your age still use the phrase ‘having your way with me?’” “I just did. Anyway, yours are more absorbent. Can you zip me?” I turn my back to him and swipe my hair over one shoulder, waiting. I feel his fingers on the zipper, the fabric gathering slowly up my back. He finishes and rests his thumbs on the back of my neck, rubbing small circles into my skin as he kisses the nape of my neck. I shudder, feeling his touch all the way to the black briefs. “That’s a pretty elaborate plan I came up with,” he murmurs. I turn and nod, sadly. “I know. You’re kind of a menace.” “It’s good of you to put up with me.” I shrug. “Someone’s got to.” “I’m not going to be able to rip those underwear off of you.” “Haha!” I point at him with one hand and slip a heel on with my other. “I knew it!
Jana Aston (Right (Cafe, #2))
He crossed to the desk and took from a drawer a small package wrapped in black velvet. When he unfolded the cloth, Lyra saw something like a large watch or a small clock: a thick disc of brass and crystal. It might have been a compass or something of the sort. “What is it?” she said. “It’s an alethiometer. It’s one of only six that were ever made. Lyra, I urge you again: keep it private. It would be better if Mrs Coulter didn’t know about it. Your uncle –” “But what does it do?” “It tells you the truth. As for how to read it, you’ll have to learn by yourself. Now go – it’s getting lighter – hurry back to your room before anyone sees you.” He folded the velvet over the instrument and thrust it into her hands. It was surprisingly heavy. Then he put his own hands on either side of her head and held her gently for a moment. She tried to look up at him, and said, “What were you going to say about Uncle Asriel?” “Your uncle presented it to Jordan College some years ago. He might –” Before he could finish, there came a soft urgent knock on the door. She could feel his hands give an involuntary tremor. “Quick now, child,” he said quietly. “The powers of this world are very strong. Men and women are moved by tides much fiercer than you can imagine, and they sweep us all up into the current. Go well, Lyra; bless you, child; bless you. Keep your own counsel.” “Thank you, Master,” she said dutifully. Clutching the bundle to her breast, she left the study by the garden door, looking back briefly once to see the Master’s dæmon watching her from the windowsill. The sky was lighter already; there was a faint fresh stir in the air. “What’s that you’ve got?” said Mrs Lonsdale, closing the battered little suitcase with a snap. “The Master gave it me. Can’t it go in the suitcase?” “Too late. I’m not opening it now. It’ll have to go in your coat pocket, whatever it is. Hurry on down to the Buttery; don’t keep them waiting . . .” It was only after she’d said goodbye to the few servants who were up, and to Mrs Lonsdale, that she remembered Roger; and then she felt guilty for not having thought of him once since meeting Mrs Coulter. How quickly it had all happened! And now she was on her way to London: sitting next to the window in a zeppelin, no less, with Pantalaimon’s sharp little ermine-paws digging into her thigh while his front paws rested against the glass he gazed through. On Lyra’s other side Mrs Coulter sat working through some papers, but she soon put them away and talked. Such brilliant talk! Lyra was intoxicated; not about the North this time, but about London, and the restaurants and ballrooms, the soirées at Embassies or Ministries, the intrigues between White Hall and Westminster. Lyra was almost more fascinated by this than by the changing landscape below the airship. What Mrs Coulter was saying seemed to be accompanied by a scent of grown-upness, something disturbing but enticing at the same time: it was the smell of glamour.
Philip Pullman (His Dark Materials)
Mirchi, I cannot lie to you,” Rahul said, grinning. “On my side of the hall there were five hundred women in only half-clothes—like they forgot to put on the bottom half before they left the house!” “Aaagh, where was I?” said Mirchi. “Tell me. Anyone famous?” “Everyone famous! A Bollywood party. Some of the stars were in the VIP area, behind a rope, but John Abraham came out to near where I was. He had this thick black coat, and he was smoking cigarettes right in front of me. And Bipasha was supposedly there, but I couldn’t be sure it was really her or just some other item girl, because if the manager sees you looking at the guests, he’ll fire you, take your whole pay—they told us that twenty times before the party started, like we were weak in the head. You have to focus on the tables and the rug. Then when you see a dirty plate or a napkin you have to snatch it and take it to the trash bin in the back. Oh, that room was looking nice. First we laid this thick white carpet—you stepped on it and sank right down. Then they lit white candles and made it dark like a disco, and on this one table the chef put two huge dolphins made out of flavored ice. One dolphin had cherries for eyes—” “Bastard, forget the fish, tell me about the girls,” Mirchi protested. “They want you to look when they dress like that.
Katherine Boo
Do you mean to tell me that right now, my ward is in an underground club, surrounded by ruffians, gambling on an illegal prizefight—which the constable could break up at any time?” Ian nodded. “Not to mention the fact that the crowd often becomes unruly after a particularly diverting match. Fisticuffs are guaranteed every night.” He rose from his seat and beckoned a servant to fetch their coats and top hats. “I suppose we ought to go fetch them now, shall we?” A haze of red encompassed Vincent’s sight as he donned his coat. “How can you be so calm about this? Our women are in danger!” “Nonsense.” Ian chuckled. “Angelica is capable of defending herself. Also, Rafe won’t let any physical harm come to them. However, I am concerned with the possibility of them being thrown into Newgate for breaking numerous laws just by being at that club.” The duke’s words faded as Vincent strode out of White’s, determined to snatch Lydia out of that hovel so fast her head would spin. He was just about to take off in a burst of preternatural speed when Ian clapped a hand on his shoulder. “We must take a hackney.” “But—” Ian waved off Vincent’s protest. “For one thing, if a duke and an earl arrive without a coach, people will take notice. For another, you cannot use your speed to remove Lydia from the club without eliciting the same response. And it simply would not do to be seen walking back to our neighborhood with Miss Price slung over your shoulder like a sack of grain.” “Very well.” Vincent inclined his head in grudging acknowledgment of Ian’s logic. The duke nodded and flagged down a coach. “And remember, we must treat them as young men. We cannot risk revealing their identities, or they truly will be in danger.” Although
Brooklyn Ann (One Bite Per Night (Scandals with Bite, #2))
February 8: Marilyn does her “black sitting” session with Milton Greene. Marilyn poses in black hat and fishnet stockings, her face partially in shadow. She also appears in a shot where she lies down, her left leg extended in the air, as she covers part of her face with her hands. She also kneels, drink in hand, smiling. She props herself up with her arms and draws her knees into her body, with half her face in the dark—a study in moody bifurcation. Greene’s photographs will eventually punctuate the text of Norman Mailer’s Of Women and Their Elegance. In the evening Marilyn, wearing a white fur coat over a low-cut dress, long black gloves, and jeweled earrings that stretch all the way down her neck, attends the premiere of Middle of the Night, a Paddy Chayefsky play directed by Josh Logan.
Carl Rollyson (Marilyn Monroe Day by Day: A Timeline of People, Places, and Events)
Tell me, does it seem worth it to you to suffer this punishment for a rag?” “Without question,” Steldor forcefully answered, and cheers rolled like thunder through the Hytanicans who had gathered to watch, sending chills down my spine. Rava’s lip curled into a sneer and she walked behind him, motioning to the Cokyrians holding the ropes to pull them tight, spreading his arms wide. With a swift and practiced motion, she raised the whip and brought it down hard upon his broad back, drawing blood with her first stroke, and gasps reverberated almost as loudly as had the cheers. “Is it worth it?” she demanded. “Yes,” he managed to answer, gritting his teeth against the pain. She struck him twice more, and though I could hardly bear it, I forced myself to watch, the muscles of my back spasming as each stroke landed. “Is it worth it?” “Yes!” Once more she struck, and again, until the ragged flesh and sinew of Steldor’s back was coated with blood--blood that flowed so heavily it ran down his sides. Women in the crowd now wept openly, while men cursed and shouted. I took in a shaky breath, knowing only one lash remained. Steldor would survive, and so would I. So would we all. Rava brought the whip down on Steldor for the sixth time, and his head hung forward. Was he still conscious? Or were the ropes around his wrists the only things keeping him from collapsing? Evidently wondering the same, Rava approached him and reached down, grasping a handful of his nearly black hair to pull his head up. His eyes were open, but barely focused. “Tell me, boy. Is it worth it?” she said in a near whisper. He smiled, revealing teeth smeared with blood from biting his tongue to hold back screams. “Yes.” Rage marred Rava’s face at her inability to break him, and she brutally shoved his head down. Backing up, she uncoiled the whip that was supposed to have retired, and flayed him again, more viciously than before. Steldor cried out this time, the sound tearing at my heart, and when the soldiers dropped the ropes, he crumpled forward. Knowing he had to be in tremendous pain, I was thankful for the respite the darkness would provide. Silence now reigned around us--no voices, no movements, hardly any breathing. It felt like the world had temporarily been turned to stone. Rava handed the whip to another soldier and stalked back toward the Bastion without a glance or word for anyone. She was cruel and heartless and arrogant, and hatred for her boiled within me as I watched the Cokyrians remove the ropes from Steldor’s wrists. They hauled him up by his arms and dragged him inside, leaving a crimson trail on the white walk. The rest of us followed, and I glanced at Cannan, who had managed more stoicism during the proceeding than had I. He had been witness to greater brutality during both wars with Cokyri, but I knew he would have willingly taken his son’s punishment in his stead. After seeing him in the cave, holding and protecting Steldor when we’d all feared the King’s death, I knew that beneath his strength and bravery, he ached.
Cayla Kluver (Sacrifice (Legacy, #3))
The crude communal myth about black men is that we are in some manner unavailable to black women—either jailed, dead, gay, or married to white women. A corollary myth posits a direct and negative relationship between success and black culture. Before we actually had one, we could not imagine a black president who loved being black. In The Audacity of Hope, Obama describes his first kiss with the woman who would become his wife as tasting “of chocolate.” The line sounds ripped from Essence magazine. That’s the point.
Ta-Nehisi Coates (We Were Eight Years in Power: An American Tragedy)
Do you think anything more is requisite to ensure success than moderate abilities and a good share of perseverance? I believe I may lay claim to these, together with a real love of the subjects of study, but as regards any thorough knowledge of these subjects at present, I fear I am deficient in most.' -Edith Pechey
Olivia Campbell (Women in White Coats: How the First Women Doctors Changed the World of Medicine)
As the sun dipped below Twin Peaks, Jones wandered toward Castro and Market and saw the huge crowd starting to gather. “It was the most amazingly beautiful, heart-wrenchingly sad, magnificent example of what San Francisco is. It was gay people, straight people, white people, Filipinos, Chinese, African Americans, men and women of all ages, children, the poor and well dressed, people in fur coats next to people in rags. We estimated there were between thirty thousand and forty thousand people. We marched in almost total silence down Market Street to city hall and filled Civic Center Plaza, a sea of people holding candles. I remember standing there and thinking, ‘This isn’t the end of anything. This is the beginning.’ And I was right. “I think every city has a soul, every city is unique and special. But for San Franciscans, I don’t think there could ever be another place to call home. And a lot of it has to do with what I saw that night: with this ability to suffer horrible and dreadful events, earthquakes, civil turmoil, assassinations, and to not only endure but to create something beautiful from it.
David Talbot (Season of the Witch: Enchantment, Terror, and Deliverance in the City of Love)
A loud knock shook her door. Emma damn near jumped off the sofa. Her neck popped as she jerked her head around to stare at the door with wide eyes. Her heart began to slam against her ribs as fear trickled through her. Who the hell would be knocking on her door this late at night? Who the hell would be knocking on her door at any time of day or night? No one she knew would do so without calling first. And deliverymen and women didn’t drop off packages at freaking midnight. As quickly and quietly as a mouse, she darted into her bedroom and grabbed the 9mm her father had bought her and trained her to use. Flicking off the safety, she returned to the living room and swung by the coffee table to tuck her phone in her pajama pants pocket in case she needed to call 911. Only then did she cautiously approach the door. Another knock thundered through the house. Adrenaline spiking, she peered through the door’s peephole. Shock rippled through her. “Oh shit,” she whispered. Setting the gun on the coatrack bench beside her, she hastily unlocked the dead bolt, then the knob, and flung open the door. Cliff stood before her, his big body blocking her view of the yard. Emma gaped up at him. He wore the standard blacks of network guards covered with a long black coat similar to that of an Immortal Guardian. His face, neck, and hands were streaked with blood. His clothing glistened with wet patches. And his eyes shone bright amber. She had never seen them so bright and knew it meant that whatever emotion roiled inside him was intense. Panic consumed her. “Cliff,” she breathed. Stepping onto the porch, she swiftly glanced around, terrified she might see soldiers in black approaching with weapons raised. When none materialized, she grabbed his wrist and yanked him inside. Her hands shook as she closed and bolted the door, her fingers leaving little streaks of blood on the white surface. Spinning around, she stared up at him. “What happened? Are you hurt?” Her gaze swept over him, noting every wet patch on his clothing, every ruby-red splotch on his skin. Was that his blood or someone else’s? “How did you get here? Are you hurt?” Closing the distance between them, she began to run her hands over his chest in search of wounds. Cliff grabbed her wrists to halt her frantic movements. His glowing eyes dropped to the points at which they touched. He drew his thumbs over her skin as if to confirm she was real. Then he met her gaze. “I need your shower,” he said, voice gruff. Heart pounding, she nodded. As soon as he released her, she pointed. “It’s through there.” Without another word, he strode toward it. His heavy boots thudded loudly in the quiet as he entered the short hallway, then turned in to the bathroom. The door closed. Water began to pound tile. Emma didn’t move. Cliff was here. In her home. What the hell had happened?
Dianne Duvall (Cliff's Descent (Immortal Guardians, #11))
The Book of the Grotesque The writer, an old man with a white mustache, had some difficulty in getting into bed. The windows of the house in which he lived were high and he wanted to look at the trees when he awoke in the morning. A carpenter came to fix the bed so that it would be on a level with the window. Quite a fuss was made about the matter. The carpenter, who had been a soldier in the Civil War, came into the writer’s room and sat down to talk of building a platform for the purpose of raising the bed. The writer had cigars lying about and the carpenter smoked. For a time the two men talked of the raising of the bed and then they talked of other things. The soldier got on the subject of the war. The writer, in fact, led him to that subject. The carpenter had once been a prisoner in Andersonville prison and had lost a brother. The brother had died of starvation, and whenever the carpenter got upon that subject he cried. He, like the old writer, had a white mustache, and when he cried he puckered up his lips and the mustache bobbed up and down. The weeping old man with the cigar in his mouth was ludicrous. The plan the writer had for the raising of his bed was forgotten and later the carpenter did it in his own way and the writer, who was past sixty, had to help himself with a chair when he went to bed at night. In his bed the writer rolled over on his side and lay quite still. For years he had been beset with notions concerning his heart. He was a hard smoker and his heart fluttered. The idea had got into his mind that he would some time die unexpectedly and always when he got into bed he thought of that. It did not alarm him. The effect in fact was quite a special thing and not easily explained. It made him more alive, there in bed, than at any other time. Perfectly still he lay and his body was old and not of much use any more, but something inside him was altogether young. He was like a pregnant woman, only that the thing inside him was not a baby but a youth. No, it wasn’t a youth, it was a woman, young, and wearing a coat of mail like a knight. It is absurd, you see, to try to tell what was inside the old writer as he lay on his high bed and listened to the fluttering of his heart. The thing to get at is what the writer, or the young thing within the writer, was thinking about. The old writer, like all of the people in the world, had got, during his long fife, a great many notions in his head. He had once been quite handsome and a number of women had been in love with him. And then, of course, he had known people, many people, known them in a peculiarly intimate way that was different from the way in which you and I know people. At least that is what the writer thought and the thought pleased him. Why quarrel with an old man concerning his thoughts? In the bed the writer had a dream that was not a dream. As he grew somewhat sleepy but was still conscious, figures began to appear before his eyes. He imagined the young indescribable thing within himself was driving a long procession of figures before his eyes. You see the interest in all this lies in the figures that went before the eyes of the writer. They were all grotesques. All of the men and women the writer had ever known had become grotesques. The grotesques were not all horrible. Some were amusing, some almost beautiful, and one, a woman all drawn out of shape, hurt the old man by her grotesqueness. When she passed he made a noise like a small dog whimpering. Had you come into the room you might have supposed the old man had unpleasant dreams or perhaps indigestion. For an hour the procession of grotesques passed before the eyes of the old man, and then, although it was a painful thing to do, he crept out of bed and began to write. Some one of the grotesques had made a deep impression on his mind and he wanted to describe it.
Sherwood Anderson (Winesburg, Ohio)
Fashionable women, on the other hand, went to “enameling studios,” where the face and bust were coated with dangerous enamel, a semi-paste composed of arsenic or white lead. For $10 to $15, a woman could get a coating that lasted a few days. A shellacking that lasted six months cost between $400 and $600—more than most laborers’ annual salary—to retain the dangerous ethereal whiteness. It was not explained how, or if, they’d wash their face after application.
Myra MacPherson (The Scarlet Sisters: Sex, Suffrage, and Scandal in the Gilded Age)
What would have happened, I wondered, if Clover and Jotter never ran the river—if they had listened to the critics and doomsayers, or to their own doubts? They brought knowledge, energy, and passion to their botanical work, but also a new perspective. Before them, men had gone down the Colorado to sketch dams, plot railroads, dig gold, and daydream little Swiss chalets stuck up on the cliffs. They saw the river for what it could be, harnessed for human use. Clover and Jotter saw it as it was, a living system made up of flower, leaf, and thorn, lovely in its fierceness, worthy of study for its own sake. They knew every saltbush twig and stickery cactus was, in its own way, as much a marvel as Boulder Dam—shaped to survive against all the odds. In the United States, half of all bachelor’s degrees in science, engineering, and mathematics go to women, yet these women go on to earn only 74 percent of a man’s salary in those fields. A recent study found that it will be another two decades before women and men publish papers at equal rates in the field of botany, a field traditionally welcoming to women. It may take four decades for chemistry, and three centuries for physics. Stereotypes linger of scientists as white-coated, wild-haired men, and they limit the ways in which young people envision their futures. In a famous, oft-replicated study, 70 percent of six-year-old girls, asked to draw a picture of a scientist, draw a woman, but only 25 percent do so at the age of sixteen.
Melissa L. Sevigny (Brave the Wild River: The Untold Story of Two Women Who Mapped the Botany of the Grand Canyon)
When breakfast was over you could tell by the long, long shadow of the fig tree that it was still very early in the morning. On sunny days Doña Teresa could tell the time almost exactly by its shadow, but on rainy days she just had to guess, because there was no clock in her little cabin. It was lucky that it was so early, because there were so many things to be done. The Twins and their mother were not the only busy people about, however, for there were two hundred other peons beside Pancho who worked on the hacienda, and each one had a little cabin where he lived with his family. There were other vaqueros besides [p 20 ] Pancho. There were ploughmen, and farmers, and water-carriers, and servants for the great white house where Señor Fernandez lived with his wife and pretty daughter Carmen. And there was the gatekeeper, José, 9 whom the Twins loved because he knew the most wonderful stories and was always willing to tell them. There were field-workers, and wood-cutters, and even fishermen. The huts where they all lived were huddled together like a little village, and the village, and the country for miles and miles around, and the big house, and the little chapel beside it, and the schoolhouse, and everything else on that great hacienda, belonged to Señor Fernandez. It almost seemed as if the workers all belonged to Señor Fernandez, too, for they had to do just what he told them to, and there was no other place for them to go and nothing else for them to do if they had wanted ever so much to change. [p 21 ] All the people, big and little, loved the fiesta of San Ramon. They thought the priest’s blessing would cause the hens to lay more eggs, and the cows to give more milk, and that it would keep all the creatures well and strong. Though it was a feast day, most of the men had gone away from their homes early, when Pancho did; but the women and children in all the little cabins were busy as bees, getting themselves and their animals ready to go in procession to the place where the priest was to bless them. As soon as breakfast was eaten, Doña Teresa said to Tonio: “Go now, my Tonio, and make Tonto beautiful! His coat is rough and full of burs, and he will make a very poor figure to show the priest unless you give him a good brushing. Only be careful
Lucy Fitch Perkins (The Mexican Twins)
Components of Elegant Attire 4.1.1 Simple lines and tailored design Clean lines and well-tailored silhouettes define classy clothing. Perfectly fitting clothing should highlight your body's natural proportions and give off an image of effortlessness. 4.1.2 A subdued color scheme A sophisticated wardrobe is built on neutral hues like black, white, navy, beige, and gray. These hues offer a flexible foundation on which you can create your chic combinations. 4.1.3 Classic Works Invest in classic pieces that will last a lifetime. The essentials of stylish clothing are a timeless trench coat, a tailored blazer, a little black dress, and well-fitted trousers. 3.1.4 Less is more and minimalism Decide on quality above quantity to embrace simplicity. Choose carefully chosen pieces for your capsule wardrobe that you can mix and match with ease.
Madison Styles (How to dress for women: How To Look Elegant, Classy, Stylish, Charming Chic, And Beautiful Every Day (Dressing With Madison Styles))
This is a tightrope that women must always walk on, to constantly have to consider: Am I being friendly enough? Am I being overly friendly? As women began entering previously men-only professions and educational spaces, these became near-constant calculations in careers and subjects across the board.
Olivia Campbell (Women in White Coats: How the First Women Doctors Changed the World of Medicine)
I could hear talking, singing, shouting, crying, and other sounds, and I noticed everybody wore different clothes on that day. Men and women with fine clothes were going down there, and soon two or three men wearing long black coats passed me and followed the crowd. Everybody respected those fellows, and I decided they were the medicine men. I resolved to see what was going on down there, so I slipped through the bushes and watched them. I saw one of the men whom I thought was a medicine man get up and read something out of a book; occasionally he would look at his congregation and then up, and I wondered why he did not smoke; then I concluded it was a council of war, but there were too many squaws there for that. The audience rose and sang, then they all got down on their knees and covered up their faces; some groaned while others wept, and one man mumbled a lot of words; then they all got up and sang a song. The medicine man came to the front and went through a long talk and gesticulations and everybody watched him. The sober-looking man with the long coat mumbled something at first, but gradually grew louder and began singing off his speech, while the tear drops trickled down his cheeks and his face wore a sad expression. His audience seemed to lean forward and drink in every word he said. He kept talking and all the people arose and commingled their voices in a mighty chorus, while the melodious strains floated on the zephyr breeze and reached my ears and seemed as a balm to the aching pains of my breaking heart. Then shouts of laughter, shrill screams, merry faces, sad-eyed spectators, some shouted, others rushed to the center and began dancing, shaking hands and general confusion reigned supreme. It was a sure-enough old fashion Methodist shouting meeting, but of course I did not know this. I thought it must be a new kind of a war dance, rain dance or some kind of a religious ceremony, so I rushed in, gave the Comanche yell, cleared several benches and landed in the midst of the revival. My manner of worship did not suit those white people and they stampeded, leaving me “monarch of all I surveyed.” I gave a few more whoops and a little dance anyway, and looked around to see what had become of all the council, and I saw the big medicine man tearing along with his coat tails flapping as he headed for my mother’s home. My people never permitted me to go to another Methodist revival until I could understand English and knew how to behave myself. True, I broke up the meeting that day, but I was just as earnest, just as fervent, just as candid and sincere as the most sanctified among them, only my mode did not conform to their theories. I have seen just as much earnestness and less hypocrisy among the Indians in their worship as I ever have seen since I came among the whites.
Herman Lehmann (Nine Years Among the Indians)
I cannot agree with the gentleman in the magenta coat that Potter’s Pond is only a wretched little hamlet. But it is certainly a very remote and secluded village; so that it seems quite outlandish, like a village of a hundred years ago. The spinsters are really spinsters — damn it, you could almost imagine you saw them spin. The ladies are not just ladies. They are gentlewomen; and their chemist is not a chemist, but an apothecary; pronounced potecary. They do just admit the existence of an ordinary doctor like myself to assist the apothecary. But I am considered rather a juvenile innovation, because I am only fifty-seven years old and have only been in the county for twenty-eight years. The solicitor looks as if he had known it for twenty-eight thousand years. Then there is the old Admiral, who is just like a Dickens illustration; with a house full of cutlasses and cuttle-fish and equipped with a telescope.’ ‘I suppose,’ said Father Brown, ‘there are always a certain number of Admirals washed up on the shore. But I never understood why they get stranded so far inland.’ ‘Certainly no dead-alive place in the depths of the country is complete without one of these little creatures,’ said the doctor. ‘And then, of course, there is the proper sort of clergyman; Tory and High Church in a dusty fashion dating from Archbishop Laud; more of an old woman than any of the old women. He’s a white-haired studious old bird, more easily shocked than the spinsters. Indeed, the gentlewomen, though Puritan in their principles, are sometimes pretty plain in their speech; as the real Puritans were. Once or twice I have known old Miss Carstairs-Carew use expressions as lively as anything in the Bible. The dear old clergyman is assiduous in reading the Bible; but I almost fancy he shuts his eyes when he comes to those words.
G.K. Chesterton (The Complete Father Brown)
The New England wilderness March 1, 1704 Temperature 10 degrees The Indian next to Mr. Williams interrupted him roughly. “We kill. You tell.” Mr. Williams ceased to pray. “Joe Alexander escaped last night,” he said. “If anyone else tries to escape, they will burn the rest of us alive.” Burn alive? Burn innocent women and children because one young man flew from their grasp? Her Indian stood some distance away amid the other warriors. He was now wearing a vivid blue cloth coat of European design. In one hand he held his French flintlock, and over his shoulder hung his bow and a full otter-skin quiver--actually, the entire dead otter, complete with face and feet. His coat hung open to show a belt around his waist, from which hung his tomahawk and scalping knife. His skin was not red after all, but the color of autumn. Burnished chestnut. His shaved head gleamed. He looked completely and utterly savage. He might sorrow for a dead brother warrior, but grief would make him more likely to burn a captive, not less likely. Mercy imagined kindling around her feet, a stake at her back, her flesh charring like a side of beef. Beside her, Eben seemed almost to faint. Mercy had the odd thought that she, an eleven-year-old girl, might be stronger than he, a seventeen-year-old boy. The English were silent, entirely able to believe they might be burned. The first person to move was Mercy’s Indian. Sharply raising one hand, bringing the eyes of all upon him, he pointed to Mercy Carter. She was frozen with horror. His finger beckoned. There could be no mistake. The meaning was come. There was no speech and no movement from a hundred captives and three hundred enemies. It was the French Mercy hated at that moment. How could they stand by and let other whites be burned alive? She had no choice but to go to him. She set Daniel down. Perhaps they would spare Daniel. Perhaps only she was to be burned. She forced herself to keep her chin up, her eyes steady and her steps even. How could she be afraid of going where her five-year-old brother had gone first? O Tommy, she thought, rest in the Lord. Perhaps you are with Mother now. Perhaps I will see you in a moment. She did not want to die. Her footsteps crunched on the snow. Nobody spoke. Nobody moved. The Indian handed Mercy a slab of cornmeal bread, and then beckoned to Daniel, who cried, “Oh, good, I’m so hungry!” and came running, his happy little face tilted in a smile at the Indian who fed him. “Mercy said we’d eat later,” Daniel confided in the Indian. The English trembled in their relief and the French laughed.
Caroline B. Cooney (The Ransom of Mercy Carter)
By the late 1980s, blacks accounted for half of all HIV cases in women; most recent estimates place that number at more than 60 percent.
Damon Tweedy (Black Man in a White Coat: A Doctor's Reflections on Race and Medicine)
As a boy, I admired Humphrey Bogart in a big way. I coveted the homburg and trench coat. I wanted to pack heat and smoke unfiltered cigarettes and give them long-legged dames in mink stoles the squinty-eyed once-over. I longed to chase villains, right wrongs, and restore the peace. Upon surviving into manhood, I discovered the black and comedic irony that is every gumshoe’s existential plight, the secret that dime novels and black-and-white movies always elide: each clue our intrepid detective deciphers, each mystery he unravels, each crime he solves, makes the world an unhappier place. I got smart and became a gangster instead. More money, more women, and better clothes. Much less in the way of mystery. As for the misery quotient? Basically a wash.
Laird Barron (Blood Standard (Isaiah Coleridge, #1))