Rocket Boys Quotes

I had discovered that learning something, no matter how complex, wasn't hard when I had a reason to want to know it.

All I’ve done is give you a book,” she said. “You have to have the courage to learn what’s inside it.

Not much comes easy in this world, Sonny. If it does, it's best to be suspicious of it. It's probably not worth much.

The idea of going to the movies made Hugo remember something Father had once told him about going to the movies when he was just a boy, when the movies were new. Hugo's father had stepped into a dark room, and on a white screen he had seen a rocket fly right into the eye of the man in the moon. Father said he had never experienced anything like it. It had been like seeing his dreams in the middle of the day.

I would tell people some years later that I was raised an only child and so was my brother.

You must completely dedicate yourselves to it. To do less will be to let down your country, your state, your parents, your teachers, and ultimately, yourselves. Remember this: The only good citizen is the well-educated citizen.

It’s not rocket science, Nan. You show someone they matter to you—do whatever it takes to show that.

As Stephanie and Lula were going after the bad guys, Lula was making preparations from the trunk of her Firebird. Stephanie looked inside and stopped breathing for a beat. "That's a rocket launcher!" "Yep," Lula said. "It's a big boy. I got it at a yard sale in the projects.

A smaller rocket cut across the sky, trailing smoke. It exploded in a red heart. "Awwwww!" said the crowd. "Upside down," said Sean. The heart was, indeed, upside down. It grew and grew, upside down, until it's lights trailed and faded. A bigger rocket exploded in bright golden sparks, and then came another red heart. "Upside down," said all the boys. Three explosions layered on top of one another, gold, blue, pink. Then still another red heart exploded, growing and growing before it faded. "Upside down," said everyone in the boat but me. My own heart expanded for Adam. I whispered, "I know what he meant.

And then I wondered if as soon as he came to like me he would sink into ordinariness, and if as soon as he came to love me I would find fault after fault, the way I did with Buddy Willard and the boys before him. The same thing happened over and over: I would catch sight of some flawless man off in the distance, but as soon as he moved closer I immediately saw he wouldn't do at all. That's one of the reasons I never wanted to get married. The last thing I wanted was infinite security and to be the place an arrow shoots off from. I wanted change and excitement and to shoot off in all directions myself, like the colored arrows from a Fourth of July rocket.

I wish there was a song called “Nguyen and Ari,” a little ditty about a hardworking Vietnamese girl who helps her parents withthe franchised Holiday Inn they run, and does homework in thelobby, and Ari, a hardworking Jewish boy who does volunteerwork at his grandmother’s old-age home, and they meet afterschool at Princeton Review. They help each other study for theSATs and different AP courses, and then, after months of study-ing, and mountains of flashcards, they kiss chastely upon hear-ing the news that they both got into their top college choices.This is a song teens need to inadvertently memorize. Now that’sa song I’d request at Johnny Rockets!

We ran like young wild furies, where angels feared to tread. The woods were dark and deep. Before us demons fled. We checked Coke bottle bottoms to see how far was far. Our worlds of magic wonder were never reached by car. We loved our dogs like brothers, our bikes like rocket ships. We were going to the stars, to Mars we'd make round trips. We swung on vines like Tarzan, and flashed Zorro's keen blade. We were James Bond in his Aston, we were Hercules unchained. We looked upon the future and we saw a distant land, where our folks were always ageless, and time was shifting sand. We filled up life with living, with grins, scabbed knees, and noise. In glass I see an older man, but this book's for the boys.

At a dinner party in north London, I listened to friends bragging about buying Porsches with their bonuses and sending out from their offices for pizzas and clean shirts because they were clinching a deal and could not leave their desks. I wanted to tell them of a place where every family had lost a son or a husband or had a leg blown off, almost every child seen someone die in a rocket attack and where a small boy had told me his dream was to have a brightly coloured ball. But, when I began to talk about Afghanistan, I watched eyes glaze and felt as if I was trying to have a conversation about a movie no one else had seen.

We had to start somewhere, either succeed or fail, and then build what we knew as we went along.

When I was a boy in the midwest I used to go out and look at the stars at night and wonder about them. I guess every boy does that. When I wasn't looking at the stars, I was running in the my old or my brand-new tennis shoes, on my way to swing in a tree, swim in a lake, or delve in the town library to read about dinosaurs or time machines. I guess every boy has done that, too. This is a book about those stars and those tennis shoes. Mainly about the stars, beacuse that is the way I grew up, getting more and more involved with rockets and space as I moved toward my twelfth, thirteenth, and fourteenth years. Not that I have forgotten the tennis shoes and their powerful magic, as you will see in the last story here, which I have included not because it concerns the future, but because it gives you some sort of idea of the kind of boy I was when I was looking at the stars and thinking of the years ahead. Nor have I forgetten the dinosaurs that all boys love; they are here, too, along with a machine that travels back in time to step on a butterfly. This is a book then by a boy who grew up in a small illinois town and lived to see the space age arrive, as he hoped and dreamt it would. I dedicate these stories to all boys who wonder about the past, run swiftly in the present, and have high hopes for our future. The stars are yours, if you have the head, the hands, and the heart for them.

There’s a plan. If you’re willing to fight it hard enough, you can make it detour for a while, but you’re still going to end up wherever God wants you to be. G

If asked to make a drawing, little girls almost always create scenes with at least one person, while males nearly always draw things—cars, rockets, or trucks.

I thought how ironic it was that Jake's telescope would see stars a million light-years away, but not the town it was in.

I must have looked blank. "No matter how perfect the thing," he continued patiently, "the moment it's created it begins to be destroyed.

As it is, I guess I find "Jack and Diane" a little disgusting. As a child of immigrant professionals, I can't help but notice the wasteful frivolity of it all. Why are these kids not at home doing their homework? Why aren't they setting the table for dinner or helping out around the house? Who allows their kids to hang out in parking lots? Isn't that loitering? I wish there was a song called "Nguyen & Ari," a little ditty about a hardworking Vietnamese girl who helps her parents with the franchised Holiday Inn they run, and does homework in the lobby, and Ari, a hardworking Jewish boy who does volunteer work at his grandmother's old-age home, and they meet after school at Princeton Review. They help each other study for the SATs and different AP courses, and then, after months of studying, and mountains of flashcards, they kiss chastely upon hearing the news that they both got into their top college choices. This is a song teens need to inadvertently memorize. Now that's a song I'd request at Johnny Rockets!

Stephen Gray to devise an experiment that for sheer inventive panache outstripped anything that had come before. He clothed a boy in heavy garments until his body was thoroughly insulated but left the boy’s hands, head, and feet naked. Using nonconducting silk strings, he hung the boy in the air, then touched an electrified glass tube to his naked foot, thus causing a spark to rocket from his nose.

Anybody raised here belongs here. You can't belong anywhere else

Sign O' The Times Oh yeah In France a skinny man Died of a big disease with a little name By chance his girlfriend came across a needle And soon she did the same At home there are seventeen-year-old boys And their idea of fun Is being in a gang called The Disciples High on crack, totin' a machine gun Time, time Hurricane Annie ripped the ceiling of a church And killed everyone inside U turn on the telly and every other story Is tellin' U somebody died Sister killed her baby cuz she could afford 2 feed it And we're sending people 2 the moon In September my cousin tried reefer 4 the very first time Now he's doing horse, it's June Times, times It's silly, no? When a rocket ship explodes And everybody still wants 2 fly Some say a man ain't happy Unless a man truly dies Oh why Time, time Baby make a speech, Star Wars fly Neighbors just shine it on But if a night falls and a bomb falls Will anybody see the dawn Time, times It's silly, no? When a rocket blows And everybody still wants 2 fly Some say a man ain't happy, truly Until a man truly dies Oh why, oh why, Sign O the Times Time, time Sign O the Times mess with your mind Hurry before it's 2 late Let's fall in love, get married, have a baby We'll call him Nate... if it's a boy Time, time Time, time

When I was a boy, Ray Bradbury picked stories from his books of short stories he thought younger readers might like and published them as R Is for Rocket and S Is for Space. Now I was doing the same sort of thing, and I asked Ray if he'd mind if I called this book M Is for Magic. (He didn't.) M is for magic. All the letters are, if you put them together properly. You can make magic with them, and dreams, and, I hope, even a few surprises...

Adolf Hitler declared war in 1941. By 1942, Allen Dulles was moved to Switzerland for the purpose of rounding up and importing German scientific “specialists” to the United States. Two years before the war ended (or its fate was decided), the United States was making arrangements for Nazi scientists, arms experts, to come to our democracy (for which the boys were fighting and dying at that moment).12 From 1945 until 1952, the U.S. military brought over 642 alien “specialists” and their families from Nazi Germany. They were known collectively by the code-name “Paperclip.” German missile and rocket experts, munition makers, war experts were carefully selected and placed in aerospace programs and armament manufacturing.13

Open Letter to Neil Armstrong" Dear Neil Armstrong, I write this to you as she sleeps down the hall. I need answers I think only you might have. When you were a boy, and space was simple science fiction, when flying was merely a daydream between periods of History and Physics, when gifts of moon dust to the one you loved could only be wrapped in your imagination.. Before the world knew your name; before it was a destination in the sky.. What was the moon like from your back yard? Your arm, strong warm and wrapped under her hair both of you gazing up from your back porch summers before your distant journey. But upon landing on the moon, as the earth rose over the sea of tranquility, did you look for her? What was it like to see our planet, and know that everything, all you could be, all you could ever love and long for.. was just floating before you. Did you write her name in the dirt when the cameras weren't looking? Surrounding both your initials with a heart for alien life to study millions of years from now? What was it like to love something so distant? What words did you use to bring the moon back to her? And what did you promise in the moons ear, about that girl back home? Can you, teach me, how to fall from the sky? I ask you this, not because I doubt your feat, I just want to know what it's like to go somewhere no man had ever been, just to find that she wasn't there. To realize your moon walk could never compare to the steps that led to her. I now know that the flight home means more. Every July I think of you. I imagine the summer of 1969, how lonely she must have felt while you were gone.. You never went back to the moon. And I believe that's because it dosen't take rockets to get you where you belong. I see that in this woman down the hall, sometimes she seems so much further. But I'm ready for whatever steps I must take to get to her.I have seem SO MANY skies.. but the moon, well, it always looks the same. So I gotta say, Neil, that rock you landed on, has got NOTHING on the rock she's landed on. You walked around, took samples and left.. She's built a fire cleaned up the place and I hope she decides to stay.. because on this rock.. we can breath. Mr. Armstrong, I don't have much, many times have I been upside down with trauma, but with these empty hands, comes a heart that is often more full than the moon. She's becoming my world, pulling me into orbit, and I now know that I may never find life outside of hers. I want to give her EVERYTHING I don't have yet.. So YES, for her, I would go to the moon and back.... But not without her. We'd claim the moon for each other, with flags made from sheets down the hall. And I'd risk it ALL to kiss her under the light of the earth, the brightness of home... but I can do all of that and more right here, where she is..And when we gaze up, her arms around ME, I will NOT promise her gifts of moon dust, or flights of fancy. Instead I will gladly give her all the earth she wants, in return for all the earth she is. The sound of her heart beat and laughter, and all the time it takes to return to fall from the sky,down the hall, and right into love. God, I'd do it every day, if I could just land next to her. One small step for man, but she's one giant leap for my kind.

I grew up in Huntsville, Alabama, a thoroughly dedicated rocket town. The father of everyone I knew—mine included—was some sort of engineer working to build the Apollo rockets to send men to the moon. For a while as a child, I thought that when you grew up you became a rocket engineer if you were a boy and you married a rocket engineer if you were a girl; few other options in the world appeared to exist.

It’s not about the action figures,” Melody said. “It’s about how the people making decisions at these companies view women, and it’s about little girls who grow up thinking only boys can be heroes because that’s all they ever see. People say, ‘Oh, it’s only movies,’ or ‘It’s only TV, it doesn’t matter,’ but stories matter. They’re our cultural mythology. They shape the lens through which we see the world .

I found a room, both quiet and slow, a room where the walls are thick. Where pixie dust is kept in jars, and paper rockets soar to Mars, and battles leave no lasting scars as clocks forget to tick. I guard this room, both small and bare, this room in which stories live. Where Peter Pan and Alice play, and Sinbad sails at dawn of day, and wolves cry 'boy' to get their way when ogres won’t forgive. With you I’ll share my hiding place, this room under cloak and spell. We’ll snuggle up inside a nook, and read a venturous story book, that makes us question in a look what nonsense fairies tell. In fictive plots and fabled ends, Our happy-e’er-afters dwell!

But he knew that her sorrow at that moment was not for him or for herself, or even for the boy whom idiot chance had thrust in the way of pestilence, but that, with a sudden inner flaming of her clairvoyant Scotch soul, she had looked cleanly, without pretense for the first time, upon the inexorable tides of Necessity, and that she was sorry for all who had lived, were living, or would live, fanning with their prayers the useless altar flames, suppliant with their hopes to an unwitting spirit, casting the tiny rockets of their belief against remote eternity, and hoping for grace, guidance, and delivery upon the spinning and forgotten cinder of this earth. O lost.

Good with tools,” Herr Siedler is saying. “Smart beyond your years. There are places for a boy like you. General Heissmeyer’s schools. Best of the best. Teach the mechanical sciences too. Code breaking, rocket propulsion, all the latest.

We ran like young wild furies, where angels feared to tread. The woods were dark and deep. Before us demons fled. We checked Coke bottle bottoms to see how far was far. Our worlds of magic wonder were never reached by car. We loved our dogs like brothers, our bikes like rocket ships. We were going to the stars, to Mars we’d make round trips. We swung on vines like Tarzan, and flashed Zorro’s keen blade. We were James Bond in his Aston, we were Hercules unchained. We looked upon the future and we saw a distant land, where our folks were always ageless, and time was shifting sand. We filled up life with living, with grins, scabbed knees, and noise. In glass I see an older man, but this book’s for the boys.

One Sunday at Woodside, gloomy and hungover, I wrote an instrumental that fitted my mood, and kept singing one line of lyrics over the top: ‘Life isn’t everything’. The next morning I found out that a boy called Guy Burchett who worked for Rocket had died in a motorbike crash at virtually the same time I was writing the song, so I called it ‘Song For Guy’. It was like nothing I’d ever done before, and my American record label refused to release it as a single – I was furious – but it became a colossal hit in Europe.

Early in the summer of 1980, shortly after his son turned three, A. and the boy spent a week together in the country, in a house owned by friends who were off on vacation. A. noticed that Superman was playing in a local theater and decided to take the boy, on the off-chance that he would be able to sit through it. For the first half of the film, the boy was calm, working his way through a bin of popcorn, whispering his questions as A. had instructed him to do, and taking the business of exploding planets, rocket ships, and outer space without much fuss. But then something happened. Superman began to fly, and all at once the boy lost his composure. His mouth dropped open, he stood up in his seat, spilled his popcorn, pointed at the screen, and began to shout: "Look! Look! He's flying!

moments in my lifetime, moments that changed me, challenged me, moments that scared me and engulfed me. However, the biggest ones—the most heartbreaking and breathtaking ones—all included him. It all began with a rocket ship nightlight and a boy who didn’t know me.

The lovely paradox of willing compliance with what an ancient prophet called “the great plan of happiness,” is that conformity to law breeds both freedom and individualism. We may think a leaping child, in the euphoria of his imagination, enjoys unfettered freedom when he tells us he is going to land on the moon. But the rocket scientist hard at work in the laboratory, enmeshed in formulae and equations she has labored to master, and slaving away in perfect conformity with the laws of physics, is the one with true freedom: for she will land on the moon; the boy will not.

Ever since Parsons had been a boy, however, the dark side of magic had captivated him. "I know that witchcraft is mostly nonsense, except where it is a blind," he wrote to Crowley in 1943, "but I am so nauseated by Christian and Theosophical guff about the 'good and the true' that I prefer the appearance of evil to that of good.

It was this philosophy that had Harvey taking the hovercraft Sagan had stolen, mounting it, and, after a few moments to glean the fundamentals of navigating it, rocketing on it toward the door of the Obin mess hall. As Harvey approached, the door to the mess hall opened inward; some Obin heading to duty after dinner. Harvey grinned a mad grin, gunned the hovercraft, and then braked it just enough (he hoped) to jam that fucking alien right back into the room. It worked perfectly. The Obin had enough time for a surprised squawk before the hovercraft’s gun struck it square in the chest, punching backward like it was a toy on a string, hurling down nearly the entire length of the hall. The other Obin in the room looked up while Harvey’s victim pinwheeled to the ground, then turned their multiple eyes toward the doorway, Harvey, and the hovercraft with its big gun poking right into the room. “Hello, boys!” Harvey said in a big, booming voice. “The 2nd Platoon sends its regards!” And with that, he jammed down the “fire” button on the gun and set to work. Things got messy real fast after that. It was just fucking beautiful. Harvey loved his job.

Even now, Coalwood endures, and no one, nor careless industry or overzealous government, can ever completely destroy it--not while we who once lived there may recall our life among its places, or especially remember rockets that once leapt into the air propelled not by physics but by the vibrant love of an honorable people, and the instruction of a dear teacher, and the dreams of boys.

As a society and as parents we face a challenge without precedent. We have to help girls and boys make a transition to a gendered adulthood, to adult life as women and men in a culture in which women can do anything, including being rocket scientists, and men can do anything, including staying home to raise a baby. We have to find ways to value and cherish gender differences without restricting freedom of opportunity.

And then I wondered if as soon as he came to like me he would sink into ordinariness, and if as soon as he came to love me I would find fault after fault, the way I did with Buddy Willard and the boys before him.... The last thing I wanted was infinite security and to be the place an arrow shoots from. I wanted change and excitement and to shoot off in all directions myself, like the coloured arrows from a Fourth of July rocket.

Homewrecker" Every boyfriend is the one Until otherwise proven The good are never easy The easy never good And love it never happens like you think it really should Deception and perfection are wonderful traits One will breed love The other hate You'll find me in the lonely hearts Under 'I'm after a brand new start' And I don't belong to anyone They call me Homewrecker Homewrecker They call me Homewrecker Homewrecker Girls and their curls and their gourmet vomit Boys and their toys and their six inch rockets We're all very lovely 'til we get to know each other As we stop becoming friends and we start becoming lovers And I don't belong to anyone They call me Homewrecker Homewrecker (I'm only happy when I'm on the run) They call me Homewrecker Homewrecker (I broke a million hearts just for fun) They call me Homewrecker Homewrecker (I'm only happy when I'm on the run) They call me Homewrecker Homewrecker (I broke a million hearts just for fun) I'm only happy when I'm on the run I break a million hearts just for fun I don't belong to anyone I guess you could say that my life's a mess But I'm still looking pretty in this dress I'm the image of deception When everything is life and death You may feel like there's nothing left Instead of love and trust and laughter What you get is happy never after But deep down all you want is love The pure kind we all dream of But we cannot escape the past So you and I will never last 'Cause I'm a Homewrecker Homewrecker (I'm only happy when I'm on the run) 'Cause I'm a Homewrecker Homewrecker (I broke a million hearts just for fun) 'Cause I'm a Homewrecker Homewrecker (I'm only happy when I'm on the run) 'Cause I'm a Homewrecker Homewrecker (I broke a million hearts just for fun) 'Cause I'm a Homewrecker Homewrecker

Sometimes now, I wake at night, thinking I have heard the sound of my father's footsteps on the stairs or the shuffling boots and low murmur of the hoot-owl shift going to work. In that half-world between sleep and wakefulness, I can almost hear the ringing of a hammer on steel and the dry hiss of the arc welder at the little machine shop by the tipple. But it is only a trick of my imagination; nearly everything that I knew in Coalwood is gone.

On Easter Monday there was a great display of fireworks from the Castle of St. Angelo. We hired a room in an opposite house, and made our way, to our places, in good time, through a dense mob of people choking up the square in front, and all the avenues leading to it; and so loading the bridge by which the castle is approached, that it seemed ready to sink into the rapid Tiber below. There are statues on this bridge (execrable works), and, among them, great vessels full of burning tow were placed: glaring strangely on the faces of the crowd, and not less strangely on the stone counterfeits above them. The show began with a tremendous discharge of cannon; and then, for twenty minutes or half an hour, the whole castle was one incessant sheet of fire, and labyrinth of blazing wheels of every colour, size, and speed: while rockets streamed into the sky, not by ones or twos, or scores, but hundreds at a time. The concluding burst - the Girandola - was like the blowing up into the air of the whole massive castle, without smoke or dust. In half an hour afterwards, the immense concourse had dispersed; the moon was looking calmly down upon her wrinkled image in the river; and half - a - dozen men and boys with bits of lighted candle in their hands: moving here and there, in search of anything worth having, that might have been dropped in the press: had the whole scene to themselves.

I would not make playdates, never ever. Motherhood meant, for me, that I would take the boys on monthlong adventures to Europe, teach them to blast off rockets, to swim for glory. I taught them how to read, but they could make their own lunches. I would hug them as long as they wanted to be hugged, but that was just being human. My husband had to be the one to make up for the depths of my lack. It is exhausting, living in debt that increases every day but that you have no intention of repaying.

Until I began to build and launch rockets, I didn't know my hometown was at war with itself over its children and that my parents were locked in a kind of bloodless combat over how my brother and I would live our lives> I didn't know that if a girl broke your heart, another girl, virtuous at least in spirit, could mend it on the same night. And I didn't know that the enthalpy decrease in a converging passage could be transformed into jet kinetic energy if a divergent passage was added. The other boys discovered their own truths when we built our rockets, but those were mine.

and at the Napola school at Schulpforta, one hundred and nineteen twelve- and thirteen-year-olds wait in a queue behind a truck to be handed thirty-pound antitank land mines, boys who, in almost exactly one year, marooned amid the Russian advance, the entire school cut off like an island, will be given a box of the Reich’s last bitter chocolate and Wehrmacht helmets salvaged from dead soldiers, and then this final harvest of the nation’s youth will rush out with the chocolate melting in their guts and overlarge helmets bobbing on their shorn heads and sixty Panzerfaust rocket launchers in their hands in a last spasm of futility to defend a bridge that no longer requires defending, while T-34 tanks from the White Russian army come clicking and rumbling toward them to destroy them all, every last child

Did you know that the Russians sent dogs into space? My mother told me this when I was a boy. Nobody knew the effects of space on a body, you see, so they sent dogs first. They found two little mongrels on the streets of Moscow. Pchelka, which means Little Bee, and Mushka, which means Little Fly. They went up in Sputnik 6. They were supposed to get into orbit and come right back. But the rockets misfired and shot them into space. Whenever I look at the night sky, I think about those dogs. Wearing these hand-stitched spacesuits, bright orange, with their paws sticking out. Big fishbowl helmets. How… crazy. Floating out and out into space. How bewildered they must have been, dying from oxygen deprivation. For what? They would have happily spent their days rummaging through trashcans. For all anyone knows these dogs are still out there. Two dead mongrels in a satellite. Two dog skeletons in silly spacesuits. Gleaming dog skulls inside fishbowl helmets. They’ll spin through the universe until they burn up in the atmosphere of an uncharted planet. Or get sucked into a black hole to be crushed into a ball of black matter no bigger than an ant turd.

It is the story of God.” God’s real name is Charlie, he told us. He was born in York, Pennsylvania, in 1776, in the summer of the signing, when temperatures were high as rockets and humid as seas. Charlie was the son of a poor miller, a mean man with a gammy leg and a spray of powder burns over his right temple from the war. When Charlie was just becoming something more than a boy, he went out into the creaking, old-growth forest to collect firewood. He came upon a stream that fell away, suddenly, into the earth. Charlie wanted to see where the water went. He leaned down and peered in. A spark. An alien pulse of light. He stared, transfixed, as every star, every galaxy in the universe flicked across his vision. The rings of Jupiter. The broken, sunburned back of Mars. Sights no human had ever captured with their eyes. And, just as suddenly, the feeling of every cell of every living organism hovering just beneath his fingertips, like piano keys. He could touch each one, if he wanted. He could control them. There are some who insist Charlie was simply lucky. That anyone who happened to walk by that stream on that morning, curious enough to lean over the odd water gushing into the ground, would be made God. They are wrong. Charlie was God before he was even born. It was only a matter of him finding out. Charlie lives in every generation. When he dies, he is reborn nine months later, a baby God. At any moment, you might meet him. He has been a Confederate soldier. He has been a bank teller. He has sat behind an oak desk in wire-rimmed glasses and a day’s growth of beard graying his cheeks. He has cooked dinner for his mother. He has driven to the ocean. He has fallen in love.

Blitzen!” Junior suddenly appeared. He crutched toward me with his rocket-powered walker and a lot of friends. “Get him, boys!” “Ha! Eat light, Junior!” I unleashed the power of the mini bed. Sadly, instead of a turn-you-to-stone laser beam, a weak glow enveloped Junior like a soft blanket. The charge had run out. A thin crust formed around him. It was nowhere near as dramatic as instant petrification, but it was startling enough to make the other dwarves pause. And that made me think about how I looked to them. A dwarf who handcrafts a weapon that I know what it’s like to be petrified. It stinks. So I had every intention of cutting Alviss free on his next pass-by and then dipping him in the river to restore him. But before I could, the stalactite attached to the rope broke. Alviss’s momentum carried him over the cliff edge. He landed with a splash in the water below. “Oops.” I peered down, then waved my hand dismissively. “Ah, he’ll be fine.” “Blitzen!” Junior suddenly appeared. He crutched toward me with his rocket-powered walker and a lot of friends. “Get him, boys!” “Ha! Eat light, Junior!” I unleashed the power of the mini bed. Sadly, instead of a turn-you-to-stone laser beam, a weak glow enveloped Junior like a soft blanket. The charge had run out. A thin crust formed around him. It was nowhere near as dramatic as instant petrification, but it was startling enough to make the other dwarves pause. And that made me think about how I looked to them. A dwarf who handcrafts a weapon that petrifies other dwarves? Not cool. “Listen!” I yelled. “My argument is with Junior, not you. When he decrustifies, tell him I want to talk.” I put the mini bed on the ground and showed them my empty hands while slowly backing away. It would have been a very powerful moment if I hadn’t backed off the cliff into the river. As I thrashed through the churning water toward shore, three things occurred to me. One, Junior would never, ever forgive me. Two, my cashmere hoodie was ruined. And three . . . Mimir owed me a lot more than a quarter.

Colonel Fedmahn Kassad shouted a FORCE battle cry and charged through the dust storm to intercept the Shrike before it covered the final thirty meters to where Sol Weintraub crouched next to Brawne Lamia. The Shrike paused, its head swiveling frictionlessly, red eyes gleaming. Kassad armed his assault rifle and moved down the slope with reckless speed. The Shrike shifted. Kassad saw its movement through time as a slow blur, noting even as he watched the Shrike that movement in the valley had ceased, sand hung motionless in the air, and the light from the glowing Tombs had taken on a thick, amberish quality. Kassad’s skinsuit was somehow shifting with the Shrike, following it through its movements through time. The creature’s head snapped up, attentive now, and its four arms extended like blades from a knife, fingers snapping open in sharp greeting. Kassad skidded to a halt ten meters from the thing and activated the assault rifle, slagging the sand beneath the Shrike in a full-power wide-beam burst. The Shrike glowed as its carapace and steel-sculpture legs reflected the hellish light beneath and around it. Then the three meters of monster began to sink as the sand bubbled into a lake of molten glass beneath it. Kassad shouted in triumph as he stepped closer, playing the widebeam on the Shrike and ground the way he had sprayed his friends with stolen irrigation hoses in the Tharsis slums as a boy. The Shrike sank. Its arms splayed at the sand and rock, trying to find purchase. Sparks flew. It shifted, time running backward like a reversed holie, but Kassad shifted with it, realizing that Moneta was helping him, her suit slaved to his but guiding him through time, and then he was spraying the creature again with concentrated heat greater than the surface of a sun, melting sand beneath it, and watching the rocks around it burst into flame. Sinking in this cauldron of flame and molten rock, the Shrike threw back its head, opened its wide crevasse of a mouth, and bellowed. Kassad almost stopped firing in his shock at hearing noise from the thing. The Shrike’s scream resounded like a dragon’s roar mixed with the blast of a fusion rocket. The screech set Kassad’s teeth on edge, vibrated from the cliff walls, and tumbled suspended dust to the ground. Kassad switched to high-velocity solid shot and fired ten thousand microfléchettes at the creature’s face.

will, when he gets here. But, boy!—I’d work for him as a cinder sweeper. He’d blast through this valley like a rocket. He’d triple everybody’s production.” “Who’s that?” “Hank Rearden.

blue suede shoes

I was attracted to girly boys and boyish girls, or girls who later became boys. Boy were always going to be part of the equation.

Jack and Caleb stood in the driveway, the cars’ engines revving, and talked about their new toys. The lights from the porch spilled down to them. Jenna stood, leaning against the post, watching, enjoying seeing their bond and appreciation of the cars. “Boys with toys.” She smiled from the top step. “You guys look happy.” “What’s not to be happy about? These are the coolest cars ever,” Caleb said with the exuberance of a teen with his very own custom hot rod. “You owe me a ride, Jack.” “Honey, I aim to give you the ride of your life as soon as this one goes home to his wife.” Jack gave her a wicked grin and closed the hood of his car. Jenna laughed and smiled. “You have a one-track mind.” When was the last time she felt this light? “Honey, my mind hasn’t been off you since I saw you in the diner.” “I got the hint. I’m going.” Caleb closed the hood of his car, still purring like a really big kitten. He walked over to Jenna as she came down the porch steps to the gravel drive. He wrapped his arms around her, careful of her healing back, and she wrapped hers around him. So easy to do now that she’d opened herself to him, the whole family. He bent and whispered into her ear, “Thank you. Thank you for what you gave to my wife, my children, and me. I’ll never be able to repay you. If you ever need me, I’ll be there for you, no matter what. You can count on me. You’re an angel, an absolute angel.” “Get your hands off my woman. You have one of your own at home.” Jack watched his brother-in-law with Jenna. They’d created a close bond, the same as with his sister. She didn’t shy away from him when he embraced her; instead she held him and drew on his strength. Caleb would be like a big brother to her. He would protect her. Caleb drew Jenna away just enough to look into her eyes. He put his hand to her cheek, his other arm still wrapped around her. “Thank you.” “You’re welcome, Caleb. You’re a good man.” “You make me want to be a better one.” “I just want you and your family to have a happy life.” “We will, thanks in part to you and Jack. You’re part of that family now, too. Don’t ever forget that.” “Thank you.” “Don’t thank me. You’re a wonderful person. The best I’ve ever met.” He kissed her cheek and released her, turning back toward Jack. “I already punched you for kissing my sister. I guess I have to punch you for kissing her now, too,” Jack teased. Caleb didn’t rise to the bait. “You hurt her, and I’ll be the one throwing the punches.” He smiled back at Jack, then walked over and gave him a big bear hug. “Thanks for what you did for me, Summer, and the kids. It means everything to us. I’ll see you tomorrow.” He smacked Jack on the back before getting into his car. Caleb revved the engine, beamed them an excited smile, and took off like a rocket toward home. “You going to hurt me, Jack?” “Not if I can help it. I’ll spend the rest of my life and yours trying to make you happy. How’s that sound?” “Like heaven. Take me for a ride.” -Jenna, Caleb, & Jack

Dad turned to Kurt. "You must be the boy I keep hearing about." "I guess so," Kurt said. "Well, Kurt," Dad said, "just remember that I specialize in tying things to rockets and sending them into space. And sometimes they accidentally blow up." "Dad." "You'll have no reason to kill me, sir." "Kurt. You make sure she doesn't cry, okay?" Dad smiled happily at Kurt and then sagely at me.

Zach’s Fanfare #2” (MFSB)* “Comeback Kid” (Sleigh Bells) “Monkey Gone to Heaven” (The Pixies) “Spaceman” (Harry Nilsson) “Going Down” (Freddie King) “I’m Bad” (Rocket to Memphis) “Pumped Up Kicks” (Foster the People) “Nobody Does It Better” (Me First and the Gimme Gimmes) “Skull & Crossbones” (Sparkle Moore & Dan Belloc and His Orchestra) “Switchblade Smiles” (Kasabian) “I Wanna Destroy You” (The Soft Boys) “Drain You” (Foxy Shazam) “T.O.R.N.A.D.O.” (The Go! Team) “Woman of Mass Destruction” (The Woolly Bandits) “Tough Lover” (Nick Curran and the Lowlifes) “(I’m Stuck in a Pagoda With) Tricia Toyota” (The Dickies) “Apache” (The Sugarhill Gang) “For Whom the Bell Tolls” (Metallica) “We All Go Back to Where We Belong” (R.E.M.) “Change Reaction” (David Uosikkinen) “Satellite” (The Hooters) “Fanfare for Rocky” (Bill Conti)*

For a moment Phil stayed on, his thoughts rocketing back to Kathy. “When something hits into your kid.” Just names? Just exclusion? Or equally the sly corruption, the comforting poison of superiority? “Any place can be a hotbed, Phil; each house decides it.” His house would decide it for Tom—by a phrase, a nuance, an attitude. Each day it would go on being decided, through the rest of his childhood, through adolescence. A passion tore through Phil, to protect this one boy from that slow sure poison.

Truth: my mom does not look dumpy. She and I wear the same size jeans. She is a tiny rocket ship that runs on love and worry. But I can’t convince her of this, so we compromise on black pants. “My friend told me men like boots. But I think boots are workin’ it too much, right?” I was immediately reminded of when I was eleven and my best friend told me that boys like it when you drink from a straw at the far corner of your mouth. For years, any visit to the mall food court was a chance for my soda-straw act. I don’t know what look I was going for—maybe “sexy dental patient”—or who my target audience was—Dr Pepper?—but it failed. Trying to be seductive with a cheap plastic straw is workin’ it too much. Anyway, I said, “Boots are fine. You’re supposed to work it a little, it’s a date!

Von Braun, the boy wonder of Germany’s V-2 rocket program, was typical of the changing fortunes experienced by the Nazi scientists. At the close of the war, he was classified as a “potential security risk” because of his deep ties to Hitler and to the Nazi Party as a decorated officer. Within months, however, his hiring as a rocket scientist was suddenly reclassified as vital to America’s national security.

Yet Russia’s war preparations are grounded on something deeper, and more far-reaching, than the political ambitions of one man. The foundation of the present Russian military buildup was laid many years ago, when Vladimir Putin was still a boy. It may be argued that the foundation of the current situation was laid in 1957 – by Leonid Brezhnev’s special committee for reconfiguring Soviet strategy. With the advent of intercontinental rockets and the hydrogen bomb, Soviet strategy had to find a way around the problem of “mutual assured destruction.

* In 2012 fatah and Hamas forged unity agreement and accepted all of the demands of the quartet. Obama administration also approved this agreement threatened the long-term goal of dividing Gaza from the West Bank. Something had to be done, three Israeli boys were murdered in the West Bank the Netanyahu government had strong evidence that once they were dead but use the opportunity to launch a rampage in the West Bank. During the 18 day rampage Israeli soldiers arrested 419 Palestinians and killed six, Hamas finally reacted with its first rocket strikes in 19 months. This provided the pretext for operation protective edge on July 8 by the end of July 15 hundred Palestinians had been killed 70% of them were civilians including hundreds of women and children. Three civilians in Israel were killed. Large areas of Gaza were turned into rubble. Gauzes main power plant was attacked, which is a war crime rescue teams and ambulances were repeatedly attacked for hospitals were attacked another war crime. Are you in school was attacked harbouring 3300 refugees who had fled the ruins of their neighbourhoods on the orders of the Israeli army

Tonight she'll be with Jeremy, her lieutenant, but she wants to be with Roger. Except that, really, she doesn't. Does she? She can't remember being so confused. When she is with Roger it's all love, but at any distance- any at all, Jack- she finds that he depresses and even frightens her. Why? On top of him in the wild nights riding up and down his cock her axis, trying herself to stay rigid enough not to turn to cream taper-wax and fall away melting to the coverlet coming there's only room for Roger, Roger, oh love to the end of breath. But out of bed, walking talking, his bitterness, his darkness, run deeper than the War, the winter: he hates England so, hates "the System," gripes endlessly, says he'll emigrate when the War's over, stays inside his paper cynic's cave hating himself... and does she want to bring him out, really? Isn't it safer with Jeremy? She tried not to allow this question to often, but it's there. Three years with Jeremy. They might as well be married. Three years ought to count for something. Daily, small stitches and easings. She's worn old Beaver's bathrobes, brewed his tea and coffee, sought his eye across lorry-parks, day rooms and rainy mud fields when all the day's mean, dismal losses could be rescued in the one look- familiar, full of trust, in a season where the word is invoked for quaintness or a minor laugh. And to rip it all out? three years? for this erratic, self-centered- boy, really. Weepers, he supposed to be pas thirty, he's years older than she. He ought to've learned something, surely? A man of experience? /// If the rockets don't get her there's still her lieutenant. Damned Beaver/Jeremy IS the War, he is every assertion the fucking War has ever made- that we are meant work and government, for austerity: and these shall take priority over love, dreams, the spirit, the sense and the second-class trivia that are found among the idle and mindless hours of the day... Damn them, they are wrong. They are insane. Jeremy will take her like the Angel itself, in his joyless weasel-worded come-along, and Roger will be forgotten, an amusing maniac, but with no place in the rationalized power-ritual that will be the coming peace. She will take her husband's orders, she will become a domestic bureaucrat, a junior partner, and remember Roger, if at all, as a mistake thank God she did not make... Oh, he feels a raving fit coming on- how the bloody hell can he survive without her? She is the British warm that protects his stooping shoulders, and the wintering sparrow he holds inside his hands. She is his deepest innocence in spaces of bough and hay before wishes were given a separate name to warn they might not come true, and his lithe Parisian daughter of joy, beneath the eternal mirror, forswearing perfumes, capeskins to the armpits, all that is too easy, for his impoverishment and more worthy love. /// Jessica steps away from Roger to blow her nose. The sound is as familiar to him as a bird's song, ip-ip-ip-ip NGUNNGG as the hankerchief comes away..."Oh sooper dooper," she says, "think I'm catching a cold." You're catching the War. It's infecting you and I don't know how to keep it away. Oh, Jess. Jessica. Don't leave me,,,,

Tonight she'll be with Jeremy, her lieutenant, but she wants to be with Roger. Except that, really, she doesn't. Does she? She can't remember being so confused. When she is with Roger it's all love, but at any distance- any at all, Jack- she finds that he depresses and even frightens her. Why? On top of him in the wild nights riding up and down his cock her axis, trying herself to stay rigid enough not to turn to cream taper-wax and fall away melting to the coverlet coming there's only room for Roger, Roger, oh love to the end of breath. But out of bed, walking talking, his bitterness, his darkness, run deeper than the War, the winter: he hates England so, hates "the System," gripes endlessly, says he'll emigrate when the War's over, stays inside his paper cynic's cave hating himself... and does she want to bring him out, really? Isn't it safer with Jeremy? She tried not to allow this question to often, but it's there. Three years with Jeremy. They might as well be married. Three years ought to count for something. Daily, small stitches and easings. She's worn old Beaver's bathrobes, brewed his tea and coffee, sought his eye across lorry-parks, day rooms and rainy mud fields when all the day's mean, dismal losses could be rescued in the one look- familiar, full of trust, in a season where the word is invoked for quaintness or a minor laugh. And to rip it all out? three years? for this erratic, self-centered- boy, really. Weepers, he supposed to be past thirty, he's years older than she. He ought to've learned something, surely? A man of experience? /// If the rockets don't get her there's still her lieutenant. Damned Beaver/Jeremy IS the War, he is every assertion the fucking War has ever made- that we are meant work and government, for austerity: and these shall take priority over love, dreams, the spirit, the senses and the second-class trivia that are found among the idle and mindless hours of the day... Damn them, they are wrong. They are insane. Jeremy will take her like the Angel itself, in his joyless weasel-worded come-along, and Roger will be forgotten, an amusing maniac, but with no place in the rationalized power-ritual that will be the coming peace. She will take her husband's orders, she will become a domestic bureaucrat, a junior partner, and remember Roger, if at all, as a mistake thank God she did not make... Oh, he feels a raving fit coming on- how the bloody hell can he survive without her? She is the British warm that protects his stooping shoulders, and the wintering sparrow he holds inside his hands. She is his deepest innocence in spaces of bough and hay before wishes were given a separate name to warn they might not come true, and his lithe Parisian daughter of joy, beneath the eternal mirror, forswearing perfumes, capeskins to the armpits, all that is too easy, for his impoverishment and more worthy love. /// Jessica steps away from Roger to blow her nose. The sound is as familiar to him as a bird's song, ip-ip-ip-ip NGUNNGG as the hankerchief comes away..."Oh sooper dooper," she says, "think I'm catching a cold." You're catching the War. It's infecting you and I don't know how to keep it away. Oh, Jess. Jessica. Don't leave me....

My Dearest Bev, For the last week we have been waiting for an attack, and last night it came in full force. Honey, I was never so scared in my life. We got hit by 12 mortars and rockets, and some even hit our ammo dumps, which really hurt the battery. A mortar landed about 30 feet from me and I was lucky enough to have my head down, but the sergeant next to me didn’t, and we think he lost an eye. We got three men seriously hurt and four others shaken up by the blast. This was my first real look at war, and it sure was an ugly sight. I helped carry some of the wounded away, and boy, I sure hope I don’t have to do that again. It was an experience you can never explain in a million words. The noise from shooting is enough to drive a person crazy. Even after the attack last night, we had to stay up and wait for a ground attack which, lucky for us, never came. We expect to catch a lot of hell through May because it seems that the VC are really putting a big push on. Bev, I was so surprised last night to see that the men here were willing to risk their own lives to save a buddy’s. It really makes you have faith in people again, but I hope I don’t have to go through what we did last night in a long time (like never!) I take your picture out quite often and just look at it, because it’s such a relief from this pitiful place to see such a beautiful being. I am thinking of you always. All my love, Al Allen Paul was a sergeant with Company D, 2nd Battalion, 5th Cavalry, 1st Cavalry Division (Airmobile). His unit operated in Both I and III Corps during his tour, April 1968 to April 1969. He is now information coordinator for Indiana Technical College, Richmond, Indiana.

Scott Morrison rocketed to the top of a mock meritocracy populated by mediocre GPS boys, who scratched each other's backs until there wasn't any skin or fingernails left.

and we could be just like any other couple, stumbling home from any other party. But when you talk about wartime, what you tell me is how many stars there were, and how some boys flew a kite on the mountain. What you don't talk about is huddling with a group of soldiers in a bunker while the rockets came over the walls, how most of you by chance came out, but two did not. They were Canadian, you said offhandedly, when you'd been home for a while, and you never said it again.

He would be forty-five now, a grown man, if he had not died that fall. His final pneumonia took him quickly: a fever that rocketed skyward, the tiny, bottlelike lungs filling, coma, death within hours. After all he’d been through, it seemed a mercy, though of course that was an illusion, something to say to fill the silence of his missing life: the bicycle he would not ride, the books he would not read, the friends he would not have and the girl he would not kiss. The thousand pains and pleasures of his life, shelved in a tomb that the door of early death had sealed. No, there was no mercy in what happened to my boy at all. When he died, he weighed just eleven pounds. It’s said that many marriages do not survive the loss of a child, that such grief is a room parents enter together but depart alone. I have no cause to argue the point, having sat in just that room. From that day forward we loved each other, Meredith and I, but we loved with broken hearts. And when, on a morning not long after we had buried Sam, I came into the kitchen to find Meredith standing at the window, cupping the curve of her stomach in a secret way that I alone understood, I knew we would go on.

The Napoli had turned into the bay and was running close to shore where an area of the water had been roped off for the evening’s display of fireworks. A small grandstand had been erected along the bank. In the water two large scows contained the set pieces and the rockets which would be sent skyward during the celebration. “Looks as if it’ll be a good show,” Tony remarked. Chet proposed that they come early in the Sleuth and anchor as close as possible to the two barges so they could get an excellent view of the performance. At eight-thirty Frank and Joe went to their boathouse where Chet and the girls were waiting. Soon the group was aboard the Sleuth, heading out to the area where the fireworks were to be displayed. Nearing it, they could hear band music from the grandstand on the shore.

Come on to the Hot Rocket,” Chet said, “and I’ll stand treat for hamburgers and malts.” Joe looked at his brother in surprise and burst out laughing. “Wow! We don’t get an offer like that every day! It’s a deal, pal!

Kennedy was talking about working to make the country great again,

Ed is Director of Sponsorship for an events company. When you come down to it, this means he sells advertising. The job mainly involves wining and dining contacts made through the Old Boy networks of the public schools of southern England and persuading them, in the most gentlemanly manner, to part with large dollops of money to have their companies’ names displayed at polo matches, rugby fixtures and regattas. Apparently, at the moment things aren’t going too well, and it has been proving, Ed admits over his bresaola and rocket salad, to be a bit of a bore of late

Later, I sat down drunk on the corner of Carondelet and Canal Streets, listening for the rumble of the streetcar that would take me back uptown to my apartment, watching the evening sun bleed from the streets, the city shifting into night, when it truly became New Orleans: the music, the constant festival, the smell of late evening dinners pouring out, layering the beer-soaked streets, prostitutes, clubs with DJs, rowdy gay bars, dirty strip clubs, the insane out for a walk, college students vomiting in trash cans, daiquiri bars lit up like supermarkets, washing-machine-sized mixers built into the wall spinning every color of daiquiri, lone trumpet players, grown women crying, clawing at men in suits, portrait painters, spangers (spare change beggars), gutter punks with dogs, kids tap-dancing with spinning bike wheels on their heads, the golden cowboy frozen on a milk crate, his golden gun pointed at a child in the crowd, fortune-tellers, psycho preachers, mumblers, fighters, rock-faced college boys out for a date rape, club chicks wearing silver miniskirts, horse-drawn carriages, plastic cups piling against the high curbs of Bourbon Street, jazz music pressing up against rock-and-roll cover bands, murderers, scam artists, hippies selling anything, magic shows and people on unicycles, flying cockroaches the size of pocket rockets, rats without fear, men in drag, business execs wandering drunk in packs, deciding not to tell their wives, sluts sucking dick on open balconies, cops on horseback looking down blouses, cars wading across the river of drunks on Bourbon Street, the people screaming at them, pouring drinks on the hood, putting their asses to the window, whole bars of people laughing, shot girls with test tubes of neon-colored booze, bouncers dragging skinny white boys out by their necks, college girls rubbing each other’s backs after vomiting tequila, T-shirts, drinks sold in a green two-foot tube with a small souvenir grenade in the bottom, people stumbling, tripping, falling, laughing on the sidewalk in the filth, laughing too hard to stand back up, thin rivers of piss leaking out from corners, brides with dirty dresses, men in G-strings, mangy dogs, balloon animals, camcorders, twenty-four-hour 3-4-1, free admission, amateur night, black-eyed strippers, drunk bicyclers, clouds of termites like brown mist surrounding streetlamps, ventriloquists, bikers, people sitting on mailboxes, coffee with chicory, soul singers, the shoeless, the drunks, the blissful, the ignorant, the beaten, the assholes, the cheaters, the douche bags, the comedians, the holy, the broken, the affluent, the beggars, the forgotten, and the soft spring air pregnant with every scent created by such a town.

As the boys walked down the stone steps of headquarters, Frank said, “How about a milk-shake?” Joe grinned. “You read my mind. I can sure use one!” They drove several blocks to the Hot Rocket, a favorite eating spot of their high school crowd. A familiar yellow jalopy was parked outside. “Well, well! Look who’s in there!” Frank said. The chunky figure of Chet Morton, the jalopy’s owner, was seated in one of the booths. He was poring over a magazine and munching a hamburger. “Hi, fellows!” he mumbled.

At the same time you're also aware that upon attempting to re-enter normal life from "mom land" or "middle aged" land, or both - you'll be seen as a "weirdo" or "cranky" or "stubborn," or all of the above. Doesn't it make sense you'd think about just not going back? The end of the heroes journey is like the path of a rocket re-entering Earth's atmosphere. It must burn. Pieces blister and break off. You're not the same splashing down into the ocean as when you left. When you took off your boosters were ablaze, fueling the epic push of new life out of yourself and into Earth's orbit. Everyone at Mission Control stood and applauded. But the return is more like free-fall. The rocket that lands in the ocean doesn't look like the one that departed. It's a little pod-like thing, a charred husk of what took off. Instead of wings spreading, a parachute awkwardly collapses into the water. A butterfly in reverse. What's left is this metal shell, just a nub of what was there before. And yet, it's a nub that's been to space for f---'s sake. Just surviving is the success. So much of who I was - my daily habits, my identifying clothing - had to get thrown away in making room to become a mother. What's left of me is now sharing space with a little boy. And as a result, my mental capacity has been reduced from a decent three bed two bath apartment to at best a little tenement studio. While the tight space creates some cons, the pro is that what can come in and what cannot is pretty clear.

Later I helped some boys build Southern California’s first model airplane powered by a (hand-built ) gasoline engine.

Research from Brunel University shows that chess students who trained with coaches increased on average 168 points in their national ratings versus those who didn’t. Though long hours of deliberate practice are unavoidable in the cognitively complex arena of chess, the presence of a coach for mentorship gives players a clear advantage. Chess prodigy Joshua Waitzkin (the subject of the film Searching for Bobby Fischer) for example, accelerated his career when national chess master Bruce Pandolfini discovered him playing chess in Washington Square Park in New York as a boy. Pandolfini coached young Waitzkin one on one, and the boy won a slew of chess championships, setting a world record at an implausibly young age. Business research backs this up, too. Analysis shows that entrepreneurs who have mentors end up raising seven times as much capital for their businesses, and experience 3.5 times faster growth than those without mentors. And in fact, of the companies surveyed, few managed to scale a profitable business model without a mentor’s aid. Even Steve Jobs, the famously visionary and dictatorial founder of Apple, relied on mentors, such as former football coach and Intuit CEO Bill Campbell, to keep himself sharp. SO, DATA INDICATES THAT those who train with successful people who’ve “been there” tend to achieve success faster. The winning formula, it seems, is to seek out the world’s best and convince them to coach us. Except there’s one small wrinkle. That’s not quite true. We just held up Justin Bieber as an example of great, rapid-mentorship success. But since his rapid rise, he’s gotten into an increasing amount of trouble. Fights. DUIs. Resisting arrest. Drugs. At least one story about egging someone’s house. It appears that Bieber started unraveling nearly as quickly as he rocketed to Billboard number one. OK, first of all, Bieber’s young. He’s acting like the rock star he is. But his mentor, Usher, also got to Billboard number one at age 18, and he managed to dominate pop music for a decade without DUIs or egg-vandalism incidents. Could it be that Bieber missed something in the mentorship process? History, it turns out, is full of people who’ve been lucky enough to have amazing mentors and have stumbled anyway.

It was the worst picture she had seen in her life. It was worse than the crying baby in Shanghai. ‘Sometimes we need to see why we fight,’ said the burglar vicar gently. ’We need to see what God sees. Then we can understand just a little better His wrath, and His justice, and His love.’ He slipped the photograph from her hand, put it in the folder, slipped the folder from her. She pulled the pillow over her face and wept. She’d not forget that image, not for the rest of her life. She cried herself deaf for the child and for Arthur Vance; for Murray whose Rocket Kid could not save this child, and for William, because she finally understood what it felt like to be eviscerated. She wept that she could not go and die for this boy. ‘I’m utterly useless!’ she screamed into the pillow, and finally came to her defeated senses. A good cry, and she did not feel better. ‘You are hardly useless,’ said the Burglar Vicar. ‘Oh really? I can’t even sit up.’ ‘You can pray.’ ‘How do you know it does any good?’ ‘It’s better than moping, which does no good at all.” She supposed it would be better to pray than to mope. The Shrew said prayer held them to their tasks. She said she saw before her eyes that it worked. ‘Yes, yes — I can pray!

Rockets now evoke a slightly old-fashioned kind of wonder, because they stand for an obsolete version of technological prowess. In the scheme of history which has become the most popular version of the recent past, the Space Age counts as the final phase of the Age of Industry – its culmination, just before the paradigm changed and the Age of Information replaced steel with digits.

The boy could scarcely believe the size of the boulders, clustered under the enormous sun like dead red rockets awaiting repair, or the span of the sky, a cheerfully vacant blue dome, the desert's hallucinatory choreography achieved through stillness, brightness, darkness, distance -- and all of this before noon.

The Raven Boys is the first of the novels that make up the quartet of The Raven Cycle, with the final book released in April, 2016.

There’s no recipe for making a relationship work. You just make a life together however it fits, with whoever you love. That’s all. It’s not rocket science. You don’t have to solve equations or anything. You just start taking the other person into your life, you make them important, let them grow roots in your soil—” She lifts a brow. “Notice I said grow roots, not wings. You’ve always talked about your boys growing wings. Not this time.

There would always be another Bella, but just like my counselor had told me, there wouldn’t be another me, and that was my strength, my special power. I would never be a rocket scientist or a world-class rugby player, but I was a survivor, and a damn good one at that.

I love you, too,” I whispered, feeling the familiar jolt of adrenaline rocket through my veins when those words spilled from her lips. Claire meant it when she told me that she loved me. That was the first of two things in life I was sure of, and I meant it right back. That was the second thing I was sure of. If I knew nothing else in this world, then I knew that I loved Claire Biggs.