“
Only the forgotten are truly dead.
”
”
Tess Gerritsen (The Sinner (Rizzoli & Isles, #3))
“
The heart makes its choices without weighing the consequences. It doesn't look ahead to the lonely nights that follow.
”
”
Tess Gerritsen (Keeping The Dead (Rizzoli & Isles, #7))
“
The dead do not hurt you; only the living do.
”
”
Tess Gerritsen (The Sinner (Rizzoli & Isles, #3))
“
I watched the spinning stars, grateful, sad and proud, as only a man who has outlived his destiny and realizes he might yet forge himself another, can be.
”
”
Roger Zelazny (Isle of the Dead)
“
Of all the things a man may do, sleep probably contributes most to keeping him sane. It puts brackets about each day. If you do something foolish or painful today, you get irritated if somebody mentions it, today. If it happened yesterday, though, you can nod or chuckle, as the case may be. You've crossed through nothingness or dream to another island in Time.
”
”
Roger Zelazny (Isle of the Dead)
“
Sometimes, the person who could make you happiest is the one who waits patiently in the wings.
”
”
Tess Gerritsen (Rizzoli & Isles Series Collection: The Surgeon, The Apprentice, The Sinner, Body Double, Vanish, The Mephisto Club, Keeping the Dead and The Killing Place)
“
The most important thing we've learned,
So far as children are concerned,
Is never, NEVER, NEVER let
Them near your television set --
Or better still, just don't install
The idiotic thing at all.
In almost every house we've been,
We've watched them gaping at the screen.
They loll and slop and lounge about,
And stare until their eyes pop out.
(Last week in someone's place we saw
A dozen eyeballs on the floor.)
They sit and stare and stare and sit
Until they're hypnotised by it,
Until they're absolutely drunk
With all that shocking ghastly junk.
Oh yes, we know it keeps them still,
They don't climb out the window sill,
They never fight or kick or punch,
They leave you free to cook the lunch
And wash the dishes in the sink --
But did you ever stop to think,
To wonder just exactly what
This does to your beloved tot?
IT ROTS THE SENSE IN THE HEAD!
IT KILLS IMAGINATION DEAD!
IT CLOGS AND CLUTTERS UP THE MIND!
IT MAKES A CHILD SO DULL AND BLIND
HE CAN NO LONGER UNDERSTAND
A FANTASY, A FAIRYLAND!
HIS BRAIN BECOMES AS SOFT AS CHEESE!
HIS POWERS OF THINKING RUST AND FREEZE!
HE CANNOT THINK -- HE ONLY SEES!
'All right!' you'll cry. 'All right!' you'll say,
'But if we take the set away,
What shall we do to entertain
Our darling children? Please explain!'
We'll answer this by asking you,
'What used the darling ones to do?
'How used they keep themselves contented
Before this monster was invented?'
Have you forgotten? Don't you know?
We'll say it very loud and slow:
THEY ... USED ... TO ... READ! They'd READ and READ,
AND READ and READ, and then proceed
To READ some more. Great Scott! Gadzooks!
One half their lives was reading books!
The nursery shelves held books galore!
Books cluttered up the nursery floor!
And in the bedroom, by the bed,
More books were waiting to be read!
Such wondrous, fine, fantastic tales
Of dragons, gypsies, queens, and whales
And treasure isles, and distant shores
Where smugglers rowed with muffled oars,
And pirates wearing purple pants,
And sailing ships and elephants,
And cannibals crouching 'round the pot,
Stirring away at something hot.
(It smells so good, what can it be?
Good gracious, it's Penelope.)
The younger ones had Beatrix Potter
With Mr. Tod, the dirty rotter,
And Squirrel Nutkin, Pigling Bland,
And Mrs. Tiggy-Winkle and-
Just How The Camel Got His Hump,
And How the Monkey Lost His Rump,
And Mr. Toad, and bless my soul,
There's Mr. Rat and Mr. Mole-
Oh, books, what books they used to know,
Those children living long ago!
So please, oh please, we beg, we pray,
Go throw your TV set away,
And in its place you can install
A lovely bookshelf on the wall.
Then fill the shelves with lots of books,
Ignoring all the dirty looks,
The screams and yells, the bites and kicks,
And children hitting you with sticks-
Fear not, because we promise you
That, in about a week or two
Of having nothing else to do,
They'll now begin to feel the need
Of having something to read.
And once they start -- oh boy, oh boy!
You watch the slowly growing joy
That fills their hearts. They'll grow so keen
They'll wonder what they'd ever seen
In that ridiculous machine,
That nauseating, foul, unclean,
Repulsive television screen!
And later, each and every kid
Will love you more for what you did.
”
”
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
“
Dead voices, lost sounds, forgotten noises, vibrations lockstepping into the abyss and now too distant ever to be recaptured!...What sort of arrows would be able to transfix such birds?
”
”
Auguste de Villiers de l'Isle-Adam (Tomorrow's Eve)
“
If the sun rises tomorrow, we’ll watch it together.
”
”
Caroline Peckham (Dead Man's Isle (The Harlequin Crew, #2))
“
Trains are beautiful. They take people to places they've never been, faster than they could ever go themselves. Everyone who works on trains knows they have personalities, they're like people. They have their own mysteries.
”
”
Sam Starbuck (The Dead Isle)
“
Adolphus is not at his desk. That means he is somewhere in the Monstrumarium, has gone home for the day, or is dead.
”
”
Rick Yancey (The Isle of Blood (The Monstrumologist, #3))
“
I was leaving.
Finally.
For good.
There was only one way I'd ever return to the town of Christmas, Florida, and it involved my dead body.
”
”
Veronica Wolff (Isle of Night (The Watchers, #1))
“
Do you always try to upset the world as much as possible?" Clare asked.
He gave her a surprised look. "Of course. Otherwise how does anything change?
”
”
Sam Starbuck (The Dead Isle)
“
...Jane remained in her chair thinking about justice, about how the dead never benefited from it. For them it always comes too late.
”
”
Tess Gerritsen (Last to Die (Rizzoli & Isles, #10))
“
Afterward I told his widow, "Your husband is dead, but at least he died laughing.' I think she took some comfort in that. It is the second-best way to die, Will Henry." He did not say what the best way was.
”
”
Rick Yancey (The Isle of Blood (The Monstrumologist, #3))
“
We get sombre about death. Think about Charon the ferryman rowing the souls across the Styx to the Isle of the Dead. Pretty grim stuff. Unless you think that, perhaps, at times, old Charon rows souls back to the land of the living too. Perhaps I have merely gone to rest awhile…
”
”
Sean J. Halford (Stronger Than Lions)
“
I left them there for the flies and the birds and the sun and the wind. In the silence outside the Tour du Silence, I left them. Where the faceless dead faced the sky, I left them there at the center of the world.
”
”
Rick Yancey (The Isle of Blood (The Monstrumologist, #3))
“
Follow me, reader, if you dare. Take my hand, for we can fly swifter than the Deadly Shadow; we can follow the sound of ticking teeth faster than they can, and trace the Hero back to where he lies, on the little isle of Hero’s End.
”
”
Cressida Cowell (How to Fight a Dragon’s Fury (How To Train Your Dragon, #12))
“
Oh my son! My son!" von Helrung cried. Now it was his turn to crush my master to his chest. "William! Your father has come for you!"
"I hope not! My father has been dead over fifteen years, von Helrun.
”
”
Rick Yancey (The Isle of Blood (The Monstrumologist, #3))
“
We [artists] aren't people, not the way most people are. We're just...carriers. Little boats bringing goods from foreign lands.
”
”
Sam Starbuck (The Dead Isle)
“
You know that movie, where the little boy says 'I see dead people'?
The Sixth Sense.
Well, I see them all the time, and I'm getting tired of it. That's what's ruined my mood. Here it is, almost Christmas, and I didn't even think about putting up a tree, because I'm still seeing the autopsy lab in my head. I'm still smelling it on my hands. I come home on a day like this, after two postmortems, and I can't think about cooking dinner. I can't even look at a piece of meat without thinking of muscle fibers. All I can deal with is a cocktail. And then I pour the drink and smell the alcohol, and suddenly there I am, back in the lab. Alcohol, formalin, they both have that same sharp smell.
”
”
Tess Gerritsen (The Sinner (Rizzoli & Isles, #3))
“
There are even some stars so remote that their light will reach the Earth only when Earth itself is a dead planet, as they themselves are dead, so that the living Earth will never be visited by that forlorn ray of light, without a living source, without a living destination. Often on fine nights when the park of this establishment is vacant, I amuse myself with this marvelous instrument (telescope). I go upstairs, walk across the grass, sit on a bench in the Avenue of Oaks – and there, in my solitude, I enjoy the pleasure of weighing the rays of dead stars.
”
”
Auguste de Villiers de l'Isle-Adam (Tomorrow's Eve)
“
If I could record them and transmit them to the present age, they would constitute nothing more, nowadays, than dead sounds. They would be, in a word, sounds other than what they actually were, and from what their phonographic labels pretended they were – since it's in ourselves that the silence exists. It was while the sounds were still mysterious that it would have been really interesting to render the mystery palpable and transferable.
”
”
Auguste de Villiers de l'Isle-Adam (L'Ève Future)
“
He was raised by wolves", she said, "wolves with pressing engineering diagrams to draw.
”
”
Sam Starbuck (The Dead Isle)
“
Well, thought I, he's either sleeping or he's dead. If the former, I dare not wake him. If the latter, I cannot!
”
”
Rick Yancey (The Isle of Blood (The Monstrumologist, #3))
“
The backfire, my dear boy, of exiling the cleverest criminals of the nation to one place and requiring them to use their ingenuity is that they will -- and you can't control what they do with it.
”
”
Sam Starbuck (The Dead Isle)
“
Yet I feel like Theseus running madly through the coils of the labyrinth with horrors following at my heels and every twist bringing a new and dreaded sight. I dream and it pursues me I am sunk so far in horror heaped upon horror that I cannot taste wine or see the sun above. The world has ended and I don't know why I yet Live
”
”
Jo Graham (Black Ships (Numinous World, #1))
“
Continents
And continental oceans intervene;
A sea uncharted, on a lampless isle,
Environs and confines their wandering child
In vain. The voice of generations dead
Summons me, sitting distant, to arise,
My numerous footsteps nimbly retrace,
And, all mutation over, stretch me down
In that denoted city of the dead.
”
”
Robert Louis Stevenson (The Collected Poems of Robert Louis Stevenson (The Collected Works of Robert Louis Stevenson))
“
She finished her drink and put it down.
"It's getting chilly out here."
"Yes."
"Let us repair within."
"I'd like to repair."
I put down my cigar and we stood and she kissed me. So I put my arm around her trim and sparkling, blue-kept waist and we moved away from the bar, toward the archway, through the archway and beyond, into the house we were leaving.
Let's make it a triple-asterisk break:
***
”
”
Roger Zelazny (Isle of the Dead)
“
Life is a thing--if you'll excuse a quick dab of philosophy before you know what kind of picture I'm painting--that reminds me quite a bit of the beaches around Tokyo Bay
”
”
Roger Zelazny (Isle of the Dead)
“
He can whisper the future to His prophets. He can send and heal plagues. He can raise the dead.
”
”
Roseanna M. White (The Nature of a Lady (The Secrets of the Isles, #1))
“
Since I emerged that day from the labyrinth,
Dazed with the tall and echoing passages,
The swift recoils, so many I almost feared
I’d meet myself returning at some smooth corner,
Myself or my ghost, for all there was unreal
After the straw ceased rustling and the bull
Lay dead upon the straw and I remained…
I could not live if this were not illusion.
It is a world, perhaps; but there’s another.
For once in a dream or trance I saw the gods
Each sitting on the top of his mountain-isle,
While down below the little ships sailed by…
That was the real world; I have touched it once,
And now shall know it always. But the lie,
The maze, the wild-wood waste of falsehood, roads
That run and run and never reach an end,
Embowered in error – I’d be prisoned there
But that my soul has birdwings to fly free.
Oh these deceits are strong almost as life.
Last night I dreamt I was in the labyrinth,
And woke far on. I did not know the place.
”
”
Edwin Muir
“
Life," Graveworthy said, when he saw Jack was awake and staring at him, "is a series of desperate gambles and boxing matches for the wits, bookended on the one side by events in which one is shot at, and on the other end by mornings like this.
”
”
Sam Starbuck (The Dead Isle)
“
Boatman," she says. "There's a tale I once heard, perhaps as a small child. Of an island full of gentle woods and streams, yet also a place of strange qualities. Many cross to it, yet for each who dwells there, it's as if he walks the island alone...
”
”
Kazuo Ishiguro (The Buried Giant)
“
As you go down the water,’ he said, ‘you will find that the trees will fail, and you will come to a barren country. There the River flows in stony vales amid high moors, until at last after many leagues it comes to the tall island of the Tindrock, that we call Tol Brandir. There it casts its arms about the steep shores of the isle, and falls then with a great noise and smoke over the cataracts of Rauros down into the Nindalf, the Wetwang as it is called in your tongue. That is a wide region of sluggish fen where the stream becomes tortuous and much divided. There the Entwash flows in by many mouths from the Forest of Fangorn in the west. About that stream, on this side of the Great River, lies Rohan. On the further side are the bleak hills of the Emyn Muil. The wind blows from the East there, for they look out over the Dead Marshes and the Noman-lands to Cirith Gorgor and the black gates of Mordor.
”
”
J.R.R. Tolkien (The Lord of the Rings)
“
While suggesting you repent, prophets very seldom predict the wrath of the gods in terms of landslides and hurricanes. No. Floods and fires are what you get for the rottenness of your ways. Primitive man was really on his way when he learned to kindle the one and had enough of the other nearby to put it out.
”
”
Roger Zelazny (Isle of the Dead / Eye of Cat)
“
My Childhood Home I See Again
by Abraham Lincoln
My childhood home I see again,
And sadden with the view;
And still, as memory crowds my brain,
There's pleasure in it too.
O Memory! thou midway world
'Twixt earth and paradise,
Where things decayed and loved ones lost
In dreamy shadows rise,
And, freed from all that's earthly vile,
Seem hallowed, pure, and bright,
Like scenes in some enchanted isle
All bathed in liquid light.
As dusky mountains please the eye
When twilight chases day;
As bugle-notes that, passing by,
In distance die away;
As leaving some grand waterfall,
We, lingering, list its roar--
So memory will hallow all
We've known, but know no more.
Near twenty years have passed away
Since here I bid farewell
To woods and fields, and scenes of play,
And playmates loved so well.
Where many were, but few remain
Of old familiar things;
But seeing them, to mind again
The lost and absent brings.
The friends I left that parting day,
How changed, as time has sped!
Young childhood grown, strong manhood gray,
And half of all are dead.
I hear the loved survivors tell
How nought from death could save,
Till every sound appears a knell,
And every spot a grave.
I range the fields with pensive tread,
And pace the hollow rooms,
And feel (companion of the dead)
I'm living in the tombs.
”
”
Abraham Lincoln
“
There is a time to plan, a time to act, and a time to rest; it is wise to know which is which.
”
”
Emily Rodda (Isle of the Dead (Dragons of Deltora, #3))
“
Germany issued a proclamation designating the waters around the British Isles an “area of war” in which all enemy ships would be subject to attack without warning.
”
”
Erik Larson (Dead Wake: The Last Crossing of the Lusitania)
“
The Holstrom girls are dead. You and Amelie are being sent to Faerwyvae in their place.
”
”
Tessonja Odette (To Carve a Fae Heart (The Fair Isle Trilogy, #1))
“
Life might wanna fuck me over, but that doesn't mean it can't get me off while railing me like I'm a good little whore.
”
”
Caroline Peckham (Dead Man's Isle (The Harlequin Crew, #2))
“
Really. It can’t be as bad as all that,” she said. “Bad? Good and evil are always mixed up. It provides order.
”
”
Roger Zelazny (Isle of the Dead / Eye of Cat)
“
The nearby Hopis danced and prayed for rain. His people did not. They sought to live with their environment rather than to control it.
”
”
Roger Zelazny (Isle of the Dead / Eye of Cat)
“
think I’m still trying to be a kid in a world full of adults and no one wants to play anymore.
”
”
Caroline Peckham (Dead Man's Isle (The Harlequin Crew, #2))
“
what she did believe in was the power of remembrance. Only the forgotten are truly dead.
”
”
Tess Gerritsen (The Sinner (Rizzoli & Isles, #3))
“
You say great artists sell their souls for their art?"
"Maybe," she ventured.
"That's true, I suppose. If you're doing it right, anyway. I've probably sold mine. Jack's certainly sold his. And you, I imagine."
"I have not!" she said, anger showing clear in her eyes.
"Not literally," he said hastily. "But we give up being a person to be an artist, don't we?
”
”
Sam Starbuck (The Dead Isle)
“
I always knew I'd find you again one day," he said, breathing in deeply like he was trying to inhale my soul. "We were written in blood and bone. The sum of all we ever were and will be.
”
”
Caroline Peckham (Dead Man's Isle (The Harlequin Crew, #2))
“
I mean it. Aside from the old coastal cities, which in Australia are still very young themselves, what you have is a vast stretch of wilderness, wholly natural, with all the horror that nature brings to the table when she dines."
"You make it sound like we'll barely survive," Clare said.
"Oh, I'm sure we will, at least the journey to Port Darwin. From there we won't have to struggle with anything more lethal than a train carriage, I hope. My point is that this is a young country in an old land. And those who don't walk with respect in the wilderness do have a tendency to get eaten.
”
”
Sam Starbuck (The Dead Isle)
“
Looking back, I was running away from everything… and yet, once you take the time to stop and to think about it, and I mean really sit down and analyse yourself, you realise you’re not getting away from anything at all. You are your own person and it is inescapable. You’ll always have your demons with you, wherever you go or whatever you do, successes and failures, because it is all a part of you. It is all a part of the plan.
”
”
J.M. Dalgliesh (A Long Time Dead (Misty Isle #1))
“
Something was approaching from beyond the shrub-lined bend. His stream of consciousness fell still. His was now the passive eye of the hunter, discerning everything before it without reflection. His breathing slowed even further. Time ceased to exist. Now .
”
”
Roger Zelazny (Isle of the Dead / Eye of Cat)
“
He looked down at the desk, at his notebook resting there with the pen on top. He had never thought of engineering as a way to escape the world; after all, engineers didn't build stories or other worlds.
Or, well, perhaps they did; perhaps, late at night, huddled around the boiler with the driver and the conductor, they told their own stories. Famous robberies in the west, derailments, perhaps even ghost trains or passengers long dead who still prowled the carriages.
Either way, Jack had turned his profession into his escape, which Ellis could respect.
”
”
Sam Starbuck (The Dead Isle)
“
Now, in every city into which I venture, uniforms rush upon me, dust dandruff from my collar, press a brochure into my hand, recite the latest weather report, pray for my soul, throw walk-shields over nearby puddles, wipe off my windshield, hold an umbrella over my head on sunny or rainy days, or shine an ultra-infra flashlight before me on cloudy ones, pick lint from my belly-button, scrub my back, shave my neck, zip up my fly, shine my shoes and smile—all before I can protest— right hand held at waist-level. What a goddamn happy place the universe would be if everyone wore uniforms that glinted and crinkled. Then we'd all have to smile at each other.
”
”
Roger Zelazny (Isle of the Dead)
“
Miss Fields," said a servant, stepping into the room and closing the door, "There is a visitor for you. Are you in?"
Clare blinked. "Yes, obviously."
"Ah. Miss Fields, I should advise -- you may be in without being 'in', if you prefer," he said, offering her a tray. There was a calling card on it; Arthur Conan Doyle, Edinburgh.
”
”
Sam Starbuck (The Dead Isle)
“
Do Engineers have stories, Jack?" he asked.
"What?" Jack said, without moving.
"Stories. Myths. Things to keep the boredom out on a long shift."
"I think they play cards, mostly," Jack answered. It was a lie, but he told it with surprising deftness; not a waver in his voice or a hesitation in his words. Only the tightening of his shoulders told Ellis he was lying.
”
”
Sam Starbuck (The Dead Isle)
“
All their religious conceptions are outward and material. They say that God is of a bodily nature, and has a body in form like that of a man. Material, too, is their conception of eternal life. Ask to what place they are departing, or what hope they have, and they answer — “To another land better than this.” Divine men of old told of a happy life for happy souls, to be passed in the “isles of the blest,” or in the Elysian plains of which Homer speaks. Plato taught that the soul was immortal, and expressly calls the place where it is sent “earth." …They expect to see God with the bodily eye, to hear His voice with their ears, and to touch Him with sensible hands…If a race so craven and carnal can understand anything, let them give ear. Give up your outward vision and look upwards with your mind ; turn aside from the eye of the flesh and raise the eye of the soul : only so will you see God. And if you seek a guide, you must shun vagabonds and jugglers who recommend their phantoms ; you must not blaspheme as idols those who prove themselves to be gods, while you worship one who is not even an idol, but truly a dead man, and seek out a father like unto Him.
”
”
Celsus (The Fragments of Celsus)
“
You must live a very free life."
"Me?" she laughed. "I am not who swoops out of the sky to rain fire on pirates!"
"Yeah, but before this I never did much. I mean I did a lot, but...I lived in a room at a university, and my whole world was in that little room. There was this world inside my head."
De la Fitte studied his head as if she could see through his skull to a little globe inside it somewhere.
”
”
Sam Starbuck (The Dead Isle)
“
Electricity," Purva said, rolling the strange new word around in her mouth, giving it at once an Australian and a French inflection.
"Sir William was playing around with it when we met, do you remember?" Jack said to Clare. "He was storing charges in boxes."
"I remember he was blowing things up," Clare replied.
"Six of one..." Jack grinned. "Nobody really knows how it works, but down here it powers most of the lights in the big cities and parts of the automobiles and the stoves in the train kitchen. You can store the power in blocks, then hook it up to anything you might otherwise run on a boiler. It's cooler, and the blocks last longer than coal. I think I can reproduce it when we get home, if I can take enough schematics with me."
"He is going to kill himself," Purva said, but her tone was casual, not overly worried.
"I'm not going to kill myself," Jack answered, equally casual. "Just because it can cause your heart to stop doesn't mean it always does.
”
”
Sam Starbuck (The Dead Isle)
“
Brastias, general of the Dark Plains rebellion and Annwyl’s second in command, leaned back into the hard wood chair and rubbed his tired eyes. She must be dead. She had to be dead. Annwyl would never disappear this long without word sent. He’d already sent trackers out to find her, but they came back empty-handed, losing her trail somewhere near Dark Glen, a haunted place most men dare not enter.
Of course, Annwyl was not most men. She often dared where others fled. She remained the bravest warrior Brastias knew and he’d met many men over the years who he considered brave.
But Annwyl could be foolhardy and her anger . . . formidable.
And yet every day for two years Brastias thanked the gods for his good fortune. On a whim they had attacked a heavily armed caravan coming from Garbhán Isle. Its cargo had been Annwyl. Dressed in white bridal clothes and chained to the horse she rode, her destiny to be the unwilling bride for some noble in Madron. And based on how heavily armed her procession was, dangerously unhappy about it as well. Once the attack began, one of his men released Annwyl and told her to escape. She didn’t. Instead she took up a sword and fought. Fought, in fact, like a demon sent from the gods of hate and revenge. Her rage a mighty sight to behold. By the time the girl finished, she stood among the headless remains of those she killed. Her white gown completely covered in blood. On that day the men had given her the name Annwyl the Bloody and, as much as she hated it, the name stuck.
”
”
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
“
ANOTHER TWILIGHT
Allow the point of the Croccodrillo
its hazy cypress trees in profile
Like a rough sketch for the Isle
of the Dead, as seen from yellow
stucco, his Villa Igea where Lawrence
finished "Sons and Lovers," wild thyme
scenting olive-grove grass, crime
scenery come back to more than once.
Again you're mirrored in lake shadow,
a white sail flaking on its turquoise
wavelets, keep awake by traffic noise
Along the Gardesana...and you know
that this beauty's unbearable as before
even if seen from its opposite shore.
”
”
Peter Robinson
“
Algren’s book opens with one of the best historical descriptions of American white trash ever written.* He traces the Linkhorn ancestry back to the first wave of bonded servants to arrive on these shores. These were the dregs of society from all over the British Isles—misfits, criminals, debtors, social bankrupts of every type and description—all of them willing to sign oppressive work contracts with future employers in exchange for ocean passage to the New World. Once here, they endured a form of slavery for a year or two—during which they were fed and sheltered by the boss—and when their time of bondage ended, they were turned loose to make their own way. In theory and in the context of history the setup was mutually advantageous. Any man desperate enough to sell himself into bondage in the first place had pretty well shot his wad in the old country, so a chance for a foothold on a new continent was not to be taken lightly. After a period of hard labor and wretchedness he would then be free to seize whatever he might in a land of seemingly infinite natural wealth. Thousands of bonded servants came over, but by the time they earned their freedom the coastal strip was already settled. The unclaimed land was west, across the Alleghenies. So they drifted into the new states—Kentucky and Tennessee; their sons drifted on to Missouri, Arkansas and Oklahoma. Drifting became a habit; with dead roots in the Old World and none in the New, the Linkhorns were not of a mind to dig in and cultivate things. Bondage too became a habit, but it was only the temporary kind. They were not pioneers, but sleazy rearguard camp followers of the original westward movement. By the time the Linkhorns arrived anywhere the land was already taken—so they worked for a while and moved on. Their world was a violent, boozing limbo between the pits of despair and the Big Rock Candy Mountain. They kept drifting west, chasing jobs, rumors, homestead grabs or the luck of some front-running kin. They lived off the surface of the land, like army worms, stripping it of whatever they could before moving on. It was a day-to-day existence, and there was always more land to the west. Some stayed behind and their lineal descendants are still there—in the Carolinas, Kentucky, West Virginia and Tennessee. There were dropouts along the way: hillbillies, Okies, Arkies—they’re all the same people. Texas is a living monument to the breed. So is southern California. Algren called them “fierce craving boys” with “a feeling of having been cheated.” Freebooters, armed and drunk—a legion of gamblers, brawlers and whorehoppers. Blowing into town in a junk Model-A with bald tires, no muffler and one headlight … looking for quick work, with no questions asked and preferably no tax deductions. Just get the cash, fill up at a cut-rate gas station and hit the road, with a pint on the seat and Eddy Arnold on the radio moaning good back-country tunes about home sweet home, that Bluegrass sweetheart still waitin, and roses on Mama’s grave. Algren left the Linkhorns in Texas, but anyone who drives the Western highways knows they didn’t stay there either. They kept moving until one day in the late 1930s they stood on the spine of a scrub-oak California hill and looked down on the Pacific Ocean—the end of the road.
”
”
Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers Series Book 1))
“
With Nicasia by his side, Cardan drew others to him until he formed a malicious little foursome who prowled the isles of Elfhame looking for trouble. They unravelled precious tapestries and set fire to part of the Crooked Forest. They made their instructors at the palace school weep and made courtiers terrified to cross them.
Valerian, who loved cruelty the way some Folk loved poetry.
Locke, who had a whole empty house for them to run amok in, along with an endless appetite for merriment.
Nicasia, whose contempt for the land made her eager to have all of Elfhame kiss her slipper.
And Cardan, who modelled himself on his eldest brother and learned how to use his status to make Folk scrape and grovel and bow and beg, who delighted in being a villain.
Villains were wonderful. They got to be cruel and selfish, to preen in front of mirrors and poison apples, and trap girls on mountains of glass. They indulged all their worst impulses, revenged themselves for the least offense, and took every last thing they wanted.
And sure, they wound up in barrels studded with nails, or dancing in iron shoes heated by fire, not just dead, but disgraced and screaming.
But before they got what was coming to them, they got to be the fairest in the land.
”
”
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
“
Sunday Morning
I
Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice.
She dreams a little, and she feels the dark
Encroachment of that old catastrophe,
As a calm darkens among water-lights.
The pungent oranges and bright, green wings
Seem things in some procession of the dead,
Winding across wide water, without sound.
The day is like wide water, without sound,
Stilled for the passing of her dreaming feet
Over the seas, to silent Palestine,
Dominion of the blood and sepulchre.
II
Why should she give her bounty to the dead?
What is divinity if it can come
Only in silent shadows and in dreams?
Shall she not find in comforts of the sun,
In pungent fruit and bright, green wings, or else
In any balm or beauty of the earth,
Things to be cherished like the thought of heaven?
Divinity must live within herself:
Passions of rain, or moods in falling snow;
Grievings in loneliness, or unsubdued
Elations when the forest blooms; gusty
Emotions on wet roads on autumn nights;
All pleasures and all pains, remembering
The bough of summer and the winter branch.
These are the measures destined for her soul.
III
Jove in the clouds had his inhuman birth.
No mother suckled him, no sweet land gave
Large-mannered motions to his mythy mind
He moved among us, as a muttering king,
Magnificent, would move among his hinds,
Until our blood, commingling, virginal,
With heaven, brought such requital to desire
The very hinds discerned it, in a star.
Shall our blood fail? Or shall it come to be
The blood of paradise? And shall the earth
Seem all of paradise that we shall know?
The sky will be much friendlier then than now,
A part of labor and a part of pain,
And next in glory to enduring love,
Not this dividing and indifferent blue.
IV
She says, "I am content when wakened birds,
Before they fly, test the reality
Of misty fields, by their sweet questionings;
But when the birds are gone, and their warm fields
Return no more, where, then, is paradise?"
There is not any haunt of prophecy,
Nor any old chimera of the grave,
Neither the golden underground, nor isle
Melodious, where spirits gat them home,
Nor visionary south, nor cloudy palm
Remote on heaven's hill, that has endured
As April's green endures; or will endure
Like her remembrance of awakened birds,
Or her desire for June and evening, tipped
By the consummation of the swallow's wings
”
”
Wallace Stevens
“
Ode to the West Wind
I
O wild West Wind, thou breath of Autumn’s being,
Thou, from whose unseen presence the leaves dead
Are driven, like ghosts from an enchanter fleeing,
Yellow, and black, and pale, and hectic red,
Pestilence-stricken multitudes: O thou,
Who chariotest to their dark wintry bed
The winged seeds, where they lie cold and low,
Each like a corpse within its grave, until
Thine azure sister of the Spring shall blow
Her clarion o’er the dreaming earth, and fill
(Driving sweet buds like flocks to feed in air)
With living hues and odours plain and hill:
Wild Spirit, which art moving everywhere;
Destroyer and preserver; hear, oh hear!
II
Thou on whose stream, mid the steep sky’s commotion,
Loose clouds like earth’s decaying leaves are shed,
Shook from the tangled boughs of Heaven and Ocean,
Angels of rain and lightning: there are spread
On the blue surface of thine aëry surge,
Like the bright hair uplifted from the head
Of some fierce Maenad, even from the dim verge
Of the horizon to the zenith’s height,
The locks of the approaching storm. Thou dirge
Of the dying year, to which this closing night
Will be the dome of a vast sepulchre,
Vaulted with all thy congregated might
Of vapours, from whose solid atmosphere
Black rain, and fire, and hail will burst: oh hear!
III
Thou who didst waken from his summer dreams
The blue Mediterranean, where he lay,
Lull’d by the coil of his crystàlline streams,
Beside a pumice isle in Baiae’s bay,
And saw in sleep old palaces and towers
Quivering within the wave’s intenser day,
All overgrown with azure moss and flowers
So sweet, the sense faints picturing them! Thou
For whose path the Atlantic’s level powers
Cleave themselves into chasms, while far below
The sea-blooms and the oozy woods which wear
The sapless foliage of the ocean, know
Thy voice, and suddenly grow gray with fear,
And tremble and despoil themselves: oh hear!
IV
If I were a dead leaf thou mightest bear;
If I were a swift cloud to fly with thee;
A wave to pant beneath thy power, and share
The impulse of thy strength, only less free
Than thou, O uncontrollable! If even
I were as in my boyhood, and could be
The comrade of thy wanderings over Heaven,
As then, when to outstrip thy skiey speed
Scarce seem’d a vision; I would ne’er have striven
As thus with thee in prayer in my sore need.
Oh, lift me as a wave, a leaf, a cloud!
I fall upon the thorns of life! I bleed!
A heavy weight of hours has chain’d and bow’d
One too like thee: tameless, and swift, and proud.
V
Make me thy lyre, even as the forest is:
What if my leaves are falling like its own!
The tumult of thy mighty harmonies
Will take from both a deep, autumnal tone,
Sweet though in sadness. Be thou, Spirit fierce,
My spirit! Be thou me, impetuous one!
Drive my dead thoughts over the universe
Like wither’d leaves to quicken a new birth!
And, by the incantation of this verse,
Scatter, as from an unextinguish’d hearth
Ashes and sparks, my words among mankind!
Be through my lips to unawaken’d earth
The trumpet of a prophecy! O Wind,
If Winter comes, can Spring be far behind?
”
”
Percy Bysshe Shelley (Ode to the West Wind and Other Poems)
“
This Sarah Perez had the most beautiful eyes in the world, those green eyes spangled with gold that you love so much: the eyes of Antinous. In Rome, such eyes would have made her a concubine of Adrian; in Madrid they helped her become the princess of Eboli ensconced in the bed of the king. But Philip II was extremely jealous of those wonderful emerald eyes and their delicate transparency, and the princess - who was bored with the funereal palace and the even more funereal society of the king - had the fancy and the misfortune to cast her admirable gaze upon the Marquis de Posa while she was leaving church one day. It was on the threshold of the chapel, and the princess believed herself to be alone with her camarera mayor, but the vigilance of the clergy was equal to the challenge. She was betrayed, and that very evening, in the intimacy of their bedroom, in the course of some violent argument or tempestuous tussle, Philip threw his mistress to the floor. Blind with rage he leapt upon her, tore out her eye and devoured it in a single gulp.
'Thus was the princess covered in blood - a good title for a conte cruel, that, which Villiers de l'Isle Adam has somehow omitted to write! The princess was henceforth one-eyed: the royal pet had a gaping hole in her face. Philip II, who had the Jewess in his blood, could not cleave so closely to a princess who had only one eye. He made amends to her with some new titles and estates in the provinces and - regretful of the beautiful green eye that he had spoiled - he caused to be inserted into the empty and bloody orbit a superb emerald enshrined in silver, upon which surgeons then inscribed the semblance of a gaze. Oculists have made progress since then; the Princess of Eboli, already hurt by the ruination of her eye, died some little time afterwards, of the effects of the operation. The ways of love and surgery were equally barbarous in the time of Philip II!
'Philip, the inconsolable lover, gave the order to remove the emerald from the face of the dead princess before she was laid in the tomb, and had it mounted in a ring. He wore it about his finger, and would never take it off, even when he went to sleep - and when he died in his turn, he had the ring bearing the green tear clasped in his right hand.
”
”
Jean Lorrain (Monsieur de Phocas)
“
The gate downstairs has a dead bolt,” said Frost. “There’s no way you could pick the lock.” “Then how could anyone …” She went dead silent. Turned toward the doorway. Footsteps were thumping up the stairs. In an instant her weapon was drawn and clutched in both hands. Pushing aside Mr. Kwan, she quickly slipped out of the bedroom. As she eased her way across the living room, she felt her heart banging, heard Frost’s footsteps creaking on her right. Smelled incense and mold and sweat, a dozen details assaulting her at once. But it was the stairwell door she focused on, a black portal to something that was now climbing toward them. Something that suddenly took on the shape of a man. “Freeze!” Frost commanded. “Boston PD!” “Whoa, Frost.” Johnny Tam gave a startled laugh. “It’s just me.” Behind her, Jane heard Mr. Kwan give a squawk of fear. “Who is he? Who is he?” “What the hell, Tam,” said Frost, huffing out a breath as he holstered his weapon. “I could have blown your head off.” “You did tell me to meet you here, didn’t you? I would’ve gotten here sooner, but I got stuck in traffic coming back from Springfield.” “You talk to the owner of that Honda?” “Yeah. Said it was stolen right out of his driveway. And that wasn’t his GPS in the car.” He swept his flashlight around the room. “So what’s going on in here?” “Mr. Kwan’s giving us a tour of the building.” “It’s been boarded up for years.
”
”
Tess Gerritsen (The Silent Girl (Rizzoli & Isles, #9))
“
Whirling darkness swallowed him, and in the center of it, at the bottom of an impossibly deep hole, at the very heart of the widdershin void, lay a formless horror—ancient and evil and from which emanated a constant, merciless hunger: never sated, all-consuming, with a particular glee for the sufferings of creatures caught between the gnashing of teeth. His mind fled the horror, but it was a deadly riptide, more powerful than the Boar’s Eye between the Southern Isles of Uden and Parlim, and the harder he tried, the slower he moved…. Fear filled him. Icy, coursing fear that froze his veins and chained his limbs and turned his stomach to acid. His heart fluttered, and for a moment seemed to stop, and in the grips of his terror, he cried for help as he had when a child: “Mother!” Then Thorn’s mind touched his own, and the gaping horror receded, and for a time Murtagh felt himself lost in the vast landscape of Thorn’s thoughts. They were flying, higher and higher, until the ground faded from sight, and above and below were the same: a perfect sphere of sky, with nowhere to land and only clouds for cover. A flock of eagles screamed past, talons extended to tear out eyes, and then they were gone, and it was impossible to tell which direction was up and which down. A timeless while passed, and then a thunder of dragons rose about them: dragons of every shape and color, their scales flashing, their wings thudding until
”
”
Christopher Paolini (Murtagh)
“
was dog-tired when, a little before dawn, the boatswain sounded his pipe and the crew began to man the capstan-bars. I might have been twice as weary, yet I would not have left the deck, all was so new and interesting to me—the brief commands, the shrill note of the whistle, the men bustling to their places in the glimmer of the ship's lanterns. "Now, Barbecue, tip us a stave," cried one voice. "The old one," cried another. "Aye, aye, mates," said Long John, who was standing by, with his crutch under his arm, and at once broke out in the air and words I knew so well: "Fifteen men on the dead man's chest—" And then the whole crew bore chorus:— "Yo-ho-ho, and a bottle of rum!" And at the third "Ho!" drove the bars before them with a will. Even at that exciting moment it carried me back to the old Admiral Benbow in a second, and I seemed to hear the voice of the captain piping in the chorus. But soon the anchor was short up; soon it was hanging dripping at the bows; soon the sails began to draw, and the land and shipping to flit by on either side; and before I could lie down to snatch an hour of slumber the HISPANIOLA had begun her voyage to the Isle of Treasure. I am not going to relate that voyage in detail. It was fairly prosperous. The ship proved to be a good ship, the crew were capable seamen, and the captain thoroughly understood his business. But before we came the length of Treasure Island, two or three things had happened which require to be known. Mr. Arrow, first of all, turned out even worse than the captain had feared. He had no command among the men, and people did what they pleased with him. But that was by no means the worst of it, for after a day or two at sea he began to appear on deck with hazy eye, red cheeks, stuttering tongue, and other marks of drunkenness. Time after time he was ordered below in disgrace. Sometimes he fell and cut himself; sometimes he lay all day long in his little bunk at one side of the companion; sometimes for a day or two he would be almost sober and attend to his work at least passably. In the meantime, we could never make out where he got the drink. That was the ship's mystery. Watch him as we pleased, we could do nothing to solve it; and when we asked him to his face, he would only laugh if he were drunk, and if he were sober deny solemnly that he ever tasted anything but water. He was not only useless as an officer and a bad influence amongst the men, but it was plain that at this rate he must soon kill himself outright, so nobody was much surprised, nor very sorry, when one dark night, with a head sea, he disappeared entirely and was seen no more. "Overboard!" said the captain. "Well, gentlemen, that saves the trouble of putting him in irons." But there we were, without a mate; and it was necessary, of course, to advance one of the men. The boatswain, Job Anderson, was the likeliest man aboard, and though he kept his old title,
”
”
Robert Louis Stevenson (Treasure Island)
“
Line of AuNor, dragon bold
Flows to me from days of old,
And through years lost in the mist
My blood names a famous list.
By Air, by Water, by Fire, by Earth
In pride I claim a noble birth.
From EmLar Gray, a deadly deed
By his flame Urlant was freed,
Of fearsome hosts of blighters dark
And took his reward: a golden ark!
My Mother’s sire knew battle well
Before him nine-score villages fell.
When AuRye Red coursed the sky
Elven arrows in vain would fly,
He broke the ranks of men at will
In glittering mines dwarves he’d kill.
Grandsire he is through Father’s blood
A river of strength in fullest flood.
My egg was one of Irelia’s Clutch
Her wisdom passed in mental touch.
Mother took up before ever I woke
The parent dragon’s heavy yoke;
For me, her son, she lost her life
Murderous dwarves brought blackened knife.
A father I had in the Bronze AuRel
Hunter of renown upon wood and fell
He gave his clutch through lessons hard
A chance at life beyond his guard.
Father taught me where, and when, and how
To fight or flee, so I sing now.
Wistala, sibling, brilliant green
Escaped with me the axes keen
We hunted as pair, made our kill
From stormy raindrops drank our fill
When elves and dwarves took after us
I told her “Run,” and lost her thus.
Bound by ropes; by Hazeleye freed
And dolphin-rescued in time of need
I hid among men with fishing boats
On island thick with blown sea-oats
I became a drake and breathed first fire
When dolphin-slaughter aroused my ire.
I ran with wolves of Blackhard’s pack
Killed three hunters on my track
The Dragonblade’s men sought my hide
But I escaped through a fangèd tide
Of canine friends, assembled Thing
Then met young Djer, who cut collar-ring.
I crossed the steppes with dwarves of trade
On the banks of the Vhydic Ironriders slayed
Then sought out NooMoahk, dragon black
And took my Hieba daughter back
To find her kind; then took first flight
Saw NooMoahk buried in honor right.
When war came to friends I long had known
My path was set, my heart was stone
I sought the source of dreadful hate
And on this Isle I met my fate
Found Natasatch in a cavern deep
So I had one more promise to keep.
To claim this day my life’s sole mate
In future years to share my fate
A dragon’s troth is this day pledged
To she who’ll see me fully fledged.
Through this dragon’s life, as dragon-dame
shall add your blood to my family’s fame.
”
”
E.E. Knight (Dragon Champion (Age of Fire, #1))
“
Or, in your case, as wide. Wait. Did you just say Gandalf?”
“He is the founder of our order, and the first of the Five Warlocks. He comes from afar across the Western Ocean, from Easter Island, or perhaps from Japan.”
“No, I think he comes from the mind of a story writer. An old-fashioned Roman Catholic from the days just before First Space Age. Unless I am confusing him with the guy who wrote about Talking Animal Land? With the Cowardly Lion who gets killed by a Wicked White Witch? I never read the text, I watched the comic.”
“Oh, you err so! The Witches, we have preserved this lore since the time of the Fall of the Giants, whom we overthrew and destroyed. The tale is this: C. S. Lewis and Arthur C. Clarke were led by the Indian Maiden Sacagawea to the Pacific Ocean and back, stealing the land from the Red Man and selling them blankets impregnated with smallpox. It was called the Lewis and Clarke Expedition. When they reached the Pacific, they set out in the Dawn Treader to find the sea route to India, where the sacred river Alph runs through caverns measureless to man down to a sunless sea. They came to the Last Island, called Ramandu or Selidor, where the World Serpent guards the gateway to the Land of the Dead, and there they found Gandalf, returned alive from the underworld, and stripped of all his powers. He came again to mortal lands in North America to teach the Simon Families. The Chronicle is a symbolic retelling of their journey. It is one of our Holy Books.”
“Your Holy Books were written for children by Englishmen.”
“The gods wear many masks! If the Continuum chooses the lips of a White Man to be the lips through which the Continuum speaks, who are we to question? Tolkien was not Roman. He was of a race called the hobbits, Homo floresiensis, discovered on an isle in Indonesia, and he would have lived in happiness, had not the White Man killed him with DDT. So there were no Roman Catholics involved. May the Earth curse their memory forever! May they be forgotten forever!”
“Hm. Earth is big. Maybe it can do both. You know about Rome? It perished in the Ecpyrosis, somewhat before your time.”
“How could we not? The Pope in Rome created the Giants, whom the Witches rose up against and overthrew. Theirs was the masculine religion, aggressive, intolerant, and forbidding abortion. Ours is the feminine religion, peaceful and life-affirming and all-loving, and we offer the firstborn child to perish on our sacred fires. The First Coven was organized to destroy them like rats! When Rome was burned, we danced, and their one god was cast down and fled weeping on his pierced feet, and our many gods rose up. My ancestors hunted the Christians like stoats, and when we caught them, we burned them slowly, as they once did of us in Salem. What ill you do is returned to you tenfold!”
“Hm. Are you willing to work with a Giant? I saw one in the pit, and saw the jumbo-sized coffin they pried him out from. What if he is a baptized Christian? Most of them were, since they were created by my pet pope and raised by nuns.”
“All Christians must perish! Such is our code.”
“Your code is miscoded.”
“What of the Unforgettable Hate?”
“Forget about it.
”
”
John C. Wright (The Judge of Ages (Count to the Eschaton Sequence, #3))
“
Cattle and metal treasure were the main forms of wealth in ancient Ireland—metal because it was rare, and cattle because they were useful. Cattle provided milk to drink and to make into cheese, and hide and meat after they were dead. If a king demanded tribute from his subjects, it would probably be in the form of cattle—in fact, a wealthy farmer was called a bóiare, or “lord of cows.” In the famous poem Táin Bó Cuailnge, a major war starts because Queen Mebd discovers that her husband has one more bull than she does. Celtic chieftains spent quite a bit of their energy stealing cattle from one another. They even had a special word for this activity, táin. (Cattle raiding wasn’t just an amusement for the ancient Irish; modern Irish people were stealing one another’s cattle well into the twentieth century.)
”
”
Ryan Hackney (101 Things You Didn't Know About Irish History: The People, Places, Culture, and Tradition of the Emerald Isle (101 Things Series))
“
Delilah Isles was certain of two things—pork roast in the slow cooker was the best in cold weather, and the woman in her kitchen was dead.
”
”
October Weeks (Over the River (Isles and West #1))
“
Why did you not die?” He searched his memory, trying to find an answer for her. “When the sword bit through my neck, I thought surely I was dead. Then—then a sort of strength seemed to come to me, from somewhere. And I found myself having a strange conversation with an ant about life and death. The ant claimed one does not die as long as one is being remembered—” “—and loved,” Blathine finished for him. “That is how it is with mortals, Finvarra! I see what has happened here. Someone in the world from which I brought Connla Fiery Hair is still thinking about him and loving him.
”
”
Morgan Llywelyn (The Isles of the Blest)
“
far too short a time for memories to lose their bite; quite long enough for the world to be turned on its head. Old families whose sons had died in Flanders sold their stately homes to war profiteers; the land was dotted with half-empty villages where the young men were dead and the young women gone; the cities and towns were full of hungry-eyed jobless men; the Empire that had covered a full quarter of the earth was beginning to look less like an immutable and unchanging truth and more like hubris, with nemesis attendant.
”
”
K.J. Charles (Spectred Isle (Green Men, #1))
“
It is becoming evident that, as we use this earth, enough of it will need to remain in a natural state so that its energy exchange can operate in the long established manner. But we seem deadly intent on converting everything to some new design. Man has never yet created a self operating ecosystem, and he can only botch up the ones we have.
”
”
Durward L. Allen (Wolves of Minong: Isle Royale's Wild Community (Ann Arbor Paperbacks))
“
Every blue moon he dreamt of casting off all the expectations that sat heavy on him. Sometimes he imagined becoming a traveling bard who drank lore and spun it into song. He imagined gathering stories and reawakening places that were half dead and forgotten. And he wondered if remaining at the university, held within stone and glass and structure, was more akin to being a bird, held captive in an iron cage.
But these were dangerous thoughts.
It must be the isle blood in him. To crave a life of risk and little responsibility. To let the wind carry him from place to place.
”
”
Rebecca Ross (A River Enchanted (Elements of Cadence, #1))
“
That was one of Sandy’s vices.” “The drink?” “Yes. Like so many, I think he thought he needed it to be entertaining.” She sighed.
”
”
J.M. Dalgliesh (The Dead Man of Storr (Misty Isle #2))
“
What happened yesterday no longer matters. Today is another day.
”
”
J.M. Dalgliesh (The Dead Man of Storr (Misty Isle #2))
“
However, the invocation of the Devil’s name in Isobel’s verbal charms can be explained by a combination of two theories. The first being that this was the Folk Devil, fairy characters viewed by clergy as their Devil or "wee devils. The second theory being that Isobel was calling upon the biblical Devil to aid in harmful magic. In Scotland, unlike some other countries in the British Isles, most of the accounts where accused witches laid claim that their powers or charms were given unto them by the ‘gude nichtbouries’, or fairies than “muckle black deil”, or the devil-like their other Celtic neighbours. The 19th-century anthropologist Andrew Lang stated that witches who suffered at Presbyterian hands were merely narrators of fairy stories who trafficked with the dead (or fairies) and from them won medicinal recipes for cures. In Scotland, the fairy-faith has always been a strong backbone in the animistic beliefs of the people, especially in the gaidhealtachd or Gaelic-speaking areas of Scotland where they are called the sìth, sleagh maith or daoine beaga. In fact, during the whole witch-craze, which spread across Scotland, the Gaelic areas to the west had fewer accounts of people being charged with witchcraft. All classes of society during Isobel’s time held belief in the fairies, most with great fear but others were concerned with the gifts the fairies could bestow or teach.
”
”
Ash William Mills (The Black Book of Isobel Gowdie: And other Scottish Spells & Charms)
“
Fraser, who’d picked up his cup of tea, holding it with both hands, pointed at Duncan with a forefinger, the hand still wrapped around the cup. “Feral is the word you’re looking for, sir. Feral. If they were badgers, they’d be culled.” Duncan laughed. “They’re not all bad.” “No, sir. Just the feral ones.” Fraser sipped at his tea, swallowing hard. “And they’re breeding like rabbits.” “Badgers and rabbits.” Duncan inclined
”
”
J.M. Dalgliesh (The Dead Man of Storr (Misty Isle #2))
T.G. Reid (Isle of the Dead (DCI Bone, #5))
“
They all tended to portray a gloomy dark world where the unrighteous dead suffered in one form or another. The righteous dead, however were taken away to garden paradises, or “Isles of the Blessed.
”
”
Brian Godawa (Jesus Triumphant (Chronicles of the Nephilim, #8))
“
Helena was spellbound by the amazing view of the almost black waters of the sea at night, sparkling like liquid silver from the reflection of the bright light of August’s full moon.
”
”
Angel Sefer (Deadly Secrets (The Greek Isles Series, #2))
“
No one seemed to be standing there. However, she could feel someone watching them. It had to be Dimitris… Only this time, she was wrong... The dark figure, hiding behind some bushes around the corner of the house was not Dimitris…
”
”
Angel Sefer (Deadly Secrets (The Greek Isles Series, #2))
“
The beauty in front of her interrupted her thoughts. She took a deep breath, staring at the shores of Mykonos with the scenic coves and the golden sand beaches. "Welcome home, Helena…
”
”
Angel Sefer (Deadly Secrets (The Greek Isles Series, #2))
“
Jones had a dog; it had a chain;
Not often worn, not causing pain;
But, as the I.K.L. had passed
Their 'Unleashed Cousins Act’ at last,
Inspectors took the chain away;
Whereat the canine barked ‘Hooray!’
At which, of course, the S.P.U.
(Whose Nervous Motorists’ Bill was through)
Were forced to give the dog in charge
For being Audibly at Large.
None, you will say, were now annoyed,
Save, haply, Jones - the yard was void.
But something being in the lease
About ‘alarms to aid the police,’
The U.S.U. annexed the yard
For having no sufficient guard.
Now if there’s one condition
The C.C.P. are strong upon
It is that every house one buys
Must have a yard for exercise;
So Jones, as tenant, was unfit,
His state of health was proof of it.
Two doctors of the T.T.U.'s
Told him his legs, from long disuse,
Were atrophied; and saying ‘So
From step to higher step we go
Till everything is New and True.’
They cut his legs off and withdrew.
You know the E.T.S.T.'s views
Are stronger than the T.T.U.'s:
And soon (as one may say) took wing
The Arms, though not the Man, I sing.
To see him sitting limbless there
Was more than the K.K. could bear.
'In mercy silence with all speed
That mouth there are no hands to feed;
What cruel sentimentalist,
O Jones, would doom thee to exist -
Clinging to selfish Selfhood yet?
Weak one! Such reasoning might upset
The Pump Act, and the accumulation
Of all constructive legislation;
Let us construct you up a bit - '
The head fell off when it was hit:
Then words did rise and honest doubt,
And four Commissioners sat about
Whether the slash that left him dead
Cut off his body or his head.
An author in the Isle of Wight
Observed with unconcealed delight
A land of just and old renown
Where Freedom slowly broadened down
From Precedent to Precedent.
And this, I think, was what he meant.
”
”
G.K. Chesterton (Poems By G. K. Chesterton)
“
Look into his mind, his universe. We may think it's sick, but for him, this place is a little slice of paradise. A place where the dead are laid to rest. Just the place the Dominator would come. He walks around here and probably imagines a whole harem of sleeping women right beneath his feet.
”
”
Tess Gerritsen (The Apprentice (Rizzoli & Isles, #2))
“
justice. About how the dead never benefited from it. For them, it always comes too late.
”
”
Tess Gerritsen (Last to Die (Rizzoli & Isles, #10))
“
You taste like sin, beautiful, which just so happens to be my favourite flavour.
”
”
Caroline Peckham (Dead Man's Isle (The Harlequin Crew, #2))
“
Ho-ly shit, this man was going to be the death of me and I would lay there in my casket with a big as fuck smile on my dead face and the words 'she was dicked to death and died happy as sin' scrawled across my headstone.
”
”
Caroline Peckham (Dead Man's Isle (The Harlequin Crew, #2))
“
Love is obsession. Love’s the thing you can’t control, that binds you to someone whether they want you or not. It’s a gift to those who feel it towards each other, and the most excruciating curse when it’s unrequited.
”
”
Caroline Peckham (Dead Man's Isle (The Harlequin Crew, #2))
“
And the fact that she probably despised me again which was a hard, jagged pill to swallow. Like one of those round, uncoated pain killer tablets that always got stuck in your throat – who made that shit anyway? Satan?
”
”
Caroline Peckham (Dead Man's Isle (The Harlequin Crew, #2))
“
Life might like giving me lemons, but I was a fucking pro at squirting the juice in someone else's eyes and I wasn’t gonna stop squeezing now. ***
”
”
Caroline Peckham (Dead Man's Isle (The Harlequin Crew, #2))
“
You can’t stop living life just because you know a storm’s coming,
”
”
Caroline Peckham (Dead Man's Isle (The Harlequin Crew, #2))
“
I just wished I’d been able to see the timer running down back then so I could have made more out of each moment, tasted the sea salt on my lips a little longer, laughed fuller and harder, taken more photos, captured more of the sweetness to help counter the bitterness that had been coming. I knew regrets were pointless, but I had them all the same. I guess you never realise how bright the day is until the rain comes.
”
”
Caroline Peckham (Dead Man's Isle (The Harlequin Crew, #2))
“
Because the world is bad and dark, but it’s good and light too. Maybe the good redeems it just enough, even if that good isn’t meant for me.
”
”
Caroline Peckham (Dead Man's Isle (The Harlequin Crew, #2))
“
If the sun rises tomorrow, we’ll watch it together,
”
”
Caroline Peckham (Dead Man's Isle (The Harlequin Crew, #2))
“
Opinions often differed; it was about perspective.
”
”
J.M. Dalgliesh (A Long Time Dead (Misty Isle #1))
“
it’s like giving a horse an etch-a-sketch.
”
”
J.M. Dalgliesh (The Talisker Dead (Misty Isle #3))
“
I’ll say this, if I was in the hospital on a life support machine, Alex is the type of guy who’d unplug it to charge his phone.
”
”
J.M. Dalgliesh (A Long Time Dead (Misty Isle #1))
“
How many photos do people have on hard drives and tablets that they never look at? Only a relatively short time ago, people had to develop camera film and therefore took shots sparingly whereas now the capacity was there to photograph everything, but ironically no one ever looked at them.
”
”
J.M. Dalgliesh (A Long Time Dead (Misty Isle #1))