Isle Of Capri Quotes

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I don't think I can explain the despair my surroundings inspired in me. Though I now suspect, given the circumstances and my disposition, I would've been unhappy anywhere, in Biarritz or Caracas or the Isle of Capri, I was then convinced that my unhappiness was indigenous to that place.
Donna Tartt (The Goldfinch)
Though I now suspect, given the circumstances and my disposition, I would've been unhappy anywhere, in Biarritz or Caracas or the Isle of Capri, I was then convinced that my unhappiness was indigenous to that place. Perhaps a part of it was. While to a certain extent Milton is right—the mind is its own place and in itself can make a Heaven of Hell and so forth.
Donna Tartt (The Secret History)
The late 1920s were an age of islands, real and metaphorical. They were an age when Americans by thousands and tens of thousands were scheming to take the next boat for the South Seas or the West Indies, or better still for Paris, from which they could scatter to Majorca, Corsica, Capri or the isles of Greece. Paris itself was a modern city that seemed islanded in the past, and there were island countries, like Mexico, where Americans could feel that they had escaped from everything that oppressed them in a business civilization. Or without leaving home they could build themselves private islands of art or philosophy; or else - and this was a frequent solution - they could create social islands in the shadow of the skyscrapers, groups of close friends among whom they could live as unconstrainedly as in a Polynesian valley, live without moral scruples or modern conveniences, live in the pure moment, live gaily on gin and love and two lamb chops broiled over a coal fire in the grate. That was part of the Greenwich Village idea, and soon it was being copied in Boston, San Francisco, everywhere.
Malcolm Cowley (Exile's Return: A Literary Odyssey of the 1920s)
There is a great ladder of religious cruelty with many rungs; but three of them are the most important. At one time one sacrificed human beings to one's god, perhaps precisely those human beings one loved best–the sacrifice of the first-born present in all prehistoric religions belongs here, as does the sacrifice of the Emperor Tiberius in the Mithras grotto on the isle of Capri, that most horrible of all Roman anachronisms. Then, in the moral epoch of mankind, one sacrificed to one's god the strongest instincts one possessed, one's ‘nature’; the joy of this festival glitters in the cruel glance of the ascetic, the inspired ‘anti-naturist’. Finally: what was left to be sacrificed? Did one not finally have to sacrifice everything comforting, holy, healing, all hope, all faith in a concealed harmony, in a future bliss and justice? Did one not have to sacrifice God himself and out of cruelty against oneself worship stone, stupidity, gravity, fate, nothingness? To sacrifice God for nothingness–this paradoxical mystery of the ultimate act of cruelty was reserved for the generation which is even now arising: we all know something of it already.
Friedrich Nietzsche (Beyond Good and Evil)
We all need to withdraw from the world, occasionally. I think there are many ways people lose themselves into something they love to do.
Karen Donahue (Murder on the Isle of Capri, Italy (Ryan-Hunter #4))
mantra, while the plane continued its fall from the cloudless sky. Snow watched the cool-headed pilot in
Karen Donahue (Murder on the Isle of Capri, Italy (Ryan-Hunter #4))
Do something pleasant for her when you get home. So, what are you working on?
Karen Donahue (Murder on the Isle of Capri, Italy (Ryan-Hunter #4))