β
The flower that blooms in adversity is the rarest and most beautiful of all.
β
β
Walt Disney Company (Mulan (Disney Princess))
β
Laughter is timeless. Imagination has no age. And dreams are forever.
β
β
Walt Disney Company
β
It's kind of fun to do the impossible.
β
β
Walt Disney Company
β
The way to get started is to quit talking and begin doing.
β
β
Walt Disney Company
β
All our dreams can come true, if we have the courage to pursue them.
β
β
Walt Disney Company
β
There is more treasure in books than in all the pirates' loot on Treasure Island and best of all, you can enjoy these riches every day of your life.
β
β
Walt Disney Company
β
No matter how your heart is grieving, if you keep on believing, the dreams that you wish will come true.
β
β
Walt Disney Company
β
If you can dream it, you can do it. Always remember that this whole thing was started with a dream and a mouse.
β
β
Walt Disney Company
β
Around here, however, we don't look backwards for very long. We keep moving forward, opening up new doors and doing new things, because we're curious...and curiosity keeps leading us down new paths.
β
β
Walt Disney Company
β
The more you like yourself, the less you are like anyone else, which makes you unique.
β
β
Walt Disney Company
β
A dream is a wish your heart makes, when you're fast asleep.
β
β
Walt Disney Company (Cinderella)
β
I'm the girl who is lost in space, the girl who is disappearing always, forever fading away and receding farther and farther into the background. Just like the Cheshire cat, someday I will suddenly leave, but the artificial warmth of my smile, that phony, clownish curve, the kind you see on miserably sad people and villains in Disney movies, will remain behind as an ironic remnant. I am the girl you see in the photograph from some party someplace or some picnic in the park, the one who is in fact soon to be gone. When you look at the picture again, I want to assure you, I will no longer be there. I will be erased from history, like a traitor in the Soviet Union. Because with every day that goes by, I feel myself becoming more and more invisible...
β
β
Elizabeth Wurtzel (Prozac Nation)
β
The past can hurt. But the way I see it, you can either run from it, or learn from it.
β
β
Walt Disney Company
β
She believed in dreams, all right, but she also believed in doing something about them. When Prince Charming didn't come along, she went over to the palace and got him.
β
β
Walt Disney Company
β
When you're curious, you find lots of interesting things to do.
β
β
Walt Disney Company
β
Good bye may seem forever. Farewell is like the end, but in my heart is the memory and there you will always be.
β
β
Walt Disney Company
β
Think, Believe, Dream, and Dare.
β
β
Walt Disney Company
β
Here you leave today and enter the world of yesterday, tomorrow, and fantasy.
β
β
Walt Disney Company
β
Our greatest national resource is the minds of our children.
β
β
Walt Disney Company
β
Fantasy, if it's really convincing, can't become dated, for the simple reason that it represents a flight into a dimension that lies beyond the reach of time.
β
β
Walt Disney Company
β
All the adversity I've had in my life, all my troubles and obstacles, have strengthened me... You may not realize it when it happens, but a kick in the teeth may be the best thing in the world for you.
β
β
Walt Disney Company
β
Disneyland will never be completed. It will continue to grow as long as there is imagination left in the world.
β
β
Walt Disney Company
β
You think the only people who are people, are the people who look and think like you. But if you walk the footsteps of a stranger, you'll learn things you never knew you never knew." - Pocahontas
β
β
Walt Disney Company
β
I would rather entertain and hope that people learned something than educate people and hope they were entertained
β
β
Walt Disney Company
β
It's not hard to make decisions when you know what your values are.
β
β
Roy Disney
β
I wished that, for once, faery tales β real faery tales, not Disney fairy tales β would have a happy ending.
β
β
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
β
You're dead if you aim only for kids. Adults are only kids grown up, anyway
β
β
Walt Disney Company
β
When you believe in a thing, believe in it all the way, implicitly and unquestionable.
β
β
Walt Disney Company
β
Well, spit on my empty grave--if it ain't the attack of the Disney princesses!
β
β
Amy Plum (Die for Me (Revenants, #1))
β
I always like to look on the optimistic side of life, but I am realistic enough to know that life is a complex matter.
β
β
Walt Disney Company
β
But they say if you dream a thing more than once, it's sure to come true.
β
β
Walt Disney Company (12 Princess Stories)
β
Forever is a long long time and time has a way of changing things
β
β
Walt Disney Company
β
Keep Moving Forward
β
β
Walt Disney Company
β
Laughter is America's most important export.
β
β
Walt Disney Company
β
How dare you open a spaceman's helmet on an uncharted planet? My eyeballs could've been sucked from their sockets!
β
β
Cathy East Dubowski (Disney's Toy Story)
β
Dear parents, Jasmine was in a relationship with a dirty homeless boy named Aladdin. Snow White lived alone with 7 men. Pinnochio was a liar. Robin Hood was a thief. Tarzan walked around without clothes on. A stranger kissed sleeping beauty and she married him. Cinderella lied and snuck out at night to attend a party. You can't blame us. We were taught to rebel since a young age.
β
β
Walt Disney Company
β
Those who are clever, who have a brain, never understand anything.
β
β
Walt Disney Company
β
Somehow I can't believe that there are any heights that can't be scaled by a man who knows the secrets of making dreams come true. This special secret, it seems to me, can be summarized in four Cs. They are curiosity, confidence, courage, and constancy, and the greatest of all is confidence. When you believe in a thing, believe in it all the way, implicitly and unquestionable.
β
β
Walt Disney Company
β
You are braver than you believe, stronger than you seem, and smarter than you think. But the most important thing is, even if weβre apartβ¦Iβll always be with you.
β
β
Carter Crocker (Disney's Pooh's Grand Adventure The Search for Christopher Robin (A Little Golden Book))
β
It's because I like you, I don't want to be with you. It's a complicated emotion
β
β
Walt Disney Company
β
After the rain, the sun will reappear.
There is life. After the pain, the joy will still be here.
β
β
Walt Disney Company
β
Let your heart guide you...it whispers so listen closely.
β
β
Walt Disney Company
β
I love the nostalgic myself. I hope we never lose some of the things of the past.
β
β
Walt Disney Company
β
I love Mickey Mouse more than any woman I have ever known.
β
β
Walt Disney Company
β
You are braver than you believe,
Stronger than you seem,
And smarter than you think(:
β
β
Carter Crocker (Disney's Pooh's Grand Adventure The Search for Christopher Robin (A Little Golden Book))
β
Thereβs no such thing as too much Disney.
β
β
Jess Rothenberg (The Catastrophic History of You and Me)
β
First bubble baths. Now Disney parks. You're shattering every creep vampire myth I've ever heard.
β
β
Jeaniene Frost (Eternal Kiss of Darkness (Night Huntress World, #2))
β
You do realize you just mixed Disney metaphors, right? Disney metaphors. Wow, Calla, now I'm just sad for you.
β
β
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
β
I only hope that we never lose sight of one thing β that it was all started by a mouse.
β
β
Walt Disney Company
β
Do you have a Wish?' he asked, referring to this organization, The Genie Foundation, which is in the business of granting sick kids one wish.
'No' I said. 'I used my Wish pre-Miracle.'
'What'd you do?'
I sighed loudly. 'I was thirteen,' I said.
'Not Disney,' he said.
I said nothing.
'You did not go to Disney World.'
I said nothing.
'HAZEL GRACE!' he shouted. 'You did not use your one dying Wish to go to Disney World with your parents.'
'Also Epcot Center,' I mumbled.
'Oh, my God,' Augustus said. 'I can't believe I had a crush on a girl with such clichΓ© wishes.
β
β
John Green (The Fault in Our Stars)
β
Disneyland is like Alice stepping through the Looking Glass; to step through the portals of Disneyland will be like entering another world.
β
β
Walt Disney Company
β
I'm Min's fairy godmother, Charm Boy,' Liza said, frowning down at him. 'And if you don't give her a happily ever after, I'm going to come back and beat you to death with a snow globe.'
What happened to "bibbity bobbity boo"?' Cal asked Min.
That was Disney, honey,' Min said. 'It wasn't a documentary.
β
β
Jennifer Crusie (Bet Me)
β
I do not like to repeat successes I like to go on to other things.
β
β
Walt Disney Company
β
That's the real trouble with the world, too many people grow up. They forget.
β
β
Walt Disney Company
β
I think 2-D animation disappeared from Disney because they made so many uninteresting films. They became very conservative in the way they created them. It's too bad. I thought 2-D and 3-D could coexist happily.
β
β
Hayao Miyazaki
β
Why worry? If you've done the very best you can, worrying won't make it any better
β
β
Walt Disney Company
β
Children are people, and they should have to reach to learn about things, to understand things, just as adults have to reach if they want to grow in mental stature. Life is composed of lights and shadows, and we would be untruthful, insincere, and saccharine if we tried to pretend there were no shadows. Most things are good, and they are the strongest things; but there are evil things too, and you are not doing a child a favor by trying to shield him from reality. The important thing is to teach a child that good can always triumph over evil.
β
β
Walt Disney Company
β
nothing is impossible
β
β
Walt Disney Company
β
You'll be a poorer person all your life if you don't know some of the great stories and great poems.
β
β
Walt Disney Company
β
If you don't like Cinderella because she seems so "naive" and "weak," listen to this quote from the Walt himself: "She believed in dreams, all right, but she also believed in doing something about them. When Prince Charming didn't come along, she went over to the palace and got him.
β
β
Walt Disney Company
β
When I started on Disneyland, my wife used to say, 'But why do you want to build an amusement park? They're so dirty.' I told her that was just the point--mine wouldn't be.
β
β
Walt Disney Company
β
Movies can and do have tremendous influence in shaping young lives in the realm of entertainment towards the ideals and objectives of normal adulthood.
β
β
Walt Disney Company
β
Get a good idea and stay with it. Dog it, and work at it until it's done right.
β
β
Walt Disney Company
β
(on fox news).... it's like watching a Disney movie about the news.
β
β
Stephen Colbert
β
I have no use for people who throw their weight around as celebrities, or for those who fawn over you just because you are famous.
β
β
Walt Disney Company
β
Exactly. These guys just want me to play Snow White singing in her little cottage while they do all the work.'
Lucy snorted. 'Snow White and the Seven Buttheads. You could give Disney a run for their money.'
Nicholas poked her in the ribs. 'I am not a singing dwarf!'
'No, you're a butthead. Weren't you paying attention?
β
β
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
β
Whatever we accomplish is due to the combined effort.
β
β
Walt Disney Company
β
Look, you're really cute, but I can't understand what you're saying
β
β
Walt Disney Company
β
You're braver than you believe and stronger and smarter than you think.
β
β
Carter Crocker (Disney's Pooh's Grand Adventure The Search for Christopher Robin (A Little Golden Book))
β
If he could learn to love another, and earn her love in return by the time the last petal fell, then the spell would be broken. If not, he would be doomed to remain a beast for all time. As the years passed, he fell into despair and lost all hope. For who could ever learn to love a beast? -Beauty & the Beast
β
β
Walt Disney Company
β
To all that come to this happy place, welcome. Disneyland is your land. Here age relives fond memories of the past, and here youth may savor the challenge and promise of the future. Disneyland is dedicated to the ideals, the dreams, and the hard facts that have created America... with hope that it will be a source of joy and inspiration to all the world.
β
β
Walt Disney Company
β
It is when we are most lost that we sometimes find our truest friends.
β
β
Cynthia Rylant (Walt Disney's Snow White and the Seven Dwarfs (Walt Disney's Classic Fairytale))
β
A lie keeps growing and growing until it's as plain as the nose on your face.
β
β
Walt Disney Company (Pinocchio)
β
If the Beast gave me a library like he gave to Belle, Iβd marry him too.
β
β
Aya Ling (The Ugly Stepsister (Unfinished Fairy Tales, #1))
β
Here is the world of imagination, hopes, and dreams. In this timeless land of enchantment, the age of chivalry, magic and make-believe are reborn - and fairy tales come true. Fantasyland is dedicated to the young-in-heart, to those who that when you wish upon a star, your dreams come true.
β
β
Walt Disney Company
β
You can design and create, and build the most wonderful place in the world. But it takes people to make the dream a reality.
β
β
Walt Disney Company
β
Landscapes of great wonder and beauty lie under our feet and all around us. They are discovered in tunnels in the ground, the heart of flowers, the hollows of trees, fresh-water ponds, seaweed jungles between tides, and even drops of water. Life in these hidden worlds is more startling in reality than anything we can imagine. How could this earth of ours, which is only a speck in the heavens, have so much variety of life, so many curious and exciting creatures?
β
β
Walt Disney Company
β
A man should never neglect his family for business.
β
β
Walt Disney Company
β
Crowded classrooms and half-day sessions are a tragic waste of our greatest national resource - the minds of our children.
β
β
Walt Disney Company
β
Tink's a Disney whore!- Jenks
β
β
Kim Harrison (Pale Demon (The Hollows, #9))
β
I believe in being an innovator.
β
β
Walt Disney Company
β
A good story can take you on a fantastic journey.
β
β
Walt Disney Company
β
Or heritage and ideals, our code and standards - the things we live by and teach our children - are preserved or diminished by how freely we exchange ideas and feelings.
β
β
Walt Disney Company
β
You are a sad, sad little man and you have my pity.
β Buzz Lightyear
β
β
Cathy East Dubowski (Disney's Toy Story)
β
Animation can explain whatever the mind of man can conceive. This facility makes it the most versatile and explicit means of communication yet devised for quick mass appreciation.
β
β
Walt Disney Company
β
Adults are only kids grown up
β
β
Walt Disney Company
β
The difference in winning & losing is most often, not quitting.
β
β
Walt Disney Company
β
Perhaps Bach and Beethoven are strange bedfellows for Mickey Mouse, but it's all been a lot of fun.
β
β
Walt Disney Company
β
I'd rather die tomorrow than live a hundred years without knowing you.
β
β
Walt Disney Company
β
We keep moving forward, opening new doors, and doing new things, because we're curious and curiosity keeps leading us down new paths.
β
β
Walt Disney Company
β
I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful.
Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm?
A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are.
Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart."
Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?
β
β
Donna Tartt (The Goldfinch)
β
You are stronger than you seem,
Braver than you believe,
and smarter than you think you are.
β
β
Carter Crocker (Disney's Pooh's Grand Adventure The Search for Christopher Robin (A Little Golden Book))
β
There is more treasure in books than in all the pirate's loot on Treasure Island.
β
β
Walt Disney Company
β
I like to think that nothing's final, and that everyone gets to be together even when it looks like they don't, that it all works out even when all the evidence seems to say something else, that you and I are always young in the woods, and that I'll see you sometime again, even if it's not with any kind of eyes I know of or understand. I wouldn't be surprised if that is the way things go after all - that all things end happy.
β
β
Jodi Lynn Anderson (Tiger Lily)
β
We are not trying to entertain the critics. I'll take my chances with the public.
β
β
Walt Disney Company
β
I... do... not... do... lightning.
β
β
Ridley Pearson (Disney at Dawn (Kingdom Keepers, #2))
β
Across the river, a row of crystal castles glittered in the sunlight in a way that would make Walt Disney want to throw rocks at his βMagic Kingdom.
β
β
Shannon Messenger (Keeper of the Lost Cities (Keeper of the Lost Cities, #1))
β
Over at our place, weβre sure of just one thing: everybody in the world was once a child. So in planning a new picture, we donβt think of grown-ups, and we donβt think of children. But just of that fine, clean, unspoiled spot down deep in every one of us, that maybe the world has made us forget.
β
β
Walt Disney Company
β
There is a natural hootchy-kootchy motion to a goldfish.
β
β
Walt Disney Company
β
When the wicked want to bring down the innocent, they aim for a loving heart.
β
β
Cynthia Rylant (Walt Disney's Snow White and the Seven Dwarfs (Walt Disney's Classic Fairytale))
β
Ask the questions you need to ask, admit without apology what you donβt understand, and do the work to learn what you need to learn as quickly as you can.
β
β
Robert Iger (The Ride of a Lifetime: Lessons Learned from 15 Years as CEO of the Walt Disney Company)
β
A true hero isn't measured by the size of his strength, but by the size of his heart.
β
β
Zeus
β
I want adventure in the great wide somewhere.
I want it more than I can tell.
And for once it might be grand
To have someone understand
I want so much more than theyβve got plannedβ¦
β
β
Howard Ashman (Disney's Beauty and the Beast)
β
Do you guys remember that time when we were all definitely going to die and then Ben grabbed the steering wheel and dodged a ginormous freaking cow and spun the car like the teacups at Disney World and we didn't die?
β
β
John Green (Paper Towns)
β
Happiness is a state of mind. It's just according to the way you look at things.
β
β
Walt Disney Company
β
And although we adore men individually, we agree that as a group they're rather stupid.
β
β
Richard M. Sherman (Vocal Selections from Walt Disney's Mary Poppins)
β
If you don't believe in yourself, who will?' ~Maybeck
β
β
Ridley Pearson (Disney After Dark (Kingdom Keepers, #1))
β
Suddenly he stops. He looks up. For, lo, there she stands. The girl of his dreams. Who she is or whence she came, he knows not, nor does he care for his heart tells him that here, here is the maid predestined to be his bride.
β
β
Walt Disney Company
β
Iβll be there someday, I can go the distance.
I will find my way, if I can be strong.
I know every mile, will be worth my while,
When I go the distance, Iβll be right where I belong. - Hercules
β
β
Walt Disney Company (Hercules)
β
No matter how the wind howls. The mountain cannot bow to it.
β
β
Walt Disney Company (Mulan (Disney Princess))
β
When will my reflection show who I am inside?
β
β
Walt Disney Company (Mulan (Disney Princess))
β
The best day of my life happened when I was five and almost died at Disney World. I'm sixteen now, so you can imagine that's left me with quite a few days of major suckage.
β
β
Libba Bray (Going Bovine)
β
I'm a damsel, I'm in distress, I can handle this. Have a nice day!
β
β
Walt Disney Company
β
Oh, shimmer down, Hunter. You're too testy. How many times have I've told you that you need to chill out, take a vacay. Disney World is really fun this time of the year. you should check it out.
β
β
Jennifer L. Armentrout (Obsession)
β
We have created characters and animated them in the dimension of depth, revealing through them to our perturbed world that the things we have in common far outnumber and outweigh those that divide us.
β
β
Walt Disney Company
β
You're braver than you believe, stronger than you seem, and smarter than you think. - Christopher Robin
β
β
Carter Crocker (Disney's Pooh's Grand Adventure The Search for Christopher Robin (A Little Golden Book))
β
For a few moments I want to be 5 years old again. I want someone to plunk me down in front of a Disney movie and ask me if I want apple juice or grape.
β
β
Jennifer Richard Jacobson (Paper Things)
β
So Mackenzie, have you decided what you want to be when you grow up?"
"Yep. I wanna be a princess. And i wanna mary a prince and live in a castle."
I need to talk to my sister. Disney is dangerous.
β
β
Emma Chase (Tangled (Tangled, #1))
β
Whatever you do, do it well. Do it so well that when people see you do it, they will want to come back and see you do it again, and they will want to bring others and show them how well you do what you do.
β
β
Walt Disney Company
β
For every laugh, there should be a tear.
β
β
Walt Disney Company
β
Just keep swimming.
β
β
Dory
β
Do not be fooled by its commonplace appearance. Like so many things, it is not what outside, but what is inside that counts.
β
β
Walt Disney Company
β
True authority and true leadership come from knowing who you are and not pretending to be anything else.
β
β
Robert Iger (The Ride of a Lifetime: Lessons Learned from 15 Years as CEO of the Walt Disney Company)
β
I just want to leave you with this thought, that it's just been sort of a dress rehearsal, and we're just getting started. So if any of you start resting on your laurels, I mean just forget it, because...we are just getting started.
β
β
Walt Disney Company
β
Iβm not leaving,β Sam said, his eyes fixed on the boy he was holding. βNot until Disney Princess here apologizes, or his head comes off, one of the two.
β
β
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
β
Animation offers a medium of story telling and visual entertainment which can bring pleasure and information to people of all ages everywhere in the world.
β
β
Walt Disney Company
β
Well I come from a land,
from a far away place, where the caravan camels roam.
They will cut of your ear if they don't like your face,
it's babaric, but hey,
it's home.
β
β
Walt Disney Company
β
The flower that blooms in adversity is the most rare and beautiful of all.
β
β
Walt Disney Company
β
Optimism. One of the most important qualities of a good leader is optimism, a pragmatic enthusiasm for what can be achieved. Even in the face of difficult choices and less than ideal outcomes, an optimistic leader does not yield to pessimism. Simply put, people are not motivated or energized by pessimists.
β
β
Robert Iger (The Ride of a Lifetime: Lessons Learned from 15 Years as CEO of the Walt Disney Company)
β
That's what we storytellers do. We restore order with imagination. We instill hope again and again and again.
β
β
Kelly Marcel
β
Here is adventure. Here is romance. Here is mystery. Tropical rivers β silently flowing into the unknown. The unbelievable splendor of exotic flowers β¦ the eerie sound of the jungle β¦ with eyes that are always watching. This is Adventureland.
β
β
Walt Disney Company
β
Hannah hadnβt been moving suggestively when sheβd belted out Lady Gaga earlier, but she sure as shit is moving suggestively now. Sheβs gone from Disney Channel Miley Cyrus to Full-on Twerk Mode Miley, and itβs officially time for me to put a stop to it before she moves straight to Letβs Make a Sex Tape Miley. Waitβhas Miley ever made a sex tape? Fuck, who am I kidding? Of course she has.
β
β
Elle Kennedy (The Deal (Off-Campus, #1))
β
Put your faith in what you most believe in.
β
β
Phil Collins (Disney's Tarzan: Easy Piano)
β
If leaders donβt articulate their priorities clearly, then the people around them donβt know what their own priorities should be. Time and energy and capital get wasted.
β
β
Robert Iger (The Ride of a Lifetime: Lessons Learned from 15 Years as CEO of the Walt Disney Company)
β
Who's Chernabog?" Grumbled Maybeck.
Philby answered,"Only the most powerful villian Walt Disney ever created.
β
β
Ridley Pearson (Disney at Dawn (Kingdom Keepers, #2))
β
To some people, I am kind of a Merlin who takes lots of crazy chances, but rarely makes mistakes. I've made some bad ones, but fortunately, the successes have come along fast enough to cover up the mistakes. When you go to bat as many times as I do, and continually improve upon your mistakes, you're bound to get a good average.
β
β
Walt Disney Company
β
We went to the New York World's Fair, saw what the past had been like, according to the Ford Motor Car Company and Walt Disney, saw what the future would be like, according to General Motors. And I asked myself about the present: how wide it was, how deep it was, how much was mine to keep.
β
β
Kurt Vonnegut Jr. (Slaughterhouse-Five)
β
Girls bored me - they still do. I love Mickey Mouse more than any woman I've ever known
β
β
Walt Disney Company
β
A heads up...so you're not too disappointed that Disney lied - no matter how much you wish it, I'll still be here when you open your eyes.
β
β
Samantha Young (Down London Road (On Dublin Street, #2))
β
Damn Disney & all their happily-after-ever, unrealistic bullshit stories
β
β
Jillian Dodd (Stalk Me (The Keatyn Chronicles, #1))
β
The very things that held you down are gonna carry you up and up and up.
β
β
Timothy Mouse
β
I am interested in entertaining people, in bringing pleasure, particularly laughter, to others, rather than being concerned with 'expressing' myself with obscure creative impressions.
β
β
Walt Disney Company
β
Of all of our inventions for mass communication, pictures still speak the most universally understood language.
β
β
Walt Disney Company
β
The difference between winning and losing is most often not quitting.
β
β
Walt Disney Company
β
What do you care more about? The kids or your hair?
β
β
Ridley Pearson (Disney at Dawn (Kingdom Keepers, #2))
β
All over the world major museums have bowed to the influence of Disney and become theme parks in their own right. The past, whether Renaissance Italy or Ancient Egypt, is re-assimilated and homogenized into its most digestible form. Desperate for the new, but disappointed with anything but the familiar, we recolonize past and future. The same trend can be seen in personal relationships, in the way people are expected to package themselves, their emotions and sexuality, in attractive and instantly appealing forms.
β
β
J.G. Ballard (The Atrocity Exhibition)
β
Hot damn. Cue the violins and happy cartoon bunnies. I was in the middle of a Disney moment. Because this guy was gorgeous. And we were standing so close to each other. If he hadn't been holding onto a barely contained rage directed at yours truly, it could have almost been construed as romantic.
β
β
A. Meredith Walters (Find You in the Dark (Find You in the Dark, #1))
β
Tink's a Disney whore' - Jenks
β
β
Kim Harrison (Dead Witch Walking (The Hollows, #1))
β
We dance, we kiss, we schmooze, we carry on, we go home happy. What do you say? Come on..
β
β
Walt Disney Company
β
The path to innovation begins with curiosity
β
β
Robert Iger (The Ride of a Lifetime: Lessons Learned from 15 Years as CEO of the Walt Disney Company)
β
We keep moving forward, opening new doors and doing new things, because we're curious,and curiosity keeps leading us down new paths.
β
β
Walt Disney Company
β
Be careful what you wear to bed, because you never know where you might wake up.
β
β
Ridley Pearson (Disney at Dawn (Kingdom Keepers, #2))
β
When did I turn into a needywhiny angsty idiot who needed to be swept off her feet? She snorted then started running again, forcing me into a brief sprint to catch up. We're conditioned from birth she said. I swear to god,if I ever have a daughter I'll ban all of the Disney princesses from the house. Except Mulan. She kicks ass.
β
β
Diana Rowland (Secrets of the Demon (Kara Gillian, #3))
β
Innovate or die, and thereβs no innovation if you operate out of fear of the new or untested.
β
β
Robert Iger (The Ride of a Lifetime: Lessons Learned from 15 Years as CEO of the Walt Disney Company)
β
There's a fine line between imagination and reality. An inventor dreams something up, and pretty soon, it's there on the table before him. A science-fiction writer envisions another world, and then some space probe finds it. If you believe in something strongly enough, I think you can make it happen.
β
β
Ridley Pearson (Disney After Dark (Kingdom Keepers, #1))
β
Why do we have to grow up? I know more adults who have the children's approach to life. They're people who don't give a hang what the Joneses do. You see them at Disneyland every time you go there. They are not afraid to be delighted with simple pleasures, and they have a degree of contentment with what life has brought - sometimes it isn't much, either.
β
β
Walt Disney Company
β
He'd woken up after flying from Boston to Montana to find his da cooking breakfast for them: sausage and pancakes shaped like deer. It wasn't just any deer, either - they looked like Bambi from the disney cartoon. Charles didn't want to know how his father had managed that
β
β
Patricia Briggs (Fair Game (Alpha & Omega, #3))
β
its fun to do the unexpected.
β
β
Walt Disney Company (Nursery Rhymes & Fairy Tales)
β
You little fool. You thought you could defeat the most powerful being on Earth.
β
β
Walt Disney Company (Walt Disney Aladdin)
β
Of all the things I've done, the most vital is coordinating the talents of those who work for us and pointing them toward a certain goal.
β
β
Walt Disney Company
β
Donβt be in the business of playing it safe. Be in the business of creating possibilities for greatness.
β
β
Robert Iger (The Ride of a Lifetime: Lessons Learned from 15 Years as CEO of the Walt Disney Company)
β
Everything's just fucking Disney with you.
β
β
Nenia Campbell (Horrorscape (Horrorscape, #2))
β
The heart may be weak. And sometimes it may even give in. But I've learned that deep down, there's a light that never goes out!
β
β
Tetsuya Nomura
β
I think itβs important to have a good hard failure when you're young. I learned a lot out of that. Because it makes you kind of aware of what can happen to you. Because of it Iβve never had any fear in my whole life when weβve been near collapse and all of that. Iβve never been afraid. Iβve never had the feeling I couldnβt walk out and get a job doing something.
β
β
Walt Disney Company
β
Rapunzel:I've been looking out of a window for eighteen years, dreaming about what I might feel like when those lights rise in the sky. What if it's not everything I dreamed it would be?
Flynn Rider: It will be.
Rapunzel: And what if it is? What do I do then?
Flynn Rider: Well,that's the good part I guess. You get to go find a new dream.
β
β
Tangled
β
But those with an evil heart seem to have a talent for destroying anything beautiful which is about to bloom.
β
β
Cynthia Rylant (Walt Disney's Snow White and the Seven Dwarfs (Walt Disney's Classic Fairytale))
β
Where the fuck is Mickey!? Fuck's sake! If there's no Mickey, this shit ain't Disney!
β
β
Hirohiko Araki
β
Simon?β
βYeah?β
βCan you tell me a story?β
He blinked. βWhat kind of story?β
βSomething where the good guys win and the bad guys lose. A nd stay dead.β
βSo, like a fairy tale?β he said. He racked his brain. He knew only the Disney versions of fairy tales, and the first knew only the Disney versions of fairy tales, and the first image that came to mind was A riel in her seashell bra.
Heβd had a crush on her when he was eight. Not that this seemed like the time to mention it.
βNo.β The word was an exhaled breath. βWe study fairy tales in school. A lot of that magic is realβbut, anyway.
No, I want something I havenβt heard yet.β
βOkay. Iβve got a good one.β Simon stroked Isabelleβs hair, feeling her lashes flutter against his neck as she closed her eyes. βA long time ago, in a galaxy far, far awayβ¦
β
β
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
β
You're flying Buzz! No Woody we're falling in style!
β
β
Walt Disney Company (Disney Pixar Character Encyclopedia)
β
And it's almost too perfect. Almost too Disney.
β
β
Becky Albertalli (Simon vs. the Homo Sapiens Agenda (Simonverse, #1))
β
Het woord waardoor Nederlanders altijd verraden dat ze Nederlands zijn is 'hè'. 'We went to Disney World, hè, and the kids really liked it, hè.
β
β
Paulien Cornelisse (Taal is zeg maar echt mijn ding)
β
Empathy is a prerequisite to the sound management of creativity, and respect is critical.
β
β
Robert Iger (The Ride of a Lifetime: Lessons Learned from 15 Years as CEO of the Walt Disney Company)
β
Look at you, glowing like a solar fire. You're something special... You're going to rattle the stars, you are.
β
β
Walt Disney Company
β
A person should set his goals as early as he can and devote all his energy and talent to getting there. With enough effort, he may achieve it. Or he may find something that is even more rewarding. But in the end, no matter what the outcome, he will know he has been alive.
β
β
Walt Disney Company
β
Ever, can't you just relax and enjoy the view? When was the last time you were in Paris anyway?"
"Never. I've never been to Paris. And I hate to break it to you, Ava, but thisβis not Paris. This is like some cranked up Disney version of Paris. Like, you've taken a pile of travel brochures and French postcards, and scenes from that adorable cartoon movie Ratatouille, mixed them all together and voila, created this.
β
β
Alyson Noel (Blue Moon (The Immortals, #2))
β
Elephants? Really? My God, what does he see in you? Certainly not your intellect or wit, since weβve yet to see any evidence it exists. And your idea of a love scene? So Disney, so Family Channel, so dreadfully boring. Really, Ever, may I remind you that Damenβs been around for hundreds of years, including the free-love sixties?
β
β
Alyson Noel (Evermore (The Immortals, #1))
β
American long for a closed society in which everything can be bought, where laborers are either hidden away or dressed up as nonhumans, so as not to be disconcerting. This place is called Disney World
β
β
Adam Gopnik (Paris to the Moon)
β
Especially with four insanely angry, sword-carrying pirates bearing down on you, followed closely by an alien with a genetic malfunction that posed like Elvis Presley and looked slightly like a cross between a koala and a cuddly dog.
β
β
Ridley Pearson (Disney in Shadow (Kingdom Keepers, #3))
β
Conspiracy theorists like to claim NASAβs moon landing was faked. Well of course it was! But the biggest conspiracy of all is the Columbus landed in the new world in the late 15th century. There is no new world. It simply doesnβt exist. And Amerigo Vespucci? He was a character out of Walt Disneyβs diary.β¨
β
β
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
β
Thereβs a whole psychological reason for those cartoons about good against evil. We have "Superman" and all those other hero people, so that we can go out into life and try to be something. Iβve got most of Disneyβs animated movies on video-tapes, and when we watch them. Oh, I could just eat it, eat it. [β¦] Jimmy Cricket, Pinocchio, Mickey Mouse β these are world-known characters. Some of the greatest political figures have come to the United States to meet them.
β
β
Michael Jackson
β
Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart."
Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?
β
β
Donna Tartt (The Goldfinch)
β
Nearly everybody gets twitterpated in the springtime. [. . . ] You begin to get weak in the knees. Your head's in a whirl. And then you feel light as a feather, and before you know it, you're walking on air. And then you know what? You're knocked for a loop, and you completely lose your head!
β
β
Walt Disney Company
β
Youβre notΒ .Β .Β . normal, Clara. You try to pretend you are. But youβre not. You talked to a grizzly bear, and it obeyed you. Birds follow you like a Disney cartoon, or havenβt you noticed? And for a while after you came back from Idaho Falls, Wendy thought you were on the run from someone or something. Youβre good at everything you try. You ride a horse like you were born in the saddle, you ski perfect parallel turns your first time on the hill, you apparently speak fluent French and Korean and who knows what else. Yesterday I noticed that your eyebrows kind of glitter in the sun. And thereβs something about the way you move, something thatβs beyond graceful, something thatβs beyond human, even. Itβs like youβreΒ .Β .Β . something else.
β
β
Cynthia Hand (Unearthly (Unearthly, #1))
β
I always like to look on the optimistic side of life, but I am realistic enough to know that life is a complex matter. With the laugh comes the tears and in developing motion pictures or television shows, you must combine all the facts of life β drama, pathos and humor.
β
β
Walt Disney Company
β
I honestly can't remember much else about those years except a certain mood that permeated most of them, a melancholy feeling that I associate with watching 'The Wonderful World of Disney' on Sunday nights. Sunday was a sad day - early to bed, school the next morning, I was constantly worried my homework was wrong - but as I watched the fireworks go off in the night sky, over the floodlit castles of Disneyland, I was consumed by a more general sense of dread, of imprisonment within the dreary round of school and home: circumstances which, to me at least, presented sound empirical argument for gloom.
β
β
Donna Tartt (The Secret History)
β
Langdon watched the phone plummet down and splash into the dark waters of the NerviΓ³n River. As it disappeared beneath the surface, he felt a pang of loss, staring back after it as the boat raced on.
βRobert,β Ambra whispered, βjust remember the wise words of Disneyβs Princess Elsa.β
Langdon turned. βIβm sorry?β
Ambra smiled softly. βLet it go.
β
β
Dan Brown (Origin (Robert Langdon, #5))
β
I want to change my life...except I sort of like it. I mean, I couldn't be more delighted every Monday night after Fletch goes to bed when I come downstairs, pull up the Bachelor on TiVo, drink Riesling, and eat cheddar/port wine Kaukauna cheese without freakign out over fat grams. I'm perpetually in a good mood because I do everything I want. I love having the freedom to skip the gym to watch a Don Knots movie on the Disney Channel without a twinge of guilt. I've figured out how to not be beholden to what other people believe I should be doing, and when the world tells me I ought to be a size eight, I can thumb my nose at them in complete empowerment.
β
β
Jen Lancaster (Such a Pretty Fat: One Narcissist's Quest to Discover If Her Life Makes Her Ass Look Big, or Why Pie Is Not the Answer)
β
Anna: Ash, I don't have anything planned with my Mother... She's dead.
Ashley: What?
Anna: She died when I was seven. She drowned. It's just my Dad and me. I didn't tell you before because I just wanted a fresh start here, because before I moved, everybody knew about it and... I'm sorry.
Ashley: ....... You're like a Disney Princess!
β
β
Jessi Kirby (Moonglass)
β
I think a lot about queer villains, the problem and pleasure and audacity of them. I know I should have a very specific political response to them. I know, for example, I should be offended by Disneyβs lineup of vain, effete neβer-do-wells (Scar, Jafar), sinister drag queens (Ursula, Cruella de Vil), and constipated, man-hating power dykes (Lady Tremaine, Maleficent). I should be furious at Downton Abbeyβs scheming gay butler and Girlfriendβs controlling, lunatic lesbian, and I should be indignant about Rebecca and Strangers on a Train and Laura and The Terror and All About Eve, and every other classic and contemporary foppish, conniving, sissy, cruel, humorless, depraved, evil, insane homosexual on the large and small screen. And yet, while I recognize the problem intellectuallyβthe system of coding, the way villainy and queerness became a kind of shorthand for each otherβI cannot help but love these fictional queer villains. I love them for all of their aesthetic lushness and theatrical glee, their fabulousness, their ruthlessness, their power. Theyβre always by far the most interesting characters on the screen. After all, they live in a world that hates them. Theyβve adapted; theyβve learned to conceal themselves. Theyβve survived.
β
β
Carmen Maria Machado (In the Dream House)
β
At its essence, good leadership isnβt about being indispensable; itβs about helping others be prepared to possibly step into your shoesβgiving them access to your own decision making, identifying the skills they need to develop and helping them improve, and, as Iβve had to do, sometimes being honest with them about why theyβre not ready for the next step up.
β
β
Robert Iger (The Ride of a Lifetime: Lessons Learned from 15 Years as CEO of the Walt Disney Company)
β
I had a friend in college who loved to say: 'If you can dream it, you can do it.' It became my mantra. I assumed it was a pearl of wisdom from some great thinker, a philosopher perhaps, like Descartes. It turned out to be Walt Disney, which in no way diminishes the wisdom of the advice. Anyone who can build a Magic Kingdom deserves to be listened to.
β
β
Michele Gorman (Single in the City)
β
There is only one princess in the Disney tales, one girl who gets to be exalted. Princesses may confide in a sympathetic mouse or teacup, but they do not have girlfriends. God forbid Snow White should give Sleeping Beauty a little support. Let's review: princesses avoid female bonding. Their goals are to be saved by a prince, get married, and be taken care of the rest of their lives.
β
β
Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)
β
Your generation - you've not heard the Verve or Jimi Hendrix or Eminem, you've not read The Catcher in the Rye, you've not seen a classic film like Terminator or Blade Runner. All you've done is read dross, listen to crap and watch Disney movies with happy endings. And what kind of generation have we produced? A slow, simple, dull one who never questions anything. A stunted generation. It's devolution because in order for society to progress, you need to be able to debate ideas, to question, to see the dark and the light in things
β
β
Sam Mills
β
Any other Disney movies?β I was tempting my luck here. Aaronβs expression remained serious. βAll of them.β Shit. βEven Frozen? Tangled? The Princess Frog?β I asked, and he nodded. βI love animated movies. They take my mind off things.β He dipped his hands in the pockets of his jeans. βDisney, Pixar β¦ Iβm a big fan.β This was too much. First, heβd opened up about his childhood earlier today, and now, this. I wanted to ask how and why, but there was a more pressing issue. βWhatβs your favorite?β Please donβt say the one that will send my heart into cardiac arrest. Please donβt say it. βUp.β Fuck. He had said it. My heart struggled there for a moment. And that little spot that had been softening throughout the night got a little bigger.
β
β
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
β
94 was a good year to be twelve. Star Wars still had two more years as Box Office King, cartoons were still hand-drawn, and the Disney "D" still looked like a backwards "G." Words like "Columbine," "Al Qaeda" and "Y2K" were not synonymous with "terror," and 9-1-1 was an emergency number instead of a date. At twelve years old, summer still mattered. Monarch caterpillars still crawled beneath every milkweed leaf. Dandelions (or "wishes" as Mara called them) were flowers instead of pests. And divorce was still considered a tragedy. Before Mara, carnivals didn't make me sick.
β
β
Jake Vander-Ark (The Accidental Siren)
β
Pick someplace that you could actually get to without building a spaceship.β Six asks
I think it over for a moment. βI donβt know. Disney World?β
Six and Sarah both exchange a look and then start laughing.
βDisney World?β exclaims Six. βYouβre so cheesy, John.β
βNo, itβs sweet,β says Sarah, patting my hand. βItβs the most magical place on Earth.β
βYou know, Iβve never actually been on a roller coaster. Henri wasnβt down with the whole amusement-park thing. I used to see the commercials and I always wanted to go.β
βThatβs so sad!β exclaims Sarah. βWeβre definitely going to get you to Disney World. Or at least on a roller coaster. Theyβre amazing.β
Six snaps her fingers. βWhatβs that one ride? Itβs supposed to be like a rocket ship?β
βSpace Mountain,β answers Sarah.
βYeah,β replies Six, and then hesitates as if sheβs worried sheβs about to divulge too much. βI actually remember looking that up online when I was little. I insisted to Katarina that it had something to do with us.β
The thought of a young Six investigating Disney World is priceless. The three of us share a laugh.
βAliens,β mutters Sarah jokingly. βYou need to get out more.
β
β
Pittacus Lore (The Fall of Five (Lorien Legacies, #4))
β
I especially loved the Old Testament. Even as a kid I had a sense of it being slightly illicit. As though someone had slipped an R-rated action movie into a pile of Disney DVDs. For starters Adam and Eve were naked on the first page. I was fascinated by Eve's ability to always stand in the Garden of Eden so that a tree branch or leaf was covering her private areas like some kind of organic bakini.
But it was the Bible's murder and mayhem that really got my attention. When I started reading the real Bible I spent most of my time in Genesis Exodus 1 and 2 Samuel and 1 and 2 Kings. Talk about violent. Cain killed Abel. The Egyptians fed babies to alligators. Moses killed an Egyptian. God killed thousands of Egyptians in the Red Sea. David killed Goliath and won a girl by bringing a bag of two hundred Philistine foreskins to his future father-in-law. I couldn't believe that Mom was so happy about my spending time each morning reading about gruesome battles prostitutes fratricide murder and adultery. What a way to have a "quiet time."
While I grew up with a fairly solid grasp of Bible stories I didn't have a clear idea of how the Bible fit together or what it was all about. I certainly didn't understand how the exciting stories of the Old Testament connected to the rather less-exciting New Testament and the story of Jesus.
This concept of the Bible as a bunch of disconnected stories sprinkled with wise advice and capped off with the inspirational life of Jesus seems fairly common among Christians. That is so unfortunate because to see the Bible as one book with one author and all about one main character is to see it in its breathtaking beauty.
β
β
Joshua Harris (Dug Down Deep: Unearthing What I Believe and Why It Matters)
β
A great sorrow, and one that I am only beginning to understand: we donβt get to choose our own hearts. We canβt make ourselves want whatβs good for us or whatβs good for other people. We donβt get to choose the people we are.
Becauseβisnβt it drilled into us constantly, from childhood on, an unquestioned platitude in the cultureβ? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, itβs a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know whatβs right for us? Every shrink, every career counselor, every Disney princess knows the answer: βBe yourself.β βFollow your heart.β
Only hereβs what I really, really want someone to explain to me. What if one happens to be possessed of a heart that canβt be trustedβ? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight towards a beautiful flare of ruin self-immolation, disaster? Is Kitsey right? If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you?
β
β
Donna Tartt (The Goldfinch)
β
There was no Disney World then, just rows of orange trees. Millions of them. Stretching for miles And somewhere near the middle was the Citrus Tower, which the tourists climbed to see even more orange trees. Every month an eighty-year-old couple became lost in the groves, driving up and down identical rows for days until they were spotted by helicopter or another tourist on top of the Citrus Tower. They had lived on nothing but oranges and come out of the trees drilled on vitamin C and checked into the honeymoon suite at the nearest bed-and-breakfast.
"The Miami Seaquarium put in a monorail and rockets started going off at Cape Canaveral, making us feel like we were on the frontier of the future. Disney bought up everything north of Lake Okeechobee, preparing to shove the future down our throats sideways.
"Things evolved rapidly! Missile silos in Cuba. Bales on the beach. Alligators are almost extinct and then they aren't. Juntas hanging shingles in Boca Raton. Richard Nixon and Bebe Rebozo skinny-dipping off Key Biscayne. We atone for atrocities against the INdians by playing Bingo. Shark fetuses in formaldehyde jars, roadside gecko farms, tourists waddling around waffle houses like flocks of flightless birds. And before we know it, we have The New Florida, underplanned, overbuilt and ripe for a killer hurricane that'll knock that giant geodesic dome at Epcot down the trunpike like a golf ball, a solid one-wood by Buckminster Fuller.
"I am the native and this is my home. Faded pastels, and Spanish tiles constantly slipping off roofs, shattering on the sidewalk. Dogs with mange and skateboard punks with mange roaming through yards, knocking over garbage cans. Lunatics wandering the streets at night, talking about spaceships. Bail bondsmen wake me up at three A.M. looking for the last tenant. Next door, a mail-order bride is clubbed by a smelly ma in a mechanic's shirt. Cats violently mate under my windows and rats break-dance in the drop ceiling. And I'm lying in bed with a broken air conditioner, sweating and sipping lemonade through a straw. And I'm thinking, geez, this used to be a great state.
"You wanna come to Florida? You get a discount on theme-park tickets and find out you just bough a time share. Or maybe you end up at Cape Canaveral, sitting in a field for a week as a space shuttle launch is canceled six times. And suddenly vacation is over, you have to catch a plane, and you see the shuttle take off on TV at the airport. But you keep coming back, year after year, and one day you find you're eighty years old driving through an orange grove.
β
β
Tim Dorsey (Florida Roadkill (Serge Storms, #1))
β
...while epic fantasy is based on the fairy tale of the just war, thatβs not one youβll find in Grimm or Disney, and most will never recognize the shape of it. I think the fantasy genre pitches its tent in the medieval campground for the very reason that we even bother to write stories about things that never happened in the first place: because it says something subtle and true about our own world, something it is difficult to say straight out, with a straight face. Something you need tools to say, you need cheat codes for the human brain--a candy princess or a sugar-coated unicorn to wash down the sour taste of how bad things can really get.
See, I think our culture has a slash running through the middle of it, too. Past/Future, Conservative/Liberal, Online/Offline. Virgin/Whore. And yes: Classical/Medieval. I think weβre torn between the Classical Narrative of Self and the Medieval Narrative of Self, between the choice of Achilles and Keep Calm and Carry On.
The Classical internal monologue goes like this: do anything, anything, only donβt be forgotten. Yes, this one sacrificed his daughter on a slab at Aulis, that one married his mother and tore out his eyes, and oh that guy ate his kids in a pie. But you remember their names, donβt you? So itβs all good in the end. Give a Greek soul a choice between a short life full of glory and a name echoing down the halls of time and a long, gentle life full of children and a quiet sort of virtue, and heβll always go down in flames. Thatβs what the Iliad is all about, and the Odyssey too. When you get to Hades, you gotta have a story to tell, because the rest of eternity is just forgetting and hoping some mortal shows up on a quest and lets you drink blood from a bowl so you can remember who you were for one hour.
And every bit of cultural narrative in America says that we are all Odysseus, we are all Agamemnon, all Atreus, all Achilles. That we as a nation made that choice and chose glory and personal valor, and woe betide any inconvenient βother peopleβ who get in our way. We tell the tales around the campfire of men who came from nothing to run dotcom empires, of a million dollars made overnight, of an actress marrying a prince from Monaco, of athletes and stars and artists and cowboys and gangsters and bootleggers and talk show hosts who hitched up their bootstraps and bent the world to their will. Whose names you all know. And we say: that can be each and every one of us and if it isnβt, itβs your fault. You didnβt have the excellence for it. You didnβt work hard enough. The story wasnβt about you, and the only good stories are the kind that have big, unignorable, undeniable heroes.
β
β
Catherynne M. Valente