Countryside Girl Quotes

She was too honest, too natural for this frightened man; too remote from his tidy laws. She was, after all, a country girl; disordered, hysterical, loving. She was muddled and mischievous as a chimney-jackdaw, she made her nest of rags and jewels, was happy in the sunlight, squawked loudly at danger, pried and was insatiably curious, forgot when to eat or ate all day, and sang when sunsets were red.

We view the world very much as peasants in the countryside have for millennia. they've alsways said that the mountains are high and the emperor is far away, meaning palace intrigues and imperial threats have no impact on their lives.

Sometimes, when you're deep in the countryside, you meet three girls, walking along the hill tracks in the dusk, spinning. They each have a spindle, and on to these they are spinning their wool, milk-white, like the moonlight. In fact, it is the moonlight, the moon itself, which is why they don't carry a distaff. They're not Fates, or anything terrible; they don't affect the lives of men; all they have to do is to see that the world gets its hours of darkness, and they do this by spinning the moon down out of the sky. Night after night, you can see the moon getting less and less, the ball of light waning, while it grown on the spindles of the maidens. Then, at length, the moon is gone, and the world has darkness, and rest..... ...on the darkest night, the maidens take their spindles down to the sea, to wash their wool. And the wool slips from the spindles into the water, and unravels in long ripples of light from the shore to the horizon, and there is the moon again, rising above the sea....Only when all the wool is washed, and wound again into a white ball in the sky, can the moon-spinners start their work once more....

If you pick a flower, if you snatch a handbag, if you possess a woman, if you plunder a storehouse, ravage a countryside or occupy a city, you are a taker. You are taking. In ancient Greek you use the verb άρπάζειν, which comes over into Latin as rapio, rapere, raptus sum and gives us English rapture and rape — words stained with the very early blood of girls, with the very late blood of cities, with the hysteria of the end of the world. Sometimes I think language should cover its own eyes when it speaks.

I must go live at the ends of the earth and have my child there while I wait for Min and Jing to be freed. That happy day will come: two men making their way towards a little cottage lost in the open countryside. The door opens . . .

Pagan At home in the countryside I make the decision to leave your book --overdue at the library-- face up, 'promiscuous' out in the sun. Pagan. I laugh to see this was our religion all along. Hidden even from ourselves taught early not to touch the earth. Years of white gloves straight seamed hose. 'Being good girls.' Scripture like chains. Dogma like flies. Smiles like locks and lies.

You may have an occasion to be traveling in southern Maine yourself one of these days. Pretty part of the countryside. You may even stop by Tookey's Bar for a drink. Nice place. They kept the name just the same. So have your drink, and then my advice to you is to keep right on moving north. Whatever you do, don't go up that road to Jerusalem's Lot. Especially not after dark. There's a little girl somewhere out there. And I think she's still waiting for her good-night kiss.

Moonspinners. They’re naiads – you know, water nymphs. Sometimes, when you’re deep in the countryside, you meet three girls, walking along the hill tracks in the dusk, spinning. They each have a spindle, and on to these they are spinning their wool, milk-white, like the moonlight. In fact, it is the moonlight, the moon itself, which is why they don’t carry a distaff. They’re not Fates, or anything terrible; they don’t affect the lives of men; all they have to do is to see that

I may be drunk by morning but that will not do any good. I shall take the train to Paris anyway. The train will be the same, the people, struggling for comfort and, even, dignity on the straight-backed, wooden, third-class seats will be the same, and I will be the same. We will ride through the same changing countryside northward, leaving behind the olive trees and the sea and all of the glory of the stormy southern sky, into the mist and rain of Paris. Someone will offer to share a sandwich with me, someone will offer me a sip of wine, someone will ask me for a match. People will be roaming the corridors outside, looking out of windows, looking in at us. At each stop, recruits in their baggy brown uniforms and colored hats will open the compartment door to ask Complet? We will all nod Yes, like conspirators, smiling faintly at each other as they continue through the train. Two or three of them will end up before our compartment door, shouting at each other in their heavy, ribald voices, smoking their dreadful army cigarettes. There will be a girl sitting opposite me who will wonder why I have not been flirting with her, who will be set on edge by the presence of the recruits. It will all be the same, only I will be stiller.

Studying in a developing/third-world country is way more intense and formative than studying in a first-world fancy country. It makes you so much more open-minded, adaptive, and confident. You become so much more real. When you have to shit on two little bricks into a hole the size of a tennis ball at an elementary school in the countryside, or sleep in a farmer's yurt after not bathing for five days, you become a much more easygoing person. It teaches you to value experience over material things real fast.

Swiftly we covered the ground, far too swiftly, I thought, far too easily, and the callous countryside watched us with indifference. We came to the bend in the road that I had wished to imprison as a memory, and the peasant girl was gone, and the color was flat, and it was no more after all than any bend in any road passed by a hundred motorists. The glamour of it had gone with my happy mood, and at the thought of it my frozen face quivered into feeling, my adult pride was lost, and those despicable tears rejoicing at their conquest welled into my eyes and strayed upon my cheeks. I

Recipe for Goodbye From the Kitchen of Lila Reyes Ingredients: One Cuban girl. One English boy. One English city. Preparation: Give Polly her kitchen back and share a genuine smile, from one legitimate baker to another. Ride through the countryside on a vintage Triumph Bonneville. Walk through Winchester, all through town and on the paths you ran. Drink vanilla black tea at Maxwell’s. Eat fish and chips and curry sauce at your friend’s pub. Sleep in fits and bits curled up together on St. Giles Hill. *Leave out future talk. Any form of the word tomorrow. Cooking temp: 200 degrees Celsius. You know the conversion by heart.

In spite of the years, Pushkin tells us, Tatyana remains in love with Onegin. Now, finally, she has a real chance to be with him. So, what does Tatyana do? Does she ditch her husband and elope with her true love? Nyet, she doesn’t. In the culminating scenes of Pushkin’s long poem, Tatyana decides to stick with her husband and, in her own nineteenth-century way, tells Onegin to fuck off. A simple love story which most Russians know by heart. Many are even able to recite entire chapters – ‘ya k vam pishu’, Tatyana’s letter, being an especially popular passage. The symbolism of the story should not be ignored. Tatyana, the pure girl from the countryside, embodies the essence of Russianness, while Onegin, the cosmopolitan bon vivant, is a cynical fucker corrupted by modern European values. Onegin’s life is about superficial pleasures. Tatyana’s is all about meaning.

Dusk settled over our shoulders like a damp purple blanket. The river- the churn and clank of boat traffic, the shush of water, and the tangy smell of catfish and mud- was slowly beaten back by honeysuckle and cicadas and some bird that cooed the same three syllables in a lilting circle. It was all so familiar and so foreign. I pictured a young girl in a blue cotton dress running down this same road on cinnamon-stick legs. Then I pictured another girl, white and square-jawed, running before her. Adelaide. Mother. I would've missed it if I hadn't been looking: a narrow dirt drive crowded on either side by briars and untrimmed boughs. Even once I'd followed the track to its end I was uncertain- who would live in such a huddled, bent-back cabin, half-eaten by ivy and some sort of feral climbing rose? The wooden-shake shingles were green with moss; the barn had collapsed entirely.

Irma, she said. But I had started to walk away. I heard her say some more things but by then I had yanked my skirt up and was running down the road away from her and begging the wind to obliterate her voice. She wanted to live with me. She missed me. She wanted me to come back home. She wanted to run away. She was yelling all this stuff and I wanted so badly for her to shut up. She was quiet for a second and I stopped running and turned around once to look at her. She was a thimble-sized girl on the road, a speck of a living thing. Her white-blond hair flew around her head like a small fire and it was all I could see because everything else about her blended in with the countryside. He offered you a what? she yelled. An espresso! I yelled back. It was like yelling at a shorting wire or a burning bush. What is it? she said. Coffee! I yelled. Irma, can I come and live-- I turned around again and began to run.

Do you know what day it is?” she asked, peering at him. “Don’t you?” “Here in Spindle Cove, we ladies have a schedule. Mondays are country walks. Tuesdays, sea bathing. Wednesdays, you’d find us in the garden.” She touched the back of her hand to his forehead. “What is it we do on Mondays?” “We didn’t get to Thursdays.” “Thursdays are irrelevant. I’m testing your ability to recall information. Do you remember Mondays?” He stifled a laugh. God, her touch felt good. If she kept petting and stroking him like this, he might very well go mad. “Tell me your name,” he said. “I promise to recall it.” A bit forward, perhaps. But any chance for formal introductions had already fallen casualty to the powder charge. Speaking of the powder charge, here came the brilliant mastermind of the sheep siege. Damn his eyes. “Are you well, miss?” Colin asked. “I’m well,” she answered. “I’m afraid I can’t say the same for your friend.” “Bram?” Colin prodded him with a boot. “You look all of a piece.” No thanks to you. “He’s completely addled, the poor soul.” The girl patted his cheek. “Was it the war? How long has he been like this?” “Like this?” Colin smirked down at him. “Oh, all his life.” “All his life?” “He’s my cousin. I should know.” A flush pressed to her cheeks, overwhelming her freckles. “If you’re his cousin, you should take better care of him. What are you thinking, allowing him to wander the countryside, waging war on flocks of sheep?” Ah, that was sweet. The lass cared. She would see him settled in a very comfortable asylum, she would. Perhaps Thursdays would be her day to visit and lay cool cloths to his brow. “I know, I know,” Colin replied gravely. “He’s a certifiable fool. Completely unstable. Sometimes the poor bastard even drools. But the hell of it is, he controls my fortune. Every last penny. I can’t tell him what to do.” “That’ll be enough,” Bram said. Time to put a stop to this nonsense. It was one thing to enjoy a moment’s rest and a woman’s touch, and another to surrender all pride. He gained his feet without too much struggle and helped her to a standing position, too. He managed a slight bow. “Lieutenant Colonel Victor Bramwell. I assure you, I’m in possession of perfect health, a sound mind, and one good-for-nothing cousin.” “I don’t understand,” she said. “Those blasts…” “Just powder charges. We embedded them in the road, to scare off the sheep.” “You laid black powder charges. To move a flock of sheep.” Pulling her hand from his grip, she studied the craters in the road. “Sir, I remain unconvinced of your sanity. But there’s no question you are male.” He raised a brow. “That much was never in doubt.” Her only answer was a faint deepening of her blush. “I assure you, all the lunacy is my cousin’s. Lord Payne was merely teasing, having a bit of sport at my expense.” “I see. And you were having a bit of sport at my expense, pretending to be injured.” “Come, now.” He leaned forward her and murmured, “Are you going to pretend you didn’t enjoy it?” Her eyebrows lifted. And lifted, until they formed perfect twin archer’s bows, ready to dispatch poison-tipped darts. “I’m going to pretend I didn’t hear that.

Over Volkheimer’s shoulder, through the cracked rear window of the truck shell, Werner watches a red-haired child in a velvet cape float six feet above the road. She passes through trees and road signs, veers around curves; she is as inescapable as a moon. Werner curls beneath the bench in the back and does not move for hours, bundled in a blanket, refusing tea, tinned meat, while the floating child pursues him through the countryside. Dead girl in the sky, dead girl out the window, dead girl three inches away. Two wet eyes and that third eye of the bullet hole never blinking.

Hypothetically, then, you may be picking up in someone a certain very strange type of sadness that appears as a kind of disassociation from itself, maybe, Love-o.’ ‘I don’t know disassociation.’ ‘Well, love, but you know the idiom “not yourself” — “He’s not himself today,” for example,’ crooking and uncrooking fingers to form quotes on either side of what she says, which Mario adores. ‘There are, apparently, persons who are deeply afraid of their own emotions, particularly the painful ones. Grief, regret, sadness. Sadness especially, perhaps. Dolores describes these persons as afraid of obliteration, emotional engulfment. As if something truly and thoroughly felt would have no end or bottom. Would become infinite and engulf them.’ ‘Engulf means obliterate.’ ‘I am saying that such persons usually have a very fragile sense of themselves as persons. As existing at all. This interpretation is “existential,” Mario, which means vague and slightly flaky. But I think it may hold true in certain cases. My own father told stories of his own father, whose potato farm had been in St. Pamphile and very much larger than my father’s. My grandfather had had a marvelous harvest one season, and he wanted to invest money. This was in the early 1920s, when there was a great deal of money to be made on upstart companies and new American products. He apparently narrowed the field to two choices — Delaware-brand Punch, or an obscure sweet fizzy coffee substitute that sold out of pharmacy soda fountains and was rumored to contain smidgeons of cocaine, which was the subject of much controversy in those days. My father’s father chose Delaware Punch, which apparently tasted like rancid cranberry juice, and the manufacturer of which folded. And then his next two potato harvests were decimated by blight, resulting in the forced sale of his farm. Coca-Cola is now Coca-Cola. My father said his father showed very little emotion or anger or sadness about this, though. That he somehow couldn’t. My father said his father was frozen, and could feel emotion only when he was drunk. He would apparently get drunk four times a year, weep about his life, throw my father through the living room window, and disappear for several days, roaming the countryside of L’Islet Province, drunk and enraged.’ She’s not been looking at Mario this whole time, though Mario’s been looking at her. She smiled. ‘My father, of course, could himself tell this story only when he was drunk. He never threw anyone through any windows. He simply sat in his chair, drinking ale and reading the newspaper, for hours, until he fell out of the chair. And then one day he fell out of the chair and didn’t get up again, and that was how your maternal grandfather passed away. I’d never have gotten to go to University had he not died when I was a girl. He believed education was a waste for girls. It was a function of his era; it wasn’t his fault. His inheritance to Charles and me paid for university.’ She’s been smiling pleasantly this whole time, emptying the butt from the ashtray into the wastebasket, wiping the bowl’s inside with a Kleenex, straightening straight piles of folders on her desk.

Then, in January 1961, a religious riot broke out in the central Indian city of Jabalpur. A Hindu girl had committed suicide; it was alleged that she took her life because she had been assaulted by two Muslim men. The claim was given lurid publicity by a local Jana Sangh newspaper, whereupon Hindu students went on a rampage through the town, attacking Muslim homes and burning shops. In retaliation a Muslim group torched a Hindu neighbourhood. The rioting continued for days, spreading also to the countryside. It was the most serious such incident since Partition, its main sufferers being poor Muslims, mostly weavers and bidi (cigarette) workers.52

If these girls sold into prostitution had remained in the countryside, they would have gone their whole lives not knowing how to write, never straining to find words to express the beauty of flowers. They would have led lives where flowers were flowers, birds were birds, trees were trees, and that was that. It was a world without flaws but lacking in subtlety, taste, and suggestion. They would have worn rustic clothes and crawled around in muddy rice paddies, working up a seat, till they reached the end of their lives as stooped old women. If there was any benefit in becoming a prostitute, it was only the possibility of becoming literate and discovering the power of words.

But China’s mandatory household registration system, the hukou, presents a significant barrier for this type of match. Citizens from the countryside are not allowed to move to urban areas without state approval. The prospect of more desirable employment lures many to cities anyway, but even if they find a good job, they are barred from accessing urban health care, education, and housing benefits. And since children inherit their mother’s hukou status, no self-respecting urban bachelor wants to marry a poor girl from the sticks—unless they are truly in love, and in which case, everyone lives happily ever after. Except for the woman and her children, who, because of their hukou, are essentially illegal aliens in their own country.

Though I was now in ill health and did not go out alone, and though I might never aspire to making love with them, it still gladdened me to know this, as though I were a child who, having been born in prison or a hospital, and having come to believe that the human organism can digest nothing but dry bread and medicines, suddenly learns that peaches, apricots, and grapes are not just pretty things that grow in the countryside, but mouth-watering delicacies on which one may feed. Even though the jailer or the nurse may prevent him from picking such fine fruit, the world seems a better place, and life itself more worth living. Any desire we may feel seems to us a finer thing, and we have an impression of it as a more reliable thing, when we know that external reality is in conformity with it, even if its fulfillment remains out of our personal reach.

traditional tales are neither so simplistic nor so predictable. They give generous space to the subaltern voice: to the powerless, to the poor, to girls and wives, even to animals, all those creatures who need to find ways not only to survive in this difficult world, but to live well in it, despite the dark forces ranged against them. These stories compel, seizing our attention with their strangeness while at the same time speaking clearly to shared themes of human existence. They explore huge questions: of love and loss, and of the conditions under which we do our everyday work and how we might thrive in it. They patrol the shadowy borderlands between life and death and they tease out our hopes and fears for our children. They demand we consider issues such as migration, asking who belongs here, who can make a home here, who can find the strength to begin all over again in a strange new land – and who might have been here for much longer than you think. Folktales pick fights about disability and aging, about women and men, and, crucially, they hold out to us the environments in which we live – our much-loved British countryside – and show how it might slip through our fingers.

What am I? Chopped liver? Is there some specific reason he never pulls me over close to him as we drive around the countryside? Why doesn’t he hook his right arm affectionately around my neck and claim me as the woman of his pickup? I never knew I had such a yearning to ride next to a man in a pickup, but apparently it had been a suppressed lifelong dream I knew nothing about. Suddenly, sitting in that pickup with Marlboro Man, I’d apparently never wanted anything so badly in my life. I couldn’t keep quiet about it any longer. “So…,” I began. Was it just a high school thing? Or worse, I imagined, is it just that I’m not and never will be a country girl? Is it that country girls have some wild sense of abandon that I wasn’t born with? A reckless side, a fun, adventurous side that makes them worthy of riding next to boys in pickups? Am I untouchable? Am I too prim? Too proper? I’m not! I’m really not! I’m fun and adventurous. Reckless, too! I have a pair of jeans: Anne Kleins! And I want to be Middle Seat Worthy. Please, Marlboro Man…please. I’ve never wanted anything this much. “So, um…why don’t you do it anymore?” I asked. “Bucket seats,” Marlboro Man answered, his hand still resting on my leg. Made sense. I settled in and relaxed a bit.

Moscow can be a cold, hard place in winter. But the big old house on Tverskoy Boulevard had always seemed immune to these particular facts, the way that it had seemed immune to many things throughout the years. When breadlines filled the streets during the reign of the czars, the big house had caviar. When the rest of Russia stood shaking in the Siberian winds, that house had fires and gaslight in every room. And when the Second World War was over and places like Leningrad and Berlin were nothing but rubble and crumbling walls, the residents of the big house on Tverskoy Boulevard only had to take up a hammer and drive a single nail—to hang a painting on the landing at the top of the stairs—to mark the end of a long war. The canvas was small, perhaps only eight by ten inches. The brushstrokes were light but meticulous. And the subject, the countryside near Provence, was once a favorite of an artist named Cézanne. No one in the house spoke of how the painting had come to be there. Not a single member of the staff ever asked the man of the house, a high-ranking Soviet official, to talk about the canvas or the war or whatever services he may have performed in battle or beyond to earn such a lavish prize. The house on Tverskoy Boulevard was not one for stories, everybody knew. And besides, the war was over. The Nazis had lost. And to the victors went the spoils. Or, as the case may be, the paintings. Eventually, the wallpaper faded, and soon few people actually remembered the man who had brought the painting home from the newly liberated East Germany. None of the neighbors dared to whisper the letters K-G-B. Of the old Socialists and new socialites who flooded through the open doors for parties, not one ever dared to mention the Russian mob. And still the painting stayed hanging, the music kept playing, and the party itself seemed to last—echoing out onto the street, fading into the frigid air of the night. The party on the first Friday of February was a fund-raiser—though for what cause or foundation, no one really knew. It didn’t matter. The same people were invited. The same chef was preparing the same food. The men stood smoking the same cigars and drinking the same vodka. And, of course, the same painting still hung at the top of the stairs, looking down on the partygoers below. But one of the partygoers was not, actually, the same. When she gave the man at the door a name from the list, her Russian bore a slight accent. When she handed her coat to a maid, no one seemed to notice that it was far too light for someone who had spent too long in Moscow’s winter. She was too short; her black hair framed a face that was in every way too young. The women watched her pass, eyeing the competition. The men hardly noticed her at all as she nibbled and sipped and waited until the hour grew late and the people became tipsy. When that time finally came, not one soul watched as the girl with the soft pale skin climbed the stairs and slipped the small painting from the nail that held it. She walked to the window. And jumped. And neither the house on Tverskoy Boulevard nor any of its occupants ever saw the girl or the painting again.

If, in the further reaches of some or another remote corridor in an immense house of two or, perhaps, three storeys, and behind some or another door that remains mostly closed but in sight of a window overlooking some or another tract of far-reaching landscape of mostly level grassy countryside with low hills or a line of trees in the distance, a certain man at his desk, on some or another day of sunshine with scattered clouds, were to spurn the predictable words and phrases of the many writers of fiction who have reported of this or that male character that he once fell in love with this or that female character, and if that same man, after striving as neither I, the author of this sentence, nor even the most discerning reader of the sentence, have or has striven nor will ever strive, in late afternoon, and at about the time when the rays of the declining sun might have caused the pane in the window of his room to seem to a traveller on a distant road like a spot of golden oil, had found in his heart, or wherever such things are to be found, the words best fitted to suggest what he seemed to have felt long before, on a certain hot afternoon, in a distant inland city, and whether he had simply kept those words in mind or whether he had actually written them, either as notes for a work of fiction that he might one day write or as part of an actual work of fiction, then I do not doubt that the words would have been to the effect that a certain boy, a mere child, while he watched unobserved a certain girl, a mere child, whose name he did not know and who had almost certainly never had sight of him, wished for the means to inform her that he was worthy of trust.

How come I wasn’t riding around in his middle seat? Was I supposed to initiate this? Was this expected of me? Because I probably should know early on. But wouldn’t he have gestured in that direction if he’d wanted me to move over and sit next to him? Maybe, just maybe, he’d liked those girls better than he liked me. Maybe they’d had a closeness that warranted their riding side by side in a pickup, a closeness that he and I just don’t share? Please don’t let that be the reason. I don’t like that reason. I had to ask him. I had to know. “Can I ask you something?” I said as we drove down the road separating a neighboring ranch from his. “Sure,” Marlboro Man answered. He reached over and touched my knee. “Did you ever used to drive around in your pickup with a girl sitting in the middle seat right next to you?” I tried not to sound accusatory. A grin formed in the corner of Marlboro Man’s mouth. “Sure I did,” he said. His hand was still on my knee. “Why?” “Oh, no reason. I was just curious,” I said. I wanted to leave it at that. “What made you think of that?” he said. “Oh, I was really just curious,” I repeated. “Growing up, I’d sometimes see boys and girls riding right next to each other in pickups, and I just wondered if you ever did. That’s all.” I stopped short of telling him I never understood the whole thing or asking him why he loved Julie more than me. “Yep. I did,” he said. I looked out the window and thought for a minute. What am I? Chopped liver? Is there some specific reason he never pulls me over close to him as we drive around the countryside? Why doesn’t he hook his right arm affectionately around my neck and claim me as the woman of his pickup? I never knew I had such a yearning to ride next to a man in a pickup, but apparently it had been a suppressed lifelong dream I knew nothing about. Suddenly, sitting in that pickup with Marlboro Man, I’d apparently never wanted anything so badly in my life.

It’s just a devilish odd coincidence. I shared a boat – and a carriage – with Balcourt’s sister and cousin." "I didn’t realise he had a sister." "Well, he does." Richard abruptly pushed away his empty bowl. "What a great stroke of luck! Could you use the acquaintance with the sister to discover more about Balcourt’s activities?" "That," Richard said grimly, "is not an option." Geoff eyed him quizzically. "I realise that any sister of Balcourt’s is most likely repugnant at best, but you don’t need to propose to the girl. Just flirt with her a bit. Take her for a drive, call on her at home, use her as an entrée into the house. You’ve done it before." "Miss Balcourt is not repugnant." Richard twisted in his chair, and stared at the door. "What the devil is keeping supper?" Geoff leant across the table. "Well, if she’s not repugnant, then-what’s the – ah." "Ah? Ah? What the deuce do you mean by ‘ah’? Of all the nonsensical…" "You" – Geoff pointed at him with fiendish glee – "are unsettled not because you find her repugnant, but because you find her not repugnant." Richard was about to deliver a baleful look in lieu of a response, when he was saved by the arrival of the footman bearing a large platter of something covered with sauce. Richard leant forward and speared what looked like it might once have been part of a chicken, as the footman whisked off with his soup dish. "Have some," Richard suggested to Geoff, ever so subtly diverting the conversation to culinary appreciation. "Thank you." Undiverted, Geoff continued, "Tell me about your Miss Balcourt." "Leaving aside the fact that she is by no means my Miss Balcourt" – Richard ignored the sardonic stare coming from across the table – "the girl is as complete an opposite to her brother as you can imagine. She was raised in England, somewhere out in the countryside. She’s read Homer in the original Greek—" "This is serious," murmured Geoff. "Is she comely?" "Comely?" "You know, nice hair, nice eyes, nice…" Geoff made a gesture that Richard would have expected more readily from Miles.

I’d been reflecting on this--the drastic turn my life and my outlook on love had taken--more and more on the evenings Marlboro Man and I spent together, the nights we sat on his quiet porch, with no visible city lights or traffic sounds anywhere. Usually we’d have shared a dinner, done the dishes, watched a movie. But we’d almost always wind up on his porch, sitting or standing, overlooking nothing but dark, open countryside illuminated by the clear, unpolluted moonlight. If we weren’t wrapping in each other’s arms, I imagined, the quiet, rural darkness might be a terribly lonely place. But Marlboro Man never gave me a chance to find out. It was on this very porch that Marlboro Man had first told me he loved me, not two weeks after our first date. It had been a half-whisper, a mere thought that had left his mouth in a primal, noncalculated release. And it had both surprised and melted me all at once; the honesty of it, the spontaneity, the unbridled emotion. But though everything in my gut told me I was feeling exactly the same way, in all the time since I still hadn’t found the courage to repeat those words to him. I was guarded, despite the affection Marlboro Man heaped upon me. I was jaded; my old relationship had done that to me, and watching the crumbling of my parents’ thirty-year marriage hadn’t exactly helped. There was just something about saying the words “I love you” that was difficult for me, even though I knew, without a doubt, that I did love him. Oh, I did. But I was hanging on to them for dear life--afraid of what my saying them would mean, afraid of what might come of it. I’d already eaten beef--something I never could have predicted I’d do when I was living the vegetarian lifestyle. I’d gotten up before 4:00 A.M. to work cattle. And I’d put my Chicago plans on hold. At least, that’s what I’d told myself all that time. I put my plans on hold. That was enough, wasn’t it? Putting my life’s plans on hold for him? Marlboro Man had to know I loved him, didn’t he? He was so confident when we were together, so open, so honest, so transparent and sure. There was no such thing as “give-and-take” with him. He gave freely, poured out his heart willingly, and either he didn’t particularly care what my true feelings were for him, or, more likely, he already knew. Despite my silence, despite my fear of totally losing my grip on my former self, on the independent girl that I’d wanted to believe I was for so long…he knew. And he had all the patience he needed to wait for me to say it.

The PEOPLE, SCHOOL, EVERYONE, and EVERYTHING is so FAKE AND GAY.' 'I shrieked, at the top of my voice fingers outspread and frozen in fear, unlike ever before in my young life; being the gentle, sweet, and shy girl that I am.' 'Besides always too timid to have a voice, to stand up for me, and forced not to, by masters.' Amidst my thoughts racing ridiculously, 'I feel that it is all just another way for the 'SOCIETY' to make me feel inferior, they think, they are so 'SUPERIOR' to me, and who I am to them.' 'Nonetheless, every day of my life, I have felt like I have been drowning in a pool, with weights attached to my ankles.' 'Like, of course, there is no way for me to escape the chains that are holding me down.' 'The one and only person, that holds the key to my freedom: WILL NEVER LET ME GO! It's like there is within me, and has been deep inside me!' 'I now live in this small dull town for too damn long. It is an UNSYMPATHETIC, obscure, lonely, totally depressed, and depressing place, for any teenage girl to be, most definitely if you're a girl like me.' 'All these streets surrounding me are covered with filth, and born in the hills of middle western Pennsylvania mentalities of slow-talking and deep heritages, and beliefs, that don't operate me as a soul lost and lingering within the streets and halls.' 'My old town was ultimately left behind when the municipality neighboring made the alterations to the main roads; just to save five minutes of commuting, through this countryside village. Now my town sits on one side of that highway.' 'Just like a dead carcass to the rest of the world, which rushes by. What is sullen about this is that it is a historic town, with some immeasurable old monuments, and landmarks.' 'However, the others I see downright neglect what is here, just like me, it seems. Other than me, no one cares. Yet I care about all the little things.' 'I am so attached to all these trivial things as if they are a part of me. It disheartens me to see anything go away from me.' 'It's a community where the litter blows and bisects the road, like the tumble-wheats of the yore of times past.' 'Furthermore, if you do not look where you are going, you will fall in our trip, in one of the many potholes or heaved up bumps in the pavement, or have an evacuated structure masonry descending on your head.' 'Merely one foolproof way of simplifying the appearance of this ghost town.' 'There are still some reminders of the glory days when you glance around.' 'Like the town clock, that is evaporated black that has chipped enamel; it seems that it is always missing a few light bulbs.' 'The timepiece only has time pointing hands on the one side, and it nevermore shows the right time of day.' 'The same can be assumed for the neon signs on the mom-and-pop shops, which flicker at night as if they're in agonizing PAIN.' 'Why? To me is a question that is asked frequently.' 'It is all over negligence!' 'I get the sense and feeling most of the time, as they must prepare when looking around here at night.' 'The streetlamps do not all work, as they should. The glass in them is cracked.' 'The parking meters are always jammed, or just completely broken off their posts altogether.' 'The same can be said, for the town sign that titles this area. It is not even here anymore, as it should be now moved to the town square or shortage of a park.

the leader of the troupe, looked carefully at the girl in front of him. She was a real windfall, and since she herself was prepared to starve with them, he had no objection. She might even, if she had talent as she said, be good for the troupe. For years now he’d been traveling all over Greece. He had given performances in cafés, in the open air, even in barns. Once, when he was young, he had begun his career with lots of dreams, and he’d played beside some serious actors of the day. He’d managed to make a name for himself, but he very soon started to get into the drink. The beginning of the end had arrived, but he hadn’t understood it at the time. He began to forget his words onstage and to delay his entrances, creating gaps in the performance. Soon he stopped being in demand. When he met Zoe, he stopped drinking, but it was too late. Nobody trusted him, nobody would offer him even a small role. But the bug for acting didn’t leave him. He formed his own troupe and from then on he traveled around the countryside. A lot of people had been with him and moved on. Some were real actors and some didn’t want to believe that they would never become actors. Very occasionally, real talent had appeared beside him, but precisely because of that talent they always left for some theater in Athens. He had suffered hundreds of humiliations. Frustrated by the troupe’s poor performances, audiences often threw whatever they found at them, forcing the show to end. And it wasn’t so unusual for them to have to flee from a village in the night so that the disgruntled locals, who felt they’d been cheated after such a bad show, didn’t beat them up. Tickets were often used to barter for eggs, honey, corn, even vegetables—the important thing was for the troupe to eat. When they were lucky, though, they ate in a restaurant. They’d been able to do so today because the tour in Pieria had gone very well thanks to Martha, the woman who was observing Polyxeni so carefully. Lambros had to admit that her acting had saved the whole troupe. She’d been with them for two months, and things

It was getting late in the year, the sky had been low and overcast for days, and I was drinking tea in a glassy room with a woman without children, a gate through which no one had entered the world. She was turning the pages of an expensive book on a coffee table, even though we were drinking tea, a book of colorful paintings— a landscape, a portrait, a still life, a field, a face, a pear and a knife, all turning on the table. Men had entered there but no girl or boy had come out, I was thinking oddly as she stopped at a page of clouds aloft in a pale sky, tinged with red and gold. This one is my favorite, she said, even though it was only a detail, a corner of a larger painting which she had never seen. Nor did she want to see the countryside below or the portrayal of some myth in order for the billowing clouds to seem complete. This was enough, this fraction of the whole, just as the leafy scene in the windows was enough now that the light was growing dim, as was she enough, perfectly by herself somewhere in the enormous mural of the world.

She decided at that moment that she wanted Gina for a friend... if Gina wasn't already a friend. She rather hoped that the Champion was. The more she thought about it, the more she hoped. Really, Gina had been very nice to someone that she'd had no real reason to like. After all, if it wasn't for Andie, where would she be now? 'On some other uncomfortable Quest?' Well, maybe. Or maybe still at the Chapter-House. And Andie was the one who had thrust herself on a reluctant Gina. The Champion had no reason to be happy about that. 'But she said herself that having me along made getting around the countryside easier.' Still, when it came right down to it, Andie had been an inconvenience. Yet Gina had never made things uncomfortable for Andie. And once she'd been revealed as being another girl- 'I'd really like her for a friend.' She looked around at the other young women clustered about the makeshift table, which looked as if someone had taken a slab of the fallen stone of the fortress walls and set it on four stumpy columns. Actually, someone probably had- that someone being one of the dragons. 'I'd like to have all of them for friends,' she found herself deciding in surprise. Uncommon trial and hardship, danger and uncertainty had brought them together, but they were making the most of it, and even seemed to be finding ways to enjoy themselves. They'd come to some sort of understanding, it seemed, because she honestly couldn't tell any differences of rank among them by the way they behaved toward one another.

She loved San Francisco but always remembered the happiness of that summer traveling through lovely towns like Gundagai and Tumut. The rural countryside was beautiful, and the people were always ready to smile at a pretty young American girl on vacation. She knew she was just average pretty, but she felt beautiful that summer, a duck transformed into a graceful swan. Perhaps it was just that moment in a young girl's life when all things feel possible, and she cannot imagine growing old, looking out a bedroom window in the evenings with no one to put their arms around her.

All Hale Kate: Her story is as close to a real-life fairy tale as it gets. Born Catherine Elizabeth Middleton, the quiet, sporty girl next door from the small town of Bucklebury - not quite Cinderella, but certainly a "commoner" by blue bloods' standards - managed to enchant the most eligible bachelor in the world, Prince William, while they were university students 15 years ago. It wasn't long before everyone else fell in love with her, too. We ached for her as she waited patiently for a proposal through 10 years of friendship and romance (and one devastating breakup!), cheered along with about 300 million other TV viewers when she finally became a princess bride in 2011, and watched in awe as she proceeded to graciously but firmly drag the stuffy royal family into the 21st century. And though she never met her mother-in-law, the late, beloved, Princess Diana, Kate is now filling the huge void left not just in her husband's life but in the world's heart when the People's Princess died. The Duchess of Cambridge shares Di's knack for charming world leaders and the general public alike, and the same fierce devotion to her family above all else. She's a busy, modern mom who wears affordable clothes, does her own shopping and cooking, struggles with feelings of insecurity and totes her kids along to work (even if the job happens to involve globe-trotting official state visits) - all while wearing her signature L.K. Bennett 4 inch heels. And one day in the not-too-distance future, this woman who grew up in a modest brick home in the countryside - and seems so very much like on of us- will take on another impossibly huge role: queen of England.

The final, and most important, consideration concerns personal motivation. When I started the partnership I set the motor that regulated the treadmill at “ten points better than the DOW.” I was younger, poorer and probably more competitive. Even without the three previously discussed external factors making for poorer performance, I would still feel that changed personal conditions make it advisable to reduce the speed of the treadmill. I have observed many cases of habit patterns in all activities of life, particularly business, continuing (and becoming accentuated as years pass) long after they ceased making sense. Bertrand Russell has related the story of two Lithuanian girls who lived at his manor subsequent to World War I. Regularly each evening after the house was dark, they would sneak out and steal vegetables from the neighbors for hoarding in their rooms; this despite the fact that food was bountiful at the Russell table. Lord Russell explained to the girls that while such behavior may have made a great deal of sense in Lithuania during the war, it was somewhat out of place in the English countryside. He received assenting nods and continued stealing. He finally contented himself with the observation that their behavior, strange as it might seem to the neighbors, was really not so different from that of the elder Rockefeller. Elementary

I’ve never been out partying in the countryside before, but this dilemma is bringing home to me the brutal reality that cars are few, as are designated drivers. Everyone needs to travel as a group. If Kendra goes back to the villa, we’ll all have to go. The momentum will be lost. And the evening will end here. Which means I’ll barely have spent any time with Luca. “Oh no, Kendra, do come!” I hear myself say, loudly and enthusiastically. I give a little jerk of my head over to Elisa. “We’ll have so much fun out with the boys…come on, there’s one for each of us!” Luca’s eyebrows rise again, his lips quirk in amusement, and I realize that he understands English very well; I’m mortified. Now he’ll think I’m a total party girl. But quick-witted Kendra catches on immediately; she flicks her eyes sideways, taking in Elisa, who now has her hands on her hips, frowning as she watches us. Elisa says something to Ilaria, and they start to walk toward our group: that’s enough to make Kendra’s decision for her. “Sure, okay, I’m in!” she says, jumping up with an athlete’s speed, and taking Andrea’s proffered arm. “Let’s get going!” The boys don’t need telling twice; they shoot us off, probably afraid Kendra will change her mind again.

Maybe tangled will be a spectacular rump. maybe i will adore it: it could happen. But one thing is for sure: tangled will not be rapunzel. And thats too bad , because rapunzel is an specially layered and relevant fairytale, less about the love between a man and a woman than the misguided attempts of a mother trying to protect her daughter from (what she perceives ) as the worlds evils. The tale, you may recall, begins with a mother-to-bes yearning for the taste of rapunzel, a salad green she spies growing in the garden of the sorceress who happens to live next door. The womans craving becomes so intense , she tells her husband that if he doesn't fetch her some, she and their unborn baby will die. So he steals into the baby's yard, wraps his hands around a plant, and, just as he pulls... she appears in a fury. The two eventually strike a bargain: the mans wife can have as much of the plant as she wants- if she turns over her baby to the witch upon its birth. `i will take care for it like a mother,` the sorceress croons (as if that makes it all right). Then again , who would you rather have as a mom: the woman who would do anything for you or the one who would swap you in a New York minute for a bowl of lettuce? Rapunzel grows up, her hair grows down, and when she is twelve-note that age-Old Mother Gothel , as she calls the witch. leads her into the woods, locking her in a high tower which offers no escape and no entry except by scaling the girls flowing tresses. One day, a prince passes by and , on overhearing Rapunzel singing, falls immediately in love (that makes Rapunzel the inverse of Ariel- she is loved sight unseen because of her voice) . He shinnies up her hair to say hello and , depending on the version you read, they have a chaste little chat or get busy conceiving twins. Either way, when their tryst is discovered, Old Mother Gothel cries, `you wicked child! i thought i had separated you from the world, and yet you deceived me!` There you have it : the Grimm`s warning to parents , centuries before psychologists would come along with their studies and measurements, against undue restriction . Interestingly the prince cant save Rapuzel from her foster mothers wrath. When he sees the witch at the top of the now-severed braids, he jumps back in surprise and is blinded by the bramble that breaks his fall. He wanders the countryside for an unspecified time, living on roots and berries, until he accidentally stumbles upon his love. She weeps into his sightless eyes, restoring his vision , and - voila!- they rescue each other . `Rapunzel` then, wins the prize for the most egalitarian romance, but that its not its only distinction: it is the only well-known tale in which the villain is neither maimed nor killed. No red-hot shoes are welded to the witch`s feet . Her eyes are not pecked out. Her limbs are not lashed to four horses who speed off in different directions. She is not burned at the stake. Why such leniency? perhaps because she is not, in the end, really evil- she simply loves too much. What mother has not, from time to time, felt the urge to protect her daughter by locking her in a tower? Who among us doesn't have a tiny bit of trouble letting our children go? if the hazel branch is the mother i aspire to be, then Old Mother Gothel is my cautionary tale: she reminds us that our role is not to keep the world at bay but to prepare our daughters so they can thrive within it. That involves staying close but not crowding them, standing firm in one`s values while remaining flexible. The path to womanhood is strewn with enchantment , but it also rifle with thickets and thorns and a big bad culture that threatens to consume them even as they consume it. The good news is the choices we make for our toodles can influence how they navigate it as teens. I`m not saying that we can, or will, do everything `right,` only that there is power-magic-in awareness.

Many years later, this idea has trickled down to the impoverished countryside of Bangladesh when Mohammed Yunus and the Grameen Bank brought microcredit to starving peasants with disastrous consequences. The poor of the subcontinent have always lived in debt, in the merciless grip of the local village usurer—the Bania. But microfinance has corporatized that, too. Microfinance companies in India are responsible for hundreds of suicides—two hundred people in Andhra Pradesh in 2010 alone. A national daily recently published a suicide note by an eighteen-yearold girl who was forced to hand over her last 150 rupees (three dollars), her school fees, to bullying employees of the microfinance company. The note read, “Work hard and earn money. Do not take loans.” There’s a lot of money in poverty, and a few Nobel Prizes, too.

Contrary to my own misconceptions, it turns out that serial killers have been around for as long as there have been people—neither the modern world nor America is to blame. After discussing the well-known case of Jack the Ripper, Dr. von Krafft-Ebing discusses the far lesser known Vacher the Ripper, who stalked the French countryside in the late 1800s, murdering perhaps two dozen people. He would rape, strangle, and mutilate his victims, who included girls, women, and boys. It was said that he was born “of honourable parents and belonged to a mentally sound family. He never had a severe illness, [and] was from his earliest infancy vicious, lazy and shy of work.

slash that cuts through the countryside, winding beside a twin artery separated by tangles of scrub. Here and there the sediment that covers the road breaks and Zoey sees ghostly lines of yellow and white. Her face stings from the constant wind and she’s slightly chilled, but she can’t help

The drive to the airport felt eternal. Jane turned the backseat radio to a rock station and worked hard at being more angry than sad. Angry was proactive. “Schmuck,” she kept muttering. It was at herself. Yes, Martin was a schmuck, too. The sheer certainty of that felt invigorating. But really, after all those boyfriends, you’d think she’d have learned that all men are schmucks. It didn’t help her humiliation much that she’d had no illusions about Martin. She knew that he’d just been a fling, motivated by her desperation to feel like a genuine woman amid the pageantry. But then she went and let herself get played. Stupid girl. She’d even convinced herself that Mr. Nobley might have been actually fond of her. “Dream on,” the radio crooned. “It doesn’t matter how it ended,” she muttered to herself, and realized that it was true. Real or not, Martin had showed her that contented spinsterhood was not an option. And real or not, Mr. Nobley had helped her say no to Mr. Darcy. She leaned her head against the window, watched the countryside go whirling by, and forced herself to smile. Pembrook Park had done its job--it allowed her to live through her romantic purgatory. She believed now in earnest that fantasy is not practice for what is real--fantasy is the opiate of women. And she’d buried her fantasy behind her in the English countryside. Her life now would be open to real possibilities. There was no Mr. Darcy, there was no perfect man. But there might be someone. And she’d be ready.

I began to recall my own experience when I was Mercutio’s age (late teens I decided, a year or two older than Romeo) as a pupil at a public school called Christ’s Hospital. This school is situated in the idyllic countryside of the Sussex Weald, just outside Horsham. I recalled the strange blend of raucousness and intellect amongst the cloisters, the fighting, the sport, and general sense of rebelliousness, of not wishing to seem conventional (this was the sixties); in the sixth form (we were called Grecians) the rarefied atmosphere, the assumption that of course we would go to Oxford or Cambridge; the adoption of an ascetic style, of Zen Buddhism, of baroque opera, the Velvet Underground, Frank Zappa, and Mahler; of Pound, Eliot and e. e. cummings. We perceived the world completely through art and culture. We were very young, very wise, and possessed of a kind of innocent cynicism. We wore yellow stockings, knee breeches, and an ankle length dark blue coat, with silver buttons. We had read Proust, we had read Evelyn Waugh, we knew what was what. There was a sense, fostered by us and by many teachers, that we were already up there with Lamb, Coleridge, and all the other great men who had been educated there. We certainly thought that we soared ‘above a common bound’. I suppose it is a process of constant mythologizing that is attempted at any public school. Tom Brown’s Schooldays is a good example. Girls were objects of both romantic and purely sexual, fantasy; beautiful, distant, mysterious, unobtainable, and, quite simply, not there. The real vessel for emotional exchange, whether sexually expressed or not, were our own intense friendships with each other. The process of my perceptions of Mercutio intermingling with my emotional memory continued intermittently, up to and including rehearsals. I am now aware that that possibly I re-constructed my memory somewhat, mythologised it even, excising what was irrelevant, emphasising what was useful, to accord with how I was beginning to see the part, and what I wanted to express with it. What I was seeing in Mercutio was his grief and pain at impending separation from Romeo, so I suppose I sensitised myself to that period of my life when male bonding was at its strongest for me.

He watches you, Sinda. Like you’re his best treasure, only he can’t think of a way to slip you into his pocket. Hasn’t he-of-the-throwing-daggers been brave enough to mention it?” “He did, once,” I said. “Right after Melaina sent a storm to try to kill me. He didn’t want me to go look for you. He was scared--well, scared I’d get caught, or hurt. I told him I had to try, and I put a spell on him to keep him from betraying our secret. He kissed me, and then he left. Then the king got sick, and I came looking for you.” I leaned my head back against the barn’s side. “So everything’s…strange, now. And he hasn’t…he hasn’t said anything about it since he found me…” I trailed off, biting my lip. I had spent so much time worrying about how to tell him he couldn’t love me anymore, but it hadn’t escaped my notice that he hadn’t mentioned the subject since finding me. Maybe the things I had worried about in Melaina’s cell were true. Maybe I had hurt him too much, using that spell against him. Maybe he had come after me only because we were friends, because he felt guilty about letting me go off alone. “He hasn’t said anything,” Mika repeated flatly. “While we’ve been racing across the countryside with Melaina’s guards behind us or in front of us, and me sleeping an arm’s length from the both of you each night.” She shook her head in disgust. “For a girl who’s supposedly got all this learning, you can be sort of stupid, Sinda.” “Excuse me?” I said stiffly. Mika leaned forward until her face was close to mine, and then she said, slowly, as you would to a child, “He loves you. It’s plain for anyone to see. He came after you, didn’t he? Admitted he was wrong to abandon you?” I shrugged. “We’ve been friends since I was born, or almost.” “He doesn’t look at you like he thinks you’re just his friend.

There is a story about a man who came to town during the plagues that were killing so many at the time. The rats were the problem and while people did not know this in a scientific way like they do now, it was their intuition that told them that the rats were bringing the disease. He claimed that he knew how to get rid of the rats, but most of all how to get rid of the fevers and the disease that were decimating the countryside. The town had to give him one hundred and thirty of their children for him to take back to his home in Transylvania. The population there were so few that it was becoming almost impossible to marry outside of family. The inbreeding was causing disease in the bloodlines --- primarily mental disease. So he promised to free the city of rats, and hence plague, in exchange for these children. He promised they would be healthy for much longer than any normal children in plague-ridden cities could hope for. The people were so desperate they agreed to the man’s request and within a fortnight the town was the only place for miles around which was miraculously free of rats. Soon the town was also unburdened of the former pestilence. When he came to collect his pay in the form of seventy girls and sixty boys under the age of ten, the town refused. They hung him in the town square, fearful of allowing him to leave in case he would rain the black plague down upon them. The people knew that he was a powerful sorcerer of some type and condemned him to death rather than hand their children over to him.             “It wasn’t until the following spring that people began to see the familiar form of the strange man on the roads leading out of town. He was said to be alive and playing a musical instrument that made people feel dizzy or hypnotized. Soon there was a panic. The woods, still devoid of all rats, were searched for the presumed dead traveler. Nothing was found. Then on the Ides of March, in the middle of the night, one hundred and thirty children disappeared from their beds. The adults spoke of an odd feeling that came over them, accompanied by the faint sound of music on the wind. It had put them to sleep and when they awoke all that was left of their children was a pile of bloody teeth resting on their pillows. The parents searched everywhere, pulling their hair and wailing their mournful cries, but the children had vanished. There are stories that these were the first vampire children who later populated the Carpathians, brought from Hamlin by a dark conjurer. Whatever happened in reality, the song was passed down for hundreds of years as a warning not to make deals that you know you will not uphold. It could be a deal with the devil, and he always gets his due.

Perhaps there’s something inside her we haven’t seen yet.” The delicate comb clinked on the stone, and she started to pull Evie’s hair into loose strands. “That’s the way it is with people, you know. When I was a girl, my mother died quite unexpectedly. She meant the world to me. To my father as well. But in his grief, he consented to marry another. She was a dreadful woman, and her dreadful daughters became my stepsisters. They lived to torment me. Each morning I’d wake and wonder what I’d done to make them hate me so. Eventually I came to see that I hadn’t done anything at all. Something somewhere in their lives had hurt them—I could see that even if they couldn’t—and I made up my mind to treat them decently, as others so clearly hadn’t.” Evie studied her in the mirror. She could live to be a thousand years old and she’d never be as kind as Hazelbranch. It seemed to come naturally, as though it was a part of her, like hair or skin. “Each of us is blessed with the ability to control our own decisions,” she continued, “but cursed with the inability to control the decisions of others. I couldn’t do a thing about the way they treated me, but I got to choose the way I treated them. And do you know what happened? As we grew into adulthood, one of those wicked stepsisters became the best friend I’ve ever had.” Evie scowled and looked to the floor. She had no interest in being the bigger person. She despised Malora, and was comfortable in her anger. “It isn’t fair. Of all the people here . . .” “Life isn’t fair, Evie. It never has been and it never will be. You can sit back and moan about its unfairness while the witches roll across the countryside, or you can pick yourself up and get on with it.

Liked Following Message More Contact Us .. Status Photo / VideoOffer, Event + . Write something... . 1 Draft Created Saturday, November 5 at 4:05pm. See draft. . The Year of “Alphabetization In the Cuban post revolution era it was at “Che” Guevara who promoted educational and health reforms. 1961 became the “Year of Cuban Literacy” or the “Campaña Nacional de Alfabetización en Cuba,” meaning the “Year of Alphabetization in Cuba.” The illiteracy rate had increased throughout Cuba after the revolution. Fidel Castro in a speech told prospective literacy teachers, “You will teach, and you will learn,” meaning that this educational program would become a two-way street. Both public and private schools were closed two months earlier, for the summer than usual, so that both teachers and students could voluntarily participate in this special ambitious endeavor. A newly uniformed army of young teachers went out into the countryside, to help educate those in need of literacy education. It was the first time that a sexually commingled group would spend the summer together, raising the anxiety of many that had only known a more Victorian lifestyle. For the first time boys and girls, just coming of age, would be sharing living conditions together. This tended to make young people more self-sufficient and thought to give them a better understanding of the Revolution. It is estimated that a million Cubans took part in this educational program. Aside from the primary purpose of decreasing illiteracy, it gave the young people from urban areas an opportunity to see firsthand what conditions were like in the rural parts of Cuba. Since it was the government that provided books and supplies, as well as blankets, hammocks and uniforms, it is no surprise that the educational curriculum included the history of the Cuban Revolution, however it made Cuba the most literate countries in the world with a UNESCO literacy rate in 2015, of 99.7%. By Captain Hank Bracker, author of the award winning book “The Exciting Story of Cuba,” Follow Captain Hank Bracker on Facebook, Goodreads, his Website account and Twitter.

the gains of women in Afghanistan once again directly contributed to war, as their fate was mixed into the powder keg of tension between reformers and hardliners, between foreigners and Afghans, and between the urban centers and the countryside.

Mean kids made fun of their peers from the countryside. Anna May Peyrot Wharton, who went to all-white schools, recalled "smart-aleck girls": "They'd snigger and say, 'Look! Look! She's eating one of them old biscuits and we got light bread.

Richard, Polly and I talked about the Fens, and how they are apt to breed rebels and saints and fancy words. John Skelton, Laureate Parson of Disse, knew a girl who was Benign, courteous, and meek, With wordes well devised; In you, who list to seek, Be virtues well comprised. Her name was Margery Wentworth. I see her catching his eye at matins.

I do care about the awfulness of war and starving babies and tortured animals and destroying the countryside. It’s just that if I’m totally one hundred and one percent honest I care about being fat just a weeny bit more.

The end of her story was the beginning of ours. Clio sold her pink town house in Notting Hill and bought a similar—but significantly cheaper—house in the countryside. She did not sell any of her trainers.

had originally been a village in the Worcestershire countryside but had merged into Stourbridge following extensive house building during the interwar years.

The Project liked high school girls, especially those from rural backgrounds. Recruiters sought them out relentlessly, feeling young women were easy to instruct. They did what they were told. They weren’t overly curious. If you tell a young woman of 18 from a small-town background to do something, she’ll do it, no questions asked. Educated women and men, people who had gone to college and learned just enough to think that they might “know” something, gave you problems. The Project scoured the countryside of Tennessee and beyond looking for recent graduates.

We're in the Spanish countryside," Sangris said, "by a centuries-old pilgrim route. Fresh air. Those enormous flowers, so many of them that they cover the entire hill. Trees that look as if they've been painted. They make a sound like a flowing river, don't they? A stone well, in the shade. Dark green, gold, black." He paused. His hands were still over mine. "I can imagine someone sitting here, thinking of you, but a different you. Different from what your father wants, I mean, and more like you are now. Your father's Freneqer seems like she'd be thought up in a dull drawing room somewhere. But here . . . everything is ancient and lovely and bold and dusty and romantic. It's the sort of place where a poet would be born. Either a poet or a revolutionary.

she says something nasty.’ ‘Well, not nasty, exactly,’ Gertie said. ‘More sly, isn’t it?’ Celeste nodded. ‘Like the time she said that you were looking well.’ Evie gave a mad sort of laugh. ‘Yes!’ she cried. ‘She said I suited the extra weight I’d put on.’ ‘And the time she admired my dress,’ Gertie said, ‘and then went on to say that she wished they’d come in petite so that she could have one too.’ Celeste gave a knowing smile. ‘I don’t think it’s natural to be as skinny as Simone,’ she said. ‘No,’ Evie said. ‘Didn’t she once say that she hated chocolate? How can you trust anyone who doesn’t like chocolate? It’s not natural, is it?’ ‘It certainly isn’t,’ Celeste said, enjoying the jovial mood between them and wishing it could be like this more often. ‘And if she says my fingernails look like a man’s one more time, I swear I’m going to scream,’ Gertie said. The sisters laughed together before getting out of the car. Oak House was on the edge of a pretty village in what was known as ‘High Suffolk’ – the area to the north-west of the county famous for its rolling countryside. The house itself wasn’t attractive. Or at least it wasn’t attractive to Celeste, who was suspicious of any architecture that came after the Arts and Crafts movement – which this one certainly had. She still found it hard to understand how her father could have bought a mock-Tudor house when he had lived in a bona fide medieval home for so many years. She looked up at its black and white gable and couldn’t help wincing at such modernity. It was the same inside, too, with neatly plastered walls and floors that neither sloped nor squeaked. But, then again, Oak House had never known damp or deathwatch beetle and there was never the slightest chance of being cold in the fully insulated rooms with their central heating. ‘God, I’d rather spend an afternoon with Esther Martin,’ Gertie said as they approached the front door, which sheltered in a neat little porch where Simone had placed a pot of begonias. Celeste didn’t like begonias. Mainly because they weren’t roses. ‘I popped my head in to see if Esther was all right this morning and she nearly bit it off,’ Celeste said. ‘I’ve given up on her,’ Gertie said. ‘I’ve tried – I’ve really tried to be nice, but she is the rudest person I’ve ever met.’ Evie sighed. ‘You can’t blame her

The Palouse is the middle of nowhere: a nowhere with quilted hills of wheat and soybeans stacking and cresting like the waves of the ocean. No one is watching, the uncanny countryside seems to say. Anything is possible.

I had only had a few days in Tokyo this time. But that was long enough to get used to its ways again — stations where you never have to wait, trains that are never late, telephones that never break down, shop girls who bow to you and smile. It all went together with the high tech facade of the place, the insistent newness of it, the looming skyscrapers and streets crowded with people in chic black or sewer-rat grey, all inexplicably in a hurry. In the countryside, on the other hand, no-one was in a hurry. ‘Countryside’, actually, is rather a mistranslation. Inaka really means anywhere that is not Tokyo — the provinces, in other words, the boondocks, the sticks.

Melanie builds the world around her as she goes. This is mostly countryside, with fields on all sides. Rectangular fields, mostly, or at least with roughly squared-off edges. But they’re overgrown with weeds to the grown-ups’ shoulder height, whatever crops they were once planted with swallowed up long ago. Where the fields meet the road, there are ragged hedges or crumbling walls, and the surface they’re walking on is a faded black carpet pitted with holes, some of them big enough for her to fall into. A landscape of decay – but still gloriously and heart-stoppingly beautiful. The sky overhead is a bright blue bowl of almost infinite size, given depth by a massive bank of pure white cloud at the limit of vision that goes up and up and up like a tower. Birds and insects are everywhere, some of them familiar to her now from the field where they stopped that morning. The sun warms her skin, pouring energy down on to the world out of that upturned bowl – it makes flowers grow on the land, Melanie knows, and algae in the sea; starts food chains all over the place. A million smells freight the complicated air.

Thus, when a rumor arose in 1568 that the Ottoman Turks had finally come to liberate them, formerly “domesticated” and “tamed” Muslims near Granada, “believing that the days under Christian rule were over, went berserk. Priests all over the countryside were attacked, mutilated, or murdered; some were burned alive; one was sewed inside a pig and barbequed; the pretty Christian girls were assiduously raped, some sent off to join the harems of Moroccan and Algerian potentates.

In Michigan—where the State Department of Public Instruction had adopted the slogan “A high school education for every boy and girl in Michigan”7—consolidated schools began to replace the old country schoolhouses in 1919. Not everyone, however, was in favor of this change. The push for consolidation produced heated conflicts throughout the region. Many old-timers felt that the type of schooling they had received was perfectly adequate for their children, particularly for the boys who planned to make their livings as farmers. These opponents also bristled at the prospect of paying higher taxes to fund the fancy new schools. “They simply couldn’t see the sense to more than an eighth grade education,” notes one historian, “and they couldn’t see paying for it. Fine if some people wanted high school education for their children, but let them pay tuition and send their children to the city.”8 Foes of consolidation also argued that it was safer for their children to walk to the nearest one-room schoolhouse than to transport them by wagon or bus “over the generally miserable back roads in the . . . countryside

Following the Soviet invasion, the Communists, to their credit, passed decrees making girls’ education compulsory and abolishing certain oppressive tribal customs—such as the bride-price, a payment to the bride’s family in return for her hand in marriage. However, by massacring thousands of tribal elders, they paved the way for the “commanders” to step in as the new elite. Aided by American and Saudi patronage, extremism flourished. What had once been a social practice confined to areas deep in the hinterlands now became a political practice, which, according to ideologues, applied to the entire country. The modest gains of urban women were erased. “The first time a woman enters her husband’s house," Heela “told me about life in the countryside, “she wears white”—her wedding dress—“and the first time she leaves, she wears white”—the color of the Muslim funeral shroud. The rules of this arrangement were intricate and precise, and, it seemed to Heela, unchanged from time immemorial. In Uruzgan, a woman did not step outside her compound. In an emergency, she required the company of a male blood relative to leave, and then only with her father’s or husband’s permission. Even the sound of her voice carried a hint of subversion, so she was kept out of hearing range of unrelated males. When the man of the house was not present, boys were dispatched to greet visitors. Unrelated males also did not inquire directly about a female member of the house. Asking “How is your wife?” qualified as somewhere between uncomfortably impolite and downright boorish. The markers of a woman’s life—births, anniversaries, funerals, prayers, feasts—existed entirely within the four walls of her home. Gossip, hopscotching from living room to living room, was carried by husbands or sons.