Irving Wallace Quotes

We've searched our database for all the quotes and captions related to Irving Wallace. Here they are! All 42 of them:

To be one's self, and unafraid whether right or wrong, is more admirable than the easy cowardice of surrender to conformity.
Irving Wallace
If you talk about it, you probably won't write it
Irving Wallace
Those poor people know Communism gives them bread, while democracy gives them a vote and a Letter to the Editor.
Irving Wallace (The Man)
..kau harus memperlakukan kegiatan menulismu sebagai sebuah karier. Kau tidak boleh membicarakannya. Kau harus melakukannya-ingin melakukannya, suka melakukannya walaupun harus kesepian, merasa bahwa di bumi tidak ada yang lebih penting ketika kau sedang melakukannya.
Irving Wallace
schizophrenic land of liberty
Irving Wallace (The Man)
The immediate future is not in the hands of our first Negro President. It is in our hands, for better or for worse.
Irving Wallace (The Man)
...menulislah setiap hari, berpura-pura bahwa kau menerima gaji, berpura-pura bahwa kau harus menyerahkan sesuatu atau dipecat
Irving Wallace
Wallace Worthington would have reminded Wilbur Larch of someone he might have met at the Channing-Peabodys’, where Dr. Larch went to perform his second abortion – the rich people’s abortion, as Larch thought of it. Wallace Worthington would strike Homer Wells as what a real King of New England should look like.
John Irving (The Cider House Rules)
No one, in an open society, following the rules of that society, had the right to come between an idea and its audience.
Irving Wallace (The Seven Minutes)
Our own domestic Negro situation is another thing.
Irving Wallace (The Man)
miracle,
Irving Wallace (The Fan Club)
You are only really in love once in your life, and that is the first time.
Irving Wallace (The Plot)
he who lives on hope will die fasting—
Irving Wallace (The Plot)
When you are a free and independent writer, without employer, without hours or deadlines, you have to play little games to force yourself into the actual writing. For me, one game is to announce...that I have finally decided on my next book, that I am ready to write it...to put my pride on the line.
Irving Wallace (The Writing of One Novel)
the world must not be run by men who are smiling, charming, incompetent reflections of the nincompoop masses. There are those of us who believe that the affairs of the world can be conducted peacefully and efficiently only by authorities who are not experts alone but who are also men of decisiveness.
Irving Wallace (The Plot)
Each and every one of these leaders was a Negro citizen of the United States. They had earned the right to guide us, help us, not because their colored forebears helped free us and defend us in the Revolutionary War, in the War of 1812, in the Union Army of Lincoln and Grant, in the First and Second World Wars, in Korea, but because they were part of our whole, part of each of us, with the same stakes and goals.
Irving Wallace (The Man)
For the middle majority of us all, knowledge of Negroes firsthand is probably limited—limited to the colored cleaning woman, who comes twice a week, limited to the colored baseball player who saves or loses a home game, limited to the garage mechanic, or dime-store clerk, or blues singer seen and heard on a Saturday night. To this white majority, the black man is as unknown as once was the heart of the Dark Continent of Africa.
Irving Wallace (The Man)
The words that shock so much at first don’t shock at all after a while. Is this because the mind is depraved by habit? Not a bit. It is that the words merely shocked the eye, they never shocked the mind at all. People without minds may go on being shocked, but they don’t matter. People with minds realize that they aren’t shocked, and never really were: and they experience a sense of relief. And that is the whole point. We are today, as human beings, evolved and cultured far beyond the taboos which are inherent in our culture.
Irving Wallace (The Seven Minutes)
Bradshaw. That Dietz would pretend he existed, and got them all those sensational scoops when she knew— That instant, she knew. She felt the goose pimples grow on her arms, and her fingers clenched the steering wheel more tightly as her body went rigid. It was coming to her in a rush, the incredible answers to the questions that she had been asking herself in these last weeks. Like a streak of lightning throwing a bright, stark light on a dark area, illuminating all that had been hidden so long. In those stunning moments of revelation, Victoria could see the whole truth. It was too shocking, even horrifying, to believe, but it was the truth, there could be no other. It was coming to her—who Mark Bradshaw was; why she and Nick had always been sent to scenes where terrorism was about to happen, to file advance background stories where terrorism would occur; how the Record had obtained exclusive stories on the kidnapping of the Spanish king and abduction of the UN secretary-general and theft of the Dead Sea scrolls and murder of the Israeli prime minister and near kidnapping of the Pope in Lourdes; why Carlos was not being picked up and jailed; why she had abruptly been ordered to leave Paris and return to New York.
Irving Wallace (The Almighty)
of both rayon and wool, draped around a papier-mâché replica in miniature of the Palais Rose. She wished that she could wear such sexily clinging clothes for—instinctively her mind had entertained Rostov, out of habit, and she forced him to leave to make the considerable room necessary for Doyle—well, for the man who would marry her. Unfortunately, she did not have the necessary figure now, nor had she possessed such a figure when she was younger. The Maker gave every human being one advantage, no more. She would have to settle for brains, which were neither sexy nor the right filling for clinging knits. How odd of God, she thought, in dispensing His favors, not to have made all females feminine. But then, He was a male, and males never understood how women really felt. She withdrew her attention from the depressing window display and pivoted on a heel to resume her watch of the Élysée. And there was Jay Doyle, like Jumbo except for the lack of a trunk, lumbering toward her. “Well?” she asked quickly, even before he had reached her. He wheezed noisily, and after an unnecessarily theatrical glance around to be sure they could not be overheard, he said, “Rostov’s in there all right. I didn’t see him, of course, but some of the other correspondents saw him arrive at four. The ministers are still locked up in the Murat Salon, in the section called the Foreign Sovereigns’ Apartment.” “When do they break?” asked Hazel anxiously
Irving Wallace (The Plot)
All man's honors are small beside the greatest prize to which he may and must aspire--the finding of his soul, his spirit, his divine strength and worth--the knowledge that he can and must live in freedom and dignity--the final realization that life is not a daily dying, not a pointless end, not ashes-to-ashes and dust-to-dust, but a soaring and blinding gift snatched from eternity.
Irving Wallace (The Man)
How could she be a helpmate to a public figure already so successful, the foremost member of the President's Cabinet? How could she be of any use to a public figure who already possessed everything?
Irving Wallace (The Man)
Perhaps the Negro musicians had not been able to give enough because they were inhibited by her Southern-supremacy origins.
Irving Wallace (The Man)
Scandal, vice, crime would be played down. Editorials and news stories would be signed. And for the first time, stories of virtue and good will would be featured on the front page.
Irving Wallace (The Word)
She reached her waiting chair and shorthand pad, beside Leach, as a far-off erratic voice came indistinctly over the loudspeaker, and then suddenly broke out loudly and clearly. "—calling from Frankfurt am Main, this is Signal Corps Captain Foss calling from Frankfurt am Main. Do we have the White House in Washington?" Calmly Secretary of State Eaton addressed the microphone box. "This is the White House, Captain. This is the Secretary of State. We are assembled and ready for the conference call." "All right, sir. The President is waiting to speak to you." A muffled crossing of voices slapped against the loudspeaker, and then a jagged arrow of static, and at once T. C.'s hurried, bouncy, unceremonious voice was upon them in the Cabinet Room. "Arthur, are you there?
Irving Wallace (The Man)
tell you," he muttered, "those reporters out there sure downright bugged me. Trying to make me out a Bilbo or worse. Anything for a story. They sure can be mighty rough boys.
Irving Wallace (The Man)
Psalms 127:1." Slowly, Eaton leafed through the book, and then he said, "Is this it? 'Except the Lord build the house, they labour in vain that build it: except the Lord keep the city, the watchman waketh but in vain.
Irving Wallace (The Man)
It’s to remind the idle rich of the Spartan life. To remind you life is real, life is earnest, and it is also a pain in the ass.
Irving Wallace (The Almighty)
honest and poor is good, very good, but believe me, Abe, honest and rich is better, far better.
Irving Wallace (The Seven Minutes)
you’re your own worst enemy.
Irving Wallace (The Seven Minutes)
The dispensing of injustice is always in the right hands.
Irving Wallace (The Seven Minutes)
In the summer before the trial he had been diagnosed with heart disease and hospitalized for a month. On November 26, just before his prison term was to begin, he was admitted to the hospital once again. On December 29 he suffered a heart attack. On December 30, never having served a day of his sentence, he died. He died a hero. Over the course of the year that passed between his confession and his trial, public opinion in Holland had swung completely in Van Meegeren’s favor. Once damned as a traitor, he became, in the words of the American journalist Irving Wallace, “the man who swindled Goering.
Edward Dolnick (The Forger's Spell: A True Story of Vermeer, Nazis, and the Greatest Art Hoax of the Twentieth Century (P.S.))
reception room. Mr. Razin will bring you further instructions." No sooner had she left the office than Petrov pointed his chair toward Alex Razin. "Well, Razin, what do you think?" "Of her? As you said—she is nearly perfect. Let her hair grow longer, eliminate the small cheek scar, shorten the nose slightly, and she is Billie Bradford." "No, I mean my story. Did she believe it?
Irving Wallace (The Second Lady)
Questa ipersessualità potrebbe essere un mezzo per procurarsi quest'amore ora, da adulta. Ma non serve a niente, capite: nessun uomo, nemmeno cento uomini, possono dare quel che i suoi genitori le hanno negato più di venti anni fa.
Irving Wallace (The Chapman Report)
Strictly as a thief, Nick Velvet is today’s heir apparent to the crown worn by such Napoleons of knavery as Grant Allen’s illustrious Colonel Clay (1897), E. W. Homung’s cricketer-cracksman A. J. Raffles (1899), O. Henry’s gentle Jeff Peters (1908), George Randolph Chester’s get-rich-quick Wallingford (1908), Frederick Irving Anderson’s infallible Godahl (1914) and notorious Sophie Lang (1925), Edgar Wallace’s forthright Four Square Jane (1929), Leslie Charteris’ saintly Simon Templar (1933), and Roy Vickers’ ethereal Fidelity Dove (1935).
Edward D. Hoch (The Spy and the Thief)
His bright hope had become a black cloud of despair.
Irving Wallace (The Plot)
He sat brooding, a Buddha who had overeaten at dinner, trying to sort wisdom out of the calories.
Irving Wallace (The Plot)
O mundo pode identificar-se com um mártir desamparado. Mas seis milhões de judeus foram perseguidos e assassinados na Alemanha e o mundo fica perturbado intelectualmente, mas emocionalmente calmo, tratando de sua própria vida, porque, ora, quem pode identificar-se com seis milhões de mortos?
Irving Wallace (The Seven Minutes)
Many reasons have been put forward by sociologists, historians, and psychologists to explain the undeviating worship of group living and group thinking in America. James Bryce credited American conformity to uniform political institutions in federal, state, and municipal government. Everywhere schools, libraries, clubs, amusements, and customs were similar. "Travel where you will," he wrote, "you feel that what you have found in one place that you will find in another." Above all, there was the rapid advance in industrial science. In America, an all-powerful technology, with its standardized techniques and methods of mass production, reached its zenith. As technology attracted larger numbers of people to urban centers, and compressed them into smaller areas, community living became a necessity. This, in turn, encouraged people to co-operate, and created relationships that invite similar activities and opinions. Gradually there emerged on the American scene, against all natural development of culture and against all individual traits inherent in every man, two striking attitudes that made American conformity broader, more unyielding, and more dangerous. The first attitude, assumed by the majority, was that the act of becoming average, of being normal, was more important than that of being distinct or superior. The second attitude, also assumed by the majority, was that the state of being well adjusted to the crowd and the community was more important than that of being a unique and original human being.
Irving Wallace (The Square Pegs: Some Americans Who Dared to Be Different)
If the eccentric is sufficiently integrated to succeed in some field, to gain wealth or power, he is admired and respected and his oddity is overlooked. But if the eccentric fails, he is pitied or ridiculed and shunned as something strange.
Irving Wallace (The Square Pegs: Some Americans Who Dared to Be Different)
These are the square pegs that would not fit into round holes. They went backward when everyone went forward, and they went forward when everyone stood still. They said nay when others said aye, and they saw black when others saw white. Despite suffering, economic and spiritual, they refused to be garmented to the strait jacket of conformity. This, and no other, is their achievement - and it is enough. For when our society no longer has a single square peg, when it no longer has a recalcitrant individual out of step, when it no longer has a voice that will rise to dissent and disagree and persists in an unorthodoxy, then, and only then, will man have lost his battle and his last chance.
Irving Wallace (The Square Pegs: Some Americans Who Dared to Be Different)
Lourdes in Nevers,
Irving Wallace (The Miracle)