Radiant Face Quotes

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‎"Love is seeing an imperfect person perfectly.. and he is far from being perfect. But there’s something about him that captivates my heart.What’s so good about him anyway? Is it his radiant smile? His charisma? Maybe it’s his attractive face? I don’t know. But..I’m falling.. hard.
Bianca B. Bernardino (She's Dating the Gangster)
The contemplation of beauty, whether it be a uniquely tinted sunset, a radiant face, or a work of art, makes us glance back unwittingly at our personal past and juxtapose ourselves and our inner being with the utterly unattainable beauty revealed to us.
Vladimir Nabokov (The Stories of Vladimir Nabokov)
We are sometimes dragged into a pit of unhappiness by someone else’s opinion that we do not look happy.
Mokokoma Mokhonoana
What does it mean when a man falls in love with a radiant face across the room? It may mean that he has some soul work to do. His soul is the issue. Instead of pursuing the woman and trying to get her alone, away from her husband, he needs to go alone himself, perhaps to a mountain cabin, for three months, write poetry, canoe down a river, and dream. That would save some women a lot of trouble.
Robert Bly (Iron John: A Book About Men)
When you chose to follow the way of purity, did you expect it to be easy? When you decided to wait for the best, did you think that waiting would be fun? Did you think that your faith would not be tested? When you decided to take the narrow path, did no one warn you that difficulties, hardship, and tears would be part of the journey, and that you would often face rejection from others and be forced to walk alone? My daughter, that which you wait for the longest you treasure the most, and through much struggle the prize is won.
Sarah Mally (Before You Meet Prince Charming: A Guide to Radiant Purity)
If we cooperate with Him in loving obedience, God will manifest Himself to us, and that manifestation will be the difference between a nominal Christian life and a life radiant with the light of His face.
A.W. Tozer (The Pursuit of God: The Human Thirst for the Divine)
Looking for Your Face From the beginning of my life I have been looking for your face but today I have seen it Today I have seen the charm, the beauty, the unfathomable grace of the face that I was looking for Today I have found you and those who laughed and scorned me yesterday are sorry that they were not looking as I did I am bewildered by the magnificence of your beauty and wish to see you with a hundred eyes My heart has burned with passion and has searched forever for this wondrous beauty that I now behold I am ashamed to call this love human and afraid of God to call it divine Your fragrant breath like the morning breeze has come to the stillness of the garden You have breathed new life into me I have become your sunshine and also your shadow My soul is screaming in ecstasy Every fiber of my being is in love with you Your effulgence has lit a fire in my heart and you have made radiant for me the earth and sky My arrow of love has arrived at the target I am in the house of mercy and my heart is a place of prayer
Jalal ad-Din Muhammad ar-Rumi (The Love Poems of Rumi)
No,''he said.''I was a Strigoi. I was one of them. I did...terrible things.'' The words were mild, but the tone of his voice spoke legions. The radiant faces of his family turned sober.''I was lost. Beyond hope. Except...Rose believed in me. Rose never gave up.
Richelle Mead (Foretold: 14 Tales of Prophecy and Prediction)
When Lenore Dove comes to me now, she’s not angry or dying, so I think she’s forgiven me. She’s grown older with me, her face etched with fine lines, her hair touched with gray. Like she’s been living her life beside me as the years passed, instead of lying in her grave. Still so rare and radiant. I fulfilled my promise about the reaping, or at least lent a hand, but she says I can’t come to her yet. I have to look after my family.
Suzanne Collins (Sunrise on the Reaping (The Hunger Games))
Through silence, we return to our heavenly origin, where there is nothing but calm, peace, repose, silent contemplation, and adoration of the radiant face of God.
Robert Sarah (The Power of Silence: Against the Dictatorship of Noise)
He reached out and caressed her face. With a serious expression, he traced the edge of her jaw with his thumb. "You‘re beautiful, Ani. In all of eternity, there‘s never been another faery who could make me want to forget everything and everyone else." "Because you like the way I look?" She rolled her eyes. "Apparently, my dream mind is shallow." "No, not the exterior. You… the tempers and follies and passion… even the way you care for that infuriating steed."Devlin gazed at her like she was precious. "Even knowing you could be fatal, I would‘ve said yes." Her chest hurt like she had held her breath too long as she asked, "To?" "Whatever you wanted." He didn‘t reach out and pull her into his embrace. Instead, he took one step forward, leaned down, and kissed her.
Melissa Marr (Radiant Shadows (Wicked Lovely, #4))
She smiled radiantly at the shield, pretending it was Dageus. The three simple words just didn't seem like enough. Love was so much larger than words. "I love you, I love you, I love you. I love you more than chocolate. I love you more than the whole world is big." She paused, thinking, searching for a way to explain what she felt. "I love you more than artifacts. I love you so much it makes my toes curl just thinking about it." Pushing her hair back from her face, she donned her most sincere expression. "I love you." "You can have the confounded shield if you love it that much, lass," Dageus said, sounding utterly bewildered. Chloe felt all the blood drain from her face.
Karen Marie Moning (The Dark Highlander (Highlander, #5))
George had turned at the sound of her arrival. For a moment he contemplated her, as one who had fallen out of heaven. He saw radiant joy in her face, he saw the flowers beat against her dress in blue waves. The bushes above them closed. He stepped quickly forward and kissed her. Before she could speak, almost before she could feel, a voice called 'Lucy! Lucy! Lucy!' The silence of life had been broken by Miss Bartlett, who stood brown against the view.
E.M. Forster (A Room with a View)
A woman gambles all of herself, body and future, when she marries. That's more courageous than any risk a bureaucrat takes when it concerns only his face, or his wealth
Shelley Parker-Chan (She Who Became the Sun (The Radiant Emperor, #1))
It is a great shame for anyone to listen to the accusation that Islam is a lie and that Muhammad was a fabricator and a deceiver. We saw that he remained steadfast upon his principles, with firm determination; kind and generous, compassionate, pious, virtuous, with real manhood, hardworking and sincere. Besides all these qualities, he was lenient with others, tolerant, kind, cheerful and praiseworthy and perhaps he would joke and tease his companions. He was just, truthful, smart, pure, magnanimous and present-minded; his face was radiant as if he had lights within him to illuminate the darkest of nights; he was a great man by nature who was not educated in a school nor nurtured by a teacher as he was not in need of any of this.
Thomas Carlyle (On Heroes, Hero Worship and the Heroic in History)
Lachlain: 'And you must be the soothsayer - ' Nix: 'I prefer predeterminationally abled, thank you.' Her hand shot out, ripping a button from his shirt, so fast it was a blur. She'd taken the one closest to his heart, and for a moment her face turned very cold. She'd made a point - she could have gone for his heart. Then she opened her hand and gasped in surprise. 'A button!' She smiled delightedly. 'You can never have enough of these!' Lachlain: 'How did you find this place?' Regin: 'A phone tap, satellite imaging, and a psychic,' she said, then immediately frowned. 'How do YOU find places?
Kresley Cole (A Hunger Like No Other (Immortals After Dark, #1))
Then, O King! the God, so saying, Stood, to Pritha's Son displaying All the splendour, wonder, dread Of His vast Almighty-head. Out of countless eyes beholding, Out of countless mouths commanding, Countless mystic forms enfolding In one Form: supremely standing Countless radiant glories wearing, Countless heavenly weapons bearing, Crowned with garlands of star-clusters, Robed in garb of woven lustres, Breathing from His perfect Presence Breaths of every subtle essence Of all heavenly odours; shedding Blinding brilliance; overspreading- Boundless, beautiful- all spaces With His all-regarding faces; So He showed! If there should rise Suddenly within the skies Sunburst of a thousand suns Flooding earth with beams undeemed-of, Then might be that Holy One's Majesty and radiance dreamed of!
Edwin Arnold (The Bhagavad Gita)
She [Anita] turns back to Raffe, her face melting into a radiant smile. She puts her hand on his arm as he’s about to take off his pants. And that’s all the excuse I need. I grab the sudsy shirt out of the gray water and throw it at her. It makes a plop noise when it lands on her face, wrapping around her hair. Her perfect hair clumps into a stringy mass, and her mascara smears as the cloth slides wetly down her blouse. She emits a high-pitched squeal that turns every head within earshot. “Oh, I’m sorry,” I say in a sugary voice. “Did you not like that? I thought that’s what you wanted. I mean, why else would you be putting your paws on my man?
Susan Ee (Angelfall (Penryn & the End of Days, #1))
If my twelve-year-old self, of whom I had grown rather fond, thinking about him, were to reproach me: 'Why have you grown up such a dull dog, when I gave you such a good start? Why have you spent your time in dusty libraries, catologuing other people's books instead of writing your own? What had become of the Ram, the Bull and the Lion, the example I gave you to emulate? Where above all is the Virgin, with her shining face and curling tresses, whom I entrusted to you'- what should I say? I should have an answer ready. 'Well, it was you who let me down, and I will tell you how. You flew too near to the sun, and you were scorched. This cindery creature is what you made me.' To which he might reply: 'But you have had half a century to get over it! Half a century, half the twentieth century, that glorious epoch, that golden age that I bequeathed to you!' 'Has the twentieth century,' I should ask, 'done so much better than I have? When you leave this room, which I admit is dull and cheerless, and take the last bus to your home in the past, if you haven't missed it - ask yourself whether you found everything so radiant as you imagined it. Ask yourself whether it has fulfilled your hopes. You were vanquished, Colston, you were vanquished, and so was your century, your precious century that you hoped so much of.
L.P. Hartley (The Go-Between)
He remembered a story Madrigal had told him once: the human tale of the golem. It was a thing shaped of clay in the form of a man, brought to life by carving the symbol aleph into its brow. Aleph was the first symbol of an ancestral human alphabet, and the first letter of the Hebrew word truth; it was the beginning. Watching Karou rise to her feet, radiant in a fall of lapis hai, in a woven dress the colour of tangerines, with a loop of silver beads at her throat and a look of joy and relief and... love... on her beautiful face, Akiva knew that she was his aleph, his truth and beginning. His soul.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
You cannot be too gentle, too kind. Shun even to appear harsh in your treatment of each other. Joy, radiant joy, streams from the face of him who gives and kindles joy in the heart of him who receives. All condemnation is from the devil. Never condemn each other. We condemn others only because we shun knowing ourselves. When we gaze at our own failings, we see such a swamp that nothing in another can equal it. That is why we turn away, and make much of the faults of others. Instead of condemning others, strive to reach inner peace. Keep silent, refrain from judgement. This will raise you above the deadly arrows of slander, insult and outrage and will shield your glowing hearts against all evil.
Seraphim of Sarov
Some say an army of horsemen, some of footsoldiers, some of ships, is the fairest thing on the black earth, but I say it is what one loves. It's very easy to make this clear to everyone, for Helen, by far surpassing mortals in beauty, left the best of all husbands and sailed to Troy, mindful of neither her child nor her dear parents, but with one glimpse she was seduced by Aphrodite. For easily bent... and nimbly...[missing text]... has reminded me now of Anactoria who is not here; I would much prefer to see the lovely way she walks and the radiant glance of her face than the war-chariots of the Lydians or their footsoldiers in arms.
Sappho
The memory of Esen's fingertips on his face seared him. Part of him yearned for the debasement of that touch again, and an equal part hated Esen for having called pleasure and submissiveness out of him without even realizing what he had done. Eash part hurt. The combined pain of them crushed him.
Shelley Parker-Chan (She Who Became the Sun (The Radiant Emperor, #1))
Awestruck, Flora stared at the dishevelled sisters with their blazing faces and radiant ragged wings, who smelled of no kin but the wild high air.
Laline Paull (The Bees)
Prince Andrei was one of the best dancers of his day. Natasha danced exquisitely. Her little feet in their satin dancing shoes performed their role swiftly, lightly, as if they had wings, while her face was radiant and ecstatic with happiness.
Leo Tolstoy (War and Peace)
Already the new men are dotted here and there all over the earth. Some, as I have admitted, are still hardly recognisable: but others can be recognised. Every now and then one meets them. Their very voices and faces are different from ours: stronger, quieter, happier, more radiant. They begin where most of us leave off. They are, I say, recognisable; but you must know what to look for. They will not be very like the idea of ‘religious people’ which you have formed from your general reading. They do not draw attention to themselves. You tend to think that you are being kind to them when they are really being kind to you. They love you more than other men do, but they need you less. (We must get over wanting to be NEEDED: in some goodish people, specially women, that is the hardest of all temptations to resist.) They will usually seem to have a lot of time: you will wonder where it comes from. When you have recognised one of them, you will recognise the next one much more easily. And I strongly suspect (but how should I know?) that they recognise one another immediately and infallibly, across every barrier of colour, sex, class, age, and even of creeds. In that way, to become holy is rather like joining a secret society. To put it at the very lowest, it must be great fun
C.S. Lewis (Mere Christianity)
The Weather In Space Is God being pure force? The wind Or what commands it? When our lives slow And we can hold all that we love, it sprawls In our laps like a gangly doll. When the storm Kicks up and nothing is ours, we go chasing After all we're certain to lose, so alive --- Faces radiant with panic.
Tracy K. Smith (Life on Mars: Poems)
Someday, emerging at last from the violent insight, let me sing out jubilation and praise to assenting angels. Let not even one of the clearly-struck hammers of my heart fail to sound because of a slack, a doubtful, or a broken string. Let my joyfully streaming face make me more radiant; let my hidden weeping arise and blossom. How dear you will be to me then, you nights of anguish. Why didn't I kneel more deeply to accept you, inconsolable sisters, and surrendering, lose myself in your loosened hair. How we squander our hours of pain. How we gaze beyond them into the bitter duration to see if they have an end. Though they are really our winter-enduring foliage, our dark evergreen, our season in our inner year--, not only a season in time--, but are place and settlement, foundation and soil and home.
Rainer Maria Rilke (Duino Elegies and The Sonnets to Orpheus)
I know how ineffectual my actions are, but I do them on purpose--to punish myself. I deserve the pain that closeness to her brings. I want to hold her like this every day. I want to be the focus of her radiant smile. I let myself pretend for the duration of the song, and when its over I touch her face again and imagine that we are together.
Amy Plum (Die for Her (Revenants #2.5))
George had turned at the sound of her arrival. For a moment he contemplated her, as one who had fallen out of heaven. He saw radiant joy on her face, he saw the flowers beat against her dress in blue waves. The bushes above them closed. He stepped quickly forward and kissed her.
E.M. Forster (A Room With a View)
When the alchemist speaks of Mercurius, on the face of it he means quicksilver (mercury), but inwardly he means the world-creating spirit concealed or imprisoned in matter. The dragon is probably the oldest pictoral symbol in alchemy of which we have documentary evidence. It appears as the Ouroboros, the tail-eater, in the Codex Marcianus, which dates from the tenth or eleventh century, together with the legend ‘the One, the All’. Time and again the alchemists reiterate that the opus proceeds from the one and leads back to the one, that it is a sort of circle like a dragon biting its own tail. For this reason the opus was often called circulare (circular) or else rota (the wheel). Mercurius stands at the beginning and end of the work: he is the prima materia, the caput corvi, the nigredo; as dragon he devours himself and as dragon he dies, to rise again in the lapis. He is the play of colours in the cauda pavonis and the division into the four elements. He is the hermaphrodite that was in the beginning, that splits into the classical brother-sister duality and is reunited in the coniunctio, to appear once again at the end in the radiant form of the lumen novum, the stone. He is metallic yet liquid, matter yet spirit, cold yet fiery, poison and yet healing draught - a symbol uniting all the opposites.
C.G. Jung (Psychology and Alchemy (Collected Works 12))
The prospect Smiler was a manic farmer. Few men I think can have been as unfortunate as he; for on the one hand he was a melancholic with a loathing for mankind, on the other, some paralysis had twisted his mouth into a permanent and radiant smile. So everyone he met, being warmed by his smile, would shout him a happy greeting. And beaming upon them with his sunny face he would curse them all to hell.
Laurie Lee (Cider with Rosie)
In love, the Sufi meeting house And wine-shop are one place; As are all places where we find The loved one's radiant race; And what the Sufis make a show of Can be found equally Among the monks, before their cross, Within a monastery.
Faces of Love: Hafez and the Poets of Shiraz
In a vast space left free between the crowd and the fire, a young girl was dancing. Whether this young girl was a human being, a fairy, or an angel, is what Gringoire, sceptical philosopher and ironical poet that he was, could not decide at the first moment, so fascinated was he by this dazzling vision. She was not tall, though she seemed so, so boldly did her slender form dart about. She was swarthy of complexion, but one divined that, by day, her skin must possess that beautiful golden tone of the Andalusians and the Roman women. Her little foot, too, was Andalusian, for it was both pinched and at ease in its graceful shoe. She danced, she turned, she whirled rapidly about on an old Persian rug, spread negligently under her feet; and each time that her radiant face passed before you, as she whirled, her great black eyes darted a flash of lightning at you. All around her, all glances were riveted, all mouths open; and, in fact, when she danced thus, to the humming of the Basque tambourine, which her two pure, rounded arms raised above her head, slender, frail and vivacious as a wasp, with her corsage of gold without a fold, her variegated gown puffing out, her bare shoulders, her delicate limbs, which her petticoat revealed at times, her black hair, her eyes of flame, she was a supernatural creature.
Victor Hugo
We lauhed together for a long time. When we had first met, her eyes were dull with pain-killing drugs and if she tried to talk, her face would controt with agonizing pain. I thought how radiantly beautiful she now looked. She stood up to leave and went to the door but then came back and kissed me. `I hope I never see you again,' she said. `I quite understand,' I replied.
Henry Marsh (Do No Harm: Stories of Life, Death and Brain Surgery)
The piercing fanfare of the brass against the brutal boom and rattle of the drums surged through the air. At the head of the Ferris band marched the drum majorette. A crimson and white shako crowned her long dark hair which flew out behind her and across her radiant face flushed with excitement. Her blue eyes flashed and her smile registered triumph at having been chosen.
Clark Zlotchew (Once upon a Decade: Tales of the Fifties)
Eccolo!” he exclaimed. At the same moment the ground gave way, and with a cry she fell out of the wood. Light and beauty enveloped her. She had fallen on to a little open terrace, which was covered with violets from end to end. “Courage!” cried her companion, now standing some six feet above. “Courage and love.” She did not answer. From her feet the ground sloped sharply into view, and violets ran down in rivulets and streams and cataracts, irrigating the hillside with blue, eddying round the tree stems, collecting into pools in the hollows, covering the grass with spots of azure foam. But never again were they in such profusion; this terrace was the well-head, the primal source whence beauty gushed out to water the earth. Standing at its brink, like a swimmer who prepares, was the good man. But he was not the good man that she had expected, and he was alone. George had turned at the sound of her arrival. For a moment he contemplated her, as one who had fallen out of heaven. He saw radiant joy in her face, he saw the flowers beat against her dress in blue waves. The bushes above them closed. He stepped quickly forward and kissed her…
E.M. Forster (A Room with a View)
And he glanced down at Mercy beside him, and saw in her face such radiant goodness, such a calm certainty, that it seemed to him that if he could only be with her all his life, he should know a love, and happiness, and peace that he had never known before.
Edward Rutherfurd (New York)
The fourth thing,” she said with a radiant face, “was really the first I learned up here. Every circumstance in life, no matter how crooked and distorted and ugly it appears to be, if it is reacted to in love and forgiveness and obedient to your will can be transformed. “Therefore I begin to think, my Lord, you purposely allow us to be brought into contact with the bad and evil things that you want changed. Perhaps that is the very reason that we are here in this world, where sin and sorrow and suffering and evil abound, so that we may let you teach us so to react to them, that out of them we can create lovely qualities to live forever. That is the only really satisfactory way of dealing with evil, not simply binding it so that it cannot work harm, but whenever possible overcoming it with good.
Hannah Hurnard (Hinds' Feet on High Places)
The Words, Kaladin. That was Syl’s voice. You have to speak the Words! I FORBID THIS. YOUR WILL MATTERS NOT! Syl shouted. YOU CANNOT HOLD ME BACK IF HE SPEAKS THE WORDS! THE WORDS, KALADIN! SAY THEM! “I will protect even those I hate,” Kaladin whispered through bloody lips. “So long as it is right.” A Shardblade appeared in Moash’s hands. A distant rumbling. Thunder. THE WORDS ARE ACCEPTED, the Stormfather said reluctantly. “Kaladin!” Syl’s voice. “Stretch forth thy hand!” She zipped around him, suddenly visible as a ribbon of light. “I can’t…” Kaladin said, drained. “Stretch forth thy hand!” He reached out a trembling hand. Moash hesitated. Wind blew in the opening in the wall, and Syl’s ribbon of light became mist, a form she often took. Silver mist, which grew larger, coalesced before Kaladin, extending into his hand. Glowing, brilliant, a Shardblade emerged from the mist, vivid blue light shining from swirling patterns along its length. Kaladin gasped a deep breath as if coming fully awake for the first time. The entire hallway went black as the Stormlight in every lamp down the length of the hall winked out. For a moment, they stood in darkness. Then Kaladin exploded with Light. It erupted from his body, making him shine like a blazing white sun in the darkness. Moash backed away, face pale in the white brilliance, throwing up a hand to shade his eyes. Pain evaporated like mist on a hot day. Kaladin’s grip firmed upon the glowing Shardblade, a weapon beside which those of Graves and Moash looked dull. One after another, shutters burst open up and down the hallway, wind screaming into the corridor. Behind Kaladin, frost crystalized on the ground, growing backward away from him. A glyph formed in the frost, almost in the shape of wings. Graves screamed, falling in his haste to get away. Moash backed up, staring at Kaladin. “The Knights Radiant,” Kaladin said softly, “have returned.
Brandon Sanderson (The Way of Kings: Book One of the Stormlight Archive)
I took his paint-smeared face between my own colorful hands and made him look at me. His eyes were radiant like the stars I’d painted once, long ago.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I disapproved of him from beginning to end. First he nodded politely, and then his face broke into that radiant and understanding smile as if we'd been in ecstatic cahoots on that fact all along.
F. Scott Fitzgerald
Her soul died that night under a radiant silver moon in the spring of 1918 on the side of a blood-spattered trench. Around her lay the mangled dead and the dying. Her body was untouched, her heart beat calmly, the blood coursed as ever through her veins. But looking deep into those emotionless eyes one wondered if they had suffered much before the soul had left them. Her face held an expression of resignation, as though she had ceased to hope that the end might come.
Helen Zenna Smith (Not So Quiet...)
The mystical life is a hidden life. It is a life hidden in God. It flourishes best when not exposed to public scrutiny . . . Its increasing inner fullness of the divine presence is largely concealed except when it blossoms forth in a radiant face and a joy-filled smile.
Stephen J. Rossetti (When the Lion Roars: A Primer for the Unsuspecting Mystic)
Men flock to you because you’re stunning,” he whispered. Tears, unwanted tears, filled my eyes and I blinked them back. “But me…” His hands slid from my cheeks and into my hair, pushing it from my face and clearing a path for my tears. “I see the beauty that lies beneath all the horror, Dove. I see the brilliance of your soul.” My throat hurt, my heart beating so hard I was scared I was going to drop to my knees before him. “And it’s so fucking radiant that it’s blinding.
D.H. Sidebottom (Dove)
Narziss was dark and thin of face, and Goldmund open and radiant as a flower. Narziss was a thinker and anatomiser, Goldmund a dreamer and a child. Yet things common to both could bridge these differences. Both were knightly and delicate; both set apart by visible signs from their fellows, since both had received the particular admonishment of fate.
Hermann Hesse (Narcissus and Goldmund)
A radiant smile lit up her face as her eyes sparkled. His heart nearly stilled at the sight. It took everything Carmine had in him not to fall to his knees right then and there and beg her to always looks at him that way.
J.M. Darhower (Redemption (Sempre, #2))
A PRAYER   The supreme prayer of my heart is not to be learned, rich, famous, powerful, or “good,” but simply to be radiant. I desire to radiate health, cheerfulness, calm courage and good will. I wish to live without hate, whim, jealousy, envy, fear. I wish to be simple, honest, frank, natural, clean in mind and clean in body, unaffected—ready to say “I do not know,” if it be so, and to meet all men on an absolute equality—to face any obstacle and meet every difficulty unabashed and unafraid. I wish others to live their lives, too—up to their highest, fullest and best. To that end I pray that I may never meddle, interfere, dictate, give advice that is not wanted, or assist when my services are not needed. If I can help people, I’ll do it by giving them a chance to help themselves; and if I can uplift or inspire, let it be by example, inference, and suggestion, rather than by injunction and dictation.
Elbert Hubbard (A Message to Garcia: And Other Essential Writings on Success)
I’m about to berate his tactics, to deny any feelings for him, when he cups the nape of my neck and presses his lips to mine, velvety soft. It’s nothing but a peck, yet the flavor of the tart he sampled lingers like a warm, savory bruise—an irresistible torment to the netherling within. He draws back and my skin glistens, radiant prisms reflected off his face and the cushions. I’m gripping his jacket lapels, yet I don’t even remember reaching for him. “No more denials,” he says as he presses his left hand over one of mine. “I’ve seen the love in your eyes and in your actions. I felt it yesterday when I held you in my arms, and today, when you came to save me."
A.G. Howard (Ensnared (Splintered, #3))
I became alive once more. At the dances I was one of the most untiring and gayest. One evening a cousin of Sasha, a young boy, took me aside. With a grave face, as if he were about to announce the death of a dear comrade, he whispered to me that it did not behoove an agitator to dance. Certainly not with such reckless abandon, anyway. It was undignified for one who was on the way to become a force in the anarchist movement. My frivolity would only hurt the Cause. I grew furious at the impudent interference of the boy. I told him to mind his own business. I was tired of having the Cause constantly thrown into my face. I did not believe that a Cause which stood for a beautiful ideal, for anarchism, for release and freedom from convention and prejudice, should demand the denial of life and joy. I insisted that our Cause could not expect me to become a nun and that the movement would not be turned into a cloister. If it meant that, I did not want it. "I want freedom, the right to self-expression, everybody's right to beautiful, radiant things." Anarchism meant that to me, and I would live it in spite of the whole world — prisons, persecution, everything. Yes, even in spite of the condemnation of my own closest comrades I would live my beautiful ideal
Emma Goldman (Living My Life)
Por un momento el último rayo de sol cayó con una afectación romántica sobre su cara radiante; su voz me llevaba dejándome sin aliento conforme yo escuchaba...
F. Scott Fitzgerald (The Great Gatsby)
Who can look past the radiant faces of two people for whom this day was once a virtual impossibility?
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Excreting is the curse that threatens madness because it shows man his abject finitude, his physicalness, the likely unreality of his hopes and dreams. But even more immediately, it represents man’s utter bafflement at the sheer non-sense of creation: to fashion the sublime miracle of the human face, the mysterium tremendum of radiant feminine beauty, the veritable goddesses that beautiful women are; to bring this out of nothing, out of the void, and make it shine in noonday; to take such a miracle and put miracles again within it, deep in the mystery of eyes that peer out—the eye that gave even the dry Darwin a chill: to do all this, and to combine it with an anus that shits! It is too much. Nature mocks us, and poets live in torture.
Ernest Becker (The Denial of Death)
She shut the door in his face and retired to the library, ringing the maid for an old-fashioned. The winter sun was radiant in the windows and her blood thrilled at life’s gruesome pageant.
Patrick deWitt (French Exit)
The first thing I saw was a handsome stranger. He was leaning over me and I luxuriated in his cool, radiantly blue eyes, glittering like diamonds. How could someone be so perfect? Drops of water glistened on his dark hair. There was a small dimple on his chin, covered with light stubble that lent his otherwise stern face a boyish attitude. I realised I was losing myself in his gaze
A.O. Esther (Elveszett lelkek (Összetört glóriák, #1))
The Enemy wants you listening to his voice. The Enemy wants you losing the battle for your mind. The Enemy wants you looking away from the Lord. But Psalm 34:5 points you in a different direction: 'Those who look to him [the Lord] are radiant; their faces are never covered with shame.' Do you think of yourself as 'radiant'? That's a powerful image and the opposite of shame. If you're looking to the Lord, you are radiant. Your face is reflecting the light and love of Christ. You are never covered with shame.
Louie Giglio (Don't Give the Enemy a Seat at Your Table: It's Time to Win the Battle of Your Mind...)
he still had ten times that amount of aconite stored back at home. No, the trouble really was, here was this lovely woman with the light brown eyes and radiant face, with whom it was wonderful to be talking—and yet he would never be able to kiss her. When he got home to the backwoods he’d hardly believe that he’d been sitting here, right next to such a radiant woman, and that she had wanted to save his life, whatever the cost.
Aleksandr Solzhenitsyn (Cancer Ward: A Novel)
Like the sun's rays that cause the seed to stir within its husk, love's radiant energy penetrates the facade of the false self, calling forth resources hidden deep within us. Its warmth wakes up the life inside us, making us want to uncurl, to give birth, to grow and reach for the light. It calls on us to break out of our shell, the personality-husk surrounding the seed potential of all that we could be. The purpose of a seed husk is to protect the tender life within until the time and conditions are right for it to burst forth. Our personality structure serves a similar function. It provides a semblance of security, as a kind of compensation for the loss of our larger being. But when love's warming rays start to wake us up, our ego-shell becomes a barrier restricting our expansion. As the germ of life swells within us, we feel our imprisonment more acutely.....The brighter love's radiance, the darker the shadows we encounter; the more we feel life stirring within us, the more we also feel our dead spots; the more conscious we become, the more clearly we see where we remain unconscious. None of this need dishearten us. For in facing our darkness, we bring to light forgotten parts of our being. In recognizing exactly where we have been unconscious, we become more conscious. And in seeing and feeling the ways we've gone dead, we start to revive and kindle our desire to live more expansively.
John Welwood
There is a theory that when a planet, like our earth for example, has manifested every form of life, when it has fulfilled itself to the point of exhaustion, it crumbles to bits and is dispersed like star dust throughout the universe. It does not roll on like a dead moon, but explodes, and in the space of a few minutes, there is not a trace of it visible in the heavens. In marine life we have a similar effect. it is called implosion. When an amphibian accustomed to the black depths rises above a certain level, when the pressure to which it adapts itself is lifted, the body bursts inwardly. Are we not familiar with this spectacle in the human being also? The norsemen who went berserk, the malay who runs amuck—are these not examples of implosion and explosion? When the cup is full it runs over. but when the cup and that which it contains are one substance, what then? There are moments when the elixir of life rises to such overbrimming splendor that the soul spills over. In the seraphic smile of the madonnas the soul is seen to flood the psyche. The moon of the face becomes full; the equation is perfect. A minute, a half minute, a second later, the miracle has passed. something intangible, something inexplicable, was given out—and received. In the life of a human being it may happen that the moon never comes to the full. In the life of some human beings it would seem, indeed, that the only mysterious phenomenon observable is that of perpetual eclipse. In the case of those afflicted with genius, whatever the form it may take, we are almost frightened to observe that there is nothing but a continuous waxing and waning of the moon. Rarer still are the anomalous ones who, having come to the full, are so terrified by the wonder of it that they spend the rest of their lives endeavoring to stifle that which gave them birth and being. The war of the mind is the story of the soul-split. When the moon was at full there were those who could not accept the dim death of diminution; they tried to hang full-blown in the zenith of their own heaven. They tried to arrest the action of the law which was manifesting itself through them, through their own birth and death, in fulfillment and transfiguration. Caught between the tides they were sundered; the soul departed the body, leaving the simulacrum of a divided self to fight it out in the mind. Blasted by their own radiance they live forever the futile quest of beauty, truth and harmony. Depossessed of their own effulgence they seek to possess the soul and spirit of those to whom they are attracted. They catch every beam of light; they reflect with every facet of their hungry being. instantly illumined, When the light is directed towards them, they are also speedily extinguished. The more intense the light which is cast upon them the more dazzling—and blinding—they appear. Especially dangerous are they to the radiant ones; it is always towards these bright and inexhaustible luminaries that they are most passionately drawn…
Henry Miller (Sexus (The Rosy Crucifixion, #1))
It was a still afternoon - the golden light was lingering languidly among the upper boughs, only glancing down here and there on the purple pathway and its edge of faintly sprinkled moss; an afternoon in which destiny disguises her cold awful face behind a hazy radiant veil, encloses us in warm downy wings, and poisons us with violet-scented breath.
George Eliot (Adam Bede)
Jenny slowly awoke on the sacrificial altar to an Ethereal Light that flamed through the east wall, a radiant aura of love dispersing the frightful scene. A glow pulsating from Angeletta's body still burning in the fire pit slowly rose to join the Light. A Heavenly peace infused Jenny as she realized, "There's a man standing in the air straight above me!
Judy Byington (Twenty-Two Faces)
But I want all your love,” she said. As Simon drew his head back to look at her, his expression knocked the breath from her lungs. It took her several seconds to recover. “All your heart and mind,” she continued with a crooked smile, and lowered her voice provocatively. “All your body, too.” Simon trembled and stared at her radiant face as if he would never be able to tear his gaze away. “That’s reassuring. Since you seemed more than eager to saw off my leg with a pocketknife yesterday.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
Impatiently I waited for evening, when I might summon you to my presence. An unusual– to me– a perfectly new character, I suspected was yours; I desired to search it deeper, and know it better. You entered the room with a look and air at once shy and independent; you were quaintly dress– much as you are now. I made you talk; ere long I found you full of strange contrasts. Your garb and manner were restricted by rule; your air was often diffident, and altogether that of one refined by nature, but absolutely unused to society, and a good deal afraid of making herself disadvantageously conspicuous by some solecism or blunder; yet, when addressed, you lifted a keen, a daring, and a glowing eye to your interlocutor’s face; there was penetration and power in each glance you gave; when plied by close questions, you found ready and round answers. Very soon you seemed to get used to me – I believe you felt the existence of sympathy between you and your grim and cross master, Jane; for it was astonishing to see how quickly a certain pleasant ease tranquilized your manner; snarl as I would, you showed no surprise, fear, annoyance, or displeasure, at my moroseness; you watched me, and now and then smiled at me with a simple yet sagacious grace I cannot describe. I was at once content and stimulated with what I saw; I liked what I had seen, and wished to see more. Yet, for a long time, I treated you distantly, and sought your company rarely, I was an intellectual epicure, and wished to prolong the gratification of making this novel and piquant acquaintance; besides, I was for a while troubled with a haunting fear that if I handled the flower freely its bloom would fade – the sweet charm of freshness would leave it. I did not then know that it was no transitory blossom, but rather the radiant resemblance of one, cut in an indestructible gem. Moreover, I wished to see whether you would seek me if I shunned you – but you did not; you kept in the school-room as still as your own desk and easel; if by chance I met you, you passed me as soon, and with as little token of recognition, as was consistent with respect. Your habitual expression in those days, Jane, was a thoughtful look; not despondent, fro you were not sickly; but not buoyant, for you had little hope, and no actual pleasure. I wondered what you thought of me– or if you ever thought of me; to find this out, I resumed my notice of you. There was something glad in your glance, and genial in your manner, when you conversed; I saw you had a social heart; it was the silent school-room– it was the tedium of your life that made you mournful. I permitted myself the delight of being kind to you; kindness stirred emotion soon; your face became soft in expression, your tones gentle; I liked my name pronounced by your lips in a grateful, happy accent. I used to enjoy a chance meeting with you, Jane, at this time; there was a curious hesitation in your manner; you glanced at me with a slight trouble– a hovering doubt; you did not know what my caprice might be– whether I was going to play the master, and be stern– or the friend, and be benignant. I was now too fond of you often to stimulate the first whim; and, when I stretched my hand out cordially, such bloom, and light, and bliss, rose to your young, wistful features, I had much ado often to avoid straining you then and there to my heart.
Charlotte Brontë (Jane Eyre)
We laughed together for a long time. When we had first met, her eyes were dull with pain-killing drugs and if she tried to talk, her face would contort with agonizing pain. I thought how radiantly beautiful she now looked. She stood up to leave and went to the door but then came back and kissed me. `I hope I never see you again,' she said. `I quite understand,' I replied.
Henry Marsh (Do No Harm: Stories of Life, Death and Brain Surgery)
She was looking at his face; it was the face she had known...There was no sign of tragedy, no bitterness, no tension—only the radiant mockery, matured and stressed, the look of dangerously unpredictable amusement, and the great, guiltless serenity of spirit.
Ayn Rand (Atlas Shrugged)
Erwin Strauss, in his brilliant monograph on obsession, similarly earlier showed how repulsed Swift was by the animality of the body, by its dirt and decay. Straus pronounced a more clinical judgment on Swift's disgust, seeing it as part of the typical obsessive's worldview: "For all obsessives sex is severed from unification and procreation....Through the...isolation of the genitals from the whole of the body, sexual functions are experienced as excretions and as decay." This degree of fragmentation is extreme, but we all see the world through obsessive eyes at least part of the time and to some degree; and as Freud said, not only neurotics take exception to the fact that "we are born between urine and feces." In t his horror of the incongruity of man Swift the poet gives more tormented voice to the dilemma that haunts us all, and it is worth summing it up one final time: Excreting is the curse that threatens madness because it shows man his abject finitude, his physicalness, the likely unreality of his hopes and dreams. But even more immediately, it represents man's utter bafflement at the sheer non-sense of creation: to fashion the sublime miracle of the human face, the mysterium tremendum of radiant female beauty, the veritable goddesses that beautiful women are; to bring this out of nothing, out of the void, and make it shine in noonday; to take such a miracle and put miracles again within it, deep in the mystery of eyes that peer out-the eye that gave even the dry Darwin a chill; to do all this, and to combine it with an anus that shits! It is too much. Nature mocks us, and poets live in torture.
Ernest Becker (The Denial of Death)
It’s ironic that we aim for the stars, but many shooting stars kill themselves just to catch a dying glimpse of the radiant face of humanity. It’s like we’re shooting for the stars when those unattainable stars are shooting for the dazzling brilliance of everything that we are.
Curtis Tyrone Jones (Guru In The Glass: A Mysterious Encounter While Dying To Live The Unlived Life)
You asked what my intentions are, Mrs. Brenner, and I would like to answer your question.” Dibs opened his mouth as if preparing to argue and she glared at him from across the table. Did he really think not to let her state her case in front of his family? He snapped his mouth shut and briskly rubbed a palm across his forehead before tossing that same hand in the air. “My intentions are these.” She gathered her thoughts, folding her hands in her lap. “When David is sad, I intend to make him happy. When he is ill, I intend to make him well. When he is angry or upset, I intend to listen and find the words to make him feel better. When he is depressed, I intend to bring him joy, and when he is hurt, I intend to find the source of his pain and take it away from him.” She bridged the distance to Dibs’s devoted gaze, and radiant love crested the last barricade surrounding her heart. “You see, Mr. and Mrs. Brenner, I’m in love with your son. But I don’t want anything from him. You don’t need to worry because my only intention is to give to him. That’s the way it’s supposed to be when you love someone, isn’t it? To think only of their needs, instead of your own?” She broke off from Dibs and faced his mother. “Those are my intentions, Mrs. Brenner. I hope you find them satisfactory.
A.J. Nuest
Matthias heard a low, curling growl. “Was that your stomach ?” “It was.” Nina’s face split in a dazzling grin. “Matthias, I’m famished.” Could she truly be healing at last? Or had what she’d done at the tavern returned her appetite to her? He didn’t care. He was just glad she was smiling that way. He picked her up and spun her in the air. “You’re going to strain something if you keep doing that,” she said with another radiant smile. “You’re light as a feather.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Face each day with radiant, nurturing love, confidence, a bright vision and creativity with enduring determination and strength matched with a breathing courage as you happily embrace your responsibility and growth in many areas of life. Combine your energy and joy, your passion and vision in creating a brighter day.
Angelica Hopes (Landscapes of a Heart, Whispers of a Soul (Speranza Odyssey Trilogy, #1))
Winter Grace It is autumn again and our anxiety blows With the wind, breaking the heart of the rose, Petals and leaves fall down and everything goes. All but the seed, all but the hard bright berry And the bulbs we kneel on the earth to bury And lay away with our anguish and our worry. It is time we learned again the winter grace To put the nerves to sleep in a dark place And smooth the lines in the self-tortured face. For we are at the end of our endurance nearly And we shall have to die this winter surely, For this is the end of more than a season clearly. Now we shall have to be poor, to yield up all, With the leaves wither, with the petals fall, Now we shall have to die, once and for all. Before the seed of faith so deep and still Pushes up gently through the frozen will And the joyless wake and learn to be joyful. Before this buried love leaps up from sorrow And doubt and violence and pity follow To greet the radiant morning and the swallow.
May Sarton (Collected Poems, 1930–1993)
It was a long struggle against invisible foes, or to put it more accurately, against invisible foes that might not have been there at all, but it was a victorious struggle, in the course of which they understood that the victory would only be unconditional if they annihilated or, if he might put it in such old fashioned terms, said Korin, exiled, exiled anything that might have stood against them, or rather, fully absorbed it into the repulsive vulgarity of the world they now ruled, ruled if not exactly commanded, and thereby besmirched whatever was good and transcendent, not by saying a haughty 'no' to good and transcendent things, no, for they understood that the important thing was to say 'yes' from the meanest of motives, to give them their outright support, to display them, to nurture them; it was this that dawned on them and showed them what to do, that their best option was not to crush their enemies, to mock them or wipe them off the face of the earth, but, on the contrary, to embrace them, to take responsibility for them and so to empty them of their content, and in this way to establish a world in which it was precisely these things that would be the most liable to spread the infection so that the only power that had any chance of resisting them, by whose radiant light it might still have been possible to see the degree to which they had taken over people's lives... how could he make himself clearer at this point, Korin hesitated...
László Krasznahorkai (War & War)
Long black hair and deep clean blue eyes and skin pale white and lips blood red she's small and thin and worn and damaged. She is standing there. What are you doing here? I was taking a walk and I saw you and I followed you. What do you want. I want you to stop. I breathe hard, stare hard, tense and coiled. There is still more tree for me to destroy I want that fucking tree. She smiles and she steps towards me, toward toward toward me, and she opens he r arms and I'm breathing hard staring hard tense and coiled she puts her arms around me with one hand not he back of my head and she pulls me into her arms and she holds me and she speaks. It's okay. I breathe hard, close my eyes, let myself be held. It's okay. Her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and my heart slows and I stop shaking an the Fury melts into her safety an she holds me and she says. Okay. Okay. Okay. Something else comes and it makes me feel weak and scared and fragile and I don't want to be hurt and this feeling is the feeling I have when I know I can be hurt and hurt deeper and more terribly than anything physical and I always fight it and control it and stop it but her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and if she let me go right now I would fall and the need and confusion and fear and regret and horror and shame and weakness and fragility are exposed to the soft strength of her open arms and her simple word okay and I start to cry. I start to cry. I want to cry. It comes in waves. THe waves roll deep and from deep the deep within me and I hold her and she holds me tighter and i let her and I let it and I let this and I have not felt this way this vulnerability or allowed myself to feel this way this vulnerability since I was ten years old and I don't know why I haven't and I don't know why I am now and I only know that I am and that it is scary terrifying frightening worse and better than anything I've ever felt crying in her arms just crying in her ams just crying. She guides me to the ground, but she doesn't let me go. THe Gates are open and thirteen years of addiction, violence, hell and their accompaniments are manifesting themselves in dense tears and heavy sobs and a shortness of breath and a profound sense of loss. THe loss inhabits, fills and overwhelms me. It is the loss of a childhood of being a Teeenager of normalcy of happiness of love of trust anon reason of God of Family of friends of future of potential of dignity of humanity of sanity f myself of everything everything everything. I lost everything and I am lost reduced to a mass of mourning, sadness, grief, anguish and heartache. I am lost. I have lost. Everything. Everything. It's wet and Lilly cradles me like a broken Child. My face and her shoulder and her shirt and her hair are wet with my tears. I slow down and I start to breathe slowly and deeply and her hair smells clean and I open my eyes because I want to see it an it is all that I can see. It is jet black almost blue and radiant with moisture. I want to touch it and I reach with one of my hands and I run my hand from the crown along her neck and her back to the base of her rib and it is a thin perfect sheer and I let it slowly drop from the tips of my fingers and when it is gone I miss it. I do it again and again and she lets me do it and she doesn't speak she just cradles me because I am broken. I am broken. Broken. THere is noise and voices and Lilly pulls me in tighter and tighter and I know I pull her in tighter and tighter and I can feel her heart beating and I know she can feel my heart beating and they are speaking our hearts are speaking a language wordless old unknowable and true and we're pulling and holding and the noise is closer and the voices louder and Lilly whispers. You're okay. You're okay. You're okay.
James Frey
She wore a dress of white satin, elegant and unusual in its simplicity, with no fussy ruffles and frills to distract from the lovely shape of her figure. Instead of wearing the traditional veil, she had drawn the sides of her hair up to the crown of her head and let the rest cascade down her back in long golden coils. Her only ornamentation was a tiara of graduated diamond stars, which Tom had sent upstairs that morning as a Christmas gift. The wealth of rose-cut gems glittered madly in the candlelight, but they couldn't eclipse her sparkling eyes and radiant face. She looked like a snow queen walking through a winter forest, too beautiful to be entirely human. And there he stood, with his heart in his fist.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
On the contrary. He took time only to give her “one look of satisfied delight.”36 “Never,” Elizabeth wrote with tight hurt, “had I seen his face more radiant with joy.
Kate Moore (The Woman They Could Not Silence)
I am reaching towards the sun. A source of comfort and reassurance. I swear I can see Claire’s face in its luminescence. She is smiling at me.
Susan L. Marshall (All the Hope We Carry (Theatre Playscapes))
We all fight monsters, she knew. There was no shame in losing.
Kameron Hurley (Our Faces, Radiant Sisters, Our Faces Full of Light!)
It’s true,” Benno said, smiling for the first time, his face growing almost radiant. “We live for books. A sweet mission in this world dominated by disorder and decay.
Umberto Eco (The Name of the Rose)
reminding me now of Anaktoria gone. I would rather see her lovely step and the radiant sparkle of her face than all the war chariots in Lydia
Sappho (Sappho: A New Translation (Reissue))
Shiva becomes the destroyer, acquiring strength and inspiration from his consort Shakti, who is both Gauri, radiant goddess of eroticism, and Kali, dark goddess of extermination.
Devdutt Pattanaik (The Goddess in India: The Five Faces of the Eternal Feminine)
The blade comes to a natural stopping point and the temperature gauge separates from the watch face, revealing a tiny piece of folded paper no larger than a pinky nail.
Joseph E. Henning (Adaptively Radiant)
But the attitude that Viking society held up as the ideal one was a heroic stoicism. In the words of archaeologist Neil Price, "The outcome of our actions, our fate, is already decided and therefore does not matter. What is important is the manner of our conduct as we go to meet it." You couldn't change what was going to happen to you, but you could at least face it with honor and dignity. The best death was to go down fighting, preferably with a smile on your lips. Life is precarious by nature, but this was especially true in the Viking Age, which made this fatalism, and stoicism in the face of it, especially poignant. The model of this ideal was Odin's amassing an army in Valhalla in preparation for Ragnarok. He knew that Fenrir, "the wolf", was going to murder him one way or another. Perhaps on some level he hoped that by gathering all of the best warriors to fight alongside him, he could prevent the inevitable. But deep down he knew that his struggle was hopeless - yet he determined to struggle just the same, and to die in the most radiant blaze of glory he could muster.
Daniel McCoy (The Viking Spirit: An Introduction to Norse Mythology and Religion)
Finn said, “You feel the wind is a bully, beating you. But that is your seeing. That is your story, not the wind’s. To a bird who rides it, that wind is only a kind hand. Because the bird rides the wind’s power. Do you understand?” Clare, bitter, cold, and wind-battered, frowned stubbornly. “But a bird can fly. I can’t fly.” He turned to look at her, and his face was troubled. “If you cling to the safety of the rock, indeed you can’t. To fly, you open your arms and fall, heart first, trusting the wind to bear you up. That’s what the birds do.
Katherine Catmull (The Radiant Road)
I don’t understand,” Oraeyn whispered hoarsely. “It is not for us to understand,” Ina replied, her face clearing as she listened to Kaitryn. “It is for us to travel to the very edge of the light we are given.” “And then?” Oraeyn asked. A radiant smile beamed across Kaitryn’s face. “And then we jump with swords drawn, a battlecry on our lips, and we beat back the darkness.
Jenelle Leanne Schmidt (Minstrel's Call (The Minstrel's Song, #4))
But all of a sudden the scene changed; it was the memory, no longer of old impressions but of an old desire, only recently reawakened by the Fortuny gown in blue and gold, that spread before me another spring, a spring not leafy at all but on the contrary suddenly stripped of its trees and flowers by the name that I had just murmured to myself: “Venice”; a decanted springtime, which is reduced to its own essence and expresses the lengthening, the warming, the gradual unfolding of its days in the progressive fermentation, no longer, now, of an impure soil, but of a blue and virginal water, springlike without bud or blossom, which could answer the call of May only by the gleaming facets fashioned and polished by May, harmonising exactly with it in the radiant, unalterable nakedness of its dusky sapphire. Likewise, too, no more than the seasons to its flowerless creeks, do modern times bring any change to the Gothic city; I knew it, even if I could not imagine it, or rather, imagining it, this was what I longed for with the same desire which long ago, when I was a boy, in the very ardour of departure, had broken and robbed me of the strength to make the journey: to find myself face to face with my Venetian imaginings, to observe how that divided sea enclosed in its meanderings, like the sinuosities of the ocean stream, and urbane and refined civilization, but one that, isolated by their azure girdle, had evolved independently, had had its own schools of painting and architecture, to admire that fabulous garden of fruits and birds in coloured stone, flowering in the midst of the sea which kept it refreshed, lapped the base of the columns with its tide, and, like a somber azure gaze watching in the shadows, kept patches of light perpetually flickering on the bold relief of the capitals.
Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
In the face of knowledge, science, and of the whole extent of radiant civilization, I cannot accept the presence in Turkey’s civilized community of people primitive enough to seek material and spiritual benefits in the guidance of sheikhs. The Turkish republic cannot be a country of sheikhs, dervishes and disciples. The best, the truest order is the order of civilization. To be a man it is enough to carry out the requirements of civilization. The leaders of dervish orders will understand the truth of my words, and will themselves close down their lodges [tekke] and admit that their disciples have grown up.
Andrew Mango (Atatürk: The Biography of the Founder of Modern Turkey)
May I strike my heart's keys clearly, and may none fail because of slack, uncertain, or fraying strings. May the tears that stream down my face make me more radiant: may my hidden weeping bloom.... How we waste our afflictions!... [T]hey're really our wintering foliage, our dark greens of meaning, one of the seasons of the clandestine year—; not only a season—: they're site, settlement, shelter, soil, abode.
Rainer Maria Rilke
Moreover, we were to each other aspects of a dream unrealized. I emblemized the excitement of freedom, a life untethered by the confines of constructs. She illustrated a sense of belonging, of ongoing laughter in the face of those constructs, a true lifeline within the walking dead. We were standing in different places, yet the same, seeing within each other a sense of truth within the lies, a radiant light that illuminated the dark.
Jackie Haze (Borderless)
Alexander looked her over up and down. Tatiana exuded a porous, evanescent, yet everlasting warmth; her very presence, her satin face in his palm made his back hurt less. Her radiant eyes, her flushed cheeks, her slightly parted loving lips…Alexander stared at her, his eyes wide open, his soul wide open, his adoring heart hurting exquisitely. “You are an angel sent from heaven, aren’t you?” An electric smile lit up her face. “And you don’t know the half of it,” she whispered. “You don’t know what your Tania has been cooking up here.” In her delight she nearly squealed. “What have you been cooking up? No, don’t sit up. I want to feel your face.” “Shura, I can’t. I’m practically on top of you. We need to be very careful.” The smile faded an octave. “Dimitri walks around here all the time. Walks in, out, checks on you, leaves, comes back. What’s he worried about? He was quite surprised to find me here.” “He’s not the only one. How did you get here?” “All part of my plan, Alexander.” “What plan is this, Tatiana?” She whispered, “To be with you when I die of old age.” “Oh, that plan.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
The foremost challenge for leaders today, we suggest, is to maintain the clarity to stand confidently in the abundant universe of possibility, no matter how fierce the competition, no matter how stark the necessity to go for the short-term goal, no matter how fearful people are, and no matter how urgently the wolf may appear to howl at the door. It is to have the courage and persistence to distinguish the downward spiral from the radiant realm of possibility in the face of any challenge.
Rosamund Stone Zander (The Art of Possibility: Transforming Professional and Personal Life)
It wasn't gloom at all, really. There were lights and colors. If it hadn't been for the feel of the water gliding by against his skin he might have imagined himself up in the sky, with meteors and comets blazing past. But these were sea-things, shining in the dark, the luminous life that blazes beneath the southern sea. First he'd see a tiny twinkling speck, like a star, and it might have been next to his face or a mile away, in that immense, featureless void, with its faint hint of green. It would grow larger. It would turn into a radiant sun of purple or crimson or orange and come rushing at him, and swerve aside at the last moment. There were sinuous ribbons of fire that coiled into bright patterns, and there were schools of tiny fish that flashed by like sparks. Down below, in the deeper abyss, the colors were paler, and once an enormous shape blundered past down there, like the sea-bottom itself moving heavily. Pete watched awhile and then swam up. ("Before I Wake...")
Henry Kuttner (Masters of Horror)
We shook hands and I started away. Just before I reached the hedge I remembered something and turned around. "They're a rotten crowd," I shouted across the lawn. "You're worth the whole damn bunch put together." I’ve always been glad i said that. It was the only compliment I ever gave him, because I disapproved of him from the beginning to end. First he nodded politely and then his face broke into that radiant understanding smile, as if we'd been in ecstatic cahoots on that fact all the time.
F. Scott Fitzgerald (The Great Gatsby)
The presence and the manifestation of the presence are not the same. There can be the one without the other. God is here when we are wholly unaware of it. He is manifest only when and as we are aware of His presence. On our part there must be surrender to the Spirit of God, for His work it is to show us the Father and the Son. If we cooperate with Him in loving obedience, God will manifest Himself to us, and that manifestation will be the difference between a nominal Christian life and a life radiant with the light of His face.
A.W. Tozer (The Pursuit of God)
I'd finally crossed my arms and said, "Are you going to do this forever? Seriously? You're just going to sit there and stare at me and give me nothing? What's your favorite color, Rosabelle? Can you tell me your favorite color? Or is that some kind of highly protected trade secret you can't speak into the world for fear of inciting a new world war?" and then she laughed at me, and then I had a stroke. I actually felt the blood drain from my face. My hands went hot, then clammy. It was a soft, musical sound of delight I'd never heard from her. Hell, I'd never even seen her smile before. She was still smiling when she looked at me after that, the gentle expression lin- gering on her face. My fucking soul left my body. I'd always thought she was gorgeous, but I had no idea what I was missing. The way her eyes lit up, the way her nose wrinkled. She's been eating more every day, looking healthier, growing only more radiant. "Wow," I'd whispered, gaping at her like an idiot discovering his hands for the first time. And then, realizing I'd said the word out loud, I reached inside myself and put my fist through my brain.
Tahereh Mafi (Watch Me (Shatter Me: The New Republic, #1))
I say is someone in there?’ The voice is the young post-New formalist from Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that hesitant knocking of when you know perfectly well someone’s in there, the bathroom door composed of thirty-six that’s three times a lengthwise twelve recessed two-bevelled squares in a warped rectangle of steam-softened wood, not quite white, the bottom outside corner right here raw wood and mangled from hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic spirals of pale blue smoke from the elephant-colored rubble of ash and little blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent her sliding down along the wall past knotted washcloth, towel rack, blood-flower wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated sky’s blue that’s left her uprightly fetal with chin on knees in yet another North American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer, she’s holding the bottle, recalling vividly its slogan for the past generation was The Choice of a Nude Generation, when she was of back-pocket height and prettier by far than any of the peach-colored titans they’d gazed up at, his hand in her lap her hand in the box and rooting down past candy for the Prize, more fun way too much fun inside her veil on the counter above her, the stuff in the funnel exhausted though it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold edge to pull herself up as the white- party-noise reaches, for her, the sort of stereophonic precipice of volume to teeter on just before the speaker’s blow, people barely twitching and conversations strettoing against a ghastly old pre-Carter thing saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance where their acknowledgement of her commands seems like magic, both clogs simply gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair of the flame she’s eaten now trailing like the legs of wasps through the air of the glass she uses to locate the de-faced veil and what’s inside it, loading up the cone again, the ashes from the last load make the world's best filter: this is a fact. Breathes in and out like a savvy diver… –and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting muddy juice and blue smoke and dots of mercuric red into the claw-footed trough, and can hear again and seems to see, against the fire of her closed lids’ blood, bladed vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue light from one sky, searching.
David Foster Wallace (Infinite Jest)
Like Oz, life is full of beauty and horror. Whether you’re in the magical realm or the so-called civilized one, you can look at the world around you and see both things at almost any time. But what being in Oz taught me is that no matter how horrific a situation may be, no matter how devastating or scary or chaotic, there is still always beauty in the colors of it all, even in the grays. As I look back on the last four years of my life, on everything that led me to the place where my life changed forever for a second time, I might think I wasted too many crucial years perceiving my world through a lens that leeched the color from everything I set my eyes on, but now I can forgive myself for my mistakes and maybe even be grateful for the trials I’ve faced. After all, a rainbow only comes out when it rains. The most spectacular rainbows are set against a backdrop of a half dark sky where gray clouds hover and rain batters the surface of the earth, but the horizon is clear and bright—a pure, radiant blue surrounding a shining golden sun. When I’m in Oz, that rainbow is who I am—a vivid, radiant spectrum of colors with a clear bright landscape ahead only made more rich-hued and vibrant by the darkness that lies behind it.
Garten Gevedon (Dorothy in the Land of Monsters (Oz ReVamped, #1))
The earth shook under their tread as their strong feet sank into the wet turf. A tiny haze and a sweet smell went up where they had crushed the grass and scattered the dew. Some were naked, some robed. But the naked ones did not seem less adorned, and the robes did not disguise in those who wore them the massive grandeur of muscle and the radiant smoothness of flesh. Some were geared but no no one in that company struck me as being of any particular age. One gets glimpses, even in our country, of that which is ageless--heavy thought in the face of an infant, and frolic childhood in that of a very old man. Here it was all like that.
C.S. Lewis (The Great Divorce)
I will ask you to project the look on a child’s face when he grasps the answer to some problem he has been striving to understand. It is a radiant look of joy, of liberation, almost of triumph, which is unself-conscious, yet self-assertive, and its radiance seems to spread in two directions: outward, as an illumination of the world—inward, as the first spark of what is to become the fire of an earned pride. If you have seen this look, or experienced it, you know that if there is such a concept as “sacred”—meaning: the best, the highest possible to man—this look is the sacred, the not-to-be-betrayed, the not-to-be-sacrificed for anything or anyone.
Ayn Rand (Capitalism: The Unknown Ideal)
sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it long and blessed it, and spoke with the Ka or Double of the child, which she said she saw lying on her arm beside it, bidding that Ka protect it well through the dangers of life and death until the hour of resurrection. Then she said that she heard Amen calling to her to pay the price which she had promised for the gift of the divine child, the price of her own life, and smiled upon Pharaoh her husband, and died happily with a radiant face. Now joy was turned to mourning, and during all the days of embalming Egypt wept for Ahura until, at length, the time came when her body was rowed
H. Rider Haggard (Morning Star)
Aisling tumbled out, his gold eyes going wild about the room to take in all of them. His beak clicked as he worked it in silence. Then, as the breaking of ice may bring a cascade of water from winter’s falls, the griffin’s voice—no longer that small shrill copy of Taryn’s, but his own true voice—poured plaintively from him. “Mom!” Taryn jerked around, her mouth dropping open. Aisling bounded toward her and she swept him up into a tight embrace. He clutched at her shoulders with his talons, burying his head under her chin, and cried, “Mom! Yoo…rrrrr…oh…kay!” “Great gods,” Antilles heard himself say and he shot Tonka a startled glance. “He cannot be speaking?!” The horseman merely smiled. “And why not?” he murmured, resettling himself on his padded bolster. “For has he not been a miracle from the very first?” “You’re talking,” Taryn cried, true delight painting itself over the grief that had seemed to mask her since the dawning of this terrible day. She was radiant once more, burning with a joy and a healing light all its own as she hugged her griffin close. “Oh, my fierce prince! My big boy!” “Yoo…rrrr…Ai-sing,” whispered the griffin. His raptor’s eyes flicked to Antilles and his naked wings fluttered. “Tilly. Yoo…rrrr…sun-shy?” Taryn giggled, her face pressed to fur. “Aye, lad,” Antilles said, tossing his broken horn. “My sun and my moon and all my starry skies.
R. Lee Smith (The Wizard in the Woods (Lords of Arcadia, #2))
Outside, on the other side of a black iron grill, was another crowd, just as anxious, just as sweaty and frightened. These were the parents and friends of those departing. They all waited for deliverance. When all the customs procedures had been completed, when the crowd of travelers had passed through the last security booths and were walking toward the tarmac, you could see, on the faces of those left behind, the relief, the joy, the pride of vicarious success. The vision of a happier future elsewhere, anywhere but here. Smiles of contentment, faces radiant with happiness. Nowhere else in the world does separation bear the hideous face of joy. This was a grotesque face, a deviation from all rules of human nature.
Dương Thu Hương (Paradise of the Blind)
We lauhed together for a long time. When we had first met, her eyes were dull with pain-killing drugs and if she tried to talk, her face would contort with agonizing pain. I thought how radiantly beautiful she now looked. She stood up to leave and went to the door but then came back and kissed me. `I hope I never see you again,' she said. `I quite understand,' I replied.
Henry Marsh (Do No Harm: Stories of Life, Death and Brain Surgery)
Observe the persistence, in mankind’s mythologies, of the legend about a paradise that men had once possessed, the city of Atlantis or the Garden of Eden or some kingdom of perfection, always behind us. The root of that legend exists, not in the past of the race, but in the past of every man. You still retain a sense—not as firm as a memory, but diffused like the pain of hopeless longing—that somewhere in the starting years of your childhood, before you had learned to submit, to absorb the terror of unreason and to doubt the value of your mind, you had known a radiant state of existence, you had known the independence of a rational consciousness facing an open universe. That is the paradise which you have lost, which you seek—which is yours for the taking.
Ayn Rand (Atlas Shrugged)
Marco watches her approach, confused at first but then the confusion is replaced by something entirely. He could tell from across the room that she was lovely, but when she is near enough to look him in the eyes the loveliness-the shape of her face, the contrast of her hair against her skin-evolves into something more. She is radiant. For a moment, while they look at each other, he cannot remember what he is meant to be doing, or why she is handing him a piece of paper with the number twenty-three written on it in his own handwriting. "This way, please," he manages to say as he takes her number and holds the door open for her. She bobs the slightest of curtseys in acknowledgment and the lobby is abuzz with whispers before the door has fully closed behind them.
Erin Morgenstern (The Night Circus)
I know you hate me for this," Zhu said. He was neither cruel nor kind; his griefless young face shone with the hope and anticipation of someone who had never so much as dreamed that the future might be less than good. "I know you can't believe that I'll win. But I will, because I'm willing to do whatever it takes. Just wait, General, and I'll make sure you get what you want. "I promise.
Shelley Parker-Chan (He Who Drowned the World (The Radiant Emperor, #2))
The poulterers' shops were still half open, and the fruiterers' were radiant in their glory. There were great, round, pot-bellied baskets of chestnuts, shaped like the waistcoats of jolly old gentleman, lolling at the doors, and tumbling out into the street in their apoplectic opulence. There were ruddy, brown-faced broad-girthed Spanish onions, shining in the fatness of their growth like Spanish friars, and winking from their shelves in wanton slyness at the girls as they went by, and glanced demurely at the hung-up mistletoe. There were pears and apples, clustered high in blooming pyramids; there were bunches of grapes, made, in the shopkeepers' benevolence, to dangle from conspicuous hooks, that people's mouths might water gratis as they passed; there were piles of filberts, mossy and brown, recalling, in their fragrance, ancient walks among the woods, and pleasant shufflings ankle deep through withered lanes; there were Norfolk Biffins, squab and swarthy, setting off the yellow of the oranges and lemons, and, in the great compactness of their juicy persons, urgently entreating and beseeching to be carried home in paper bags and eaten after dinner.
Charles Dickens (A Christmas Carol)
She tensed as she felt a gentle arm curve behind her shoulders. It was the duchess, her blue eyes radiant with kindness and a hint of concern, as if she understood how frightening it was to have made the most important decision of her life based on a few days' acquaintance. But there was no way this woman would understand what it was like to face the prospect of marrying a virtual stranger.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Roses, roses! An interminable chain of these royal blossoms, red and white, wreathed by the radiant fingers of small rainbow-winged creatures as airy as moonlight mist, as delicate as thistledown! They cluster round me with smiling faces and eager eyes; they place the end of their rose-garland in my hand, and whisper, "FOLLOW!" Gladly I obey, and hasten onward. Guiding myself by the fragrant chain I hold, I pass through a labyrinth of trees, whose luxuriant branches quiver with the flight and song of birds. Then comes a sound of waters; the riotous rushing of a torrent unchecked, that leaps sheer down from rocks a thousand feet high, thundering forth the praise of its own beauty as it tosses in the air triumphant crowns of silver spray. How the living diamonds within it shift, and change, and sparkle! Fain would I linger to watch this magnificence; but the coil of roses still unwinds before me, and the fairy voices still cry, "FOLLOW!" I press on. The trees grow thicker; the songs of the birds cease; the light around me grows pale and subdued. In the far distance I see a golden crescent that seems suspended by some invisible thread in the air. Is it the young moon? No; for as I gaze it breaks apart into a thousand points of vivid light like wandering stars. These meet; they blaze into letters of fire. I strain my dazzled eyes to spell out their meaning. They form one word—HELIOBAS. I read it. I utter it aloud. The rose-chain breaks at my feet, and disappears. The fairy voices die away on my ear. There is utter silence, utter darkness,—save where that one NAME writes itself in burning gold on the blackness of the heavens.
Marie Corelli (A Romance of Two Worlds)
When Elizabeth finally descended the stairs on her way to the dining room she was two hours late. Deliberately. “Good heavens, you’re tardy, my dear!” Sir Francis said, shoving back his chair and rushing to the doorway where Elizabeth had been standing, trying to gather her courage to do what needed to be done. “Come and meet my guests,” he said, drawing her forward after a swift, disappointed look at her drab attire and severe coiffure. “We did as you suggested in your note and went ahead with supper. What kept you abovestairs so long?” “I was at prayer,” Elizabeth said, managing to look him straight in the eye. Sir Francis recovered from his surprise in time to introduce her to the three other people at the table-two men who resembled him in age and features and two women of perhaps five and thirty who were both attired in the most shockingly revealing gowns Elizabeth had ever seen. Elizabeth accepted a helping of cold meat to silence her protesting stomach while both women studied her with unhidden scorn. “That is a most unusual ensemble you’re wearing, I must say,” remarked the woman named Eloise. “Is it the custom where you come from to dress so…simply?” Elizabeth took a dainty bite of meat. “Not really. I disapprove of too much personal adornment.” She turned to Sir Francis with an innocent stare. “Gowns are expensive. I consider them a great waste of money.” Sir Francis was suddenly inclined to agree, particularly since he intended to keep her naked as much as possible. “Quite right!” he beamed, eyeing the other ladies with pointed disapproval. “No sense in spending all that money on gowns. No point in spending money at all.” “My sentiments exactly,” Elizabeth said, nodding. “I prefer to give every shilling I can find to charity instead.” “Give it away?” he said in a muted roar, half rising out of his chair. Then he forced himself to sit back down and reconsider the wisdom of wedding her. She was lovely-her face more mature then he remembered it, but not even the black veil and scraped-back hair could detract from the beauty of her emerald-green eyes with their long, sooty lashes. Her eyes had dark circles beneath them-shadows he didn’t recall seeing there earlier in the day. He put the shadows down to her far-too-serious nature. Her dowry was creditable, and her body beneath that shapeless black gown…he wished he could see her shape. Perhaps it, too, had changed, and not for the better, in the past few years. “I had hoped, my dear,” Sir Francis said, covering her hand with his and squeezing it affectionately, “that you might wear something else down to supper, as I suggested you should.” Elizabeth gave him an innocent stare. “This is all I brought.” “All you brought?” he uttered. “B-But I definitely saw my footmen carrying several trunks upstairs.” “They belong to my aunt-only one of them is mine,” she fabricated hastily, already anticipating his next question and thinking madly for some satisfactory answer. “Really?” He continued to eye her gown with great dissatisfaction, and then he asked exactly the question she’d expected: “What, may I ask, does your one truck contain if not gowns?” Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided. All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?” “The mortal remains of Saint Jacob.
Judith McNaught (Almost Heaven (Sequels, #3))
Oh, what riches live in a sunny soul! Take joy with you; cling to her, no matter where you go or what you do. It is your lubricating oil which would prevent the jars, the discords, and shut out the sorrows of life. What a heritage is a smiling face,—to be able to fling out sunshine everywhere one goes, to scatter the shadows and to lighten sorrowing hearts; to have the power to send cheer into despairing souls through a sunny and radiant disposition!
Orison Swett Marden (The Joys of Living)
SCRIPTURE READING: EPHESIANS 4:1–15 KEY VERSES: EPHESIANS 4:14–15 That [you] . . . speaking the truth in love, may grow up in all things into Him who is the head—Christ. The pattern Jesus gave us to live by is one of love. Paul wrote, “I . . . implore you to walk in a manner worthy of the calling with which you have been called, with all humility and gentleness, with patience, showing tolerance for one another in love” (Eph. 4:1–2 NASB). As a believer, live each day in such a way that your life honors the Lord, who saved you through His mercy and grace. This means to live in a “manner worthy” of your calling. How did Jesus call you? Did He come to you with a list of demands, requiring you to fulfill each one before He would consider caring for you? No. He came to you in love. Redemptive love brought Him to earth so that you might receive eternal salvation. Love was all the motivation He needed to be crucified at Calvary. His love watches over you, protects you, plans your future, and encourages you not to give up in times of sorrow and discouragement. You will spend eternity in the radiant goodness and greatness of His blessings, all because He chooses to love you. Love that is from God is humble and gentle. It loves with the surety of Christ. Someone today is hurting because he thinks God could not possibly love him. You know the truth about His love; will you tell him? Thank You, Lord, that I know the truth about Your love. Help me to share it with others. (SEEKING HIS FACE)
Charles F. Stanley (I Lift Up My Soul: Devotions to Start Your Day with God)
It was the first time I saw the pearly moon rise over these walls, where the rough-hewn siege ladders leaned all askew in the aftermath of the battle, some rungs splintered under the rush of the ascent. David stood on the ramparts, his arms outstretched on either side of him, the blood and dirt of the fighting crusted on his skin. The night wind lifted his sweat-dampened hair. His face was smeared with grime and flecked with blood, but it was radiant. He turned to me, smiling. 'Here, it begins,' he said.
Geraldine Brooks (The Secret Chord)
In 2003, Meryl Streep won a career achievement César Award, the French equivalent of an Oscar. Streep’s words (my translation) acknowledged the enduring interest of French audiences in women’s lives and women’s stories: "I have always wanted to present stories of women who are rather difficult. Difficult to love, difficult to understand, difficult to look at sometimes. I am very cognizant that the French public is receptive to these complex and contradictory women. As an actress I have understood for a long time that lies are simple, seductive and often easy to pass off. But the truth—the truth is always very very very complicated, often unpleasant, nuanced or difficult to accept." In France, an actress can work steadily from her teens through old age—she can start out in stories of youthful rebellion and end up, fifty years later, a screen matriarch. And in the process, her career will end up telling the story of a life—her own life, in a sense, with the films serving, as Valeria Bruni Tedeschi puts it, as a “journal intime,” or diary, of one woman’s emotions and growth. No wonder so many French actresses are beautiful. They’re radiant with living in a cinematic culture that values them, and values them as women. And they are radiant with living in a culture—albeit one with flaws of its own—in which women are half of who decides what gets valued in the first place. Their films transcend national and language barriers and are the best vehicles for conveying the depth and range of women’s experience in our era. The gift they give us, so absent in our own movies, is a vision of life that values emotional truth, personal freedom and dignity above all and that favors complexity over simplicity, the human over the machine, maturity over callowness, true mysteries over false explanations and an awareness of mortality over a life lived in denial. In the luminous humanity of their faces and in the illuminated humanity of their characters, we discover in these actresses something much more inspiring than the blank perfection and perfect blankness of the Hollywood starlet. We discover the beauty of the real.
Mick LaSalle (The Beauty of the Real: What Hollywood Can Learn from Contemporary French Actresses)
If you saw, my solemnity, in the distance the shore that night that shone like electricity on the foam if you saw the clouds the close, homey glow if you could have saw the stars the brink of the ocean and beyond: oceans upon oceans surrounding…. Dwelling in the wells of her eyes is a thing like resting— a thing like, embers of evening having gone to set I sit absorbed in empty depths beneath the midnight moon…. Mingling of mists, hue and movement with a faint trace of form— in windswept pouring blue: it's no matter who she's been to me she is a virgin like the very first kin twin versions of one…. To-night things of the world are chill in the light of this one-color realm: like moon-swept stone's the skin of her face— too distant, and too still, for my lips just-here to kiss…. Look— to the gravity of her gaze your aim hangs suspended: I looked once and ceased from longing— ceased as when, freed of earth's shadow equal and radiant and whole that transparent sphere floats in perfect balance….
Mark Kaplon (Song of Rainswept Sand)
Holy Christ, how Win devastated him. He had starved for her for so long, dreamed of her so many nights, and woken to many bitter mornings without her at first he hadn't believed she was real. He thought of Win's lovely face, and the softness of her mouth against his, and the way she had arched beneath his hands. She had felt different, her body supple and strong. But her spirit was the same, radiant with the endearing sweetness and honesty that had always pierced straight to his heart. It had taken all his strength not to go on his knees before her.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
Amidst his chaotic thoughts, Ellis thought of Clairey’s face, and he clung to that image. He conjured the radiant glow of her eyes when she was pleased with something, and the small, bashful smile that was fleeting but infinitely more priceless because of its rarity. Clairey’s memory was the light that came on the heels of a black and starless night. She was the most beautiful woman he had ever known. It was more than her looks that drew him to this conclusion; it was her kindness, her strength, her spirit. Somehow, the thought of her tethered him to sanity.
Tracy Winegar (Good Ground)
At the same moment the ground gave way, and with a cry she fell out of the wood. Light and beauty enveloped her. She had fallen on to a little open terrace, which was covered with violets from end to end. “Courage!” cried her companion, now standing some six feet above. “Courage and love.” She did not answer. From her feet the ground sloped sharply into view, and violets ran down in rivulets and streams and cataracts, irrigating the hillside with blue, eddying round the tree stems, collecting into pools in the hollows, covering the grass with spots of azure foam. But never again were they in such profusion; this terrace was the well-head, the primal source whence beauty gushed out to water the earth. Standing at its brink, like a swimmer who prepares, was the good man. But he was not the good man that she had expected, and he was alone. George had turned at the sound of her arrival. For a moment he contemplated her, as one who had fallen out of heaven. He saw radiant joy in her face, he saw the flowers beat against her dress in blue waves. The bushes above them closed. He stepped quickly forward and kissed her.
E.M. Forster (A Room with a View)
John watched the pale black road, and he remembered a single moment during his time away in the wilderness. He wished he had told Doris about it-a single moment in Needles, California, months and months ago, facing west in the late afternoon. There had been a heavy rainstorm over just a small, localized patch of the desert, and from the patch beside it, a dust storm blew in. The sun caught the dust and the moisture in a way John had never seen before, and even though he knew it was backward, it seemed to him the sun was radiating black sunbeams down onto the earth, onto Interstate 40 and the silver river of endless pioneers that flowed from one part of the continent to the other. John felt that he and everybody in the New World was a part of a mixed curse and blessing from God, that they were a race of strangers, perpetually casting themselves into new fires, yearning to burn, yearning to rise from the charcoal, always newer and more wonderful, always thirsty, always starving, always believing that whatever came to them next would mercifully erase the creatures they'd already become as they crawled along the plastic radiant way.
Douglas Coupland (Miss Wyoming)
Hi Ayden!" Oh, come on! I skidded a sharp right and hunkered down, peeking through shelves. Ayden strode past the front desk. "Ladies. Don't you all look especially radiant today." They giggled like toddlers. Pushovers. "Ayden, could you help us put some of the books away on the taller shelves?" "Can't. Sorry." He faced them but walked backwards, arms spread wide. "I'm on a mission. Maybe you can help. Did you happen to see a stunning redhead? Tall, leggy. I call her my goddess of a girlfriend." More giggles. From me. Pull it together, Aurora. A&E Kirk, Drop Dead Demons
A. Kirk
MICHAEL (standing up and stretching) Gosh, Steve. I don't know how to thank you. STEVE (also standing) Hey, don't thank me. It means you haven't got any excuse now not to get back to work. They are facing each other. STEVE is looking into MICHAEL's eyes. MICHAEL (embarrassed) So... STEVE (also slightly awkward) Right. Well, I guess I'd better be... MICHAEL, surprising himself, silently pulls STEVE towards him. He puts a hand on his cheek. STEVE stares at MICHAEL, unable to move. The feeling of MICHAEL's hand on his cheek is like an electric shock. MICHAEL (whispering, hardly audible) I mean it, really... thanks. He leans forward and kisses STEVE on the lips. STEVE puts his arms round MICHAEL's neck and holds him tightly. MICHAEL suddenly ends the kiss and pulls away. He goes to the door, opens it and says, in a clear voice. MICHAEL Goodnight, then, Steve. STEVE (disappointed, hurt) Right... sure. G'night. MICHAEL immediately closes the door loudly, before STEVE has had a chance to leave. MICHAEL puts a finger to his lips. STEVE suddenly understands. He smiles in radiant relief, pure love and joy in his eyes. They embrace.
Stephen Fry (Making History)
Once I saw torches with dancing flames of scarlet and radiant gold held by solemn apes. A man with the horns and muzzled face of a bull bent over me, a constellation sprung to life. I spoke to him and found myself telling him that I was unsure of the precise date of my birth, that if his benign spirit of meadow and unfeigning force had governed my life I thanked him for it; then remembered that I knew the date, that my father had given a ball for me each year until his death, that it fell under the Swan. He listened intently, turning his head to watch me from one brown eye.
Gene Wolfe (Sword & Citadel (The Book of the New Sun #3-4))
When the longhorns could be gathered up and driven, it was theorized that the heat from the herd's mass attracted lightning. (Such was the radiant heat from a large herd that a cowboy's face would be blistered on whichever side of the herd he'd ridden by the day's end.) Their great horns also seemed to attract electricity, so that lightning and ground-electricity would bounce around from horn to horn throughout the herd - a phantasmagoric burning blue circuitry. The cracking of the cowboy's whips and the twitching of the cattle's tails also emitted sparkling "snakes of fire.
Rick Bass (The New Wolves: The Return of the Mexican Wolf to the American Southwest)
It was as if a light had been kindled in a carved and painted lantern and the intricate, skillful, artistic work on its sides, that previously seemed dark, coarse, and meaningless, was suddenly shown up in unexpected and striking beauty. For the first time all that pure, spiritual, inward travail through which she had lived appeared on the surface. All her inward labor, her dissatisfaction with herself, her sufferings, her strivings after goodness, her meekness, love, and self-sacrifice—all this now shone in those radiant eyes, in her delicate smile, and in every trait of her gentle face.
Leo Tolstoy (War and Peace)
Mr. Hazlit, a pleasure.” Hazlit took her hand and bowed over it. “My lady, you’re in radiant good looks. His lordship must be attending to more than just his letters if you’re blooming so nicely.” “Blooming?” She beamed at the man. “Westhaven, we must have Mr. Hazlit to dinner. He says I’m blooming.” She withdrew her hand. “I’ll leave you gentlemen to your business while I go blossoming on my way.” She closed the door quietly, leaving Westhaven to watch the bemused expression fade from Hazlit’s face. “Women in the throes of early motherhood should all be so serene as your lady wife,” Hazlit said. “You’re to be commended.” “I’m to be pitied.
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
The profile of to-day had nothing definite about it, and could be only a momentary resemblance to some deceased member of the family to whom nature had paid this commemorative courtesy. It comes so soon, the moment when there is nothing left to wait for, when the body is fixed in an immobility which holds no fresh surprise in store, when one loses all hope on seeing—as on a tree in the height of summer leaves already brown—round a face still young hair that is growing thin or turning grey; it is so short, that radiant morning time that one comes to like only the very youngest girls, those in whom the flesh, like a precious leaven, is still at work
Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
Hour after hour, my father lay unmoving and worked his way toward death; but when he yawned, the yawn was his. And his body, wasted though it was, was likewise still radiantly his. Even as the surviving parts of his self grew ever smaller and more fragmented, I persisted in seeing a whole. I still loved, specifically and individually, the man who was yawning in that bed. And how could I not fashion stories out of that love - stories of a man whose will remained intact enough to avert his face when I tried to clear his mouth out with a moist foam swab? I'll go to my grave insisting that my father was determined to die and to die, as best he could, on his own terms
Jonathan Franzen (How to Be Alone)
When the road began to climb the first long swells of the Divide, Alexandra hummed an old Swedish hymn, and Emil wondered why his sister looked so happy. Her face was so radiant that he felt shy about asking her. For the first time, perhaps, since that land emerged from the waters of geologic ages, a human face was set toward it with love and yearning. It seemed beautiful to her, rich and strong and glorious. Her eyes drank in the breadth of it, until her tears blinded her. Then the Genius of the Divide, the great, free spirit which breathes across it, must have bent lower than it ever bent to a human will before. The history of every country begins in the heart of a man or a woman.
Willa Cather (O, Pioneers!)
What, may I ask, does your one truck contain if not gowns?” Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided. All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?” “The mortal remains of Saint Jacob.” Lady Eloise and Lady Mortand screamed in unison, Sir William choked on his wine, and Sir Francis gaped at her in horror, but Elizabeth wasn’t quite finished. She saved the coup de grace until the meal was over. As soon as everyone arose she insisted they sit back down so a proper prayer of gratitude could be said. Raising her hands heavenward, Elizabeth turned a simple grace into a stinging tirade against the sins of lust and promiscuity that rose to crescendo as she called down the vengeance of doomsday on all transgressors and culminated in a terrifyingly lurid description of the terrors that awaited all who strayed down the path of lechery-terrors that combined dragon lore with mythology, a smattering of religion, and a liberal dash of her own vivid imagination. When it was done Elizabeth dropped her eyes, praying in earnest that tonight would loose her from her predicament. There was no more she could do; she’d played out her hand with all her might; she’d given it her all. It was enough. After supper Sir Francis escorted her to her chamber and, with a poor attempt at regret, announced that he greatly feared they wouldn’t suit. Not at all. Elizabeth and Berta departed at dawn the following morning, an hour before Sir Francis’s servants stirred themselves. Clad in a dressing robe, Sir Francis watched from his bedchamber window as Elizabeth’s coachman helped her into her conveyance. He was about to turn away when a sudden gust of wind caught Elizabeth’s black gown, exposing a long and exceptionally shapely leg to Sir Francis’s riveted gaze. He was still staring at the coach as it circled the drive; through its open window he saw Elizabeth laugh and reach up, unpinning her hair. Clouds of golden tresses whipped about the open window, obscuring her face, and Sir Francis thoughtfully wet his lips.
Judith McNaught (Almost Heaven (Sequels, #3))
Blessedness is within us all It lies upon the long scaffold Patrols the vaporous hall In our pursuits, though still, we venture forth Hoping to grasp a handful of cloud and return Unscathed, cloud in hand. We encounter Space, fist, violin, or this — an immaculate face Of a boy, somewhat wild, smiling in the sun. He raises his hand, as if in carefree salute Shading eyes that contain the thread of God. Soon they will gather power, disenchantment They will reflect enlightenment, agony They will reveal the process of love They will, in an hour alone, shed tears. His mouth a circlet, a baptismal font Opening wide as the lips of a damsel Sounding the dizzying extremes. The relativity of vein, the hip of unrest For the sake of wing there is shoulder. For symmetry there is blade. He kneels, humiliates, he pierces her side. Offering spleen to the wolves of the forest. He races across the tiles, the human board. Virility, coquetry all a game — well played. Immersed in luminous disgrace, he lifts As a slave, a nymph, a fabulous hood As a rose, a thief of life, he will parade Nude crowned with leaves, immortal. He will sing of the body, his truth He will increase the shining neck Pluck airs toward our delight Of the waning The blossoming The violent charade But who will sing of him? Who will sing of his blessedness? The blameless eye, the radiant grin For he, his own messenger, is gone He has leapt through the orphic glass To wander eternally In search of perfection His blue ankles tattooed with stars.
Patti Smith
Have you also learned that secret for the river; that there is no such thing as time?” A bright smile spread over Vasudeva’s face. “Yes, Siddhartha. Is this what you mean? That the river is everywhere at the same time, at the source and at the mouth, at the waterfall, at the ferry, at the current, in the ocean and in the mountains, everywhere, and that the present only exists for it, not the shadow of the past, nor the shadow of the future?” “That is it,” said Siddhartha, “and when I learned that, I reviewed my life and it was also a river, and Siddhartha the boy, Siddhartha the mature man and Siddhartha the old man, were only separated by shadows, not through reality.” He spoke with delight, but Vasudeva just smiled radiantly at him and nodded his agreement.
Deepak Chopra (Ageless Body, Timeless Mind: A Practical Alternative To Growing Old)
Are you a relative of her late husband?” the woman asked. His eyes widened. “I beg your pardon?” “It must be so hard for her, pregnant and just widowed,” the middle-aged woman continued. “We’ve all done what we could to make her happy here. Mr. Johnson, the curator, is a widower himself. He’s already sweet on her. But you’re probably anxious to see Mrs. Peterson. Shall I ring her and let her know you’re coming?” Tate’s eyes were blazing. “No,” he said with forced politeness. “I want to surprise her!” He stalked out, leaving the rented vehicle where it was as he trudged through the small layer of snow and glared contemptuously at the cars sliding around in the street as they passed. This little bit of snow was nothing compared to the six-foot snowdrifts on the reservation. Southerners, he considered, must not get much winter precipitation if this little bit of white dust paralyzed traffic! As for Cecily’s mythical dead husband, he considered, going up the walkway to the small brick structure where she lived, he was about to make a startling, resurrected appearance! He knocked on the door and waited. There was an irritated murmur beyond the closed door and the sound of a lock being unfastened. The door opened and a wan Cecily looked straight into his eyes. He managed to get inside the screen door and catch her before she passed out. She came to on the sofa with Tate sitting beside her, smoothing back her disheveled hair. The nausea climbed into her throat and, fortunately, stayed there. She looked at him with helpless delight, wishing she could hide what the sight of him was doing to her after so many empty, lonely weeks. He didn’t speak. He touched her hair, her forehead, her eyes, her nose, her mouth, with fingers that seemed bent on memorizing her. Then his hands went to the robe carelessly fastened over her cotton nightdress and pushed it aside. He touched her belly, his face radiant as he registered the very visible and tangible signs of her condition. “When did we make him?” he asked without preamble. She felt her world dissolve. He knew about the baby. Of course. That was why he was here. He met her eyes, found hostility and bitter disillusionment in them. His hand pressed down over her belly. “I would have come even if I hadn’t known about the baby,” he said at once. “The baby is mine.” “And mine.” “Audrey is not getting her avaricious little hands on my child…!
Diana Palmer (Paper Rose (Hutton & Co. #2))
Magnus’s head was tipped back, his shimmering white suit rumpled like bedsheets in the morning, his white cloak swaying after him like a moonbeam. His mirrorlike mask was askew, his black hair wild, his slim body arching with the dance, and wrapped around his fingers like ten shimmering rings was the light of his magic, casting a spotlight on one dancer, then another. The faerie Hyacinth caught one radiant stream of magic and whirled, holding on to it as if the light were a ribbon on a maypole. The vampire woman in the violet cheongsam, Lily, was dancing with another vampire who Alec presumed was Elliott, given the blue and green stains around his mouth and all down his shirtfront. Malcolm Fade joined in the dance with Hyacinth, though he appeared to be doing a jig and she seemed very puzzled. The blue warlock who Magnus had called Catarina was waltzing with a tall horned faerie.The dark-skinned faerie whom Magnus had addressed as a prince was surrounded by others whom Alec presumed were courtiers, dancing in a circle around him. Magnus laughed as he saw Hyacinth using his magic like a ribbon, and sent shimmering streamers of blue light in several directions. Catarina batted away Magnus’s magic, her own hand glowing faintly white. The two vampires Lily and Elliott both let a magic ribbon wrap around one of their wrists. They did not seem like trusting types, but they instantly leaned into Magnus with perfect faith, Lily pretending to be a captive and Elliott shimmying enthusiastically as Magnus laughed and pulled them toward him in the dance. Music and starshine filled the room, and Magnus shone brightest in all that bright company. As Alec made for the stairs, he brushed past Raphael Santiago, who was leaning against the balcony rail and looking down at the dancing crowd, his dark eyes lingering on Lily and Elliott and Magnus. There was a tiny smile on the vampire’s face. When Raphael noticed Alec, the scowl snapped immediately back on. “I find such wanton expressions of joy disgusting,” he declaimed. “If you say so,” said Alec. “I like it myself.” He reached the foot of the stairs and was crossing the gleaming ballroom floor when a voice boomed out from above. “This is DJ Bat, greatest werewolf DJ in the world, or at least in the top five, coming to you live from Venice because warlocks make irresponsible financial decisions, and this one is for the lovers! Or people with friends who will dance with them. Some of us are lonely jerks, and we’ll be doing shots at the bar.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
The splendor of the salmon canapés radiant with mayonnaise disappears, swallowed by the dark shopping bags of the customers. Certainly every one of these men and women knows exactly what he wants, heads straight for his objective with a decisiveness admitting no hesitancy; and rapidly he dismantles mountains of vol-au-vents, white puddings, cervelats. Mr. Palomar would like to catch in their eyes some reflection of those treasures' spell, but the faces and actions are only impatient and hasty, of people concentrated on themselves, nerves taut, each concerned with what he has and what he does not have. Nobody seems to him worthy of the Pantagruelic glory that unfolds in those cases, on the counters. A greed without joy or youth drives them; and yet a deep, atavistic bond exists between them and those foods, their consubstance, flesh of their flesh.
Italo Calvino (Mr Palomar)
O wine-bearer brighten my cup with the wine O minstrel say good fortune is now mine. The face of my Beloved is reflected in my cup Little you know why with wine, I always myself align. Eternal is the one whose heart has awakened to Love This is how Eternal Records my life define. So proud are the tall beauties of the world Outshines all the others this handsome spruce of mine. O breeze if by chance you pass through friendly gardens From me to my Beloved, please give a sign; Ask why you choose to forget my name? Will come the one to whom an audience you decline. Intoxication pleases my Beloved and my Lord To the wine, they would assign, my life's design. What if on Judgement Day, no favor would be gained From eating bread and leaving a forbidden water so fine? Hafiz, let a tear drop or two leave your eyes, May we ensnare the Bird of Union, divine. The sea of the skies and the gondola of the moon With the grace of the Master, radiantly shine.
Hafiz: Tongue of the Hidden: A Selection of Ghazals from his Divan
Today, the 4-billion-year-old regime of natural selection is facing a completely different challenge. In laboratories throughout the world, scientists are engineering living beings. They break the laws of natural selection with impunity, unbridled even by an organism’s original characteristics. Eduardo Kac, a Brazilian bio-artist, decided in 2000 to create a new work of art: a fluorescent green rabbit. Kac contacted a French laboratory and offered it a fee to engineer a radiant bunny according to his specifications. The French scientists took a run-of-the-mill white rabbit embryo, implanted in its DNA a gene taken from a green fluorescent jellyfish, and voilà! One green fluorescent rabbit for le monsieur. Kac named the rabbit Alba. It is impossible to explain the existence of Alba through the laws of natural selection. She is the product of intelligent design. She is also a harbinger of things to come. If the potential Alba signifies is realised in full – and if humankind doesn’t annihilate itself meanwhile – the Scientific Revolution might prove itself far greater than a mere historical revolution. It may turn out to be the most important biological revolution since the appearance of life on earth. After 4 billion years of natural selection, Alba stands at the dawn of a new cosmic era, in which life will be ruled by intelligent design. If this happens, the whole of human history up to that point might, with hindsight, be reinterpreted as a process of experimentation and apprenticeship that revolutionised the game of life. Such a process should be understood from a cosmic perspective of billions of years, rather than from a human perspective of millennia. Biologists the world over are locked in battle with the intelligent-design movement, which opposes the teaching of Darwinian evolution in schools and claims that biological complexity proves there must be a creator who thought out all biological details in advance. The biologists are right about the past, but the proponents of intelligent design might, ironically, be right about the future. At the time of writing, the replacement of natural selection by intelligent design could happen in any of three ways: through biological engineering, cyborg engineering (cyborgs are beings that combine organic with non-organic parts) or the engineering of in-organic life.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Jared ducked down his head and murmured in her ear, his breath warm against her skin: “What was that about?” “Shush, you heartless monster,” said Kami. “He’s happy you’re alive. I thought it was very sweet.” “I can hear you both,” Ash grumbled from Jared’s other side. Kami couldn’t see him, but she could feel how he was feeling, of course. It was the same way she felt, embarrassed but radiantly happy. “Oh, Jared,” said Rusty, mimicking Ash’s voice. “I am sooooo overcome with joy that you are alive.” “Oh, Ash,” said Angela. “The inbreeding has done such different things to us. You are so girlish and emotional, prone to swooning and embracing people, while I stand here with a face like a stone and eyes like a rabid squirrel’s.” “All that stuff you’re saying about your face is true, Jared,” said Rusty. “But I still wish to clasp you to my bosom.” “I was buried alive five minutes ago,” Jared muttered. “Already with the mockery?” Kami glanced over her shoulder at Angela and Rusty, arm in arm and snickering with delight, and Holly on Angela’s other side, smiling like a cheerfully wicked angel. “That’s how we roll,” Kami said. “We live a mock-and-roll lifestyle.
Sarah Rees Brennan (Unmade (The Lynburn Legacy, #3))
He paused a little; then kneeling in the pulpit’s bows, folded his large brown hands across his chest, uplifted his closed eyes, and offered a prayer so deeply devout that he seemed kneeling and praying at the bottom of the sea. This ended, in prolonged solemn tones, like the continual tolling of a bell in a ship that is foundering at sea in a fog — in such tones he commenced reading the following hymn; but changing his manner towards the concluding stanzas, burst forth with a pealing exultation and joy — The ribs and terrors in the whale, Arched over me a dismal gloom, While all God’s sun-lit waves rolled by, And lift me deepening down to doom. I saw the opening maw of hell, With endless pains and sorrows there; Which none but they that feel can tell- Oh, I was plunging to despair. In black distress, I called my God, When I could scarce believe him mine, He bowed his ear to my complaints- No more the whale did me confine. With speed he flew to my relief, As on a radiant dolphin borne; Awful, yet bright, as lightning shone The face of my Deliverer God. My song for ever shall record That terrible, that joyful hour; I give the glory to my God, His all the mercy and the power.
Herman Melville (Moby Dick)
I am a child of the everlasting King. I am forgiven. I am a warrior. I am cloaked in righteous armor. I was made for adventure. I was built for battle. I am part of a larger story. My true and lasting affirmation comes only from my King. I am unique above all creation--planned and perfect in design. I have been created for a glorious destiny. All my ways are established by you, my King, and I walk in them. My life and actions are real, authentic, and without compromise. I am quickened and made alive through the power of your Spirit. My whole life is before me. I am a shining gift from God to this lost world. I know my name, I understand my calling, and I am worthy to walk in it. I am strong, brave, and courageous in the face of my enemies. Whatever is good, whatever is pure, whatever is true, dwell on these things. My sins are scattered as far as the east is from the west. I am a good husband to my wife. I am a good father to my daughters. The past is over, and the future glimmers with radiant light. I will look to the new day, the dawning of hope. I will step forward with the truth before me and will no longer look on the day that is gone. The past is over; the future has begun.
James L. Rubart (Soul's Gate (Well Spring #1))
Lady Cameron,” he said, playing his role with elan as he nodded toward Ian. “You recall our friend Lord Thornton, Marquess of Kensington, I hope?” The radiant smile Elizabeth bestowed on Ian was not at all what the dowager had insisted ought to be “polite but impartial.” It wasn’t quite like any smile she’d ever given him. “Of course I remember you, my lord,” Elizabeth said to Ian, graciously offering him her hand. “I believe this waltz is mine,” he said for the benefit of Elizabeth’s avidly interested admirers. He waited until they were near the dancers, then he tried to sound more pleasant. “You seem to be enjoying yourself tonight.” “I am,” she said idly, but when she looked up at his face she saw the coolness in his eyes; with her new understanding of her own feelings, she understood his more easily. A soft, knowing smile touched her lips as the musicians struck up a waltz; it stayed in her heart as Ian’s arm slid around her waist, and his left hand closed around her fingers, engulfing them. Overhead a hundred thousand candles burned in crystal chandeliers, but Elizabeth was back in a moonlit arbor long ago. Then as now, Ian moved to the music with effortless ease. That lovely waltz had begun something that had ended wrong, terribly wrong. Now, as she danced in his arms, she could make this waltz end much differently, and she knew it; the knowledge filled her with pride and a twinge of nervousness. She waited, expecting him to say something tender, as he had the last time. “Belhaven’s been devouring you with his eyes all night,” Ian said instead. “So have half the men in this ballroom. For a country that prides itself on its delicate manners, they sure as hell don’t extend to admiring beautiful women.” That, Elizabeth thought with a startled inner smile, was not the opening she’d been waiting for. With his current mood, Elizabeth realized, she was going to have to make her own opening. Lifting her eyes to his enigmatic golden ones, she said quietly, “Ian, have you ever wanted something very badly-something that was within your grasp-and yet you were afraid to reach out for it?” Surprised by her grave question and her use of his name, Ian tried to ignore the jealousy that had been eating at him all night. “No,” he said, scrupulously keeping the curtness from his voice as he gazed down at her alluring face. “Why do you ask? Is there something you want?” Her gaze fell from his, and she nodded at his frilled white shirtfront. “What is it you want?” “You.” Ian’s breath froze in his chest, and he stared down at her lustrous hair. “What did you just say?” She raised her eyes to his. “I said I want you, only I’m afraid that I-“ Ian’s heart slammed into his chest, and his fingers dug reflexively into her back, starting to pull her to him. “Elizabeth,” he said in a strained voice, glancing a little wildly at their avidly curious audience and resisting the impossible impulse to take her out onto the balcony, “why in God’s name would you say a thing like that to me when we’re in the middle of a damned dance floor in a crowded ballroom?” Her radiant smile widened. “I thought it seemed like exactly the right place,” she told him, watching his eyes darken with desire. “Because it’s safer?” Ian asked in disbelief, meaning safer from his ardent reaction. “No, because this is how it all began two years ago. We were in the arbor, and a waltz was playing,” she reminded him needlessly. “And you came up behind me and said, ‘Dance with me, Elizabeth.’ And-and I did,” she said, her voice trailing off at the odd expression darkening his eyes. “Remember?” she added shakily when he said absolutely nothing. His gaze held hers, and his voice was tender and rough. “Love me, Elizabeth.” Elizabeth felt a tremor run through her entire body, but she looked at him without flinching. “I do.
Judith McNaught (Almost Heaven (Sequels, #3))
At noontime in midsummer, when the sun is at its highest and everything is in a state of embroiled repose, flashes may be seen in the southern sky. Into the radiance of daylight come bursts of light even more radiant. Exactly half a year later, when the fjord is frozen over and the land buried in snow, the very same spirit taunts creation. At night cracks in the ice race from one end of the fjord to the other, resounding like gunshots or like the roaring of a mad demon. The peasants dig tunnels from their door through the drifts over to the cow shed. Where are the trolls and the elves now, and where are the sounds of nature? Even the Beast may well be dead and forgotten. Life itself hangs in suspension - existence has shrunk to nothingness. Now it is only a question of survival. The fox thrashes around in a blizzard in the oak thicket and fights his way out, mortally terrified. It is a time of stillness. Hoarfrost lies in a timeless shroud over the fjord. All day long a strange, sighing sound is heard from out on the ice. It is a fisherman, standing alone at his hole and spearing eel. One night it snows again. The air is sheer snow and the wind a frigid blast. No living creature is stirring. Then a rider comes to the crossing at Hvalpsund. There is no difficulty in getting over­ - he does not even slacken his speed, but rides at a brisk trot from the shore out onto the ice. The hoofbeats thunder beneath him and the ice roars for miles around. He reaches the other side and rides up onto the land. The horse — a mighty steed not afraid to shake its shanks - cleaves the storm with neck outstretched. The blizzard blows the rider's ashen cape back and he sits naked, with his bare bones sticking out and the snow whistling about his ribs. It is Death that is out riding. His crown sits on three hairs and his scythe points triumphantly backward. Death has his whims. He takes it into his head to dis­mount when he sees a light in the winter night. He gives his horse a slap on the haunch and it leaps into the air and is gone. For the rest of the way Death walks like a carefree man, sauntering absentmindedly along. In the snow-streaked night a crow is sitting on a wayside branch. Its head is much too large for its body. Its beady eyes sparkle when it sees the wanderer's familiar face, and its cawing turns into silent laughter as it throws its beak wide open, with its spear-like tongue sticking far out. It seems almost ready to fall off the branch with its laughter, but it keeps on looking at Death with consuming merriment. Death moves on. Suddenly he finds himself beside a man. He raps the man on the back with his fingers and leaves him lying there. There is a light. Death keeps his eye on the light and walks toward it. He moves into the shaft of light and labors his way over a frozen field. But when he comes close enough to make out the house a strange fervor grips him. He has finally come home - yes, this has been his true home from the beginning. Thank goodness he has now found it again after so much difficulty. He goes in, and a solitary old couple make him welcome. They cannot know that he is anything more than a traveling tradesman, spent and sick. He lies down quickly on the bed without a word. They can see that he is really far gone. He lies on his back while they move about the room with the candle and chat. He forgets them. For a long time he lies there, quiet but awake. Finally there are a few low moans, faltering and tentative. He begins to cry, and then quickly stops. But now the moans continue, becoming louder, and then going over to tearless sobs. His body arches up, resting only on head and heels. He stares in anguish at the ceiling and screams, screams like a woman in labor. Finally he collapses, and his cries begin to subside. Little by little he falls silent and lies quiet.
Johannes V. Jensen (Kongens fald)
Tito looked eagerly toward the dark crest of the mountain, behind which the sky pulsed in the morning light. Now a fragment of the rocky ridge flashed violently like a glowing metal beginning to melt. The crest blurred and seemed suddenly lower, as if it were melting down, and from the fiery gap the dazzling sun appeared. Simultaneously, the ground, the house, and their shore of the lake were illuminated, and the two, standing in the strong radiance, instantly felt the delightful warmth of this light. The boy, filled with the solemn beauty of the moment and the glorious sensation of his youth and strength, stretched his limbs with rhythmic arm movements, which his whole body soon took up, celebrating the break of day in an enthusiastic dance and expressing his deep oneness with the surging, radiant elements. His steps flew in joyous homage toward the victorious sun and reverently retreated from it; his outspread arms embraced mountain, lake, and sky; kneeling, he seemed to pay tribute to the earth mother, and extending his hands, to the waters of the lake; he offered himself, his youth, his freedom, his burning sense of is own life, like a festive sacrifice to the powers. The sunlight gleamed on his tanned shoulders; his eyes were half-closed to the dazzle; his young face stared masklike with an expression of inspired, almost fanatical gravity.
Hermann Hesse (The Glass Bead Game)
Where do you even start with Cinderella? Let's ignore Cinderella's victim status and total lack of self-determination and head straight for the prince who was, let's face it, a bit of a jerk. Despite being captivated by Cinderella's radiant beauty for half the night, come the cold light of day he has completely forgotten what she looks like and only has her shoe size to go on. Either he was suffering from some sort of early onset Alzheimer's disease or else he was completely off his face during the big ball. the end result is that he goes trawling through the kingdom in some sort of perverted foot-fetish style quest for someone, anyone, who fits the glass slipper. Just how superficial is this guy? What if Cinderella had turned up at the ball looking exactly like she did only with a mole on her face and that had a couple of twelve-centimetre hairs sticking out of it? What if a bearded troll just happened to have the same shoe size as Cinderella? 'Ah, well. Pucker up, bushy cheeks, it's snog time.' And no one ever bothers to question the sheer impracticality of Cinderella's footwear. Glass might be good for many things but it's not exactly malleable in its cooled state. If everyone turned and gaped when Cinderella made her big entrance into the ball, it's only because she'd have come staggering in like a drunken giraffe on rollerblades. Bit of a head turner.
John Larkin (The Shadow Girl)
She is also the power behind spiritual awakening, the inner force that unleashes spiritual power within the human body in the form of kundalini. And she is a guardian: beautiful, queenly, and fierce. Paintings of Durga show her with flowing hair, a red sari, bangles, necklaces, a crown—and eight arms bristling with weapons. Durga carries a spear, a mace, a discus, a bow, and a sword—as well as a conch (representing creative sound), a lotus (symbolizing fertility), and a rosary (symbolizing prayer). In one version of her origin, she appears as a divine female warrior, brought into manifestation by the male gods to save them from the buffalo demon, Mahisha. The assembled gods, furious and powerless over a demon who couldn’t be conquered, sent forth their anger as a mass of light and power. Their combined strength coalesced into the form of a radiantly beautiful woman who filled every direction with her light. Her face was formed by Shiva; her hair came from Yama, the god of death; her arms were given by Vishnu. Shiva gave her his trident, Vishnu his discus, Vayu—the wind god—offered his bow and arrow. The mountain god, Himalaya, gave her the lion for her mount. Durga set forth to battle the demon for the sake of the world, armed and protected by all the powers of the divine masculine.1 As a world protector, Durga’s fierceness arises out of her uniquely potent compassion. She is the deity to call on when you’re
Sally Kempton (Awakening Shakti: The Transformative Power of the Goddesses of Yoga)
She came to him toward morning. She entered very carefully, moving silently, floating through the chamber like a phantom; the only sound was that of her mantle brushing her naked skin. Yet this faint sound was enough to wake the witcher—or maybe it only tore him from the half-slumber in which he rocked monotonously, as though traveling through fathomless depths, suspended between the seabed and its calm surface amid gently undulating strands of seaweed. He did not move, did not stir. The girl flitted closer, threw off her mantle and slowly, hesitantly, rested her knee on the edge of the large bed. He observed her through lowered lashes, still not betraying his wakefulness. The girl carefully climbed onto the bedclothes, and onto him, wrapping her thighs around him. Leaning forward on straining arms, she brushed his face with hair which smelled of chamomile. Determined, and as if impatient, she leaned over and touched his eyelids, cheeks, lips with the tips of her breasts. He smiled, very slowly, delicately, grasping her by the shoulders, and she straightened, escaping his fingers. She was radiant, luminous in the misty brilliance of dawn. He moved, but with pressure from both hands, she forbade him to change position and, with a light but decisive movement of her hips, demanded a response. He responded. She no longer backed away from his hands; she threw her head back, shook her hair. Her skin was cool and surprisingly smooth. Her eyes, glimpsed when her face came close to his, were huge and dark as the eyes of a water nymph. Rocked, he sank into a sea of chamomile as it grew agitated and seethed.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Guilt. Torment. Sorrow. Shock. Which?” she asked against his chest. “I’m trying,” he murmured on a weary chuckle. “But all I can manage is pride,” he added softly. “I satisfied you completely, didn’t I?” “More than completely,” she murmured against his damp shoulder. Her hand traced his chest, feeling the coolness of his skin, the ripple of muscle. “Hold me close.” He wrapped both arms around her and drew her on top of him, holding her hungrily to him, their legs lazily entwined. “I seduced you.” She pressed a soft kiss to his collarbone. “Mmm-hmm.” He caught his breath as the tiny, insignificant movement produced a sudden, raging arousal. She lifted her head. “Did I do something wrong?” He lifted an eyebrow and nodded toward his flat stomach. She followed his amused glance and caught her breath. He drew her mouth down over his and kissed her ferociously before he sat up and moved off the bed. “Where are you going?” she asked, startled. He drew on his briefs and his slacks, glancing down at her with amused delight. “One of us has to be sensible,” he told her. “Colby’s probably on his way back right now.” “But he just left…” “Almost an hour ago,” he finished for her, nodding toward the clock on the bedside table. She sat up, her eyes wide with surprise. “I took a long time with you,” he said gently. “Didn’t you notice?” She laughed self-consciously. “Well, yes, but I didn’t realize it was that long.” He drew her off the bed and bent to kiss her tenderly, nuzzling her face with his. “Was I worth waiting for?” he asked. She smiled. “What a silly question.” He kissed her again, but when he lifted his head he wasn’t smiling. “I loved what we did together,” he said quietly. “But I should have been more responsible.” She knew what he was thinking. He hadn’t used anything, and he surely knew that she wasn’t. She flattened her hand against his bare chest. “There’s a morning-after pill. I’ll drive into the city tomorrow and get one,” she said, lying like a sailor. She had no intention of doing that, but it would comfort him. He found that he didn’t like that idea. It hurt something deeply primitive in him. He scowled. “That could be dangerous.” “No, it’s not. He traced her fingernails while he tried to think. It seemed like a fantasy, a dream. He’d never had such an experience with a woman in his life. She closed her eyes and moved closer to him. “I could never have done that with anyone else,” she whispered. “It was more beautiful than my dreams.” His heart jumped. That was how it felt to him, too. He tilted her face so that he could search her soft eyes. She was radiant; she almost glowed. “Kiss me,” he murmured softly. She did. But he wasn’t smiling. She could almost see the thoughts in his face. “You didn’t force me, Tate,” she said gently. “I made a conscious decision. I made a choice. I needed to know if what had happened to me had destroyed me as a woman. I found out in the most wonderful way that it hadn’t. I’m not ashamed of what we did together.” “Neither am I.” He turned, his face still tormented. “But it wasn’t my right.” “To be the first?” She smiled gently. “It would have been you eight years ago or eight years from now. I don’t want anyone else-not that way. I never did.” He actually winced. “Cecily…” “I’m not asking for declarations of undying love. I won’t cling. I’m not the type.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Sometimes while sitting there staring out the window, I imagined a place in my mind, a white room. A simple space coated in white paint. The white represented responsibility, obligation. It didn’t require what responsibility and obligation required, but it had the same effect. It maintained the person in the room; it kept the person alive and well, along with everything and everyone that person cared for, but nothing the person held dear existed in the room. The person was alone. The person experienced no joy from bearing the weight of responsibility, earned no prize. I imagined a particular person in the room—a woman, also clothed in white. This woman constantly faced a dilemma. She longed for freedom. She longed to be the bird. Her open palms grazed the rutted expanse of the wall. She knew that something lay beyond—beyond the white. She could burst out into the world of grass, sky, and lavender, but she knew that if she broke through the barricade, everything she protected would crumble, suffocate, and wither behind her. Her own freedom would last only moments because she, too, couldn’t survive without the white. Earth and water would smother her, and radiant light would slice through her like a blade. I imagined her pressing with both hands, weighing freedom against existence and all that depended on her, but in the end she lightened her stance and stepped away. She always chose to stay, to fulfill her obligation. I thought of the woman in the white room—she chose to sacrifice her freedom for the people who relied on her to survive, but how long could she possibly survive without freedom? How long could she last before choosing the alternative?
Stephanie Carroll (A White Room)
Many a time when I sat in the balcony, or hanging garden, on which my window opened, I have watched her rising in the air on her radiant wings, and in a few moments groups of infants below, catching sight of her, would soar upward with joyous sounds of greeting; clustering and sporting around her, so that she seemed a very centre of innocent delight. When I have walked with her amidst the rocks and valleys without the city, the elk-deer would scent or see her from afar, come bounding up, eager for the caress of her hand, or follow her footsteps, till dismissed by some musical whisper that the creature had learned to comprehend. It is the fashion among the virgin Gy-ei to wear on their foreheads a circlet, or coronet, with gems resembling opals, arranged in four points or rays like stars. These are lustreless in ordinary use, but if touched by the vril wand they take a clear lambent flame, which illuminates, yet not burns. This serves as an ornament in their festivities, and as a lamp, if, in their wanderings beyond their artificial lights, they have to traverse the dark. There are times, when I have seen Zee’s thoughtful majesty of face lighted up by this crowning halo, that I could scarcely believe her to be a creature of mortal birth, and bent my head before her as the vision of a being among the celestial orders. But never once did my heart feel for this lofty type of the noblest womanhood a sentiment of human love. Is it that, among the race I belong to, man’s pride so far influences his passions that woman loses to him her special charm of woman if he feels her to be in all things eminently superior to himself? But by what strange infatuation could this peerless daughter of a race which, in the supremacy of its powers and the felicity of its conditions, ranked all other races in the category of barbarians, have deigned to honour me with her preference?
Edward Bulwer-Lytton (The Coming Race)
The crowd as silent,holding their breaths.Hot wind rustled in the trees as the ax gleamed in the sun.Luce could feel that the end was coming,but why? Why had her soul dragged her here? What insight abouther past,or the curse, could she possibly gain from having her head cut off? Then Daniel dropped the ax to the ground. "What are you doing?" Luce asked. Daniel didn't answer.He rolled back his shoulders, turned his face toward the sky, and flung out her arms. Zotz stepped forward to interfere,but when he touched Daniel's shoulder,he screamed and recoiled as if he'd been burned. And then- Daniel's white wings unfurled from his shoulders.As they extended fully from his sides,huge and shockingly bright against the parched brown landscape, they sent twenty Mayans hurtling backward. Shouts rang out around the cenote: "What is he?" "The boy is winged!" "He is a god! Sent to us by Chaat!" Luce thrashed against the ropes binding her wrists and her ankles.She needed to run to Daniel.She tried to move toward him,until- Until she couldn't move anymore. Daniel's wings were so bright they were almost unbearable. Only, now it wasn't just Daniel's wings that were glowing. It was...all of him. His entire body shone.As if he'd swallowed the sun. Music filled the air.No,not music, but a single harmonious chord.Deafening and unending,glorious and frightening. Luce had heard it before...somewhere. In the cemetery at Sword&Cross, the last night she'd been there,the night Daniel had fought Cam,and Luce hadn't been allowed to watch.The night Miss Sophia had dragged her away and Penn had died and nothing had ever been the same.It had begun with that very same chord,and it was coming out of Daniel.He was lit up so brightly,his body actually hummed. She swayed where she stood,unable to take her eyes away.An intense wave of heat stroked her skin. Behind Luce,someone cried out.The cry was followed by another,and then another,and then a whole chorus of voices crying out. Something was burning.It was acrid and choking and turned her stomach instantly. Then,in the corner of her vision,there was an explosion of flame, right where Zotz had been standing a moment before. The boom knocked her backward,and she turned away from the burning brightness of Daniel,coughing on the black ash and bitter smoke. Hanhau was gone,the ground where she'd stood scorched black.The gap-toothed man was hiding his face,trying hard not to look at Daniel's radiance.But it was irresistible.Luce watched as the man peeked between his fingers and burst into a pillar of flame. All around the cenote,the Mayans stared at Daniel.And one by one,his brilliance set them ablaze.Soon a bright ring of fire lit up the jungle,lit up everyone but Luce. "Ix Cuat!" Daniel reached for her. His glow made Luce scream out in pain,but even as she felt as if she were on the verge of asphyxiation, the words tumbled from her mouth. "You're glorious." "Don't look at me," he pleaded. "When a mortal sees an angel's true essence, then-you can see what happened to the others.I can't let you leave me again so soon.Always so soon-" "I'm still here," Luce insisted. "You're still-" He was crying. "Can you see me? The true me?" "I can see you." And for just a fraction of a second,she could.Her vision cleared.His glow was still radiant but not so blinding.She could see his soul. It was white-hot and immaculate,and it looked-there was no other way to say it-like Daniel. And it felt like coming home.A rush of unparalleled joy spread through Luce.Somewhere in the back of her mind,a bell of recognition chimed. She'd seen him like this before. Hadn't she? As her mind strained to draw upon the past she couldn't quite touch,the light of him began to overwhelm her. "No!" she cried,feeling the fire sear her heart and her body shake free of something.
Lauren Kate (Passion (Fallen, #3))
Psalm 34 * Theme: God pays attention to those who call on him. Whether God offers escape from trouble or help in times of trouble, we can be certain that he always hears and acts on behalf of those who love him. Author: David, after pretending to be insane in order to escape from King Achish (1 Samuel 21:10-15) A psalm of David, regarding the time he pretended to be insane in front of Abimelech, who sent him away.     1I will praise the LORD at all times.         I will constantly speak his praises. +     2I will boast only in the LORD;         let all who are helpless take heart. +     3Come, let us tell of the LORD’s greatness;         let us exalt his name together.     4I prayed to the LORD, and he answered me.         He freed me from all my fears.     5Those who look to him for help will be radiant with joy;         no shadow of shame will darken their faces. +     6In my desperation I prayed, and the LORD listened;         he saved me from all my troubles.     7For the angel of the LORD is a guard;         he surrounds and defends all who fear him. +     8Taste and see that the LORD is good.         Oh, the joys of those who take refuge in him! +     9Fear the LORD, you his godly people,         for those who fear him will have all they need. +    10Even strong young lions sometimes go hungry,         but those who trust in the LORD will lack no good thing. +    11Come, my children, and listen to me,         and I will teach you to fear the LORD. +    12Does anyone want to live a life         that is long and prosperous? +    13Then keep your tongue from speaking evil         and your lips from telling lies! +    14Turn away from evil and do good.         Search for peace, and work to maintain it. +    15The eyes of the LORD watch over those who do right;         his ears are open to their cries for help. +    16But the LORD turns his face against those who do evil;         he will erase their memory from the earth. +    17The LORD hears his people when they call to him for help.         He rescues them from all their troubles.    18The LORD is close to the brokenhearted;         he rescues those whose spirits are crushed. +    19The righteous person faces many troubles,         but the LORD comes to the rescue each time. +    20For the LORD protects the bones of the righteous;         not one of them is broken!    21Calamity will surely destroy the wicked,         and those who hate the righteous will be punished. +    22But the LORD will redeem those who serve him.         No one who takes refuge in him will be condemned.
Anonymous (Life Application Study Bible: New Living Translation)
He bent to kiss her stomach, so low that his chin brushed the triangle of curls. The tip of his tongue touched her skin, painting a delicate pattern. Her hips undulated, trying in vain to coax him lower, her entire body begging, Please down there down there. She felt as helpless as a jointed doll. Different parts of her were quivering, tensing, trembling, while her insides closed frantically on emptiness. He changed their positions with a quiet grunt of discomfort, until they were both lying on their sides, his head toward her feet. She felt him pull her top leg up and across, and then he relaxed with what sounded like a purr. As she felt him breathing between her thighs, she moaned, panted, licked her dry lips, wanting to say his name but afraid she might scream it. She tensed at the touch of his fingers, stroking lightly across the wet entrance of her body. All her consciousness focused on what he was doing, the fingertip that dipped very slightly into the pulsing cove. A teasing finger slid all the way inside and began to thrust in the slowest, gentlest rhythm possible, while her intimate muscles clenched and squeezed at the invasion, and her belly writhed. His breath rushed against the hard, tender bud of her clitoris in feathery tickles. It was heaven. It was torture. She wanted to kill him. He was the meanest, wickedest man who'd ever lived, the devil himself, and she would have told him so if she'd had the breath to spare. He added another finger, and a deep glow began at her core. The feeling spread through every limb and swept upward, until it burned in her face and throat, even at the lobes of her ears. It was beneath her arms, between her toes, at the backs of her knees, a radiant heat that kept climbing. His fingers curved gently inside and held her like that, and then, finally, she felt his mouth at her sex, his tongue stroking in catlike laps. It sent her into a climax unlike anything she'd ever felt, pure ecstasy without a precise beginning or end, a long open spasm that went on and on. A new surge of wetness emerged when his fingers finally withdrew. His tongue was strong and eager as he hunted for the taste of her, making her writhe. Her head came to rest close to his groin, her cheek brushing the satiny skin of his aroused flesh. Languidly she rubbed her parted lips along the rigid length, making him jolt as if he'd received an electric shock. Encouraged by his response, she took hold of the shaft with one hand and drew her tongue along it. When she reached the tip, she fastened her lips over the silkiness and salt taste, and sucked lightly. He groaned between her thighs. With his fingers, he spread her furrow wider, and nibbled at the taut, full center, flicked at it. She moaned, vibrating around the head of his shaft.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Your house is lovely, ma’am.” The duchess gave her a radiant smile. “If you like, I’ll take you on a tour later this afternoon. We have some very good art, and interesting old f-furniture, and some beautiful views from the second floor.” “Oh, that would be—” Pandora began, but to her annoyance, Lord St. Vincent interrupted from behind them. “I had already planned to take Lady Pandora on an outing this afternoon.” Pandora glanced over her shoulder with a quick frown. “I would prefer a tour of the house with the duchess.” “I don’t trust you around unfamiliar furniture,” Lord St. Vincent said. “It could be disastrous. What if I have to pull you out of an armoire, or God forbid, a credenza?” Embarrassed by the reminder of how they’d met, Pandora said stiffly, “It wouldn’t be proper for me to go on an outing without a chaperone.” “You’re not worried about being compromised, are you?” he asked. “Because I’ve already done that.” Forgetting her resolution to be dignified, Pandora stopped and whirled to face the provoking man. “No, you didn’t. I was compromised by a settee. You just happened to be there.” Lord St. Vincent seemed to enjoy her indignation. “Regardless,” he said, “you have nothing to lose now.” “Gabriel—” the duchess began, but fell silent as he slid her a glance of bright mischief. The duke regarded his son dubiously. “If you’re trying to be charming,” he said, “I should tell you that it’s not going well.” “There’s no need for me to be charming,” Lord St. Vincent replied. “Lady Pandora is only pretending disinterest. Beneath the show of indifference, she’s infatuated with me.” Pandora was outraged. “That is the most pomposterous thing I’ve ever heard!” Before she had finished the sentence, however, she saw the dance of mischief in Lord St. Vincent’s eyes. He was teasing, she realized. Turning pink with confusion, she lowered her head. Within a few minutes of arriving at Heron’s Point, she had tumbled on the drive, lost her hat and her temper, and had used a made-up word. It was a good thing Lady Berwick wasn’t there, or she’d have had apoplexy. As they continued to walk, Lord St. Vincent fell into step beside Pandora while the duchess followed with the duke. “Pomposterous,” he murmured, a smile in his voice. “I like that one.” “I wish you wouldn’t tease,” Pandora muttered. “It’s difficult enough for me to be ladylike.” “You don’t have to be.” Pandora sighed, her momentary annoyance fading into resignation. “No, I do,” she said earnestly. “I’ll never be good at it, but the important thing is to keep trying.” It was the statement of a young woman who was aware of her limitations but was determined not to be defeated by them. Gabriel didn’t have to look at his parents to know they were thoroughly charmed by Pandora. As for him . . .
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
His face was all the more bright from the blood he’d drunk. Indeed the color was even now, and radiant overall, and his hair seemed all the fairer against his blushing skin. A tiny spider’s web of veins lived within each of his eyes, not detracting one jot from their awesome lustrous beauty.
Anne Rice (The Vampire Armand (Anne Rice's The Vampire Lestat #7))
I saw a boy sitting and dangling his legs, his back to me. I threw my arms around the boy’s shoulders. I thought it was Sharat but his shoulders were tiny. I leaned down to see who it was. A little boy in a red jumper smiled at me, and I was overcome with a love so intense that it enveloped both of us. I had never experienced such bright intensity before. “Who are you?” I asked, but I already knew he was my son. I had always wanted a daughter. Yet here he was. The boy saw that I was afraid. He transformed into a forty-year-old man before my eyes and smiled at me. I looked into his aged face and felt the same radiant love. He was showing me that it would be okay. He returned to his child self. I savored being with him. I wanted never to leave him. When he began to disappear, every fiber in me cried out: No! “You have to find me,” I heard him say. “You have to find me.” And he was gone. My eyes opened. It was unlike any dream I had had. I did not know whether it was my subconscious easing my fear of having a son, or a visit from another realm, or both. I just wanted to return to him. Seven years later, Kavi came into the world. I stopped thinking about the dream. One night, when Kavi was three years old, I was busy wrestling him into his pajamas on the bed. Suddenly he stopped his squirming and babbling and looked at me. “How you found me?
Valarie Kaur (See No Stranger: A Memoir and Manifesto of Revolutionary Love)
It was assumed that entire societies could be transformed and changed in a relatively short span of time if only enough people were prepared to accept and follow the principles and priorities set by a vanguard in possession of those timeless standards. The only things that remained to be done, [Isaiah] Berlin wryly noted, was to eliminate all obstacles (human and material) to progress before the process of building the radiant future could begin in earnest. This could be done in one step through violence or gradually through persuasion, threats, reeducation, disenfranchisement, dispossession of property, relocation, coercion, blackmail, denunciation, and, if necessary, terror.
Aurelian Craiutu (Faces of Moderation: The Art of Balance in an Age of Extremes (Haney Foundation Series))
Facing Snow Thin slice of ascending light, radiant arc Tipped aside bellied dark- the first moon Appears, and barely risen beyond ancient Frontier passes, edges into clouds. Silver, Changeless, the Star River spreads across Mountains empty in their own cold. Lucent Frost dusts the courtyard, chrysanthemum Blossoms clotted there with solemn dark. Tu Fu
David Hinton (Awakened Cosmos: The Mind of Classical Chinese Poetry)
Dawn Landscape The last watch has sounded in the Amble-Awe. Radiant color spreads above Solar-Terrace Mountain, then cold sun clears high peaks. Mist and cloud linger across layered ridges, And earth split-open hides river sails deep. Leaves clatter at heaven’s clarity. I listen, And face deer at my bramble gate-so close Here, we touch our own kind in each other. Tu Fu
David Hinton (Awakened Cosmos: The Mind of Classical Chinese Poetry)
Is God being or pure force? The wind Or what commands it? When our lives slow And we can hold all that we love, it sprawls In our laps like a gangly doll. When the storm Kicks up and nothing is ours, we go chasing After all we’re certain to lose, so alive— Faces radiant with panic.
Tracy K. Smith (Life on Mars: Poems)
A righteous man may have many troubles, but the Lord delivers him from them all... Those who look to Him are radiant; their faces are never covered with shame.
The Bible (Psalm 34:19,5)
Touch pitch and you blacken your hand; associate with scoundrels and you learn their ways. Be on guard... do not be like those who lack sense. Wealth is good where there is no sin... The sign of a good heart is a radiant face...
The Bible (Sirach 13:1,8,24,26)
In the realm of boundless skies I soar, With the fire of beginnings, I implore, Though thorns may pierce, and darkness may loom, I'll test my strength in thunder's fierce boom. For high above, I seek my place, In the heavens, a name to embrace, Yet every breath fuels my might, As I brave the storms, take flight in the night. In the face of dust, my resolve remains, Despite the wounds, and life's crushing pains, I stand unbroken, my spirit's ablaze, In the crucible, I'll burn and amaze. Though I may stumble, and falter, and strain, In my heart, the desire remains untamed, With sparks in my eyes, and hope in my veins, I'll rise from the ashes, through trials and gains. For I've etched in my fists, a star's radiant gleam, In the city's uproar, I'll conquer, it seems, Though darkness may fall in an infinite stream, My end won't be falling; it's more than it seems. On my face, I may wear the marks of the fight, With a broken resolve, a fractured light, But within my core, strength takes its flight, And from the embers, I'll emerge in the night. Though breaths may shatter, and heartbeats may sway, In the depths of my being, I'll find my way, With fiery gaze, and a steadfast say, I'll conquer the tempest, come what may. I've woven a star in the palm of my hand, Let the drums of the city resound, understand, Though shadows may gather, like grains of sand, My fall is not final, I'll rise and expand. In the realm of boundless skies, I roam, With a heart unyielding, I'll find my home, Through trials and triumphs, I'll ceaselessly roam, My end isn't falling; it's where I'll become.
Manmohan Mishra
Fish and the old woman An old woman, selling fish, Crying at all those who passed by, “Try my fish that you shall relish,” Most of them ignored her calls but many asked why? She answered all whys, all ifs, all questions, As long as you were someone she thought would buy, And I stood there listening to her witty quotations, That addressed all doubts and answered every why, Her greasy hands often patted and placed the fish in order, In the round wicker basket that was wet but clean, And in this fish market she looked much wiser and older, Her face was round, her eyes sharp, with a body frame that was lean, Few minutes passed, unlike the fish she was unable to catch a reliable prospect, Then a man stopped and looked at her basket full of fish, And she had found her much needed suspect, The providence had granted her her wish, She turned the fish around and showed him the best ones, Her greasy hands held them with twin feelings, A feeling that still wanted to retain the best ones, And a feeling that was willing to let go of the few in her commercial dealings, And there was her struggle, and her eyes revealed it clearly, She shuffled the best ones around and then mixed them with the rest, And she did this with a professional dexterity, Creating a mix of the good fish and the best, Because to her all customers are the same, They all deserve to savour the fish that she thinks are the finest, So she had to indulge in this necessary hypnotic game, And she performed it in ways sharp and tidiest, She scrubbed off the scales carefully, And cleaned them with a unique fondness, And when ready she handed them to the man lovingly, He held them with a sense of quickness, And walked away, leaving behind the old woman and her basket full of fish, Who once again shouted in her typical melody, “Try my fish that you shall relish, The fish that will make the tastiest dish, The fish from the lake that breeds the best fish!” While I watched her and her teary eyes, Because she missed the fish that were being taken away, Away from her everyday, with her daily lot gone a part of her in that basket dies, But she does not let her feelings give in or sway, Because this is who she is, the seller of life and joy, Who shouts on the bridge on a cold November day, For she too has a home, where she has to feed her girl and her always waiting boy, It has been so for many decades, and was so today, In the evening when the wicker basket is dry with no fish left in it, She lifts the basket, mops the floor, and places it on her head, Well I guess not all of us can do it, Because she carries the physical load over the head that with a million thoughts is also fed, Yet she walks with a smile and vivaciousness that is radiant, Because she sells the fish that are the best, And in the wicker basket they look magnificent and brilliant, I guess for her, the fish and the basket are her test, Where fate pushes her to the extreme every day, But she never gets tired to shout and say, “Try my fish that you shall relish any day, Why not let that day be today, your luckiest day!” With the old woman gone, the bridge is still crowded but the spot is empty, So, I turn around and look at it, and I hear her echoes, And I feel a wave of humility induced by my realisation of her piety, Towards a different God, the God she invokes often in her melody that resides there in the form of her echoes, I may never see her again, or maybe I will, Whenever I cross the bridge, the bridge that leads people to their destinations, But for me it begins there and it ends there too, there time holds still, Because we all respect her courage and we love her melodious incantations!
Javid Ahmad Tak (They Loved in 2075!)
We stare into the radiant light and stumble blind and mad into the moonless night. We bow not our heads, nor do we ask for mercy. The world is agony. This is a journey of pain, ecstasy, and death. We do not seek companionship because this prison of flesh is a solipsism. We straddle the balancing point between light and darkness, love and hate, life and death. We hide our countenance to reveal the hidden face of god. We hang our self from trees and crosses. We bleed and suffer. All in roaring silence. Eternity is but an instant.
Trepaneringsritualen
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August wrapped his arms around Lucas, dragging him in for a deep kiss, swallowing his cry of surprise. Kohn grunted in disgust. “It’s just headphones,” Lucas said. August shook his head. “It’s not just headphones. I don’t know what love feels like, but I imagine it’s like the feeling I’m having right now.” Lucas’s face went soft, his smile radiant. “That’s the sweetest thing anybody’s ever said to me after cutting off another man’s nipple.
Onley James (Psycho (Necessary Evils, #2))
Bigotry is a poison that corrodes the very fabric of humanity, staining our hearts with prejudice and our minds with ignorance. It is a destructive force that thrives on fear, division, and the rejection of our shared humanity. To combat bigotry is to dismantle the barriers that separate us, to recognize the inherent worth of every individual, regardless of their race, religion, gender, or sexual orientation. It is to embrace diversity as a source of strength, understanding that our differences are what make us beautifully unique. Bigotry blinds us to the richness of the tapestry of human existence, condemning us to a world of narrow-mindedness and intolerance. It stifles progress, stifles progress, hampers empathy, and perpetuates injustice. It is an affront to the principles of equality and the fundamental rights we all deserve. Confronting bigotry requires courage, empathy, and a commitment to unlearn the biases ingrained within us. It is an ongoing process that demands self-reflection and a willingness to challenge our own preconceived notions. It is about standing up against discrimination in all its forms, whether overt or subtle, and refusing to be complicit in the face of injustice. In the fight against bigotry, we must be vigilant and steadfast, for it is not enough to be non-racist or non-discriminatory; we must actively be anti-bigotry. We must use our voices to amplify the silenced, to advocate for change, and to build bridges of understanding where there were once walls of prejudice. Let us remember that the power to eradicate bigotry lies within each and every one of us. It is through education, dialogue, and empathy that we can dismantle the walls of hatred and forge a society built on acceptance, respect, and love. Together, let us be the fierce advocates for equality, the beacons of hope in the face of darkness, and the champions of a world where bigotry has no place. For in the unity of our actions, we can create a future where every individual can flourish, and where the radiant tapestry of humanity shines in all its glory.
D.L. Lewis
In the realm of spiritual philosophy, where the sacred and the mundane converge, where the mystical dances with the ordinary, there exists an enchanting archetype that beckons us to explore the depths of our souls—the Divine Rabbit. This ethereal creature, a symbol of fertility, rebirth, and spiritual illumination, invites us to embark on a profound journey of self-discovery and transcendence. The Divine Rabbit, with its gentle countenance and nimble grace, embodies the essence of the divine feminine, representing the nurturing and creative aspects of existence. It is a messenger of the cosmic forces, whispering ancient wisdom and guiding us towards the realization of our true nature. With each hop, it traverses the sacred landscapes of our consciousness, leaving in its wake the seeds of transformation and spiritual awakening. This mystical creature, adorned with the symbols of abundance and growth, teaches us the profound truth that spirituality is not confined to lofty realms or esoteric knowledge, but is deeply rooted in the tapestry of our everyday lives. The Divine Rabbit invites us to cultivate a sense of presence and mindfulness, to embrace the magic of the present moment, and to recognize that every breath we take is an opportunity for divine communion. In the Divine Rabbit, we find a profound reflection of our own spiritual journey. Like the rabbit, we too navigate the maze of existence, encountering both obstacles and opportunities along the way. The Divine Rabbit reminds us to approach these challenges with grace, agility, and an unwavering trust in the divine plan. It teaches us that even in the face of adversity, we possess the innate resilience to overcome, to rise above our limitations, and to embrace the boundless potential that resides within us. The Divine Rabbit also serves as a catalyst for profound transformation and rebirth. Just as the rabbit sheds its old fur to make way for new growth, we too are called to release the layers of conditioning, limiting beliefs, and attachments that no longer serve our highest good. The Divine Rabbit encourages us to step into the fullness of our authentic selves, to embrace our innate gifts and talents, and to allow the light of our divine essence to illuminate the world around us. Moreover, the Divine Rabbit invites us to honor the interconnectedness of all beings and the sacredness of every living creature. It teaches us to tread lightly upon the Earth, recognizing that our actions have far-reaching consequences. The Divine Rabbit reminds us of the importance of compassion, kindness, and love towards all beings, for in their eyes, we catch a glimpse of the divine spark that resides within us all. As we embark on our spiritual journey, let us heed the wisdom of the Divine Rabbit. Let us cultivate a sense of wonder and curiosity, allowing ourselves to be guided by the synchronicities and signs that pepper our path. Let us embrace the cycles of life and honor the sacredness of both beginnings and endings. And above all, let us remember that within the heart of the Divine Rabbit resides the eternal flame of our own divine essence, waiting to be kindled and expressed in all its radiant glory. May we follow the path of the Divine Rabbit, awakening to the depths of our being, embracing our divine nature, and embodying the transformative power of love, compassion, and spiritual illumination. In doing so, we dance in harmony with the rhythm of the universe, honoring the sacredness of life, and fulfilling our highest purpose.
D.L. Lewis
I was not able to sleep that night. To be honest, I didn’t even try. I stood in front of my living room window, staring out at the bright lights of New York City. I don’t know how long I stood there; in fact, I didn’t see the millions of multicolored lights or the never-ending streams of headlights and taillights on the busy streets below. Instead, I saw, in my mind’s eye, the crowded high school classrooms and halls where my friends and I had shared triumphs and tragedies, where the ghosts of our past still reside. Images flickered in my mind. I saw the faces of teachers and fellow students I hadn’t seen in years. I heard snatches of songs I had rehearsed in third period chorus. I saw the library where I had spent long hours studying after school. Most of all, I saw Marty. Marty as a shy sophomore, auditioning for Mrs. Quincy, the school choir director. Marty singing her first solo at the 1981 Christmas concert. Marty at the 1982 Homecoming Dance, looking radiant after being selected as Junior Princess. Marty sitting alone in the chorus practice room on the last day of our senior year. I stared long and hard at those sepia-colored memories. And as my mind carried me back to the place I had sworn I’d never return to, I remembered.
Alex Diaz-Granados (Reunion: A Story: A Novella)
Then the man brought me to the gate facing east, and I saw the glory of the God of Israel coming from the east. His voice was like the roar of rushing waters, and the land was radiant with his glory. The vision I saw was like the vision I had seen when he came to destroy the city and like the visions I had seen by the Kebar River, and I fell facedown.   The glory of the LORD entered the temple through the gate facing east. Then the Spirit lifted me up and brought me into the inner court, and the glory of the LORD filled the temple.  While the man was standing beside me, I heard someone speaking to me from inside the temple. He said: "Son of man, this is the place of my throne and the place for the soles of my feet. This is where I will live among the Israelites forever. The house of Israel will never again defile my holy name neither they nor their kings by their prostitution and the lifeless idols of their kings at their high places.
Russ Scalzo (On the Edge of Time, Part Two)
Are you still mine?” Cora doesn’t hesitate. She reaches for my hand, placing it above her heart. “It’s still beating,” she says. Her face lights up with a radiant smile that looks exactly like how her heartbeat feels. “As long as it’s beating, I’m yours.
Jennifer Hartmann (Still Beating)
The tears, when they came, slipped from he closed eyelids like so many beads on a prayer chain. Some women cry easily. The tears fall as gently as fragrant raindrops in a sun-shower, and leave the face clear and clean and almost radiant. Other women cry hard, and all the loveliness in them collapses in the agony of it.
Gregory David Roberts (Shantaram)
The tears, when they came, slipped from her closed eyelids like so many beads on a prayer chain. Some women cry easily. The tears fall as gently as fragrant raindrops in a sun-shower, and leave the face clear and clean and almost radiant. Other women cry hard, and all the loveliness in them collapses in the agony of it.
Gregory David Roberts (Shantaram)
She was warned. She was given an explanation. Nevertheless, she persisted. …was an epigraph engraved at the bases of statues around the city, meant to dissuade women from fighting monsters. But to Moira, the epigraph inspired. We all fight monsters, she knew. There was no shame in losing.
Kameron Hurley (Our Faces, Radiant Sisters, Our Faces Full of Light!)
Hmmm, just about perfect.” She gazed up at me, her face radiant. “Really? Did something special happen at the café?” There was something decidedly different about her today. She practically glowed from the inside out. She shook her head. “Nope. Just a regular day filled with chocolate cupcakes, chai tea, and Pyper badgering me about what we were celebrating.
Deanna Chase (Bewitched on Bourbon Street (Jade Calhoun, #7))
God is here when we are wholly unaware of it. He is manifest only when and as we are aware of His presence. On our part there must be surrender to the Spirit of God, for His work it is to show us the Father and the Son. If we cooperate with Him in loving obedience, God will manifest Himself to us, and that manifestation will be the difference between a nominal Christian life and a life radiant with the light of His face.
A.W. Tozer (The Pursuit of God)
Vast and far-reaching without boundary, secluded and pure, manifesting light, this spirit is without obstruction. Its brightness does not shine out but can be called empty and inherently radiant. Its brightness, inherently purifying, transcends causal conditions beyond subject and object. Subtle but preserved, illumined and vast, also it cannot be spoken of as being or nonbeing, or discussed with images or calculations. Right in here the central pivot turns, the gateway opens. You accord and respond without laboring and accomplish without hindrance. Everywhere turn around freely, not following conditions, not falling into classifications. Facing everything, let go and attain stability. Stay with that just as that. Stay with this just as this. That and this are mixed together with no discriminations as to their places. So it is said that the earth lifts up the mountain without knowing the mountain’s stark steepness. A rock contains jade without knowing the jade’s flawlessness. This is how truly to leave home, how home-leaving must be enacted.
Yi Wu Hongzhi (Cultivating the Empty Field: The Silent Illumination of Zen Master Hongzhi (Tuttle Library Of Enlightenment))
It wouldn’t matter if you lived until you were seventy-five, there would still be things that you wished you would have accomplished. You could work for several lifetimes. If I could clone myself there will still be too much work to do, even if there were five of me. And there are no regrets, really. Part of the reason that I’m not having trouble facing the reality of death is that it’s not a limitation, in a way. It could have happened any time and it is going to happen to someone any time. If you live your life according to that, death is irrelevant. Everything I’m doing right now is exactly what I want to do.
Brad Gooch (Radiant: The Life and Line of Keith Haring)
Wrong. The children have ruined Christmas for the adults.’ Agatha looked at him, puzzled. ‘How do you explain that?’ ‘They’ve come to expect to get exactly what they want. I know all this from friends of mine with children. Something new comes out in July, say. They clamour for it. No use saying, “Wait till Christmas.” They have to have it right away because it’ll be old hat by Christmas. They don’t want surprises. They want what they demand. So there are no shining faces under the Christmas tree, radiant with surprise and gratitude. Only complaints like, “Why did you buy me this computer game? It’s months old.” Greedy children and disappointed parents, that’s Christmas.
M.C. Beaton (Agatha Raisin and the Curious Curate (Agatha Raisin, #13))
She hated flowers, and I wondered why That was; When diamonds less radiant Diminished her gloom, And she delighted in the fragrance of her favorite perfume. She hated that they withered and faded, I thought; That their petals broke loose, And they barely hung on. She hated that they were thrown away, With every trace of them gone. They were delicate and fragile like her, I’d say; The kind of thing She felt so undeserving of. It’s such taxing work for the weary, Simply to nurture and love. She clung to her own greenness and vigor, I thought. Exquisite as they were, They brought too much sorrow; She detested caring for those that, Would not need her tomorrow. She was too oppressed to provide refuge, I found. I heard heartbreaking stories, Where she had it rough. She did the best she could, I know, But it was just never enough. She is every bit like the flowers, You know, Warms your vulnerable heart, With kindness and grace; Brings happy tears to your eyes, And the most joyful smile to your face! She regales like a queen, and she stuns, I say; And I love her, As I do those flowers she hates! Some have penetrable walls, you know; She has padlocked iron gates.
D.K. Sanz/Kyrian Lyndon
And my shadow touched hers as though in an embrace. Then, as if taken with a fleeting thought, I stepped over to the window and laid the rose I had just broken off in Maria's lap. I then slid silently away, as though I feared being caught in the act. How often was this little course of events, which seemed so significant to me, repeated! I scarcely know. To me it is as if I had laid a thousand roses in the ailing Maria's lap, as if our shadows had embraced innumerable times. Never once did Maria mention this episode; yet from the gleam in her great radiant eyes, I sensed that she was happy about it. Perhaps these hours, when we two sat together and in silence enjoyed a great, tranquil, deep joy, were so beautiful that I felt no need for any that were more beautiful still. My old uncle quietly left us to ourselves. One day, however, as I sat by him amongst all the resplendent flowers over which great golden butterflies hovered dreamily, he spoke to me in a quiet, thoughtful voice: 'Your soul is drawn to suffering, my boy.' And therewith he laid his hand upon my head as though wishing to add something more. Yet he remained silent. Perhaps he didn't know either what he had awakened in me by this, and what was mightily stirred to life in me from that day. One day, as I again stepped over to the window where Maria sat as usual, I saw that her face had turned pale and rigid in death. Sunbeams darted across her bright, delicate form; her untied golden hair fluttered in the wind and it seemed to me as if no illness had carried her off but that she had died without visible cause - an enigma. I placed the last rose in her hand. She took it with her to the grave. Soon after Maria's death I left for the city. But the memory of those tranquil days filled with sunshine have remained alive in me, more alive perhaps than the noisome present. I shall never again see the little town at the bottom of the valley - yes, I am loath to return to it again. I believe I should be unable to do so, even though I am at times seized by a deep yearning for those ever youthful things of the past. For I know that I should only look in vain for that which is lost without trace; I would no longer find there what lives on in my memory alone - just like the here and now- and what would that bring me but endless torment.
Georg Trakl (Poems and Prose)
Of the Elder Zosima it was said by many that in admitting for so many years into his presence all those who came to him in order to confess their hearts and who thirsted for counsel and healing discourse, he had taken into his soul so many revelations, griefs and unbosomings that in the end he had acquired a perspicacity of such subtle depth as made the first glance at the face of a stranger who had come to him sufficient for him to be able to guess correctly the reason for his arrival, the object of his need, and even the nature of the torment that was racking his conscience, and that he would astonish, embarrass and sometimes almost frighten the newcomer by such intimacy with his secret before the latter had even uttered a word. In this context, however, Alyosha nearly always observed that many, indeed practically all of those who came to the Elder for the first time in order to have a private talk with him made their entrances in fear and trembling, but always came out radiant and joyful, and the blackest of countenances turned to happy ones. Alyosha was also singularly impressed by the fact that the Elder was in no wise stern; on the contrary, there was unfailingly what almost amounted to gaiety in his demeanour. The monks used to say of him that he formed close soul-attachments precisely to those who were more sinful, and that those who were most sinful, those too were most beloved by him. Of the monks there were some, even towards the very end of the Elder’s life, who were his haters and enviers, but they were by this time growing few, and they kept silent, though there were among their number several persons very famous and important in the monastery, as for example one of the most ancient cenobites, a great observer of the vow of silence and an exceptional faster. But all the same it was now beyond question that the vast majority had taken the side of the Elder Zosima, and of these there were very many who positively loved him with all their hearts, ardently and sincerely; some were even attached to him with a kind of fanaticism. They used to say openly, though not quite out loud, that he was a saint, that of this there was no longer any doubt and, foreseeing his imminent decease, went in expectation from the departed of immediate miracles and great glory in the very nearest future for the monastery.
Fyodor Dostoevsky (The Brothers Karamazov)
He took her radiant face between his hands. "I love you," he said and pressed his mouth to hers, gentle at first, thinking it would be enough, but it wasn't. He pulled her against him, parting her mouth with his tongue, deepening the kiss, and it was strange to say, but it felt different. Maybe it was because he had never been so happy. Either way, he was very aware that this was his wife, his goddess, his queen. "Get a room!" Hermes shouted. He held her in his embrace a little longer just for that.
Scarlett St. Clair (A Game of Gods (Hades Saga, #3))
As my love for myself and the universe continues to Grow, my face and my skin continues to become more and more Radiantly Beautiful
Rhys Blanco (Affirmations for Glowing skin)
I will extol the LORD at all times; his praise will always be on my lips. I will glory in the LORD; let the afflicted hear and rejoice. Glorify the LORD with me; let us exalt his name together. I sought the LORD, and he answered me; he delivered me from all my fears. Those who look to him are radiant; their faces are never covered with shame. This poor man called, and the LORD heard him; he saved him out of all his troubles. The angel of the LORD encamps around those who fear him, and he delivers them. Taste and see that the LORD is good; blessed is the one who takes refuge in him. Fear the LORD, you his holy people, for those who fear him lack nothing. The lions may grow weak and hungry, but those who seek the LORD lack no good thing. Come, my children, listen to me; I will teach you the fear of the LORD. Whoever of you loves life and desires to see many good days, keep your tongue from evil and your lips from telling lies. Turn from evil and do good; seek peace and pursue it.
F. LaGard Smith (The Daily Bible (NIV))
As the fierce battle raged on between Prince Assad and the soldiers, the small puddle nestled amidst the underbrush continued to mirror the night sky and the radiant moon. Its surface rippled gently, distorting the celestial reflection and adding an entrancing aura to the scene. Within the puddle's depths, a bright, luminescent orb seemed suspended in the water's embrace, mirroring the moon's radiance. Amidst the enchanting dance of ripples in the puddle, Dilaram, Princess Mehjabeen's loyal companion emerged, took a deep breath, and made a daring decision. She knew the danger that Prince Assad faced in the relentless battle with the soldiers, and her love and loyalty to the princess drove her to act. With her heart pounding, Dilaram raised her delicate hands and began whispering an incantation, her words imbued with ancient magic. Dilaram's incantation, born from the depths of her love and loyalty to Princess Mehjabeen, was a powerful spell that wove together the mystical forces of Tilsim Hoshruba. It was an incantation that had been passed down through generations of enchantresses, carefully guarded and used only in the direst of circumstances. The incantation itself was a blend of ancient words and intricate hand movements, a delicate dance of both spoken and unspoken magic. As Dilaram whispered the words and traced the patterns in the air, the spell took form: "By the moon's radiant light, by the heart's unwavering might, In the name of love, in the name of fate, Create for him an unseen gate." As Dilaram continued her chant, the magic came to life. It created a shimmering tunnel amidst the swampy underbrush. Prince Assad, still embroiled in combat, continued to face the soldiers with unwavering determination. His every strike was a testament to his prowess as a skilled warrior. Dilaram's incantation worked like a silent, invisible wind. It pulled Prince Assad away from the battlefield and into the concealed tunnel she had created. The soldiers, bewildered by his sudden disappearance, exchanged confused glances, their swords raised and ready. Within the concealed tunnel, Prince Assad was transported to safety, away from the immediate danger of the soldiers' blades. As he stepped into this mystical passage, the world around him shifted, and he found himself hidden from view. Dilaram's work was not done yet. Her incantation had created the gate, and now she whispered another set of words: "Through the veil of night, beyond the soldiers' sight, Guide him to where he'll be free, under the moon's decree." This incantation was designed to lead Prince Assad to a safe location, away from the soldiers' pursuit. It was as if the night itself had become his protector, guiding him to a place where he could regroup and remain hidden. With her final words, the portal shimmered and then vanished, leaving no trace of its existence. Dilaram, her heart heavy with concern for Prince Assad, disappeared inside the puddle, from where she had initiated the spell. She knew that the fate of both Prince Assad and Princess Mehjabeen hung in the balance, and the path they would choose was a destiny intertwined with the enigmatic realm of Tilsim Hoshruba.
Haala Humayun (The Legend of Tilsim Hoshruba)
It was now an hour into the experiment, and still no acknowledgment of any activity from the MDMA. Then, came the unexpected question, the "off the wall" question. "Is it all right to be alive?” “You bet your sweet ass it's all right be be alive! It's a grace to be alive!" That was it. She plunged into the MDMA state, and started running down the hill, calling out that it was all right to be alive. All the greens became living greens and all the sticks and stones became vital sticks and stones. I caught up with her and her face was radiant. She told me some of her personal history which she knew well, and which I knew well, but with which she had never come to peace. She had come into the world by an unexpected Caesarean section and her mother had died during the delivery. And for fifty years she had lived in the guilt of having had her life given her at the cost of her mother's life. She had been in therapy with her family physician for about three years, largely addressing this problem, and apparently what she needed was the acknowledgment that it was all right to be alive. I didn't hear from her for a couple of months. When she did call, she volunteered that she still felt very much at peace, and had discontinued her therapy.
Alexander Shulgin (Pihkal: A Chemical Love Story)
Her face lights up with a radiant smile that looks exactly like how her heartbeat feels. “As long as it’s beating, I’m yours.
Jennifer Hartmann (Still Beating)
MY LOVE, The day Prometheus breathed life into the new me, was the day you arrived in a little box. A shiny, futuristic black box, Pandora's box, despite my doubts I couldn't help but open it to finally meet you. Doubts, because I was happy with who I was, with who I saw looking at me through the eyes of others I presented myself to in everyday life. But I was seduced by the worlds that were promised to me if I let you into my life, who I would be with you in my pocket. As soon as the lid came off and I swiped my fingers over your radiant surface for the first time, the world and I were bursting at the seams. What a creation we were together, to what sized we grew! My brain an encyclopedia, my body an unerring compass, my eyes and ears reaching infinitely with you as an extension of myself. Through you, I, the cyborg, could enter bewilderingly virtual spaces in which I was presently absent, meanwhile absently present in the material world of boring train rides, waiting lines, and mindless chit chats with others. I felt invincible, transformed into a citizen of the world because of you, an intellectual of unimaginable proportions for the vast sea of knowledge you allowed me to surf on, a public speaker and influencer of significance because my words and visual snippets of my days could be launched into the world with the flick of a finger, likes enticing and confirming me. How intoxicating! How wonderfully, pleasantly, intoxicating! But I can't help but sometimes lie awake at night, my internal clock slowing down with your seductive blue light illuminating my face with 2, 457, 600 (1920×1080) LED suns. In those moments, as my eyes are captivated by your glow, I can't help thinking about the time before you arrived, and how I sometimes miss my low definition self. You were always there, sometimes it feels like we are in fact one — finally reunited with my other Plato's half, fused into not a circle but a perfect black rectangle. Through your eyes I see the world and myself in Ultra-HD, my pixel density has never been so high. But you are sometimes vicious, my dear — a viper, a temptress, when then again with sweet codes you reflect my most beautiful self, and I cannot help but love me through your gaze, then again with suffocating algorithms you fragment my self and blow it up to grotesque self-distortions, hurling me into an endless me-loop, that eventually disgusts and alienates me. In those moments you are a distorting mirror, a frightening black box, a black hole that swallows my attention in ways I can't see through. I see my old self disappearing in the vague, dark reflection of myself, with double chin and dull eyes, which I sometimes catch in your black glass when your suns stop dazzling me for a split second. And I can't help but wonder if my 'self' in times of its digital recombination, in which the 'I' is a fragmented multitude of pixels that never fully touch at their sides, a simulacrum, maybe has lost some of its aura. But in the morning all is forgotten, my love, all is well. As soon as we merge back into one, as soon as I, panicked, reach for my pocket on the train, only to discover with a glow of relief that you were there after all, I can't imagine an "I" without you. Artificial by nature my self resides within your screen, I would be lost without you.
Elize de Mul
We turn weightless as we weave between the trees, all movement effortless as if we're floating. Pink and lilac light radiates off my body, tingling as his skin meets mine. I drape my arms around his neck. He's lovely, brimming with an unnatural brightness--- radiant--- like an angel. I smile. He stumbles back, a crooked look on his face shattering the moment. My heartbeat quickens. "What's wrong?" "Lila, are you doing this?" "Doing what?" He spins me around. "This." Gold-kissed magnolias blossom on the trees, multiplying before my eyes. Bright pink roses and coral-colored dahlias sprout from the ground. The buds hum faintly, a sweet sound that swirls around us in glitter. The roses blossom until they're full and round, shimmering with a faint iridescence.
Kiana Krystle (Dance of the Starlit Sea)
You’re a bodyguard. You’re supposed to have a face like a bulldog licking piss off a thistle. I’m the Queen, dammit. I have to look radiant. It’s expected of me.
Simon R. Green (Beyond the Blue Moon (Hawk and Fisher, #7))
If there is a God and future life, there is truth and good, and man's highest happiness consists in striving to attain them. We must live, we must love, and we must believe that we live not only today on this scrap of earth, but have lived and shall live forever, there, in the Whole," said Pierre, and he pointed to the sky. Prince Andrew stood leaning on the railing of the raft listening to Pierre, and he gazed with his eyes fixed on the red reflection of the sun gleaming on the blue waters. There was perfect stillness. Pierre became silent. The raft had long since stopped and only the waves of the current beat softly against it below. Prince Andrew felt as if the sound of the waves kept up a refrain to Pierre's words, whispering: "It is true, believe it." He sighed, and glanced with a radiant, childlike, tender look at Pierre's face, flushed and rapturous, but yet shy before his superior friend. "Yes, if it only were so!" said Prince Andrew. "However, it is time to get on," he added, and, stepping off the raft, he looked up at the sky to which Pierre had pointed, and for the first time since Austerlitz saw that high, everlasting sky he had seen while lying on that battlefield; and something that had long been slumbering, something that was best within him, suddenly awoke, joyful and youthful, in his soul. It vanished as soon as he returned to the customary conditions of his life, but he knew that this feeling which he did not know how to develop existed within him. His meeting with Pierre formed an epoch in Prince Andrew's life. Though outwardly he continued to live in the same old way, inwardly he began a new life.
Leo Tolstoy (War and Peace)
The capital P has no bearing on the PTSD of Israel. The dread of extinction is the white noise the people continuously try to ignore – continuously, because the dread of extinction is punctually refreshed. Following the Holocaust, within three years of the Holocaust, what starts to happen? Independence Day was proclaimed on May 15, 1948, and on May 16, 1948, five Arab armies launched what was avowedly a Vernichtungskrieg, a war of annihilation (its failure was the original Arab nakba – ‘catastrophe’). The same applied in June 1967 (the Six Day War) and in October 1973 (the Yom Kippur War)…In January 1991 the existential threat came from Saddam Hussein; during the first Gulf War, Tel Aviv was bombarded by Iraqi missiles, and Israeli families sat in sealed rooms with German-made gas masks covering their faces. In March 2002, with the Second Intifada, the threat came from the Palestinians. Now the threat comes from Gaza, and from the overarching prospect of nuclear weapons in Iran… To understate the obvious, this is not a formula for radiant mental health. And if there’s a scintilla of truth in the notion that countries are like people, then it is vain to expect Israel to behave normatively or even rationally. The question is not, How can you expect it, after all that? The question is, After all that, why do you expect it?
Martin Amis (Inside Story)
Everything and she! Still, silent and motionless, That is how the world appears without her, A world of beauty that has been sleepless, And is eagerly waiting to catch a glimpse of her, Before the rivers, the flowers, the wind; all sleep and rest. The Summer has gone by and Autumn has passed too, Now it is winter when in the mornings East looks like the West, And the less radiant Sun longs to catch a glimpse of her too, The world, the morning and the evenings as well, All seem to pass by as usual, but with a slower pace, Where is she? Nothing and nobody can tell, But the hope to see her someday has made them adopt a slower pace, While I look at the Sun, the mountains and the rivers, I am reminded of her, So, I too have adopted the nature’s pace, And at times I see her waking shadows turn and stir, And ah, how jovial is my heart’s pace, the happy pace, and then it is her face and the heart beating with a happy pace!
Javid Ahmad Tak (They Loved in 2075!)
Pregnancy Skincare: Nurturing Your Glow with Expert Care – Motherhood Chaitanya Hospital Pregnancy – a wondrous journey that transforms your world in every conceivable way. As you prepare to welcome a new life into the world, your body takes center stage, and so does your skincare routine. Amidst the excitement and anticipation, the canvas of your skin undergoes its own set of changes. But fret not, for the guidance of best gynecologist obstetricians in Chandigarh and the expert care at Motherhood Chaitanya Hospital can help you navigate the realm of pregnancy skincare with grace and confidence. The Glow and the Challenges Ah, the famed pregnancy glow! While it’s true that many expectant mothers experience a certain radiance, it’s also a time when your skin decides to throw a few curveballs. Hormones like estrogen and progesterone, the maestros behind many pregnancy changes, might lead to increased oil production. This could result in unexpected acne or that elusive “glow” turning into a somewhat excessive shine. And let’s not forget about the infamous melasma, often referred to as the “mask of pregnancy.” This uneven pigmentation might make an appearance on your face, especially if you’re basking in the sun’s rays without proper protection. But worry not, for the guidance of the best gynaecologist in Chandigarh, you can take steps to manage these challenges and let your true radiance shine through. Dos and Don’ts In this symphony of pregnancy skincare, it’s crucial to compose a harmonious routine that nurtures both your skin and the life growing within you. First and foremost, let’s talk hydration. Drinking water is like giving your skin a refreshing dose of vitality, ensuring that it remains supple and resilient. As you venture into the world of skincare products, remember that less is more. Opt for gentle, pregnancy-safe cleansers that cleanse without stripping away your skin’s natural moisture. Ingredients like hyaluronic acid and glycerin can be your skin’s best friends, offering hydration without clogging pores. Ah, the allure of sunscreen! Now more than ever, shielding your skin from the sun’s rays is of paramount importance. Look for a broad-spectrum SPF and ensure that it’s pregnancy-safe. A hat and sunglasses can also join the ensemble of sun protection. Now, as you scan the beauty aisles, you might come across a wide array of products promising miracles. But be cautious – not all ingredients are pregnancy-friendly. Best gynecologist in Sector44C would advise steering clear of retinoids, salicylic acid, and benzoyl peroxide. Instead, embrace the calming embrace of ingredients like chamomile and aloe vera. Treating Yourself with Care Amidst the whirlwind of preparations, don’t forget to treat yourself to moments of self-care. A gentle exfoliation once or twice a week can help slough away dead skin cells and keep your complexion radiant. Opt for exfoliants with natural granules to ensure that your skin is treated with the gentleness it deserves. Expert Support for Your Glow The journey of pregnancy is as unique as a fingerprint, and so is your skin’s response to it. That’s why seeking guidance from the best obstetricians in Chandigarh can make all the difference. As you navigate the realms of pregnancy skincare, remember that the changes your skin undergoes are a testament to the incredible journey you’re on. It’s a journey of growth, transformation, and the anticipation of new beginnings. With the guidance of experts, a touch of self-care, and the support of Motherhood Chaitanya Hospital, you can stride through this journey with confidence, letting your inner glow shine as brightly as your dreams.
Dr. Poonam Kumar
Penelope is at the turning age of life where a woman has either found that sense of herself that makes any creature radiant, beautiful, a splendour to the heart and the eye; or in her flailing and thrashing about for identity has reverted fitfully to some younger time, painting her face with wax and lead and rubbing henna into her hair in the hope perhaps of buying a little more time to learn to love the changing visage she sees in the reflecting pool.
Claire North (House of Odysseus (The Songs of Penelope, #2))
Her face and the garden Her face is like a summer garden, By divine beauty tended and by grace never forsaken, There bloom roses many, and lilies too, And I keep looking at it, for in spell bound state what else can I do, Yesterday she was a garden of roses, Last year she was the entire spring, where once in bloom, the beauty’s flower never closes, This year she has transformed into a garden blooming with new flowers, Daisies, daffodils, and sunflowers standing like beauty’s radiant towers, Rendered more radiant in the never ending splendour of her eyes, And the garden of beautiful roses growing all over her, even time defies, While I watch the garden of beauty grow over her face, My heart beats assume a new and lovely pace, That draw my mind into this world of endless beauty, And I know not whether it obeys my heart’s yearnings or it too has grown fond of her pure serenity, The summer has found a permanent residence in her face, infact within her, Because I still see the roses blooming over her face although it is late November, And when sometimes she brushes her hair with her fingers, The roses peek from her face to feel her finger tips and their magical wonders, And when she rests her eyelids upon her eyes, The pollen dust of million flowers, upon her waiting eyelashes, a perfect sheen applies, That neither sparkles nor glows, But in the garden of her face it simply in its splendour grows, And when the winter sun gets tired and retires finally, The lilies apply the mask of radiance on her tenderly, While the violets and narcissus seep deep into her brow, And what a wonder she is to look at now, A beauty with no end, where waves of summer flow interminably, As she rests her head on the pillow and closes her eyes slowly, The morning glory turns into the night glory, And then begins our own love story, Where the lovely and winding creepers grow all over us, over her and over me too, Finally the garden of beauty grows all over us, and now it shall be so, no matter what you do, I in the garden of her beauty where flowers bloom everywhere, And then my heart confesses, “Irma, let us hide in this garden somewhere, To be never found by time, and never felt by any season, Because finally we have found love in each other that defies every reason,” And this is how it has been for many years now, I and my every feeling of love sinking deep into her beauty’s eternal brow!
Javid Ahmad Tak (They Loved in 2075!)
I turn away and look at Stephen, who stares back at me. Stephen’s stubble morphs from brown into a muted gray; his hair turns white like snow. He looks like his father. Out of the corner of my eye, I watch the doctor. Now she is growing more radiant with each passing second. All the wrinkles on her face smooth out, her eyes grow pert and oblong, her cheeks gain baby fat, and her hair turns a deep chestnut brown. She’s thirty, twenty, thirteen. I have a gift. I can age people with my mind. This is who I am. And they cannot take this away from me. I am powerful. Stronger than I have ever been in my life.
Susannah Cahalan (Brain on Fire: My Month of Madness)
The Presence and the manifestation of the Presence are not the same. There can be the one without the other. God is here when we are wholly unaware of it. He is manifest only when and as we are aware of His Presence. On our part there must be surrender to the Spirit of God, for His work it is to show us the Father and the Son. If we co-operate with Him in loving obedience God will manifest Himself to us, and that manifestation will be the difference between a nominal Christian life and a life radiant with the light of His face.
A.W. Tozer (The Pursuit of God: The Human Thirst for the Divine)
Larry King Larry King is one of the premier figures in American broadcasting, and his show, Larry King Live, on CNN, is one of the longest-running television programs currently on the air. The summer of 2007 will mark his fiftieth anniversary in broadcasting. I first met Princess Diana at a party in Los Angeles. As at so many parties in LA, there were famous people from all walks of life--actors, broadcasters, executives, authors, politicians, journalists. But there was only one princess, and she stood out from the crowd, talking and smiling and taking the time to give each person some personal attention. I kept her in the corner of my eye, waiting for an opportunity to talk to her. But she was spending so much time with every guest! Eventually, I made my way over to where she stood, and waited for a chance to finally meet this illustrious lady. Her pictures did not do her justice. I had seen her many times on TV and in the papers, of course, but seeing her in person was a whole new experience. She was absolutely beautiful. Her face was radiant, animated and full of life. She had honesty in her eyes, which made her approachable, and she had this uncanny ability to make everyone around her comfortable. I have interviewed thousands of people in my career, and this is a quality that I’ve always known is essential for a broadcaster. But for Diana, it seemed to come completely naturally. Within the first five seconds of meeting her, I felt like we had been friends for years. It was a big party and she was the star. Everybody wanted to talk to her. Not a big surprise--after all, she had interesting things to say about so many different topics. I always respected her work with land mines and AIDS, I knew her importance to the fashion world, and her role as a princess in the Royal Family made her one of the hottest topics of the tabloids. Yet she chatted about her sons and her friends with everybody--Diana was an extraordinary woman with an unassuming air, and it was an absolute pleasure to be in her presence. When we were introduced, her eyes lit up and she grabbed my hand. She said, “Oh, you’re Larry from the telly!” We laughed and spoke for a little while about our families, and I was amazed at how well she remembered all of the little details I mentioned. After all of the people she had met that night, she was bright-eyed and curious about everything. My only regret from the first time we met was that we didn’t have a few more hours to talk! I blushed when she mentioned a few interviews I had done earlier in the year. I didn’t know she had seen me on CNN. It was a warm, friendly greeting that I will never forget.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Why have your passions cooled?” “I expected--hoped--that you would be more like you were in the letters.” Christopher paused, staring at her closely. “I’ve often wondered…did someone help you to write them?” Although Prudence had the face of an angel, the fury in her eye was the exact opposite of heavenly serenity. “Oh! Why are you always asking me about those stupid letters! They were only words. Words mean nothing!” “You’ve made me realize that words are the most important things in the world…” “Nothing,” Christopher repeated, staring at her. “Yes.” Prudence looked slightly mollified as she saw that she had gained his entire attention. “I’m here, Christopher. I’m real. You don’t need silly old letters now. You have me.” “What about when you wrote to me about the quintessence?” he asked. “Did that mean nothing?” “The--” Prudence stared at him, flushing. “I can’t recall what I meant by that.” “The fifth element, according to Aristotle,” he prompted gently. Her color drained, leaving her bone-white. She looked like a guilty child caught in an act of mischief. “What has that to do with anything?” she cried, taking refuge in anger. “I want to talk about something real. Who cares about Aristotle?” “I do like the idea that there’s a little starlight in each of us…” She had never written those words. For a moment Christopher couldn’t react. One thought followed another, each connecting briefly like the hands of men in a torch race. Some entirely different woman had written to him…with Prudence’s consent…he had been deceived…Audrey must have known…he had been made to care…and then the letters had stopped. Why? “I’m not who you think I am…” Christopher felt his throat and chest tightening, heard a rasp of something that sounded like a wondering laugh. Prudence laughed as well, the sound edged with relief. She had no idea in hell what had caused his bitter amusement. Had they wanted to make a fool of him? Had it been intended as revenge for some past slight? By God, he would find who had done it, and why. He had loved and been betrayed by someone whose name he didn’t know. He loved her still--that was the unforgivable part. And she would pay, whoever she was. It felt good to have a purpose again, to hunt someone for the purpose of inflicting damage. It felt familiar. It was who he was. His smile, thin as a knife edge, cut through the cold fury. Prudence gazed at him uncertainly. “Christopher?” she faltered. “What are you thinking?” He went to her and took her shoulders in his hands, thinking briefly of how easy it would be to slide his hands up to her neck and throttle her. He shaped his mouth into a charming smile. “Only that you’re right,” he said. “Words aren’t important. This is what’s important.” He kissed her slowly, expertly, until he felt her slender body relax against his. Prudence made a little sound of pleasure, her arms linking around his neck. “Before I leave for Hampshire,” Christopher murmured against her blushing cheek, “I’ll ask your father for formal permission to court you. Does that please you?” “Oh, yes,” Prudence cried, her face radiant. “Oh, Christopher…do I have your heart?” “You have my heart,” Christopher said tonelessly, holding her close, while his cold gaze fastened on a distant point outside the window. Except that he had no heart left to give.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Albert, friend to royalty,” Beatrix said later at the Rutledge Hotel, laughing as she sat on the floor of their suite and examined the new collar. “I hope you don’t get above yourself, and put on airs.” “Not around your family, he won’t,” Christopher said, stripping off his coat and waistcoat, and removing his cravat. He lowered himself to the settee, relishing the coolness of the room. Albert went to drink from his bowl of water, lapping noisily. Beatrix went to Christopher, stretched full length atop him, and braced her arms on his chest. “I was so proud of you today,” she said, smiling down at him. “And perhaps a tiny bit smug that with all the women swooning and sighing over you, I’m the one you went home with.” Arching a brow, Christopher asked, “Only a tiny bit smug?” “Oh, very well. Enormously smug.” She began to play with his hair. “Now that all this medal business is done with, I have something to discuss with you.” Closing his eyes, Christopher enjoyed the sensation of her fingers stroking his scalp. “What is it?” “What would you say to adding a new member to the family?” This was not an unusual question. Since they had established a household at Riverton, Beatrix had increased the size of her menagerie, and was constantly occupied with animal-related charities and concerns. She had also compiled a report for the newly established natural history society in London. For some reason it had not been at all difficult to convince the group of elderly entomologists, ornithologists, and other naturalists to include a pretty young woman in their midst. Especially when it became clear that Beatrix could talk for hours about migration patterns, plant cycles, and other matters relating to animal habitats and behavior. There was even discussion of Beatrix’s joining a board to form a new natural history museum, to provide a lady’s perspective on various aspects of the project. Keeping his eyes closed, Christopher smiled lazily. “Fur, feathers, or scales?” he asked in response to her earlier question. “None of those.” “God. Something exotic. Very well, where will this creature come from? Will we have to go to Australia to collect it? Iceland? Brazil?” A tremor of laughter went through her. “It’s already here, actually. But you won’t be able to view it for, say…eight more months.” Christopher’s eyes flew open. Beatrix was smiling down at him, looking shy and eager and more than a little pleased with herself. “Beatrix.” He turned carefully so that she was underneath him. His hand came to cradle the side of her face. “You’re sure?” She nodded. Overwhelmed, Christopher covered her mouth with his, kissing her fiercely. “My love…precious girl…” “It’s what you wanted, then?” she asked between kisses, already knowing the answer. Christopher looked down at her through a bright sheen of joy that made everything blurred and radiant. “More than I ever dreamed. And certainly more than I deserve.” Beatrix’s arms slid around his neck. “I’ll show you what you deserve,” she informed him, and pulled his head down to hers again.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))