Irons In Fire Quotes

His breath hitched, and he regarded me hungrily. “You’re playing with fire, you know that?” “That’s weird, considering you’re an ice prin—” I didn’t get any further, as Ash leaned in and kissed me.

Every gun that is made, every warship launched, every rocket fired signifies in the final sense, a theft from those who hunger and are not fed, those who are cold and are not clothed. This world in arms is not spending money alone. It is spending the sweat of its laborers, the genius of its scientists, the hopes of its children. This is not a way of life at all in any true sense. Under the clouds of war, it is humanity hanging on a cross of iron.

Water is powerful. It can wash away earth, put out fire, and even destroy iron.

You can't hammer tin into iron, no matter how hard you beat it, but that doesn't mean it's useless.

Fire wants to burn Water wants to flow Air wants to rise Earth wants to bind Chaos wants to devour Cal wants to live

Bad kitty!" he screeched, snarling and baring his fangs at Grimalkin, who yawned and turned away to groom his tail. "Evil, evil, sneaky kitty! Bite your head off in your sleep, I will! Hang you by your toes and set you on fire! Burn, Burn!" -Razor

Robert was the true steel. Stannis is pure iron, black and hard and strong, yes, but brittle, the way iron gets. He'll break before he bends. And Renly, that one, he's copper, bright and shiny, pretty to look at but not worth all that much at the end of the day.

Time is the cog that turns the wheel Winter leaves scars that do not heal Summer is a fire that burns inside Knowledge is a terrible burden to hide Strength and death go hand in hand One answer lies within the sand But seek the answer all alone Lest the sand claim you as its own.

I think our last kiss was meant to be quick and chaste, but after the first touch of his lips fire leaped up and roared through my belly. My fingers yanked him close, digging into his back, and his arms crushed me to him as if wanting to meld us together. I knotted my fingers in his hair and bit down on his bottom lip, making him groan. His lips parted, and my tongue swept in to dance with his. There was nothing sweet or gentle in our last kiss; it was filled with sorrow and desperation, of the bitter knowledge that we could've had something perfect, but it just wasn't meant to be.

You think angels are gentle," said Julian, "they are anything but. They bring justice in blood and heavenly fire. They take vengeance with fists and iron. Their glory is such it would burn out your eyes if you looked at them. It is a cold and brutal glory.

You never knew Lyanna as well as I did Robert, you saw her beauty, but not the iron underneath

At the moment when her eyes closed, when all feeling vanished in her, she thought that she felt a touch of fire imprinted on her lips, a kiss more burning than the red-hot iron of the executioner.

When the Dark comes rising six shall turn it back; Three from the circle, three from the track; Wood, bronze, iron; Water, fire, stone; Five will return and one go alone. Iron for the birthday; bronze carried long; Wood from the burning; stone out of song; Fire in the candle ring; water from the thaw; Six signs the circle and the grail gone before. Fire on the mountain shall find the harp of gold Played to wake the sleepers, oldest of old. Power from the Green Witch, lost beneath the sea. All shall find the Light at last, silver on the tree.

Iron is made stronger in the hottest part of the fire, Seth. You didn't break me, you forged me.

My dear, dear girl [. . .] we can't turn back the days that have gone. We can't turn life back to the hours when our lungs were sound, our blood hot, our bodies young. We are a flash of fire--a brain, a heart, a spirit. And we are three-cents-worth of lime and iron--which we cannot get back.

You´re playing with fire, you know that? That´s weird, considering you´re an ice prin- I didn´t get any further, as Ash leaned in and kissed me

Villains were wonderful. They got to be cruel and selfish, to preen in front of mirrors and poison apples, and trap girls on mountains of glass. They indulged all their worst impulses, revenged themselves for the least offense, and took every last thing they wanted. And sure, they wound up in barrels studded with nails, or dancing in iron shoes heated by fire, not just dead, but disgraced and screaming. But before they got what was coming to them, they got to be the fairest in all the land.

No, no, my good knight, do not fear for me. The fire is mine. I am Daenerys Stormborn, daughter of dragons, bride of dragons, mother of dragons, don't you see? Don't you SEE?

Lords are gold and knights steel, but two links can't make a chain. You also need silver and iron and lead, tin and copper and bronze and all the rest, and those are farmers and smiths and merchants and the like. A chain needs all sorts of metals, and a land needs all sorts of people.

The Wolf snarled, tensing his muscles, as if he wished he could climb the tree after the feline. "One day I will catch you on the ground, cat," he said through bared teeth. "And you won't even know I'm there until I tear your head off." "You have been saying that since before humans had fire, dog," Grimalkin replied, completely undisturbed. "You'll have to forgive me if I don't hold my breath." - The Big Bad Wolf and Grimalkin

The Iron Throne will go to the man who has the strength to seize it.

There's an episode of Buffy the Vampire Slayer that I've been thinking about a lot while writing this essay. In it, Buffy sacrifices her own life to save her sister, and right before she does, she tells her sister that the hardest thing to do in the world is to live - ironic words coming from someone about to kill herself for the greater good. As I'm writing this, I just keep thinking that Katniss never gets to sacrifice herself. She doesn't get the heroic death. She survives - and that leaves her doing the hardest thing in the world: living in it once so many of the ones she loves are gone.

You know how people are always threatenin' to shove this or that up someone's ass, but they never really do it? Well, now there's a new story gonna be told 'round the fire: 'How Coyote Shoved An Arrow Up A Fallen Angel's Ass.

So be it. I'll wear my iron and hold my tongue. A man who won't listen can't hear.

We were talking about the prince,' Sansa said, her voice soft as a kiss. Arya knew which prince she meant: Joffrey, of course. The tall, handsome one. Sansa got to sit with him at the feast. Arya had to sit with the little fat one. Naturally.

Seven deadly sins, seven ways to win, seven holy paths to hell, and your trip begins Seven downward slopes seven bloodied hopes seven are your burning fires, seven your desires...

I come home that morning, after I been fired, and stood outside my house with my new work shoes on. The shoes my mama paid a month's worth a light bill for. I guess that's when I understood what shame was and the color of it too. Shame ain't black, like dirt, like I always thought it was. Shame be the color of a new white uniform your mother ironed all night to pay for, white without a smudge or a speck a work-dirt on it.

Allow me to give my lord one last piece of counsel," the old man had said, "the same counsel I once gave my brother when we parted for the last time. He was three-and-thirty when the Great Council chose him to mount the Iron Throne. A man grown with sons of his own, yet in some ways still a boy. Egg had an innocence to him, a sweetness we all loved. Kill the boy within you, I told him the day I took ship for the Wall. It takes a man to rule. An Aegon, not an Egg. Kill the boy and let the man be born." The old man felt Jon's face. "You are half the age that Egg was, and your own burden is crueler one, I fear. You will have little joy of your command, but I think you have the strength in you to do the things that must be done. Kill the boy, Jon Snow. Winter is almost upon us. Kill the boy and let the man be born.

As iron cast into fire loses its rust and becomes glowing white, so he who turns completely to God is stripped of his sluggishness and changed into a new man.

When you go out hunting wicked spirits, it's the simple things that matter most. The silvered point of your rapier flashing in the dark; the iron filings scattered on the floor; the sealed canisters of best Greek Fire, ready as a last resort... But tea bags, brown and fresh and plenty of them, and made (for preference) by Pitkin Brothers of Bond Street, are perhaps the simplest and best of all. OK, they may not save your life like a sword-tip or an iron circle can, and they haven't the protective power of a sudden wall of fire. But they do provide something just as vital. They help keep you sane.

If I had coal and fire And metal fine and true I’d make an iron band An iron band for you I’d pick up all the pieces From where they fell that day Fit them back together And take the pain away But I don’t have the iron And I don’t have the steel To wrap around your broken heart And teach it how to heal Somewhere in the fire Somewhere in the pain I’d find the magic that I need To make you whole again I’d make the iron band so strong I’d make it gleam so bright I’d fix the things I’ve broken I’d turn my wrongs to right But I don’t have the steel To wrap around your broken heart Wish I could make it heal Wish I could make it heal (Ch. 27)

I stepped close to him, placing a hand on his chest, feeling his heart beat under his shirt. "I trust you," I said, rising so our faces were inches apart, trailing my fingers down his stomach. "I know you'll find a way." His breath hitched, and he regarded me hungrily. "You're playing with fire, you know that?" "That's weird, considering you're an ice prin-" I didn't get any further, as Ash leaned in and kissed me. I looped my arms around his neck as his snaked around my waist, and for a few moments the cold couldn't touch me.

He sat across from me now, chin on his hands, brooding into the fire. Part of me wanted to walk up to him and hug him from behind, and part of me wanted to hurl a snowball at his perfect face to get some kind of reaction. I opted for a less suicidal route. “Hey,” I said, poking at the flames with a stick, making them cough sparks. “Earth to Ash. What are you thinking about?

This asshole had better open the door,” Jackal growled, spinning his fire ax in a graceful arc as the horde came on. “I didn’t come all the way to Eden to be eaten at the damn gates. Some might call it ironic, but that just pisses me off.

Too many irons, not enough fire.

I want to be healed and whole and perfect again, like a misshapen slab of iron that comes out of the fire glowing, glittering, razor-sharp.

He bent down burying his face in my neck. I reached back to grab onto the iron bars behind me to hold myself up. My jacket slipped off my shoulders. I was pretty sure I was on fire and at that moment I would have sworn that bursting into flame was a glorious way to go.

She didn’t just walk on the wild side, she lived there, dancing in the streets and setting fire to its sky.

War seems like a fine adventure, the greatest most of them will ever know. Then they get a taste of battle. For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they’ve been gutted by an axe. They see the lord who led them there cut down, and some other lord shouts that they are his now, They take the wound, and when that’s still half-healed they take another. There is never enough to eat, their shoes fall to pieces from marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. If they want new boots or a warmer cloak or maybe a rusted iron half helm, they need to take them from a corpse, and before long they are stealing from the living too, from the small folk whose land they’re fighting in, men very like the men they used to be. They slaughter their sheep and steal their chickens, and from there it’s just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don’t know where they are or how to get back home and the lord they’re fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad in all steel, and the iron thunder of their charge seems to fill the world. And the man breaks.

It's not," Mormont told him. "Gods save us, boy, you're not blind and you're not stupid. When dead men come hunting in the night, do you think it matters who sits the Iron Throne?

Now we will begin the dance. Remember, child, this is not the iron dance of Westeros we are learning, the knight's dance, hacking and hammering, no. This is the bravo's dance, the water dance, swift and sudden. All men are made of water, do you know this? When you pierce them, the water leaks out and they die.

oxygen Everything needs it: bone, muscles, and even, while it calls the earth its home, the soul. So the merciful, noisy machine stands in our house working away in its lung-like voice. I hear it as I kneel before the fire, stirring with a stick of iron, letting the logs lie more loosely. You, in the upstairs room, are in your usual position, leaning on your right shoulder which aches all day. You are breathing patiently; it is a beautiful sound. It is your life, which is so close to my own that I would not know where to drop the knife of separation. And what does this have to do with love, except everything? Now the fire rises and offers a dozen, singing, deep-red roses of flame. Then it settles to quietude, or maybe gratitude, as it feeds as we all do, as we must, upon the invisible gift: our purest, sweet necessity: the air.

You wear your armor even to dinner, Lady Wilhelmina?" “Of course I wear armor. I am sitting with a pirate, a mercenary, an adventurer, and a bounder. If a shot is not fired tonight, I daresay that your reputations are nothing but lies.

He allows us to walk through the fire, but He is always holding our hand through that fire.

You told us over and over that you don’t think you could live without books, but the ironic thing is, you’d probably die before you’d think to rip pages out of one to start a fire. Am I right? Well, get over it already. Better to be warm then well-read.

Only his eyes remain the same. Bronze, red-gold, like iron brought to blazing heat.

I believe there is a theory that men and women emerge finer and stronger after suffering, and that to advance in this or any world we must endure ordeal by fire. This we have done in full measure, ironic though it seems. We have both known fear, and loneliness, and very great distress. I suppose sooner or later in the life of everyone comes a moment of trial. We all of us have our particular devil who rides us and torments us, and we must give battle in the end.

The Iron Throne is mine by rights. All those who deny that are my foes." "The whole of the realm denies it, brother," said Renley. "Old men deny it with their death rattle, and unborn children deny it in their mothers' wombs. They deny it in Dorne and they deny it on the Wall. No one wants you for their king. Sorry.

When the dark comes rising, six shall turn it back; Three from the circle, three from the track; Wood, bronze, iron; water, fire, stone; Five will return, and one go alone.

All elements have a counterweight. Fire is the counterweight of water. Air is the counterweight of earth. The counterweight of chaos is the soul.

Daisy. She seem to blaze like a torch. James had always known she was beautiful-How he always known? Have there been a moment he had realized it? – But still the sight of her hit him like a blow. She was all fire, or heat and light, from the gold silk roses woven into her dark red hair to the ribbons and beads on her golden dress. The hilt of Cortana was visible over her left shoulder; the straps that secured it had been fashioned from thick gold ribbons.

Trial by fire. It forges a heart of iron. And sets it alight.

The stubbornest of wills Are soonest bended, as the hardest iron, O'er-heated in the fire to brittleness, Flies soonest into fragments, shivered through.

THIS TORTURE Why should we tell you our love stories when you spill them together like blood in the dirt? Love is a pearl lost on the ocean floor, or a fire we can’t see, but how does saying that push us through the top of the head into the light above the head? Love is not an iron pot, so this boiling energy won’t help. Soul, heart, self. Beyond and within those is one saying, How long before I’m free of this torture!

There were many odd things about human beings. They thought insects were disgusting but felt lucky when a ladybird landed on their fingers. They detested rats but loved squirrels. While they found vultures repulsive, they thought eagles impressive. They despised mosquitoes and flies, but were fond of fire-flies. Even though copper and iron were medicinally important, it was gold that they worshipped instead. They took no notice of the stones under their feet but went mad for polished gems.

Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hot by pies? We taste custard we taste life. Why love the woman who is your wife? Her nose breathes the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul.

I swear it by earth and water,"said the boy in green. "I swear it by bronze and iron," his sister said. "We swear it by ice and fire," they finished it together. Bran groped for words. Was he supposed to swear something back to them.-- "May your winters be short and your summers bountiful,"he said.

I slept and saw God's forge in frost. Its hearth was quelled, and as it cooled so swooned the verdancy it kept above. In slumber it grew a thick winter skin, white as bedsheets. In their folds the waker dreamt, her breath as steam, her touch as hot as iron, forgotten in the fire.

I trust you,” I said, rising so our faces were inches apart, trailing my fingers down his stomach. “I know you'll find a way.” His breath hitched, and he regarded me hungrily. “You're playing with fire, you know that?” “That's weird, considering you're an ice prin—” I didn't get any further, as Ash leaned in and kissed me.

Smiling, she went for his throat and almost had him, when—using a move that was all sorts of illegal—he flipped her again so her front pressed into the leaf-laden ground, her wrists still locked in his iron grip and pinned above her head. “Cheater.” “So says the woman who tried to kick my balls into my throat,” he pointed out, even as he licked the salt off the skin of her neck in a lazy and highly provocative move.

come humans, fulfill your evolutionary purpose adn build your hound a fire." Oberon

The grave casts long shadows, Iron Lord," Mirri said. "Long and dark, and in the end no light can hold them back.

Gold has its uses, but war is won with iron.

And yet, and yet… Denying temporal succession, denying the self, denying the astronomical universe, are apparent desperations and secret consolations. Our destiny … is not frightful by being unreal; it is frightful because it is irreversible and iron-clad. Time is the substance I am made of. Time is a river which sweeps me along, but I am the river; it is a tiger which destroys me, but I am the tiger; it is a fire which consumes me, but I am the fire. The world, unfortunately, is real; I, unfortunately, am Borges.

Squatting on old bones and excrement and rusty iron, in a white blaze of heat, a panorama of naked idiots stretches to the horizon. Complete silence - their speech centres are destroyed - except for the crackle of sparks and the popping of singed flesh as they apply electrodes up and down the spine. White smoke of burning flesh hangs in the motionless air. A group of children have tied an idiot to a post with barbed wire and built a fire between his legs and stand watching with bestial curiosity as the flames lick his thighs. His flesh jerks in the fire with insect agony.

we missed you at the wedding," he said. "Yeah." puck shrugged. "I was in Kyoto at the time, visiting some old kitsune friends. We were travelling up to Hokaido to check out this old temple that was supposedly haunted. Turns out, a yuki-onna had taken up residence there and had scared off most of the locals. She wasn't terribly happy to see us. Can you believe it?" He grinned. "Course, we, uh, might've pissed her off when the temple caught fire-you know how kitsune are. She chased us all the way to the coast, throwing icicles, causing blizzards...the old hag even tried to bury us under an avalanche. We almost died." He sighed dreamily and looked at Ash. "You should've been there ice-boy.

Hey!” Whirling around, he stalked back toward the fire, and its now- empty spit, waving his arms. “My rabbit! Grimalkin, you sneaky, gray…pig! I hope you enjoy that, ’cause the next thing over the fire might be you!

And then the years were gone, and he was back at Winterfell once more, wearing a quilted leather coat in place of mail and plate. His sword was not made of wood, and it was Robb who stood facing him, not Iron Emmett. Every morning they had trailed together, since they were big enough to walk; Snow and Stark, spinning and slashing about the wards of Winterfell, shouting and laughing, sometimes crying when there was no one else to see. They were not little boys when they fought, but knights and mighty heroes. "I'm Prince Aemon the Dragonknight," Jon would call out, and Robb would shout back, "Well, I'm Florian the Fool." Or Robb would say, "I'm the Young Dragon," and Jon would reply, "I'm Ser Ryam Redwyne." That morning he called it first. "I'm Lord of Winterfell!" he cried, as he had a hundred times before. Only this time, this time, Robb had answered, "You can't be Lord of Winterfell, you're bastard-born. My lady mother says you can't ever be the Lord of Winterfell.

To the Technocrats: Have mercy on us. Relax a bit, take time out for simple pleasures. For example, the luxuries of electricity, indoor plumbing, central heating, instant electronic communication and such, have taught me to relearn and enjoy the basic human satisfactions of dipping water from a cold clear mountain stream; of building a wood fire in a cast-iron stove; of using long winter nights for making music, making things, making love; of writing long letters, in longhand with a fountain pen, to the few people on this earth I truly care about.

Here is how you know someone has had a good idea: Other people freely admit to their friends that said idea has changed their lives. Most people today will grant that fire and the wheel are the big two. After that, any attempts to rank the greatest ideas of all time are going to draw lots of argument. You’ll have zealots pimping this god or that on the one hand, scientists pimping Darwin on the other, and then practical people pointing at written language and saying, look, fellas, the reason those ideas have gone viral is because someone figured out how to write them down.

His brow is seamed with line and scar; His cheek is red and dark as wine; The fires as of a Northern star Beneath his cap of sable shine. His right hand, bared of leathern glove, Hangs open like an iron gin, You stoop to see his pulses move, To hear the blood sweep out and in. He looks some king, so solitary In earnest thought he seems to stand, As if across a lonely sea He gazed impatient of the land. Out of the noisy centuries The foolish and the fearful fade; Yet burn unquenched these warrior eyes, Time hath not dimmed, nor death dismayed.

Past the flannel plains and blacktop graphs and skylines of canted rust, and past the tobacco-brown river overhung with weeping trees and coins of sunlight through them on the water downriver, to the place beyond the windbreak, where untilled fields simmer shrilly in the A.M. heat: shattercane, lambsquarter, cutgrass, saw brier, nutgrass, jimson-weed, wild mint, dandelion, foxtail, spinecabbage, goldenrod, creeping Charlie, butterprint, nightshade, ragweed, wild oat, vetch, butcher grass, invaginate volunteer beans, all heads nodding in a soft morning breeze like a mother’s hand on your check. An arrow of starlings fired from the windbreak’s thatch. The glitter of dew that stays where it is and steams all day. A Sunflower, four more one bowed, and horses in the distance standing rigid as toys. All nodding. Electric sounds of insects at their business. Ale-colored sunshine and pale sky and whorls of cirrus so high they cast no shadow. Insects all business all the time. Quartz and chert and schist and chondrite iron scabs in granite. Very old land. Look around you. The horizon trembling, shapeless. We are all of us brothers.

Simon, would you still care for me if you discovered I was not who I say I am?" What do you mean?" I mean would you still care for me, no matter what you came to know?" What a thing to ponder. I don't know what to say." The answer is no. He does not need to say it. With a sigh, Simon digs at the fire with the iron poker. Bits of the charred log fall away, revealing the angry insides. they flare orange for a moment, then quiet down again. After three tries, he gives up. I'm afraid this fire's had it." I can see a few embers remaining. "No, I think not. If..." He sighs, and it says everything.

Now therefore, while the youthful hue Sits on thy skin like morning dew, And while thy willing soul transpires At every pore with instant fires, Now let us sport us while we may, And now, like amorous birds of prey, Rather at once our time devour Than languish in his slow-chapped power. Let us roll all our strength and all Our sweetness up into one ball, And tear our pleasures with rough strife Thorough the iron gates of life: Thus, though we cannot make our sun Stand still, yet we will make him run.

I Hear the sledges with the bells - Silver bells! What a world of merriment their melody foretells! How they tinkle, tinkle, tinkle, In the icy air of night! While the stars that oversprinkle All the heavens, seem to twinkle With a crystalline delight; Keeping time, time, time, In a sort of Runic rhyme, To the tintinnabulation that so musically wells From the bells, bells, bells, bells, Bells, bells, bells - From the jingling and the tinkling of the bells. II Hear the mellow wedding bells - Golden bells! What a world of happiness their harmony foretells! Through the balmy air of night How they ring out their delight! - From the molten - golden notes, And all in tune, What a liquid ditty floats To the turtle - dove that listens, while she gloats On the moon! Oh, from out the sounding cells, What a gush of euphony voluminously wells! How it swells! How it dwells On the Future! - how it tells Of the rapture that impels To the swinging and the ringing Of the bells, bells, bells - Of the bells, bells, bells, bells, Bells, bells, bells - To the rhyming and the chiming of the bells! III Hear the loud alarum bells - Brazen bells! What a tale of terror, now, their turbulency tells! In the startled ear of night How they scream out their affright! Too much horrified to speak, They can only shriek, shriek, Out of tune, In a clamorous appealing to the mercy of the fire, In a mad expostulation with the deaf and frantic fire, Leaping higher, higher, higher, With a desperate desire, And a resolute endeavor Now - now to sit, or never, By the side of the pale - faced moon. Oh, the bells, bells, bells! What a tale their terror tells Of Despair! How they clang, and clash and roar! What a horror they outpour On the bosom of the palpitating air! Yet the ear, it fully knows, By the twanging, And the clanging, How the danger ebbs and flows; Yet the ear distinctly tells, In the jangling, And the wrangling, How the danger sinks and swells, By the sinking or the swelling in the anger of the bells - Of the bells - Of the bells, bells, bells, bells, Bells, bells, bells - In the clamor and the clanging of the bells! IV Hear the tolling of the bells - Iron bells! What a world of solemn thought their monody compels! In the silence of the night, How we shiver with affright At the melancholy menace of their tone! For every sound that floats From the rust within their throats Is a groan. And the people - ah, the people - They that dwell up in the steeple, All alone, And who, tolling, tolling, tolling, In that muffled monotone, Feel a glory in so rolling On the human heart a stone - They are neither man nor woman - They are neither brute nor human - They are Ghouls: - And their king it is who tolls: - And he rolls, rolls, rolls, Rolls A paean from the bells! And his merry bosom swells With the paean of the bells! And he dances, and he yells; Keeping time, time, time, In a sort of Runic rhyme, To the paean of the bells: - Of the bells: Keeping time, time, time In a sort of Runic rhyme, To the throbbing of the bells - Of the bells, bells, bells: - To the sobbing of the bells: - Keeping time, time, time, As he knells, knells, knells, In a happy Runic rhyme, To the rolling of the bells - Of the bells, bells, bells - To the tolling of the bells - Of the bells, bells, bells, bells, Bells, bells, bells, - To the moaning and the groaning of the bells.

Every gun that is made, every warship launched, every rocket fired signifies, in the final sense, a theft from those who hunger and are not fed, those who are cold and are not clothed. This world in arms is not spending money alone. It is spending the sweat of its laborers, the genius of its scientists, the hopes of its children. The cost of one modern heavy bomber is this: a modern brick school in more than 30 cities. It is two electric power plants, each serving a town of 60,000 population. It is two fine, fully equipped hospitals. It is some fifty miles of concrete pavement. We pay for a single fighter plane with a half million bushels of wheat. We pay for a single destroyer with new homes that could have housed more than 8,000 people. This is, I repeat, the best way of life to be found on the road the world has been taking. This is not a way of life at all, in any true sense. Under the cloud of threatening war, it is humanity hanging from a cross of iron.... Is there no other way the world may live?

You do not yield. Aelin slammed her hand into the lid. Cairn paused. Aelin pounded her fist into the iron again. Again. You do not yield. Again. You do not yield. Again. Again. Until she was alive with it, until her blood was raining onto her face, washing away the tears, until every pound of her fist into the iron was a battle cry. You do not yield. It rose in her, burning and roaring, and she gave herself wholly to it. Over and over, she pounded against the lid. Over and over, that song of fire and darkness flared through her, out of her, into the world. You do not yield And when she awoke chained on the altar, she beheld what she had done to the iron coffin. The top of the lid had been warped. A great hump now protruded, the metal stretched thin. As if it had come so very close to breaking entirely.

And Winterfell … grey granite, oak and iron, crows wheeling around the towers, steam rising off the hot pools in the godswood, the stone kings sitting on their thrones … how could Winterfell be gone?

To His Coy Mistress Had we but world enough and time, This coyness, lady, were no crime. We would sit down, and think which way To walk, and pass our long love’s day. Thou by the Indian Ganges’ side Shouldst rubies find; I by the tide Of Humber would complain. I would Love you ten years before the flood, And you should, if you please, refuse Till the conversion of the Jews. My vegetable love should grow Vaster than empires and more slow; An hundred years should go to praise Thine eyes, and on thy forehead gaze; Two hundred to adore each breast, But thirty thousand to the rest; An age at least to every part, And the last age should show your heart. For, lady, you deserve this state, Nor would I love at lower rate. But at my back I always hear Time’s wingèd chariot hurrying near; And yonder all before us lie Deserts of vast eternity. Thy beauty shall no more be found; Nor, in thy marble vault, shall sound My echoing song; then worms shall try That long-preserved virginity, And your quaint honour turn to dust, And into ashes all my lust; The grave’s a fine and private place, But none, I think, do there embrace. Now therefore, while the youthful hue Sits on thy skin like morning dew, And while thy willing soul transpires At every pore with instant fires, Now let us sport us while we may, And now, like amorous birds of prey, Rather at once our time devour Than languish in his slow-chapped power. Let us roll all our strength and all Our sweetness up into one ball, And tear our pleasures with rough strife Thorough the iron gates of life: Thus, though we cannot make our sun Stand still, yet we will make him run.

Pitiful and pitied by no one, why have I come to the ignominy of this detestable old age, who was ruler of two kingdoms, mother of two kings? My guts are torn from me, my family is carried off and removed from me. The young king [crown prince Henry, †1183] and the count of Britanny [prince Geoffrey, †1186] sleep in dust, and their most unhappy mother is compelled to be irremediably tormented by the memory of the dead. Two sons remain to my solace, who today survive to punish me, miserable and condemned. King Richard [the Lionheart] is held in chains [in captivity with Emperor Henry VI of Germany]. His brother, John, depletes his kingdom with iron [the sword] and lays it waste with fire. In all things the Lord has turned cruel to me and attacked me with the harshness of his hand. Truly his wrath battles against me: my sons fight amongst themselves, if it is a fight where where one is restrained in chains, the other, adding sorrow to sorrow, undertakes to usurp the kingdom of the exile by cruel tyranny. Good Jesus, who will grant that you protect me in hell and hide me until your fury passes, until the arrows which are in me cease, by which my whole spirit is sucked out?" [Third letter to Pope Celestine (1193)]

At the Trident, those brave men Viserys spoke of who died beneath our dragon banners - did they give their lives because they believed in Rhaegar's cause, or because they had been bought and paid for?" Dany turned to Mormont, crossed her arms, and waited for an answer. "My queen," the big man said slowly, "all you say is true. But Rhaegar lost on the Trident. He lost the battle, he lost the war, he lost the kingdom, and he lost his life. His blood swirled downriver with the rubies from his breastplate, and Robert the Usurper rode over his corpse to steal the Iron Throne. Rhaegar fought valiantly, Rhaegar fought nobly, Rhaegar fought honorably. And Rhaegar died.

They say a witch used to live in these woods, a long long time ago,” she began. And this is what the little girl would tell her children and what they would tell their children long after the ones who came before were gone. “They say an old witch lived in the east, in Iron Wood. And there, she bore the wolves who chase the sun and moon. They say she went to Asgard and was burned three times upon a pyre and three times she was reborn before she fled. They say she loved a man with scarred lips and a sharp tongue; a man who gave her back her heart and more. They say she loved a woman too, a sword-wielding bride of the Gods; as bold as any man and fiercer still. They say she wandered, giving aid to those who needed it most, healing them with potions and spells. They say she stood her ground against the fires of Ragnarok, until the very end, until she was burned a final time. All but her heart reduce to ashes once more. But others say she lives yet.

His uniform sleeve was burned away and his arm seemed to be glowing from the inside, like a piece of kindling in a fire. Fire wants to burn, Call thought.

Old Nan nodded. ‘In that darkness, the Others came for the first time,’ she said as her needles went click, click, click. ‘They were cold things, dead things, that hated iron and fire and the touch of the sun, and every creature with hot blood in its veins. They swept over holdfasts and cities and kingdoms, felled heroes and armies by the score, riding their pale dead horses and leading hosts of the slain. All the swords of men could not stay their advance, and even maidens and suckling babes found no pity in them. They hunted the maids through frozen forests, and fed their dead servants on the flesh of human children.’ (p240)

The tavern keeper, a wiry man with a sharp-nosed face, round, prominent ears and a receding hairline that combined to give him a rodentlike look, glanced at him, absentmindedly wiping a tankard with a grubby cloth. Will raised an eyebrow as he looked at it. He'd be willing to bet the cloth was transferring more dirt to the tankard then it was removing. "Drink?" the tavern keeper asked. He set the tankard down on the bar, as if in preparation for filling it with whatever the stranger might order. "Not out of that," Will said evenly, jerking a thumb at the tankard. Ratface shrugged, shoved it aside and produced another from a rack above the bar. "Suit yourself. Ale or ouisgeah?" Ousigeah, Will knew, was the strong malt spirit they distilled and drank in Hibernia. In a tavern like this, it might be more suitable for stripping runt than drinking. "I'd like coffee," he said, noticing the battered pot by the fire at one end of the bar. "I've got ale or ouisgeah. Take your pick." Ratface was becoming more peremptory. Will gestured toward the coffeepot. The tavern keeper shook his head. "None made," he said. "I'm not making a new pot just for you." "But he's drinking coffee," Will said, nodding to one side. Inevitably the tavern keeper glanced that way, to see who he was talking about. The moment his eyes left Will, an iron grip seized the front of his shirt collar, twisting it into a knot that choked him and at the same time dragged him forward, off balance, over the bar,. The stranger's eyes were suddenly very close. He no longer looked boyish. The eyes were dark brown, almost black in this dim light, and the tavern keeper read danger there. A lot of danger. He heard a soft whisper of steel, and glancing down past the fist that held him so tightly, he glimpsed the heavy, gleaming blade of the saxe knife as the stranger laid it on the bar between them. He looked around for possible help. But there was nobody else at the bar, and none of the customers at the tables had noticed what was going on. "Aach...mach co'hee," he choked. The tension on his collar eased and the stranger said softly, "What was that?" "I'll...make...coffee," he repeated, gasping for breath. The stranger smiled. It was a pleasant smile, but the tavern keep noticed that it never reached those dark eyes. "That's wonderful. I'll wait here.

When dead men come hunting in the night, do you think it matters who sits on the Iron Throne?

Because…” he said, “in the one place I expected to die, you gave me a reason to live.

The Beginning allows us to walk through the fire, but He is forever holding our hand through that fire. It is not by our own strength we persevere, but His.

love is the only fire that is hot enough to melt the iron obstinacy of a creatures will

He stared out across the lake. And suddenly he felt the fire and iron of her presence, a moment before the water began to churn. Little One Kemir, I am hungry.

I, however, took love much more seriously. Love was no girlhood game. It was an iron yoke, forged in fire and heavy to wear.

Only in the fires of adversity can true greatness be forged.

We are obsessed with having as many irons as possible in the fire, ruling nothing out and being open to everything. However, this can easily destroy success. We must learn to close doors.

...Until they stood at last by a crumbling wall, looking up and up and still farther up at the great tombyard top of the old house. For that's what it seemed. The high mountain peak of the mansion was littered with what looked like black bones or iron rods, and enough chimneys to choke out smoke signals from three dozen fires on sooty hearths hidden far below in dim bowels of this monster place. With so many chimneys, the roof seemed a vast cemetery, each chimney signifying the burial place of some old god of fire or enchantress of steam, smoke, and firefly spark. even as they watched, a kind of bleak exhalation of soot breathed up out of some four dozen flues, darkening the sky still more, and putting out some few stars.

And so we begin the game that cannot be won,” Thom said, sliding the knife back into its sheath. “Courage to strengthen,” Noal whispered, stepping forward, holding up a lantern with a flickering flame. “Fire to blind. Music to dazzle. Iron to bind.” “And Matrim Cauthon,” Mat added. “To bloody even the odds.” He stepped through the doorway. Light

Jon hung a quiver from his belt and pulled an arrow. The shaft was black, the fletching grey. As he notched it to his string, he remembered something that Theon Greyjoy had once said after a hunt. "The boar can keep his tusks and the bear his claws," he had declared, smiling that way he did. "There's nothing half so mortal as a grey goose feather.

... Mother Nature is punishing us, ..., for our greed and selfishness. We torture her at all hours by iron and wood, fire and stone. We dig her up and dump her in the sea. We sink mine shafts into her and drag out her entrails - and all for a jewel to wear on a pretty finer. Who can blame her if she occasionally quivers with anger?" - Pliny, Pg. 176

. . . no matter how many centuries you had to get ready, prophecies always caught you off guard.

Trial by fire. It forges a heart of iron.

We shine like those fires and those stars; we sigh like those waves; we suffer like those great ships, which are worn out in ploughing the waves, in obeying the wind which urges them towards an end, as the breath of God blows us towards a port. Everything likes to live, Raoul; and everything is beautiful in living things.

Each one's no longer conscious Of the high wall, or the rest: Since the one enduring fortress, Is the soldier's iron breast. If you’d live unconquered, Quickly arm, and fight the real foe: Every wife an Amazon bred, And every child a hero.

The lions of hard rock, guys like Robert Plant, Roger Daltrey, Brian Johnson, Rob Halford, these monsters feel completely timeless, iconic, eternal. They simply shall not, will not, do not die. It's almost impossible to imagine a musical world without Robert Plant. No metal fan of any stripe can imagine a day when, say, Iron Maiden shuts it all down because Bruce Dickinson turned 85 and suddenly can't remember the lyrics to "Hallowed Be Thy Name." Metal revels in the raw energy and unchecked phantasmagorical ridiculousness of youth. It is all fire and testosterone and rebellious fantasy. It doesn't go well with reality. So it is for hard rock and a guy like Dio, an elfin titan with an undying love for lasers and sorcery, dragons and kings. The man wrote some terribly corny metal songs, but he sang every one with a ferocity and love and total honesty. He also wrote some of the finest hard rock melodies of all time, sang them with a precision and love unmatched by any hard rock singer since. It's a rare thing to give metal some heartfelt props. It is time. Raise your devil horns and salute.

Sometimes I think it must have been nice to be alive in the days where everyone knew that Faerie existed. Sure, bands of angry humans sometimes tried to kill us with iron and fire, but nobody questioned where we wanted to celebrate the seasons.

Past the flannel plains and blacktop graphs and skylines of canted rust, and past the tobacco-brown river overhung with weeping trees and coins of sunlight through them on the water downriver, to the place beyond the windbreak, where untilled fields simmer shrilly in the A.M. heat: shattercane, lamb's-quarter, cutgrass, sawbrier, nutgrass, jimsonweed, wild mint, dandelion, foxtail, muscadine, spinecabbage, goldenrod, creeping charlie, butter-print, nightshade, ragweed, wild oat, vetch, butcher grass, invaginate volunteer beans, all heads gently nodding in a morning breeze like a mother's soft hand on your cheek. An arrow of starlings fired from the windbreak's thatch. The glitter of dew that stays where it is and steams all day. A sunflower, four more, one bowed, and horses in the distance standing rigid and still as toys. All nodding. Electric sounds of insects at their business. Ale-colored sunshine and pale sky and whorls of cirrus so high they cast no shadow. Insects all business all the time. Quartz and chert and schist and chondrite iron scabs in granite. Very old land. Look around you. The horizon trembling, shapeless. We are all of us brothers. Some crows come overhead then, three or four, not a murder, on the wing, silent with intent, corn-bound for the pasture's wire beyond which one horse smells at the other's behind, the lead horse's tail obligingly lifted. Your shoes' brand incised in the dew. An alfalfa breeze. Socks' burrs. Dry scratching inside a culvert. Rusted wire and tilted posts more a symbol of restraint than a fence per se. NO HUNTING. The shush of the interstate off past the windbreak. The pasture's crows standing at angles, turning up patties to get at the worms underneath, the shapes of the worms incised in the overturned dung and baked by the sun all day until hardened, there to stay, tiny vacant lines in rows and inset curls that do not close because head never quite touches tail. Read these.

The demon bowed his head. “There are many kinds of Hunts. It is what defines us, renews us. It is the same for you, Hunter. We are born in blood, and we will die in blood, but in the interim, we must put fire to our veins and find new paths to tread upon.” Tendrils of hair tapped his head. “Paths, up here.

Do you see this lantern? cried Syme in a terrible voice.'Do you see the cross carved on it, and the flame inside? You did not make it. You did not light it. Better men than you, men who could believe and obey, twisted the entrails of iron and preserved the legend of fire. There is not a street you walk on, there is not a thread you wear, that was not made as this lantern was, by denying your philosophy of dirt and rats. You can make nothing. You can only destroy. You will destroy mankind, you will destroy the world. Let that suffice you. Yet this one old Christian lantern you shall not destroy. It shall go where your empire of apes will never have the wit to find it.

Did you slip in some cheese? Did it make you hate cheese, which you had previously loved? Why not sue a cheese-maker? Sue him for all the cheese he's got, drive him out of the cheese-making business! Did you burn your face with an iron? Why not sue Prometheus, the god that invented fire? Or an Iron Age chieftain, for having the temerity to popularise the metal.

My hunger roused me. In the depths of the sea, I drew upon my greed, my insatiable ambition. I cried out to my shadow self, my truest self, and reached for her through her iron imprisonment. I understood now why I was called a perversion. It was unnatural for a woman to have this kind of ambition, and yet I existed. My existence was my birthright, and it would be my justification.

Pick,” he said, “or we kill them all.” On her knees, weeping, Helaena named her youngest, Maelor. Perhaps she thought the boy was too young to understand, or perhaps it was because the older boy, Jaehaerys, was King Aegon’s firstborn son and heir, next in line to the Iron Throne. “You hear that, little boy?” Cheese whispered to Maelor. “Your momma wants you dead.” Then he gave Blood a grin, and the hulking swordsman slew Prince Jaehaerys,

Castiza: "False! I defy you both! I have endured you with an ear of fire; Your tongues have struck hot irons on my face! Mother, come from that poisonous woman there." Gratiana: "Where?" Castiza: "Do you not see her? She's too inward then.

You can’t hammer tin into iron, no matter how hard you beat it, but that doesn’t mean tin is useless.

I swear it by earth and water,” said the boy in green. “I swear it by bronze and iron,” his sister said. “We swear it by ice and fire,” they finished together.

Ser Barristan,” she called, “I know what quality a king needs most.” “Courage, Your Grace?” “Cheeks like iron,” she teased. “All I do is sit.

His heart hurt, like it was being squeezed in an iron fist. He heard some kind of sound come out of his throat, and then he wrapped her up tight in his arms and tucked his head against her neck, letting the soft warmth of her skin soothe him.

Jaehaerys the Conciliator would sit the Iron Throne for fifty-five years, and many a knight would wear a white cloak in his service during that long reign, more than any other monarch could boast. But it was rightly said that never did any Targaryen possess a Kingsguard who could equal the boy king’s first Seven.

But I have burned already down to bone. There is a fire that burns beyond the names Of sludge and filth of which this world is made. Agony sears the dark flesh of the body, And lifts me higher than the smoke, to rise Above the earth, above the sacrifice; Until my soul flares outward like a blue Blossom of gas fire dancing in mid-air: Free of the body’s work of twisted iron.

P.C. Hodgell said - That which can be destroyed by the truth should be. Do not flinch from experiences that might destroy your beliefs. The thought you cannot think controls you more than thoughts you speak aloud. Submit yourself to ordeals and test yourself in fire. Relinquish the emotion which rests upon a mistaken belief, and seek to feel fully that emotion which fits the facts. If the iron approaches your face, and you believe it is hot, and it is cool, the Way opposes your fear. If the iron approaches your face, and you believe it is cool, and it is hot, the Way opposes your calm. Evaluate your beliefs first and then arrive at your emotions. Let yourself say - If the iron is hot, I desire to believe it is hot, and if it is cool, I desire to believe it is cool.

So after some instruction, Joseph put on the apron and started carefully polishing the clean dishes even though it made no sense to him. Over the course of the day, he learned how to wash the floors and clean the windows and empty out the iron stove. Soon the kitchen smelled of lemons and spices, fresh bread and soap. There was a short break for lunch before resuming work. The light shifted during the afternoon and cascaded through the clean windows, burnishing the room with gold. Joseph was so focused on the work, on the patters of the silverware and the curve of the handles on the ancient pitchers and measuring cups, that he forgot for a little while about his parents, and St. Anthony's, and the fire, and losing Blink. He felt a kind of pride in being allowed to touch all the delicate glassware, plates, and bowls, and he hadn't broken a single thing.

And to Rhaego son of Drogo, the stallion who will mount the world, to him I also pledge a gift. To him I will give this iron chair his mother's father sat in. I will give him Seven Kingdoms. I, Drogo, khal, will do this thing.'' His voice rose, and he lifted his fist in the sky. ''I will take my khalasar west to where the world ends, and ride the wooden horses across the black salt water as no khal has done before. I will kill the men in the iron suits and tear down their stone houses. I will rape their women, take their children as slaves, and bring their broken gods back to Vaes Dothrak to bow down beneath the Mother of Mountains. This I vow, I, Drogo son of Bharbo. This I swear before the Mother of Mountains, as the stars look down in witness.

The dust the party raised was quickly dispersed and lost in the immensity of that landscape and there was no dust other for the pale sutler who pursued them drives unseen and his lean horse and his lean cart leave no track upon such ground or any ground. By a thousand fires in the iron blue dusk he keeps his commissary and he’s a wry and grinning tradesman good to follow every campaign or hound men from their holds in just those whited regions where they’ve gone to hide from God.

In the Old Way, women might decorate themselves with ornaments bought with coin, but a warrior wore only the jewelry he took off the corpses of enemies slain by his own hand. Paying the iron price, it was called.

One of the very striking life lessons from Game of Thrones. When Arya was blind; hopeless and helpless. The Waif lured her into multiple stick fights and the Waif would promptly beat Arya in every sparring match. But through those stick fight, Arya learned to cope with her blindness and how to fight “in the dark.” After Arya had regained her sight and Jaqen had granted the Waif’s wish to kill Arya. Arya confronted the Waif in a hideout and put out the only light in the room. Arya best the Waif due to her proficiency in fighting without sight (which, ironically, was trained by the Waif). Arya killed her adversary. ONE THING ABOUT CHALLENGES IN LIFE IS: THROUGH THEM, WE LEARN HOW TO OVERCOME THEM. Always Pay Attention!

I sit on the damn iron seat when I must. Does that mean I don't have the same hungers as other men? A bit of wine now and again, a girl squealing in bed, the feel of a horse between my legs? Seven hells, Ned, I want to hit someone.

He was one of those old people who give the impression of having undergone a lifetime trial by fire which they somehow managed to turn to their own good in the end; using the fire to burn away everything in them that could possibly decay, everything mortal. So that what remains finally are only their cast-iron hearts, the few muscles and bones tempered to the consistency of steel needed to move them about, the black skin annealed long ago by the sun's blaze and thus impervious to all other fires; and hidden deep within, out of harm's way, the indestructible will: old people who have the essentials to go on forever.

If you don’t kill all of us all at once, those who remain will not be the weak. It’s the strong who remain, the bent but unbroken, like the iron rods that used to give this concrete its strength. Floods, fires, earthquakes, disease, starvation, betrayal, isolation, murder. What doesn’t kill us sharpens us. Hardens us. Schools us. You’re beating plowshares into swords, Vosch. You are remaking us. We are the clay, and you are Michelangelo. And we will be your masterpiece.

In a vast space left free between the crowd and the fire, a young girl was dancing. Whether this young girl was a human being, a fairy, or an angel, is what Gringoire, sceptical philosopher and ironical poet that he was, could not decide at the first moment, so fascinated was he by this dazzling vision. She was not tall, though she seemed so, so boldly did her slender form dart about. She was swarthy of complexion, but one divined that, by day, her skin must possess that beautiful golden tone of the Andalusians and the Roman women. Her little foot, too, was Andalusian, for it was both pinched and at ease in its graceful shoe. She danced, she turned, she whirled rapidly about on an old Persian rug, spread negligently under her feet; and each time that her radiant face passed before you, as she whirled, her great black eyes darted a flash of lightning at you. All around her, all glances were riveted, all mouths open; and, in fact, when she danced thus, to the humming of the Basque tambourine, which her two pure, rounded arms raised above her head, slender, frail and vivacious as a wasp, with her corsage of gold without a fold, her variegated gown puffing out, her bare shoulders, her delicate limbs, which her petticoat revealed at times, her black hair, her eyes of flame, she was a supernatural creature.

I think,' Olympia said slowly, 'that I know you quite well.' She looked down at the deck and added in a carefully mild voice, 'You can be a scoundrel; I know that. You stole from me and betrayed me and lied to me. You have no morals and no ideals; you think of yourself first and you're a coward sometimes on that account.' She hesitated, chewing her lip. 'What people call a coward, anyway. I don't know what cowardice is anymore. I don't know what heroism is.' She looked up. 'But I know one thing, and I learned it from you. I know what courage means. It means to pick up and go on, no matter what. It means having a heart of iron, like they say. You have that.

The scales of a full-grown dragon were harder than steel, and even those arrows that struck home seldom penetrated enough to do more than enrage the great beasts. But as Meraxes banked above the Hellholt, a defender atop the castle’s highest tower triggered a scorpion, and a yard-long iron bolt caught the queen’s dragon in the right eye. Meraxes did not die at once, but came crashing to earth in mortal agony, destroying the tower and a large section of the Hellholt’s curtain wall in her death throes.

They seemed to fall forever. Geryon retained an iron-edged grip on the trembling Kadence, her hair whipping around them like angry silk ribbons. She didn't scream something he'd expected, but she did turn and wind her legs around him, something he had not.

I hate being fat. I hate the way people look at me, or don't. I hate being a joke; I hate the disorienting limbo between too visible and invisible; I hate the way that complete strangers waste my life out of supposed concern for my death. I hate knowing that if I did die of a condition that correlates with weight, a certain subset of people would feel their prejudices validated, and some would outright celebrate. I also love being fat. The breadth of my shoulders makes me feel safe. I am unassailable. I intimidate. I am a polar icebreaker. I walk and climb and lift things, I can open your jar, I can absorb blows - literal and metaphorical - meant for other women, smaller woman, breakable women women who need me. My bones feel like iron - heavy, but strong. I used to say that being fat in our culture was like drowning (in hate, in blame, in your own tissue), but lately I think it's more like burning. After three decades in the fire, my iron bones are steel.

Now, brethren, this is one of our greatest faults in our Christian lives. We are allowing too many rivals of God. We actually have too many gods. We have too many irons in the fire. We have too much theology that we don't understand. We have too much churchly institutionalism. We have too much religion. Actually, I guess we just have too much of too much.

Be quiet,” Belial snapped. “You, girl, do not matter. Your little talent with ghosts does not matter. When I heard you were born, I wept tears of fire, for you were female, and you could not see the shadow realms. You are useless, do you understand? Useless to me, to the world.” But Lucie - slight and small, without a weapon in her hand - only looked at him steadily. “Talk all you want,” she said. “You certainly don’t matter. Only Jesse matters.

At night when I look at Boris' goatee lying on the pillow I get hysterical. O Tania, where now is that warm cunt of yours, those fat, heavy garters, those soft, bulging thighs? There is a bone in my prick six inches long. I will ream out every wrinkle in your cunt, Tania, big with seed. I will send you home to your Sylvester with an ache in your belly and your womb turned inside out. Your Sylvester! Yes, he knows how to build a fire, but I know how to inflame a cunt. I shoot hot bolts into you, Tania, I make your ovaries incandescent. Your Sylvester is a little jealous now? He feels something, does he? He feels the remnants of my big prick. I have set the shores a little wider. I have ironed out the wrinkles. After me you can take on stallions, bulls, rams, drakes, St. Bernards. You can stuff toads, bats, lizards up your rectum. You can shit arpeggios if you like, or string a zither across your navel. I am fucking you, Tania, so that you'll stay fucked. And if you are afraid of being fucked publicly I will fuck you privately. I will tear off a few hairs from your cunt and paste them on Boris' chin. I will bite into your clitoris and spit out two franc pieces...

Of those demons of power Ecthelion slew three, for the brightness of his sword cleft the iron of them and did hurt to their fire, and they writhed; yet of the leap of that axe Dramborleg that was swung by the hand of Tuor were they still more afraid, for it sang like the rush of eagle’s wings in the air and took death as it fell, and five of them went down before it.

Tell me “The Subtle Briar” again,’ she asked. She knew I would still know it by heart. I whispered to her in the dark. ‘When you cut down the hybrid rose, its blackened stump below the graft spreads furtive fingers in the dirt. It claws at life, weaving a raft of suckering roots to pierce the earth. The first thin shoot is fierce and green, a pliant whip of furious briar splitting the soil, gulping the light. You hack it down. It skulks between the flagstones of the garden path to nurse a hungry spur in shade against the porch. With iron spade you dig and drag it from the gravel and toss it living on the fire. ‘It claws up towards the light again hidden from view, avoiding battle beyond the fence. Unnoticed, then, unloved, unfed, it clings and grows in the wild hedge. The subtle briar armors itself with desperate thorns and stubborn leaves – and struggling higher, unquenchable, it now adorns itself with blossom, till the stalk is crowned with beauty, papery white fine petals thin as chips of chalk or shaven bone, drinking the light. ‘Izabela, Aniela, Alicia, Eugenia, Stefania, Rozalia, Pelagia, Irena, Alfreda, Apolonia, Janina, Leonarda, Czeslava, Stanislava, Vladyslava, Barbara, Veronika, Vaclava, Bogumila, Anna, Genovefa, Helena, Jadviga, Joanna, Kazimiera, Ursula, Vojcziecha, Maria, Wanda, Leokadia, Krystyna, Zofia. ‘When you cut down the hybrid rose to cull and plough its tender bed, trust there is life beneath your blade: the suckering briar below the graft, the wildflower stock of strength and thorn whose subtle roots are never dead.

Today is the winter solstice. The planet tilts just so to its star, lists and holds circling in a fixed tension between veering and longing, and spins helpless, exalted, in and out of that fleet blazing touch. Last night Orion vaulted and spread all over the sky, pagan and lunatic, his shoulder and knee on fire, his sword three suns at the ready-for what? I won’t see this year again, not again so innocent; and longing wrapped round my throat like a scarf. “For the Heavenly Father desires that we should see,” says Ruysbroeck, “and that is why He is ever saying to our inmost spirit one deep unfathomable word and nothing else.” But what is the word? Is this mystery or coyness? A cast-iron bell hung from the arch of my rib cage; when I stirred, it rang, or it tolled, a long syllable pulsing ripples up my lungs and down the gritty sap inside my bones, and I couldn’t make it out; I felt the voiced vowel like a sigh or a note but I couldn’t catch the consonant that shaped it into sense.

At ten seconds before the hour, they raise their bows and aim the flaming arrows at the waiting well of curling iron. As the clock begins to chime near the gates, the first archer lets his arrow fly, soaring over the crowd and hitting its mark in a shower of sparks. The bonfire ignites in an eruption of yellow flame. Then the second chime follows, the second archer sends his arrow into the yellow flames, and they become a clear sky-blue. A third chime with a third arrow, and the flames are a warm bright pink. Flames the color of a ripe pumpkin follow the fourth arrow. A fifth, and the flames are scarlet-red. A sixth brings a deeper, sparkling crimson. Seven, and the fire is soaked in a color like incandescent wine. Eight, and the flames are shimmering violet. Nine, and the violet shifts to indigo. A tenth chime, a tenth arrow, and the bonfire turns deepest midnight blue. On the penultimate chime, the dancing flames change from blue to black, and for a moment, it is difficult to discount the fire from its cauldron. And on the final strike, the dark flames are replaced with a blinding white, a shower of sparks falling like snowflakes around it. Huge curls of dense white smoke swirl up into the night sky.

The key, I think, is to hold true to your own aesthetics, that which you value, and yield to no one the power to become the arbiter of your tastes. You must also learn to devise strategies for fending off both attackers and defenders. Exploit aggression, but only in self-defence, the kind of self-defence that announces to all the implacability of your armour, your self-assurance, and affirms the sanctity of your self-esteem. Attack when you must, but not in arrogance. Defend when your values are challenged, but never with the wild fire of anger. Against attackers, your surest defence is cold iron. Against defenders, often the best tactic is to sheathe your weapon and refuse the game. Reserve contempt for those who have truly earned it, but see the contempt you permit yourself to feel not as a weapon, but as armour against their assaults. Finally, be ready to disarm with a smile, even as you cut deep with words.

Sirs, I am but a nameless man, A rhymester without a home, Yet since I come of the Wessex clay And carry the cross of Rome, I will even answer the mighty earl That asked of Wessex men Why they be meek and monkish folk, And bow to the White Lord's broken yoke; What sign have we save blood and smoke? Here is my answer then. That on you is fallen the shadow, And not upon the Name; That though we scatter and though we fly, And you hang over us like the sky, You are more tired of victory, Than we are tired of shame. That though you hunt the Christian man Like a hare on the hill-side, The hare has still more heart to run Than you have heart to ride. That though all lances split on you, All swords be heaved in vain, We have more lust again to lose Than you to win again. Your lord sits high in the saddle, A broken-hearted king, But our king Alfred, lost from fame, Fallen among foes or bonds of shame, In I know not what mean trade or name, Has still some song to sing. Our monks go robed in rain and snow, But the heart of flame therein, But you go clothed in feasts and flames, When all is ice within; Nor shall all iron dooms make dumb Men wandering ceaselessly, If it be not better to fast for joy Than feast for misery. Nor monkish order only Slides down, as field to fen, All things achieved and chosen pass, As the White Horse fades in the grass, No work of Christian men. Ere the sad gods that made your gods Saw their sad sunrise pass, The White Horse of the White Horse Vale, That you have left to darken and fail, Was cut out of the grass. Therefore your end is on you, Is on you and your kings, Not for a fire in Ely fen, Not that your gods are nine or ten, But because it is only Christian men Guard even heathen things. For our God hath blessed creation, Calling it good. I know What spirit with whom you blindly band Hath blessed destruction with his hand; Yet by God's death the stars shall stand And the small apples grow.

We surf-fished in the breakers catching spottail bass and flounder for dinner. I discovered that summer that I loved to cook and feed my friends, and I enjoyed the sound of their praise as they purred with pleasure at the meals I fixed over glowing iron and fire. I had the run of my grandparents’ garden and I would put ears of sweet corn in aluminum foil after washing them in seawater and slathering them with butter and salt and pepper. Beneath the stars we would eat the beefsteak tomatoes okra and the field peas flavored with salt pork and jalapeno peppers. I would walk through the disciplined rows that brimmed with purple eggplants and watermelons and cucumbers, gathering vegetables. My grandfather, Silas, told us that summer that low country earth was so fertile you could drop a dime into it and grow a money tree.

Remember Barbara It rained all day on Brest that day And you walked smiling Flushed enraptured streaming-wet In the rain Remember Barbara It rained all day on Brest that day And I ran into you in Siam Street You were smiling And I smiled too Remember Barbara You whom I didn't know You who didn't know me Remember Remember that day still Don't forget A man was taking cover on a porch And he cried your name Barbara And you ran to him in the rain Streaming-wet enraptured flushed And you threw yourself in his arms Remember that Barbara And don't be mad if I speak familiarly I speak familiarly to everyone I love Even if I've seen them only once I speak familiarly to all who are in love Even if I don't know them Remember Barbara Don't forget That good and happy rain On your happy face On that happy town That rain upon the sea Upon the arsenal Upon the Ushant boat Oh Barbara What shitstupidity the war Now what's become of you Under this iron rain Of fire and steel and blood And he who held you in his arms Amorously Is he dead and gone or still so much alive Oh Barbara It's rained all day on Brest today As it was raining before But it isn't the same anymore And everything is wrecked It's a rain of mourning terrible and desolate Nor is it still a storm Of iron and steel and blood But simply clouds That die like dogs Dogs that disappear In the downpour drowning Brest And float away to rot A long way off A long long way from Brest Of which there's nothing left.

ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said I was a flower of the mountain yes so we are flowers all a womans body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get round him and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer first only looked out over the sea and the sky I was thinking of so many things he didnt know of Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of the governors house with the thing round his white helmet poor devil half roasted and the Spanish girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and the jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street and the fowl market all clucking outside Larby Sharons and the poor donkeys slipping half asleep and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts of the bulls and the old castle thousands of years old yes and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old windows of the posadas glancing eyes a lattice hid for her lover to kiss the iron and the wineshops half open at night and the castanets and the night we missed the boat at Algeciras the watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and the pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.

Cautious people say, "I'll do nothing until I can be sure." Merchants know better. If you do nothing, you lose. Don't be one of those merchants who won't risk the ocean! This is much more important than losing or making money. This is your connection to God! You must set fire to have light. Trust means you're ready to risk what you currently have. Think of your fear and hope about your livelihood. They make you go to work diligently every day. Now consider what the prophets have done. Abraham wore fire for an anklet. Moses spoke to the sea. David molded iron. Solomon rode the wind. Work in the invisible world at least as hard as you do in the visible. Be companions with the prophets even though no one here will know that you are, not even the helpers of the qutb, the abdals. You can't imagine what profit will come! When one of those generous ones invites you into his fire, go quickly! Don't say, "But will it burn me? Will it hurt?

Webs barely had time to say “What?” before Cirrus was suddenly on his back, pinning him to the ground. His wounds from the SkyWing soldiers flared up with bright new pain. One wing was twisted behind him, and he could feel the IceWing’s serrated claws digging into his scales. “What are you doing?” Webs yelped. “I’m one of you! I’ve been with the Talons of Peace for seven years!” “And you failed us,” Cirrus hissed. “Now, now —” Nautilus said, then paused. “No, that’s fair.” “I’m going to dig your heart out and feed it to the fish,” Cirrus growled. Won’t that be ironic. Webs thought gloomily of the fish he’d just eaten. “But we’re the dragons for peace,” he said, his teeth gritted with pain. “If we kill each other, aren’t we as bad as Burn and Blister and Blaze?” “Sorry, Webs,” Nautilus said. “Peace is more important than any one dragon. And you would disrupt our backup plan. We’re doing this for your own good. For the prophecy. For peace.” Webs

What could he say that might make sense to them? Could he say love was, above all, common cause, shared experience? That was the vital cement, wasn't it? Could he say how he felt about their all being here tonight on this wild world running around a big sun which fell through a bigger space falling through yet vaster immensities of space, maybe toward and maybe away from Something? Could he say: we share this billion-mile-an-hour rid. We have common cause against the night. You start with little common causes. Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hot by pies? We taste custard we taste life. Why love the woman who is your wife? Her nose breathes the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul. But... how to say it?

Then the prophetess said to the witcher: "I shall give you this advice: wear boots made of iron, take in hand a staff of steel. Then walk until the end of the world. Help yourself with your staff to break the land before you and wet it with your tears. Go through fire and water, do not stop along the way, do not look behind you. And when the boots are worn, when your staff is blunt, once the wind and the heat has dried your eyes so that your tears no longer flow, then at the end of the world you may find what you are looking for and what you love... The witcher went through fire and water, he did not look back. He did not take iron boots or a staff of steel. He took only his sword. He did not listen to the words of prophets. And he did well because she was a bad prophet.

Since my earliest memory, I imagined I would be a chef one day. When other kids were watching Saturday morning cartoons or music videos on YouTube, I was watching Iron Chef,The Great British Baking Show, and old Anthony Bourdain shows and taking notes. Like, actual notes in the Notes app on my phone. I have long lists of ideas for recipes that I can modify or make my own. This self-appointed class is the only one I've ever studied well for. I started playing around with the staples of the house: rice, beans, plantains, and chicken. But 'Buela let me expand to the different things I saw on TV. Soufflés, shepherd's pie, gizzards. When other kids were saving up their lunch money to buy the latest Jordans, I was saving up mine so I could buy the best ingredients. Fish we'd never heard of that I had to get from a special market down by Penn's Landing. Sausages that I watched Italian abuelitas in South Philly make by hand. I even saved up a whole month's worth of allowance when I was in seventh grade so I could make 'Buela a special birthday dinner of filet mignon.

Come,” he whispered. They all were welcome. They scattered for the racks, seizing their spiked swords, and their sharp axes, and the Bloody-Nine laughed to watch them. Armed or not, their death was a thing already decided. It was written into the cavern in lines of fire and lines of shadow. Now he would write it in lines of blood. “Die!” he roared, and the blade made circles, savage and beautiful, the letter on the metal burning red and leaving bright trails behind. And where the circles passed everything would be made right. The Shanka would scream and gibber, and the pieces of them would scatter, and they would be sliced and divided as neatly as meat on the butcher’s block The Bloody-Nine showed his teeth, and smiled to be free, and to see the good work done so well. He knocked a barbed sword from a Flathead’s hand, seized it by the scruff of the neck and forced its face down into the channel where the molten steel flowed, furious yellow, and its head hissed and bubbled, shooting out stinking steam. “Burn!” laughed the Bloody-Nine, and the ruined corpses, and their gaping wounds, and their fallen weapons, and the boiling bright iron laughed with him. Only the Shanka did not laugh. They knew their hour was come.

Sometimes I dream about it, I’m walking down this long empty hall. My voice echoes all around, but no one answers, so I walk faster, opening doors, shouting names. I don’t even know who I’m looking for. Most nights it’s my father, but sometimes it’s Robb instead, or my little sister Arya, or my uncle. Even the ravens are gone from the rookery, and the stables are full of bones. That always scares me. I start to run then, throwing open doors, climbing the tower three steps at a time, screaming for someone, for anyone. And then I find myself in front of the door to the crypts. It’s black inside, and I can see the steps spiraling down. Somehow I know I have to go down there, but I don’t want to. I’m afraid of what might be waiting for me. The old Kings of Winter are down there, sitting on their thrones with stone wolves at their feet and iron swords across their laps, but it’s not them I’m afraid of. I scream that I’m not a Stark, that this isn’t my place, but it’s no good, I have to go anyway, so I start down, feeling the walls as I descend, with no torch to light the way. It gets darker and darker, until I want to scream” -Jon Snow

He had seen the end of an era, the sunset of the pioneer. He had come upon it when already its glory was nearly spent. So in the buffalo times a traveller used to come upon the embers of a hunter's fire on the prairie, after the hunter was up and gone; the coals would be trampled out, but the ground was warm, and the flattened grass where he had slept and where his pony had grazed, told the story. This was the very end of the road-making West; the men who had put plains and mountains under the iron harness were old; some were poor, and even the successful ones were hunting for a rest and a brief reprieve from death. It was already gone, that age; nothing could ever bring it back. The taste and smell and song of it, the visions those men had seen in the air and followed, - these he had caught in a kind of afterglow in their own faces, - and this would always be his.

Failure Because God put His adamantine fate Between my sullen heart and its desire, I swore that I would burst the Iron Gate, Rise up, and curse Him on His throne of fire. Earth shuddered at my crown of blasphemy, But Love was as a flame about my feet; Proud up the Golden Stair I strode; and beat Thrice on the Gate, and entered with a cry -- All the great courts were quiet in the sun, And full of vacant echoes: moss had grown Over the glassy pavement, and begun To creep within the dusty council-halls. An idle wind blew round an empty throne And stirred the heavy curtains on the walls.

But clouds bellied out in the sultry heat, the sky cracked open with a crimson gash, spewed flame-and the ancient forest began to smoke. By morning there was a mass of booming, fiery tongues, a hissing, crashing, howling all around, half the sky black with smoke, and the bloodied sun just barely visible. And what can little men do with their spades, ditches, and pails? The forest is no more, it was devoured by fire: stumps and ash. Perhaps illimitable fields will be plowed here one day, perhaps some new, unheard-of wheat will ripen here and men from Arkansas with shaven faces will weigh in their palms the heavy golden grain. Or perhaps a city will grow up-alive with ringing sound and motion, all stone and crystal and iron-and winged men will come here flying over seas and mountains from all ends of the world. But never again the forest, never again the blue winter silence and the golden silence of summer. And only the tellers of tales will speak in many-colored patterned words about what had been, about wolves and bears and stately green-coated century-old grandfathers, about old Russia; they will speak about all this to us who have seen it with our own eyes ten years - a hundred years! - ago, and to those others, the winged ones, who will come in a hundred years to listen and to marvel at it all as at a fairy tale. ("In Old Russia")

When you make a mistake with metal, you can melt things down and start afresh. It is irritating, and it costs in time and soot and sweat, but it can be done. There is a comfort in iron, knowing that a fresh start is always possible. But a city is not a sword. It is a living thing, and living things defy simple fixing. Roots cannot be reforged. They scar, and broken branches must be cut and sealed with tar, and this makes me angry, as it always has, and my anger has no place to go. It was easier when I was young. I could use my anger like a hammer against the world. I was so sure of myself and my friends and my rightness. I would hammer at the world, and breaking felt like making to me, and I was good at it. And while I was not wrong, neither was I entirely right. Nothing is simple. I do not work in wood. I am not brave enough for that. There is a comfort in iron, a promise of safety, a second chance if mistakes are made. But a city is more a forest than a sword. No, it needs more tending than that. Perhaps a city is like a garden, then. So these days, it seems I have become a gardener. I dig foundations in the earth. I sow rows of houses. I plan and plant. I watch the skies for rain and ruin. I cannot help but think that you would be better at this, but circumstance has put both of us in our own odd place. You are forced to be a hammer in the world, and my ungentle hands are learning how to tend a plot of land. We must do what we can do. Did you know that there are some seeds that cannot sprout unless they are first burned? A friend once told me that. She was– she was a bookish sort. I think of gardening constantly these days. I wear your gift, and I think of you, and I think it is interesting that there are some living things that need to pass through fire before they flourish. I ramble. You have the heart of a gardener, and because of this, you think of consequence, and your current path pains you. I am not wise, and I do not give advice, but I have come to know a few things: sometimes breaking is making, even iron can start again, and there are many things that move through fire and find themselves much better for it afterward.

Stand like a beaten anvil, when thy dream Is laid upon thee, golden from the fire. Flinch not, though heavily through that furnace-gleam The black forge-hammers fall on thy desire. Demoniac giants round thee seem to loom. 'Tis but the world-smiths heaving to and fro. Stand like a beaten anvil. Take the doom Their ponderous weapons deal thee, blow on blow. Needful to truth as dew-fall to the flower Is this wild wrath and this implacable scorn. For every pang, new beauty, and new power, Burning blood-red shall on thy heart be born. Stand like a beaten anvil. Let earth's wrong Beat on that iron and ring back in song.

If he wasn't angry, he certainly did a good imitation. His voice was clipped and as hard as stone. She wrung her hands together. "I love you. Clay." "No, you don't." Meg felt as though he'd just slapped her. "Yes, I do. When you leave this town, I'll go with you." Narrowing his eyes, he studied her. "Will you marry me?" "Yes." "Will you give me children?" "If I can. Kirk and I were never able to conceive, but if I can have children, I want to have yours." "In this town that we move to, wherever it is, will you walk down the street with me?" "Of course." "Holding my hand?" "Yes." "And the hands of my children?" "Yes." He unfolded his arms and took a step toward her. She wanted to fling herself into his embrace, but something hard in his eyes stopped her. "And what happens, Mrs. Warner, when someone you know rides through town and points at me and calls me a yellow-bellied coward? What will you do then? Will you let go of my hand and take my children to the other side of the street? Will you pretend that you haven't kissed me, that you haven't lain with me beneath the stars?" With disgust marring his features, he turned away. "You think I'm a coward. Go home." "I don't think that. I love you." He spun around. "You don't believe in that love, you don't believe in me." "Yes, I do." He stalked toward her. She backed into the corner and bent her head to meet his infuriated gaze. "How strongly do you believe in our love?" he asked, his voice ominously low. "If they threatened to strip off your clothes unless you denied our love, would you deny our love?" He gave her no chance to respond, but continued on, his voice growing deeper and more ragged, as though he were dredging up events from the past. "If they wouldn't let you sleep until you denied our love, would you deny our love so you could lay your head on a pillow? "If they stabbed a bayonet into your backside every time your eyes drifted closed, would you deny our love so your flesh wouldn't be pierced? "If they applied a hot brand to your flesh until you screamed in agony, would you deny our love so they'd take away the iron? "If they placed you before a firing squad, would you say you didn't love me so they wouldn't shoot you?" He stepped back and plowed his hands through his hair. "You think I'm a coward. You don't think I have the courage to stand beside you and risk the anger of your father. I'd die before I turned away from anyone or anything I believed in. You won't even walk by my side." He looked the way she imagined soldiers who had lost a battle probably looked: weary, tired of the fight, disillusioned. "You don't believe in me," he said quietly. "How can you believe in our love?

In all jazz, and especially the blues, there is something tart and ironic, authoritative and double-edged. White Americans seem to feel that happy songs are happy and sad songs are sad, and that, God help us, is exactly the way most white Americans sing them—sounding, in both cases, so helplessly, defenselessly fatuous that one dare not speculate on the temperature of the deep freeze from which issue their brave and sexless little voices. Only people who have been “down the line,” as the song puts it, know what this music is about…. White Americans do not understand the depths out of which such an ironic tenacity comes, but they suspect that the force is sensual, and they are terrified of sensuality, and do not any longer understand it. The word “sensual” is not intended to bring to mind quivering dusky maidens or priapic black studs. I am referring to something much simpler and much less fanciful. To be sensual, I think, is to respect and rejoice in the force of life, of life itself, and to be present in all that one does, from the effort of loving to the breaking of bread. It will be a great day for America, incidentally, when we begin to eat bread again, instead of the blasphemous and tasteless foam rubber that we have substituted for it. And I am not being frivolous here, either.

He tells us that occasionally there are men and women who wander through Hell in thin processions, wearing heavy gray robes and bearing lanterns to light their way. They are invariably chained together and led through the burning canyons by a loping demon: some malformed, tooth-spangled pinwheel of limbs and claws. They tour safely because they are shuttered against the sights and sounds of Hell by the iron boxes around their heads, which give them the appearance of strange astronauts on a pilgrimage through fire.

There was no sign of life round the domed emplacement of the Moonraker, and the concrete, already beginning to shimmer in the early morning sun, stretched emptily away towards Deal. It looked like a newly laid aerodome or rather, he thought, with its three disparate concrete 'things', the beehive dome,the flat-iron blast-wall, and the distant cube of the firing point, each casting black pools of shadow towards him in the early sun, like a Dali desert landscape in which three objets trouves reposed at carefully calculated random.

In her fantastic mood she stretched her soft, clasped hands upward toward the moon. 'Sweet moon,' she said in a kind of mock prayer, 'make your white light come down in music into my dancing-room here, and I will dance most deliciously for you to see". She flung her head backward and let her hands fall; her eyes were half closed, and her mouth was a kissing mouth. 'Ah! sweet moon,' she whispered, 'do this for me, and I will be your slave; I will be what you will.' Quite suddenly the air was filled with the sound of a grand invisible orchestra. Viola did not stop to wonder. To the music of a slow saraband she swayed and postured. In the music there was the regular beat of small drums and a perpetual drone. The air seemed to be filled with the perfume of some bitter spice. Viola could fancy almost that she saw a smoldering campfire and heard far off the roar of some desolate wild beast. She let her long hair fall, raising the heavy strands of it in either hand as she moved slowly to the laden music. Slowly her body swayed with drowsy grace, slowly her satin shoes slid over the silver sand. The music ceased with a clash of cymbals. Viola rubbed her eyes. She fastened her hair up carefully again. Suddenly she looked up, almost imperiously. "Music! more music!" she cried. Once more the music came. This time it was a dance of caprice, pelting along over the violin-strings, leaping, laughing, wanton. Again an illusion seemed to cross her eyes. An old king was watching her, a king with the sordid history of the exhaustion of pleasure written on his flaccid face. A hook-nosed courtier by his side settled the ruffles at his wrists and mumbled, 'Ravissant! Quel malheur que la vieillesse!' It was a strange illusion. Faster and faster she sped to the music, stepping, spinning, pirouetting; the dance was light as thistle-down, fierce as fire, smooth as a rapid stream. The moment that the music ceased Viola became horribly afraid. She turned and fled away from the moonlit space, through the trees, down the dark alleys of the maze, not heeding in the least which turn she took, and yet she found herself soon at the outside iron gate. ("The Moon Slave")

In one of his traditional sermons transmitted by his disciples, is the following apologue on the subject of charity : " When God created the earth it shook and trembled, until he put mountains upon it, to make it firm. Then the angels asked, ' O God, is there anything of thy creation stronger than these mountains ? ' And God replied, ' Iron is stronger than the mountains ; for it breaks them.' 'And is there anything of thy creation stronger than iron ? ' ' Yes ; fire is stronger than iron, for it melts it.' 'Is there anything of thy creation stronger than fire?' 'Yes; water, for it quenches fire.' ' O Lord, is there anything of thy creation stronger than water ? ' ' Yes, wind ; for it overcomes water and puts it in motion.' 'O, our Sustainer ! is there anything of thy creation stronger than wind ? ' ' Yes, a good man giving alms ; if he give with his right hand and conceal it from his left, he overcomes all things.'

Dear good guy I can hear your cries I can feel your pain I can smell your frustration I can see the confusion in your eyes Confused about how women see you In a land of women tired of being played They still take you as a joke and think you’re all games They play you like they were played They can’t see the seriousness in your eyes When you call her “Queen” and ask for her heart And you cry for commitment, they back out and shut down Treat you like the bad guys treated them It’s so ironic You hate seeing these ladies get their hearts stomped on Their minds toyed with It’s killing you because you’ve done it to women yourself you’ve seen other guys do it You want to save them from the destruction But like a child who refuses to obey their mother’s wisdom, until they are wise enough to understand through experience They won’t value you until they get burned playing with the fire of curiosity Some of them crave destruction They crave the fun that these fellas who will degrade them have to offer They are being guided by curiosity and their wisdom is foolishness Fight the urge to become like the men these ladies who lack understanding chase after Don’t let rejection consume your heart and cause you to crumble Being a promiscuous man who lacks self-respect and morals is overrated Find peace with being the underdog Your type is needed in this world, my good friend Hold on There are women out there who are in search for someone like you One of them will be the one who appreciates the detailed things about you the previous women called corny There are women out there who will value your honesty, your character, your loyalty Hold on, my friend Narrow is the right path You are on the right path, my friend Your time will come in due time You will not just be getting a girl, you will be getting a woman who will be willing to finish off this life’s journey with you You are not alone I am with you and I understand the hardships you face, the doubt, the anger I want you to know you are doing a great job at being you Do not give up Stand firm and continue to be different You will be an example to many although you are in the minority Corruption

You just hung up on my boss,” I said. “He was talking in circles. He’ll get over it.” “You know what your problem is? ‘You’ as in Primes, in general?” “I think you’re about to tell me.” Mad Rogan leaned forward with rapt attention. “Your problem is that nobody ever tells you no. You think you can do whatever you want, enter wherever you want . . .” “Seduce whoever we want.” He grinned, a wicked, wolfish smile. Oh no, we are not veering off the highway onto that road. “You play with people’s lives. When cops show up, you wave your hand and make them go away. Because you are Primes and the rest of us are, apparently, nothing.” “Mhm,” he said. “The irony of this is so rich, it’s simply delicious.” “I don’t see what’s so ironic about it.” “I’d tell you, but it would ruin the fun.” “Could you be more smug?” He leaned on his elbow. “Possibly. I see you liked the flowers.” I got a sudden urge to set the carnations on fire. “They are gorgeous. It’s not their fault you brought them.

I took to the Kingswood the midsummer after the Dame died. I did not swear a vow, but I kept to myself just as strictly, living like a beast in the forest from one midsummer to the next, without fire or iron or the taste of meat. I lived as prey, and I learned from the dogs how to run, from the hare how to hide in the bracken, and from the deer how to go hungry. In sorrow and pride I exiled myself to Kingswood. I shunned fire for I feared the kingsmen would hunt me down, and so by the way of cold and hunger I came near to refusing life itself. I never thought to anger or please a god by it.

Though we became experimental creatures of our own devising, it’s important to bear in mind that we had no inkling of this process, let alone its consequences, until only the last six or seven of our 100,000 generations. We have done it all sleepwalking. Nature let a few apes into the lab of evolution, switched on the lights, and left us there to mess about with an ever-growing supply of ingredients and processes. The effect on us and the world has accumulated ever since. Let’s list a few steps between the earliest times and this: sharp stones, animal skins, useful bits of bone and wood, wild fire, tame fire, seeds for eating, seeds for planting, houses, villages, pottery, cities, metals, wheels, explosives. What strikes one most forcefully is the acceleration, the runaway progression of change - or to put it another way, the collapsing of time. From the first chipped stone to the first smelted iron took nearly 3 million years; from the first iron to the hydrogen bomb took only 3,000.

As a little drop of water added to a quantity of wine is completely dispersed and takes on the color and taste of wine, as red-hot iron becomes like molten fire losing its original form, as air when it is inundated with the sun’s light is transformed into total splendor and clarity so that it no longer seems illuminated but, rather, seems to be light itself, so I felt myself die of tender liquefaction, and I had only the strength left to murmur the words of the psalm: “Behold my bosom is like new wine, sealed, which bursts new vessels,” and suddenly I saw a brilliant light and in it a saffron-colored form which flamed up in a sweet and shining fire, and that splendid light spread through all the shining fire, and this shining fire through that golden form and that brilliant light and that shining fire through the whole form.

Joffrey called out, “Dog!” Sandor Clegane seemed to take form out of the night, so quickly did he appear. He had exchanged his armor for a red woolen tunic with a leather dog’s head sewn on the front. The light of the torches made his burned face shine a dull red. “Yes, Your Grace?” he said. “Take my betrothed back to the castle, and see that no harm befalls her,” the prince told him brusquely. And without even a word of farewell, Joffrey strode off, leaving her there. Sansa could feel the Hound watching her. “Did you think Joff was going to take you himself?” He laughed. He had a laugh like the snarling of dogs in a pit. “Small chance of that.” He pulled her unresisting to her feet. “Come, you’re not the only one needs sleep. I’ve drunk too much, and I may need to kill my brother tomorrow.” He laughed again. He was mocking her, she realized. “No one could withstand him,” she managed at last, proud of herself. It was no lie. Sandor Clegane stopped suddenly in the middle of a dark and empty field. She had no choice but to stop beside him. “Some septa trained you well. You’re like one of those birds from the Summer Isles, aren’t you? A pretty little talking -bird, repeating all the pretty little words they taught you to recite.” “ Take your look.” His fingers held her jaw as hard as an iron trap. His eyes watched hers. Drunken eyes, sullen with anger. She had to look. The right side of his face was gaunt, with sharp cheekbones and a grey eye beneath a heavy brow. His nose was large and hooked, his hair thin, dark. He wore it long and brushed it sideways, because no hair grew on the other side of that face. The left side of his face was a ruin. His ear had been burned away; there was nothing left but a hole. His eye was still good, but all around it was a twisted mass of scar, slick black flesh hard as leather, pocked with craters and fissured by deep cracks.

Every gun that is made, every warship launched, every rocket fired signifies, in the final sense, a theft from those who hunger and are not fed, those who are cold and are not clothed. This world in arms is not spending money alone. It is spending the sweat of its laborers, the genius of its scientists, the hopes of its children. The cost of one modern heavy bomber is this: a modern brick school in more than 30 cities. It is two electric power plants, each serving a town of 60,000 population. It is two fine, fully equipped hospitals. It is some fifty miles of concrete pavement. We pay for a single fighter plane with a half million bushels of wheat. We pay for a single destroyer with new homes that could have housed more than 8,000 people. This is, I repeat, the best way of life to be found on the road the world has been taking. This is not a way of life at all, in any true sense. Under the cloud of threatening war, it is humanity hanging from a cross of iron. These plain and cruel truths define the peril and point the hope that come with this spring of 1953.

You see, women are like fires, like flames. Some women are like candles, bright and friendly. Some are like single sparks, or embers, like fireflies for chasing on summer nights. Some are like campfires, all light and heat for a night and willing to be left after. Some women are like hearthfires, not much to look at but underneath they are all warm red coal that burns a long, long while. “But Dianne…Dianne is like a waterfall of spark pouring off a sharp iron edge that God is holding to the grindstone. You can’t help but look, can’t help but want it. You might even put your hand to it for a second. But you can’t hold it. She’ll break your heart….” The

[Quomodo stilla aquae modica, multo infusa vino, deficere a se tota videtur, dum et saporem vini induit, et colorem; et quomodo ferrum ignitum et candens, igni simillimum fit, pristina propriaque forma exutum; et quomodo solis luce perfusus aer in eamdem transformatur luminis claritatem, adeo ut non tam illuminatus, quam ipsum lumen esse videatur: sic omnem tunc in sanctis humanam affectionem quodam ineffabili modo necesse erit a semetipsa liquescere, atque in Dei penitus transfundi voluntatem.] As a drop of water poured into wine loses itself, and takes the color and savor of wine; or as a bar of iron, heated red-hot, becomes like fire itself, forgetting its own nature; or as the air, radiant with sun-beams, seems not so much to be illuminated as to be light itself; so in the saints all human affections melt away by some unspeakable transmutation into the will of God.

A slight clinking behind me made me turn my head. Six black men advanced in a file, toiling up the path. They walked erect and slow, balancing small baskets full of earth on their heads, and the clink kept time with their footsteps. Black rags were wound round their loins, and the short ends behind wagged to and fro like tails. I could see every rib, the joints of their limbs were like knots in a rope; each had an iron collar on his neck, and all were connected together with a chain whose bights swung between them, rhythmically clinking. Another report from the cliff made me think suddenly of that ship of war I had seen firing into a continent. It was the same kind of ominous voice; but these men could by no stretch of imagination be called enemies. They were called criminals, and the outraged law, like the bursting shells, had come to them, an insoluble mystery from over the sea. All their meager breasts panted together, the violently dilated nostrils quivered, the eyes stared stonily uphill. They passed me within six inches, without a glance, with that complete, deathlike indifference of unhappy savages.

I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it. Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem. It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face. I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now. I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.

I knew it was my duty to my own legend to survive this trial. But I was still crippled by my own devices. Imagine me as a great fully-rigged man-of-war. Four masts, great bulwarks of oak and five score cannon. All my life I have sailed smooth seas and waters that parted for me by virtue of my own splendor. Never tested. Never riled. A tragic existence, if ever there was one. “But at long last: a storm! And when I met it I found my hull . . . rotten. My planks leaking brine, my cannon brittle, powder wet. I foundered upon the storm. Upon you, Darrow of Lykos.” He sighs. “And it was my own fault.” I war between wanting to punch him in the mouth and surrendering into my curiosity by letting him continue. He’s a strange man with a seductive presence. Even as an enemy, his flamboyance fascinated me. Purple capes in battle. A horned Minotaur helmet. Trumpets blaring to signal his advance, as if welcoming all challengers. He even broadcast opera as his men bombarded cities. After so much isolation, he’s delighting in imposing his narrative upon us. “My peril is thus: I am, and always have been, a man of great tastes. In a world replete with temptation, I found my spirit wayward and easy to distract. The idea of prison, that naked, metal world, crushed me. The first year, I was tormented. But then I remembered the voice of a fallen angel. ‘The mind is its own place, and in itself can make a heaven of hell, or a hell of heaven.’ I sought to make the deep not just my heaven, but my womb of rebirth. “I dissected the underlying mistakes which led to my incarceration and set upon an internal odyssey to remake myself. But—and you would know this, Reaper—long is the road up out of hell! I made arrangements for supplies. I toiled twenty hours a day. I reread the books of youth with the gravity of age. I perfected my body. My mind. Planks were replaced; new banks of cannon wrought in the fires of solitude. All for the next storm. “Now I see it is upon me and I sail before you the paragon of Apollonius au Valii-Rath. And I ask one question: for what purpose have you pulled me from the deep?” “Bloodyhell, did you memorize that?” Sevro mutters.

White Americans do not understand the depths out of which such an ironic tenacity comes, but they suspect that the force is sensual, and they are terrified of sensuality and do not any longer understand it. The word “sensual” is not intended to bring to mind quivering dusky maidens or priapic black studs. I am referring to something much simpler and much less fanciful. To be sensual, I think, is to respect and rejoice in the force of life, of life itself, and to be present in all that one does, from the effort of loving to the breaking of bread. It will be a great day for America, incidentally, when we begin to eat bread again, instead of the blasphemous and tasteless foam rubber that we have substituted for it.

My first sight of the fabled warrior was a surprise. He was not a mighty-thewed giant, like Ajax. His body was not broad and powerful, as Odysseos'. He seemed small, almost boyish, his bare arms and legs slim and virtually hairless. His chin was shaved clean, and the ringlets of his long black hair were tied up in a silver chain. He wore a splendid white silk tunic, bordered with a purple key design, cinched at the waist with a belt of interlocking gold crescents... His face was the greatest shock. Ugly, almost to the point of being grotesque. Narrow beady eyes, lips curled in a perpetual snarl, a sharp hook of a nose, skin pocked and cratered... A small ugly boy born to be a king... A young man possessed with fire to silence the laughter, to stifle the taunting. His slim arms and legs were iron-hard, knotted with muscle. His dark eyes were absolutely humourless. There was no doubt in my mind that he could outfight Odysseos or even powerful Ajax on sheer willpower alone.

For the first time the Doctor felt, now, that his suffering was strength and power. For the first time he felt that in that sharp fire, he had slowly forged the iron which could break the prison door of his daughter's husband, and deliver him. "It all tended to a good end, my friend; it was not mere waste and ruin. As my beloved child was helpful in restoring me to myself, I will be helpful now in restoring the dearest part of herself to her; by the aid of Heaven I will do it!" Thus, Doctor Manette. And when Jarvis Lorry saw the kindled eyes, the resolute face, the calm strong look and bearing of the man whose life always seemed to him to have been stopped, like a clock, for so many years, and then set going again with an energy which had lain dormant during the cessation of its usefulness, he believed.

When you are quite well enough to travel, Latimer, I shall take you home with me. The journey will amuse you and do you good, for I shall go through the Tyrol and Austria, and you will see many new places. Our neighbours, the Filmores, are come; Alfred will join us at Basle, and we shall all go together to Vienna, and back by Prague...' My father was called away before he had finished his sentence, and he left my mind resting on the word Prague with a strange sense that a new and wondrous scene was breaking upon me: a city under the broad sunshine, that seemed to me as if it were summer sunshine of a long-past century arrested in its course-unrefreshed for ages by dews of night, or the rushing rain-cloud; scorching the dusty, weary, time-eaten grandeur of a people doomed to live on in the stale repetition of memories, like deposed and superannuated kings in their regal gold inwoven tatters. The city looked so thirsty that the broad river seemed to me a sheet of metal; and the blackened statues, as I passed under their blank gaze, along the unending bridge, with their ancient garments and their saintly crowns, seemed to me the real inhabitants and owners of this place, while the busy, trivial men and women, hurrying to and fro, were a swarm of ephemeral visitants infesting it for a day. It is such grim, stony beings as these, I thought, who are the fathers of ancient faded children, in those tanned time-fretted dwellings that crowd the steep before me; who pay their court in the worn and crumbling pomp of the palace which stretches its monotonous length on the height; who worship wearily in the stifling air of the churches, urged by no fear or hope, but compelled by their doom to be ever old and undying, to live on in the rigidity of habit, as they live on in perpetual midday, without the repose of night or the new birth of morning. A stunning clang of metal suddenly thrilled through me, and I became conscious of the objects in my room again: one of the fire-irons had fallen as Pierre opened the door to bring me my draught. My heart was palpitating violently, and I begged Pierre to leave my draught beside me; I would take it presently. ("The Lifted Veil")

He told me that a maester’s collar is made of chain to remind him that he is sworn to serve,” Jon said, remembering. “I asked why each link was a different metal. A silver chain would look much finer with his grey robes, I said. Maester Luwin laughed. A maester forges his chain with study, he told me. The different metals are each a different kind of learning, gold for the study of money and accounts, silver for healing, iron for warcraft. And he said there were other meanings as well. The collar is supposed to remind a maester of the realm he serves, isn’t that so? Lords are gold and knights steel, but two links can’t make a chain. You also need silver and iron and lead, tin and copper and bronze and all the rest, and those are farmers and smiths and merchants and the like. A chain needs all sorts of metals, and a land needs all sorts of people.

Every gun that is made, every warship launched, every rocket fired signifies, in the final sense, a theft from those who hunger and are not fed, those who are cold and are not clothed. This world in arms is not spending money alone. It is spending the sweat of its laborers, the genius of its scientists, the hopes of its children. The cost of one modern heavy bomber is this: a modern brick school in more than 30 cities. It is two electric power plants, each serving a town of 60,000 population. It is two fine, fully equipped hospitals. It is some fifty miles of concrete pavement. We pay for a single fighter with a half-million bushels of wheat. We pay for a single destroyer with new homes that could have housed more than 8,000 people. . . This is not a way of life at all, in any true sense. Under the cloud of threatening war, it is humanity hanging from a cross of iron.

In Wegner’s studies, participants are asked to try hard not to think about something, such as a white bear, or food, or a stereotype. This is hard to do. More important, the moment one stops trying to suppress a thought, the thought comes flooding in and becomes even harder to banish. In other words, Wegner creates minor obsessions in his lab by instructing people not to obsess. Wegner explains this effect as an “ironic process” of mental control. 32 When controlled processing tries to influence thought (“Don’t think about a white bear!”), it sets up an explicit goal. And whenever one pursues a goal, a part of the mind automatically monitors progress, so that it can order corrections or know when success has been achieved. When that goal is an action in the world (such as arriving at the airport on time), this feedback system works well. But when the goal is mental, it backfires. Automatic processes continually check: “Am I not thinking about a white bear?” As the act of monitoring for the absence of the thought introduces the thought, the person must try even harder to divert consciousness. Automatic and controlled processes end up working at cross purposes, firing each other up to ever greater exertions. But because controlled processes tire quickly, eventually the inexhaustible automatic processes run unopposed, conjuring up herds of white bears. Thus, the attempt to remove an unpleasant thought can guarantee it a place on your frequent-play list of mental ruminations.

Love, that is first and last of all things made, The light that has the living world for shade, The spirit that for temporal veil has on The souls of all men woven in unison, One fiery raiment with all lives inwrought And lights of sunny and starry deed and thought, And alway through new act and passion new Shines the divine same body and beauty through, The body spiritual of fire and light That is to worldly noon as noon to night; Love, that is flesh upon the spirit of man And spirit within the flesh whence breath began; Love, that keeps all the choir of lives in chime; Love, that is blood within the veins of time; That wrought the whole world without stroke of hand, Shaping the breadth of sea, the length of land, And with the pulse and motion of his breath Through the great heart of the earth strikes life and death, The sweet twain chords that make the sweet tune live Through day and night of things alternative, Through silence and through sound of stress and strife, And ebb and flow of dying death and life: Love, that sounds loud or light in all men's ears, Whence all men's eyes take fire from sparks of tears, That binds on all men's feet or chains or wings; Love that is root and fruit of terrene things; Love, that the whole world's waters shall not drown, The whole world's fiery forces not burn down; Love, that what time his own hands guard his head The whole world's wrath and strength shall not strike dead; Love, that if once his own hands make his grave The whole world's pity and sorrow shall not save; Love, that for very life shall not be sold, Nor bought nor bound with iron nor with gold; So strong that heaven, could love bid heaven farewell, Would turn to fruitless and unflowering hell; So sweet that hell, to hell could love be given, Would turn to splendid and sonorous heaven; Love that is fire within thee and light above, And lives by grace of nothing but of love; Through many and lovely thoughts and much desire Led these twain to the life of tears and fire; Through many and lovely days and much delight Led these twain to the lifeless life of night.

I open the books on Right and on ethics; I listen to the professors and jurists; and, my mind full of their seductive doctrines, I admire the peace and justice established by the civil order; I bless the wisdom of our political institutions and, knowing myself a citizen, cease to lament I am a man. Thoroughly instructed as to my duties and my happiness, I close the book, step out of the lecture room, and look around me. I see wretched nations groaning beneath a yoke of iron. I see mankind ground down by a handful of oppressors, I see a famished mob, worn down by sufferings and famine, while the rich drink the blood and tears of their victims at their ease. I see on every side the strong armed with the terrible powers of the Law against the weak. And all this is done quietly and without resistance. It is the peace of Ulysses and his comrades, imprisoned in the cave of the Cyclops and waiting their turn to be devoured. We must groan and be silent. Let us for ever draw a veil over sights so terrible. I lift my eyes and look to the horizon. I see fire and flame, the fields laid waste, the towns put to sack. Monsters! where are you dragging the hapless wretches? I hear a hideous noise. What a tumult and what cries! I draw near; before me lies a scene of murder, ten thousand slaughtered, the dead piled in heaps, the dying trampled under foot by horses, on every side the image of death and the throes of death. And that is the fruit of your peaceful institutions! Indignation and pity rise from the very bottom of my heart. Yes, heartless philosopher! come and read us your book on a field of battle!

Perched upon the stones of a bridge The soldiers had the eyes of ravens Their weapons hung black as talons Their eyes gloried in the smoke of murder To the shock of iron-heeled sticks I drew closer in the cripple’s bitter patience And before them I finally tottered Grasping to capture my elusive breath With the cockerel and swift of their knowing They watched and waited for me ‘I have come,’ said I, ‘from this road’s birth, I have come,’ said I, ‘seeking the best in us.’ The sergeant among them had red in his beard Glistening wet as he showed his teeth ‘There are few roads on this earth,’ said he, ‘that will lead you to the best in us, old one.’ ‘But you have seen all the tracks of men,’ said I ‘And where the mothers and children have fled Before your advance. Is there naught among them That you might set an old man upon?’ The surgeon among this rook had bones Under her vellum skin like a maker of limbs ‘Old one,’ said she, ‘I have dwelt In the heat of chests, among heart and lungs, And slid like a serpent between muscles, Swum the currents of slowing blood, And all these roads lead into the darkness Where the broken will at last rest. ‘Dare say I,’ she went on,‘there is no Place waiting inside where you might find In slithering exploration of mysteries All that you so boldly call the best in us.’ And then the man with shovel and pick, Who could raise fort and berm in a day Timbered of thought and measured in all things Set the gauge of his eyes upon the sun And said, ‘Look not in temples proud, Or in the palaces of the rich highborn, We have razed each in turn in our time To melt gold from icon and shrine And of all the treasures weeping in fire There was naught but the smile of greed And the thick power of possession. Know then this: all roads before you From the beginning of the ages past And those now upon us, yield no clue To the secret equations you seek, For each was built of bone and blood And the backs of the slave did bow To the laboured sentence of a life In chains of dire need and little worth. All that we build one day echoes hollow.’ ‘Where then, good soldiers, will I Ever find all that is best in us? If not in flesh or in temple bound Or wretched road of cobbled stone?’ ‘Could we answer you,’ said the sergeant, ‘This blood would cease its fatal flow, And my surgeon could seal wounds with a touch, All labours will ease before temple and road, Could we answer you,’ said the sergeant, ‘Crows might starve in our company And our talons we would cast in bogs For the gods to fight over as they will. But we have not found in all our years The best in us, until this very day.’ ‘How so?’ asked I, so lost now on the road, And said he, ‘Upon this bridge we sat Since the dawn’s bleak arrival, Our perch of despond so weary and worn, And you we watched, at first a speck Upon the strife-painted horizon So tortured in your tread as to soak our faces In the wonder of your will, yet on you came Upon two sticks so bowed in weight Seeking, say you, the best in us And now we have seen in your gift The best in us, and were treasures at hand We would set them humbly before you, A man without feet who walked a road.’ Now, soldiers with kind words are rare Enough, and I welcomed their regard As I moved among them, ’cross the bridge And onward to the long road beyond I travel seeking the best in us And one day it shall rise before me To bless this journey of mine, and this road I began upon long ago shall now end Where waits for all the best in us. ―Avas Didion Flicker Where Ravens Perch

Father, You know that I don’t do so well when I look inward, so I’m going to stop. I am relying on You to point out to me the things that I need to see. I promise to stay in Your Word. You said that Your Word was a sword—so please use it to cut me deeply. Expose those things in me that are not pleasing to You. But in doing so, please give me the grace to forsake them. I also promise to come before You daily. Your presence is like a fire. Please burn from me those things that are unpleasing to You. Melt my heart until it becomes like the heart of Jesus. Be merciful to me in these things. I also promise to stay in fellowship with Your people. You said that iron sharpens iron. I expect You to anoint the “wounds of a friend” to bring me to my senses when I’m being resistant toward You. Please use these tools to shape my life until Jesus alone is seen in me. I believe that You have given me Your heart and mind. By Your grace I am a new creation. I want that reality to be seen that the name of Jesus would be held in highest honor.

XII. If there pushed any ragged thistle-stalk Above its mates, the head was chopped, the bents Were jealous else. What made those holes and rents In the dock's harsh swarth leaves, bruised as to baulk All hope of greenness? Tis a brute must walk Pashing their life out, with a brute's intents. XIII. As for the grass, it grew as scant as hair In leprosy; thin dry blades pricked the mud Which underneath looked kneaded up with blood. One stiff blind horse, his every bone a-stare, Stood stupified, however he came there: Thrust out past service from the devil's stud! XIV. Alive? he might be dead for aught I knew, With that red gaunt and colloped neck a-strain. And shut eyes underneath the rusty mane; Seldom went such grotesqueness with such woe; I never saw a brute I hated so; He must be wicked to deserve such pain. XV. I shut my eyes and turned them on my heart, As a man calls for wine before he fights, I asked one draught of earlier, happier sights, Ere fitly I could hope to play my part. Think first, fight afterwards, the soldier's art: One taste of the old time sets all to rights. XVI. Not it! I fancied Cuthbert's reddening face Beneath its garniture of curly gold, Dear fellow, till I almost felt him fold An arm to mine to fix me to the place, The way he used. Alas, one night's disgrace! Out went my heart's new fire and left it cold. XVII. Giles then, the soul of honour - there he stands Frank as ten years ago when knighted first, What honest man should dare (he said) he durst. Good - but the scene shifts - faugh! what hangman hands Pin to his breast a parchment? His own bands Read it. Poor traitor, spit upon and curst! XVIII. Better this present than a past like that: Back therefore to my darkening path again! No sound, no sight as far as eye could strain. Will the night send a howlet or a bat? I asked: when something on the dismal flat Came to arrest my thoughts and change their train. XIX. A sudden little river crossed my path As unexpected as a serpent comes. No sluggish tide congenial to the glooms; This, as it frothed by, might have been a bath For the fiend's glowing hoof - to see the wrath Of its black eddy bespate with flakes and spumes. XX. So petty yet so spiteful! All along, Low scrubby alders kneeled down over it; Drenched willows flung them headlong in a fit Of mute despair, a suicidal throng: The river which had done them all the wrong, Whate'er that was, rolled by, deterred no whit. XXI. Which, while I forded - good saints, how I feared To set my foot upon a dead man's cheek, Each step, of feel the spear I thrust to seek For hollows, tangled in his hair or beard! - It may have been a water-rat I speared, But, ugh! it sounded like a baby's shriek. XXII. Glad was I when I reached the other bank. Now for a better country. Vain presage! Who were the strugglers, what war did they wage, Whose savage trample thus could pad the dank soil to a plash? Toads in a poisoned tank Or wild cats in a red-hot iron cage - XXIII. The fight must so have seemed in that fell cirque, What penned them there, with all the plain to choose? No footprint leading to that horrid mews, None out of it. Mad brewage set to work Their brains, no doubt, like galley-slaves the Turk Pits for his pastime, Christians against Jews.

I turned the final page. RATHANAEL THE SCORNED, read the lettering. Above it hung a skeleton twined in a ragged shroud, with two pairs of tattered, crowlike wings. Its fleshless skull grinned out at me, the eye sockets bound behind dark wrappings. It held an iron torch clasped in front of its rib cage, the top spiked like a crown, the flames roaring up, enveloping its body and wings in fire. The silver of its form had a dark, tarnished look like an old mirror, but I couldn’t tell if that was intentional or a result of the gilt flaking with age. Some powerful spirits held objects, like riveners did swords. It represented something important about their nature, but I had no idea what a torch might signify and doubted the revenant did either—only how ironic it was that I’d ended up with the revenant associated with fire. I absorbed its deadly visage, trying and failing to match it with the voice in my head. The revenant had devoured the populations of entire cities; it was also the entity who ordered me to eat my pottage. “I’ll have you know that I’m very good-looking by undead standards,” the revenant remarked.

Dear God, what is this Aethyr I am come upon? What spirits are thee, labouring in what heavenly light? No... No, this is dazzle, but not yet divinity. Nor are these heathen wraiths about me spirits, lacking even that vitality. What, then? Am I, like Saint John the Divine, vouchsafed a glimpse of those last times? Are these the days my death shall spare me? It would seem we are to suffer an apocalypse of cockatoos... Morose, barbaric children playing joylessly with their unfathomable toys. Where comes this dullness in your eyes? How has your century numbed you so? Shall man be given marvels only when he is beyond all wonder? Your days were born in blood and fires, whereof in you I may not see the meanest spark! Your past is pain and iron! Know yourselves! With all your shimmering numbers and your lights, think not to be inured by history. Its black root succours you. It is INSIDE you. Are you asleep to it, that cannot feel its breath upon your neck, nor see what soaks its cuffs? See me! Wake up and look upon me! I am come amongst you. I am with you always! You are the sum of all preceding you, yet seem indifferent to yourselves. A culture grown disinterested, even in its own abysmal wounds. ... How would I seem to you? Some antique fiend or penny dreadful horror, yet YOU frighten ME! You have not souls. With you I am alone. Alone in an Olympus. Though accomplished in the sciences, your slightest mechanisms are beyond my grasp. They HUMBLE me, yet touch you not at all. This disaffection. THIS is Armageddon.

Morning comes. I go to my class. There sit the little ones with folded arms. In their eyes is still all the shy astonishment of the childish years. They look up at me so trustingly, so believingly - and suddenly I get a spasm over the heart. Here I stand before you, one of the hundreds of thousands of bankrupt men in whom the war destroyed every belief and almost every strength. Here I stand before you, and see how much more alive, how much more rooted in life you are than I. Here I stand and must now be your teacher and guide. What should I teach you? Should I tell you that in twenty years you will be dried-up and crippled, maimed in your freest impulses, all pressed mercilessly into the selfsame mold? Should I tell you that all the learning, all culture, all science is nothing but hideous mockery, so long as mankind makes war in the name of God and humanity with gas, iron, explosive and fire? What should I teach you then, you little creatures who alone have remained unspotted by the terrible years? What am I able to teach you then? Should I tell you how to pull the string of a hand grenade, how best to throw it at a human being? Should I show you how to stab a man with a bayonet, how to fell him with a club, how to slaughter him with a spade? Should I demonstrate how best to aim a rifle at such an incomprehensible miracle as a breathing breast, a living heart? Should I explain to you what tetanus is, what a broken spine is, and what a shattered skull? Should I describe to you what brains look like when they scatter about? What crushed bones are like - and intestines when they pour out? Should I mimic how a man with a stomach wound will groan, how one with a lung wound gurgles and one with a head wound whistles? More I do not know. More I have not learned. Should I take you the brown-and-green map there, move my finger across it and tell you that here love was murdered? Should I explain to you that the books you hold in your hands are but nets with which men design to snare your simple souls, to entangle you in the undergrowth of find phrases, and in the barbed wire of falsified ideas? I stand here before you, a polluted, a guilty man and can only implore you ever to remain as you are, never to suffer the bright light of your childhood to be misused as a blow flame of hate. About your brows still blows the breath of innocence. How then should I presume to teach you? Behind me, still pursuing, are the bloody years. - How then can I venture among you? Must I not first become a man again myself?

It was in a swampy village on the lagoon river behind the Turner Peninsula that Pollock's first encounter with the Porroh man occurred. The women of that country are famous for their good looks - they are Gallinas with a dash of European blood that dates from the days of Vasco da Gama and the English slave-traders, and the Porroh man, too, was possibly inspired by a faint Caucasian taint in his composition. (It's a curious thing to think that some of us may have distant cousins eating men on Sherboro Island or raiding with the Sofas.) At any rate, the Porroh man stabbed the woman to the heart as though he had been a mere low-class Italian, and very narrowly missed Pollock. But Pollock, using his revolver to parry the lightning stab which was aimed at his deltoid muscle, sent the iron dagger flying, and, firing, hit the man in the hand. He fired again and missed, knocking a sudden window out of the wall of the hut. The Porroh man stooped in the doorway, glancing under his arm at Pollock. Pollock caught a glimpse of his inverted face in the sunlight, and then the Englishman was alone, sick and trembling with the excitement of the affair, in the twilight of the place. It had all happened in less time than it takes to read about it. ("Pollock And The Porroh Man")

Mary.” Turning at the soft sound of her name, she glanced behind herself. Then frowned. “Lassiter?” “I’m over here.” “Where?” She looked all around. “Why is your voice echoing?” “Chimney.” “What?” “I’m stuck in the fucking chimney.” She raced over to the fireplace and got on her hands and knees. Looking up into the dark flue, she shook her head. “Lass? What the hell are you doing up there?” His voice emanated from somewhere above her. “Don’t tell anyone, okay?” “What are you—” An arm came down. A very sooty arm that was encased in a red sleeve that had white trim. Or what had been white trim and which was now smudged with ash. “You’re stuck!” she exclaimed. “And thank God no one lit this fire!” “You’re telling me,” he muttered in his disembodied voice. “I had to blow out Fritz’s match like a hundred times before he gave up. Fuck, that sounds dirty. Anyway, just remind me never to try to be Santa for your kid, okay? I’m not doing this again, even for her.” Mary stretched a little farther in, but the logs on the hearth stopped her. “Lassiter. Why can’t you free yourself by dematerializing—” “I’m impaled on a hook that’s iron. I can’t go ghost. And will you just take this?” “What?” “This.” He turned his hand toward her and there was…a box…in it? A small navy blue box. “Open it. And before you ask, I already cleared it with your pinheaded hellren. He’s not jel or anything.” Mary sat back and shook her head. “I’m more worried about you—” “Justopenthefuckingthingalready.” Taking off the top, she found a slightly smaller box inside. That was velvet. “What is this?” As she lifted the lid, she…gasped. It was a pair of diamond earrings. A pair of perfectly matched, sparkly, diamond… “A mother’s tears,” Lassiter’s slightly echo-y voice said softly. “So hard, so beautiful. I told you everything was going to be all right. And those are to remind you of how strong you are, how strong your love for your daughter is…how, even in the worst of times, things have a way of working out as they should.” Blinking away tears, she thought of her crying in the foyer in front of the angel, crying because all had been lost. “They’re just beautiful,” she said hoarsely. -Lassiter & Mary

The first true men had tools and weapons only a little better than those of their ancestors a million years earlier, but they could use them with far greater skill. And somewhere in the shadowy centuries that had gone before they had invented the most essential tool of all, though it could be neither seen nor touched. They had learned to speak, and so had won their first great victory over Time. Now the knowledge of one generation could be handed on to the next, so that each age could profit from those that had gone before. Unlike the animals, who knew only the present, Man had acquired a past; and he was beginning to grope toward a future. He was also learning to harness the force of nature; with the taming of fire, he had laid the foundations of technology and left his animal origins far behind. Stone gave way to bronze, and then to iron. Hunting was succeeded by agriculture. The tribe grew into the village, the village into the town. Speech became eternal, thanks to certain marks on stone and clay and papyrus. Presently he invented philosophy, and religion. And he peopled the sky, not altogether inaccurately, with gods. As his body became more and more defenseless, so his means of offense became steadily more frightful. With stone and bronze and iron and steel he had run the gamut of everything that could pierce and slash, and quite early in time he had learned how to strike down his victims from a distance. The spear, the bow the gun and finally the guided missile had given him weapons of infinite range and all but infinite power. Without those weapons, often though he had used them against himself, Man would never have conquered his world. Into them he had put his heart and soul, and for ages they had served him well. But now, as long as they existed, he was living on borrowed time.

Matthew XV:30” The first bridge, Constitution Station. At my feet the shunting trains trace iron labyrinths. Steam hisses up and up into the night, which becomes at a stroke the night of the Last Judgment. From the unseen horizon and from the very center of my being, an infinite voice pronounced these things— things, not words. This is my feeble translation, time-bound, of what was a single limitless Word: “Stars, bread, libraries of East and West, playing-cards, chessboards, galleries, skylights, cellars, a human body to walk with on the earth, fingernails, growing at nighttime and in death, shadows for forgetting, mirrors busily multiplying, cascades in music, gentlest of all time's shapes. Borders of Brazil, Uruguay, horses and mornings, a bronze weight, a copy of the Grettir Saga, algebra and fire, the charge at Junín in your blood, days more crowded than Balzac, scent of the honeysuckle, love and the imminence of love and intolerable remembering, dreams like buried treasure, generous luck, and memory itself, where a glance can make men dizzy— all this was given to you, and with it the ancient nourishment of heroes— treachery, defeat, humiliation. In vain have oceans been squandered on you, in vain the sun, wonderfully seen through Whitman’s eyes. You have used up the years and they have used up you, and still, and still, you have not written the poem.

She loved old things. The brown-brick place was a survivor of the 1907 earthquake and fire, and proudly bore a plaque from the historical society. The building had a haunted history- it was the site of a crime of passion- but Tess didn't mind. She'd never been superstitious. The apartment was filled with items she'd collected through the years, simply because she liked them or was intrigued by them. There was a balance between heirloom and kitsch. The common thread seemed to be that each object had a story, like a pottery jug with a bas-relief love story told in pictures, in which she'd found a note reading, "Long may we run. -Gilbert." Or the antique clock on the living room wall, each of its carved figures modeled after one of the clockmaker's twelve children. She favored the unusual, so long as it appeared to have been treasured by someone, once upon a time. Her mail spilled from an antique box containing a pigeon-racing counter with a brass plate engraved from a father to a son. She hung her huge handbag on a wrought iron finial from a town library that had burned and been rebuilt in a matter of weeks by an entire community. Other people's treasures captivated her. They always had, steeped in hidden history, bearing the nicks and gouges and fingerprints of previous owners. She'd probably developed the affinity from spending so much of her childhood in her grandmother's antique shop.

The Sinsar Dubh popped up on my radar, and it was moving straight toward us. At an extremely high rate of speed. I whipped the Viper around, tires smoking on the pavement. There was nothing else I could do. Barrons looked at me sharply. “What? Do you sense it?” Oh, how ironic, he thought I’d turned us toward it. “No,” I lied, “I just realized I forgot my spear tonight. I left it back at the bookstore. Can you believe it? I never forget my spear. I can’t imagine what I was thinking. I guess I wasn’t. I was talking to my dad while I was getting dressed and I totally spaced it.” I worked the pedals, ripping through the gears. He didn’t even try to pat me down. He just said, “Liar.” I sped up, pasting a blushing, uncomfortable look on my face. “All right, Barrons. You got me. But I do need to go back to the bookstore. It’s . . . well . . . it’s personal.” The bloody, stupid Sinsar Dubh was gaining on me. I was being chased by the thing I was supposed to be chasing. There was something very wrong with that. “It’s . . . a woman thing . . . you know.” “No, I don’t know, Ms. Lane. Why don’t you enlighten me?” A stream of pubs whizzed by. I was grateful it was too cold for much pedestrian traffic. If I had to slow down, the Book would gain on me, and I already had a headache the size of Texas that was threatening to absorb New Mexico and Oklahoma. “It’s that time. You know. Of the month.” I swallowed a moan of pain. “That time?” he echoed softly. “You mean time to stop at one of the multiple convenience stores we just whizzed past so you can buy tampons? Is that what you’re telling me?” I was going to throw up. It was too close. Saliva was pooling in my mouth. How far behind me was it? Two blocks? Less? “Yes,” I cried. “That’s it! But I use a special kind and they don’t carry it.” “I can smell you, Ms. Lane,” he said, even more softly. “The only blood on you is from your veins, not your womb.” My head whipped to the left and I stared at him. Okay, that was one of the more disturbing things he’d ever said to me. “Ahhh!” I cried, letting go of both the wheel and the gearshift to clutch my head. The Viper ran up on the sidewalk and took out two newspaper stands and a streetlamp before crashing to a stop against a fire hydrant. And the blasted, idiotic Book was still coming. I began foaming at the mouth, wondering what would happen if it passed within a few feet of me. Would I die? Would my head really explode?

I know you are tired. I know you are hurting. I know that even among the crowds and or with your closest loved ones, you feel terribly alone in the world. I know that in the quietness, a thousand hell hounds are barking and snarling at your heels. They tell you, "Everything is wrong with you. You are a failure. You will never live to see your dreams and visions come to pass. You know you should just throw in the towel. No one would even miss you if you were gone. Exit from this cruel insane assylum you call home. We will even tell you how to end 'it'." But don't you dare entertain those hounds of hell, no, not even for one moment. See, you not only have the elixir of Life inside of your organs and your veins; you are the Elixir of Life of a Celestial domain. For every hell hound nipping at your ears, there are eight hundred angels rushing to you with every holy breath....you take. Every step you make fuels the fire of Love in your behalf. See, nothing is wrong with you. Every thing is right with you. You are cut from iron. You have long exchanged your velveteen fabric and cotton stuffing for blazen guts and a heart of gold. You are the head and not the tail. You are the water in the desert, the ripple in the steam, the sword AND the stone and you, glorious being, are not alone! We are one and we are many. We've known lack, but we are plenty. We are not on the cusp of a break through. We are the cusp and we are the break --- through. We are the old and we are the new. Who knew? You did. You do. And don't you ever forget that.

And now it is said of me That my love is nothing because I have borne no children, Or because I have fathered none; That I twisted the twig in my hands And cut the blossom free too soon from the seed; That I lay across the fire, And snuffed it dead sooner than draft or rain. But I have turned away, and drawn myself Upright to walk along the room alone. Across the dark the spines of cactus plants Remind me how I go—aloof, obscure, Indifferent to the words the children chalk Against my house and down the garden walls. They cannot tear the garden out of me, Nor smear my love with names. Love is a cliff, A clear, cold curve of stone, mottled by stars, smirched by the morning, carved by the dark sea Till stars and dawn and waves can slash no more, Till the rock’s heart is found and shaped again. I keep the house and say no words, the evening Falls like a petal down the shawl of trees. I light the fire and see the blossom dance On air alone; I will not douse that flame, That searing flower; I will burn in it. I will not banish love to empty rain. For I know that I am asked to hate myself For their sweet sake Who sow the world with child. I am given to burn on the dark fire they make With their sly voices. But I have burned already down to bone. There is a fire that burns beyond the names Of sludge and filth of which this world is made. Agony sears the dark flesh of the body, And lifts me higher than the smoke, to rise Above the earth, above the sacrifice; Until my soul flares outward like a blue Blossom of gas fire dancing in mid-air: Free of the body’s work of twisted iron.

Sheepwalking I define “sheepwalking” as the outcome of hiring people who have been raised to be obedient and giving them a brain-dead job and enough fear to keep them in line. You’ve probably encountered someone who is sheepwalking. The TSA “screener” who forces a mom to drink from a bottle of breast milk because any other action is not in the manual. A “customer service” rep who will happily reread a company policy six or seven times but never stop to actually consider what the policy means. A marketing executive who buys millions of dollars’ worth of TV time even though she knows it’s not working—she does it because her boss told her to. It’s ironic but not surprising that in our age of increased reliance on new ideas, rapid change, and innovation, sheepwalking is actually on the rise. That’s because we can no longer rely on machines to do the brain-dead stuff. We’ve mechanized what we could mechanize. What’s left is to cost-reduce the manual labor that must be done by a human. So we write manuals and race to the bottom in our search for the cheapest possible labor. And it’s not surprising that when we go to hire that labor, we search for people who have already been trained to be sheepish. Training a student to be sheepish is a lot easier than the alternative. Teaching to the test, ensuring compliant behavior, and using fear as a motivator are the easiest and fastest ways to get a kid through school. So why does it surprise us that we graduate so many sheep? And graduate school? Since the stakes are higher (opportunity cost, tuition, and the job market), students fall back on what they’ve been taught. To be sheep. Well-educated, of course, but compliant nonetheless. And many organizations go out of their way to hire people that color inside the lines, that demonstrate consistency and compliance. And then they give these people jobs where they are managed via fear. Which leads to sheepwalking. (“I might get fired!”) The fault doesn’t lie with the employee, at least not at first. And of course, the pain is often shouldered by both the employee and the customer. Is it less efficient to pursue the alternative? What happens when you build an organization like W. L. Gore and Associates (makers of Gore-Tex) or the Acumen Fund? At first, it seems crazy. There’s too much overhead, there are too many cats to herd, there is too little predictability, and there is way too much noise. Then, over and over, we see something happen. When you hire amazing people and give them freedom, they do amazing stuff. And the sheepwalkers and their bosses just watch and shake their heads, certain that this is just an exception, and that it is way too risky for their industry or their customer base. I was at a Google conference last month, and I spent some time in a room filled with (pretty newly minted) Google sales reps. I talked to a few of them for a while about the state of the industry. And it broke my heart to discover that they were sheepwalking. Just like the receptionist at a company I visited a week later. She acknowledged that the front office is very slow, and that she just sits there, reading romance novels and waiting. And she’s been doing it for two years. Just like the MBA student I met yesterday who is taking a job at a major packaged-goods company…because they offered her a great salary and promised her a well-known brand. She’s going to stay “for just ten years, then have a baby and leave and start my own gig.…” She’ll get really good at running coupons in the Sunday paper, but not particularly good at solving new problems. What a waste. Step one is to give the problem a name. Done. Step two is for anyone who sees themselves in this mirror to realize that you can always stop. You can always claim the career you deserve merely by refusing to walk down the same path as everyone else just because everyone else is already doing it.

They [mountains] are portions of the heart of the earth that have escaped from the dungeon down below, and rushed up and out. For the heart of the earth is a great wallowing mass, not of blood, as in the hearts of men and animals, but of glowing hot melted metals and stones. And as our hearts keep us alive, so that great lump of heat keeps the earth alive: it is a huge power of buried sunlight—that is what it is. Now think: out of that caldron, where all the bubbles would be as big as the Alps if it could get room for its boiling, certain bubbles have bubbled out and escaped—up and away, and there they stand in the cool, cold sky—mountains. Think of the change, and you will no more wonder that there should be something awful about the very look of a mountain: from the darkness—for where the light has nothing to shine upon, it is much the same as darkness—from the heat, from the endless tumult of boiling unrest—up, with a sudden heavenward shoot, into the wind, and the cold, and the starshine, and a cloak of snow that lies like ermine above the blue-green mail of the glaciers; and the great sun, their grandfather, up there in the sky; and their little old cold aunt, the moon, that comes wandering about the house at night; and everlasting stillness, except for the wind that turns the rocks and caverns into a roaring organ for the young archangels that are studying how to let out the pent-up praises of their hearts, and the molten music of the streams, rushing ever from the bosoms of the glaciers fresh-born. Think too of the change in their own substance—no longer molten and soft, heaving and glowing, but hard and shining and cold. Think of the creatures scampering over and burrowing in it, and the birds building their nests upon it, and the trees growing out of its sides, like hair to clothe it, and the lovely grass in the valleys, and the gracious flowers even at the very edge of its armour of ice, like the rich embroidery of the garment below, and the rivers galloping down the valleys in a tumult of white and green! And along with all these, think of the terrible precipices down which the traveller may fall and be lost, and the frightful gulfs of blue air cracked in the glaciers, and the dark profound lakes, covered like little arctic oceans with floating lumps of ice. All this outside the mountain! But the inside, who shall tell what lies there? Caverns of awfullest solitude, their walls miles thick, sparkling with ores of gold or silver, copper or iron, tin or mercury, studded perhaps with precious stones—perhaps a brook, with eyeless fish in it, running, running ceaseless, cold and babbling, through banks crusted with carbuncles and golden topazes, or over a gravel of which some of the stones are rubies and emeralds, perhaps diamonds and sapphires—who can tell?—and whoever can't tell is free to think—all waiting to flash, waiting for millions of ages—ever since the earth flew off from the sun, a great blot of fire, and began to cool. Then there are caverns full of water, numbing cold, fiercely hot—hotter than any boiling water. From some of these the water cannot get out, and from others it runs in channels as the blood in the body: little veins bring it down from the ice above into the great caverns of the mountain's heart, whence the arteries let it out again, gushing in pipes and clefts and ducts of all shapes and kinds, through and through its bulk, until it springs newborn to the light, and rushes down the mountain side in torrents, and down the valleys in rivers—down, down, rejoicing, to the mighty lungs of the world, that is the sea, where it is tossed in storms and cyclones, heaved up in billows, twisted in waterspouts, dashed to mist upon rocks, beaten by millions of tails, and breathed by millions of gills, whence at last, melted into vapour by the sun, it is lifted up pure into the air, and borne by the servant winds back to the mountain tops and the snow, the solid ice, and the molten stream.

When I opened my eyes, we were still surrounded by darkness. A lantern, standing on the ground, showed a bubbling well. The water splashing from the well disappeared, almost at once, under the floor on which I was lying, with my head on the knee of the man in the black cloak and the black mask. He was bathing my temples and his hands smelt of death. I tried to push them away and asked, ‘Who are you? Where is the voice?’ His only answer was a sigh. Suddenly, a hot breath passed over my face and I perceived a white shape, beside the man’s black shape, in the darkness. The black shape lifted me on to the white shape, a glad neighing greeted my astounded ears and I murmured, ‘Cesar!’ The animal quivered. Raoul, I was lying half back on a saddle and I had recognized the white horse out of the PROFETA, which I had so often fed with sugar and sweets. I remembered that, one evening, there was a rumor in the theater that the horse had disappeared and that it had been stolen by the Opera ghost. I believed in the voice, but had never believed in the ghost. Now, however, I began to wonder, with a shiver, whether I was the ghost’s prisoner. I called upon the voice to help me, for I should never have imagined that the voice and the ghost were one. You have heard about the Opera ghost, have you not, Raoul?” “Yes, but tell me what happened when you were on the white horse of the Profeta?” “I made no movement and let myself go. The black shape held me up, and I made no effort to escape. A curious feeling of peacefulness came over me and I thought that I must be under the influence of some cordial. I had the full command of my senses; and my eyes became used to the darkness, which was lit, here and there, by fitful gleams. I calculated that we were in a narrow circular gallery, probably running all round the Opera, which is immense, underground. I had once been down into those cellars, but had stopped at the third floor, though there were two lower still, large enough to hold a town. But the figures of which I caught sight had made me run away. There are demons down there, quite black, standing in front of boilers, and they wield shovels and pitchforks and poke up fires and stir up flames and, if you come too near them, they frighten you by suddenly opening the red mouths of their furnaces … Well, while Cesar was quietly carrying me on his back, I saw those black demons in the distance, looking quite small, in front of the red fires of their furnaces: they came into sight, disappeared and came into sight again, as we went on our winding way. At last, they disappeared altogether. The shape was still holding me up and Cesar walked on, unled and sure-footed. I could not tell you, even approximately, how long this ride lasted; I only know that we seemed to turn and turn and often went down a spiral stair into the very heart of the earth. Even then, it may be that my head was turning, but I don’t think so: no, my mind was quite clear. At last, Cesar raised his nostrils, sniffed the air and quickened his pace a little. I felt a moistness in the air and Cesar stopped. The darkness had lifted. A sort of bluey light surrounded us. We were on the edge of a lake, whose leaden waters stretched into the distance, into the darkness; but the blue light lit up the bank and I saw a little boat fastened to an iron ring on the wharf!” - Chapter 12: Apollo’s Lyre

Hymn to Mercury : Continued 11. ... Seized with a sudden fancy for fresh meat, He in his sacred crib deposited The hollow lyre, and from the cavern sweet Rushed with great leaps up to the mountain's head, Revolving in his mind some subtle feat Of thievish craft, such as a swindler might Devise in the lone season of dun night. 12. Lo! the great Sun under the ocean's bed has Driven steeds and chariot—the child meanwhile strode O'er the Pierian mountains clothed in shadows, Where the immortal oxen of the God Are pastured in the flowering unmown meadows, And safely stalled in a remote abode.— The archer Argicide, elate and proud, Drove fifty from the herd, lowing aloud. 13. He drove them wandering o'er the sandy way, But, being ever mindful of his craft, Backward and forward drove he them astray, So that the tracks which seemed before, were aft; His sandals then he threw to the ocean spray, And for each foot he wrought a kind of raft Of tamarisk, and tamarisk-like sprigs, And bound them in a lump with withy twigs. 14. And on his feet he tied these sandals light, The trail of whose wide leaves might not betray His track; and then, a self-sufficing wight, Like a man hastening on some distant way, He from Pieria's mountain bent his flight; But an old man perceived the infant pass Down green Onchestus heaped like beds with grass. 15. The old man stood dressing his sunny vine: 'Halloo! old fellow with the crooked shoulder! You grub those stumps? before they will bear wine Methinks even you must grow a little older: Attend, I pray, to this advice of mine, As you would 'scape what might appal a bolder— Seeing, see not—and hearing, hear not—and— If you have understanding—understand.' 16. So saying, Hermes roused the oxen vast; O'er shadowy mountain and resounding dell, And flower-paven plains, great Hermes passed; Till the black night divine, which favouring fell Around his steps, grew gray, and morning fast Wakened the world to work, and from her cell Sea-strewn, the Pallantean Moon sublime Into her watch-tower just began to climb. 17. Now to Alpheus he had driven all The broad-foreheaded oxen of the Sun; They came unwearied to the lofty stall And to the water-troughs which ever run Through the fresh fields—and when with rushgrass tall, Lotus and all sweet herbage, every one Had pastured been, the great God made them move Towards the stall in a collected drove. 18. A mighty pile of wood the God then heaped, And having soon conceived the mystery Of fire, from two smooth laurel branches stripped The bark, and rubbed them in his palms;—on high Suddenly forth the burning vapour leaped And the divine child saw delightedly.— Mercury first found out for human weal Tinder-box, matches, fire-irons, flint and steel. 19. And fine dry logs and roots innumerous He gathered in a delve upon the ground— And kindled them—and instantaneous The strength of the fierce flame was breathed around: And whilst the might of glorious Vulcan thus Wrapped the great pile with glare and roaring sound, Hermes dragged forth two heifers, lowing loud, Close to the fire—such might was in the God. 20. And on the earth upon their backs he threw The panting beasts, and rolled them o'er and o'er, And bored their lives out. Without more ado He cut up fat and flesh, and down before The fire, on spits of wood he placed the two, Toasting their flesh and ribs, and all the gore Pursed in the bowels; and while this was done He stretched their hides over a craggy stone.

Samwell Tarly looked at him for a long moment, and his round face seemed to cave in on itself. He sat down on the frost-covered ground and began to cry, huge choking sobs that made his whole body shake. Jon Snow could only stand and watch. Like the snowfall on the barrowlands, it seemed the tears would never end. It was Ghost who knew what to do. Silent as shadow, the pale direwolf moved closer and began to lick the warm tears off Samwell Tarly's face. The fat boy cried out, startled... and somehow, in a heartbeat, his sobs turned to laughter. Jon Snow laughed with him. Afterward they sat on the frozen ground, huddled in their cloaks with Ghost between them. Jon told the story of how he and Robb had found the pups newborn in the late summer snows. It seemed a thousand years ago now. Before long he found himself talking of Winterfell. "Sometimes I dream about it," he said. "I'm walking down this long empty hall. My voice echoes all around, but no one answers, so I walk faster, opening doors, shouting names. I don't even know who I'm looking for. Most nights it's my father, but sometimes it's Robb instead, or my little sister Arya, or my uncle." The thought of Benjen Stark saddened him; his uncle was still missing. The Old Bear had sent out rangers in search of him. Ser Jaremy Rykker had led two sweeps, and Quorin Halfhand had gone forth from the Shadow Tower, but they'd found nothing aside from a few blazes in the trees that his uncle had left to mark his way. In the stony highlands to the northwest, the marks stopped abruptly and all trace of Ben Stark vanished. "Do you ever find anyone in your dream?" Sam asked. Jon shook his head. "No one. The castle is always empty." He had never told anyone of the dream, and he did not understand why he was telling Sam now, yet somehow it felt good to talk of it. "Even the ravens are gone from the rookery, and the stables are full of bones. That always scares me. I start to run then, throwing open doors, climbing the tower three steps at a time, screaming for someone, for anyone. And then I find myself in front of the door to the crypts. It's black inside, and I can see the steps spiraling down. Somehow I know I have to go down there, but I don't want to. I'm afraid of what might be waiting for me. The old Kings of Winter are down there, sitting on their thrones with stone wolves at their feet and iron swords across their laps, but it's not them I'm afraid of. I scream that I'm not a Stark, that this isn't my place, but it's no good, I have to go anyway, so I start down, feeling the walls as I descend, with no torch to light the way. It gets darker and darker, until I want to scream." He stopped, frowning, embarrassed. "That's when I always wake." His skin cold and clammy, shivering in the darkness of his cell. Ghost would leap up beside him, his warmth as comforting as daybreak. He would go back to sleep with his face pressed into the direwolf s shaggy white fur.