Iris Song Quotes

We've searched our database for all the quotes and captions related to Iris Song. Here they are! All 25 of them:

And I don't want the world to see me, Cause I don't think that they'd understand. When everything's made to be broken, I just want you to know who I am.
Goo Goo Dolls
To lose somebody is to lose not only their person but all those modes and manifestations into which their person has flowed outwards; so that in losing a beloved one may find so many things, pictures, poems, melodies, places lost too: Dante, Avignon, a song of Shakespeare's, the Cornish sea.
Iris Murdoch (A Severed Head)
Once upon a time we all walked on the golden road. It was a fair highway, through the Land of Lost Delight; shadow and sunshine were blessedly mingled, and every turn and dip revealed a fresh charm and a new loveliness to eager hearts and unspoiled eyes. On that road we heard the song of morning stars; we drank in fragrances aerial and sweet as a May mist; we were rich in gossamer fancies and iris hopes; our hearts sought and found the boon of dreams; the years waited beyond and they were very fair; life was a rose-lipped comrade with purple flowers dripping from her fingers. We may long have left the golden road behind, but its memories are the dearest of our eternal possessions; and those who cherish them as such may haply find a pleasure in the pages of this book, whose people are pilgrims on the golden road of youth.
L.M. Montgomery (The Golden Road (The Story Girl, #2))
You preach to me of laws, you tie my limbs With rights and wrongs and arguments of good, You choke my songs and fill my mouth with hymns, You stop my heart and turn it into wood.
Iris Tree
You rail on us all for not being saints." "Yes, yes, yes. And when I stop that railing I shall be dead. It is the only thing I know and I shall cry it out again and again, like a tedious little bird with only one song.
Iris Murdoch (The Nice and the Good)
Why were we tortured? We were in love and life was a fast current swarming around our ankles, threatening to topple us into the wet part of the planet. It was intense, that's why we were tortured. It was enormous and exploding like palm tree. Iris was my Yuri-G, my Delilah, my Stella Marie. Strong dark women you had to love with a strong dark heart that throbbed in gorgeous pain because love is terrible. I mean, ultimately. It would go away like a needle lifting from the vinyl at the end of the song, we knew this. The music would cease, one of us would die or else we'd just break up, and this drove us to drink from each other like two twelve-year-olds sneaking vodka from the liquor cabinet, trying to get it all down, trying to get as fucked up as possible before we got caught.
Michelle Tea (Valencia)
Iris had never loved a silence more. Her ear was pressed to his chest; she listened to the steady beat of his heart. An endless, faithful song.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
Her mind was sharpening as she remembered who she was, and the world around her started to melt. The mountains and the sky, the valleys and the wildflowers. Stars she had not even known existed. All of it was draining away like water in a bathtub, but the woman held firm before her, flowers blooming in her dark hair. Not a woman, but a goddess. “I don’t want you to die. I don’t want magic to fade, but I am not as strong as you,” Iris said. “He will surely defeat me.” “You are capable of far more than you know. Why do you think I look at you now and marvel? Why do you think I draw close to your kind? I have sung many of you to eternal rest after death, and I have found that he music of a mortal life burns brighter than any magic my songs could stoke.
Rebecca Ross (Ruthless Vows (Letters of Enchantment, #2))
The rain landed on my skin with a barely audible patter and changed the tempo of its repetitive dance, letting the wind change its course and angle. The cold soon seeped through my dress and into my bones. An iris from my garland fell in my lap.
Erica Sehyun Song (Thorns in the Shadow)
BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
I am Iris, Goddess of the Rainbow, the Sea and the Sky, and a Messenger to the Gods.’ ‘W-what?’ Any minute now, I’ll wake up! .‘I am here to deliver a message from the Great Moon Goddess Selene, who speaks to you through the song of the Siren, that which seduces the soul with its beauty.
Tracey Morait (Episode)
We fell in love with that little peep-show projection on the inside of an iris, pictures that amount to nothing more than the thirsty moon over a spot of bloody ground. Those weren’t the nothings we restless sleepwalkers knew, no place no home no song. So we heard her and we followed until she went where we couldn't follow. She went down beyond the mountains and disappeared between the crease of sky and land, like a great eyelid folding shut. No one knows what happened out in the Black Hills, but I imagine she lies buried in a rusty coffin under the stars. And on nights when the desert crickets sing her tune, they say one day she will rise again. On that day, there is no telling the kind of vengeance she'll demand of us. Fair is fair. They say when she fell from Heaven she wore a crown of jagged stars that slit the skies throat. They say she loved them all, in the secret corners of their shallow sleep. Strangers, at the last. They say a lot of things. They’re all lies. Everything is already written.
James Curcio (Party at the World’s End)
Once upon a time we all walked on the golden road. It was a fair highway, through the Land of Lost Delight; shadow and sunshine were blessedly mingled, and every turn and dip revealed a fresh charm and a new loveliness to eager hearts and unspoiled eyes. On that road we heard the song of morning stars; we drank in fragrances aerial and sweet as a May mist; we were rich in gossamer fancies and iris hopes; our hearts sought and found the boon of dreams; the years waited beyond and they were very fair; life was a rose-lipped comrade with purple flowers dripping from her fingers. We may long have left the golden road behind, but its memories are the dearest of our eternal possessions; and those who cherish them as such may haply find a pleasure in the pages of this book, whose people are pilgrims on the golden road of youth.
L.M. Montgomery (The Golden Road)
She rubbed the skin off your headstone of a sternum and painted a sad picture of herself in your eyes. We fell in love with that little peep-show projection on the inside of an iris, pictures that amount to nothing more than the thirsty moon over a spot of bloody ground. Those weren’t the nothings we restless sleepwalkers knew, no place no home no song. So we heard her and we followed until she went where we couldn't follow. She went down beyond the mountains and disappeared between the crease of sky and land, like a great eyelid folding shut. No one knows what happened out in the Black Hills, but I imagine she lies buried in a rusty coffin under the stars. And on nights when the desert crickets sing her tune, they say one day she will rise again. On that day, there is no telling the kind of vengeance she'll demand of us. Fair is fair. They say when she fell from Heaven she wore a crown of jagged stars that slit the skies throat. They say she loved them all, in the secret corners of their shallow sleep. Strangers, at the last. They say a lot of things. They’re all lies. Everything is already written.
James Curcio (Party at the World’s End)
Songs that felt like Wyatt: “Iris” by Goo Goo Dolls “A Murder of One” by Counting Crows “Take It Easy on Me” by Little River Band “Hold You in My Arms” by Ray LaMontagne “Wild Horses” by The Rolling Stones “Thinking Out Loud” by Ed Sheeran “Yellow” by Coldplay Songs that took me to the beach: “Watermelon Sugar” by Harry Styles “Sunshine on My Shoulders” by John Denver “Wouldn’t It Be Nice” by The Beach Boys Songs to make Sam cry: “Who Knew” by Pink “Wrecking Ball” by Miley Cyrus “1 Step Forward, 3 Steps Back” by Olivia Rodrigo “So Far Away” by Carole King “Romeo and Juliet” by Dire Straits “Stay” by Rihanna “Sam, I Am” by Missy McGee
Annabel Monaghan (Same Time Next Summer)
What if I had been the one to hear the song? Iris thought, her heart so heavy it felt bruised against her ribs. If I had encountered the goddess and not him … would he let me go like this?
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
So tortured about what? Why were we tortured? We were in love and life was a fast current swarming around our ankles, threatening to topple us into the wet part of the planet. It was intense, that's why we were tortured. It was enormous and exploding like that palm tree. Iris was my Yuri-G, my Delilah, my Stella Marie. Strong dark women you had to love with a strong dark heart the throbbed in gorgeous pain because love is terrible. I mean, ultimately. It would go away like a needle lifting from the vinyl at the end of the song, we knew this. The music would cease, one of us would die or else we'd just break up, and this drove us to drink from each other like two twelve-year-olds sneaking vodka from the liquor cabinet, trying to get it all down, trying to get as fucked up as possible before we got caught.
Michelle Tea (Valencia)
She was... different from other women in some way he still was unable to understand. She was more pure, more bright, more golden. She called to him on an animal level. Her song had seeped into his veins, his lungs, and his liver until he could no longer divide her from his marrow. He needed her. And now he was marrying her, Iris Daniels, Lady Jordan. The notion was as wrong as that of a spring robin tied to a carrion raven. Yet he could not stop this monstrosity. More, he'd kill any man who tried to gainsay him. He wanted her.
Elizabeth Hoyt (Duke of Desire (Maiden Lane, #12))
Iris’?” I cocked a brow. “Good song choice, Molloy,
Chloe Walsh (Saving 6 (Boys of Tommen, #3))
Yesterday, we lit a Yahrzeit candle that sat on the kitchen counter and burned brightly in memory of you. We will light a Yahrzeit candle every year on this day. And every year, it will burn out on my birthday. And every year, that cruel juxtaposition will remind me that life is moving on without you. This is how it is now: equal parts joy and sorrow. Everything all at once. I have this vivid memory of driving with Iris to the grocery store last summer on a particularly dark day. It’s one of those seemingly insignificant moments that made a permanent mark. “You Are My Sunshine” shuffled onto Pandora Toddler Radio. Glancing at Iris in the rearview mirror, I was simultaneously overwhelmed with pure joy as I saw her singing and clapping along and sorrow that you would never get to see such a spectacular view. You are my sunshine, my only sunshine. You make me happy when skies are gray. You’ll never know, dear, how much I love you. Please don’t take my sunshine away. The other night dear when I lay sleeping, I dreamed I held you in my arms. When I awoke dear, I was mistaken, So I hung my head and cried. This song is so happy and sad at once. It’s what it feels like to be alive. It’s what it feels like to lose someone you love but still be surrounded by so much light.
Stephanie Wittels Wach (Everything is Horrible and Wonderful: A Tragicomic Memoir of Genius, Heroin, Love, and Loss)
She had moved on to another jazzy song, trying to engage the apathetic audience. “Everybody, clap your handsu!” she shouted into the mic. She threw her hands in the air and let out an emphatic “Woo!
Iris Yamashita (City Under One Roof (Cara Kennedy, #1))
Mom, Everything’s okay. I’ll catch up on my work when I get back. Please don’t worry. I’m having a great time with Grandma. Yes, it’ll be a few days before we get back. Sorry for taking off like we did without telling you first. I guess it’s the kind of thing I’d do too, because it wasn’t Grandma’s idea. Please don’t be mad at her. Love, Iris
Lynne Kelly (Song for a Whale)
Therfore when any favour'd of high Jove, Chances to pass through this adventrous glade, Swift as the Sparkle of a glancing Star, [ 80 ] I shoot from Heav'n to give him safe convoy, As now I do: But first I must put off These my skie robes spun out of Iris Wooff, And take the Weeds and likenes of a Swain, That to the service of this house belongs, [ 85 ] Who with his soft Pipe, and smooth-dittied Song, Well knows to still the wilde winds when they roar, And hush the waving Woods, nor of lesse faith, And in this office of his Mountain watch, Likeliest, and neerest to the present ayd [ 90 ] Of this occasion. But I hear the tread Of hatefull steps, I must be viewless now.
Milton
Coldplay—“Yellow” Guns N’ Roses—“Sweet Child O’ Mine” Goo Goo Dolls—“Iris” The Fureys—“When You Were Sweet Sixteen” Howie Day—“Collide” The Offspring—“Want You Bad” Busted—“Fall at Your Feet” Aerosmith—“Crazy” Counting Crows—“Colorblind” David Gray—“This Year’s Love” Bon Jovi—“In These Arms” Westlife—“World of Our Own” Eagle-Eye Cherry—“Save Tonight” Metallica—“Tuesday’s Gone” Snow Patrol—“Run” The Verve—“Lucky Man” HIM—“Wicked Game” The La’s—“There She Goes” These were love songs. These were all love songs.
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
Once we had introduced Oliver’s room and then going to Claire’s room for the first time, introducing that space— we’ve tried versions where she just walked out into the space, sang the first verse of her song. And then the iris opened, and her room was there, and then ultimately landed on a version where we’re in Oliver’s room and we’re closing down the iris, and then it almost immediately opens back up, and now her room is there— which is kind of a fun magic trick. Seeing it together for the first time, I think we were thrilled with what felt possible— not that we had gotten it right yet on the first preview but that there was something here in the vocabulary that was really unique. If the audience can’t tell how something is happening or what is happening or exactly how the space works, I think that’s exciting. [uplifting music]
Taylor Swift (Style - Piano/Vocal/Guitar Sheet Music Single)