Compound Wall Quotes

We've searched our database for all the quotes and captions related to Compound Wall. Here they are! All 49 of them:

Memory believes before knowing remembers. Believes longer than recollects, longer than knowing even wonders. Knows remembers believes a corridor in a big long garbled cold echoing building of dark red brick sootbleakened by more chimneys than its own, set in a grassless cinderstrewnpacked compound surrounded by smoking factory purlieus and enclosed by ten food steel-and-wire fence like a penitentiary or a zoo, where in random erratic surges, with sparrowlike childtrebling, orphans in identical and uniform blue denim in and out of remembering but in knowing constant in the bleak walls, the bleak windows where in rain soot from the yearly adjacenting chimneys streaked like black tears.
William Faulkner (Light in August)
It’s not getting to the wall that counts; it’s what you do after you hit it.
Darren Hardy (The Compound Effect)
Ten thousand!" I shouted at the walls, back in the room with the wooden shutters, now open, so that anyone could hear me, on the porch or probably across the compound. "That arrogant bastard landed ten thousand men at Tas-Elisa. In my port! Mine!" When I was a child and playmates snatched my toys out of my hands, I tended to smile weakly and give in. Years later I was acting the way I should have as a child. Probably not the most mature behavior for a king, but I was still cursing as I swung around to find a delegation of barons in the doorway behind me. My father, Baron Comeneus, and Baron Xorcheus among them. They thought it was how a king behaved. I ran my fingers through my hair and tried to pursue a more reasonable line of thought, but more reasonable thoughts made me angry again.
Megan Whalen Turner (A Conspiracy of Kings (The Queen's Thief, #4))
I didn't like Dali: now, like you, I do. Like you, I began to drink my Coke with a pinch of salt . Like you, I stopped bothering about ironed clothes. Like you, I sit with a dictionary while reading the papers. Like you, I sit on the compound wall after a bath.
Sachin Kundalkar (Cobalt Blue)
The Monastery of the Cenobitical Order was a large-walled compound built seven hundred thousand years ago on a damned-made hill of stone and cement.
Clive Barker (The Scarlet Gospels)
In the Middle East I’d seen North Americans and Europeans arrive and immediately cocoon themselves into gated compounds and gated friendships. So normalized was this walling off that a Westerner could spend decades in a place like Qatar and only briefly contend with the inconvenience of their host nation’s ways of living. (It would come as a genuine surprise to me, years later, when I came to the West and found that this precise thing was a routine accusation lobbed at people from my part of the world. We simply did not do enough to learn the language, the culture. We stubbornly refused to assimilate.)
Omar El Akkad (One Day, Everyone Will Have Always Been Against This)
Did I ever tell you that my home in Rim was bigger than the whole of your compound?" Sable asked. A jab, but Perry couldn't have cared less. His house always offered enough space. Even when the Six had slept wall to wall across the floor, there had always been enough room for everyone. "You want to compare sizes Sable? I bet I win.
Veronica Rossi (Into the Still Blue (Under the Never Sky, #3))
Sometimes, in the course of my hopeless quest, I would pick up and dip into one of the ordinary books that lay strewn around the castle. Whenever I did, it seemed so insipid and insubstantial that I flew into a rage and hurled it at the wall after reading the first few sentences. I was spoilt for any other form of literature, and the mental torment I endured was comparable to the agony of unrequited love compounded by the withdrawal symptoms associated with a severe addiction.
Walter Moers (The City of Dreaming Books (Zamonia, #4))
She went to her room and curled into a ball of misery and decided that she would die of a broken heart. Minstrels would write songs about how she had turned her face to the wall and died of the false-heartedness of men. She could not quite make up her mind whether she wanted to be a ghost who would haunt the convent or not. It would be very satisfying to be a sad-eyed, beautiful ghost who drifted through the halls, gazing up at the moon and weeping silently, as a warning to other young women. On the other hand, she was still short and round-faced and sturdy, and there were very few ghost stories about short, sturdy women. Marra had not managed to be pale and willowy and consumptive at any point in eighteen years of life and did not think she could achieve it before she died. Possibly it would be better to just have songs made about her. The Sister Apothecary came to her, the nun who doctored all the residents of the convent for various ailments, and who compounded medicines and salves and treatments for the farmer’s wives who lived nearby. She studied Marra intensely for a few minutes. “It’s a man, is it?” she said finally. Marra grunted. It occurred to her about an hour earlier that she did not know how the minstrels would find out that she existed in order to write the sad songs in the first place, and her mind was somewhat occupied by this problem. Did you write them letters?
T. Kingfisher (Nettle & Bone)
bedroom and up the side of the compound to the study. Satisfied? he asked when she arrived. Saphira raked him with her sapphire eyes, then proceeded to scrutinize the walls and furniture.
Christopher Paolini (Eldest (Inheritance, #2))
In the countryside he heard horns and drums and followed the sound to a temple of granite and marble set in a compound that included shrines and incense stalls, people squatting against the walls, beggars, touts, flower-sellers, those who watch over your shoes for a couple of weightless coins.
Don DeLillo (The Names)
MEMORY believes before knowing remembers. Believes longer than recollects, longer than knowing even wonders. Knows remembers believes a corridor in a big long garbled cold echoing building of dark red brick sootbleakened by more chimneys than its own, set in a grassless cinderstrewnpacked compound surrounded by smoking factory purlieus and enclosed by a ten foot steel-and-wire fence like a penitentiary or a zoo, where in random erratic surges, with sparrowlike childtrebling, orphans in identical and uniform blue denim in and out of remembering but in knowing constant as the bleak walls, the bleak windows where in rain soot from the yearly adjacenting chimneys streaked like black tears.
William Faulkner (Light in August)
In 1970, Alix Kates Shulman, a wife, mother, and writer who had joined the Women's Liberation Movement in New York, wrote a poignant account of how the initial equality and companionship of her marriage had deteriorated once she had children. "[N]ow I was restricted to the company of two demanding preschoolers and to the four walls of an apartment. It seemed unfair that while my husband's life had changed little when the children were born, domestic life had become the only life I had." His job became even more demanding, requiring late nights and travel out of town. Meanwhile it was virtually impossible for her to work at home. "I had no time for myself; the children were always there." Neither she nor her husband was happy with the situation, so they did something radical, which received considerable media coverage: they wrote up a marriage agreement... In it they asserted that "each member of the family has an equal right to his/her own time, work, values and choices... The ability to earn more money is already a privilege which must not be compounded by enabling the larger earner to buy out of his/her duties and put the burden on the one who earns less, or on someone hired from outside." The agreement insisted that domestic jobs be shared fifty-fifty and, get this girls, "If one party works overtime in any domestic job, she/he must be compensated by equal work by the other." The agreement then listed a complete job breakdown... in other worde, the agreement acknowledged the physical and the emotional/mental work involved in parenting and valued both. At the end of the article, Shulman noted how much happier she and her husband were as a result of the agreement. In the two years after its inception, Shulman wrote three children's books, a biography and a novel. But listen, too, to what it meant to her husband, who was now actually seeing his children every day. After the agreement had been in effect for four months, "our daughter said one day to my husband, 'You know, Daddy, I used to love Mommy more than you, but now I love you both the same.
Susan J. Douglas (The Mommy Myth: The Idealization of Motherhood and How It Has Undermined All Women)
It’s not until situations are difficult, when problems come up and temptation is great, that you get to prove your worthiness for progress. As Jim Rohn would say, “Don’t wish it were easier; wish you were better.” When you hit the wall in your disciplines, routines, rhythms, and consistency, realize that’s when you are separating yourself from your old self, scaling that wall, and finding your new powerful, triumphant, and victorious self.
Darren Hardy (The Compound Effect)
I'm sorry I dragged you into this.” He leaned back against the low wall and folded his arms. “I wouldn't have missed it for the world.” “You're trapped in the Chicago compound,” I pointed out. “Yeah, but I'm with the girl who's going to end the quarantine.” “What?” I stared at him. He cut me a sly look. “The girl in Mack's stories always does.” “I'm not that girl.” “No,” he agreed. “You're better. For one thing, you're real. And two, you fill out that dress better than a ten-year-old could.
Kat Falls (Inhuman (Fetch, #1))
The path of a high tier sorceress was risky. On certain nights, Amonette found herself courting a stress that would break any normal human. Even with the spellwork she wove to bolster her frame, she was barely able to keep herself together, always teetering on the edge of sanity. Vain as it sounded, she would do well to establish some type of human bond. The light from the candles cast long shadows on the wooden walls as the compounds from them activated: jasmine, myrrh, cinnamon, and scents from trees indigenous to the Mersi forest— Hamallallia branches and flowers from the Asmodean Drachla. As Amonette waited for the composite fragrance to fill the room, she heaved her dress over her head, feeling the numbness setting into her muscles. It's about time to begin, she thought. Amonette shivered slightly against the cold breeze nipping at her naked, ever desensitizing flesh. The light was just bright enough to reveal the sigils snaking the length of her stomach and torso-- lines carved into her flesh in moments when the spirit of Satharchon occupied her entirely. She was his most loyal, and hence she was blessed to hear his voice in her head on occasion, counseling her. She hoped he would find her entire body fit to occupy tonight.
Asher Sharol (Bonds Of Chrome Magic (Blood Quintet #1))
*Wife's Letter* Pt2 ... Nevertheless, these notes were a terrible confession. I felt as if I had been forced onto an operating table, although I was not sick, and hacked up indiscriminately with a hundred different knives and scissors, even the uses of which were incomprehensible. With this in mind, please read through what you have written once again. Surely even you will be able to hear my cries of pain. If I had the time, I should like to explain the significance of those cries one by one. But it would be dreadful if I were so careless as to let you return while I was still here. It really would be dreadful. While you spoke of the face as being some kind of roadway between fellow human beings, you were like a snail that thinks only of its own doorway. You were showing off. Even though you had forced me into a compound where I had already been, you set up a fuss as if I had scaled a prison wall, as if I had absconded with money. And so, when you began to focus on my face you were flustered and confused, and without a word you at once nailed up the door of the mask. Indeed, as you said, perhaps death filled the world. I wonder if scattering the seeds of death is not the deed of men who think only of themselves, as you do. You don’t need me. What you really need is a mirror. Because any stranger is for you simply a mirror in which to reflect yourself. I don’t ever again want to return to such a desert of mirrors. My insides have almost burst with your ridicule. I shall never be able to get over it, never.
Kōbō Abe (The Face of Another)
And the heat was a medium which made this change of out-look possible. As a liberating power with its own laws it was outside my experience. In the heat, the commonest objects changed their nature. Walls, trees, the very ground one trod on, instead of being cool were warm to the touch: and the sense of touch is the most transfiguring of all the senses. Many things to eat and drink, which one had enjoyed because they were hot, one now shunned for the same reason. Unless restrained by ice, the butter melted. Besides altering or intensifying all smells the heat had a smell of its own - a garden smell, I called it to myself, compounded of the scents of many flowers, and odours loosened from the earth, but with something peculiar to itself which defied analysis. Sounds were fewer and seemed to come from far away, as if Nature grudged the effort. In the heat the senses, the mind, the heart, the body, all told a different tale. One felt another person, one was another person.
L.P. Hartley (The Go-Between)
My God. How can people be so cruel and thoughtless? They should be thanking you for your service!” “That’s even worse! What the fuck do they think they’re thanking me for? They don’t know what I did over there! They don’t understand that I’ve got seconds to make a judgment call that will either save my guys or end someone’s life—and that someone could be an enemy combatant or it could be a civilian. A farmer. A woman. A child. Or it could be both! That’s the real fucked-up part of it. It could be both a child and the enemy. That kid you’ve been giving candy and comic books to? The one that brought you fresh bread and knows your name and taught you a few words in his language? Is he the one reporting your position? Did he pull the trigger wire on the IED that killed your friend and wounded every single guy in your squad? Has he been the enemy all along? Is it your fault for talking to him?” I was so shocked, I didn’t know what to say. Tears burned my eyes, and my chest ached as I raced along beside him. “Oh, Ryan, no. Of course it isn’t.” “It is. I should have known. I let them down.” “You didn’t,” I said, trying to touch his arm, but he shrugged me off, refusing to be comforted. “And how about the time Taliban fighters lined up women and children as shields behind a compound wall while they fired at you, only you didn’t realize what they’d done until after you’d fired back, killing dozens of innocents?” The tears dripped down my cheeks, but I silently wiped them away in the dark. This wasn’t about me, and I didn’t want him to stop if he needed to get these things out. “Or how about the farmer I killed that didn’t respond to warning shots, the one whose son later told us was deaf and mute? Should I be thanked for that?” I could see how furious and heartsick he was, and I hated that I’d brought this on. “Yes,” I said firmly, although I continued to cry. “Because you’re brave and strong and you did what you were trained to do, what you had to do.
Melanie Harlow (Only Love (One and Only, #3))
She wasn’t sure when she realized that she wasn’t alone. She’d heard a louder murmur from the crowd outside, but she hadn’t connected it with the door opening. She looked over her shoulder and saw Tate standing against the back wall. He was wearing one of those Armani suits that looked so splendid on his lithe build, and he had his trenchcoat over one arm. He was leaning back, glaring at the ceremony. Something was different about him, but Cecily couldn’t think what. It wasn’t the vivid bruise high up on his cheek where Matt had hit him. But it was something…Then it dawned on her. His hair was cut short, like her own. He glared at her. Cecily wasn’t going to cower in her seat and let him think she was afraid to face him. Mindful of the solemnity of the occasion, she got up and joined Tate by the door. “So you actually came. Bruises and all,” she whispered with a faintly mocking smile, eyeing the very prominent green-and-yellow patch on his jaw that Matt Holden had put there. He looked down at her from turbulent black eyes. He didn’t reply for a minute while he studied her, taking in the differences in her appearance, too. His eyes narrowed on her short hair. She thought his eyelids flinched, but it might have been the light. His eyes went back to the ceremony. He didn’t say another word. He didn’t really need to. He’d cut his hair. In his culture-the one that part of him still belonged to-cutting the hair was a sign of grief. She could feel the way it was hurting him to know that the people he loved most in the world had lied to him. She wanted to tell him that the pain would ease day by day, that it was better to know the truth than go through life living a lie. She wanted to tell him that having a foot in two cultures wasn’t the end of the world. But he stood there like a painted stone statue, his jaw so tense that the muscles in it were noticeable. He refused to acknowledge her presence at all. “Congratulations on your engagement, by the way,” she said without a trace of bitterness in her tone. “I’m very happy for you.” His eyes met hers evenly. “That isn’t what you told the press,” he said in a cold undertone. “I’m amazed that you’d go to such lengths to get back at me.” “What lengths?” she asked. “Planting that story in the tabloids,” he returned. “I could hate you for that.” The teenage sex slave story, she guessed. She glared back at him. “And I could hate you, for believing I would do something so underhanded,” she returned. He scowled down at her. The anger he felt was almost tangible. She’d sold him out in every way possible and now she’d embarrassed him publicly, again, first by confessing to the media that she’d been his teenage lover-a load of bull if ever there was one. Then she’d compounded it by adding that he was marrying Audrey at Christmas. He wondered how she could be so vindictive. Audrey was sticking to him like glue and she’d told everyone about the wedding. Not that many people hadn’t read it already in the papers. He felt sick all over. He wouldn’t have Audrey at any price. Not that he was about to confess that to Cecily now, after she’d sold him out. He started to speak, but he thought better of it, and turned his angry eyes back toward the couple at the altar. After a minute, Cecily turned and went back to her seat. She didn’t look at him again.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Depletion of Vitamin D Sunscreens prevent the absorption of vitamin D. But all the compounds discussed above, whether in sunscreens or other products, also lower your liver’s ability to convert this critical vitamin to its active form. This prevents the regeneration of new cells in your protective intestinal wall barrier, allowing more lectins and LPSs through, along with other foreign bodies. Men with prostate cancer have very low levels of vitamin D. Despite the fact that my practice is in Southern California, I have found that almost 80 percent of my patients have low levels of vitamin D in their blood. In fact, anyone in my practice with leaky gut or autoimmune diseases has low levels. Lacking sufficient vitamin D, and in the face of repeated assaults on the walls of the intestine and the lack of ongoing repair to keep out lectins and LPSs, the body constantly senses that it is at war. It’s not surprising, then, that most of my overweight and obese patients are also very deficient in vitamin D.20 Such a deficiency also impedes the generation of new bone, setting the stage for the development of osteoporosis. My thin female patients with osteopenia and osteoporosis also have low levels of this critical vitamin when they first come to see me.
Steven R. Gundry (The Plant Paradox: The Hidden Dangers in "Healthy" Foods That Cause Disease and Weight Gain)
Indeed, Newton confessed, “an evil heart of unbelief fills my sky with many clouds.”73 This lack of trust in God “is the primary cause of all our inquietude.”74 Newton prayed hard against the unbelief in his heart: “For this I sigh and long, and cry to the Lord to rend the veil of unbelief, scatter the clouds of ignorance, and break down the walls which sin is daily building up to hide him from my eyes.”75 Yet in our pride we hold tightly to our cares and open ourselves to spiritual attack (1 Pet. 5:6–8). We pull anxiety close like a blanket, so close that we cover our faces and cloud our souls from the victory and sovereign reign of Christ in the heavens. Even worse, unbelief makes us despondent. By faith we see our sin more clearly, and we see the sufficiency of Christ, which brings daily opportunities for joy in Christ. In turn, joy in Christ brings spiritual fortitude. “The joy of the Lord is the strength of his people: whereas unbelief makes our hands hang down, and our knees feeble, dispirits ourselves, and discourages others; and though it steals upon us under a semblance of humility, it is indeed the very essence of pride.”76 Pride exchanges joy in Christ for a cloud of spiritual despondency. Unbelief also brings insecurity about our salvation, and insecurity in Christ carries compounded anxieties and doubts to snuff out joy in Christ.
Tony Reinke (Newton on the Christian Life: To Live Is Christ)
Wife's Letter (excerpt) It was not the mask that died among the boots, but you. The girl with the yoyo was not the only one to know about your masked play. From the very first instant, when, elated with pride, you talked about the distortion of the magnetic field, I too saw through you completely. Please don’t insult me any more by asking how I did it. Of course, I was flustered, confused, and frightened to death. Under any circumstances, it was an unimaginably drastic way of acting, so different from your ordinary self. It was hallucinatory, seeing you so full of self-confidence. Even you knew very well that I had seen through you. You knew and yet demanded that we go on with the play in silence. ... But you went from one misunderstanding to the next, didn’t you? You write that I rejected you, but that’s not true. Didn’t you reject yourself all by yourself?.. In a happy frame of mind, I reflected that love strips the mask from each of us, and we must endeavor for those we love to put the mask on so that it can be taken off again. For if there is no mask to start with, there is no pleasure in removing it, is there? ... Is what you think to be the mask in reality your real face, or is what you think to be your real face really a mask? Yes, you do understand. Anyone who is seduced is seduced realizing this. ... At first you were apparently trying to get your own self back by means of the mask, but before you knew it you had come to think of it only as your magician’s cloak for escaping from yourself. So it was not a mask, but somewhat the same as another real face, wasn’t it? You finally revealed your true colors. It was not the mask, but you yourself. It is meaningful to put a mask on, precisely because one makes others realize it is a mask. Even with cosmetics, which you abominate so, we never try to conceal the fact that it is make-up. After all, it was not that the mask was bad, but that you were too unaware of how to treat it. Even though you put the mask on, you could not do a thing while you were wearing it. Good or bad, you could not do a thing. All you could manage was to wander through the streets and write long, never-ending confessions, like a snake with its tail in its mouth. It was all the same to you whether you burned your face or didn’t, whether you put on a mask or didn’t. You were incapable of calling the mask back. Since the mask will not come back, there is no reason for me to return either. ... While you spoke of the face as being some kind of roadway between fellow human beings, you were like a snail that thinks only of its own doorway. You were showing off. Even though you had forced me into a compound where I had already been, you set up a fuss as if I had scaled a prison wall, as if I had absconded with money. And so, when you began to focus on my face you were flustered and confused, and without a word you at once nailed up the door of the mask. Indeed, as you said, perhaps death filled the world. I wonder if scattering the seeds of death is not the deed of men who think only of themselves, as you do. You don’t need me. What you really need is a mirror. Because any stranger is for you simply a mirror in which to reflect yourself.
Kōbō Abe (The Face of Another)
Sam’s the man who’s come to chop us up to bits. No wonder I kicked him out. No wonder I changed the locks. If he cannot stop death, what good is he? ‘Open the door. Please. I’m so tired,’ he says. I look at the night that absorbed my life. How am I supposed to know what’s love, what’s fear? ‘If you’re Sam who am I?’ ‘I know who you are.’ ‘You do?’ ‘Yeah.’ ‘Who?’ Don’t say wife, I think. Don’t say mother. I put my face to the glass, but it’s dark. I don’t reflect. Sam and I watch each other through the window of the kitchen door. He coughs some more. ‘I want to come home,’ he says. ‘I want us to be okay. That’s it. Simple. I want to come home and be a family.’ ‘But I am not simple.’ My body’s coursing with secret genes and hormones and proteins. My body made eyeballs and I have no idea how. There’s nothing simple about eyeballs. My body made food to feed those eyeballs. How? And how can I not know or understand the things that happen inside my body? That seems very dangerous. There’s nothing simple here. I’m ruled by elixirs and compounds. I am a chemistry project conducted by a wild child. I am potentially explosive. Maybe I love Sam because hormones say I need a man to kill the coyotes at night, to bring my babies meat. But I don’t want caveman love. I want love that lives outside the body. I want love that lives. ‘In what ways are you not simple?’ I think of the women I collected upstairs. They’re inside me. And they are only a small fraction of the catalog. I think of molds, of the sea, the biodiversity of plankton. I think of my dad when he was a boy, when he was a tree bud. ‘It’s complicated,’ I say, and then the things I don’t say yet. Words aren’t going to be the best way here. How to explain something that’s coming into existence? ‘I get that now.’ His shoulders tremble some. They jerk. He coughs. I have infected him. ‘Sam.’ We see each other through the glass. We witness each other. That’s something, to be seen by another human, to be seen over all the years. That’s something, too. Love plus time. Love that’s movable, invisible as a liquid or gas, love that finds a way in. Love that leaks. ‘Unlock the door,’ he says. ‘I don’t want to love you because I’m scared.’ ‘So you imagine bad things about me. You imagine me doing things I’ve never done to get rid of me. Kick me out so you won’t have to worry about me leaving?’ ‘Yeah,’ I say. ‘Right.’ And I’m glad he gets that. Sam cocks his head the same way a coyote might, a coyote who’s been temporarily confused by a question of biology versus mortality. What’s the difference between living and imagining? What’s the difference between love and security? Coyotes are not moral. ‘Unlock the door?’ he asks. This family is an experiment, the biggest I’ve ever been part of, an experiment called: How do you let someone in? ‘Unlock the door,’ he says again. ‘Please.’ I release the lock. I open the door. That’s the best definition of love. Sam comes inside. He turns to shut the door, then stops himself. He stares out into the darkness where he came from. What does he think is out there? What does he know? Or is he scared I’ll kick him out again? That is scary. ‘What if we just left the door open?’ he asks. ‘Open.’ And more, more things I don’ts say about the bodies of women. ‘Yeah.’ ‘What about skunks?’ I mean burglars, gangs, evil. We both peer out into the dark, looking for thees scary things. We watch a long while. The night does nothing. ‘We could let them in if they want in,’ he says, but seems uncertain still. ‘Really?’ He draws the door open wider and we leave it that way, looking out at what we can’t see. Unguarded, unafraid, love and loved. We keep the door open as if there are no doors, no walls, no skin, no houses, no difference between us and all the things we think of as the night.
Samantha Hunt (The Dark Dark)
They killed everyone in the camps. The whole world was dying there. Not only Jews. Even a black woman. Not gypsy. Not African. American like you, Mrs. Clara. They said she was a dancer and could play any instrument. Said she could line up shoes from many countries and hop from one pair to the next, performing the dances of the world. They said the Queen of Denmark honored her with a gold trumpet. But she was there, in hell with the rest of us. A woman like you. Many years ago. A lifetime ago. Young then as you would have been. And beautiful. As I believe you must have been, Mrs. Clara. Yes. Before America entered the war. Already camps had begun devouring people. All kinds of people. Yet she was rare. Only woman like her I saw until I came here, to this country, this city. And she saved my life. Poor thing. I was just a boy. Thirteen years old. The guards were beating me. I did not know why. Why? They didn't need a why. They just beat. And sometimes the beating ended in death because there was no reason to stop, just as there was no reason to begin. A boy. But I'd seen it many times. In the camp long enough to forget why I was alive, why anyone would want to live for long. They were hurting me, beating the life out of me but I was not surprised, expected no explanation. I remember curling up as I had seen a dog once cowering from the blows of a rolled newspaper. In the old country lifetimes ago. A boy in my village staring at a dog curled and rolling on its back in the dust outside a baker's shop and our baker in his white apron and tall white hat striking this mutt again and again. I didn't know what mischief this dog had done. I didn't understand why the fat man with flour on his apron was whipping it unmercifully. I simply saw it and hated the man, felt sorry for the animal, but already the child in me understood it could be no other way so I rolled and curled myself against the blows as I'd remembered the spotted dog in the dusty village street because that's the way it had to be. Then a woman's voice in a language I did not comprehend reached me. A woman angry, screeching. I heard her before I saw her. She must have been screaming at them to stop. She must have decided it was better to risk dying than watch the guards pound a boy to death. First I heard her voice, then she rushed in, fell on me, wrapped herself around me. The guards shouted at her. One tried to snatch her away. She wouldn't let go of me and they began to beat her too. I heard the thud of clubs on her back, felt her shudder each time a blow was struck. She fought to her feet, dragging me with her. Shielding me as we stumbled and slammed into a wall. My head was buried in her smock. In the smell of her, the smell of dust, of blood. I was surprised how tiny she was, barely my size, but strong, very strong. Her fingers dug into my shoulders, squeezing, gripping hard enough to hurt me if I hadn't been past the point of feeling pain. Her hands were strong, her legs alive and warm, churning, churning as she pressed me against herself, into her. Somehow she'd pulled me up and back to the barracks wall, propping herself, supporting me, sheltering me. Then she screamed at them in this language I use now but did not know one word of then, cursing them, I'm sure, in her mother tongue, a stream of spit and sputtering sounds as if she could build a wall of words they could not cross. The kapos hesitated, astounded by what she'd dared. Was this black one a madwoman, a witch? Then they tore me from her grasp, pushed me down and I crumpled there in the stinking mud of the compound. One more kick, a numbing, blinding smash that took my breath away. Blood flooded my eyes. I lost consciousness. Last I saw of her she was still fighting, slim, beautiful legs kicking at them as they dragged and punched her across the yard. You say she was colored? Yes. Yes. A dark angel who fell from the sky and saved me.
John Edgar Wideman (Fever)
Agadez has only a handful of multi-storey buildings. The main ones are the mosque and, next door to it, the palace of the Sultan of Aïr, who still retains a role in the local judicial system. But the houses overlooked by this pair are mostly single-storey courtyards, each enclosed by a windowless wall. These are the compounds, and perhaps fifty of them are used by smugglers – though no one knows the exact total. And that’s the point: they’re the perfect places to hide a hundred migrants until they head north to Libya. Once inside, the haggling starts. The going rate between Agadez and Libya is thought to be about 150,000 West African francs (CFA), or £166. But one traveller said he paid as much as €500 (£363), while Cisse claims he charges each of his thirty passengers as little as 50,000 CFA (£55). With such big numbers, it is no surprise that the business continues in full force despite a recent ban.
Patrick Kingsley (The New Odyssey: The Story of the Twenty-First Century Refugee Crisis)
Richard Whitney wrote his own requiem for the Crash. “A thing compounded of both wisdom and folly, of both heroism and fright, of stubborn persistence and impatient irresolution, of tragically shattered hopes and ambitions and of incongruous and unique episodes not without at times a certain humorous aspect.
Gordon Thomas (The Day the Bubble Burst: A Social History of the Wall Street Crash of 1929)
Now it's a loud, slick sports bar like a thousand others across the nation. For some reason, they kept the name and also attempted to keep some of the original spirit by covering the walls with a pasteurized mishmash of blue-collar manliness: sports memorabilia, brand-new parts of old-model cars, a length of shiny railroad track, a mounted deer head. Now just as many women come here as men. The place reverberates with the sound of raised voices trying to compete with the noise coming from the twenty TVs. On weekends they compound the problem by having live music.
Tawni O'Dell (Angels Burning)
Here in Alpha City, we have a common saying: “What we call ‘sky’ is merely a figment of our narrative.” The most dreamy-eyed among us seem to adorn themselves and their aspirations in that proverb and you’ll see it everywhere: in advertisements on the sides of streetcars and auto-rickshaws, spelled out in studs and rhinestones on designer jackets, emblazoned in the intricate designs of facial tattoos—even painted on city walls by putrid vandals and inspiring street artists. There is something glorious about kneading out into the doughy firmament the depth and breadth of one’s own universe, in rendering the contours of a sky whose limits are predicated only upon the bounds of one’s own imagination. The fact of the matter is that we cannot see the natural sky at all here. It is something like a theoretical mathematical expression: like the square-root of ‘negative one’—certainly it could be said to have a purpose for existing, but to cast eyes upon it, in its natural quantity, would be something akin to casting one’s eyes upon the raw elements comprising our everyday sustenance. How many of us have even borne close witness to the minute chemical compounds that react to lend battery power to our portable electronics? The sky is indeed such a concealed fixture now. It is fair to say that we have purged our memories of its true face and so we can only approximate a canvas and project our desires upon it to our heart’s dearest fancy. The most cynical among us would ostensibly declare it an unavoidable tragedy, but perhaps even these hardened individuals could not remember the naked sky well enough to know if what they were missing was something worthwhile. Perhaps, it’s cynical of me to say so! In any case, we have our searchlights pointed upwards and crisscrossing that expanse of heavens as though to make some sensational and profane joke of ourselves to the surrounding universe. We beam already video images of beauty pageants and dancing contests with smiling mannequins who look like buffoons. And so, the face of space cloaks itself behind our light pollution—in this respect, our mirrored sidewalks and lustrous streets do little to help our cause—and that face remains hidden from us in its jeering ridicule, its mocking laughter at this inexorable farce of human existence.
Ashim Shanker
At the time, he told his children to watch themselves, to understand that the tides of conservatism came and went and if they could not live as freely and openly as their parents had, well then, what of it? Didn't they have food in their bellies and family and friends whose company they enjoyed? And within their high-walled compounds, it was irrelevant what the Green Headbands thouse.
Paolo Bacigalupi (The Windup Girl)
When you hit the wall in your disciplines, routines, rhythms, and consistency, realize that’s when you are separating yourself from your old self, scaling that wall, and finding your new powerful, triumphant, and victorious self.
Darren Hardy (The Compound Effect)
Viewing yourself as your toughest competitor is one of the best ways to multiply your results. Go above and beyond when you hit the wall. Another way to multiply your results is pushing past what other people expect of you—doing more than “enough.
Darren Hardy (The Compound Effect)
Consider two investors, Sam Scared and Charlie Compounder. Suppose Sam Scared starts with $1; each time it doubles, he puts his $1 profit in a sock instead of reinvesting it. After ten doublings, Sam has a profit in the sock of $1 × 10 plus his original $1 for a total of $11. Charlie also starts with $1 and makes the same investments but lets his profit ride. His $1 becomes $2, $4, $8, et cetera, until after ten doublings he has $1,024. Sam’s wealth grows as $1, $2, $3…$11. This is called simple growth, arithmetic growth, or growth by addition. Charlie’s increases as $1, $2, $4…$1,024. This is known variously as compound, exponential, geometric, or multiplicative growth. Over a sufficiently long time, compound growth at a small rate will vastly exceed any rate of arithmetic growth, no matter how large! For instance, if Sam Scared made 100 percent a year and put it in a sock and Charlie Compounder made only 1 percent a year but reinvested it, Charlie’s wealth would eventually exceed Sam’s by as much as you please. This is true even if Sam started with far more than Charlie, even $1 billion to Charlie’s $1. Realizing this truth, Robert Malthus (1766–1834), believing that population grew geometrically and resources grew arithmetically, forecast increasingly great misery.
Edward O. Thorp (A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market)
The compound forms a hard bolus and lodges in the stomach wall. It’s metabolically bisturbile.
Victor Cornwall (Scoundrels: Her Majesty's Pleasure (The Scoundrels Club Book 3))
A huge black tentacle snaked over the rim of the Clawrift, wriggling its way behind the Oblodran compound. Like a wave, dark elves fell back, stumbling all over each other, as the twenty-foot-thick monstrosity came around the back, along the side, and along the front wall, back towards the chasm. “Baenre!” Pleaded the desperate, doomed Oblodran. “You have denied Lolth,” the first matron mother replied calmly. “Feel her wraith!
R.A. Salvatore (Siege of Darkness (Forgotten Realms: Legacy of the Drow, #3; Legend of Drizzt, #9))
he took off, rushing out the school doors and down the road. His legs kept going, stopping only when he was at least a mile from his school compound. He rested his hands on his knees, crouching down as he took a deep breath, feeling a light breeze graze his cheek. The road ahead curved down steeply, disappearing from the horizon, and a few miles away stood a tall building faced with bland, gray bricks. He walked on the pavement, following the road toward it. The structure looked much worse close up than it did from further away. It was completely broken down, its walls filled with three-foot wide gaps where the wall had broken off. He pushed through the door and ran up the stairs in the corner. He headed all the way to the top floor and went into the first room on the left. The small box-like room was completely dark, the only source of light coming from the rays of sunlight entering through the gap in the wall. The room did have windows, but after being left alone for so long, those panes were caked with dust so that thick that no light came in at all. He sat down next to the gap, letting the warm sunlight fall onto his face. The rays of light gradually changed their colors, turning from yellow to orange to a deep mystic red, becoming darker and darker as the sun
Dhayaa Anbajagane (ConQuest (The Quest Saga, #1))
acid broke down the compound, making their waste devastating. They said that once it was absorbed, it ruined the cellular walls of plant cells, causing them to be weak, to die. I don’t know the science behind it, but it spread like a plague through plant life. All across the Midwest, crops withered, trees rotted, and forests turned brown. They said that the soil was completely useless due to highly acidic toxins which destroyed all the minerals and nutrients plants needed to thrive. Everything started dying. We watched on television as the Amazon and lush forests
Jeremy Laszlo (Left Alive #1: A Zombie Apocalypse Novel)
acid broke down the compound, making their waste devastating. They said that once it was absorbed, it ruined the cellular walls of plant cells, causing them to be weak, to die. I don’t know the science behind it, but it spread like a plague through plant life. All across the Midwest, crops withered, trees rotted, and forests turned brown. They said that the soil was completely useless due to highly acidic toxins which destroyed all the minerals and nutrients plants needed to thrive. Everything started dying. We watched on television as the Amazon and lush forests in India began to wither and blacken. The governments took action, quickly quarantining any infected areas, halting foot traffic, and trying their hardest to stop the spread. To be honest, it could have worked had we realized sooner. Everything along the Missouri, the Platte, the Canadian, the Pecos, Red, and Mississippi rivers all began to die. The runoff and seepage killed everything, turning the heart of America into a
Jeremy Laszlo (Left Alive #1: A Zombie Apocalypse Novel)
We laugh and jest at what we call “street boys or area boys” instead of thinking of what we could do, to get them occupied or send them to school and create work opportunities for them. We rather choose to build walls around our compounds, electrocuted fences to protect out interest and personal comfort. That only shows lack of Personal Responsibility.
Sunday Adelaja
Oh yeah. You totally look like a banjo-strumming softie,” says Christina. “Really?” “No. Not at all, actually. Just…let me fix it, okay?” She rummages in her bag for a few seconds and pulls out a small box. In it are different-sized tubes and containers that I recognize as makeup, but wouldn’t know what to do with. We are in my parents’ house. It was the only place I could think of to go to get ready. Christina has no reservations about poking around--she already discovered two textbooks wedged between the dresser and the wall, evidence of Caleb’s Erudite leanings. “Let me get this straight. So you left the Dauntless compound to get ready for war…and took your makeup bag with you?” “Yep. Figured it would be harder for anyone to shoot me if they saw how devastatingly attractive I was,” she says, arching an eyebrow. “Hold still.” She takes the cap off a black tube about the size of one of my fingers, revealing a red stick. Lipstick, obviously. She touches it to my mouth and dabs it until my lips are covered in color. I can see it when I purse them. “Has anyone ever talked to you about the miracle of eyebrow tweezing?” she says, holding up a pair of tweezers. “Get those away from me.” “Fine.” She sighs. “I would take out the blush, but I’m pretty sure it’s not the right color for you.” “Shocking, considering we’re so similar in skin tone.” “Ha-ha,” she says. By the time we leave, I have red lips and curled eyelashes, and I’m wearing a bright red dress. And there’s a knife strapped to the inside of my knee. This all makes perfect sense.
Veronica Roth (Insurgent (Divergent, #2))
There were only fifty students in the school at any given time. The juniors were currently providing services at different Households; the total number of Bahriji students was approximately one hundred boys per year. Although Bahriji was a Co-ed school, a high wall separated the girls’ section from the boys. It was really two separate schools located on the same expansive oasis compound. This dividing of the sexes is a standard practice throughout the Middle Eastern world.
Young (Initiation (A Harem Boy's Saga Book 1))
Chinese authorities built green chain-link fences around the perimeter of the U.S. embassy compound in Beijing to prevent defections. Barbed wire was strewn across the tops of the fences and the fences were set a few yards outside the main walls in order to ensure that North Koreans would fall between the newly built fence and the old wall if they tried to jump it.
Victor Cha (The Impossible State: North Korea, Past and Future)
These were the defining moments of success and progress. It wasn’t difficult, painful, or challenging when I was just running with the herd, just keeping up, but not really getting ahead. It’s not getting to the wall that counts; it’s what you do after you hit it.
Darren Hardy (The Compound Effect)
There were so many they packed the small field where the abbey held its yearly market, then spilled around the corner onto the coopers' lane, which followed the eastern edge of the holy house's walled compound. If some of the folk wore the ragged motley of the abbey's usual coterie of beggars, a far greater number dressed in the humble attire of the city's day laborers. Johanna,
Denise Domning (A Love for all Seasons (The Garistan chronicles, #5))
I didn’t know what else to do. This had never happened before in my entire life, never. The compound walls would crumble, I was sure, and squash the frangipani trees. The sky would cave in. The Persian rugs on the stretches of gleaming marble floor would shrink. Something would happen. But the only thing that happened was my choking. My body shook from the coughing. Papa and Mama rushed over. Papa thumped my back while Mama rubbed my shoulders and said, “O zugo. Stop coughing.
Chimamanda Ngozi Adichie (Purple Hibiscus)
I take it the good crowd this morning is thanks to you?” Light words—perhaps an attempt at normalcy, considering what had happened in the library. The old woman smiled—such warmth. She was brighter than the sun peeking above the compound walls. “The girls heard a rumor of a handsome lord coming to teach. I was practically trampled in the stampede down the stairs.
Sarah J. Maas (Tower of Dawn (Throne of Glass, #6))
Before independence, most Jaipur families lived in cramped family compounds inside the old Pink City. But generations of Singhs had always lived on an expansive estate outside the city walls. They were from the ruling class—rajas and minor princes, commissioned army officers—long used to privilege before, during and even after British rule. The Singh estate was on a wide boulevard lined with peepal trees. Eight-foot-high walls spiked with glass shards protected the two-story mansion from view. A marble veranda, overhung with bougainvillea and jasmine vines, extended along the front and sides of each story, and cooled the house in summer, when Jaipur could get as hot as a tandoori oven.
Alka Joshi (The Henna Artist (The Jaipur Trilogy, #1))
again. After their “rolling” session, Reece and Freddy ran a few laps around the inside wall of the compound before getting into their morning workout. Like most of the special operations community, their
Jack Carr (True Believer (Terminal List, #2))
Nature bellowed in a voice that shook the walls of the compound. “And if I had been the help, which I most certainly am not, you should be ashamed of yourself for speaking that way. I’d rip my children a new asshole if they behaved as appallingly as you.” Mary’s screams were very real and this was getting out of hand.
Robyn Peterman (Fashionably Dead and Wed (Hot Damned, #7))