Ireland Sayings Quotes

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I think being a woman is like being Irish... Everyone says you're important and nice, but you take second place all the time.
Iris Murdoch
The master says it’s a glorious thing to die for the Faith and Dad says it’s a glorious thing to die for Ireland and I wonder if there’s anyone in the world who would like us to live.
Frank McCourt (Angela's Ashes (Frank McCourt, #1))
In Ireland, you go to someone's house, and she asks you if you want a cup of tea. You say no, thank you, you're really just fine. She asks if you're sure. You say of course you're sure, really, you don't need a thing. Except they pronounce it ting. You don't need a ting. Well, she says then, I was going to get myself some anyway, so it would be no trouble. Ah, you say, well, if you were going to get yourself some, I wouldn't mind a spot of tea, at that, so long as it's no trouble and I can give you a hand in the kitchen. Then you go through the whole thing all over again until you both end up in the kitchen drinking tea and chatting. In America, someone asks you if you want a cup of tea, you say no, and then you don't get any damned tea. I liked the Irish way better.
C.E. Murphy (Urban Shaman (Walker Papers, #1))
Shy, insecure, afraid to speak up? “Act as if,” they say. Act as if you’re not. Stand tall when you walk. Project your voice when you talk. Raise your hand in class. Act as if. Speak your mind. Cut your hair. Be the part. Look the part. You can do this. Just act as if. If you really knew me, If you could see inside, You’d find shy and insecure and afraid. Acting as if. Ironic, isn’t it? The only time I’m not Acting “as if”? When I’m on a stage.
Tamara Ireland Stone (Every Last Word)
if you could just get people to talk, he believed, the most bitter antagonists could discover common ground.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
Sam: Do you always say exactly what you're thinking? AJ: I try to. I like to know where I stand with people, and I figure I owe them the same courtesy. I mean, I'm never rude or hurtful about it, but I don't see any reason to be fake. That's a lot of work
Tamara Ireland Stone (Every Last Word)
Claude Lévi-Strauss once observed that, “for the majority of the human species, and for tens of thousands of years, the idea that humanity includes every human being on the face of the earth does not exist at all. The designation stops at the border of each tribe, or linguistic
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
Who should be held accountable for a shared history of violence? It was a question that was dogging Northern Ireland as a whole.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
Outrage is conditioned not by the nature of the atrocity but by the affiliation of the victim and the perpetrator. Should the state be accorded more leniency because, legally speaking, it has a monopoly on the legitimate use of force? Or, conversely, should we hold soldiers and cops to a higher standard than paramilitaries?
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
There is a concept in psychology called ‘moral injury,’ notion, distinct from the idea of trauma, that relates to the ways in which ex-soldiers make sense of the socially transgressive things they have done during wartime. Price felt a sharp sense of moral injury: she believed that she had been robbed of any ethical justification for her own conduct.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
Momma used to say that a politician was a man that had perfected the art of lying,
Justina Ireland (Dread Nation (Dread Nation, #1))
Americans may say they love our accents (I have been accused of sounding 'like Princess Di') but the more thoughtful ones resent and rather dislike us as a nation and people, as friends of mine have found out by being on the edge of conversations where Americans assumed no Englishmen were listening. And it is the English, specifically, who are the targets of this. Few Americans have heard of Wales. All of them have heard of Ireland and many of them think they are Irish. Scotland gets a sort of free pass, especially since Braveheart re-established the Scots' anti-English credentials among the ignorant millions who get their history off the TV.
Peter Hitchens
the violence intensified, grandiose funerals became routine, with rousing graveside orations and caskets draped in tricolor flags. People took to joking that there was no social life in Belfast anymore, apart from wakes.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
The bomb exploded, killing five people, but not Thatcher. The IRA issued a statement, eloquently capturing the strategic advantage of terrorism: ‘Today we were unlucky, but remember, we only have to be lucky once. You will have to be lucky always.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
I smile tightly, but say nothing. He is trying to protect me, in the simple way men are always trying to protect women: by stealing away their freedom.
Justina Ireland (Deathless Divide (Dread Nation, #2))
History says, Don’t hope On this side of the grave But then, once in a lifetime The longed-for tidal wave Of justice can rise up And hope and history rhyme.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
was rubble and broken glass, what one poet would memorably describe as “Belfast confetti.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
The anthropologist Claude Lévi-Strauss once observed that, “for the majority of the human species, and for tens of thousands of years, the idea that humanity includes every human being on the face of the earth does not exist at all. The designation stops at the border of each tribe, or linguistic group, sometimes even at the edge of a village.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
Dating back to the Iliad, ancient Egypt and beyond, burial rites have formed a critical function in most human societies. Whether we cremate a loved one or inter her bones, humans possess a deep-set instinct to mark death in some deliberate, ceremonial fashion. Perhaps the cruelest feature of forced disappearance as an instrument of war is that it denies the bereaved any such closure, relegating them to a permanent limbo of uncertainty.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
That guy in the corner. Never tells the truth, as a matter of principle. Why answer a question, he says, if you can tell a good story instead?
Pete McCarthy (McCarthy's Bar: A Journey of Discovery In Ireland)
But this was Northern Ireland in 1981 which was slightly less conservative than, say, Salem in 1692
Adrian McKinty (The Cold Cold Ground (Detective Sean Duffy, #1))
The body is a fantastic machine,’ Hughes told Mackers in one of his Boston College interviews, recounting the grueling sequence of a hunger strike. ‘It’ll eat off all the fat tissue first, then it starts eating away at the muscle, to keep your brain alive.’ Long after Hughes and Price called an end to their strikes and attempted to reintegrate into society, the nursed old grudges and endlessly replayed their worst wartime abominations. In a sense, they never stopped devouring themselves.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
The wises men tell us that everything, sooner or later, changes. And all change commences with a specific moment. We say to ourselves, "I wont do this again, I must become different." And we succeed -- eventually.
Frank Delaney (Ireland)
Outrage is conditioned not by the nature of the atrocity but by the affiliation of the victim and the perpetrator
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
How am I going to tell the kids? How do I tell the man that I love, the man that I swore I’d grow old with that we won’t have that happy ending that he and I have worked so hard for? How do I say goodbye to all of you? How do I let go?
Nicole Ireland (A Second Chance)
But the truth was that most residents still lived in neighborhoods circumscribed by religion, and more than 90 percent of children in Northern Ireland continued to attend segregated elementary schools.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
Indeed, it could occasionally seem that support for the armed struggle was more fervent in Boston or Chicago than it was in Belfast or Derry. The romantic idyll of a revolutionary movement is easier to sustain when there is no danger that one's own family members might get blown to pieces on a trip to the grocery store. Some people in Ireland looked askance at the "plastic Paddies" who urged bloody war in Ulster from the safe distance of America.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
Beneath its broad surface, storytelling should always work hard to say more than it seems to.
Frank Delaney (Ireland)
Saint Bartleby's School for Young Gentlemen Annual Report Student: Artemis Fowl II Year: First Fees: Paid Tutor: Dr Po Language Arts As far as I can tell, Artemis has made absolutely no progress since the beginning of the year. This is because his abilities are beyond the scope of my experience. He memorizes and understands Shakespeare after a single reading. He finds mistakes in every exercise I administer, and has taken to chuckling gently when I attempt to explain some of the more complex texts. Next year I intend to grant his request and give him a library pass during my class. Mathematics Artemis is an infuriating boy. One day he answers all my questions correctly, and the next every answer is wrong. He calls this an example of the chaos theory, and says that he is only trying to prepare me for the real world. He says the notion of infinity is ridiculous. Frankly, I am not trained to deal with a boy like Artemis. Most of my pupils have trouble counting without the aid of their fingers. I am sorry to say, there is nothing I can teach Artemis about mathematics, but someone should teach him some manners. Social Studies Artemis distrusts all history texts, because he says history was written by the victors. He prefers living history, where survivors of certain events can actually be interviewed. Obviously this makes studying the Middle Ages somewhat difficult. Artemis has asked for permission to build a time machine next year during double periods so that the entire class may view Medieval Ireland for ourselves. I have granted his wish and would not be at all surprised if he succeeded in his goal. Science Artemis does not see himself as a student, rather as a foil for the theories of science. He insists that the periodic table is a few elements short and that the theory of relativity is all very well on paper but would not hold up in the real world, because space will disintegrate before lime. I made the mistake of arguing once, and young Artemis reduced me to near tears in seconds. Artemis has asked for permission to conduct failure analysis tests on the school next term. I must grant his request, as I fear there is nothing he can learn from me. Social & Personal Development Artemis is quite perceptive and extremely intellectual. He can answer the questions on any psychological profile perfectly, but this is only because he knows the perfect answer. I fear that Artemis feels that the other boys are too childish. He refuses to socialize, preferring to work on his various projects during free periods. The more he works alone, the more isolated he becomes, and if he does not change his habits soon, he may isolate himself completely from anyone wishing to be his friend, and, ultimately, his family. Must try harder.
Eoin Colfer
The master says it's a glorious thing to die for the Faith and Dad says it's a glorious thing to die for Ireland and I wonder if there's anyone in the world who would like us to live. My brothers are dead and my sister is dead and I wonder if they died for Ireland or the Faith. Dad says they were too young to die for anything. Mam says it was disease and starvation and him never having a job. Dad says, Och, Angela, puts on his cap and goes for a long walk
Frank McCourt
Once, in the summer of 1995, Adams gave a speech at a rally in Belfast. He looked like a politician, in a crisp summer suit, consulting his cue cards. But during a pause in his prepared remarks, someone in the crowd shouted, "Bring back the IRA!" As the audience cheered, Adams chuckled and smiled. Then he leaned into the microphone and said, "They haven't gone away, you know.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
True the greater part of the Irish people was close to starvation. The numbers of weakened people dying from disease were rising. So few potatoes had been planted that, even if they escaped bight, they would not be enough to feed the poor folk who relied upon them. More and more of those small tenants and cottagers, besides, were being forced off the land and into a condition of helpless destitution. Ireland, that is to say, was a country utterly prostrated. Yet the Famine came to an end. And how was this wonderful thing accomplished? Why, in the simplest way imaginable. The famine was legislated out of existence. It had to be. The Whigs were facing a General Election.
Edward Rutherfurd (The Rebels of Ireland (The Dublin Saga, #2))
Old, is it?" the man asks. "Yes, very." "Pre-war, is it?" "Yes," I say. "If by war you mean the Norman invasion.
Garrett Carr (The Rule of the Land: Walking Ireland's Border)
It was about the hysteria, the mythmaking, and the misunderstanding that had twisted
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
Like the revolution's going to wait until I finish my education.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
if you want to get people to do something for you, you do it with them.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
You're a heartbreaker, Katherine Devereaux." "That has nothing to do with me and everything to do with them," I say, blowing on my coffee before sipping it. There's chicory in the brew and I drink it appreciatively while we walk. "I have already had to tell more than one of them that I am not interested in courtship, thinking about courtship, hearing about courtship, or talking about the possibility of courtship. What is it with men thinking every woman they meet must be half in love with them?
Justina Ireland (Deathless Divide (Dread Nation, #2))
But even if your parents were ardent supporters of the IRA, there were reasons not to tell them that you had joined. If the police or the army broke down the door to interrogate them, the less they knew, the better.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
As Dolours struggled in the water, she locked eyes with one attacker, a man with a club, and for the rest of her life she would return to that moment, the way his eyes were glazed with hate. She looked into those eyes and saw nothing.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
Do you always say exactly what you’re thinking?” “I try to. I like to know where I stand with people, and I figure I owe them the same courtesy. I mean, I’m never rude or hurtful, but I don’t see any reason to be fake. That’s a lot of work.
Tamara Ireland Stone (Every Last Word)
Think of the armed struggle as the launch of a boat, Hughes said, getting a hundred people to push this boat out. This boat is stuck in the sand, right, and then get them to push the boat out and then the boat sailing off and leaving the hundred people behind, right. That’s the way I feel. The boat is away, sailing on the high seas, with all the luxuries that it brings, and the poor people that launched the boat are left sitting in the muck and the dirt and the shit and the sand, behind.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
...the downside of contesting something everyone believes to be true is that the value of anything you say starts to depreciate
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
My mother used to say, “Fun is fun till someone loses an eye.
Frank Delaney (Ireland)
Wherever did they find you?" "At the junction of hard luck and bad times," I answer. It's something that my momma says.
Justina Ireland (Dread Nation Sneak Peek)
They say the clouds are lower in Ireland. I say Ireland is closer to Heaven.
Michael Vatis
What can I say? I'm Irish, I love a good potato.
Sophia Tallon
She always used to say I made her brave, but she makes me smart.
Tamara Ireland Stone (Little Do We Know)
Have the military wing create as much discontent and deprivation as possible, the more unemployment the better. Then have your political wing feed off the people’s discontent
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
An awful lot of people come onto earth, eat, work and die and never contribute anything to the world,’ Albert Price told a reporter. ‘If they die, at least they will have done something.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
This is a great wedding. I like weddings." "It is a good one, isn't it?" she agreed. "But it was always going to be--Emma so efficient." "Isn't she," he said. "I like weddings." Lulu said nothing. "Weddings," he said after a moment. "Funny things, but I like them." Lulu stopped dancing and drew back to look up into his eyes. "If you say that one more time," she said levelly, "I won't take you to the Cheddar cheese shop." "Sorry," he said quickly "I like funerals, too, if that's any help? We do marvelous ones in Ireland, we're famous for them.
Gabrielle Donnelly (The Little Women Letters)
If a spy takes fifty lives but saves some larger number, can that countenance his actions? This kind of logic is seductive, but perilous. You start out running numbers in your head, and pretty soon you are sanctioning mass murder.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
that’s the story of how Saint Patrick drove the snakes out of Ireland forever and banished the Devil to England. Some people say that explains why there has always been such trouble between England and Ireland. The Devil stirs it up.
Frank Delaney (Ireland)
That's how vile I am! I live Ireland, I breathe Ireland, and Christ how I loathe it, I wish I were a bloody Scot, that's how bloody awful it is being Irish! I think I hate Ireland more than I hate the theatre, and that's saying something!
Iris Murdoch (The Sea, the Sea)
He must have known, or at least suspected, that she was herself a member of the IRA, but they would argue, amiably, about politics as if they were a couple of graduate students, rather than adversaries in a bloody guerrilla war. At one point, Corden-Lloyd told her that he would love to come back and see her in ten years' time, 'and we could all tell each other the whole truth.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
And he had other assets; one of them -- you'll be surprised at this -- was sin...Whatever it was, Patrick said how it weighed on him. He also exploited it -- because it enabled him to meet people on an equal footing. He was able to say, "Look, I'm not above you. I have my faults, too. I've done terrible things." Just because someone had once sinned, he said, didn't mean they were bad through and through. And that was part of his work in life -- to show that people might sin and still go on to live good lives.
Frank Delaney (Ireland)
Once he said to me in the height of his imperial propaganda, 'Tell those young men in Ireland that this great thing must go on. They say Ireland is not fit for self-government but that is nonsense. It is as fit as any other European country but we cannot grant it.
W.B. Yeats (Four Years)
My room’s a mess. I scurry around, scooping up piles of clothes and stuffing them into the laundry hamper. “I thought people with OCD were supposed to be neat,” she says. “Popular misconception,” I say as I kick all the textbooks strewn across the floor into a haphazard pile.
Tamara Ireland Stone (Every Last Word)
Much of the Irish landscape is dominated by peat bogs; the anaerobic and acidic conditions in the densely packed earth mean that the past in Ireland can be subject to macabre resurrection. Peat cutters occasionally churn up ancient mandibles, clavicles, or entire cadavers that have been preserved for millennia. The bodies date as far back as the Bronze Age, and often show signs of ritual sacrifice and violent death. These victims, cast out of their communities and buried, have surfaced vividly intact, from their hair to their leathery skin. The poet Seamus Heaney, who harvested peat as a boy on his family’s farm, once described the bogs of Ireland as “a landscape that remembered everything that had happened in and to it.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
I don't know whether it will be read by everyone, but it is meant for everyone. It addresses England as well as Spain, Italy as well as France, Germany as well as Ireland, the republics that harbour slaves as well as empires that have serfs. Social problems go beyond frontiers. Humankind's wounds, those huge sores that litter the world, do not stop at the blue and red lines drawn on maps. Wherever men go in ignorance or despair, wherever women sell themselves for bread, wherever children lack a book to learn from or a warm hearth, Les Miserables knocks at the door and says, 'Open up, I am here for you.
Victor Hugo
EPISODE 2   As we there are where are we are we there from tomtittot to teetootomtotalitarian. Tea tea too oo. With his broad and hairy face, to Ireland a disgrace. SIC. Whom will comes over. Who to caps ever. And howelse do we hook our hike to find that pint of porter place? Am shot, says the big-guard.
James Joyce (Finnegans Wake & Exiles (Timeless Wisdom Collection))
I never felt Irish. I always felt, ‘I’m English, this is where I come from, and that’s that.’ Because you’d be reminded of that when you went to Ireland: ‘Ye’re not Oirish!’ the locals would say. So it was like, ‘Bloody hell, shot by both sides here.’ I still love that Magazine song – so relevant to me, those lyrics.
John Lydon (Anger is an Energy: My Life Uncensored)
I’m going to kill her, and Miss Preston and the mayor. All of them. I’m going to gut them like fish and use them as shambler bait, then I’m going to burn both the school and the mayor’s house to the ground and dance upon the ashes.” “That’s good, Jane, that’s good. It’s good to have goals,” Katherine says, her voice trembling.
Justina Ireland (Dread Nation (Dread Nation, #1))
Early Summer, loveliest season, The world is being colored in. While daylight lasts on the horizon, Sudden, throaty blackbirds sing. The dusty-colored cuckoo cuckoos. "Welcome, summer" is what he says. Winter's unimaginable. The wood's a wickerwork of boughs. Summer means the river's shallow, Thirsty horses nose the pools. Long heather spreads out on bog pillows. White bog cotton droops in bloom. Swallows swerve and flicker up. Music starts behind the mountain. There's moss and a lush growth underfoot. Spongy marshland glugs and stutters. Bog banks shine like ravens' wings. The cuckoo keeps on calling welcome. The speckled fish jumps; and the strong Swift warrior is up and running. A little, jumpy, chirpy fellow Hits the highest note there is; The lark sings out his clear tidings. Summer, shimmer, perfect days.
Marie Heaney (The Names Upon the Harp: Irish Myth and Legend)
This morning from a dewy motorway I saw the new camp for the internees: A bomb had left a crater of fresh clay In the roadside, and over in the trees Machine-gun posts defined a real stockade. There was that white mist you get on a low ground And it was deja-vu, some film made Of Stalag 17, a bad dream with no sound. Is there a life before death? That's chalked up In Ballymurphy. Competence with pain, Coherent miseries, a bite and sup: we hug our little destiny again. -Whatever You Say Say Nothing
Seamus Heaney (North)
Momma used to say there were lots of ways to survive. Don't e afraid to pretend to be something you aren't, Jane. Some times a little subterfuge and chicanery is in order and the quickest way to achieve one's goal. It ain't hard to imagine Ida pretending to be just another dumb colored girl in order to make it out here. Survival by any means necessary.
Justina Ireland (Dread Nation (Dread Nation, #1))
thinking about Sue's advice to make new friends, and realizing that after all those years saying that I couldn't do it, I just tried to. And failed.
Tamara Ireland Stone (Every Last Word)
My father moaned at the dinner table about the huge toll that emigration was having on his undertaking business. 'Everyone's gone somewhere else to die,' he'd say.
Colum McCann (Fishing the Sloe-Black River)
One unionist politician likened this custody arrangement to keeping ‘a python in a paper bag’.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
No,” she says, not yet seeing the dead around us. “You want to march into the mouth of hell to find Gideon Carr, then I will accompany you all the way to Satan’s throne.
Justina Ireland (Deathless Divide (Dread Nation, #2))
Momma used to say the Indian was even worse off than the Negro, because instead of being taken from his land he’d had his land taken from him.
Justina Ireland (Dread Nation (Dread Nation, #1))
They say that Ireland and Scotland were once joined, until a dragon’s tail smashed onto the land and separated them in two.
Mary Morgan (Dragon Knight's Sword (Order of the Dragon Knights #1))
ah' he says 'I didn't think you had the local accent.' I wonder what he expects. Top o' the morning and to be sure, to be sure and shamrocks and leprechauns
Lucy Foley (The Guest List)
Outside I saw her sitting in the wheelchair, hands folded on her lap, and I knew I was living the moment that says nothing, that will allow nothing said of consequence.
Gerard Donovan (Young Irelanders: Stories)
GOD MADE THE CATHOLICS, BUT THE ARMALITE MADE THEM EQUAL.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
If only," repeated Rick with a shake of his head. "Those are two words in the English language that we regret saying the most.
Linda Weaver Clarke (The Shamrock Case (Amelia Moore Detective Series #2))
In 1689, Protestant forces loyal to William of Orange, the new king, had managed to hold the city against a siege by a Catholic army loyal to James II.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
A woman over forty years old!” exclaimed the baroness. “I have heard say in Ireland that a woman of this description is the most dangerous mistress a young man can have.
Honoré de Balzac (Works of Honore de Balzac)
Why did you not fight back?
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
Conventional wisdom had it that every handler wants a highly placed source.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
Have the military wing create as much discontent and deprivation as possible, the more unemployment the better. Then have your political wing feed off the people’s discontent.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
Hughes would later count that moment—black and blue, manacled, borne into prison on that great wave of enthusiasm—as one of the greatest in his life.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
I turned on the water then returned to the door jamb. “That’s not fair, you’re nice and clean.” “I am?” He took a few steps toward me. “Aren’t you?” “No,” he scowled and shook his head. “I’m dirty. But you knew that.” Now, if you haven’t heard an Irishman say the word “dirty” before, I will compare it with dynamite in your ovaries. They say it with like, seven Rs.
Nicole Castro (Winner's Curse)
People ask me if it's like that television show The West Wing," says Erskine Bowles, Bill Clinton's second chief. "But that doesn't begin to capture the velocity. In an average day you would deal with Bosnia, Northern Ireland, the budget, taxation, the environment-and then you'd have lunch! And then on Friday you would say, 'Thank God-only two more working days until Monday.
Chris Whipple (The Gatekeepers: How the White House Chiefs of Staff Define Every Presidency)
According to one scholar, the “ideal victim” in the Troubles was someone who was not a combatant, but a passive civilian. To many, Jean McConville was the perfect victim: a widow, a mother of ten. To others, she was not a victim at all, but a combatant by proxy, who courted her own fate. Of course, even if one were to concede, for the sake of argument, that McConville was an informer, there is no moral universe in which her murder and disappearance should be justified. Must it be the case that how one perceives a tragedy will forever depend on where one sits? The anthropologist Claude Lévi-Strauss once observed that, “for the majority of the human species, and for tens of thousands of years, the idea that humanity includes every human being on the face of the earth does not exist at all. The designation stops at the border of each tribe, or linguistic group, sometimes even at the edge of a village.” When it came to the Troubles, a phenomenon known as “whataboutery” took hold. Utter the name Jean McConville and someone would say, What about Bloody Sunday? To which you could say, What about Bloody Friday? To which they could say, What about Pat Finucane? What about the La Mon bombing? What about the Ballymurphy massacre? What about Enniskillen? What about McGurk’s bar? What about. What about. What about.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
One night, someone smeared the house of one of his neighbors with excrement—wrong address, apparently—a gesture whose combination of vindictiveness and clumsiness had all the hallmarks of the IRA.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
Boston tapes were supposed to lie untouched, like bottles in a wine cellar, until some future date when the participants were dead and scholars could study their testimony to make sense of the Troubles. Instead the tapes became criminal evidence—and a political weapon. They might be used to prosecute old crimes. But it seems likely, now, that they will never become available to researchers.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
Some of them Indians kept slaves the same as everyone else,” Jackson says, his words clipped. “Ain’t a single body in this entire cursed country that didn’t have a hand in trying to own the African.
Justina Ireland (Deathless Divide (Dread Nation, #2))
With a snort, Trevor responded, “A amadáin? It means you fool, but it’s really a polite Irish way of calling someone an asshole. Since there are no assholes in Ireland, we don’t really have a word for them, so that’s what we say.” His expression was so serious, Cassandra couldn’t help but burst out laughing. “I’ll have to remember that one. I know a few back home.” “A few assholes or Irishmen?
Cecilia Aubrey (Countermeasure (Countermeasure, #1))
There’s usually some grain of truth in most rumors. Mrs. Wembley says that as journalists our job is to separate truth from opinion. So maybe there’s some truth here to what people are talking about.
Justina Ireland (Scream Site)
Why does it feel like I've cheated on him" (Viv says, in Ireland, after Reeve lied, cheated and she left the US because of him.) "Because you meant forever when you promised him that." (Ash responded.)
Siobhan Davis (Say I'm the One (All of Me, #1))
Hughes recalled Dr. Ross, the kind physician who had tended to him during his hunger strike and brought him fresh water gathered from a mountain spring. Bobby Sands had never trusted Ross. He called him a 'mind manipulator.' But the doctor's kindness had meant a lot to Hughes. Later, he learned that after watching all ten men die in the hunger strike, Dr. Ross had taken his own life, with a shotgun, in 1986.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
His job, he felt, was to speak for the victims - to represent the next person who might be killed in the conflict. He had no particular party; his only allegiance was to those who had been (and would be) cut down.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
For no matter whether the fairies are seen metaphorically or as real beings inhabiting their own real world, a study of them shows us that those who came before us (and many of that mindset still survive) realized that we are -- no matter what we may think to the contrary -- very little creatures, here for a short time only ('passing through,' as the old people say) and that we have no right to destroy what the next generation will most assuredly need to also see itself through. If only we could learn that lesson, maybe someday we might be worthy of the wisdom of those who knew that to respect the Good People is basically to respect yourself.
Eddie Lenihan (Meeting the Other Crowd : The Fairy Stories of Hidden Ireland)
And so I have brought this pint for him—a proper Irish pint, from Ireland. This pint—brought through the sky, and over the sea. I am finally buying my old man a good pint of Guinness. As I walk through the door, holding the glass—kids throwing themselves at me, one already crying—I hold it out to Dadda, and tell him to sip it. He tears the cling film off—looking at me, confused—and then takes a sip. “Christ. That’s flat,” he says.
Caitlin Moran (How to Build a Girl)
Price said, “I would like to think that what I did was to illustrate to the world the ability of any regular human being to push themselves to the limits and beyond, physically and mentally, because of some deeply felt belief.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
I have always felt a certain horror of political economists, since I heard one of them say that he feared the famine of 1848 in Ireland would not kill more than a million people, and that would scarcely be enough to do much good.
Benjamin Jowett
John Milton has, since his own lifetime, always been one of the major figures in English literature, but his reputation has changed constantly. He has been seen as a political opportunist, an advocate of 'immorality' (he wrote in favour of divorce and married three times), an over-serious classicist, and an arrogant believer in his own greatness as a poet. He was all these things. But, above all, Milton's was the last great liberal intelligence of the English Renaissance. The values expressed in all his works are the values of tolerance, freedom and self-determination, expressed by Shakespeare, Hooker and Donne. The basis of his aesthetic studies was classical, but the modernity of his intellectual interests can be seen in the fact that he went to Italy (in the late 1630s) where he met the astronomer Galileo, who had been condemned as a heretic by the Catholic church for saying the earth moved around the sun.
Ronald Carter (The Routledge History of Literature in English: Britain and Ireland)
it’s like the British in Ireland in 1916’ , says Oisir O’Dowd. ‘The repeated the ageless macho mantra, “Force is the only thing these natives understand,” so often that they ended up believing it . From that point they were doomed.
David Mitchell
Who're them?" says he to the curate. "Them are the fallen angels," says the curate. They had a human form, no wings. God took the wings off of 'em after Lucifer rebelled - that way they couldn't go back, d'you see. They had no wings. But there was so many of 'em that you couldn't drive a knife down between 'em. They were as thick as hair on a dog's back. They were the finest people he ever seen. And whatever way he looked at 'em, some o' the finest girls he ever seen was in it, he said. They had to be good-looking, you know! 'Twas the sin o' pride put Lucifer down, d'you see. The best-looking angel in Heaven, 'twas the sin o' pride put him down. I s'pose they were nearly all as good-looking.
Eddie Lenihan (Meeting the Other Crowd : The Fairy Stories of Hidden Ireland)
I impulsively dialed his number, but it didn't register that i'd actually talk to him after all these months. I mean what does one say to an estranged father? Hey sperm donor, how's it going in Ireland? Do they cash more for prostitutes?
Reem (X)
A book a week I heave a sigh; That Slogan's peremptory cry I will not hear, I will not heed. How can They say that I should need The book They bid me weekly buy? But Slogans change, as days go by; My Psyche listens, fluttering shy, To newer message "Come and Read A book a week." To read! to read! O wings that fly O'er sun-kissed lands, through clouded sky That bear us on where Great ones lead! I too must follow, so I plead For magic wings. I'll read (or try) A book a week!
Alexander Ireland (The Book-Lovers Enchiridion: Thoughts On The Solace And Companionship Of Books (1884))
Refusing to lean back against him, Colleen sat ramrod straight until they reached the road. “I guess I should say thank you for saving my life,” she muttered then turned and slapped Faolán hard across the face. “And that’s for you having to save it in the first place. And I’m not your woman, you big, arrogant, lying, betraying…faery loving…” She searched for the perfect insult and couldn’t find one, “…Scot.” She gave a very unladylike snort. “Happy now? That fiery enough for you?
Shannon MacLeod (Rogue on the Rollaway)
On race days, Michael released his birds, and they would disappear over the horizon. Then, eventually, they would come home. He always loved that about pigeons. They wander. But their natural instinct is to fly back to the place where they were born.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
The members of the abduction team had grown up, married, had families of their own. This was a cruel twist: some of the children could no longer remember what their mother had looked like, apart from the one surviving photo of her, but they still recognized the faces of the people who took her away. Once, Helen took her children to McDonald's and found herself staring at one of the women who she knew had taken her mother. The woman was there with her own family. She shouted at Helen to leave her alone.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
There are, as you know better than I — far better, indeed, a good many of our people are . . .' Here he hesitated trying to find which was least offensive: Papists? Romans? Mumbo-Jumbo certainly would not do. People of the old faith sounded obsequious. 'Most of them are Irish, of course; though quite a few come from the English north country. And then there are the mere foreigners . . . that is to say, the foreigners.' 'There is something to be said for the word Catholics. It is in general use in Ireland.
Patrick O'Brian (The Final Unfinished Voyage of Jack Aubrey (Aubrey & Maturin, #21))
After the Irish War of Independence led to the partition of Ireland, in 1921, the island was split in two: in the South, twenty-six counties achieved a measure of independence as the Irish Free State, while in the North, a remaining six counties continued to be ruled by Great Britain. Like other staunch republicans, the Price family did not refer to the place where they happened to reside as “Northern Ireland.” Instead it was “the North of Ireland.” In the fraught local vernacular, even proper nouns could be political.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
Once he said to me in the height of his imperial propaganda, “Tell those young men in Ireland that this great thing must go on. They say Ireland is not fit for self-government, but that is nonsense. It is as fit as any other European country, but we cannot grant it.
W.B. Yeats (W.B. Yeats)
You know how when someone’s losing their shit, someone else slaps them to bring them out of it?” He lowers his voice. “That’s what it’s like when I see you.” My breath turns light. “Seeing me brings you physical pain?” “Seeing you is both losing my shit, and the slap.
Elena Ireland (Say It's Mine)
HIGGINS [sitting down beside her] Rubbish! you shall marry an ambassador. You shall marry the Governor-General of India or the Lord-Lieutenant of Ireland, or somebody who wants a deputy-queen. I'm not going to have my masterpiece thrown away on Freddy. LIZA. You think I like you to say that. But I haven't forgot what you said a minute ago; and I won't be coaxed round as if I was a baby or a puppy. If I can't have kindness, I'll have independence. HIGGINS. Independence? That's middle class blasphemy. We are all dependent on one another, every soul of us on earth. LIZA [rising determinedly] I'll let you see whether I'm dependent on you. If you can preach, I can teach. I'll go and be a teacher. HIGGINS. What'll you teach, in heaven's name? LIZA. What you taught me. I'll teach phonetics. HIGGINS. Ha! Ha! Ha!
George Bernard Shaw
The master says it’s a glorious thing to die for the Faith and Dad says it’s a glorious thing to die for Ireland and I wonder if there’s anyone in the world who would like us to live. My brothers are dead and my sister is dead and I wonder if they died for Ireland or the Faith.
Frank McCourt (Angela's Ashes)
We’d say things like, “You know you can tell me anything, right?” and we meant it deep in our souls. But no matter how long two people have known each other, or how many times they’ve said those words, there are still some things you think but should never say to your best friend.
Tamara Ireland Stone (Little Do We Know)
What are you like inside? Don’t you have feelings where you love everyone, and at the same time you hate everyone? Or—don’t you have times when everything goes the way you want, but nothing feels good or right? That’s what I mean,” he’d say, “about my black horse and my white horse.
Frank Delaney (Ireland)
Keep dreaming, Irish,” she said dryly, though her breath was ragged. “I will, but it remains to be seen whether they’ll come true.” The man was all confidence and skilled seduction. Kate smirked. “Only an Irishman would say that.” “Only a beautiful, stubborn lass would ignore the truth.
Whitney K.E. (What Happens in Ireland)
Several years ago, Boston College started informing people who had participated in the project that they could have their interviews back. The university, burned by its own carelessness in handling such incendiary material, wanted to jettison its responsibility as custodian of the tapes.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
For all the chaos, the number of people actually killed in the Troubles was initially quite low: in 1969, only nineteen people were killed, and in 1970, only twenty-nine. But in 1971, the violence accelerated, with nearly two hundred people killed. By 1972, the figure was nearly five hundred.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
They play at gods,' said Piedar Dooly, and spat. 'French and English alike. Gods out of hell would you say, harrowing green land for their tennis courts and dressing lapdogs in treasure that would keep half Ireland in bread for a year. The heroes of Tara would have put them face to schisty face and used them for millstones.
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
By denying that he had ever played a role in the conflict, Adams was, in effect, absolving himself of any moral responsibility for catastrophes like Bloody Friday–and, in the process, disowning his onetime subordinates, like Brendan Hughes. 'I'm disgusted with the whole thing,' Hughes said. 'It means that people like myself... have to carry the responsibility of all those deaths.' If all of that carnage had at least succeeded in forcing the British out of Ireland, then Hughes might be able to justify, to himself, the actions he had taken. But he felt robbed of any such rationale for absolution. 'As everything turned out,' he said, 'not one death was worth it.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
The famous Northern reticence, the tight gag of place And times: yes, yes. Of the "wee six" I sing Where to be saved you only must save face And whatever you say, you say nothing. Smoke-signals are loud-mouthed compared with us: Manoeuvrings to find out name and school, Subtle discrimination by addresses With hardly an exception to the rule That Norman, Ken and Sidney signalled Prod And Seamus (call me Sean) was sure-fire Pape. O land of password, handgrip, wink and nod, Of open minds as open as a trap, Where tongues lie coiled, as under flames lie wicks, Where half of us, as in a wooden horse Were cabin'd and confined like wily Greeks, Besieged within the siege, whispering morse.
Seamus Heaney (North)
We beat them with stones at first, and they had guns. Our people had to go and get guns. Wouldn’t they have been right stupid people to stand there? Our people got shotguns at first and then got better weapons. And then the British, who were supposed to protect us, came in and raided our homes. What way could you fight? So you went down and you blew them up.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
What happened was that everyone in Ireland had the idea that somewhere in Ireland there was a little wise old man who was in charge of the money, and this was the first time they’d ever seen this little man,” says McCarthy. “And then they saw him and said, Who the fuck was that??? Is that the fucking guy who is in charge of the money??? That’s when everyone panicked.
Michael Lewis (Boomerang: Travels in the New Third World)
Immediately across the road is a ruined abbey and cemetery. As I haven't visited one since late yesterday afternoon, I decide to take a look. On the whole, it's fair to say that, if you're travelling round the west of Ireland, an interest in ruined abbeys, however slight, will stand you in better stead than a passion for rollerblading, say or a penchant for showbiz gossip.
Pete McCarthy (McCarthy's Bar: A Journey of Discovery In Ireland)
When a boy grows up in a “dysfunctional” family (perhaps there is no other kind of family), his interior warriors will be killed off early. Warriors, mythologically, lift their swords to defend the king. The King in a child stands for and stands up for the child’s mood. But when we are children our mood gets easily overrun and swept over in the messed-up family by the more powerful, more dominant, more terrifying mood of the parent. We can say that when the warriors inside cannot protect our mood from being disintegrated, or defend our body from invasion, the warriors collapse, go into trance, or die. The inner warriors I speak of do not cross the boundary aggressively; they exist to defend the boundary. The Fianna, that famous band of warriors who defended Ireland’s borders, would be a model. The Fianna stayed out all spring and summer watching the boundaries, and during the winter came in. But a typical child has no such protection. If a grown-up moves to hit a child, or stuff food into the child’s mouth, there is no defense—it happens. If the grown-up decides to shout, and penetrate the child’s auditory boundaries by sheer violence, it happens. Most parents invade the child’s territory whenever they wish, and the child, trying to maintain his mood by crying, is simply carried away, mood included. Each child lives deep inside his or her own psychic house, or soul castle, and the child deserves the right of sovereignty inside that house. Whenever a parent ignores the child’s sovereignty, and invades, the child feels not only anger, but shame. The child concludes that if it has no sovereignty, it must be worthless. Shame is the name we give to the sense that we are unworthy and inadequate as human beings. Gershen Kauffman describes that feeling brilliantly in his book, Shame, and Merle Fossum and Marilyn Mason in their book, Facing Shame, extend Kauffman’s work into the area of family shame systems and how they work. When our parents do not respect our territory at all, their disrespect seems overwhelming proof of our inadequacy. A slap across the face pierces deeply, for the face is the actual boundary of our soul, and we have been penetrated. If a grown-up decides to cross our sexual boundaries and touch us, there is nothing that we as children can do about it. Our warriors die. The child, so full of expectation of blessing whenever he or she is around an adult, stiffens with shock, and falls into the timeless fossilized confusion of shame. What is worse, one sexual invasion, or one beating, usually leads to another, and the warriors, if revived, die again. When a boy grows up in an alcoholic family, his warriors get swept into the river by a vast wave of water, and they struggle there, carried downriver. The child, boy or girl, unprotected, gets isolated, and has more in common with snow geese than with people.
Robert Bly (Iron John: A Book about Men)
Shakespeare's plays do not present easy solutions. The audience has to decide for itself. King Lear is perhaps the most disturbing in this respect. One of the key words of the whole play is 'Nothing'. When King Lear's daughter Cordelia announces that she can say 'Nothing' about her love for her father, the ties of family love fall apart, taking the king from the height of power to the limits of endurance, reduced to 'nothing' but 'a poor bare forked animal'. Here, instead of 'readiness' to accept any challenge, the young Edgar says 'Ripeness is all'. This is a maturity that comes of learning from experience. But, just as the audience begins to see hope in a desperate and violent situation, it learns that things can always get worse: Who is't can say 'I am at the worst?' … The worst is not So long as we can say 'This is the worst.' Shakespeare is exploring and redefining the geography of the human soul, taking his characters and his audience further than any other writer into the depths of human behaviour. The range of his plays covers all the 'form and pressure' of mankind in the modern world. They move from politics to family, from social to personal, from public to private. He imposed no fixed moral, no unalterable code of behaviour. That would come to English society many years after Shakespeare's death, and after the tragic hypothesis of Hamlet was fulfilled in 1649, when the people killed the King and replaced his rule with the Commonwealth. Some critics argue that Shakespeare supported the monarchy and set himself against any revolutionary tendencies. Certainly he is on the side of order and harmony, and his writing reflects a monarchic context rather than the more republican context which replaced the monarchy after 1649. It would be fanciful to see Shakespeare as foretelling the decline of the Stuart monarchy. He was not a political commentator. Rather, he was a psychologically acute observer of humanity who had a unique ability to portray his observations, explorations, and insights in dramatic form, in the richest and most exciting language ever used in the English theatre.
Ronald Carter (The Routledge History of Literature in English: Britain and Ireland)
I have not won until I speak my words. There is residual tide that must outflow to leave me quiet abrood. Good-bye my love. Indeed it seemed you were my love that first upon the evening sands I looked into your darkening eyes: But still I'll say good-bye... Good-bye dear love who are and who are not. The bitter binding must undo that life may flow its untold course. You must be free to find your peace and I, to know my own. And so good-bye...
A. Norman Jeffares (Ireland's Love Poems)
Indeed, it could occasionally seem that support for the armed struggle was more fervent in Boston or Chicago than it was in Belfast or Derry. The romantic idyll of a revolutionary movement is easier to sustain when there is no danger that one's own family members might get blown to pieces on a trip to the grocery store.. Some people in Ireland looked askance at the "plastic Paddies" who urged bloody war in Ulster from the safe distance of America.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
By the way, I do enjoy fairytale endings, in case you misunderstood me." He glanced at her and smiled. "I like it when good wins over evil... when the knight defeats the dragon and saves the fair maiden... and when the woodsman saves Little Red Riding Hood. I like it when they say, 'And they lived happily ever after'... Just because I'm a man doesn't mean that I don't have a romantic bone in my body." Rick gave a curt nod. "Men can be romantic, too.
Linda Weaver Clarke (The Shamrock Case (Amelia Moore Detective Series #2))
The master says it’s a glorious thing to die for the Faith and Dad says it’s a glorious thing to die for Ireland and I wonder if there’s anyone in the world who would like us to live. My brothers are dead and my sister is dead and I wonder if they died for Ireland or the Faith. Dad says they were too young to die for anything. Mam says it was disease and starvation and him never having a job. Dad says, Och, Angela, puts on his cap and goes for a long walk.
Frank McCourt (Angela's Ashes)
What, the Great War? in which your great-grandfather, who happened to be my grandfather, was gassed in the trenches not once, but twice? Which meant he and your great-grandmother were very poor, because he was too ill to work and died young? And meant I inherited his weak lungs? Not relevant to us? her mother says. And then the break-up of the Balkans, and the start of the territorial trouble in the Middle East between the Israelis and the Palestinians, and the civil unrest in Ireland, and the shifts of power in Russia, and the power shifts in the Ottoman empire, and the bankruptcy, economic catastrophe and social unrest in Germany, all of which played a huge part in the rise of Fascism and in the bringing about of another war in which, as it happens, your own grandmother and grandfather--who happened to be my mother and father--both fought when they were just two or three years older than you? Not relevant? To us?
Ali Smith
Scappaticci would also be a dangerous man to prosecute, knowing what he knew about the extent to which the butchery of the Nutting Squad had been countenanced, or facilitated, by Her Majesty's Government. It would be exceedingly risky for the state to put Stakeknife into any position where he might feel the need to start talking. When it came to his former comrades in the IRA, Scappaticci may have enjoyed similar immunity. He knew too much about too many people.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
Say Joe what’s the dope about this war business?” “I guess they are in for it this time. . . . I’ve known it was coming ever since the Agadir incident.” “Jez I like to see somebody wallop the pants off England after the way they wont give home rule to Ireland.” “We’d have to help em. . . . Any way I dont see how this can last long. The men who control international finance wont allow it. After all it’s the banker who holds the purse strings.” “We wouldn’t come to the help of England, no sir, not after the way they acted in Ireland and in the Revolution and in the Civil War. . . . ” “Joey you’re getting all choked up with that history you’re reading up in the public library every night. . . . You follow the stock quotations and keep on your toes and dont let em fool you with all this newspaper talk about strikes and upheavals and socialism. . . . I’d like to see you make good Joey. . . . Well I guess I’d better be going.
John Dos Passos (Manhattan Transfer: A Novel)
Paisley was a Pied Piper agitator who liked to lead his followers through Catholic neighborhoods, sparking riots wherever he went. In his basso profundo, he would expound about how Catholics were scum, how they “breed like rabbits and multiply like vermin.” He was a flamboyantly divisive figure, a maestro of incitement. In fact, he was so unsympathetic, so naked in his bigotry, that some republicans came to feel that on balance, he might be good for their movement.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
We beat them with stones at first, and they had guns. Our people had to go and get guns. Wouldn’t they have been right stupid people to stand there? Our people got shotguns at first and then got better weapons. And then the British, who were supposed to protect us, came in and raided our homes. What way could you fight? So you went down and you blew them up. That was the only thing left. If they hadn’t interfered with us, there probably would be no Provo army today.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
You don’t believe in leprechauns. A myth you say they be. You don’t believe in pots-o-gold, or four-leaf-clover tea. You don’t believe the rainbow’s end alights on treasured finds. They are illusions meant for fools you say ‘ave lost their minds. You don’t believe in whispering your wishes to the wind, where on St. Patrick’s holiday they blow t’wards Ireland. You don’t believe in magic spells or longings coming true. Yet, head-to-toe you dress in green on Patty’s Day, you do.
Richelle E. Goodrich (Being Bold: Quotes, Poetry, & Motivations for Every Day of the Year)
Times were tough and the people were harsh and the clergy were cruel-cruel, and you know it! The most natural thing in the world is giving birth; you built your whole religion around it. And yet you poured pitch onto girls like me and sold us into slavery and took our humanity away from us twice, a third time, as often as you could. I was lucky, Father. I was only sent away. A decade earlier and where would I have been? I might have died in your asylums, me with the smart mouth. I killed one man but you would have killed me in the name of your god, wouldn't you? How many did you kill? How many lives did you destroy with your morality and your Seal of Confession and your lies? Now. For the absolution. Once God knows you're sorry he lets you off the hook, isn't that right? Me? Oh, Father. I know I'm sorry. What about you? Bless me Ireland for I have sinned. Go on, boy. No wonder you say infinitely God is brimming with the clemency, for how else would any of you bastards sleep at night?
Lisa McInerney (The Glorious Heresies)
A nine-year-old boy, Patrick Rooney, had been sheltering with his family in a back room of their apartment when a round fired by the police pierced the plasterboard walls and struck him in the head. Because intermittent volleys of gunfire continued, the police refused to allow an ambulance to cross the Falls Road. So eventually a man emerged from the flats, frantically waving a white shirt. Beside him, two other men appeared, carrying the boy, with his shattered head. They managed to get Patrick Rooney to an ambulance, but he died a short time later.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
Seeking to distract her from further questions, he bent and blew lightly into her ear. She shivered. “This horse bites, you know.” “I think he likes me. Almost as much as you do.” “I don’t like you. How can I like you? I don’t even know you, for you refuse to answer my questions.” He stroked her upper arms. “There is little to say. You have Clonmuir, and that makes you far richer than I.” He gazed over the horse’s back, where a patch of sunset shone through a barred window. Even the warmth of her pressed against him failed to melt the ice of aloneness.
Susan Wiggs (The Maiden of Ireland (Women of War))
I never met a librarian worth his or her salt who didn't perceive my passion for books. And without exception, each one would lend me a book on a subject we had been discussing. No paperwork, no formalities of any kind, no rules or regulations. My unspoken side of the bargain was to protect them, in two ways; first by keeping the book unharmed - not that easy, especially in bad weather, but when it rained, I carried the book next to my skin. I can tell you now that carrying Gulliver's Travels or Lays of Ancient Rome or Mr. Oscar Wilde's stories or Mr. William Yeat's poems next to my heart gave me a kind of sweet pleasure. The second half of the bargain often nearly broke my heart, but I always kept it - and that was to return the book safe and sound to the library that had lent it. To part company with Mr. Charles Dickens or Mr. William Makepeace Thackeray and his lovely name! - that was harder than saying good-bye to a dear flesh-and-blood companion. But I always did it - and I sent the book by registered post, no small consideration of cost given the peculiar economics of an itinerant storyteller.
Frank Delaney (Ireland)
I make my way back whistling. Gerry nods towards Mrs Brady who is standing beside the trolleys. Morning, Mrs Brady, I say cheerfully. I push her provisions out to the car. Things are something terrible, she says. You can't trust anybody. No. It's come to a sorry pass. It has. There's hormones in the beef and tranquillizers in the bacon. There's men with breasts and women with mickeys. All from eating meat. Now. I steer a path between a crowd of people while she keeps step alongside. Can you believe it - they're feeding the pigs Valium. If you boil a bit of bacon you have to lie down afterwards. Dear oh dear. Yes, I nod. The thought of food makes me ill. The pigs are getting depressed in those sheds. If they get depressed they lose weight. So they tranquillize them. Where will it end? I don't know, Mrs Brady, I say. I begin filling the boot. That's why I started buying lamb. Then along came Chernobyl. Now you can't even have lamb stew or you'll light up at night! I swear. And when they've left you with nothing safe to eat, next thing they come along and tell you you can't live in your own house. I haven't heard of that one, Mrs Brady. Listen to me. She took my elbow. It could all happen that you're in your own house and the next thing is there's radiation bubbling under the floorboards. What? It comes right at you through the foundations. Watch the yogurts. Did you hear of that? No. I saw it in the Champion. Did you not see it in the Champion? I might have. No wonder we're not right. I brought the lid of the boot down. She sits into the car very decorously and snaps her bag open on her lap. She winds down the window and gives me 50p for myself and £1 for the trolley.
Dermot Healy (Sudden Times)
Many Americans often refer to Elizabeth II as ‘Queen Elizabeth of England’ - however, as any Brit will tell you, that’s wrong - they’ll say she is in fact Queen of the United Kingdom of Great Britain and Northern Ireland. But of course they’re wrong as well. Her majesty is in fact Queen of the United Kingdom of Great Britain and Northern Ireland, Canada, Australia, New Zealand, South Africa, Jamaica, Barbados, the Bahamas, Grenada, Papua New Guinea, the Solomon Islands, Tuvalu, Saint Lucia, Saint Vincent and the Grenadines, Belize, Antigua and Barbuda, and Saint Kitts and Nevis.
Jack Goldstein (101 Amazing Facts)
The two billion people who speak English these days live mainly in countries where they’ve learned English as a foreign language. There are only around 400 million mother-tongue speakers – chiefly living in the UK, Ireland, USA, Canada, Australia, New Zealand, South Africa, and the countries of the Caribbean. This means that for every one native speaker of English there are now five non-native speakers. The centre of gravity in the use of English has shifted, therefore. Once upon a time, it would have been possible to say, in terms of number of speakers, that the British ‘owned’ English. Then it was the turn of the Americans. Today, it’s the turn of those who have learned English as a foreign language, who form the vast majority of users. Everyone who has taken the trouble to learn English can be said to ‘own’ it now, and they all have a say in its future. So, if most of them say such things as informations and advices, it seems inevitable that one day some of these usages will become part of international standard English, and influence the way people speak in the ‘home’ countries. Those with a nostalgia for linguistic days of old may not like it, but it will not be possible to stop such international trends.
David Crystal (Making Sense of Grammar)
Plus,he's got a terrific butt.I know becuase I made sure I walked behind him to check it out." With a laugh, Keeley sat down beside her. "First, you're so predictable. Second, if Dad hears you talk that way, he'll shove the man on the first plane back to Ireland. And third, I didn't notice his butt, or anything else about him, particularly." "Liar." Sarah propped her elbow on the counter as her sister took out a lipstick. "I saw you give him the Keeley Grant once-over." Amused, Keeley passed the lipstick to Sarah. "Then let's say I didn't much ie what I saw. The rough-edged and proud of it type just doesn't do it for me.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
The character and the play of Hamlet are central to any discussion of Shakespeare's work. Hamlet has been described as melancholic and neurotic, as having an Oedipus complex, as being a failure and indecisive, as well as being a hero, and a perfect Renaissance prince. These judgements serve perhaps only to show how many interpretations of one character may be put forward. 'To be or not to be' is the centre of Hamlet's questioning. Reasons not to go on living outnumber reasons for living. But he goes on living, until he completes his revenge for his father's murder, and becomes 'most royal', the true 'Prince of Denmark' (which is the play's subtitle), in many ways the perfection of Renaissance man. Hamlet's progress is a 'struggle of becoming' - of coming to terms with life, and learning to accept it, with all its drawbacks and challenges. He discusses the problems he faces directly with the audience, in a series of seven soliloquies - of which 'To be or not to be' is the fourth and central one. These seven steps, from the zero-point of a desire not to live, to complete awareness and acceptance (as he says, 'the readiness is all'), give a structure to the play, making the progress all the more tragic, as Hamlet reaches his aim, the perfection of his life, only to die.
Ronald Carter (The Routledge History of Literature in English: Britain and Ireland)
But after he had been singing awhile, mist and shadows seemed to gather about him, sometimes coming out of the sea, and sometimes moving upon it. It seemed to him that one of the shadows was the queen-woman he had seen in her sleep at Slieve Echtge; not in her sleep now, but mocking, and calling out to them that were behind her: 'He was weak, he was weak, he had no courage.' And he felt the strands of the rope in his hand yet, and went on twisting it, but it seemed to him as he twisted, that it had all the sorrows of the world in it. And then it seemed to him as if the rope had changed in his dream into a great water-worm that came out of the sea, and that twisted itself about him, and held him closer and closer, and grew from big to bigger till the whole of the earth and skies were wound up in it, and the stars themselves were but the shining of the ridges of its skin. And then he got free of it, and went on, shaking and unsteady, along the edge of the strand, and the grey shapes were flying here and there around him. And this is what they were saying, 'It is a pity for him that refuses the call of the daughters of the Sidhe, for he will find no comfort in the love of the women of the earth to the end of life and time, and the cold of the grave is in his heart for ever. It is death he has chosen; let him die, let him die, let him die.
W.B. Yeats (Stories of Red Hanrahan)
This is what we call a shamrock. It has three leaves. Do you know what it represents?" "Luck? Amelia answered. Lee smiled. "That's what everyone says." Rick shrugged. "Well, I know it's Ireland's emblem." Lee shook his head and said earnestly, "It's much more than that. It represents our religion... who we are. When St. Patrick was trying to teach Christianity here in Ireland, he used this shamrock as an example." Lee pointed to each leaf and said, "This is the Father, the Son, and the Holy Ghost...." Rick still held the clover in his hand. He looked at it and twirled it between his fingers as he said, "I'm calling this the Shamrock Case from now on. I love what it represents.
Linda Weaver Clarke (The Shamrock Case (Amelia Moore Detective Series #2))
in Beirut. There you have the three great Western religions, Judaism, Christianity, and Islam—and because the three of them have three different names for the same biblical god, they can’t get on together. They are stuck with their metaphor and don’t realize its reference. They haven’t allowed the circle that surrounds them to open. It is a closed circle. Each group says, “We are the chosen group, and we have God.” Look at Ireland. A group of Protestants was moved to Ireland in the seventeenth century by Cromwell, and it never has opened up to the Catholic majority there. The Catholics and Protestants represent two totally different social systems, two different ideals. MOYERS: Each needs a new myth.
Joseph Campbell (The Power of Myth)
Of real sensational journalism, as it exists in France, in Ireland, and in America, we have no trace in this country. When a journalist in Ireland wishes to create a thrill, he creates a thrill worth talking about. He denounces a leading Irish member for corruption, or he charges the whole police system with a wicked and definite conspiracy. When a French journalist desires a frisson there is a frisson; he discovers, let us say, that the President of the Republic has murdered three wives. Our yellow journalists invent quite as unscrupulously as this; their moral condition is, as regards careful veracity, about the same. But it is their mental calibre which happens to be such that they can only invent calm and even reassuring things. The fictitious version of the massacre of the envoys of Pekin was mendacious, but it was not interesting, except to those who had private reasons for terror or sorrow. It was not connected with any bold and suggestive view of the Chinese situation. It revealed only a vague idea that nothing could be impressive except a great deal of blood. Real sensationalism, of which I happen to be very fond, may be either moral or immoral. But even when it is most immoral, it requires moral courage. For it is one of the most dangerous things on earth genuinely to surprise anybody. If you make any sentient creature jump, you render it by no means improbable that it will jump on you. But the leaders of this movement have no moral courage or immoral courage; their whole method consists in saying, with large and elaborate emphasis, the things which everybody else says casually, and without remembering what they have said. When they brace themselves up to attack anything, they never reach the point of attacking anything which is large and real, and would resound with the shock. They do not attack the army as men do in France, or the judges as men do in Ireland, or the democracy itself as men did in England a hundred years ago. They attack something like the War Office--something, that is, which everybody attacks and nobody bothers to defend, something which is an old joke in fourth-rate comic papers
G.K. Chesterton (Heretics)
Psychologically, the difference it makes is almost inexpressible. Once you own your home, free and clear, what is there left for anyone--landlords, employers, banks--to threaten you with? What hold does anyone have over you? One can do without practically anything else, if necessary. We would always be able to scrape together enough money for food, between us, and there is no other material fear as primal or as paralyzing as the thought of losing one's home. With that fear eliminated, we would be free. I'm not saying that owning a house makes life into some kind of blissful paradise; simply that it makes the difference between freedom and enslavement." He must have read the look on my face. "We're in Ireland, for heaven's sake," he said, with a touch of impatience. "If you know any history at all, what could possibly be clearer? The one crucial thing the British did was to claim the land as their own, to turn the Irish from owners into tenants. Once that was done, then everything else followed naturally: confiscation of crops, abuse of tenants, eviction, emigration, famine, the whole litany of wretchedness and serfdom, all inflicted casually and unstoppably because the dispossessed had no solid ground on which to stand and fight. I'm sure my own family was as guilty as any. There may well be an element of poetic justice in the fact that I found myself looking at the other side of the coin. But I didn't feel the need simply to accept it as my just deserts.
Tana French (The Likeness (Dublin Murder Squad, #2))
The Brits call this sort of thing Functional Neurological Symptoms, or FNS, the psychiatrists call it conversion disorder, and almost everyone else just calls it hysteria. There are three generally acknowledged, albeit uncodified, strategies for dealing with it. The Irish strategy is the most emphatic, and is epitomized by Matt O’Keefe, with whom I rounded a few years back on a stint in Ireland. “What are you going to do?” I asked him about a young woman with pseudoseizures. “What am I going to do?” he said. “I’ll tell you what I’m goin’ to do. I’m going to get her, and her family, and her husband, and the children, and even the feckin’ dog in a room, and tell ’em that they’re wasting my feckin’ time. I want ’em all to hear it so that there is enough feckin’ shame and guilt there that it’ll keep her the feck away from me. It might not cure her, but so what? As long as I get rid of them.” This approach has its adherents even on these shores. It is an approach that Elliott aspires to, as he often tells me, but can never quite marshal the umbrage, the nerve, or a sufficiently convincing accent, to pull off. The English strategy is less caustic, and can best be summarized by a popular slogan of World War II vintage currently enjoying a revival: “Keep Calm and Carry On.” It is dry, not overly explanatory, not psychological, and does not blame the patient: “Yes, you have something,” it says. “This is what it is [insert technical term here], but we will not be expending our time or a psychiatrist’s time on it. You will have to deal with it.” Predictably, the American strategy holds no one accountable, involves a brain-centered euphemistic explanation coupled with some touchy-feely stuff, and ends with a recommendation for a therapeutic program that, very often, the patient will ignore. In its abdication of responsibility, motivated by the fear of a lawsuit, it closely mirrors the beginning of the end of a doomed relationship: “It’s not you, it’s … no wait, it’s not me, either. It just is what it is.” Not surprisingly, estimates of recurrence of symptoms range from a half to two-thirds of all cases, making this one of the most common conditions that a neurologist will face, again and again.
Allan H. Ropper
What does kaheerakah mean?” “Caťaoireaca. It’s Irish for chairs.” “Chairs? You toast furniture in Ireland?” Bridget laughed. “There’s a story. Probably apocryphal…” I made a rolling motion with my hand. “Okay, but remember, you asked.” She settled herself and poured another glass of paint thinner. “There was this Brit who decided to stop at Hotel Rosslare in County Wexford. He had a few, then a few more, then he decided to be friendly. So he asked the barmaid how you say ‘cheers’ in Irish.” Bridget smiled wickedly. “And you know how the Brits massacre the English language, so she thought he said ‘chairs’, and she told him. Whereupon he bought a round for the house, turned to the other patrons, raised his glass, and said Caťaoireaca.
Dennis E. Taylor (For We Are Many (Bobiverse, #2))
That’s the way of the colonizers. They divvied their arts up so much that they were left with nothing but ashes, and when even that started to fail, they combined alchemy and science into Mechomancy, hardly requiring any art at all. But the mystical arts have been around far longer than their machines and constructs. The Possibilities will always balance out, somehow, some way. And when the reaction is powerful enough—” “You get the Great Rust,” the Skylark says. Miss Fox nods. “Or the Spanish flu. Or the Johnstown floods. Really, this land has been telling folks for a while to get their business in order, and we just keep on legislating nature, as if the Possibilities care what a bunch of men in some building in Washington have to say about them.
Justina Ireland (Rust in the Root)
The next bit is the fairy tale. There’s a day in April when it’s raining. The river is running fast. The girl whose father had died, whose mother raised her in the crooked house by the river, who grew up with that broken part inside where your father has died and which if you’re a girl and your father was Spencer Tracy you can’t fix or unhurt, that girl who yet found in herself some kind of forbearance and strength and was not bitter, whose name was Mary MacCarroll and who was beautiful without truly knowing it and had her mother and father’s dancing and pride in her, that girl walked the riverbank in the April rain. And standing at that place in Shaughnessy’s called Fisher’s Step, where the ground sort of raises a little and sticks out over the Shannon, right there, the place which in The Salmon in Ireland Abraham Swain says salmon pass daily and though it’s treacherous he calls a blessed little spot, right there, looking like a man who had been away a long time and had come back with what in Absalom, Absalom! (Book 1,666, Penguin Classics, London) William Faulkner calls diffident and tentative amazement, as if he’d been through some solitary furnace experience, and come out the other side, standing right there, suntanned face, pale-blue eyes that look like they are peering through smoke, lips pressed together, aged twenty-nine but looking older, back in Ireland less than two weeks, the ocean-motion still in his legs but strangely the river now lending him a river repose, standing right there, was Virgil Swain.
Niall Williams (History of the Rain)
Never mind that Britain has a German royal family, a Norman ruling elite, a Greek patron saint, a Roman/Middle Eastern religion, Indian food as its national cuisine, an Arabic/Indian numeral system, a Latin alphabet and an identity predicated on a multi-ethnic, globe-spanning empire – ‘fuck the bloody foreigners’. Never mind that waves of migration have been a constant in British history and that great many millions of 'white' Britons are themselves descendants of Jewish, Eastern European and Irish migrants of the nineteenth century, nor that even in the post-war 'mass migration' years, Ireland and Europe were the largest source of immigrants. And, of course, let's say nothing about the millions of British emigrants, settlers and colonists abroad - conveniently labeled 'expats'.
Akala (Natives Race and Class in the Ruins of Empire / Black Listed / Black and British: A Forgotten History)
It had been obvious to me from a young age that my parents didn’t like one another. Couples in films and on television performed household tasks together and talked fondly about their shared memories. I couldn’t remember seeing my mother and father in the same room unless they were eating. My father had “moods.” Sometimes during his moods my mother would take me to stay with her sister Bernie in Clontarf, and they would sit in the kitchen talking and shaking their heads while I watched my cousin Alan play Ocarina of Time. I was aware that alcohol played a role in these incidents, but its precise workings remained mysterious to me. I enjoyed our visits to Bernie’s house. While we were there I was allowed to eat as many digestive biscuits as I wanted, and when we returned, my father was either gone out or else feeling very contrite. I liked it when he was gone out. During his periods of contrition he tried to make conversation with me about school and I had to choose between humoring and ignoring him. Humoring him made me feel dishonest and weak, a soft target. Ignoring him made my heart beat very hard and afterward I couldn’t look at myself in the mirror. Also it made my mother cry. It was hard to be specific about what my father’s moods consisted of. Sometimes he would go out for a couple of days and when he came back in we’d find him taking money out of my Bank of Ireland savings jar, or our television would be gone. Other times he would bump into a piece of furniture and then lose his temper. He hurled one of my school shoes right at my face once after he tripped on it. It missed and went in the fireplace and I watched it smoldering like it was my own face smoldering. I learned not to display fear, it only provoked him. I was cold like a fish. Afterward my mother said: why didn’t you lift it out of the fire? Can’t you at least make an effort? I shrugged. I would have let my real face burn in the fire too. When he came home from work in the evening I used to freeze entirely still, and after a few seconds I would know with complete certainty if he was in one of the moods or not. Something about the way he closed the door or handled his keys would let me know, as clearly as if he yelled the house down. I’d say to my mother: he’s in a mood now. And she’d say: stop that. But she knew as well as I did. One day, when I was twelve, he turned up unexpectedly after school to pick me up. Instead of going home, we drove away from town, toward Blackrock. The DART went past on our left and I could see the Poolbeg towers out the car window. Your mother wants to break up our family, my father said. Instantly I replied: please let me out of the car. This remark later became evidence in my father’s theory that my mother had poisoned me against him.
Sally Rooney (Conversations with Friends)
Only hinted at in some of these tales, and clearly stated in others, it is apparent that there was a long and continuing conflict between paganism and Christianity in the early centuries A.D. This may also be the explanation behind other well creation tales, such as the slaying by St Barry of a 'great serpent' in County Roscommon. The saint thrust his crozier at it before it disappeared into Lough Lagan, and where his knee touched the ground, a holy well, Tobar Barry, sprang up. Although the serpent may represent paganism, and the saint's victory is therefore the victory of Christianity over paganism, we cannot entirely ignore the possibility that some of the serpents in similar Irish tales may have been real water monsters, which are still seen from time to time in the lakes of Ireland and Scotland. These eerie, ugly monsters, with their aura of primeval mystery, appropriately symbolize the uncouth savagery which the Christians attributed to all non-Christian beliefs; but that is not to say that the monsters were totally symbolic and did not have a reality of their own.
Colin Bord (Sacred Waters)
The one generalization which is true about America is that everything is true about it. It's impossible to say anything that isn't true, good or bad. Our enemies are right. Our friends are right. It's an awful big country, an awful lot of different kinds of people in it, and violence always has been part of our story. It is, you know. I've seen it in my own lifetime, long before this period and we certainly read about it in history. That's the way we won in the country and stole it away from the Indians and all the rest of it... I've talked to people in other ex-colonies. Nice people. When you mention the British [they] burst into tears of anger. Literally tears of rage about our nice English cousins, so the bad things are true about them. They burnt the roofs off of the Irish and starved them out into the cold. There's nothing that you can think of that the English didn't do to that Island right next door to them, to the Irish over a period of seven hundred years. And we're English, then we added a lot of other violent mixtures to the brew. I think man is a crazy animal.
Orson Welles
Is it not a saying in every one's mouth, Possession is half of the law: that is, regardless of how the thing came into possession? But often possession is the whole of the law. What are the sinews and souls of Russian serfs and Republican slaves but Fast-Fish, whereof possession is the whole of the law? What to the rapacious landlord is the widow's last mite but a Fast-Fish? What is yonder undetected villain's marble mansion with a doorplate for a waif; what is that but a Fast-Fish? What is the ruinous discount which Mordecai, the broker, gets from poor Woebegone, the bankrupt, on a loan to keep Woebegone's family from starvation; what is that ruinous discount but a Fast-Fish? What is the Archbishop of Savesoul's income of £100,000 seized from the scant bread and cheese of hundreds of thousands of broken-backed laborers (all sure of heaven without any of Savesoul's help) what is that globular 100,000 but a Fast-Fish? What are the Duke of Dunder's hereditary towns and hamlets but Fast-Fish? What to that redoubted harpooneer, John Bull, is poor Ireland, but a Fast-Fish? What to that apostolic lancer, Brother Jonathan, is Texas but a Fast-Fish? And concerning all of these, is not Possession the whole of the law?
Herman Melville (Moby-Dick or, The Whale)
56. There are, however, many stories of women—particularly saints—blinding themselves in order to maintain their chastity, to prove that they “only have eyes” for God or Christ. Consider, for example, the legend of Saint Lucy, patron saint of the blind, whose name means “clear, radiant, understandable. What seems clear enough: in 304 ad Lucy was tortured and put to death by the Roman emperor Diocletian, and thus martyred for her Christianity. What is unclear: why, exactly, she runs around Gothic and Renaissance paintings holding a golden dish with her blue eyes staring weirdly out from it. Some say her eyes were tortured out of her head in her martyrdom; some say she gouged them out herself after being sentenced by the pagan emperor to be defiled in a brothel. Even more unclear are the twinned legends of Saint Medana (of Ireland) and Saint Triduana (of Scotland), two Christian princesses who were pursued by undesirable pagan lovers—lovers who professed to be unable to live without their beloveds’ beautiful blue eyes. To rid herself of the unwanted attention, Medana supposedly plucked her eyes out and threw them at her suitor’s feet; Triduana was slightly more inventive, and tore here out with a thorn, then sent them to her suitor on a skewer. 57. In religious accounts, these women are announcing, via their amputations, their fidelity to God. But other accounts wonder whether they were in fact punishing themselves, as they knew that they had looked upon men with lust, and felt the need to employ extreme measures to avert any further temptation.
Maggie Nelson (Bluets)
I’ve been so mean to my body, outright hateful. I disparage her and call her names, I loathe parts of her and withhold care. I insist on physical standards she can never reach, for that is not how she is even made, but I detest her weakness for not pulling it off. I deny her things she loves depending on the current fad: bread, cheddar cheese, orange juice, baked potatoes. I push her too hard and refuse her enough rest. No matter what she accomplishes, I’m never happy with her. I’ve barely acknowledged her role in every precious experience of my life. I look at her with contempt. And yet every morning, no matter how terrible I have been to her, she gets us out of bed, nurtures the family, meets the needs of the day. She tells me when I am hungry or tired and sends special red-alert signals when I am overwhelmed or scared. She has safely gotten me to and from a thousand cities with fresh energy. She flushes with red wine, which she loves, which is pretty cute. She walked the Cliffs of Moher in Ireland, the red dirt of Uganda, the steep opulence of Santorini, the ruins of Pompeii. She senses danger, trouble, land mines; she is never wrong. Every single time, she tells me when not to say something. She has cooked ten thousand meals. She prays without being told to; sometimes I realize she is whispering to God for us. She walks and cooks and lifts and hugs and types and drives and cleans and holds babies and rests and laughs and does everything in her power to live another meaningful, connected day on this earth. She sure does love me and my life and family. Maybe it is time to stop hating her and just love her back.
Jen Hatmaker (Fierce, Free, and Full of Fire: The Guide to Being Glorious You)
If I'd known you were available, Dee, and looking for work,I'd've hired you." Burke Logan, settled back in his chair and winked at his wife's cousin. "We like to keep the best on at Royal Meadows." Adelia twinkled at him across the table in the track's dining room. He was as handsome and as dangerous to look at as he'd been nearly twenty years before when she'd first met him. "Oh,I don't know." Bruke trailed a hand over his wife's shoudler. "We have the best bookkeeper around at Three Acres." "In that case,I want a raise." Erin picked up her wine and sent Burke a challenging look. "A big one. Trevor?" Her voice was smooth, shimmering with Ireland as she addressed her son. "Do you have in mind to eat that pork chop or just use it for decoration?" "I'm reading the Racing Form, Ma." "His father's son," Erin muttered and snagged the paper from him. "Eat your dinner." He heaved a sigh as only a twelve-year-old boy could. "I think Topeka in the third, with Lonesome in the fifth and Hennessy in the sixth for the trifecta. Dad says Topeka's generous and a cinch tip." At his wife's long stare, Burke cleared his throat. "Stuff that pork chop in your mouth, Trev.Where's Jean?" "She's fussing with her hair," Mo announced, and snatched a french fry from Travis's plate. "As usual," she added with the worldly air only an older sister could achieve, "the minute she turned fourteen she decided her hair was the bane of her existence. Huh. Like having long, thick, straight-as-a-pin black hair is a problem. This-" she tugged on one of the hundreds of wild red curls that spiraled acround her face. "-is a problem. If you're going to worry about something as stupid as hair, which I don't.Anyway, you guys have to come over and see this weanling I have my eye on.He's going to be amazing.And if Dad lets me train him..." She trailed off, slanting a look at her father across the table. "You'll be in college this time next year," Burke reminded her. "Not if I can help it," Mo said under her breath.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Ready yourselves!' Mullone heard himself say, which was strange, he thought, for he knew his men were prepared. A great cry came from beyond the walls that were punctuated by musket blasts and Mullone readied himself for the guns to leap into action. Mullone felt a tremor. The ground shook and then the first rebels poured through the gates like an oncoming tide. Mullone saw the leading man; both hands gripping a green banner, face contorted with zeal. The flag had a white cross in the centre of the green field and the initials JF below it. John Fitzstephen. Then, there were more men behind him, tens, then scores. And then time seemed to slow. The guns erupted barely twenty feet from them. Later on, Mullone would remember the great streaks of flame leap from the muzzles to lick the air and all of the charging rebels were shredded and torn apart in one terrible instant. Balls ricocheted on stone and great chunks were gouged out by the bullets. Blood sprayed on the walls as far back as the arched gateway, limbs were shorn off, and Mullone watched in horror as a bloodied head tumbled down the sloped street towards the barricade. 'Jesus sweet suffering Christ!' Cahill gawped at the carnage as the echo of the big guns resonated like a giant's beating heart. Trooper O'Shea bent to one side and vomited at the sight of the twitching, bleeding and unrecognisable lumps that had once been men. A man staggered with both arms missing. Another crawled back to the gate with a shattered leg spurting blood. The stench of burnt flesh and the iron tang of blood hung ripe and nauseating in the oppressive air. One of the low wooden cabins by the wall was on fire. A blast of musketry outside the walls rattled against the stonework and a redcoat toppled backwards onto the cabin's roof as the flames fanned over the wood. 'Here they come again! Ready your firelocks! Do not waste a shot!' Johnson shouted in a steady voice as the gateway became thick with more rebels. He took a deep breath. 'God forgive us,' Corporal Brennan said. 'Liberty or death!' A rebel, armed with a blood-stained pitchfork, shouted over-and-over.
David Cook (Liberty or Death (The Soldier Chronicles #1))
THEORY OF ALMOST EVERYTHING After the war, Einstein, the towering figure who had unlocked the cosmic relationship between matter and energy and discovered the secret of the stars, found himself lonely and isolated. Almost all recent progress in physics had been made in the quantum theory, not in the unified field theory. In fact, Einstein lamented that he was viewed as a relic by other physicists. His goal of finding a unified field theory was considered too difficult by most physicists, especially when the nuclear force remained a total mystery. Einstein commented, “I am generally regarded as a sort of petrified object, rendered blind and deaf by the years. I find this role not too distasteful, as it corresponds fairly well with my temperament.” In the past, there was a fundamental principle that guided Einstein’s work. In special relativity, his theory had to remain the same when interchanging X, Y, Z, and T. In general relativity, it was the equivalence principle, that gravity and acceleration could be equivalent. But in his quest for the theory of everything, Einstein failed to find a guiding principle. Even today, when I go through Einstein’s notebooks and calculations, I find plenty of ideas but no guiding principle. He himself realized that this would doom his ultimate quest. He once observed sadly, “I believe that in order to make real progress, one must again ferret out some general principle from nature.” He never found it. Einstein once bravely said that “God is subtle, but not malicious.” In his later years, he became frustrated and concluded, “I have second thoughts. Maybe God is malicious.” Although the quest for a unified field theory was ignored by most physicists, every now and then, someone would try their hand at creating one. Even Erwin Schrödinger tried. He modestly wrote to Einstein, “You are on a lion hunt, while I am speaking of rabbits.” Nevertheless, in 1947 Schrödinger held a press conference to announce his version of the unified field theory. Even Ireland’s prime minister, Éamon de Valera, showed up. Schrödinger said, “I believe I am right. I shall look an awful fool if I am wrong.” Einstein would later tell Schrödinger that he had also considered this theory and found it to be incorrect. In addition, his theory could not explain the nature of electrons and the atom. Werner Heisenberg and Wolfgang Pauli caught the bug too, and proposed their version of a unified field theory. Pauli was the biggest cynic in physics and a critic of Einstein’s program. He was famous for saying, “What God has torn asunder, let no man put together”—that is, if God had torn apart the forces in the universe, then who were we to try to put them back together?
Michio Kaku (The God Equation: The Quest for a Theory of Everything)
ONE of the evil results of the political subjection of one people by another is that it tends to make the subject nation unnecessarily and excessively conscious of its past. Its achievements in the old great days of freedom are remembered, counted over and exaggerated by a generation of slaves, anxious to convince the world and themselves that they are as good as their masters. Slaves cannot talk of their present greatness, because it does not exist; and prophetic visions of the future are necessarily vague and unsatisfying. There remains the past. Out of the scattered and isolated facts of history it is possible to build up Utopias and Cloud Cuckoo Lands as variously fantastic as the New Jerusalems of prophecy. It is to the past — the gorgeous imaginary past of those whose present is inglorious, sordid, and humiliating — it is to the delightful founded-on-fact romances of history that subject peoples invariably turn. Thus, the savage and hairy chieftains of Ireland became in due course “the Great Kings of Leinster,” “the mighty Emperors of Meath.” Through centuries of slavery the Serbs remembered and idealised the heroes of Kossovo. And for the oppressed Poles, the mediaeval Polish empire was much more powerful, splendid, and polite than the Roman. The English have never been an oppressed nationality; they are in consequence most healthily unaware of their history. They live wholly in the much more interesting worlds of the present — in the worlds of politics and science, of business and industry. So fully, indeed, do they live in the present, that they have compelled the Indians, like the Irish at the other end of the world, to turn to the past. In the course of the last thirty or forty years a huge pseudo-historical literature has sprung up in India, the melancholy product of a subject people’s inferiority complex. Industrious and intelligent men have wasted their time and their abilities in trying to prove that the ancient Hindus were superior to every other people in every activity of life. Thus, each time the West has announced a new scientific discovery, misguided scholars have ransacked Sanskrit literature to find a phrase that might be interpreted as a Hindu anticipation of it. A sentence of a dozen words, obscure even to the most accomplished Sanskrit scholars, is triumphantly quoted to prove that the ancient Hindus were familiar with the chemical constitution of water. Another, no less brief, is held up as the proof that they anticipated Pasteur in the discovery of the microbic origin of disease. A passage from the mythological poem of the Mahabharata proves that they had invented the Zeppelin. Remarkable people, these old Hindus. They knew everything that we know or, indeed, are likely to discover, at any rate until India is a free country; but they were unfortunately too modest to state the fact baldly and in so many words. A little more clarity on their part, a little less reticence, and India would now be centuries ahead of her Western rivals. But they preferred to be oracular and telegraphically brief. It is only after the upstart West has repeated their discoveries that the modern Indian commentator upon their works can interpret their dark sayings as anticipations. On contemporary Indian scholars the pastime of discovering and creating these anticipations never seems to pall. Such are the melancholy and futile occupations of intelligent men who have the misfortune to belong to a subject race. Free men would never dream of wasting their time and wit upon such vanities. From those who have not shall be taken away even that which they have.
Aldous Huxley (Jesting Pilate)
He was little disposed, in these dismays and in this darkness, to divert attention to the international disturbances which now were rumbling across the newspapers in portentous and enormous headlines. Ireland was pressed away. It was all Europe now—thrones, chancelleries, councils, armies. He tried to say, "What of it?" Many in Great Britain tried to say, "What of it?" Crises and deadlocks again! Meaningless and empty words, for months and years past worked to death and rendered hollow as empty vessels. Some one would climb down. Some one always climbed down. Nobody climbed down.
A.S.M. Hutchinson (If Winter Comes)
here was a man who had grown up in a penumbral world of secrets and who had cultivated the quick and unsentimental reflexes of a survivalist.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
14. He’s denied climate change. Then denied that he denied it.​​ Here’s Trump calling global warming a conspiracy created by the Chinese: The concept of global warming was created by and for the Chinese in order to make U.S. manufacturing non-competitive. @realDonaldTrump – 11:15 AM – 6 Nov 2012 More tweets of him calling global warming a hoax… NBC News just called it the great freeze – coldest weather in years. Is our country still spending money on the GLOBAL WARMING HOAX? @realDonaldTrump – 3:48 PM – 25 Jan 2014 This very expensive GLOBAL WARMING bullshit has got to stop. Our planet is freezing, record low temps,and our GW scientists are stuck in ice @realDonaldTrump – 4:39 PM – 1 Jan 2014 Ice storm rolls from Texas to Tennessee – I’m in Los Angeles and it’s freezing. Global warming is a total, and very expensive, hoax! @realDonaldTrump – 7:13 AM – 6 Dec 2013 Then, during a presidential debate with Hillary Clinton, Trump denied that he said any of this. Here’s the video. Clinton says, “Donald thinks that climate change is a hoax, perpetrated by the Chinese. I think it’s real.” Trump interrupts to say, “I do not say that. I do not say that.” Actually, Donald, you’ve said nothing else. Trump has also said, dozens of times in tweets like this, that global warming sounds like a great idea: It’s freezing and snowing in New York–we need global warming! @realDonaldTrump – 11:24 AM – 7 Nov 2012 Here he is hating wind turbines: It’s Friday. How many bald eagles did wind turbines kill today? They are an environmental & aesthetic disaster. @realDonaldTrump – 12:55 PM – 24 Aug 2012 Trump fought against a “really ugly” offshore wind farm in Scotland because it would mar the view from his Scottish golf resort. My new club on the Atlantic Ocean in Ireland will soon be one of the best in the World – and no-one will be looking into ugly wind turbines! @realDonaldTrump – 5:24 AM – 14 Feb 2014
Guy Fawkes (101 Indisputable Facts Proving Donald Trump Is An Idiot: A brief background of the most spectacularly unqualified person to ever occupy the White House.)
I am a poet and Frank said to me that I couldn’t say certain things, but if I put it in a poem?’ He then agreed to recite his poem aloud for the pair: ‘There is a full force hurricane, storming, circulating, swirling, angry, aggressive and vengeful, around the outside of my head. Yet because of beauty and love and thoughts of you, I remain calm in the eye of the hurricane. And in the bonfiring of my dreams, at that final moment, between the laughter and the tears, at the tumult of my fears, with thoughts of beauty and love and you, I am able to stay as calm as the stilled mill pond.’ Concluding the poem, he said it perfectly captured where he was at that precise moment in time. ‘That is from the heart. I am not acting calmly in a hurricane–I am.’ He acknowledged he was a ‘bit worried about herself’, in reference to his partner, Ms Thomas, who was not participating in the interview but who was painting in her studio just a few metres away. ‘She is a bit shook,’ he said. The poetry dominated coverage of the case over the coming days, most likely as intended. The striking photograph taken by Mark Condren, a multiple winner of the prestigious Irish Press Photographer of the Year Award, dominated the front page the following day. Such was the impact of the image it was reproduced several times over the coming weeks for use with various updates on the Paris trial and verdict.
Ralph Riegel (A Dream of Death: How Sophie Toscan du Plantier’s Dream Became a Nightmare and a West Cork Village Became the Centre of Ireland’s Most Notorious Unsolved Murder)
Before the killing, they summoned a priest. This was not unusual: there were certain priests in that era who grew accustomed to the late-night phone call. They would be summoned outside by gruff men who were about to perform an execution and asked to deliver the last rites. The act of killing itself had a ritual character, a practiced choreography that would have been familiar to McKee. A bag is placed over your head. Your hands are bound behind your back. You kneel in the soft grass. Then you flop forward when the bullet hits your brain.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
Think of the armed struggle as the launch of a boat, Hughes said, “getting a hundred people to push this boat out. This boat is stuck in the sand, right, and get them to push the boat out and then the boat sailing off and leaving the hundred people behind, right. That’s the way I feel. The boat is away, sailing on the high seas, with all the luxuries that it brings, and the poor people that launched the boat are left sitting in the muck and the dirt and the shit and the sand, behind.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
This book was inspired by the story of the people who set out on a walk for help on March 30, 1849, in Doolough, Ireland. It was a hard story to hear, and a hard story to tell, not least because to separate the story from the history, the people from what had happened to them, was a difficult process. For a long time, I struggled with the idea of giving a voice to those who’d been silenced, of making them into characters in a story of my telling. Their history, their ending, is theirs alone. I can only hope that those who didn’t survive Doolough, who didn’t get to tell their own story, would have been glad to have had it recounted as it is here, and that they would forgive me any mistellings, omissions, or misunderstandings. This book is for them, and for the Cayuse people of the Pacific Northwest, who today form part of the Confederated Tribes of the Umatilla Indian Reservation in northeast Oregon. The Cayuse are, as they say, still here. The Irish and the Cayuse were banished to wander the world. May their souls, and the souls of their ancestors and their descendants, find peace in their ancestral homelands.
Jacqueline O'Mahony (Sing, Wild Bird, Sing)
Take this story from the southwest of Ireland. One day, a parish priest visited the Cailleach’s house to ask how old she was. He thought, as such men do, that he was a fine fellow, and very clever; he’d heard that she claimed to be as old as time, and he wanted to catch her out. Well, the old woman replied that she couldn’t quite remember her exact age, but every year on her birthday, she told him, she would kill a bullock, and after she’d eaten it, she would throw one of its thigh bones into her attic. So if he wanted to, he could go up to the attic and count the bones. “For every bone you find up there in that attic,” she said to him, “you can add a year of my life.” Well, he counted the bones for a day and a night and still he couldn’t make a dent in them. His hands, they say, were shaking as he pulled at the door handle and left.
Sharon Blackie (Hagitude: Reimagining the Second Half of Life)
GALWAY, IRELAND TWELVE YEARS AGO “The world was a different place, once,” Niall says into the microphone. “Once there were creatures in the sea so miraculous they seemed straight out of fantasy. There were things that loped across plains or slithered through tall grass, things that leaped from the boughs of trees, which were plentiful, too. Once there were glorious winged beasts that roamed the sky-world, and now they are going.” He stops and looks for my face in the lecture hall. “They aren’t going,” he corrects himself. “They are being violently and indiscriminately slaughtered by our indifference. It has been decided by our leaders that economic growth is more important. That the extinction crisis is an acceptable trade for their greed.” He said it’s hard, sometimes, to finish. The bile rises in his throat and he could break the lectern beneath his hands, overcome with a profound sense of loathing for what we are, all of us, and the poison of our species. He called himself a hypocrite for always talking, never doing, and he said he hates himself as much as anyone, he’s as much a perpetrator, a consumer living in wealth and privilege and wanting more and more and more.
Charloote McConaghy
It is not those who inflict the most but those who suffer the most who will conquer,’ MacSwiney declared.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
In fact, throughout Catholic Europe local princes were accustomed to having a say in episcopal appointments; England’s status since the Reformation as a mission territory had meant that the bishops had enjoyed a particular independence.
Antonia Fraser (The King and the Catholics: England, Ireland, and the Fight for Religious Freedom, 1780-1829)
Irish records say that Crimthann the Great reigned over Britain (meaning, of course, a chief part of Britain) for 13 years, from 366 to 379.
Seumas MacManus (The Story of the Irish Race: A Popular History of Ireland)
Surely man has free will, and there are famous stories of humans persisting in and strengthening their faith all alone. Saint Patrick was a slave left alone in a field with sheep in pagan Ireland as a boy, and he prayed without ceasing until he could escape—eventually returning as a bishop and a missionary. So we shouldn’t deny people individual agency by saying their environment determined their outcome. Yet we know that environment helps determine our outcomes. That’s why parents work hard to find the right school and community in which to raise their children. If people thought environment didn’t help determine outcomes, they wouldn’t expend so much time and money to obtain a great environment—family, school, neighborhood—for their children. They’d just say, 'Hey, kid, make good decisions.
Timothy P. Carney (Alienated America: Why Some Places Thrive While Others Collapse)
My vampire novel, The Vorbing, was written when I lived n Dublin, Ireland. There was a park across the road from me that had a bat colony in it. I'd be writing about vampires after midnight, and you'd hear the sonar clicks of the bats near the window outside. You could say I was a method writer.
Stewart Stafford
In a famed battle at Southern Moytura (on the Mayo-Galway border) it was that the Tuatha De Danann met and overthrew the Firbolgs. There has been handed down a poetical account of this great battle — a story that O’Curry says can hardly be less than fourteen hundred years old — which is very interesting, and wherein we get some quaint glimpses of ancient Irish ethics of war (for even in the most highly imaginative tale, the poets and seanachies of all times, unconsciously reflect the manners of their own age, or of ages just passed).
Seumas MacManus (The Story of the Irish Race: A Popular History of Ireland)
Some traditions say that he established a School of Learning. And as crowning glory he established the celebrated Feis of Tara, the great triennial Parliament of the chiefs, the nobles, and the scholars of the nation, which assembled on Tara Hill once every three years to settle the nation’s affairs. This great deliberative assembly, almost unique among the nations in those early ages, and down into Christian times, reflected not a little glory upon ancient Ireland.
Seumas MacManus (The Story of the Irish Race: A Popular History of Ireland)
As angry as I was at Hannah, if I were leaving this Earth forever, I'd want to say goodbye to her.
Tamara Ireland Stone (Little Do We Know)
The romantic idyll of a revolutionary movement is easier to sustain when there is no danger that one’s own family members might get blown to pieces on a trip to the grocery store.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
But what if Mr Tsang says something to Mrs Harrison about me leaving with my brother and she'll be like, "Jules doesn't have a brother" and he'll be like, "We've been swindled!
Jenny Ireland (The First Move)
But he says the wind is a gossipy wench, and if you don’t want anyone knowing your secrets, you’re better off telling a rock. He says that’s why we have so many rocks in Ireland. Rocks soak up every word, every sound, and they never tell a soul. It’s a good thing because the Irish love to blather.
Amy Harmon (What the Wind Knows)
A few weeks later, in Parliament, Daniel O’Connell read a list of the provisions Ireland had exported to Britain during the scarcity year of 1845: two hundred thousand head of livestock, two million quarters of grain, and several hundred million pounds of flour. Should Britain fail to display generosity in the present circumstance, said O’Connell, her failure would become eternally lodged in the deepest ventricle of Irish memory. “There are five millions of people … on the verge of starvation … and I am speaking from the depth of my conviction when I [say] that … I believe the result of neglect … in the present instance will be death to an enormous amount.
John Kelly (The Graves are Walking)
Constantine Nigra (quoted by Hyde) says: “The idea that rhyme originated among the Arabs must be absolutely rejected as fabulous. . . . Rhyme, too, could not in any possible way, have evolved Itself from the natural progress of the Latin language. Amongst the Latins, neither the thing nor the name existed. The first certain examples of rhyme, then, are found on Celtic soil and among Celtic nations . . . we conclude that final assonance or rhyme can have been derived only from laws of Celtic phonology.
Seumas MacManus (The Story of the Irish Race: A Popular History of Ireland)
Douglas Hyde says: “Already, in the seventh century, the Irish not only rhymed but made intricate rhyming metres, when for many centuries after this, the Germanic nations could only alliterate. . . . And down to the first half of the sixteenth century the English poets for the most part exhibited a disregard for the fineness of execution and technique of which not the meanest Irish bard attached to the pettiest chief could have been guilty.” As is only to be expected, the Irish, the inventors of rhyme, carried it to a wonderful perfection, never approached by any other people — a fact acknowledged even by those who still withhold from them the credit of having originated It.
Seumas MacManus (The Story of the Irish Race: A Popular History of Ireland)
Peel was certainly no Judas: he was a man of honest conviction who had honestly changed his mind and had the courage to say so. Nevertheless, the slur would affect his standing in the Tory Party and the next great campaign for Reform.
Antonia Fraser (The King and the Catholics: England, Ireland, and the Fight for Religious Freedom, 1780-1829)
Sometimes it felt as if they spent more nights on the floor than in their beds. Lying awake, staring at the ceiling, Michael would listen to the sounds of bullets ricocheting off the concrete outside. It was a mad life. But as the anarchy persisted from one month to the next, it became the only life he knew.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
Maybe the parties were to keep the dead entertained through an otherwise long and lonely night. He’d once heard his father say the dead could never be left alone in the house.
NP Cunniffe (The Wake)
When his fingers stroke to settle at the back of my neck, and his other hand lands on my hip, I sway toward him. But when he ducks his head, intent on my lips, I speak. “I love the way you kiss me.” He pauses, eyes flicking between mine. I swallow loudly. “I’ve never been kissed like that.” His laugh is so quiet; a short exhalation from his nose. “I never knew I could kiss like that.
Elena Ireland (Say It's Mine)
the wind is a gossipy wench, and if you don’t want anyone knowing your secrets, you’re better off telling a rock. He says that’s why we have so many rocks in Ireland. Rocks soak up every word, every sound, and they never tell
Amy Harmon (What the Wind Knows)
Living in London, it’s easy to forget that people can talk to each other. I walk my dogs around Wapping past hundreds of people on pavements and in parks and it is very rare a smile is exchanged or the silence broken. I occasionally get ‘Are you Graham Norton?’ ‘Love the show’ or a simple ‘Faggot!’ but for most people making their way through the capital, you soon learn that people generally only speak to you when they are (a) crazy, (b) want money, or (c) both. We quickly learn the rules and for the most part they work. In Ireland it is impossible to imagine not saying hello or commenting on the weather. When I first started going back home again, it would always take me a day or two to stop thinking everyone I met was trying to sell me something or explaining why they needed £2 to get the train. I know this is true of rural communities the world over, but talking seems to be something we in Ireland are especially gifted at. There are nights in the pub when my friends look on in slack-jawed incomprehension as someone opens their mouth and a torrent of words tumble free. Usually they don’t have anything to say. Their gate fell down. Who put it there. The man who fixed it. The general state of gates in the area. I will then remember an ‘interesting’ fact about my own gate. They will know the man who owned the forge where they made it. Are they a relation of the man who delivers the stuff? And so it goes. A seamless gush of phrases and banter as traditional as a sing-song or drink-driving. It is talking for the pure pleasure of it and not to communicate a single thing. It is the human equivalent of barking or birdsong.
Graham Norton (The Life and Loves of a He Devil)
To the primitive mind—and to the poet in all ages—mountains, rivers, rocks, trees, stars, sun, moon and sky are sacramentally holy things, because they are the outward and visible signs of inward and invisible souls. To the early Greeks the sky was the god Ouranos, the moon was Selene, the earth was Gaea, the sea was Poseidon, and everywhere in the woods was Pan. To the ancient Germans the forest primeval was peopled with genii, elves, trolls, giants, dwarfs and fairies; these sylvan creatures survive in the music of Wagner and the poetic dramas of Ibsen. The simpler peasants of Ireland still believe in fairies, and no poet or playwright can belong to the Irish literary revival unless he employs them. There is wisdom as well as beauty in this animism; it is good and nourishing to treat all things as alive. To the sensitive spirit, says the most sensitive of contemporary writers, Nature begins to present herself as a vast congeries of separate living entities, some visible, some invisible, but all possessed of mind-stuff, all possessed of matter-stuff, and all blending mind and matter together in the basic mystery of being. . . . The world is full of gods! From every planet and from every stone there emanates a presence that disturbs us with a sense of the multitudinousness of god-like powers, strong and feeble, great and little, moving between heaven and earth upon their secret purposes.103
Will Durant (Our Oriental Heritage (Story of Civilization 1))
England's difficulty, we used to say, is Ireland's opportunity
T.H. White (The Once and Future King (The Once and Future King, #1-5))
On the way back, Columba made a little detour. From a mound above the monastery he blessed it and all the people who would in the future come to the island [Iona] for his sake. Then he returned to his cell, not to rest but to go on with his daily stint of copying the scriptures. He was working on the thirty-fourth psalm. He wrote steadily for a while, but when he got to the verse that says, They that seek the Lord shall not want any good thing, he put down his pen. It seemed a perfect place to stop. "I think I can write no more," he said.
Eileen Dunlop (Tales of st Columba)
Alfred says more people have died in LA gang conflicts than the Troubles in Ireland. You’d never thought of it like that, which is his point: no one thinks of it like that.
Leslie Jamison (The Empathy Exams)
You know, I’ve been wanting to try that thing the twins did in Ireland?” “No,” Conor says. “What? Right now?” “Come on, Con. I’m only gonna be forty once? If Jessie is up for it?” “It is his birthday,” I whisper as I turn my head to Conor. “I know I’m pretty buzzed off that fancy whiskey, but…” Conor shakes his head. “What?” Shane frowns. “Our cocks will be touching.” He shudders, making me giggle.
Sadie Kincaid (Ryan Renewed (New York Ruthless, #5))
Yes, I just…” Should I be honest and sound like a complete loser? Oh why the hell not? “I have not had a kiss like that in a while.” I licked my lips. He looked me dead in the eye. “Good.” A wave of silence crashed over us. I didn’t know what to say to that. “Well, I better get going. See you soon?” I nodded dumbly. “Mmm-hmm.” He smiled and began to walk away. I couldn’t just let him go! “Declan!” He turned. “Yes, Cake?” Come on, brain! Think of something! “What should I wear? I mean, what kind of place is Shellshock?” Yes, yes, that was fine… damage averted. “California casual.” “Oh, ok.” I think I knew what that meant. Spend three hours getting ready to make it look like you just threw any-ol’-thing on. “Have a nice night.” He flicked his head my way. “You too.” Then he was gone. And then I was sad. It was ridiculous. Preposterous, even. I was going to have to come clean about the ring- eventually. I hoped he didn’t bring it up because I would probably tell the poor guy my life story to get to why the ring he bought meant so much to me.
Nicole Castro (Winner's Curse)
One sunny day in Ireland, two men were sitting in a pub, drinking some Guinness, when one turns to the other and says "You see that man over there? He looks just like me! I think I'm gonna go over there and talk to him." So, he goes over to the man and taps him on the shoulder. "Excuse me sir," he starts, "but I noticed you look just like me!" The second man turns around and says "Yeah, I noticed the same thing, where you from?", "I'm from Dublin", second man stunned says, "Me too! What street do you live on?", "McCarthy street", second man replies, "Me too! What number is it?", the first man announces, "162", second man shocked says, "Me too! What are your parents’ names?", first man replies, "Connor and Shannon", second man awestruck says, "Mine too! This is unbelievable!"   So, they buy some more Guinness and they're talking some more when the bartenders change shifts. The new bartender comes in and goes up to the other bartender and asks "What's new today?" "Oh, the Murphy twins are drunk again.
Johnson C. Philip (Philip's Hilarious Jokes (Philip's Jokes Book 1))
Unlike the tedious priests of Mithras and Minerva—so careful, so exact, so smug in the enactment of their obscure rituals—old Potitus saw no need to weary heaven with ceaseless ceremony or meaningless repetition. “God knows the cry of our hearts,” he would say, “before it ever reaches our lips. So speak it out and have done with it. Then get about your business.” My
Stephen R. Lawhead (Patrick: An Epic Historical Novel - The Legendary Journey from Slave to Saint in Ancient Rome)
It was nearly time for dinner, which made it likely that both Leo and Cam would have concluded their work for the day. Beatrix wished that she’d had time to prepare her family for the situation. She was fervently glad that Merripen was still in Ireland, because he tended to view all outsiders with suspicion, and he would not have made the situation easier for Christopher. And Leo might have objections. The best option was to approach Cam, who was by far the most reasonable male in the family. However, when Beatrix tried to make suggestions to Christopher about whom to approach and what to say, he interrupted her with a kiss and told her that he would manage it on his own. “Very well,” Beatrix said reluctantly. “But I warn you, they may be resistant to the match.” “I’m resistant to the match,” Christopher informed her. “At least we’ll have that in common.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))