Ireland Sayings Quotes

I think being a woman is like being Irish... Everyone says you're important and nice, but you take second place all the time.

The master says it’s a glorious thing to die for the Faith and Dad says it’s a glorious thing to die for Ireland and I wonder if there’s anyone in the world who would like us to live.

In Ireland, you go to someone's house, and she asks you if you want a cup of tea. You say no, thank you, you're really just fine. She asks if you're sure. You say of course you're sure, really, you don't need a thing. Except they pronounce it ting. You don't need a ting. Well, she says then, I was going to get myself some anyway, so it would be no trouble. Ah, you say, well, if you were going to get yourself some, I wouldn't mind a spot of tea, at that, so long as it's no trouble and I can give you a hand in the kitchen. Then you go through the whole thing all over again until you both end up in the kitchen drinking tea and chatting. In America, someone asks you if you want a cup of tea, you say no, and then you don't get any damned tea. I liked the Irish way better.

Shy, insecure, afraid to speak up? “Act as if,” they say. Act as if you’re not. Stand tall when you walk. Project your voice when you talk. Raise your hand in class. Act as if. Speak your mind. Cut your hair. Be the part. Look the part. You can do this. Just act as if. If you really knew me, If you could see inside, You’d find shy and insecure and afraid. Acting as if. Ironic, isn’t it? The only time I’m not Acting “as if”? When I’m on a stage.

Sam: Do you always say exactly what you're thinking? AJ: I try to. I like to know where I stand with people, and I figure I owe them the same courtesy. I mean, I'm never rude or hurtful about it, but I don't see any reason to be fake. That's a lot of work

Claude Lévi-Strauss once observed that, “for the majority of the human species, and for tens of thousands of years, the idea that humanity includes every human being on the face of the earth does not exist at all. The designation stops at the border of each tribe, or linguistic

if you could just get people to talk, he believed, the most bitter antagonists could discover common ground.

Who should be held accountable for a shared history of violence? It was a question that was dogging Northern Ireland as a whole.

Momma used to say that a politician was a man that had perfected the art of lying,

Americans may say they love our accents (I have been accused of sounding 'like Princess Di') but the more thoughtful ones resent and rather dislike us as a nation and people, as friends of mine have found out by being on the edge of conversations where Americans assumed no Englishmen were listening. And it is the English, specifically, who are the targets of this. Few Americans have heard of Wales. All of them have heard of Ireland and many of them think they are Irish. Scotland gets a sort of free pass, especially since Braveheart re-established the Scots' anti-English credentials among the ignorant millions who get their history off the TV.

Outrage is conditioned not by the nature of the atrocity but by the affiliation of the victim and the perpetrator. Should the state be accorded more leniency because, legally speaking, it has a monopoly on the legitimate use of force? Or, conversely, should we hold soldiers and cops to a higher standard than paramilitaries?

I smile tightly, but say nothing. He is trying to protect me, in the simple way men are always trying to protect women: by stealing away their freedom.

There is a concept in psychology called ‘moral injury,’ notion, distinct from the idea of trauma, that relates to the ways in which ex-soldiers make sense of the socially transgressive things they have done during wartime. Price felt a sharp sense of moral injury: she believed that she had been robbed of any ethical justification for her own conduct.

History says, Don’t hope On this side of the grave But then, once in a lifetime The longed-for tidal wave Of justice can rise up And hope and history rhyme.

That guy in the corner. Never tells the truth, as a matter of principle. Why answer a question, he says, if you can tell a good story instead?

was rubble and broken glass, what one poet would memorably describe as “Belfast confetti.

the violence intensified, grandiose funerals became routine, with rousing graveside orations and caskets draped in tricolor flags. People took to joking that there was no social life in Belfast anymore, apart from wakes.

The wises men tell us that everything, sooner or later, changes. And all change commences with a specific moment. We say to ourselves, "I wont do this again, I must become different." And we succeed -- eventually.

But this was Northern Ireland in 1981 which was slightly less conservative than, say, Salem in 1692

How am I going to tell the kids? How do I tell the man that I love, the man that I swore I’d grow old with that we won’t have that happy ending that he and I have worked so hard for? How do I say goodbye to all of you? How do I let go?

Beneath its broad surface, storytelling should always work hard to say more than it seems to.

Saint Bartleby's School for Young Gentlemen Annual Report Student: Artemis Fowl II Year: First Fees: Paid Tutor: Dr Po Language Arts As far as I can tell, Artemis has made absolutely no progress since the beginning of the year. This is because his abilities are beyond the scope of my experience. He memorizes and understands Shakespeare after a single reading. He finds mistakes in every exercise I administer, and has taken to chuckling gently when I attempt to explain some of the more complex texts. Next year I intend to grant his request and give him a library pass during my class. Mathematics Artemis is an infuriating boy. One day he answers all my questions correctly, and the next every answer is wrong. He calls this an example of the chaos theory, and says that he is only trying to prepare me for the real world. He says the notion of infinity is ridiculous. Frankly, I am not trained to deal with a boy like Artemis. Most of my pupils have trouble counting without the aid of their fingers. I am sorry to say, there is nothing I can teach Artemis about mathematics, but someone should teach him some manners. Social Studies Artemis distrusts all history texts, because he says history was written by the victors. He prefers living history, where survivors of certain events can actually be interviewed. Obviously this makes studying the Middle Ages somewhat difficult. Artemis has asked for permission to build a time machine next year during double periods so that the entire class may view Medieval Ireland for ourselves. I have granted his wish and would not be at all surprised if he succeeded in his goal. Science Artemis does not see himself as a student, rather as a foil for the theories of science. He insists that the periodic table is a few elements short and that the theory of relativity is all very well on paper but would not hold up in the real world, because space will disintegrate before lime. I made the mistake of arguing once, and young Artemis reduced me to near tears in seconds. Artemis has asked for permission to conduct failure analysis tests on the school next term. I must grant his request, as I fear there is nothing he can learn from me. Social & Personal Development Artemis is quite perceptive and extremely intellectual. He can answer the questions on any psychological profile perfectly, but this is only because he knows the perfect answer. I fear that Artemis feels that the other boys are too childish. He refuses to socialize, preferring to work on his various projects during free periods. The more he works alone, the more isolated he becomes, and if he does not change his habits soon, he may isolate himself completely from anyone wishing to be his friend, and, ultimately, his family. Must try harder.

Dating back to the Iliad, ancient Egypt and beyond, burial rites have formed a critical function in most human societies. Whether we cremate a loved one or inter her bones, humans possess a deep-set instinct to mark death in some deliberate, ceremonial fashion. Perhaps the cruelest feature of forced disappearance as an instrument of war is that it denies the bereaved any such closure, relegating them to a permanent limbo of uncertainty.

The body is a fantastic machine,’ Hughes told Mackers in one of his Boston College interviews, recounting the grueling sequence of a hunger strike. ‘It’ll eat off all the fat tissue first, then it starts eating away at the muscle, to keep your brain alive.’ Long after Hughes and Price called an end to their strikes and attempted to reintegrate into society, the nursed old grudges and endlessly replayed their worst wartime abominations. In a sense, they never stopped devouring themselves.

But the truth was that most residents still lived in neighborhoods circumscribed by religion, and more than 90 percent of children in Northern Ireland continued to attend segregated elementary schools.

The master says it's a glorious thing to die for the Faith and Dad says it's a glorious thing to die for Ireland and I wonder if there's anyone in the world who would like us to live. My brothers are dead and my sister is dead and I wonder if they died for Ireland or the Faith. Dad says they were too young to die for anything. Mam says it was disease and starvation and him never having a job. Dad says, Och, Angela, puts on his cap and goes for a long walk

The anthropologist Claude Lévi-Strauss once observed that, “for the majority of the human species, and for tens of thousands of years, the idea that humanity includes every human being on the face of the earth does not exist at all. The designation stops at the border of each tribe, or linguistic group, sometimes even at the edge of a village.

They say the clouds are lower in Ireland. I say Ireland is closer to Heaven.

Outrage is conditioned not by the nature of the atrocity but by the affiliation of the victim and the perpetrator

Old, is it?" the man asks. "Yes, very." "Pre-war, is it?" "Yes," I say. "If by war you mean the Norman invasion.

True the greater part of the Irish people was close to starvation. The numbers of weakened people dying from disease were rising. So few potatoes had been planted that, even if they escaped bight, they would not be enough to feed the poor folk who relied upon them. More and more of those small tenants and cottagers, besides, were being forced off the land and into a condition of helpless destitution. Ireland, that is to say, was a country utterly prostrated. Yet the Famine came to an end. And how was this wonderful thing accomplished? Why, in the simplest way imaginable. The famine was legislated out of existence. It had to be. The Whigs were facing a General Election.

Once, in the summer of 1995, Adams gave a speech at a rally in Belfast. He looked like a politician, in a crisp summer suit, consulting his cue cards. But during a pause in his prepared remarks, someone in the crowd shouted, "Bring back the IRA!" As the audience cheered, Adams chuckled and smiled. Then he leaned into the microphone and said, "They haven't gone away, you know.

Do you always say exactly what you’re thinking?” “I try to. I like to know where I stand with people, and I figure I owe them the same courtesy. I mean, I’m never rude or hurtful, but I don’t see any reason to be fake. That’s a lot of work.

You're a heartbreaker, Katherine Devereaux." "That has nothing to do with me and everything to do with them," I say, blowing on my coffee before sipping it. There's chicory in the brew and I drink it appreciatively while we walk. "I have already had to tell more than one of them that I am not interested in courtship, thinking about courtship, hearing about courtship, or talking about the possibility of courtship. What is it with men thinking every woman they meet must be half in love with them?

Indeed, it could occasionally seem that support for the armed struggle was more fervent in Boston or Chicago than it was in Belfast or Derry. The romantic idyll of a revolutionary movement is easier to sustain when there is no danger that one's own family members might get blown to pieces on a trip to the grocery store. Some people in Ireland looked askance at the "plastic Paddies" who urged bloody war in Ulster from the safe distance of America.

My mother used to say, “Fun is fun till someone loses an eye.

She always used to say I made her brave, but she makes me smart.

What can I say? I'm Irish, I love a good potato.

Wherever did they find you?" "At the junction of hard luck and bad times," I answer. It's something that my momma says.

It was about the hysteria, the mythmaking, and the misunderstanding that had twisted

Think of the armed struggle as the launch of a boat, Hughes said, getting a hundred people to push this boat out. This boat is stuck in the sand, right, and then get them to push the boat out and then the boat sailing off and leaving the hundred people behind, right. That’s the way I feel. The boat is away, sailing on the high seas, with all the luxuries that it brings, and the poor people that launched the boat are left sitting in the muck and the dirt and the shit and the sand, behind.

But even if your parents were ardent supporters of the IRA, there were reasons not to tell them that you had joined. If the police or the army broke down the door to interrogate them, the less they knew, the better.

This is a great wedding. I like weddings." "It is a good one, isn't it?" she agreed. "But it was always going to be--Emma so efficient." "Isn't she," he said. "I like weddings." Lulu said nothing. "Weddings," he said after a moment. "Funny things, but I like them." Lulu stopped dancing and drew back to look up into his eyes. "If you say that one more time," she said levelly, "I won't take you to the Cheddar cheese shop." "Sorry," he said quickly "I like funerals, too, if that's any help? We do marvelous ones in Ireland, we're famous for them.

that’s the story of how Saint Patrick drove the snakes out of Ireland forever and banished the Devil to England. Some people say that explains why there has always been such trouble between England and Ireland. The Devil stirs it up.

As Dolours struggled in the water, she locked eyes with one attacker, a man with a club, and for the rest of her life she would return to that moment, the way his eyes were glazed with hate. She looked into those eyes and saw nothing.

Momma used to say there were lots of ways to survive. Don't e afraid to pretend to be something you aren't, Jane. Some times a little subterfuge and chicanery is in order and the quickest way to achieve one's goal. It ain't hard to imagine Ida pretending to be just another dumb colored girl in order to make it out here. Survival by any means necessary.

That's how vile I am! I live Ireland, I breathe Ireland, and Christ how I loathe it, I wish I were a bloody Scot, that's how bloody awful it is being Irish! I think I hate Ireland more than I hate the theatre, and that's saying something!

The bomb exploded, killing five people, but not Thatcher. The IRA issued a statement, eloquently capturing the strategic advantage of terrorism: ‘Today we were unlucky, but remember, we only have to be lucky once. You will have to be lucky always.

And he had other assets; one of them -- you'll be surprised at this -- was sin...Whatever it was, Patrick said how it weighed on him. He also exploited it -- because it enabled him to meet people on an equal footing. He was able to say, "Look, I'm not above you. I have my faults, too. I've done terrible things." Just because someone had once sinned, he said, didn't mean they were bad through and through. And that was part of his work in life -- to show that people might sin and still go on to live good lives.

Once he said to me in the height of his imperial propaganda, 'Tell those young men in Ireland that this great thing must go on. They say Ireland is not fit for self-government but that is nonsense. It is as fit as any other European country but we cannot grant it.

Early Summer, loveliest season, The world is being colored in. While daylight lasts on the horizon, Sudden, throaty blackbirds sing. The dusty-colored cuckoo cuckoos. "Welcome, summer" is what he says. Winter's unimaginable. The wood's a wickerwork of boughs. Summer means the river's shallow, Thirsty horses nose the pools. Long heather spreads out on bog pillows. White bog cotton droops in bloom. Swallows swerve and flicker up. Music starts behind the mountain. There's moss and a lush growth underfoot. Spongy marshland glugs and stutters. Bog banks shine like ravens' wings. The cuckoo keeps on calling welcome. The speckled fish jumps; and the strong Swift warrior is up and running. A little, jumpy, chirpy fellow Hits the highest note there is; The lark sings out his clear tidings. Summer, shimmer, perfect days.

My room’s a mess. I scurry around, scooping up piles of clothes and stuffing them into the laundry hamper. “I thought people with OCD were supposed to be neat,” she says. “Popular misconception,” I say as I kick all the textbooks strewn across the floor into a haphazard pile.

I don't know whether it will be read by everyone, but it is meant for everyone. It addresses England as well as Spain, Italy as well as France, Germany as well as Ireland, the republics that harbour slaves as well as empires that have serfs. Social problems go beyond frontiers. Humankind's wounds, those huge sores that litter the world, do not stop at the blue and red lines drawn on maps. Wherever men go in ignorance or despair, wherever women sell themselves for bread, wherever children lack a book to learn from or a warm hearth, Les Miserables knocks at the door and says, 'Open up, I am here for you.

EPISODE 2   As we there are where are we are we there from tomtittot to teetootomtotalitarian. Tea tea too oo. With his broad and hairy face, to Ireland a disgrace. SIC. Whom will comes over. Who to caps ever. And howelse do we hook our hike to find that pint of porter place? Am shot, says the big-guard.

I never felt Irish. I always felt, ‘I’m English, this is where I come from, and that’s that.’ Because you’d be reminded of that when you went to Ireland: ‘Ye’re not Oirish!’ the locals would say. So it was like, ‘Bloody hell, shot by both sides here.’ I still love that Magazine song – so relevant to me, those lyrics.

I’m going to kill her, and Miss Preston and the mayor. All of them. I’m going to gut them like fish and use them as shambler bait, then I’m going to burn both the school and the mayor’s house to the ground and dance upon the ashes.” “That’s good, Jane, that’s good. It’s good to have goals,” Katherine says, her voice trembling.

If only," repeated Rick with a shake of his head. "Those are two words in the English language that we regret saying the most.

Conventional wisdom had it that every handler wants a highly placed source.

No,” she says, not yet seeing the dead around us. “You want to march into the mouth of hell to find Gideon Carr, then I will accompany you all the way to Satan’s throne.

Momma used to say the Indian was even worse off than the Negro, because instead of being taken from his land he’d had his land taken from him.

ah' he says 'I didn't think you had the local accent.' I wonder what he expects. Top o' the morning and to be sure, to be sure and shamrocks and leprechauns

I turned on the water then returned to the door jamb. “That’s not fair, you’re nice and clean.” “I am?” He took a few steps toward me. “Aren’t you?” “No,” he scowled and shook his head. “I’m dirty. But you knew that.” Now, if you haven’t heard an Irishman say the word “dirty” before, I will compare it with dynamite in your ovaries. They say it with like, seven Rs.

He must have known, or at least suspected, that she was herself a member of the IRA, but they would argue, amiably, about politics as if they were a couple of graduate students, rather than adversaries in a bloody guerrilla war. At one point, Corden-Lloyd told her that he would love to come back and see her in ten years' time, 'and we could all tell each other the whole truth.

With a snort, Trevor responded, “A amadáin? It means you fool, but it’s really a polite Irish way of calling someone an asshole. Since there are no assholes in Ireland, we don’t really have a word for them, so that’s what we say.” His expression was so serious, Cassandra couldn’t help but burst out laughing. “I’ll have to remember that one. I know a few back home.” “A few assholes or Irishmen?

For no matter whether the fairies are seen metaphorically or as real beings inhabiting their own real world, a study of them shows us that those who came before us (and many of that mindset still survive) realized that we are -- no matter what we may think to the contrary -- very little creatures, here for a short time only ('passing through,' as the old people say) and that we have no right to destroy what the next generation will most assuredly need to also see itself through. If only we could learn that lesson, maybe someday we might be worthy of the wisdom of those who knew that to respect the Good People is basically to respect yourself.

And so I have brought this pint for him—a proper Irish pint, from Ireland. This pint—brought through the sky, and over the sea. I am finally buying my old man a good pint of Guinness. As I walk through the door, holding the glass—kids throwing themselves at me, one already crying—I hold it out to Dadda, and tell him to sip it. He tears the cling film off—looking at me, confused—and then takes a sip. “Christ. That’s flat,” he says.

John Milton has, since his own lifetime, always been one of the major figures in English literature, but his reputation has changed constantly. He has been seen as a political opportunist, an advocate of 'immorality' (he wrote in favour of divorce and married three times), an over-serious classicist, and an arrogant believer in his own greatness as a poet. He was all these things. But, above all, Milton's was the last great liberal intelligence of the English Renaissance. The values expressed in all his works are the values of tolerance, freedom and self-determination, expressed by Shakespeare, Hooker and Donne. The basis of his aesthetic studies was classical, but the modernity of his intellectual interests can be seen in the fact that he went to Italy (in the late 1630s) where he met the astronomer Galileo, who had been condemned as a heretic by the Catholic church for saying the earth moved around the sun.

it’s like the British in Ireland in 1916’ , says Oisir O’Dowd. ‘The repeated the ageless macho mantra, “Force is the only thing these natives understand,” so often that they ended up believing it . From that point they were doomed.

Who're them?" says he to the curate. "Them are the fallen angels," says the curate. They had a human form, no wings. God took the wings off of 'em after Lucifer rebelled - that way they couldn't go back, d'you see. They had no wings. But there was so many of 'em that you couldn't drive a knife down between 'em. They were as thick as hair on a dog's back. They were the finest people he ever seen. And whatever way he looked at 'em, some o' the finest girls he ever seen was in it, he said. They had to be good-looking, you know! 'Twas the sin o' pride put Lucifer down, d'you see. The best-looking angel in Heaven, 'twas the sin o' pride put him down. I s'pose they were nearly all as good-looking.

A book a week I heave a sigh; That Slogan's peremptory cry I will not hear, I will not heed. How can They say that I should need The book They bid me weekly buy? But Slogans change, as days go by; My Psyche listens, fluttering shy, To newer message "Come and Read A book a week." To read! to read! O wings that fly O'er sun-kissed lands, through clouded sky That bear us on where Great ones lead! I too must follow, so I plead For magic wings. I'll read (or try) A book a week!

Refusing to lean back against him, Colleen sat ramrod straight until they reached the road. “I guess I should say thank you for saving my life,” she muttered then turned and slapped Faolán hard across the face. “And that’s for you having to save it in the first place. And I’m not your woman, you big, arrogant, lying, betraying…faery loving…” She searched for the perfect insult and couldn’t find one, “…Scot.” She gave a very unladylike snort. “Happy now? That fiery enough for you?

Much of the Irish landscape is dominated by peat bogs; the anaerobic and acidic conditions in the densely packed earth mean that the past in Ireland can be subject to macabre resurrection. Peat cutters occasionally churn up ancient mandibles, clavicles, or entire cadavers that have been preserved for millennia. The bodies date as far back as the Bronze Age, and often show signs of ritual sacrifice and violent death. These victims, cast out of their communities and buried, have surfaced vividly intact, from their hair to their leathery skin. The poet Seamus Heaney, who harvested peat as a boy on his family’s farm, once described the bogs of Ireland as “a landscape that remembered everything that had happened in and to it.

This morning from a dewy motorway I saw the new camp for the internees: A bomb had left a crater of fresh clay In the roadside, and over in the trees Machine-gun posts defined a real stockade. There was that white mist you get on a low ground And it was deja-vu, some film made Of Stalag 17, a bad dream with no sound. Is there a life before death? That's chalked up In Ballymurphy. Competence with pain, Coherent miseries, a bite and sup: we hug our little destiny again. -Whatever You Say Say Nothing

There are, as you know better than I — far better, indeed, a good many of our people are . . .' Here he hesitated trying to find which was least offensive: Papists? Romans? Mumbo-Jumbo certainly would not do. People of the old faith sounded obsequious. 'Most of them are Irish, of course; though quite a few come from the English north country. And then there are the mere foreigners . . . that is to say, the foreigners.' 'There is something to be said for the word Catholics. It is in general use in Ireland.

HIGGINS [sitting down beside her] Rubbish! you shall marry an ambassador. You shall marry the Governor-General of India or the Lord-Lieutenant of Ireland, or somebody who wants a deputy-queen. I'm not going to have my masterpiece thrown away on Freddy. LIZA. You think I like you to say that. But I haven't forgot what you said a minute ago; and I won't be coaxed round as if I was a baby or a puppy. If I can't have kindness, I'll have independence. HIGGINS. Independence? That's middle class blasphemy. We are all dependent on one another, every soul of us on earth. LIZA [rising determinedly] I'll let you see whether I'm dependent on you. If you can preach, I can teach. I'll go and be a teacher. HIGGINS. What'll you teach, in heaven's name? LIZA. What you taught me. I'll teach phonetics. HIGGINS. Ha! Ha! Ha!

The master says it’s a glorious thing to die for the Faith and Dad says it’s a glorious thing to die for Ireland and I wonder if there’s anyone in the world who would like us to live. My brothers are dead and my sister is dead and I wonder if they died for Ireland or the Faith.

The anthropologist Claude Lévi-Strauss once observed that, ‘for the majority of the human species, and for tens of thousands of years, the idea that humanity includes every human being on the face of the earth does not exist at all. The designation stops at the border of each tribe, or linguistic group, sometimes even at the edge of a village.

What happened was that everyone in Ireland had the idea that somewhere in Ireland there was a little wise old man who was in charge of the money, and this was the first time they’d ever seen this little man,” says McCarthy. “And then they saw him and said, Who the fuck was that??? Is that the fucking guy who is in charge of the money??? That’s when everyone panicked.

Immediately across the road is a ruined abbey and cemetery. As I haven't visited one since late yesterday afternoon, I decide to take a look. On the whole, it's fair to say that, if you're travelling round the west of Ireland, an interest in ruined abbeys, however slight, will stand you in better stead than a passion for rollerblading, say or a penchant for showbiz gossip.

… in these new days and in these new pages a philosophical tradition of the spontaneity of speculation kind has been rekindled on the sacred isle of Éire, regardless of its creative custodian never having been taught how to freely speculate, how to profoundly question, and how to playfully define. Spontaneity of speculation being synonymous with the philosophical-poetic, the philosophical-poetic with the rural philosopher-poet, and by roundelay the rural philosopher-poet thee with the spontaneity of speculation be. And by the way of the rural what may we say? A philosopher-poet of illimitable space we say. Iohannes Scottus Ériugena the metaphor of old salutes you; salutes your lyrical ear and your skilful strumming of the rippling harp. (Source: Hearing in the Write, Canto 19, Ivy-muffled)

Shakespeare's plays do not present easy solutions. The audience has to decide for itself. King Lear is perhaps the most disturbing in this respect. One of the key words of the whole play is 'Nothing'. When King Lear's daughter Cordelia announces that she can say 'Nothing' about her love for her father, the ties of family love fall apart, taking the king from the height of power to the limits of endurance, reduced to 'nothing' but 'a poor bare forked animal'. Here, instead of 'readiness' to accept any challenge, the young Edgar says 'Ripeness is all'. This is a maturity that comes of learning from experience. But, just as the audience begins to see hope in a desperate and violent situation, it learns that things can always get worse: Who is't can say 'I am at the worst?' … The worst is not So long as we can say 'This is the worst.' Shakespeare is exploring and redefining the geography of the human soul, taking his characters and his audience further than any other writer into the depths of human behaviour. The range of his plays covers all the 'form and pressure' of mankind in the modern world. They move from politics to family, from social to personal, from public to private. He imposed no fixed moral, no unalterable code of behaviour. That would come to English society many years after Shakespeare's death, and after the tragic hypothesis of Hamlet was fulfilled in 1649, when the people killed the King and replaced his rule with the Commonwealth. Some critics argue that Shakespeare supported the monarchy and set himself against any revolutionary tendencies. Certainly he is on the side of order and harmony, and his writing reflects a monarchic context rather than the more republican context which replaced the monarchy after 1649. It would be fanciful to see Shakespeare as foretelling the decline of the Stuart monarchy. He was not a political commentator. Rather, he was a psychologically acute observer of humanity who had a unique ability to portray his observations, explorations, and insights in dramatic form, in the richest and most exciting language ever used in the English theatre.

Indeed, it could occasionally seem that support for the armed struggle was more fervent in Boston or Chicago than it was in Belfast or Derry. The romantic idyll of a revolutionary movement is easier to sustain when there is no danger that one's own family members might get blown to pieces on a trip to the grocery store.. Some people in Ireland looked askance at the "plastic Paddies" who urged bloody war in Ulster from the safe distance of America.

By the way, I do enjoy fairytale endings, in case you misunderstood me." He glanced at her and smiled. "I like it when good wins over evil... when the knight defeats the dragon and saves the fair maiden... and when the woodsman saves Little Red Riding Hood. I like it when they say, 'And they lived happily ever after'... Just because I'm a man doesn't mean that I don't have a romantic bone in my body." Rick gave a curt nod. "Men can be romantic, too.

What, the Great War? in which your great-grandfather, who happened to be my grandfather, was gassed in the trenches not once, but twice? Which meant he and your great-grandmother were very poor, because he was too ill to work and died young? And meant I inherited his weak lungs? Not relevant to us? her mother says. And then the break-up of the Balkans, and the start of the territorial trouble in the Middle East between the Israelis and the Palestinians, and the civil unrest in Ireland, and the shifts of power in Russia, and the power shifts in the Ottoman empire, and the bankruptcy, economic catastrophe and social unrest in Germany, all of which played a huge part in the rise of Fascism and in the bringing about of another war in which, as it happens, your own grandmother and grandfather--who happened to be my mother and father--both fought when they were just two or three years older than you? Not relevant? To us?

Say Joe what’s the dope about this war business?” “I guess they are in for it this time. . . . I’ve known it was coming ever since the Agadir incident.” “Jez I like to see somebody wallop the pants off England after the way they wont give home rule to Ireland.” “We’d have to help em. . . . Any way I dont see how this can last long. The men who control international finance wont allow it. After all it’s the banker who holds the purse strings.” “We wouldn’t come to the help of England, no sir, not after the way they acted in Ireland and in the Revolution and in the Civil War. . . . ” “Joey you’re getting all choked up with that history you’re reading up in the public library every night. . . . You follow the stock quotations and keep on your toes and dont let em fool you with all this newspaper talk about strikes and upheavals and socialism. . . . I’d like to see you make good Joey. . . . Well I guess I’d better be going.

Times were tough and the people were harsh and the clergy were cruel-cruel, and you know it! The most natural thing in the world is giving birth; you built your whole religion around it. And yet you poured pitch onto girls like me and sold us into slavery and took our humanity away from us twice, a third time, as often as you could. I was lucky, Father. I was only sent away. A decade earlier and where would I have been? I might have died in your asylums, me with the smart mouth. I killed one man but you would have killed me in the name of your god, wouldn't you? How many did you kill? How many lives did you destroy with your morality and your Seal of Confession and your lies? Now. For the absolution. Once God knows you're sorry he lets you off the hook, isn't that right? Me? Oh, Father. I know I'm sorry. What about you? Bless me Ireland for I have sinned. Go on, boy. No wonder you say infinitely God is brimming with the clemency, for how else would any of you bastards sleep at night?

Seeking to distract her from further questions, he bent and blew lightly into her ear. She shivered. “This horse bites, you know.” “I think he likes me. Almost as much as you do.” “I don’t like you. How can I like you? I don’t even know you, for you refuse to answer my questions.” He stroked her upper arms. “There is little to say. You have Clonmuir, and that makes you far richer than I.” He gazed over the horse’s back, where a patch of sunset shone through a barred window. Even the warmth of her pressed against him failed to melt the ice of aloneness.

I never met a librarian worth his or her salt who didn't perceive my passion for books. And without exception, each one would lend me a book on a subject we had been discussing. No paperwork, no formalities of any kind, no rules or regulations. My unspoken side of the bargain was to protect them, in two ways; first by keeping the book unharmed - not that easy, especially in bad weather, but when it rained, I carried the book next to my skin. I can tell you now that carrying Gulliver's Travels or Lays of Ancient Rome or Mr. Oscar Wilde's stories or Mr. William Yeat's poems next to my heart gave me a kind of sweet pleasure. The second half of the bargain often nearly broke my heart, but I always kept it - and that was to return the book safe and sound to the library that had lent it. To part company with Mr. Charles Dickens or Mr. William Makepeace Thackeray and his lovely name! - that was harder than saying good-bye to a dear flesh-and-blood companion. But I always did it - and I sent the book by registered post, no small consideration of cost given the peculiar economics of an itinerant storyteller.

I make my way back whistling. Gerry nods towards Mrs Brady who is standing beside the trolleys. Morning, Mrs Brady, I say cheerfully. I push her provisions out to the car. Things are something terrible, she says. You can't trust anybody. No. It's come to a sorry pass. It has. There's hormones in the beef and tranquillizers in the bacon. There's men with breasts and women with mickeys. All from eating meat. Now. I steer a path between a crowd of people while she keeps step alongside. Can you believe it - they're feeding the pigs Valium. If you boil a bit of bacon you have to lie down afterwards. Dear oh dear. Yes, I nod. The thought of food makes me ill. The pigs are getting depressed in those sheds. If they get depressed they lose weight. So they tranquillize them. Where will it end? I don't know, Mrs Brady, I say. I begin filling the boot. That's why I started buying lamb. Then along came Chernobyl. Now you can't even have lamb stew or you'll light up at night! I swear. And when they've left you with nothing safe to eat, next thing they come along and tell you you can't live in your own house. I haven't heard of that one, Mrs Brady. Listen to me. She took my elbow. It could all happen that you're in your own house and the next thing is there's radiation bubbling under the floorboards. What? It comes right at you through the foundations. Watch the yogurts. Did you hear of that? No. I saw it in the Champion. Did you not see it in the Champion? I might have. No wonder we're not right. I brought the lid of the boot down. She sits into the car very decorously and snaps her bag open on her lap. She winds down the window and gives me 50p for myself and £1 for the trolley.

When a boy grows up in a “dysfunctional” family (perhaps there is no other kind of family), his interior warriors will be killed off early. Warriors, mythologically, lift their swords to defend the king. The King in a child stands for and stands up for the child’s mood. But when we are children our mood gets easily overrun and swept over in the messed-up family by the more powerful, more dominant, more terrifying mood of the parent. We can say that when the warriors inside cannot protect our mood from being disintegrated, or defend our body from invasion, the warriors collapse, go into trance, or die. The inner warriors I speak of do not cross the boundary aggressively; they exist to defend the boundary. The Fianna, that famous band of warriors who defended Ireland’s borders, would be a model. The Fianna stayed out all spring and summer watching the boundaries, and during the winter came in. But a typical child has no such protection. If a grown-up moves to hit a child, or stuff food into the child’s mouth, there is no defense—it happens. If the grown-up decides to shout, and penetrate the child’s auditory boundaries by sheer violence, it happens. Most parents invade the child’s territory whenever they wish, and the child, trying to maintain his mood by crying, is simply carried away, mood included. Each child lives deep inside his or her own psychic house, or soul castle, and the child deserves the right of sovereignty inside that house. Whenever a parent ignores the child’s sovereignty, and invades, the child feels not only anger, but shame. The child concludes that if it has no sovereignty, it must be worthless. Shame is the name we give to the sense that we are unworthy and inadequate as human beings. Gershen Kauffman describes that feeling brilliantly in his book, Shame, and Merle Fossum and Marilyn Mason in their book, Facing Shame, extend Kauffman’s work into the area of family shame systems and how they work. When our parents do not respect our territory at all, their disrespect seems overwhelming proof of our inadequacy. A slap across the face pierces deeply, for the face is the actual boundary of our soul, and we have been penetrated. If a grown-up decides to cross our sexual boundaries and touch us, there is nothing that we as children can do about it. Our warriors die. The child, so full of expectation of blessing whenever he or she is around an adult, stiffens with shock, and falls into the timeless fossilized confusion of shame. What is worse, one sexual invasion, or one beating, usually leads to another, and the warriors, if revived, die again. When a boy grows up in an alcoholic family, his warriors get swept into the river by a vast wave of water, and they struggle there, carried downriver. The child, boy or girl, unprotected, gets isolated, and has more in common with snow geese than with people.

The two billion people who speak English these days live mainly in countries where they’ve learned English as a foreign language. There are only around 400 million mother-tongue speakers – chiefly living in the UK, Ireland, USA, Canada, Australia, New Zealand, South Africa, and the countries of the Caribbean. This means that for every one native speaker of English there are now five non-native speakers. The centre of gravity in the use of English has shifted, therefore. Once upon a time, it would have been possible to say, in terms of number of speakers, that the British ‘owned’ English. Then it was the turn of the Americans. Today, it’s the turn of those who have learned English as a foreign language, who form the vast majority of users. Everyone who has taken the trouble to learn English can be said to ‘own’ it now, and they all have a say in its future. So, if most of them say such things as informations and advices, it seems inevitable that one day some of these usages will become part of international standard English, and influence the way people speak in the ‘home’ countries. Those with a nostalgia for linguistic days of old may not like it, but it will not be possible to stop such international trends.

The character and the play of Hamlet are central to any discussion of Shakespeare's work. Hamlet has been described as melancholic and neurotic, as having an Oedipus complex, as being a failure and indecisive, as well as being a hero, and a perfect Renaissance prince. These judgements serve perhaps only to show how many interpretations of one character may be put forward. 'To be or not to be' is the centre of Hamlet's questioning. Reasons not to go on living outnumber reasons for living. But he goes on living, until he completes his revenge for his father's murder, and becomes 'most royal', the true 'Prince of Denmark' (which is the play's subtitle), in many ways the perfection of Renaissance man. Hamlet's progress is a 'struggle of becoming' - of coming to terms with life, and learning to accept it, with all its drawbacks and challenges. He discusses the problems he faces directly with the audience, in a series of seven soliloquies - of which 'To be or not to be' is the fourth and central one. These seven steps, from the zero-point of a desire not to live, to complete awareness and acceptance (as he says, 'the readiness is all'), give a structure to the play, making the progress all the more tragic, as Hamlet reaches his aim, the perfection of his life, only to die.

According to one scholar, the “ideal victim” in the Troubles was someone who was not a combatant, but a passive civilian. To many, Jean McConville was the perfect victim: a widow, a mother of ten. To others, she was not a victim at all, but a combatant by proxy, who courted her own fate. Of course, even if one were to concede, for the sake of argument, that McConville was an informer, there is no moral universe in which her murder and disappearance should be justified. Must it be the case that how one perceives a tragedy will forever depend on where one sits? The anthropologist Claude Lévi-Strauss once observed that, “for the majority of the human species, and for tens of thousands of years, the idea that humanity includes every human being on the face of the earth does not exist at all. The designation stops at the border of each tribe, or linguistic group, sometimes even at the edge of a village.” When it came to the Troubles, a phenomenon known as “whataboutery” took hold. Utter the name Jean McConville and someone would say, What about Bloody Sunday? To which you could say, What about Bloody Friday? To which they could say, What about Pat Finucane? What about the La Mon bombing? What about the Ballymurphy massacre? What about Enniskillen? What about McGurk’s bar? What about. What about. What about.

This is what we call a shamrock. It has three leaves. Do you know what it represents?" "Luck? Amelia answered. Lee smiled. "That's what everyone says." Rick shrugged. "Well, I know it's Ireland's emblem." Lee shook his head and said earnestly, "It's much more than that. It represents our religion... who we are. When St. Patrick was trying to teach Christianity here in Ireland, he used this shamrock as an example." Lee pointed to each leaf and said, "This is the Father, the Son, and the Holy Ghost...." Rick still held the clover in his hand. He looked at it and twirled it between his fingers as he said, "I'm calling this the Shamrock Case from now on. I love what it represents.

Of real sensational journalism, as it exists in France, in Ireland, and in America, we have no trace in this country. When a journalist in Ireland wishes to create a thrill, he creates a thrill worth talking about. He denounces a leading Irish member for corruption, or he charges the whole police system with a wicked and definite conspiracy. When a French journalist desires a frisson there is a frisson; he discovers, let us say, that the President of the Republic has murdered three wives. Our yellow journalists invent quite as unscrupulously as this; their moral condition is, as regards careful veracity, about the same. But it is their mental calibre which happens to be such that they can only invent calm and even reassuring things. The fictitious version of the massacre of the envoys of Pekin was mendacious, but it was not interesting, except to those who had private reasons for terror or sorrow. It was not connected with any bold and suggestive view of the Chinese situation. It revealed only a vague idea that nothing could be impressive except a great deal of blood. Real sensationalism, of which I happen to be very fond, may be either moral or immoral. But even when it is most immoral, it requires moral courage. For it is one of the most dangerous things on earth genuinely to surprise anybody. If you make any sentient creature jump, you render it by no means improbable that it will jump on you. But the leaders of this movement have no moral courage or immoral courage; their whole method consists in saying, with large and elaborate emphasis, the things which everybody else says casually, and without remembering what they have said. When they brace themselves up to attack anything, they never reach the point of attacking anything which is large and real, and would resound with the shock. They do not attack the army as men do in France, or the judges as men do in Ireland, or the democracy itself as men did in England a hundred years ago. They attack something like the War Office--something, that is, which everybody attacks and nobody bothers to defend, something which is an old joke in fourth-rate comic papers

The Brits call this sort of thing Functional Neurological Symptoms, or FNS, the psychiatrists call it conversion disorder, and almost everyone else just calls it hysteria. There are three generally acknowledged, albeit uncodified, strategies for dealing with it. The Irish strategy is the most emphatic, and is epitomized by Matt O’Keefe, with whom I rounded a few years back on a stint in Ireland. “What are you going to do?” I asked him about a young woman with pseudoseizures. “What am I going to do?” he said. “I’ll tell you what I’m goin’ to do. I’m going to get her, and her family, and her husband, and the children, and even the feckin’ dog in a room, and tell ’em that they’re wasting my feckin’ time. I want ’em all to hear it so that there is enough feckin’ shame and guilt there that it’ll keep her the feck away from me. It might not cure her, but so what? As long as I get rid of them.” This approach has its adherents even on these shores. It is an approach that Elliott aspires to, as he often tells me, but can never quite marshal the umbrage, the nerve, or a sufficiently convincing accent, to pull off. The English strategy is less caustic, and can best be summarized by a popular slogan of World War II vintage currently enjoying a revival: “Keep Calm and Carry On.” It is dry, not overly explanatory, not psychological, and does not blame the patient: “Yes, you have something,” it says. “This is what it is [insert technical term here], but we will not be expending our time or a psychiatrist’s time on it. You will have to deal with it.” Predictably, the American strategy holds no one accountable, involves a brain-centered euphemistic explanation coupled with some touchy-feely stuff, and ends with a recommendation for a therapeutic program that, very often, the patient will ignore. In its abdication of responsibility, motivated by the fear of a lawsuit, it closely mirrors the beginning of the end of a doomed relationship: “It’s not you, it’s … no wait, it’s not me, either. It just is what it is.” Not surprisingly, estimates of recurrence of symptoms range from a half to two-thirds of all cases, making this one of the most common conditions that a neurologist will face, again and again.

It had been obvious to me from a young age that my parents didn’t like one another. Couples in films and on television performed household tasks together and talked fondly about their shared memories. I couldn’t remember seeing my mother and father in the same room unless they were eating. My father had “moods.” Sometimes during his moods my mother would take me to stay with her sister Bernie in Clontarf, and they would sit in the kitchen talking and shaking their heads while I watched my cousin Alan play Ocarina of Time. I was aware that alcohol played a role in these incidents, but its precise workings remained mysterious to me. I enjoyed our visits to Bernie’s house. While we were there I was allowed to eat as many digestive biscuits as I wanted, and when we returned, my father was either gone out or else feeling very contrite. I liked it when he was gone out. During his periods of contrition he tried to make conversation with me about school and I had to choose between humoring and ignoring him. Humoring him made me feel dishonest and weak, a soft target. Ignoring him made my heart beat very hard and afterward I couldn’t look at myself in the mirror. Also it made my mother cry. It was hard to be specific about what my father’s moods consisted of. Sometimes he would go out for a couple of days and when he came back in we’d find him taking money out of my Bank of Ireland savings jar, or our television would be gone. Other times he would bump into a piece of furniture and then lose his temper. He hurled one of my school shoes right at my face once after he tripped on it. It missed and went in the fireplace and I watched it smoldering like it was my own face smoldering. I learned not to display fear, it only provoked him. I was cold like a fish. Afterward my mother said: why didn’t you lift it out of the fire? Can’t you at least make an effort? I shrugged. I would have let my real face burn in the fire too. When he came home from work in the evening I used to freeze entirely still, and after a few seconds I would know with complete certainty if he was in one of the moods or not. Something about the way he closed the door or handled his keys would let me know, as clearly as if he yelled the house down. I’d say to my mother: he’s in a mood now. And she’d say: stop that. But she knew as well as I did. One day, when I was twelve, he turned up unexpectedly after school to pick me up. Instead of going home, we drove away from town, toward Blackrock. The DART went past on our left and I could see the Poolbeg towers out the car window. Your mother wants to break up our family, my father said. Instantly I replied: please let me out of the car. This remark later became evidence in my father’s theory that my mother had poisoned me against him.

Is it not a saying in every one's mouth, Possession is half of the law: that is, regardless of how the thing came into possession? But often possession is the whole of the law. What are the sinews and souls of Russian serfs and Republican slaves but Fast-Fish, whereof possession is the whole of the law? What to the rapacious landlord is the widow's last mite but a Fast-Fish? What is yonder undetected villain's marble mansion with a doorplate for a waif; what is that but a Fast-Fish? What is the ruinous discount which Mordecai, the broker, gets from poor Woebegone, the bankrupt, on a loan to keep Woebegone's family from starvation; what is that ruinous discount but a Fast-Fish? What is the Archbishop of Savesoul's income of £100,000 seized from the scant bread and cheese of hundreds of thousands of broken-backed laborers (all sure of heaven without any of Savesoul's help) what is that globular 100,000 but a Fast-Fish? What are the Duke of Dunder's hereditary towns and hamlets but Fast-Fish? What to that redoubted harpooneer, John Bull, is poor Ireland, but a Fast-Fish? What to that apostolic lancer, Brother Jonathan, is Texas but a Fast-Fish? And concerning all of these, is not Possession the whole of the law?

The next bit is the fairy tale. There’s a day in April when it’s raining. The river is running fast. The girl whose father had died, whose mother raised her in the crooked house by the river, who grew up with that broken part inside where your father has died and which if you’re a girl and your father was Spencer Tracy you can’t fix or unhurt, that girl who yet found in herself some kind of forbearance and strength and was not bitter, whose name was Mary MacCarroll and who was beautiful without truly knowing it and had her mother and father’s dancing and pride in her, that girl walked the riverbank in the April rain. And standing at that place in Shaughnessy’s called Fisher’s Step, where the ground sort of raises a little and sticks out over the Shannon, right there, the place which in The Salmon in Ireland Abraham Swain says salmon pass daily and though it’s treacherous he calls a blessed little spot, right there, looking like a man who had been away a long time and had come back with what in Absalom, Absalom! (Book 1,666, Penguin Classics, London) William Faulkner calls diffident and tentative amazement, as if he’d been through some solitary furnace experience, and come out the other side, standing right there, suntanned face, pale-blue eyes that look like they are peering through smoke, lips pressed together, aged twenty-nine but looking older, back in Ireland less than two weeks, the ocean-motion still in his legs but strangely the river now lending him a river repose, standing right there, was Virgil Swain.

I’ve been so mean to my body, outright hateful. I disparage her and call her names, I loathe parts of her and withhold care. I insist on physical standards she can never reach, for that is not how she is even made, but I detest her weakness for not pulling it off. I deny her things she loves depending on the current fad: bread, cheddar cheese, orange juice, baked potatoes. I push her too hard and refuse her enough rest. No matter what she accomplishes, I’m never happy with her. I’ve barely acknowledged her role in every precious experience of my life. I look at her with contempt. And yet every morning, no matter how terrible I have been to her, she gets us out of bed, nurtures the family, meets the needs of the day. She tells me when I am hungry or tired and sends special red-alert signals when I am overwhelmed or scared. She has safely gotten me to and from a thousand cities with fresh energy. She flushes with red wine, which she loves, which is pretty cute. She walked the Cliffs of Moher in Ireland, the red dirt of Uganda, the steep opulence of Santorini, the ruins of Pompeii. She senses danger, trouble, land mines; she is never wrong. Every single time, she tells me when not to say something. She has cooked ten thousand meals. She prays without being told to; sometimes I realize she is whispering to God for us. She walks and cooks and lifts and hugs and types and drives and cleans and holds babies and rests and laughs and does everything in her power to live another meaningful, connected day on this earth. She sure does love me and my life and family. Maybe it is time to stop hating her and just love her back.