Inspirational Shell Quotes

I hope she'll be a fool -- that's the best thing a girl can be in this world, a beautiful little fool.

The shell must break before the bird can fly.

One of the penalties of an ecological education is that one lives alone in a world of wounds. Much of the damage inflicted on land is quite invisible to laymen. An ecologist must either harden his shell and make believe that the consequences of science are none of his business, or he must be the doctor who sees the marks of death in a community that believes itself well and does not want to be told otherwise.

If I don't poke my head out of my shell and show people who I am, all anyone will ever think I am is my shell.

Holding back for a while and taking up some stirring moments can inspire us to ignore all futile prerogatives and rouse us to “put ourselves on hold.” By stepping out of our inner shell and discovering the outer world, we create room for other beings, learn how they think, experience what they feel, and understand what kindles them.

Is there some lesson on how to be friends? I think what it means is that central to living a life that is good is a life that's forgiving. We're creatures of contact regardless of whether we kiss or we wound. Still, we must come together. Though it may spell destruction, we still ask for more-- since it beats staying dry but so lonely on shore. So we make ourselves open while knowing full well it's essentially saying "please, come pierce my shell.

That's the paradox: the only time most people feel alive is when they're suffering, when something overwhelms their ordinary, careful armour, and the naked child is flung out onto the world. That's why the things that are worst to undergo are best to remember. But when that child gets buried away under their adaptive and protective shells—he becomes one of the walking dead, a monster.

If cranky thoughts are blurring the transparency of our life thread, corroding the vibrating pulse of our inspiration, we need a subtle mental sledgehammer to break the shell of our unwellness, uncover the pain points, and restore the broken pieces in our thinking pattern. ("A character's hidden sides " )

...she doesn't have to choose between being gentle or being fierce. Both exist in nature and both exist in her. That's ok. She'll know to nourish them both and when applicable, use each unapologetically.

But just remember: a woman's like a rose; if you treat her right, she'll bloom, if you don't, she'll wilt.

Those aren't from my mother's garden, are they? She'll throttle you." "No," he said, making a grand show of looking insulted. "I would never." "Sorry," she said with a cringe. "They're from your neighbor's garden, actually.

Awareness born of love is the only force that can bring healing and renewal. Out of our love for another person, we become more willing to let our old identities wither and fall away, and enter a dark night of the soul, so that we may stand naked once more in the presence of the great mystery that lies at the core of our being. This is how love ripens us -- by warming us from within, inspiring us to break out of our shell, and lighting our way through the dark passage to new birth.

I was always reaching for love, but it turns out love doesn't involve reaching. I was always dreaming of the big love, the ultimate love, the love that would sweep me off my feet or 'break open the hard shell of my lesser self' (Daisaku Ikeda). The love that would bring on my surrender. The love that would inspire me to give everything. As I lay there, it occurred to me that while I had been dreaming of this big love, this ultimate love, I had, without realizing it, been giving and receiving love for most of my life. As with the trees that were right in front of me, I had been unable to value what sustained me, fed me, and gave me pleasure. And as with the trees, I was so busy waiting for and imagining and reaching and dreaming and preparing for this huge big love that I had totally missed the beauty and perfection of the soft-boiled eggs and Bolivian quinoa.

So I leave proof of my existence behind me like a snail trail with the small hope that years of talking at me will someday soften her enough to talk with me, that she'll finally pull the knife from my chest and say yes, we are better off without him. That what happened wasn't my fault and from now on she will thrust herself between me and danger, and shout NO.

It's okay, mummy's in there lying on the floor. She'll be alright in an hour or so.

Give a girl the right shoes and she'll conquer the world.

But Clary's a hero at heart- and that means she'll find a way to be the hero she needs to be, to look beyond the skills she doesn't have and draw on the skills she does have to ultimately save the day.

I do not know what I may appear to the world; but to myself I seem to have been only like a boy playing on the seashore, and diverting myself in now and then finding a smoother pebble or a prettier shell than ordinary, whilst the great ocean of truth lay all undiscovered before me.

It’s—it’s as if there is a dragon inside me. I don’t know how big she is; she may still be growing. But she has wings, and strength, and—and I can’t keep her in a cage. She’ll die. I’ll die. I know it isn’t modest to say these things, but I know I’m capable of more than life in Scirland will allow. It’s all right for women to study theology, or literature, but nothing so rough and ready as this. And yet this is what I want. Even if it’s hard, even if it’s dangerous. I don’t care. I need to see where my wings can carry me.

Repotting a plant gives it space to grow. Repotting ourselves means taking leave of our everyday environments and walking into unfamiliar territory—of the heart, of the mind and of the spirit. It isn’t easy. The older we get, the more likely we are to have remained in the same place for some time. We stay because it’s secure. We know the boundaries and, inside of them, we feel safe. Our roots cling to the walls we have long known. But remaining inside can keep us from thriving. Indeed, without new experiences or ideas, we slowly grow more and more tightly bound, eventually turning into less vibrant versions of who we might have been. Repotting means accepting that the way is forward, not back. It means realizing that we won’t again fit into our old shells. But that’s not failure. That’s living.

A shell like this one, beautiful to begin with, can get cracked and slivered, and then time, the tides, maybe even the wind, tumble and toss it, and it becomes something new, a perfect version of itself.

Choosing a husband was much like choosing a good baguette. One looked for a strong outer shell, a tender interior, and most importantly, a tractability of dough to hold whatever shape the baker deemed appropriate. Abigail needed a good baguette by the end of the weeek

Perhaps we are all shells; but some of us have found the pearls inside, and this makes all the difference!

You can’t eat coconut without breaking its shell; you can’t succeed without breaking the cycle of failure.

The words make sense, but deeper than the words is the truth. She's right. If Mabel's talking about the girl who hugged her good-bye before she left for Los Angeles, who laced fingers with her at the last bonfire of the summer and accepted shells from almost-strangers, who analyzed novels for fun and lives with her grandfather in a pink, rent-controlled house in the Sunset that often smelled like cake and was often filled with elderly, gambling men—if she's talking about that girl, then yes, I dissapeared.

Actually, however, life begins less by reaching upward, than by turning upon itself. But what a marvelously insidious, subtle image of life a coiling vital principle would be! And how many dreams the leftward oriented shell, or one that did not conform to the rotation of its species, would inspire!

She has a quiet confidence that screams loud. She is humble, but strong. She is stable, but rebellious. She is giving, but not naive. She chooses her battles wisely. She'll stay silent until it's time to fight...and when that time comes; FIGHT, she does.

If you are a twin, you watch yourself live two lives–yours and hers. It’s constant comparison. I am never as good as the bad I wanted her to be. I was the only soldier I needed. We couldn’t haven known what splitting would mean. Time speeds past fast, scattering like shrapnel, and is quiet as cobwebs. We wait for the ambush. Sister will find out first; she’ll be my living memory. She will be the body left standing.

The End is the Beginning Failure is not the end of the line, It does not mean “stop” or give up It means, take a break, Reflect, gain clarity, Redirect your energy And try again.

People decide they like one another, based upon the color of their shells that they wear on the outside of them. And then they decide to leave one another, based upon the color of their souls that is who they really are underneath the shell. I think it should be the other way around. I think people should decide they like one another, based upon the color of their souls and then decide to leave one another if they run into the shells. But then it's not even that. What if they loved the soul and then broke down each others' shells when they ran into them? Then nobody would leave anybody and everybody would know what love means.

So I'm biding my time, like a surfer waiting for a wave. I'm pretty good at surfing, as it happens, and I know the wave will come. When the moment is right, I'll get Demeter's attention. She'll look at my stuff, everything will click, and I'll start riding my life. Not paddling, paddling, paddling, like I am right now.

Most people, by the time they get old, have grown tough little shells around their hearts. Babies, like little Laila, start off with tender, loving, trusting hearts, but gradually, gradually, they learn to protect themselves and, as the years go by, grow tougher and tougher layers. Look at this! The outside layers of the artichoke are so tough they aren’t even worth eating but they become more and more tender as you come closer to the heart. These tough outer layers stop you feeling so much, so people walk around with hard little hearts that no one can touch. Of course there are some people who don’t have a choice – they just never learn to protect themselves...now that can be both a blessing and a burden.

Porcelain Heart I have grown into me I have become And I have swapped my pain for compassion My hurt for healing And my wounds for wisdom So I thank you To all those that demolished who I was So I could finally become And find the strongest parts of me Breaking the shell From the weaknesses of all those so cocooned in their unease

At age 43, when I decided to run again, I realized that the images used to describe runners didn't fit me. I wasn't a rabbit. I wasn't a gazelle or a cheetah or any of the other animals that run fast and free. But I wasn't a turtle or a snail either. I wasn't content anymore to move slowly through my life and hide in my shell when I was scared. I was a round little man with a heavy heart but a hopeful spirit. I didn't really run, or even jog. I waddled. I was a Penguin. This was the image that fit. Emperor-proud, I stand tallto face the elements of my life. Yes, I am round. Yes, I am slow. Yes, I run as thought my legs are tied together at the knees. But I am running. And that is all that matters.

In a few more days I'd anticipated telling Veronika that our injections had cured her heart condition. But in light of her unscheduled departure form Villette my telling that particular lie will not be required. The majority of people who attempt suicide repeat that attempt until they succeed. I took a risk in lying to her about her condition, i decided to test the only remedy i have come to have any faith in: awareness of life. Until she finds out from some other doctor that she is perfectly healthy. She'll consider each day a miracle. Which in my view it is.

I have grown tired of the notion of an ally. I prefer the language of an “accomplice.” An ally loves you from a distance. An accomplice loves you up close. We need allies to make the transition to accomplices. An ally is someone who has unpacked her personal privilege but hasn’t yet made the link to institutional issues and is not willing to risk anything besides her mental comfort. An accomplice rolls up her sleeves and engages in the work that is beyond her. She’ll march in the streets, yes. But an accomplice also faces her own participation in whiteness, acknowledges it, and then looks beyond that personal acknowledgment to identify how her awareness can be applied to changing the systems and mindsets that prop up the system.

You are born a caterpillar. If you wish to become a butterfly you must break from your shell and grow wings.

She’ll read your mind like nobody’s business.

A good shell has to have life and resiliency to get in harmony with the swing of the crew.

A bird that does not break out of its shell will die in its egg.

Strong is on the inside, a root that keeps you standing whatever might hit you. But hard is only on the outside, this shield you put up to keep all the pain on the inside from showing. The soft inside is still there even when you don't let yourself see it. And the shell keeps you safe, but it also keeps the good things from penetrating; love and trust and joy.

I realized, when I saw the forest burning, how fascinating the firelight is. It's beautiful, and people stare at it, don't they? It destroys things and kills people, but humans love it. Is it because they crave their own destruction, Sam? I want to understand your kind. I am going out into the wider world, and I must learn. But first things first. First, to escape this shell, this egg in which I have gestated, all eyes will be on the fire, all eyes blinded by the smoke, and when I walk out of here, out into your large world with its billions, no one will even see. It's the beauty of light, don't you see, Sam? It reveals, but it also distracts and blinds. It's even better than darkness.

She's not you. She'll never be you, and they cannot steal you happily ever after. It's yours, after all. Just because it didn't come to you the way you thought it would doesn't mean that it's not on it's way.

Colliding with the bright light Of my true self, My illusions scream loudly, Themselves illusions Created by other illusions, Finally knowing that Deep within me Beneath the shell Lies the sacred beauty Of my true self.

On the contrary, she was aware only of a sort of timelessness, as though it was all part of a plan, a predestined design, conceived the day she was born. What was happening to her had been meant to happen, what was going to go on happening. Without any recognizable beginning, it did not seem possible that it could ever have an end.

I’m forever hopeful,” he said. “That’s what friends do. They hope. They have faith in each other.” “Well, I have faith that she’ll forget,” I said, hiking my backpack up onto my shoulders. “You have to be a realist with Caro.” “I’m a hopeful realist,” Drew said. “I’m a healist! Like those guys on TV late at night that cure people of cancer.” He grinned down at me.

You go out into your world, and try and find the things that will be useful to you. Your weapons. Your tools. Your charms. You find a record, or a poem, or a picture of a girl that you pin to the wall and go, "Her. I'll try and be her. I'll try and be her - but here." You observe the way others walk, and talk, and you steal little bits of them - you collage yourself out of whatever you can get your hands on. You are like the robot Johnny 5 in Short Circuit, crying, "More input! More input for Johnny 5! as you rifle through books and watch films and sit in front of the television, trying to guess which of these things that you are watching - Alexis Carrington Colby walking down a marble staircase; Anne of Green Gables holding her shoddy suitcase; Cathy wailing on the moors; Courtney Love wailing in her petticoat; Dorothy Parker gunning people down; Grace Jones singing "Slave to the Rhythm" - you will need when you get out there. What will be useful. What will be, eventually, you? And you will be quite on your own when you do all this. There is no academy where you can learn to be yourself; there is no line manager slowly urging you toward the correct answer. You are midwife to yourself, and will give birth to yourself, over and over, in dark rooms, alone. And some versions of you will end in dismal failure - many prototypes won't even get out the front door, as you suddenly realize that no, you can't style-out an all-in-one gold bodysuit and a massive attitude problem in Wolverhampton. Others will achieve temporary success - hitting new land-speed records, and amazing all around you, and then suddenly, unexpectedly exploding, like the Bluebird on Coniston Water. But one day you'll find a version of you that will get you kissed, or befriended, or inspired, and you will make your notes accordingly, staying up all night to hone and improvise upon a tiny snatch of melody that worked. Until - slowly, slowly - you make a viable version of you, one you can hum every day. You'll find the tiny, right piece of grit you can pearl around, until nature kicks in, and your shell will just quietly fill with magic, even while you're busy doing other things. What your nature began, nature will take over, and start completing, until you stop having to think about who you'll be entirely - as you're too busy doing, now. And ten years will pass without you even noticing. And later, over a glass of wine - because you drink wine now, because you are grown - you will marvel over what you did. Marvel that, at the time, you kept so many secrets. Tried to keep the secret of yourself. Tried to metamorphose in the dark. The loud, drunken, fucking, eyeliner-smeared, laughing, cutting, panicking, unbearably present secret of yourself. When really you were about as secret as the moon. And as luminous, under all those clothes.

Poetry, I tell my students, is idiosyncratic. Poetry is where we are ourselves, (though Sterling Brown said "Every 'I' is a dramatic 'I'") digging in the clam flats for the shell that snaps, emptying the proverbial pocketbook. Poetry is what you find in the dirt in the corner, overhear on the bus, God in the details, the only way to get from here to there. Poetry (and now my voice is rising) is not all love, love, love and I'm sorry the dog died. Poetry (here I hear myself loudest) is the human voice, and are we not of interest to each other?

She bleeds poetry. She is an old soul. She has already existed since the day the Earth gave birth to nature. She felt the sweet caress of the wind touch her skin and the silent cries of night. She heard the screaming of thunder as the lightning bolt stabbed the heart of the weeping sky. She saw everything bloom and heard a soft sound of relief as they threw their burdens into the listening earth. She is strong enough to bear it all as time changes and has learned to live with the pain of losing and winning. She can't be defeated, nor be broken. She'll continue to live again and again. And if someone were to break her down or break her heart, she couldn't be shaken. She'll stand up and let poetry bleed into her. She's rare and SHE IS ME.

A promise is just an empty shell filled with words, and words are weightless.

You Never Know A True Friend Until You get Into A Serious Misunderstanding With Him Or Her

And I bet she'll be a stronger person because of what she lost today.

A tree is a seed that refused to die inside its shell.

Be the liberating nuke that demolishes all dogmatic shell. If not you, who else will burn delivering the humanizing kernel!

The flowers you see blooming in the sunshine were once hidden seeds waiting patiently for the rain.

Maybe your superpower is refusing to give up, even on your weakest days when you feel you're not enough.

Jenna, standing in the doorway with her mouth and hand full of shelled pistachios, says, '"Real' is a dirty word in this place'.

Give her all you got and she'll give more than you can handle.

Give a girl an insult, she'll feel bad for a day, but teach a girl to hate her body and she'll feel bad forever.

Pure. Truth is everything. If you can reach for your dreams and aspirations From a place of pure truth and honesty Then life will find a way to guide you to where you are meant to be.

Once she was separated from the cockles & clams, she found herself miraculously transformed into a Goddess. But she found herself different from the Goddesses & Nymphs of the sea because of the girdle. It clung to her body as a second skin, or as the shell clung to the cockle, & she had never been able to take it off. And thus, she herself had never known what she hid beneath the girdle.

Female. One that is brave and strong and determined. If there’s one thing I’ve learned thee past months, it’s that I don’t need to be male to be those things. But a female is more than that. And she’s more than just a curvy figure. She’s a mother, a daughter, a sister, a wife. She inspires; she loves. And she’ll do what’s right no matter what. She knows when to quit, and she is not afraid to keep trying.

Find and follow your own trail...To stay on your own path, be aware of yourself and surroundings. Trust that you will find your way, and don't hold yourself responsible for the trails or trials of others.

The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.

Maude meant nothing that she said. She knew how pretty she looked in furs. She was a rattle, not understanding her own bnoise; but the scholar hung upon her words, and believed them inspired, and did not know they were murmurings from a shell.

Today I’m alive and here, and now it’s my job to fill my daughter’s world with love, happiness and security. She doesn’t need Disney Land, she just needs me, and I’ll do my best so that when I’m gone she’ll have a head full of memories and a heart full of love.

He asked if she sold luminous flowers that he had heard about, flowers which shone in the dark. He wanted them, he said, for a woman who shone in the dark. He could swear that when he took her to the theater and she sat back in the dark in her evening dress, her skin was as luminous as the finest sea shell, with a pale pink glow to it. And he wanted these flowers for her to wear in her hair. Mathilde did not have them. But as soon as the man left she went to look at herself in the mirror. This was the kind of feeling she wanted to inspire. Could she?

Some five decades later, writer Terry Sullivan was inspired by Mary’s life story to compose the popular tongue twister : She sells seashells on the seashore The shells she sells are seashells, I’m sure So if she sells seashells on the seashore Then I’m sure she sells seashore shells.

Find her with the flowers. The roses, The marigolds. Find her telling stories that She’s never before told. Find her when she is vulnerable And honest And true. When you find this girl, Just know I’d keep her close If I were you. She’ll write a tale in growing time that Almost seems to last forever. Don’t ask her when she will stop daydreaming. She will simply look at you And say, “never” Because forever in her fairy tales the girl with the flowers will be. Finding things of inspiration To keep her heart beating And her spirits light Humming a simple harmony.

Patience. That's what this glass and silver and shell had taught her over the years. Patience was what wore old broken bottles into bits of color and light. Patience what created those shells, wore them away again, tossed them onto the shore.... And patience had rewarded her here too.

I’ve always found out that the most beautiful people, truly beautiful inside and out, are the ones who are quietly unaware of their effect. The one’s who throw their beauty around, waste what they have? Their beauty is only passing. It’s just a shell hiding nothing but shadows and emptiness.

And as the bombshells of my daily fears explode I try to trace them to my youth And then you had to bring up reincarnation Over a couple of beers the other night And now I'm serving time for mistakes Made by another in another lifetime How long till my soul gets it right Can any human being ever reach that kind of light I call on the resting soul of galileo King of night vision, king of insight ... But then again it feels like some sort of inspiration To let the next life off the hook But she'll say "look what I had to overcome from my last life I think I'll write a book

Breaketh Thy oyster shell of silence, as Love shalt rise in its effulgence limpid pure tenderness to quench the spirit of Thy mind, as the fervent sublime oyster of Thy Beloved soul shalt submerge in the depth of Attainment in the Ocean of Divine Love to rescue pure Hearts to form a Blissed Pearl Of Divine Unity.

The Age Of Reason 1. ‘Well, it’s that same frankness you fuss about so much. You’re so absurdly scared of being your own dupe, my poor boy, that you would back out of the finest adventure in the world rather than risk telling yourself a lie.’ 2. “ I’m not so much interested in myself as all that’ he said simply. ‘I know’, said Marcelle. It isn’t an aim , it’s a means. It helps you to get rid of yourself; to contemplate and criticize yourself: that’s the attitude you prefer. When you look at yourself, you imagine you aren’t what you see, you imagine you are nothing. That is your ideal: you want to be nothing.’’ 3. ‘In vain he repeated the once inspiring phrase: ‘I must be free: I must be self-impelled, and able to say: ‘’I am because I will: I am my own beginning.’’ Empty, pompous words, the commonplaces of the intellectual.’ 4. ‘He had waited so long: his later years had been no more than a stand-to. Oppressed with countless daily cares, he had waited…But through all that, his sole care had been to hold himself in readiness. For an act. A free, considered act; that should pledge his whole life, and stand at the beginning of a new existence….He waited. And during all that time, gently, stealthily, the years had come, they had grasped him from behind….’ 5. ‘ ‘It was love. This time, it was love. And Mathiue thought:’ What have I done?’ Five minutes ago this love didn’t exist; there was between them a rare and precious feeling, without a name and not expressible in gestures.’ 6. ‘ The fact is, you are beyond my comprehension: you, so prompt with your indignation when you hear of an injustice, you keep this woman for years in a humiliating position, for the sole pleasure of telling yourself that you are respecting your principles. It wouldn’t be so bad if it were true, if you really did adapt your life to your ideas. But, I must tell you once more…you like that sort of life-placid, orderly, the typical life of an official.’ ‘’That freedom consisted in frankly confronting situations into which one had deliberately entered, and accepting all one’s responsibilities.’ ‘Well…perhaps I’m doing you an injustice. Perhaps you haven’t in fact reached the age of reason, it’s really a moral age…perhaps I’ve got there sooner than you have.’ 7. ‘ I have nothing to defend. I am not proud of my life and I’m penniless. My freedom? It’s a burden to me, for years past I have been free and to no purpose. I simply long to exchange it for a good sound of certainty….Besides, I agree with you that no one can be a man who has not discovered something for which he is prepared to die.’ 8. ‘‘I have led a toothless life’, he thought. ‘ A toothless life. I have never bitten into anything. I was waiting. I was reserving myself for later on-and I have just noticed that my teeth have gone. What’s to be done? Break the shell? That’s easily said. Besides, what would remain? A little viscous gum, oozing through the dust and leaving a glistering trail behind it.’ 9.’’ A life’, thought Mathieu, ‘is formed from the future just like the bodies are compounded from the void’. He bent his head: he thought of his own life. The future had made way into his heart, where everything was in process and suspense. The far-off days of childhood, the day when he has said:’I will be free’, the day when he had said: ’I will be famous’, appeared to him even now with their individual future, like a small, circled individual sky above them all, and the future was himself, himself just as he was at present, weary and a little over-ripe, they had claims upon him across the passage of time past, they maintained their insistencies, and he was often visited by attacks of devastating remorse, because his casual, cynical present was the original future of those past days.

When I describe for my far-away friends the Northwest’s subtle shades of weather — from gloaming skies of ‘high-gray’ to ‘low-gray’ with violet streaks like the water’s delicate aura — they wonder if my brain and body have, indeed, become water-logged. Yet still, I find myself praising the solace and privacy of fine, silver drizzle, the comforting cloaks of salt, mold, moss, and fog, the secretive shelter of cedar and clouds. Whether it’s in the Florida Keys, along the rocky Maine coast, within the Gulf of Mexico’s warm curves, on the brave Outer Banks; or, for those who nestle near inland seas, such as the brine-steeped Great Salk Lake or the Midwest’s Great Lakes — water is alive and in relationship with those of us who are blessed with such a world-shaping, yet abiding, intimate ally. Every day I am moved by the double life of water — her power and her humility. But most of all, I am grateful for the partnership of this great body of inland sea. Living by water, I am never alone. Just as water has sculpted soil and canyon, it also molds my own living space, and every story I tell. …Living by water restores my sense of balance and natural rhythm — the ebb and flow of high tides and low tides, so like the rise and fall of everyday life. Wind, water, waves are not simply a backdrop to my life, they are steady companions. And that is the grace, the gift of inviting nature to live inside my home. Like a Chambered Nautilus I spin out my days, drifting and dreaming, nurtured by marine mists, like another bright shell on the beach, balancing on the back of a greater body.

I've always found out that the most beautiful people, truly beautiful inside and out, are the ones who are quietly unaware of their effect. The one’s who throw their beauty around, waste what they have? Their beauty is only passing. It’s just a shell hiding nothing but shadows and emptiness. Jennifer Armentrout, Obsidian

…we saw a lion take down a gazelle – I mean at close quarters. It quite took my breath away. It was as if something happened to the gazelle at the moment of capture, something awe-inspiringly terrible and wonderful at the same time – as if, in knowing the gazelle was to die a dreadful death, ripped apart by the jaws of the lion, the Creator had given the captive a reprieve by taking her soul before she was dead, so that no pain would be felt because the essence had gone already… And I saw the eyes of the gazelle again in France [during WWI], and it struck me that perhaps a heartsick God had looked down and taken up a soul, leaving only the shell of a man.” [of those who developed PTSD and/or “war neuroses”]

Through this pain I enter healing, sorrow opens path for light, in every end there's new beginning, every new dawn comes from night. Through the whispers left unspoken, all that I can do is ask; Father Sun, my shell is open, Shower me, I've done my task. I hold myself, release the pinning, open up and let it be, every end is new beginning; surrender now and set it free.

Fear grid-irons your broken, suffering heart with strength, encasing it with a protective, tough shell. One that soon becomes a prison that will emaciate the unused, enclosed heart inside if left to its own accord. But renewed hope gently unwraps the hard cast, and replaces it with a more resilient, pliable layer, protective, strong, but permeable so as to let love soak in and nurture the malnourished, dying heart inside.

OHHHH don’t make me cry, I’m a big strong guy, I can make you laugh and I’d never tell a lie, See my muscles on my legs when I swim, I can do back spins with the force of my fins. SOOOOO don’t make me cry, I’m a big strong guy, I can make you laugh and I’d never tell lie. The muscles in my heart are tougher than my shell, To “love” makes me stronger than to lift a barbell.” Willard the Sea Turtle, The Little People Journey into the Mystic Sea

Georgia closed her eyes and concentrated on the sensations of the island--- the bracing, spicy scent of evergreen needles, the briny creaminess of an oyster still in its shell, the chewy, viscous luxury of Star's honey on the comb, the light acidity of a local cider. And then she cooked what she felt, that sense of wonder, the lightness and clean sea salt air. A sprinkle of salt, the crispness of fresh vegetables, the unctuous luxury of good olive oil.

But since Pontus [the Sea] was male, only the sea creatures that lived in the sea could aspire to be Aphrodite`s mother. And it was for this reason that Aphrodite`s birth was delayed for so long. As Himeros & Chaos did not want to be born by a sea creature. And thus, Uranus` seed & testicles tossed & tossed on the waves for hundreds of years before Himeros & Chaos reached a compromise. Aphrodite would be born from a cockle, Konche, & Himeros & Chaos would be the shell of the baby cockle.

THE ANTHEM OF HOPE Tiny footprints in mud, metal scraps among thistles Child who ambles barefooted through humanity’s war An Elderflower in mud, landmines hidden in bristles Blood clings to your feet, your wee hands stiff and sore You who walk among trenches, midst our filth and our gore Box of crayons in hand, your tears tumble like crystals Gentle, scared little boy, at the heel of Hope Valley, The grassy heel of Hope Valley. And the bombs fall-fall-fall Down the slopes of Hope Valley Bayonets cut-cut-cut Through the ranks of Hope Valley Napalm clouds burn-burn-burn All who fight in Hope Valley, All who fall in Hope Valley. Bullets fly past your shoulder, fireflies light the sky Child who digs through the trenches for his long sleeping father You plant a kiss on his forehead, and you whisper goodbye Vain corpses, brave soldiers, offered as cannon fodder Nothing is left but a wall; near its pallor you gather Crayon ready, you draw: the memory of a lie Kind, sad little boy, sketching your dream of Hope Valley Your little dream of Hope Valley. Missiles fly-fly-fly Over the fields of Hope Valley Carabines shoot-shoot-shoot The brave souls of Hope Valley And the tanks shell-shell-shell Those who toiled for Hope Valley, Those who died for Hope Valley. In the light of gunfire, the little child draws the valley Every trench is a creek; every bloodstain a flower No battlefield, but a garden with large fields ripe with barley Ideations of peace in his dark, final hour And so the child drew his future, on the wall of that tower Memories of times past; your tiny village lush alley Great, brave little boy, the future hope of Hope Valley The only hope of Hope Valley. And the grass grows-grows-grows On the knolls of Hope Valley Daffodils bloom-bloom-bloom Across the hills of Hope Valley The midday sun shines-shines-shines On the folk of Hope Valley On the dead of Hope Valley From his Aerodyne fleet The soldier faces the carnage Uttering words to the fallen He commends their great courage Across a wrecked, tower wall A child’s hand limns the valley And this drawing speaks volumes Words of hope, not of bally He wipes his tears and marvels The miracle of Hope Valley The only miracle of Hope Valley And the grass grows-grows-grows Midst all the dead of Hope Valley Daffodils bloom-bloom-bloom For all the dead of Hope Valley The evening sun sets-sets-sets On the miracle of Hope Valley The only miracle of Hope Valley (lyrics to "the Anthem of Hope", a fictional song featured in Louise Blackwick's Neon Science-Fiction novel "5 Stars".

That was our first home. Before I felt like an island in an ocean, before Calcutta, before everything that followed. You know it wasn’t a home at first but just a shell. Nothing ostentatious but just a rented two-room affair, an unneeded corridor that ran alongside them, second hand cane furniture, cheap crockery, two leaking faucets, a dysfunctional doorbell, and a flight of stairs that led to, but ended just before the roof (one of the many idiosyncrasies of the house), secured by a sixteen garrison lock, and a balcony into which a mango tree’s branch had strayed. The house was in a building at least a hundred years old and looked out on a street and a tenement block across it. The colony, if you were to call it a colony, had no name. The house itself was seedy, decrepit, as though a safe-keeper of secrets and scandals. It had many entries and exits and it was possible to get lost in it. And in a particularly inspired stroke of whimsy architectural genius, it was almost invisible from the main road like H.G. Wells’ ‘Magic Shop’. As a result, we had great difficulty when we had to explain our address to people back home. It went somewhat like this, ‘... take the second one from the main road….and then right after turning left from Dhakeshwari, you will see a bird shop (unspecific like that, for it had no name either)… walk straight in and take the stairs at the end to go to the first floor, that’s where we dwell… but don’t press the bell, knock… and don't walk too close to the cages unless you want bird-hickeys…’’ ('Left from Dhakeshwari')

Thanks for the heavenly message brought by thee, Child of the wandering sea, Cast from her lap, forlorn! From thy dead lips a clearer note is born Than ever Triton blew from wreathèd horn! While on mine ear it rings, Through the deep caves of thought I hear a voice that sings:— Build thee more stately mansions, O my soul, As the swift seasons roll! Leave thy low-vaulted past! Let each new temple, nobler than the last, Shut thee from heaven with a dome more vast, Till thou at length art free, Leaving thine outgrown shell by life’s unresting sea!

I take the seashell from my jeans pocket and rub my fingers across its silken, indented surface, shallow as my own open hand. This chalice, subtly shaped by some divine intelligence to allow water to flow in and out with ease, is what I aspire to become: a vessel through which feelings can pour in and spill right out again, without all the grasping and holding that obstructs the flow. Can I be as serene and simple as this bleached shell, rubbed smooth by wind and water, receiving and releasing, filling and emptying and filling again, eternally receptive to the currents of life?

Maybe that’s too big of a question. Let’s back up. May Ling has been with you for fourteen months now? What have you done, in the time she’s been with you, to connect her to her Chinese culture?” “Well.” Another pause, a very long one this time. Mr. Richardson willed Mrs. McCullough to say something, anything. “Pearl of the Orient is one of our very favorite restaurants. We try to take her there once a month. I think it’s good for her to hear some Chinese, to get it into her ears. To grow up feeling this is natural. And of course I’m sure she’ll love the food once she’s older.” Yawning silence in the courtroom. Mrs. McCullough felt the need to fill it. “Perhaps we could take a Chinese cooking class at the rec center and learn together. When she’s older.” Ed Lim said nothing, and Mrs. McCullough prattled nervously on. “We try to be very sensitive to these issues wherever we can.” Inspiration arrived. “Like for her first birthday, we wanted to get her a teddy bear. One she could keep as an heirloom. There was a brown bear, a polar bear, and a panda, and we thought about it and decided on the panda. We thought perhaps she’d feel more of a connection to it.

The most problematic depression episodes plunge me into a feeling of disconnection. I am no longer a part of the world. All the colours, meaning and richness become hidden or lost to me. There is a numbing absence of feeling that strips away any inspiration and creativity. I become dead to myself, a husk, a shell. The fall into this state can be violently fast, although the triggers have all been external. Life does not treat many of us kindly. Most of the time, I draw inspiration from the world around me. That sense of connection to all other living and perhaps-not-living things nourishes and sustains me. Being pushed out of that sense of belonging is brutal. I have self-esteem issues and, subjected as I was to barrages of abuse, bitter criticism, invasive scrutiny and some terrifying processes in my life, I’ve been crushed, repeatedly. I’ve come to places where I’ve felt so awful that the only imaginable way out, I thought, was to die. I’m still alive because of the love and dedication of my husband. I hold the hope that I won’t have to crawl through hell again anytime soon, that I can build internal reserves strong enough to resist external pressures.

I believe by Elizabeth Alexander Poetry, I tell my students, is idiosyncratic. Poetry is where we are ourselves, (though Sterling Brown said “Every ‘I’ is a dramatic ‘I’”) digging in the clam flats for the shell that snaps, emptying the proverbial pocketbook. Poetry is what you find in the dirt in the corner, overhear on the bus, God in the details, the only way to get from here to there. Poetry (and now my voice is rising) is not all love, love, love, and I’m sorry the dog died. Poetry (here I hear myself loudest) is the human voice, and are we not of interest to each other?

Snuffy by Maisie Aletha Smikle My name is Snuffy They call me Fluffy I have no hands I have no feet For a ride I have no slide I cannot glide Nor strut my stride Swimming seems grim I must not grin aha But laugh I must Till my ductless tears gust I travel far I travel wide Without a sail Wings or wheel Mobility is my game My antennas are wireless Mobile is my home I carry it all around Am booked always A motel or hotel or inn Cannot keep me in For my home am always in I incubate day or night Or in a fright My home is my shell It serves me well Yes. I am a snail And not a whale I do not sail Nor have a tail

You Still Live (Overcoming Grief Sonnet) After your month long battle for breath, Today I place you in nature's lap. I know she'll care for you well, like she once brought you to the world. Fact of the matter is, you still live, just in different form among the elements. Nature's forces make us awake and restless, Nature's forces coerce us into eternal rest. There is no heaven, there is no hell, these are concepts made by cowards. Life is too sacred to be confined by obsolete lies and superstitions. Your light of affection shall continue to shine bright in my memories. You who was, nay, is like my second mother, I won't say goodbye, for you still live.

Poppy wiped his sweating face with a dry cloth. “Poor Merripen.” She brought a cup of water to his lips. When he tried to refuse, she slid an arm beneath his head and raised it insistently. “Yes, you must. I should have known you’d be a terrible patient. Drink, dear, or I’ll be forced to sing something.” Amelia stifled a grin as Merripen complied. “Your singing isn’t that terrible, Poppy. Father always said you sang like a bird.” “He meant a parrot,” Merripen said hoarsely, leaning his head on Poppy’s arm. “Just for that,” Poppy informed him, “I’m going to send Beatrix in here to look after you today. She’ll probably put one of her pets in bed with you, and spread her jacks all over the floor. And if you’re very lucky, she’ll bring in her glue pots, and you can help make paper-doll clothes.” Merripen gave Amelia a glance rife with muted suffering, and she laughed. “If that doesn’t inspire you to get well quickly, dear, nothing will.

Dear Orphan Soul, I never thought it is was easy to wipe away your tears when you are used to crying endlessly on the inside. Today was the first time ever that I felt a sense of relief. I laughed for the first time in a long time, or maybe my first time ever. I used to think I was permanently damaged, but Nurse Hope told me that it is okay for me to be myself. However, I do not know who I am. All my life, my mind and actions have been like loaded guns. I never knew when or where the bullets were coming from—most of the time, they came from someone else, and sometimes they came from me. My eyes are wet with tears as I write because of my life struggles. Sadness still remains because Nurse Hope says this is not permanent. Well, to give myself hope, nothing lasts forever. Therefore, nothing in life is permanent. Right? I am an orphaned soul. Nurse Hope's love reminds me of the ocean’s tide. It is a cycle of crashes as it knocks against the stones and shells as it gradually rolls up on the shore. I wonder if her love is going to say farewell to Kace and me as it sucks and pulls itself back into the ocean. Well, we’ve been washed up since we’ve been born. I hope instead of the tides sucking Nurse Hope's love away, I hope it sucks up our memories as they fade away with the tides, never to be found or returned again. Nothing is permanent.

You’re the one who didn’t keep his word. And speaking of your word and its dubious worth, don’t change the subject. I saw the looks you and Miss Turner were exchanging. The lady goes bright pink every time you speak to her. For God’s sake, you put food on her plate without even asking.” “And where’s the crime in that?” Gray was genuinely curious to hear the answer. He hadn’t forgotten that shocked look she’d given him. “Come on, Gray. You know very well one doesn’t take such a liberty with a mere acquaintance. It’s…it’s intimate. The two of you are intimate. Don’t deny it.” “I do deny it. It isn’t true.” Gray took another swig from his flask and wiped his mouth with the back of his hand. “Damn it, Joss. Sooner or later, you’re going to have to trust me. I gave you my word. I’ve kept it.” And it was the truth, Gray told himself. Yes, he’d touched her tonight, but he’d never pledged not to touch her. He had kept his word. He hadn’t bedded her. He hadn’t kissed her. God, what he wouldn’t give just to kiss her… He rubbed the heel of his hand against his chest. That same ache lingered there-the same sharp tug he’d felt when she’d brought her foot down on his and pursed her lips into a silent plea. Please, she’d said. Don’t. As if she appealed to his conscience. His conscience. Where would the girl have gathered such a notion, that he possessed a conscience? Certainly not form his treatment of her. A bitter laugh rumbled through his chest, and Joss shot him a skeptical look. “Believe me, I’ve scarcely spoken to the girl in weeks. You can’t know the lengths I’ve gone to, avoiding her. And it isn’t easy, because she won’t stay put in her cabin, now will she? No, she has to go all over the ship, flirting with the crew, tacking her little pictures in every corner of the boat, taking tea in the galley with Gabriel. I can’t help but see her. And I can see she’s too damn thin. She needs to eat; I put food on her plate. There’s nothing more to it than that.” Joss said nothing, just stared at him as though he’d grown a second head. “Damn it, what now? Don’t you believe me?” “I believe what you’re saying,” his brother said slowly. “I just can’t believe what I’m hearing.” Gray folded his arms and leaned against the wall. “And what are you hearing?” “I wondered why you’d done all this…the dinner. Now I know.” “You know what?” Gray was growing exasperated. Most of all, because he didn’t know. “You care for this girl.” Joss cocked his head. “You care for her. Don’t you?” “Care for her.” Joss’s expression was smug. “Don’t you?” The idea was too preposterous to entertain, but Gray perked with inspiration. “Say I did care for her. Would you release me from that promise? If my answer is yes, can I pursue her?” Joss shook his head. “If the answer is yes, you can-and should-wait one more week. It’s not as though she’ll vanish the moment we make harbor. If the answer is yes, you’ll agree she deserves that much.” Wrong, Gray thought, sinking back into a chair.

The contemporary Christian Church, precisely, has understood them in this' 'wrong way, to the letter, 'like the Jews,' exoterically, not esoterically. Nevertheless to say 'like the Jews' is an error. One would have to say 'as the Jews want.' Because they also possess an exotericism, for their masses, represented by the Torah and Talmud, and an esotericism, in the Cabala (which means: 'Received Tradition'), in the Zohar ('brightness'), the Merkaba or Chariot being the most secret part of the Cabala which only initiated rabbis know and use as the powerful tool of their magic. We have already said that the Cabala reached them from elsewhere, like everything else, in the Middle Ages, even though they tell us otherwise, using and transforming it in concordance with their Archetype. The Hasidim, from Poland, represent an exclusively esoteric sect of Judaism. Islam also has its esoteric magic, represented by Sufism and the sect of the Assassins, Hassanists, oflran. They interpret the Koran symbolically. And it was because of contact with this sect of the 'Old Man of the Mountain' that the Templars felt compelled to secede more and more from the direction of Rome, centering themselves in their Esoteric Kristianity and Mystery of the Gral. This was also why Rome destroyed them, like the esoteric Cathars (katharos = pure in Greek), the Bogomils, the Manichees and the gnostics. In the Church of Rome, called Catholic, there only remains a soulless ritual of the Mass, as a liturgical shell that no longer reaches the Symbol, which no longer touches it, no longer puts it into action. The Nordic contribution has been lost, destroyed by prejudice and the ethnological persecution of Nordicism, Germanism and the complete surrender to Judaism. Zen Buddhism preserves the esotericism of Buddha. In Japan Shinto and Zen are practiced by a racially superior warrior caste, the Samurai. The most esoteric side of Hinduism is found in Tantrism, especially in the Kaula or Kula Order. So understood, esotericism is what goes beyond the exterior form and the masses, the physical, and puts an elite in contact with invisible superior forces. In my case, the condition that paralysed me in the midst of dreaming and left me without means to influence the phenomena. The visible is symbol of invisible forces (Archetypes, Gods). By means of an esoteric knowledge, of an initiation in this knowledge, a hierarchic minority can make contact with these invisible forces, being able to act on the Symbol, dynamizing and controlling the physical phenomena that incarnate them. In my case: to come to control the involuntary process which, without knowing how, was controlling me, to be able to guide it, to check or avoid it. Jung referred to this when he said 'if someone wisely faces the Archetype, in whatever place in the world, he acquires universal validity because the Archetype is one and indivisible'. And the means to reach this spiritual world, 'on the other side of the mirror,' is Magic, Rite, Ritual, Ceremony. All religions have possessed them, even the Christian, as we have said. And the Rite is not something invented by humans but inspired by 'those from beyond,' Jung would say by the Collective Unconscious.

Once or twice, at night, he planted himself in front of the type-writer, trying to get back to the book he'd come to New York to write. It was supposed to be about America, and freedom, and the kinship of time to pain, but in order to write about these things, he'd needed experience. Well, be careful what you wish for. For now all he seemed capable of producing was a string of sentences starting, Here was William. Here was William's courage, for example. And here was William's sadness, smallness of stature, size of hands. Here was his laugh in a dark movie theater, his unpunk love of the films of Woody Allen, not for any of the obvious ways they flattered his sensibility, but for something he called their tragic sense, which he compared to Chekhov's (whom Mercer knew he had not read). Here was the way he never asked Mercer about his work; the way he never talked about his own and yet seemed to carry it with him just beneath the skin; the way his skin looked in the sodium light from outside with the light off, with clothes off, in silver rain; the way he embodied qualities Mercer wanted to have, but without ruining them by wanting to have them; the way his genius overflowed its vessel, running off into the drain; the unfinished self-portrait; the hint of some trauma in his past, like the war a shell-shocked town never talks about; his terrible taste in friends; his complete lack of discipline; the inborn incapacity for certain basic things that made you want to mother him, fuck him, give your right and left arms for him, this man-child, this skinny American; and finally his wildness, his refusal to be imaginable by anyone.

Some quotes from Standing Stark: “The mind is the charioteer of experience, while the body is the vehicle that carries out the orders of its driver. The gift we have been given is the one called possibility, whose intent offers to tie all together, creating strands of a whole life rather than a disintegrated one.” “It is our own microcosmic journey that gives life meaning and weaves us into the macrocosm of existence. Life does begin with each of us. It then expands outward to touch others with how we live.” “At some time in our lives, we receive a signal to arouse from a deep sleep. If we answer the cue, we set out on a journey toward authenticity that takes us into the unknown. We begin to separate from the selves we thought we were and search for who we are.” “Set your intent and let it go. Your intent is your beginning. Worrying about the details detracts from the intent. In your strong intent, the attraction will take care of the details.” “The conscious realization I offer now is that when we learn to trust, we will be led to all we ever need. Our only job is to be awake and follow the lead.” “We can gauge the measure of truth in our lives by the lightness of our body, emotions and energy. We need only be aware in any given moment of the state of our being, and be guided. This is what we are asked to do on the spiritual path. We aren’t headed for a continuing chaotic free fall, but an order of divine nature.” “After all, if we’re on the spiritual path, we can trust that there is much we don’t know. These mysteries are hidden from us until we are ripe. The paradox is that we frantically attempt to know in order to surrender to the place of not knowing! The other paradox is that there are no mysteries because the cues are surrounding us all the time. We’re just too tied up to recognize them.” “There comes a time when we are knowingly left with the ramifications of the choices we make. While it would be comforting to think that the progressions we undertake will be painless and smooth, any change involves conflict between what was and what will be. Therein lies the opportunity for learning and alignment to an authentic life.” “Words are the shell. They feed intellectual knowledge. What lies in the middle of words is the seed that, if presented and embraced in a certain way, will take us to the place we seek.

The Artist His gift is the ability to deeply see a woman. There are men who truly see women and men who see only what they want in women. The latter don’t get a lot in return. If you see only a body or a shell when you look at a woman, what would inspire her to share the gift of her innermost self? Remember, a woman thrives on being seen and known; a void of this reflection and caring leaves her feeling empty, unfulfilled, and resistant to you.  The Poet His gift is his capacity to give voice to what he sees. You might see a woman’s feminine essence, her unique beauty, and her inner beauty; but if you aren’t able to convey that to her, she won’t know or feel the depth of your love and desire. When you do choose to see and express who a woman is (at her essence) in words, you offer her a gift she cannot give to herself. Sure, she can know and cherish herself, but her feminine desire to be celebrated is different. “To be celebrated, honored, and valued with language and gesture” is a gift she cannot give herself. Note: The Artist and the Poet are clearly intertwined. Seeing and celebrating a woman are practically one in the same. And yet, one without the other leaves a void. Animate the Artist and the Poet together and feel inside you how deeply seeing a woman and being emotionally expressive with her unlocks your love and your power, and opens her. The Director His gift is the gift of direction – taking a woman somewhere she cannot take herself. The Artist and The Poet give shape to your loving, but without the forward motion and focus of the director, your relationship will lack directionality. The director takes a woman somewhere, sometimes literally, and sometimes within herself. Yes, a woman can direct herself; she has a masculine aspect. But your gift of directionality opens doorways, experiences, and feelings a feminine, flowing woman may never access on her own. Note: The Director and The Poet are natural partners. Giving voice to what you see and know about a woman builds trust. She relaxes. The Poet opens a woman’s desire to let go and turn herself over to a man’s directionality. Without this, The Director will meet with resistance. Remember, following is a choice. Letting go with you is a choice. A woman follows a confident dancer; she resists a weak one. Let her know you see and understand her, and she will open to your lead.

Tell me,” Zachary said softly, “what kind of man would ask his best friend to marry his wife after he died? And what kind of man would inspire two seemingly sensible people to agree to such a damned stupid plan?” The man's gray eyes surveyed him in a measuring stare. “A better man than you or I will ever be.” Zachary couldn't stop himself from sneering. “It seems that Lady Holland's paragon of a husband wants to control her from the grave.” “He was trying to protect her,” Ravenhill said without apparent heat, “from men like you.” The bastard's calmness infuriated Zachary. Ravenhill was so damned confident, as if he had already won a competition that Zachary hadn't even known about until it was over. “You think she'll go through with it, don't you?” Zachary muttered resentfully. “You think she'll sacrifice the rest of her life simply because George Taylor asked it of her.” “Yes, that's what I think,” came Ravenhill's cool reply. “And if you knew her better, you'd have no doubt of it.” Why? Zachary wanted to ask, but he couldn't bring himself to voice the painful question. Why was it a foregone conclusion that she would go through with her promise? Had she loved George Taylor so much that he could influence her even in death? Or was it simply a matter of honor? Could her sense of duty and moral obligation really impel her to marry a man she didn't love? “I warn you,” Ravenhill said softly, “if you hurt or distress Lady Holland in any way, you'll answer to me.” “All this concern for her welfare is touching. A few years late in coming, isn't it?” The comment seemed to rattle Ravenhill's composure. Zachary felt a stab of triumph as he saw the man flush slightly. “I've made mistakes,” Ravenhill acknowledged curtly. “I have as many faults as the next man, and I found the prospect of filling George Taylor's shoes damned intimidating. Anyone would.” “Then what made you come back?” Zachary muttered, wishing there were some way to forcibly transport the man back across the Channel. “The thought that Lady Holland and her daughter might need me in some way.” “They don't. They have me.” The lines had been drawn. They might as well have been generals of opposing armies, facing each other across a battlefield. Ravenhill's thin, aristocratic mouth curved in a contemptuous smile. “You're that last thing they need,” he said. “I suspect even you know that.

I do not believe that we have finished evolving. And by that, I do not mean that we will continue to make ever more sophisticated machines and intelligent computers, even as we unlock our genetic code and use our biotechnologies to reshape the human form as we once bred new strains of cattle and sheep. We have placed much too great a faith in our technology. Although we will always reach out to new technologies, as our hands naturally do toward pebbles and shells by the seashore, the idea that the technologies of our civilized life have put an end to our biological evolution—that “Man” is a finished product—is almost certainly wrong. It seems to be just the opposite. In the 10,000 years since our ancestors settled down to farm the land, in the few thousand years in which they built great civilizations, the pressures of this new way of life have caused human evolution to actually accelerate. The rate at which genes are being positively selected to engender in us new features and forms has increased as much as a hundredfold. Two genes linked to brain size are rapidly evolving. Perhaps others will change the way our brain interconnects with itself, thus changing the way we think, act, and feel. What other natural forces work transformations deep inside us? Humanity keeps discovering whole new worlds. Without, in only five centuries, we have gone from thinking that the earth formed the center of the universe to gazing through our telescopes and identifying countless new galaxies in an unimaginably vast cosmos of which we are only the tiniest speck. Within, the first scientists to peer through microscopes felt shocked to behold bacteria swarming through our blood and other tissues. They later saw viruses infecting those bacteria in entire ecologies of life living inside life. We do not know all there is to know about life. We have not yet marveled deeply enough at life’s essential miracle. How, we should ask ourselves, do the seemingly soulless elements of carbon, hydrogen, oxygen, zinc, iron, and all the others organize themselves into a fully conscious human being? How does matter manage to move itself? Could it be that an indwelling consciousness makes up the stuff of all things? Could this consciousness somehow animate the whole grand ecology of evolution, from the forming of the first stars to the creation of human beings who look out at the universe’s glittering constellations in wonder? Could consciousness somehow embrace itself, folding back on itself, in a new and natural technology of the soul? If it could, this would give new meaning to Nietzsche’s insight that: “The highest art is self–creation.” Could we, really, shape our own evolution with the full force of our consciousness, even as we might exert our will to reach out and mold a lump of clay into a graceful sculpture? What is consciousness, really? What does it mean to be human?