The Interpretation Of Dreams Best Quotes

Sometimes things are just what they seem to be and that's all there is to it. The best interpreter of the dream is the dreamer.

Beginning and committing to a dream interpretation practice is one of the best gifts anyone can give themselves. This is truly the greatest guidance anyone could ask for.

There's something about courting the darkness that makes some people see the truth in raw, twisted ways, as though they were shining a black light on life to illuminate the absurdity of it all. Comics tell you a truth you can only see from the underside of the psyche. At its best, comedy is prophesy and societal dream interpretation. At its worst it's just dick jokes.

She said also that they absolutely hated any assignment in which they had to interpret what they had read. If they had to think about anything, make critical judgments and deliberations, the cause was hopeless. The best they could be expected to do was regurgitate.

most people report dreaming principally in visual images. Freud, however, assumes that dreams start from a dream-thought that is best expressed in words and translate it into a picture-language which is intellectually inferior because it cannot convey logical connections; the analyst restores to the dream its verbal character.

Sigmund Freud was an Austrian neurologist best known for developing the theories and techniques of psychoanalysis.

Though it accounts for only 2 percent of the body’s mass, it uses up a fifth of all the oxygen we breathe, and it’s where a quarter of all our glucose gets burned. The brain is the most energetically expensive piece of equipment in our body, and has been ruthlessly honed by natural selection to be efficient at the tasks for which it evolved. One might say that the whole point of our nervous system, from the sensory organs that feed information to the glob of neurons that interprets it, is to develop a sense of what is happening in the present and what will happen in the future, so that we can respond in the best possible way. Strip away the emotions, the philosophizing, the neuroses, and the dreams, and our brains, in the most reductive sense, are fundamentally prediction and planning machines.

I didn’t know why so many people had written the Bible, but I liked that it wasn’t just one person. There was beauty and wisdom in it, and I did my best to interpret what it meant everywhere it seemed to mean something to me, the way I would with a dream that stuck with me.

WE think we have advanced too rapidly. Let us go back a little. Before our last attempt to overcome the difficulties of dream distortion through our technique, we had decided that it would be best to avoid them by limiting ourselves only to those dreams in which distortion is either entirely absent or of trifling importance, if there are such. But here again we digress from the history of the evolution of our knowledge, for as a matter of fact we become aware of dreams entirely free of distortion only after the consistent application of our method of interpretation and after complete analysis of the distorted dream.

The notion of dream interpretation far antedates the birth of psychoanalysis, and probably served an important function in most, if not all, historical societies. In having lost this function, modern man has also lost the best part of his nature, which he obliviously passes on to the next generation of dreamers.

Most journals are repositories of great swatches of abstraction and generalization and self-analysis and interpretation and all that bad stuff. Don’t do that. But here’s a certain kind of journal that might be useful to you: at the end of the day or beginning of the next day, return to some event of the day that evoked an emotion in you. Record that event in the journal. But do this only—only—moment to moment through the senses. Absolutely never name an emotion; never start explaining or analyzing or interpreting an emotion. Record only through those five ways I mentioned that we feel emotions—signals inside the body, signals outside the body, flashes of the past, flashes of the future, sensual selectivity—which are therefore the best ways to express emotions.

not as reliably able to interpret my dreams. Sometimes I wondered if I had everything backward, my life and purpose and meaning all backward. Maybe the best thing I had to offer was fry cookery of a high order, and maybe my paranormal abilities were nothing more than the equivalent of a talent for farting on command, better repressed than indulged. I, no less than anyone, was capable of self-delusion, of pride that led me to embrace a grander image of myself than was the truth.

But every man is more than just himself; he also represents the unique, the very special and always significant and remarkable point at which the world's phenomena intersect, only once in this way and never again. That is why every man's story is important, eternal, sacred; that is why every man, as long as he lives and fulfills the will of nature, is wondrous, and worthy of every consideration. In each individual the spirit has become flesh, in each man the creation suffers, within each one a redeemer is nailed to the cross. Few people nowadays know what man is. Many sense this ignorance and die the more easily because of it, the same way that I will die more easily once I have completed this story. I do not consider myself less ignorant than most people. I have been and still am a seeker, but I have ceased to question stars and books; I have begun to listen to the teachings my blood whispers to me. My story is not a pleasant one; it is neither sweet nor harmonious, as invented stories are; it has the taste of nonsense and chaos, of madness and dreams--like the lives of all men who stop deceiving themselves. Each man's life represents a road toward himself, an attempt at such a road, the intimation of a path. No man has ever been entirely and completely himself. Yet each one strives to become that--one in an awkward, the other in a more intelligent way, each as best he can. Each man carries the vestiges of his birth--the slime and eggshells of his primeval past--with him to the end of his days. Some never become human, remaining frog, lizard, ant. Some are human above the waist, fish below. Each represents a gamble on the part of nature in creation of the human. We all share the same origin, our mothers; all of us come in at the same door. But each of us--experiments of the depths--strives toward his own destiny. We can understand one another; but each of us is able to interpret himself to himself alone.

The evil, the guilt, the profound unease of conscience, the dark foreboding, are there before our eyes, if only we would see. Man has done these things; I am a man, who has his share of human nature; therefore I am guilty with the rest and bear unaltered and indelibly within me the capacity and the inclination to do them again at any time. Even if, juristically speaking, we were not accessories to the crime, we are always, thanks to our human nature, potential criminals. In reality we merely lacked a suitable opportunity to be drawn into the infernal mêlée. None of us stands outside humanity’s black collective shadow. Whether the crime occurred many generations back or happens today, it remains the symptom of a disposition that is always and everywhere present—and one would therefore do well to possess some “imagination for evil,” for only the fool can permanently disregard the conditions of his own nature. In fact, this negligence is the best means of making him an instrument of evil.

Cities have characters, pathologies that can make or destroy or infect you, states of mind that run through daily life as surely as a fault line. Chandler’s “mysterious something” was a mood of disenchantment, an intense spiritual malaise that identified itself with Los Angeles at a particular time, what we call noir. On the one hand noir is a narrow film genre, born in Hollywood in the late 1930s when European visual style, the twisted perspectives and stark chiaroscuros of German Expressionism, met an American literary idiom. This fruitful comingling gave birth to movies like Double Indemnity, directed by Vienna-born Billy Wilder and scripted by Raymond Chandler from a James M. Cain novella. The themes — murderous sex and the cool, intricate amorality of money — rose directly from the psychic mulch of Southern California. But L.A. is a city of big dreams and cruelly inevitable disappointments where noir is more than just a slice of cinema history; it’s a counter-tradition, the dark lens through which the booster myths came to be viewed, a disillusion that shadows even the best of times, an alienation that assails the sense like the harsh glitter of mica in the sidewalk on a pitiless Santa Ana day. Noir — in this sense a perspective on history and often a substitute for it — was born when the Roaring Twenties blew themselves out and hard times rushed in; it crystallized real-life events and the writhing collapse of the national economy before finding its interpreters in writers like Raymond Chandler.

If one advances confidently in the direction of his dreams, and endeavors to live the life which he has imagined, he will meet with a success unexpected in common hours. He will put some things behind, will pass an invisible boundary; new, universal, and more liberal laws will begin to establish themselves around and within him; or the old laws be expanded, and interpreted in his favor in a more liberal sense, and he will live with the license of a higher order of beings. In proportion as he simplifies his life, the laws of the universe will appear less complex, and solitude will not be solitude, nor poverty poverty, nor weakness weakness. If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them.” — Henry David Thoreau

I left the woods for as good a reason as I went there. Perhaps it seemed to me that I had several more lives to live, and could not spare any more time for that one. It is remarkable how easily and insensibly we fall into a particular route, and make a beaten track for ourselves. I had not lived there a week before my feet wore a path from my door to the pond-side; and though it is five or six years since I trod it, it is still quite distinct. It is true, I fear, that others may have fallen into it, and so helped to keep it open. The surface of the earth is soft and impressible by the feet of men; and so with the paths which the mind travels. How worn and dusty, then, must be the highways of the world, how deep the ruts of tradition and conformity! I did not wish to take a cabin passage, but rather to go before the mast and on the deck of the world, for there I could best see the moonlight amid the mountains. I do not wish to go below now. I learned this, at least, by my experiment: that if one advances confidently in the direction of his dreams, and endeavors to live the life which he has imagined, he will meet with a success unexpected in common hours. He will put some things behind, will pass an invisible boundary; new, universal, and more liberal laws will begin to establish themselves around and within him; or the old laws be expanded, and interpreted in his favor in a more liberal sense, and he will live with the license of a higher order of beings. In proportion as he simplifies his life, the laws of the universe will appear less complex, and solitude will not be solitude, nor poverty poverty, nor weakness weakness. If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them.

Move when it’s time We were touring the ruins at Hovenweep National Monument in the southwestern United States. A sign along the interpretive trail told about the Anasazi who had lived along the small, narrow canyon so long ago. The archaeologists have done their best to determine what these ancient Indians did and how they lived their lives. The signs told about the strategic positioning of the buildings perched precariously on the edge of a cliff, and questioned what had caused this ancient group to suddenly disappear long ago. “Maybe they just got tired of living there and moved,” my friend said. We laughed as we pictured a group of wise ancients sitting around the campfire one night. “You know,” says one of them, “I’m tired of this desert. Let’s move to the beach.” And in our story they did. No mystery. No aliens taking them away. They just moved on, much like we do today. It’s easy to romanticize what we don’t know. It’s easy to assume that someone else must have a greater vision, a nobler purpose than just going to work, having a family, and living a life. People are people, and have been throughout time. Our problems aren’t new or unique. The secret to happiness is the same as it has always been. If you are unhappy with where you are, don’t be there. Yes, you may be here now, you may be learning hard lessons today, but there is no reason to stay there. If it hurts to touch the stove, don’t touch it. If you want to be someplace else, move. If you want to chase a dream, then do it. Learn your lessons where you are, but don’t close off your ability to move and to learn new lessons someplace else. Are you happy with the path that you’re on? If not, maybe it’s time to choose a new one. There need not be a great mysterious reason. Sometimes it’s just hot and dry, and the beach is calling your name. Be where you want to be. God, give me the courage to find a path with heart. Help me move on when it’s time.

Machiavelli’s second metaphor alludes to the fact that Fortune was always seen as a feminine force. Like any woman, she responds best, he believes, to rough handling. He argues that in dealings with Fortune it is advisable to act impetuously “because Fortune is a woman and if she is to be submissive it is necessary to beat and coerce her.” However disagreeable the image, it is worth remembering that gendered interpretations of philosophical conceptions have a lengthy history, and that Machiavelli elsewhere speaks of winning over Fortune by means of friendship and harmonious action. The idea of battering Fortune into submission did not, in fact, originate with Machiavelli. Seventy years earlier, in Somnium de Fortuna (The Dream of Fortune), Aeneas Silvius Piccolomini had Fortune claim she despised those who “run away from me” and favored “those who put me to flight.” The upshot, at any rate, is that one can manage the caprice of Fortune—a comforting philosophy for the former Second Chancellor to contemplate from his lonely exile in the Albergaccio.

But every man is more than just himself; he also represents the unique, the very special and always significant and remarkable point at which the world's phenomena intersect, only once in this way and never again. That is why every man's story is important, eternal, sacred; that is why every man, as long as he lives and fulfills the will of nature, is wondrous, and worthy of every consideration. In each individual the spirit has become flesh, in each man the creation suffers, within each one a redeemer is nailed to the cross. Few people nowadays know what man is. Many sense this ignorance and die the more easily because of it, the same way that I will die more easily once I have completed this story. I do not consider myself less ignorant than most people. I have been and still am a seeker, but I have ceased to question stars and books; I have begun to listen to the teachings my blood whispers to me. My story is not a pleasant one; it is neither sweet nor harmonious, as invented stories are; it has the taste of nonsense and chaos, of madness and dreams--like the lives of all men who stop deceiving themselves. Each man's life represents a road toward himself, an attempt at such a road, the intimation of a path. No man has ever been entirely and completely himself. Yet each one strives to become that--one in an awkward, the other in a more intelligent way, each as best he can. Each man carries the vestiges of his birth--the slime and eggshells of his primeval past--with him to the end of his days. Some never become human, remaining frog, lizard, ant. Some are human above the waist, fish below. Each represents a gamble on the part of nature in creation of the human. We all share the same origin, our mothers; all of us come in at the same door. But each of us--experiments of the depths--strives toward his own destiny. We can understand one another; but each of us is able to interpret himself to himself alone.

Now, before you invade a foreign city. Here’s the law: Offer the fools a peace treaty. They can remain in their city as your slaves doing forced labor for you. And if they refuse your generosity? Kill every goddamned one of their men. And take their women, children, livestock, and wealth as plunder.” The same guy raised his hand and yelled, “Can we fuck these women, too?” It was a stupid question, but Moses replied patiently, “Of course. Fuck them—use them as footstools, punching bags, scarecrows—who cares? They’re slaves! Do whatever you want with them. “Just remember, all you have to do is obey Yahweh. Then you will have no worries and nothing to fear. He will take care of you. But be careful, because Yahweh will test you. He will send false prophets and phony dream interpreters. “If you encounter one? And his predictions come true? And he wants you to worship another god? Don’t be impressed! Beware! Yahweh sent him to tempt you. “So kill anyone who prophesies in the name of another god. “And kill anyone who pretends to be a prophet and is not! “And if you find a town worshipping another god—kill everyone in it! And kill their livestock! Plunder their homes! Burn that despicable town to the ground and never rebuild it! Make it a perpetual burnt offering to Yahweh. “And whatever you do, for god’s sake, do not imitate the detestable Canaanite religions! Do not incinerate your children, or practice sorcery, or witchcraft. And don’t interpret omens. These practices are detestable to Yahweh. “Above all, DO NOT worship their gods! Don’t worship the sun! Or the moon! Or the stars in the sky! Yahweh gave those to the suckers in other nations as their gods. If you worship just one of them—just one time…” Moses shuddered at the thought. “Well, let’s just say, Yahweh is jealous—real jealous! If he catches you worshipping another god, I have to tell you that the gigs up. He’ll kick your asses out of the Promised Land. And scatter you among the other nations like snake shit scattered about the desert.”   Obey Yahweh and you will live in paradise   “Just obey Yahweh. You hear me? Obey him, and you will live in paradise. He will protect you from your enemies. Send rain for your crops. Nurture your herds. You will have abundant food and wine. Maybe free dance lessons—who knows? There is no limit to Yahweh’s love! Obey him, and your lives will be perfect. Disobey him, and you are fucked! It’s just that simple.” Moses waited for the impact of this essential truth to resister in their brains. Regretfully, it did not. But he concluded, “Anyhow, I’m one-hundred and twenty years old. I cannot lead you into the Promised Land. Joshua will lead you.” He again found Joshua in the crowd. “Joshua, come on up here!” Joshua, startled awake, elbowed his way through the crowd and

As he had predicted, he loved Catherine like a madman. And as she had once claimed, she was entirely able to manage him. They were different in so many ways, and yet somehow it made them exactly right for each other. The result had been a remarkably harmonious marriage. They entertained each other with furious, funny bickering and long, thoughtful conversations. When they were alone, they often spoke in a kind of shorthand that no one else would have been able to interpret. They were a physical pair, passionate and affectionate. Playful. But the real surprise of the marriage was the kindness they showed each other... they, who had once fought so bitterly. Leo had never expected that the woman who had formerly brought out the worst in him would now bring out the best in him. And he had never dreamed that his love for her would deepen to such proportions that there was no hope of controlling or restraining it. In the face of a love this vast, a man could only surrender.

Ancient generations passed down wisdom that all succeeding generations must apply and build upon. We are constantly learning how to interpret the past, not simply ancient history, but also from variegated educational encounters experienced in our own lifetime. We must listen to the voices of our ancestors whom passed along their hopes and dreams. We must also listen to our own youthful voice that optimistically projected the best type of world for us to live in and pass along to future generations of compassionate persons. The collective voices of passionate mavens of nature linked through time created the world that we now enjoy and together they shall alter this world in a profound manner for other people to witness and explore.

Dream is the capacity to see clear picture of your life in God’s Word

Empirical logic achieved a signal triumph in the Old Testament, where survivals from the early proto-logical stage are very few and far between. With it man reached a point where his best judgments about his relation to God, his fellow men and the world, were in most respects not appreciably inferior to ours. In fundamental ethical and spiritual matters we have not progressed at all beyond the empirico-logical world of the Old Testament or the unrivalled fusion of proto-logical intuition, 64 [see Coomaraswamy, Review of Religion, 1942, p. 138, paragraph 3] empirico-logical wisdom and logical deduction which we find in the New Testament. In fact a very large section of modern religion, literature and art actually represents a pronounced retrogression when compared with the Old Testament. For example, astrology, spiritism and kindred divagations, which have become religion to tens of millions of Europeans and Americans, are only the outgrowth of proto-logical interpretation of nature, fed by empirico-logical data and covered with a spurious shell of Aristotelian logic and scientific induction. Plastic and graphic art has swung violently away from logical perspective and perceptual accuracy, and has plunged into primordial depths of conceptual drawing and intuitive imagery. While it cannot be denied that this swing from classical art to conceptual and impressionistic art has yielded some valuable results, it is also true that it represents a very extreme retrogression into the proto-logical past. Much of the poetry, drama and fiction which has been written during the past half-century is also a reversion from classical and logical standards of morality and beauty into primitive savagery or pathological abnormality. Some of it has reached such paralogical levels of sophistication that it has lost all power to furnish any standards at all to a generation which has deliberately tried to abandon its entire heritage from the past. All systematic attempts to discredit inherited sexual morality, to substitute dream-states for reflection, and to replace logical writing by jargon, are retreats into the jungle from which man emerged through long and painful millennia of disillusionment. With the same brains and affective reactions as those which our ancestors possessed two thousand years ago, increasing sophistication has not been able to teach us any sounder fundamental principles of life than were known at that time. . . . Unless we can continue along the pathway of personal morality and spiritual growth which was marked out for civilized man by the founders of the Judaeo-Christian tradition, more than two thousand years ago, our superior skill in modifying and even in transforming the material world about us can lead only to repeated disasters, each more terrible than its predecessor. (Archaeology and the Religion of Israel, 5th Ed. New York: Doubleday Anchor, 31-33.)

Dick delves in subsequent letters into the possible Jungian meaning of all this, the significance of ancient Rome in his mystical experiences, and the sibyl as representing his “anima,” the inner source of his own prophetic capacity. Recall here Morgan Robertson’s belief that his own muse was likewise a feminine spirit of some sort. We can observe Dick here beginning to weave these dream images into his evolving self-mythology and what became a major metaphysical strand in his Exegesis, as well as the novel VALIS that was based on his experiences. In his search for a meaning behind all these coincidences—an answer to the question “why me?”—Dick understandably gropes in many different directions for an explanation and attaches great, mostly Jungian significance to the symbols. Yet he does not go down the path of thinking he is simply accessing archetypes in the collective unconscious. Rather, he is drawn to the conclusion that somehow the ancient world is still present, only camouflaged—or indeed, that we are still in it. It all seems to confirm a dream remembered from his youth that was much like the “B___ Grove” dreams, in which he had searched for a story in Astounding Stories called “The Empire Never Ended.” That story, he had felt certain, contained all the mysteries of existence. As a result of some of his visions and experiences in 1974, Dick came to believe he was possibly a reincarnated Christian from ancient Rome.38 We are rewarded best by bracketing the various interpretations, the Exegesis per se, and looking at Dick’s project as a making of something, a creation of meaningful narratives to be read by other people, a reaching out. The term “cry for help” may sound a bit extreme, but it is not. It was during this black period of his life, most specifically in February 1976, when Tessa left him and took their son, that he attempted suicide via drug overdose, slitting his wrists, and carbon monoxide poisoning in his garage, all at the same time. Fortunately, all three plans failed. Setting aside the metaphysics and cosmology, what was Dick trying to say in his writing during this period—to Claudia, to Tessa, to his readers, and to posterity? And what whispered message was he straining to hear from his own precognitive unconscious? Arguably, he wanted to hear the same thing Morgan Robertson managed to hear, loud and clear, when news of the Titanic’s fatal collision with an iceberg splashed across the front page of The New York Times on April 15, 1912. Both in his Exegesis and in his private correspondence with friends like Claudia, Dick flickered between two basic stances on his experience: the secret persistence of the ancient world underneath the veneer of mid-1970s Orange County, and the idea that he was haunting himself from his own future. These are not incompatible ideas in the sense that they both point to our old friend Mister Block Universe, where the past still exists and the future already exists—and by implication, nothing is subject to alteration.

The word the Anglo-Saxon poets of Dark Age England used for fate highlights this ironic, circling, swerving logic; they called it wyrd—a word related to a lot of other w-r words still existing in our language that connote twisting and turning (worm, wrap, writhe, wreath, wring, and so on—even word, which, as writers know, is made of bendy-twisty marks on paper or stone). Wyrd, or weird, is the bending force in our lives that, among other things, causes dark prophecies to be fulfilled not only despite but actually because of our best efforts at preventing them. It also warps our mind and induces a kind of compulsion around more appealing-sounding prophecies, as it did to Shakespeare’s Macbeth after hearing the Weird Sisters’ prophecy that he would become king. When we realize that the Minkowski block universe, in its resolute self-consistency, imposes a wyrd-like law upon us (a “law in the cosmos,” you might call it), then all those antique myths about prophecy and the ironic insistency of fate start to appear less like the superstitions of benighted folk in the Back When and start to seem remarkably, well, prescient. And not only prescient, but based on real-life experience with prescience. Divination was an important part of Greek culture, for instance; it was even the basis of their medicine. Sick patients went to temples and caves to have healing dreams in the presence of priests who could interpret their dreams’ signs. They were not strangers to this stuff, as we now are. As intrinsically precognitive beings who think of ourselves as freely willed, the logic of wyrd is our ruler. We can’t go anywhere that would prevent ourselves from existing, prevent ourselves from getting to the experiences and realizations ahead of us that will turn out to have retroinfluenced our lives now, and this imposes a kind of blindness on us. That blindness may keep us from going insane, reducing the level of prophecy to a manageable level. It is why our dreamlife only shows us the future as through a glass, darkly. It is also why the world seems so tricksterish to those who are really paying attention. That we are interfered with by an intelligence that is somehow within us but also Other is the human intuition that Freud theorized in such a radical new way. His focus was on how this Other inside could make us ill; the flip side is that it really does serve as our guide, especially when we let ourselves be led by our unreason. Research shows that “psi” is an unconscious, un-willed function or group of functions.2 The laboratory experiments by Daryl Bem, Dean Radin, and many others strongly support something like presentiment (future-feeling) operating outside of conscious awareness, and it could be a pervasive feature or even a basic underlying principle of our psychology.

First,” began Jung, “you must always remember we can only interpret these psychic facts metaphorically. We can never proclaim with certainty that we have uncovered the total mystery of an archetype. The best we can do is to dream the myth onward and give it a modern dress. And whatever explanation or interpretation we give the archetype, we do to our own souls as well, with corresponding results for our own well-being. Therefore, our explanation should always aim to maintain an adequate connection between the conscious mind and the archetype. If we do this, we will have reconnected with our own psychic roots in the dark, primitive collective unconscious.

I didn't know why so many people had written the Bible, but I liked that it wasn't just one person. There was beauty and wisdom in it, and I did my best to interpret what it meant everywhere it seemed to mean something to me, the way I would with a dream that stuck with me.

Conversing with the One who gave us the symbols is the best way to discover their meaning. [...] there is no manual of symbols that will give us ready-made interpretations of the nonliteral elements in our dreams and visions. This is because symbols can have different meanings in different contexts.

Our difficulties are largely due to confused ideas and ignorance of our true interests. The great task is to discover the laws of nature to which we are to adjust ourselves. Clear thinking and moral insight are, therefore, of incalculable value. All processes, even those of thought, rest on solid foundations. The keener the sensibilities, the more acute the judgment, the more delicate the taste, the more refined the moral feelings, the more subtle the intelligence, the loftier the aspiration--the purer and more intense are the gratifications which existence yields. Hence it is that the study of the best that has been thought in the world gives supreme pleasure. The powers, uses and possibilities of the mind under the new interpretations are incomparably more wonderful that the most extravagant accomplishment, or even dreams of material progress. Thought is energy. Active thought is active energy; concentrated thought is a concentrated energy. Thought concentrated on a definite purpose becomes power. This is the power which is being used by those who do not believe in the virtue of poverty, or the beauty of selfdenial. They perceive that this is the talk of weaklings. The ability to receive and manifest this power depends upon the ability to recognize the Infinite Energy ever dwelling in man, constantly creating and recreating his body and mind, and ready at any moment to manifest through him in any needful manner. In exact proportion to the recognition of this truth will be the manifestation in the outer life of the individual.

1948: The Best Years of Our Lives. The characters in the film have retained a candour towards - and naive faith in - their feelings which we no longer possess. Our feelings, which we delightfully term emotions in order to salvage the fiction of an emotional life, are not affects any more, merely a psychological affectation, having lost all credence in our eyes. Or, alternatively, they are conversion emotions, betraying the melodrama going on in the body rather than the nuances of the soul. We do not even have this candour in our relations to our dreams, where we grapple with their interpretation, their splitting, their ironic reflexes. But the worst thing is that not just life, but cinema too, seems to have lost all simplicity since that period. But the worst thing is that not just life, but cinema too, seems to have lost all simplicity since that period. It knows only how to parody itself affectedly, and has veered towards psychodrama or visual melodrama. Retrospectively, these were then, also, the 'Best Years' of cinema.

Distinguish yourself I mentioned Daniel in the previous chapter. The scripture says he had an excellent spirit. As a teenager, he was brought out of Judah into Babylon. The king had all these young men in training and the best of them--the smartest, strongest, and most talented--would be chosen as the next leaders. They had a certain diet for them to eat and certain programs for them to follow. But Daniel had made a vow to God to always honor Him. The Babylonians worshiped idols. Daniel was respectful, but he wouldn’t eat the king’s fancy foods. He didn’t just go along with what everyone else was doing. He made the more excellent choice. Daniel 6:3 says, “Daniel so distinguished himself by his exceptional qualities that the king planned to put him over the whole kingdom.” Notice it doesn’t say: “God distinguished him and he got promoted.” It says Daniel distinguished himself. The message translation says, “Daniel completely outclassed the others.” That’s what happens when, number one, you honor God and, number two, you have an excellent spirit. You don’t compromise. You don’t just go with the flow and do what everyone else is doing. Even if everyone else is late, everyone else cuts corners, and everyone else is undisciplined, you should do as Daniel did and go the extra mile. Make the choice to be excellent. The scripture goes on to say Daniel was ten times smarter than the other young men. He had incredible wisdom and understanding. He could interpret dreams and visions. When you have an excellent spirit, God will give you unprecedented favor, creativity, and ideas so that, like Daniel, you will stand out in the crowd. In humility, you will outclass those who don’t honor God. My question is: Are you distinguishing yourself and not waiting for God to do it? Are you going the extra mile? Are you doing more than you have to? Are you improving your skills? Examine your life. We all have areas in which we can strive for excellence, whether it’s how we treat people, how we present ourselves, or how we develop our skills. Don’t let something small keep you from the big things God wants to do. You are called to be a cut above. You have excellence on the inside. It’s who you are. Now do your part and be disciplined to bring out your excellence. If you’ll have this spirit of excellence, God will breathe in your direction and cause you to stand out. You’ll look up and be more creative, more skilled, more talented, and wiser with more ideas. I believe and declare that like Daniel, you will outperform, you will outclass, and you will outshine, and God will promote you and set you in a place of honor. You can, you will.

But what this nostalgia tells me is not that Americans forget too easily. "We are the United States of Amnesia, we learn nothing because we remember nothing," Gore Vidal famously said, but this is only partially true. He neglected that the delusion is intentional. The preamble to our Constitution starts, "We the People of the United States, in Order to form a more perfect Union..." and it has been interpreted as an excuse for America's shortcomings. We are not perfect, but seek to be "more perfect." Our faults are not American, only the progress--ending slavery is American, the institution itself was not. Extending the vote to white women via constitutional amendment is American, denying them the vote for more than a century of the nation's existence was not. For the myth to hold, we can only ever view America as the sum of its best parts.

Turn, please, to the introduction and read what Imago has to say on the matter of dream interpretation. Then, divide into pairs. Use The Dream Oracle to interpret each other’s most recent dreams. Carry on.’ The one good thing to be said for this lesson was that it was not a double period. By the time they had all finished reading the introduction of the book, they had barely ten minutes left for dream interpretation. At the table next to Harry and Ron, Dean had paired up with Neville, who immediately embarked on a long-winded explanation of a nightmare involving a pair of giant scissors wearing his grandmother’s best hat; Harry and Ron merely looked at each other glumly. ‘I never remember my dreams,’ said Ron, ‘you say one.’ ‘You must remember one of them,’ said Harry impatiently.