Innocent Eyes Of A Child Quotes

It was queer how sometimes a child's innocent eyes can see things that grown men are blind to.

My child, I know you're not a child But I still see you running wild Between those flowering trees. Your sparkling dreams, your silver laugh Your wishes to the stars above Are just my memories. And in your eyes the ocean And in your eyes the sea The waters frozen over With your longing to be free. Yesterday you'd awoken To a world incredibly old. This is the age you are broken Or turned into gold. You had to kill this child, I know. To break the arrows and the bow To shed your skin and change. The trees are flowering no more There's blood upon the tiles floor This place is dark and strange. I see you standing in the storm Holding the curse of youth Each of you with your story Each of you with your truth. Some words will never be spoken Some stories will never be told. This is the age you are broken Or turned into gold. I didn't say the world was good. I hoped by now you understood Why I could never lie. I didn't promise you a thing. Don't ask my wintervoice for spring Just spread your wings and fly. Though in the hidden garden Down by the green green lane The plant of love grows next to The tree of hate and pain. So take my tears as a token. They'll keep you warm in the cold. This is the age you are broken Or turned into gold. You've lived too long among us To leave without a trace You've lived too short to understand A thing about this place. Some of you just sit there smoking And some are already sold. This is the age you are broken Or turned into gold. This is the age you are broken or turned into gold.

Mark whirled on them. His eyes were blind, unseeing. “You bring the twins in front of me and you kill them over and over. My Ty, he doesn’t understand why I can’t save him. You bring me Dru and when she laughs to see the fairytale castle, all ringed round with hedges, you throw her against the thorns until their pierce her small body. And you bid me wash in Octavian’s blood for the blood of an innocent child is magic under the Hill.

See the world through the eyes of your inner child. The eyes that sparkle in awe and amazement as they see love, magic and mystery in the most ordinary things.

I saw something I could never forget. I saw lifetimes of acknowledgement, fear, wisdom, questioning, and understanding in a child's eye. It was the worst thing I would ever witness.

We have become a Nazi monster in the eyes of the whole world—a nation of bullies and bastards who would rather kill than live peacefully. We are not just Whores for power and oil, but killer whores with hate and fear in our hearts. We are human scum, and that is how history will judge us. . . . No redeeming social value. Just whores. Get out of our way, or we’ll kill you. Well, shit on that dumbness. George W. Bush does not speak for me or my son or my mother or my friends or the people I respect in this world. We didn’t vote for these cheap, greedy little killers who speak for America today—and we will not vote for them again in 2002. Or 2004. Or ever. Who does vote for these dishonest shitheads? Who among us can be happy and proud of having all this innocent blood on our hands? Who are these swine? These flag-sucking half-wits who get fleeced and fooled by stupid little rich kids like George Bush? They are the same ones who wanted to have Muhammad Ali locked up for refusing to kill gooks. They speak for all that is cruel and stupid and vicious in the American character. They are the racists and hate mongers among us—they are the Ku Klux Klan. I piss down the throats of these Nazis. And I am too old to worry about whether they like it or not. Fuck them.

When a man possesses the innocence of a child, we call him a fool. When a child possesses the cunning of a man, we call him an abomination. As with love, knowledge has its seasons.

You're watching me, princess." His soft lips spread into an appreciative smile. "People might get the wrong idea." "What, that I actually like you now?" I tease. He shakes his head and leans toward me. "No, that you're trying to see past me to get an eyeful of Benson." ------------------------------------------- I shift my gaze to the board and fix an innocent look on my face. "What makes you think that's the WRONG idea?" Quince leans even closer and says, "Because you came back for me.

Lift up your eyes from your books, from your past, from your hurts and look upon all people with love, because when you look into another’s eyes and see innocence, you find it in yourself.

In a way he made me think of a child doll, with briliant faintly red-brown glass eyes - a doll that had been found in an attic. I wanted to polish him with kisses, clean him up, make him evevn more radiant than he was. "That's what you always want," he said softly... "When you found me under Les Innocents," he said, "you wanted to bathe me with perfume and dress me in velvevt with great embroidered sleeves." "Yes," I said, "and comb your hair, your beautiful russet hair." My tone was angry. "You look good to me, you damnable little devil, good to embrace and good to love.

Nick felt a tear rise to his eye at the thought of the child's utter innocence of hangovers.

Last night I wept. I wept because the process by which I have become woman was painful. I wept because I was no longer a child with a child's blind faith. I wept because my eyes were opened to reality.

I am a baby, I am a child, I am the innocent wonder in my eyes I am a glimpse, I am a sign, of someone I can be, someone I might I am not one, I am not two, but I am a million things entwined I am a piece, I am a slice, strung together by the yarns of time.

Along with the trust issues, one of the hardest parts to deal with is the feeling of not being believed or supported, especially by your own grandparents and extended family. When I have been through so much pain and hurt and have to live with the scars every day, I get angry knowing that others think it is all made up or they brush it off because my cousin was a teenager. I was ten when I was first sexually abused by my cousin, and a majority of my relatives have taken the perpetrator's side. I have cried many times about everything and how my relatives gave no support or love to me as a kid when this all came out. Not one relative ever came up to that innocent little girl I was and said "I am sorry for what you went through" or "I am here for you." Instead they said hurtful things: "Oh he was young." "That is what kids do." "It is not like he was some older man you didn't know." Why does age make a difference? It is a sick way of thinking. Sexual abuse is sexual abuse. What is wrong with this picture? It brings tears to my eyes the way my relatives have reacted to this and cannot accept the truth. Denial is where they would rather stay.

Let us also acknowledge that the hearts which suffer the most from our wars are those of mothers. Their vital voices have been left out of the political equation for too long. An Iraqi or American mother cries the same as an Israeli or Afghan mother. The eyes of a mother who has suffered the loss of a child can destroy the soul of anyone who gazes upon them. More souls become casualties of war than physical bodies. War is a soul-shattering experience for the innocent.

It's easy to mistake being innocent for being simpleminded or naive. We all want to seem sophisticated; we all want to seem street-smart. To be innocent is to be "out of it." Yet there is a deep truth in innocence. A baby looks in his mother's eyes, and all he sees is love. As innocence fades away, more complicated things take its place. We think we need to outwit others and scheme to get what we want. We begin to spend a lot of energy protecting ourselves. Then life turns into a struggle. People have no choice but to be street-smart. How else can they survive? When you get right down to it, survival means seeing things the way they really are and responding. It means being open. And that's what innocence is. It's simple and trusting like a child, not judgmental and committed to one narrow point of view. If you are locked into a pattern of thinking and responding, your creativity gets blocked. You miss the freshness and magic of the moment. Learn to be innocent again, and that freshness never fades.

What do you call yourself?" the Fawn said at last. Such a soft sweet voice it had! "I wish I knew!" thought poor Alice. She answered, rather sadly, "Nothing, just now." "Think again," it said: "that won't do." Alice thought, but nothing came of it. "Please, would you tell me what you call yourself?" she said timidly, "I think that might help a little." "I'll tell you, if you'll come a little further on," the Fawn said. "I can't remember here." So they walked on together through the wood, Alice with her arms clasped lovingly round the soft neck of the Fawn, till they came out into another open field, and here the Fawn gave a sudden bound into the air, and shook itself free from Alice's arms. "I'm a Fawn!" it cried out in a voice of delight. "And dear me, you're a human child!" A sudden look of alarm came into its beautiful brown eyes, and in another moment it had darted away at full speed.

Most of us hoped to be able to trust. When we were little we did not yet know the human invention of the lie - not only that of lying with words but that of lying with one's voice, one's gesture, one's eyes, one's facial expression. How should the child be prepared for this specifically human ingenuity: the lie? Most of us are awakened, some more and some less brutally, to the fact that people often do not mean what they say or say the opposite of what they mean. And not only "people," but the very people we trusted most - our parents, teachers, leaders.

Blimey, thought Kelvin, what an eye-to-face ratio. When you want to say something delicate, you don't want that eye-to-face ration staring up at you. Big eyes, like a child's or a baby seal's; the physiognomy of innocence--looking at Archie Jones is like looking at something that expects to be clubbed round the head any second.

When the fight ends you can afford to relax. That’s the worst part. Winner or loser you have again eyes to see around you. Blood, butchered bodies, bodies pierced by arrows. You stir inside, your heart tightens, the feeling of loss wells up. The sense of smell is the next thing to revive, adding a new dimension of pain. I closed the eyes of the last cadet, blue eyes, unseeing, his body, so small, almost a child, the youngest cadets were all gone, their faces surprised in death. Cold lips never able again to kiss a girl. It’s then that the emptiness swallows you and you mourn inside. Damn you, Scharon. No! Damn you, Travellers.

That was how his pen finally designed his sculpture; in the center the weak, confused, arrogant, soon to be destroyed young man holding cup a loft, behind him the idyllic child, clear-eyed, munching his grapes, symbol of joy ; between them the tiger skin. The Bacchus, hollow within himself, flabby, reeling, already old; the Satyr, eternally young and gay, symbol of man’s childhood and naughty innocence

Despite her near delirium, she noticed Jared’s eyes flicking constantly to the rearview mirror, disappointment and anger warring in his expression. She sometimes thought that he shed a large part of his innocence that night, a child confronting his parent’s awful shortcomings.

Her eyes opened. It was as if the light had been switched on inside them. They were the eyes of a child, wide and innocent, free of scorn or suspicion. Color seemed to come into her face. Suddenly she seemed wonderfully alive.

Sometimes an uncontrollable feeling of sadness grips us, he said. We recognize that the magic moment of the day has passed and that we’ve done nothing about it. Life begins to conceal its magic and its art. We have to listen to the child we once were, the child who still exists inside us. That child understands magic moments. We can stifle its cries, but we cannot silence its voice. The child we once were is still there. Blessed are the children, for theirs is the kingdom of heaven. If we are not reborn – if we cannot learn to look at life with the innocence and the enthusiasm of childhood – it makes no sense to go on living. There are many ways to commit suicide. hose who try to kill the body violate God's law. Those who try to kill the soul also violate God's law, even though their crime is less visible to others. We have to pay attention to what the child in our heart tells us. We should not be embarrassed by this child. We must not allow this child to be scared because the child is alone and almost never heard. We must allow the child to take the reins of our lives. The child knows that each day is different from every other day. We have to allow it to feel loved again. We must please this child – even if this means that we act in ways we are not used to, in ways that may seem foolish to others. Remember that human wisdom is madness in the eyes of God. But if we listen to the child who lives in our soul, our eyes will grow bright. If we do not lose contact with that child, we will not lose contact with life.

We had a little slave boy whom we had hired from some one, there in Hannibal. He was from the Eastern Shore of Maryland, and had been brought away from his family and his friends, half way across the American continent, and sold. He was a cheery spirit, innocent and gentle, and the noisiest creature that ever was, perhaps. All day long he was singing, whistling, yelling, whooping, laughing - it was maddening, devastating, unendurable. At last, one day, I lost all my temper, and went raging to my mother, and said Sandy had been singing for an hour without a single break, and I couldn't stand it, and wouldn't she please shut him up. The tears came into her eyes, and her lip trembled, and she said something like this - 'Poor thing, when he sings, it shows that he is not remembering, and that comforts me; but when he is still, I am afraid he is thinking, and I cannot bear it. He will never see his mother again; if he can sing, I must not hinder it, but be thankful for it. If you were older, you would understand me; then that friendless child's noise would make you glad.' It was a simple speech, and made up of small words, but it went home, and Sandy's noise was not a trouble to me any more.

A dam inside my own heart opened up, and the feelings of heaviness and unease lifted like wind against the winter sky. I loved him. I loved his slow wit and his gruff demeanor and his tender disposition. I loved his endless empathy and his world-weary cynicism and his innocence. I loved that he was a walking, breathing paradox. I loved his lank hair and his iron earring and the tooth missing at the back of his mouth. I loved the way he laughed, music incomparable to any song, and the way he smiled, like you could see the child in him and the animal in him and the man in him all at once. I loved that he listened to crappy music, the kind that made me want to put my head through a wall, and I loved the charcoal stains on his knuckles and the pencils he tucked behind his ears. I loved that he told me to shut up as though I could actually say anything. I loved that he made me feel as though I could. I loved his short fingers and his rough palms and his long legs and his flat belly. I loved that he liked to read Kerouac but didn't know how to pronounce Kerouac. I loved his brown skin and his blue tattoos and his tempestuous blue eyes. I loved that he loved the land. I loved him. I loved him. Oh, God. I loved him.

There are no dirty words in this book, except for 'hell' and 'God', in case someone is fearing that an innocent child might see 1...Perhaps the only precept taught me by Grandfather Wills that I have honoured all my adult life is that profanity and obsceny entitle people who don't want unpleasant information to close their eyes and ears to you.

The rapid nightfall of mid-December had quite beset the little village as they approached it on soft feet over a first thin fall of powdery snow. Little was visible but squares of a dusky orange-red on either side of the street, where the firelight or lamplight of each cottage overflowed through the casements into the dark world without. Most of the low latticed windows were innocent of blinds, and to the lookers-in from outside, the inmates, gathered round the tea-table, absorbed in handiwork, or talking with laughter and gesture, had each that happy grace which is the last thing the skilled actor shall capture--the natural grace which goes with perfect unconsciousness of observation. Moving at will from one theatre to another, the two spectators, so far from home themselves, had something of wistfulness in their eyes as they watched a cat being stroked, a sleepy child picked up and huddled off to bed, or a tired man stretch and knock out his pipe on the end of a smouldering log.

We talk and tease and bargain with the main dish. Maniacal laughter echoes in the marble halls, sweet to my ears. There’s movement at the banquet hall’s entrance. A child with my eyes tumbles in—all wings and blue hair and giggling innocence. Holding his hand is Morpheus, wearing a ruby crown. The Red King. My king. The bubble bursts and takes the vision with it, leaving nothing but the sound of my gasp and wisps of gray smoke behind. “You see,” Ivory says, “once Morpheus knew that one day you would belong to him and he to you, that you would share a child, he was no longer willing to die to save Wonderland. But he’s insecure about your feelings for him. He feared you would refuse to help. So he made a new plan, however flawed it was.

He lives in a room above a courtyard behind a tavern and he comes down at night like some fairybook beast to fight with the sailors. He is not big but he has big wrists, big hands. His shoulders are set close. The child's face is curiously untouched behind the scars, the eyes oddly innocent. They fight with fists, with feet, with bottles or knives. All races, all breeds. Men whose speech sounds like the grunting of apes. Men from lands so far and queer that standing over them where they lie bleeding in the mud he feels mankind itself vindicated.

Later, long after my grandfather was dead, I would regret that I could never be the kind of man that he was. Though I adored him as a child and found myself attracted to the safe protectorate of his soft, uncritical maleness, I never wholly appreciated him. I did not know how to cherish sanctity, and I had no way of honoring, of giving small voice to the praise of such natural innocence, such a generous simplicity. Now I know that a part of me would like to have traveled the world as he traveled it, a jester of burning faith, a fool and a forest prince brimming with the love of God. I would like to walk his southern world, thanking God for oysters and porpoises, praising God for birdsongs and sheet lightning, and seeing God reflected in pools of creekwater and the eyes of stray cats. I would like to have talked to yard dogs and tanagers as if they were my friends and fellow travelers along the sun-tortured highways, intoxicated with a love of God, swollen with charity like a rainbow, in the thoughtless mingling of its hues, connecting two distant fields in its glorious arc. I would like to have seen the world with eyes incapable of anything but wonder, and a tongue fluent only in praise.

Motherhood changed you from the second you looked into the big, innocent eyes of your child. Within an instant, you had an unlimited supply of love for that precious, tiny being. They would forever be yours, and you would forever be the one person who would always love them, protect them, cherish them, worry about them, and fight for them. Everything else felt minor in comparison.

I expected them (men) to see my drunken wordiness as a kind of coy gesture, as though I were saying, “I’m just a child, innocent to my own foolishness. Aren’t I cute? Love me and I’ll turn a blind eye to your faults.” With those other men, this tactic earned me brief sessions of affection until I became soured and saw that I had defiled myself by appealing to them in the first place.

As Reverend Deal moved into his sermon, the hands of the women unfolded like pairs of raven's wings and flew high above their hats in the air. They did not hear all of what he said;they heard the one word, or phrase, or inflection that was for them the connection between the event and themselves. For some it was the term "Sweet Jesus". And they saw the Lamb's eye and the truly innocent victim: themselves. They acknowledged the innocent child hiding in the corner of their hearts, holding a sugar-and-butter sandwich. That one. The one who lodged deep in their fat, thin, old, young skin, and was the one the world had hurt. Or they thought of their son newly killed and remembered his legs in short pants and wondered where the bullet went in. Or they remembered how dirty the room looked when their father left home and wondered if that is the way the slim, young Jew, he who for them was both son and lover and in whose downy face they could see the sugar-and-butter sandwiches and feel the oldest and most devastating pain there is : not the pain of childhood, but the remembrance of it.

She had his dark hair, his lashes, and from the glimpse he had, she bore his eyes, as well. But the shape of her face, a perfect oval, was her mother’s. She had Anais’s cheeks. Anais’s lovely mouth and proud chin. He kissed her chin, feeling the softest of fluttering against his cheek—baby’s breath. There was nothing sweeter than the feel of an innocent child’s breath against one’s cheek—nothing more wondrous than knowing that the baby was your own flesh and blood. Mina stretched against him, yawning widely and throwing her arms up wide alongside her head. He laughed through his tears and reached for her little fist and brought it to his mouth, kissing her with such love he thought he would die of it. “You will consume me, little Mina, just as your mother has.” -Linsay to his infant daughter.

Unseen by either of us, Father had appeared in the doorway. “Give the child to me, Corrie,” he said. Father held the baby close, his white beard brushed its cheek, looking into the little face with eyes as blue and innocent as the baby’s own. At last he looked up at the pastor. “You say we could lose our lives for this child. I would consider that the greatest honor that could come to my family.” The pastor turned sharply on his heels and walked out of the room.

I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in a blurring, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fetuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and an eraser loves to leave dust in the hairdos of the people who talk too much. I will love you as a taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock. I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong.

To quote Maslow again regarding his self-actualizing individuals: “One does not complain about water because it is wet, nor about rocks because they are hard. . . . As the child looks out upon the world with wide, uncritical and innocent eyes, simply noting and observing what is the case, without either arguing the matter or demanding that it be otherwise, so does the self-actualizing person look upon human nature both in himself and in others.” (4, p. 207) This acceptant attitude toward that which exists, I find developing in clients in therapy.

His wedding gift, clasped round my throat. A choker of rubies, two inches wide, like an extraordinarily precious slit throat. After the terror, in the early days of the Directory, the aristos who’d escaped the guillotine had an ironic fad of tying a red ribbon round their necks at just the point where the blade would have sliced it through, a red ribbon like the memory of a wound. And his grandmother, taken with the notion, had her ribbon made up in rubies; such a gesture of luxurious defiance! That night at the opera comes back to me even now… the white dress; the frail child within it; and the flashing crimson jewels round her throat, bright as arterial blood. I saw him watching me in the gilded mirrors with the assessing eye of a connoisseur inspecting horseflesh, or even of a housewife in the market, inspecting cuts on the slab. I’d never seen, or else had never acknowledged, that regard of his before, the sheer carnal avarice of it; and it was strangely magnified by the monocle lodged in his left eye. When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.

Her eyes bled from venomous anger... Her flower had been gruesomely deflowered... Her life had slowly turned into a blunder... There was no more thinking further.... She would rather become a Foetus murderer Than end up a "hopeless" mother.... Of course, she found peace in the former Until later years of emotional trauma Oh, the foetus hunt was forever! The only thing you should abort is the thought of aborting your baby. Stop the hate and violence against innocent children.

Such innocent confusions are like cognitive magic-eye posters. Most of the time it's impossible to go back to the jumbled mess once you've registered the picture. Sex is the exception. So natural and universal is a child's curiosity about sex and so long are we conscious of it before we do it, that our origical impressions of it leave an indelible mark.

The hand of Heaven is on me, be it far from me to struggle, if my secret sins have pull'd this curse upon me, lend me tears now to wash me white, that I may feel a child-like innocence within my breast; which once perform'd, O give me leave to stand as fix'd as constancy her self, my eyes set here unmov'd, regardless of the world though thousand miseries incompass me.

Sin rolled his eyes and sucked chocolate off his thumb, gesturing towards the unlit cigarette that had been sitting on the table for the better part of the last hour. "Cojelo suave, boss man, it's not even lit. We all know you're in charge, no need to start waving your dick around." The comment earned him a mildly startled look and the irritated expression cracked slightly. Carhart shook his head, hazel eyes moving to Boyd's face again. "Who told him how to speak that way?" "Not me," Boyd said, giving him an innocent look. "Likely he learned it at the night club." "I love how you people act like I never knew how to swear before going on that assignment," Sin said mildly, feeling rather insulted by the idea. What did Carhart think he was? An impressionable child? "I'll have you know I was quite fluent at it before.

The Azath will not be touched, for it is new, a child. Her eyes, soft brown, slowly regarded those of her companions. “The Queen of Darkness spoke thus of Light when it was first born: ‘It is new, and what is new is innocent, and what is innocent is precious. Observe this child of wonder, and know respect.’ ” Orfantal scowled. “Thus did Light survive, and so was Darkness destroyed, the purity vanquished—and now you would have us flawed as our Queen was flawed. Light became corrupted and destroyed our world, Korlat, or have you forgotten?” Korlat’s smile was a sad one. Cherish such flaws, dear brother, for our Queen’s was hope, and so is mine.

And then— "We have a bookshelf. Sirius built us a bookshelf, and you have the top shelves because you're taller, and I have the lower shelves because I keep all my journals on the very bottom." James feels a lump form in his throat. He can't help it, the rush of emotion that crashes through him. You know that other life? The one where we could have been happy together? Where we're not a great, big tragedy? James had said. Tell me something about it, James had said. Regulus did, Regulus told him about this, and so much more. All these things—all of them left to another life, not this one, because they didn't get it in this one. They were wrong. They were so fucking wrong. Regulus has drifted forward, eyes wide with child-like wonder, something so painfully innocent there in his expression. His fingers run across the wood tenderly, with care, and his voice is so soft when he whispers, "This is beautiful, Sirius. How long have you been working on this?

Some alters are what Dr Ross describes in Multiple Personality Disorder as 'fragments'. which are 'relatively limited psychic states that express only one feeling, hold one memory, or carry out a limited task in the person's life. A fragment might be a frightened child who holds the memory of one particular abuse incident.' In complex multiples, Dr Ross continues, the 'personalities are relatively full-bodied, complete states capable of a range of emotions and behaviours.' The alters will have 'executive control some substantial amount of time over the person's life'. He stresses, and I repeat his emphasis, 'Complex MPD with over 15 alter personalities and complicated amnesia barriers are associated with 100 percent frequency of childhood physical, sexual and emotional abuse.' Did I imagine the castle, the dungeon, the ritual orgies and violations? Did Lucy, Billy, Samuel, Eliza, Shirley and Kato make it all up? I went back to the industrial estate and found the castle. It was an old factory that had burned to the ground, but the charred ruins of the basement remained. I closed my eyes and could see the black candles, the dancing shadows, the inverted pentagram, the people chanting through hooded robes. I could see myself among other children being abused in ways that defy imagination. I have no doubt now that the cult of devil worshippers was nothing more than a ring of paedophiles, the satanic paraphernalia a cover for their true lusts: the innocent bodies of young children.

The Chorus Line: The Birth of Telemachus, An Idyll Nine months he sailed the wine-red seas of his mother's blood Out of the cave of dreaded Night, of sleep, Of troubling dreams he sailed In his frail dark boat, the boat of himself, Through the dangerous ocean of his vast mother he sailed From the distant cave where the threads of men's lives are spun, Then measured, and then cut short By the Three Fatal Sisters, intent on their gruesome handcrafts, And the lives of women also are twisted into the strand. And we, the twelve who were later to die by his hand At his father's relentless command, Sailed as well, in the dark frail boats of ourselves Through the turbulent seas of our swollen and sore-footed mothers Who were not royal queens, but a motley and piebald collection, Bought, traded, captured, kidnapped from serfs and strangers. After the nine-month voyage we came to shore, Beached at the same time as he was, struck by the hostile air, Infants when he was an infant, wailing just as he wailed, Helpless as he was helpless, but ten times more helpless as well, For his birth was longed-for and feasted, as our births were not. His mother presented a princeling. Our various mothers Spawned merely, lambed, farrowed, littered, Foaled, whelped and kittened, brooded, hatched out their clutch. We were animal young, to be disposed of at will, Sold, drowned in the well, traded, used, discarded when bloomless. He was fathered; we simply appeared, Like the crocus, the rose, the sparrows endangered in mud. Our lives were twisted in his life; we also were children When he was a child, We were his pets and his toythings, mock sisters, his tiny companions. We grew as he grew, laughed also, ran as he ran, Though sandier, hungrier, sun-speckled, most days meatless. He saw us as rightfully his, for whatever purpose He chose, to tend him and feed him, to wash him, amuse him, Rock him to sleep in the dangerous boats of ourselves. We did not know as we played with him there in the sand On the beach of our rocky goat-island, close by the harbour, That he was foredoomed to swell to our cold-eyed teenaged killer. If we had known that, would we have drowned him back then? Young children are ruthless and selfish: everyone wants to live. Twelve against one, he wouldn't have stood a chance. Would we? In only a minute, when nobody else was looking? Pushed his still-innocent child's head under the water With our own still-innocent childish nursemaid hands, And blamed it on waves. Would we have had it in us? Ask the Three Sisters, spinning their blood-red mazes, Tangling the lives of men and women together. Only they know how events might then have had altered. Only they know our hearts. From us you will get no answer.

I guess to their wide, innocent eyes it all seemed like normal family life because they had never known any different. In fact, I was the only one who had lived with anyone else, the only one that realized that life didn't have to be this terrifying and this painful all the time

Some readers may find it a curious or even unscientific endeavour to craft a criminological model of organised abuse based on the testimony of survivors. One of the standard objections to qualitative research is that participants may lie or fantasise in interview, it has been suggested that adults who report severe child sexual abuse are particularly prone to such confabulation. Whilst all forms of research, whether qualitative or quantitative, may be impacted upon by memory error or false reporting. there is no evidence that qualitative research is particularly vulnerable to this, nor is there any evidence that a fantasy— or lie—prone individual would be particularly likely to volunteer for research into child sexual abuse. Research has consistently found that child abuse histories, including severe and sadistic abuse, are accurate and can be corroborated (Ross 2009, Otnow et al. 1997, Chu et al. 1999). Survivors of child abuse may struggle with amnesia and other forms of memory disturbance but the notion that they are particularly prone to suggestion and confabulation has yet to find a scientific basis. It is interesting to note that questions about the veracity of eyewitness evidence appear to be asked far more frequently in relation to sexual abuse and rape than in relation to other crimes. The research on which this book is based has been conducted with an ethical commitment to taking the lives and voices of survivors of organised abuse seriously.

Young children. Where are they looking when their eyes focus above our heads, or when they talk to “invisible friends”? The child senses things most adults have lost, and in the innocence of expression might describe what s/he perceives. More often than not, the parent or teacher of that child might pat him condescendingly on the head and tell him what a fun imagination he has, or things could become more severe and that child will be scolded for making things up. Soon the child will learn to ignore such nonsense, or at least not bother sharing it for fear of ridicule. And so we forget.

Every day time stopped and Sobran saw Xas, the sun reflecting off his raised wings, white chest watermarked by tears dried in fine dust; bare skin and colourless nipples, as innocent as a child's; the double signature, seagreen and vermilion, awake and vivid; a whitelipped white face and eyes, abysmal, inimical, like the sea seen through holes in an icefield. It was like being in love, this remembering, because Sobran couldn't put Xas out of his mind. And it was like shame. Because he grew so tired defending himself from the pain of this one recollection, Sobran forgot everything else he knew about the angel.

Reading these tales is like looking at a photograph of a child whom you only knew as an adult. In her eyes you can see the woman that you came to know much later—a face, not yet fully formed, that contains the promise of something that is now a part of you: the welcomed surprise of recognition in innocent eyes.

Book Excerpt: "What about your family, Abu Huwa? Are you an orphan?” the little girl very innocently asked the Sphinx. “My father and your father are one and the same. However, I do have a brother who has stood as my mirror throughout time on the opposite horizon. It is I who faces east, but it is he who faces west. I am the recorder of yesterday and he holds the records of tomorrow. I am the positive, and he is my negative. I carry the right eye of the sun and he carries the left eye of the moon. He keeps his eye on the underworld and I keep an eye on the world over. Together we have joined the sky and earth, and split fire and water.” Seham stood on all toes to peek over the Sphinx's shoulder for a sign of his brother. “Where is he?” she asked, her eyes still searching the open horizon. “He has yet to be uncovered, but as I stand above the sands of time, he still sleeps below. Before the descent of Adam, we have both stood as loyal Protectors of the Two Halls of Truth.” The girl asked in astonishment, “I've never heard of these halls, Abu Huwa. Where are they?” “At the end of each of our tails is a passage that will reveal to you the secrets of Time. One hall reflects a thousand truths, and the other hall reflects all that is untrue. One will speak to your heart, and the other will speak to your mind. This is why you need to use both your heart and mind to understand which one is real, and which is a distorted illusion created to misguide those that have neglected their conscience. Both passageways connect you to the Great Hall of Records.” “What is the Hall of Records?” “The Great Pyramid, my child. It is as multidimensional in its shape as it is in its purpose. Every layer and every brick marks the coming of a prophet, the ascension of evil, or another cycle of man. It contains the entire history and future of mankind. And, as is above, so is below. Above ground, it serves as the most powerful energy source to harmonize and power the world! The shape of the pyramid above ground is also the same image mirrored beneath it. Underground, it serves as a powerful well and drain. This is really why Egypt is called the Land of Two Lands. There exists a huge world of its own underneath the plateau, a world within worlds. Large amounts of gold, copper and mercury were once housed here, including the secrets of Time, the 100th name of He Who Is All, and a gift from Truth that still awaits to be discovered. It sleeps with Time in the Great Pyramid, hidden away in a lower shaft that leads to the stars.” Dialogue from 'The Little Girl and the Sphinx' by Suzy Kassem, Rise Up and Salute the Sun (Dar-El Shams, 2010)

*I treat my poor heart like a sick child, and gratify its every fancy * The human race is but a monotonous affair *and O Wilhelm, I vowed at that moment, that a maiden whom I loved, or for whom I felt the slightest attachment, never, never should waltz with any one else but with me, if I went to perdition for it! — you will understand this. *I felt as though a dagger went through my heart. * I gazed upon her rich dark eyes during these remarks, how my very soul gloated over her warm lips and fresh, glowing cheeks, how I became quite lost in the delightful meaning of her words, so much so, that I scarcely heard the actual expressions *"As long as I see those eyes open, there is no fear of my falling asleep." * I left her asking permission to visit her in the course of the day. She consented, and I went, and, since that time, sun, moon, and stars may pursue their course: I know not whether it is day or night; the whole world is nothing to me. *We should deal with children as God deals with us, we are happiest under the influence of innocent delusions

Did I imagine the castle, the dungeon, the ritual orgies and violations? Did Lucy, Billy, Samuel, Eliza, Shirley and Kato make it all up? I went back to the industrial estate and found the castle. It was an old factory that had burned to the ground, but the charred ruins of the basement remained. I closed my eyes and could see the black candles, the dancing shadows, the inverted pentagram, the people chanting through hooded robes. I could see myself among other children being abused in ways that defy imagination. I have no doubt now that the cult of devil worshippers was nothing more than a ring of paedophiles, the satanic paraphernalia a cover for their true lusts: the innocent bodies of young children.

The girl was undeniably beautiful. She was tall, with a spectacular figure. Her white dress, shimmering with crystal beads, was cut low enough to prove the authenticity of her remarkable cleavage. Her long hair was almost white in its blondeness. But it was her face that held Anne’s attention, a face so naturally beautiful that it came as a startling contrast to the theatrical beauty of her hair and figure. It was a perfect face with a fine square jaw, high cheekbones and intelligent brow. The eyes seemed warm and friendly, and the short, straight nose belonged to a beautiful child, as did the even white teeth and little-girl dimples. It was an innocent face, a face that looked at everything with breathless excitement and trusting enthusiasm, seemingly unaware of the commotion the body was causing. A face that glowed with genuine interest in each person who demanded attention, rewarding each with a warm smile. The body and its accouterments continued to pose and undulate for the staring crowd and flashing cameras, but the face ignored the furor and greeted people with the intimacy of meeting a few new friends at a gathering.

I was never a child; I never had a childhood. I cannot count among my memories warm, golden days of childish intoxication, long joyous hours of innocence, or the thrill of discovering the universe anew each day. I learned of such things later on in life from books. Now I guess at their presence in the children I see. I was more than twenty when I first experienced something similar in my self, in chance moments of abandonment, when I was at peace with the world. Childhood is love; childhood is gaiety; childhood knows no cares. But I always remember myself, in the years that have gone by, as lonely, sad, and thoughtful. Ever since I was a little boy I have felt tremendously alone―and "peculiar". I don't know why. It may have been because my family was poor or because I was not born the way other children are born; I cannot tell. I remember only that when I was six or seven years old a young aunt of mind called me vecchio―"old man," and the nickname was adopted by all my family. Most of the time I wore a long, frowning face. I talked very little, even with other children; compliments bored me; baby-talk angered me. Instead of the noisy play of the companions of my boyhood I preferred the solitude of the most secluded corners of our dark, cramped, poverty-stricken home. I was, in short, what ladies in hats and fur coats call a "bashful" or a "stubborn" child; and what our women with bare heads and shawls, with more directness, call a rospo―a "toad." They were right. I must have been, and I was, utterly unattractive to everybody. I remember, too, that I was well aware of the antipathy I aroused. It made me more "bashful," more "stubborn," more of a "toad" than ever. I did not care to join in the games played by other boys, but preferred to stand apart, watching them with jealous eyes, judging them, hating them. It wasn't envy I felt at such times: it was contempt; it was scorn. My warfare with men had begun even then and even there. I avoided people, and they neglected me. I did not love them, and they hated me. At play in the parks some of the boys would chase me; others would laugh at me and call me names. At school they pulled my curls or told the teachers tales about me. Even on my grandfather's farm in the country peasant brats threw stones at me without provocation, as if they felt instinctively that I belonged to some other breed.

She looked at him bravely now for the first time, at his face, the face from which a child had fled, and drew breath. She rose. Her eyes filled. She knew. He took her in his arms and kissed her ardently. Men in their hosts, young and old, innocent and corrupt, had paid her for her favors, but she put her arms about him of her own free will as though to give him what she could in recompense for this, the last gift she guessed, of his manhood.

O Life: […] I fear you when you are near, I love you when you are far; your feeling allures me, your seeking secures me: I suffer, but for you what would I not gladly endure! For you whose coldness inflames, whose hatred seduces, whose flight constrains, whose mockery – induces: who would not hate you, great woman who binds us, enwinds us, seduces us, seeks us, finds us! Who would not love you, you innocent, impatient, wind-swift, child-eyed sinner!

My dad could go to work, he could get raises, he could be thanked for his contributions, he got a pay-check for his labor, but that didn't happen for moms. The best they could hope for would be a crayon valentine or a squashed, limp dandelion flower offered up from the damp hand of their wide-eyed and innocent child. Which wasn't nothing. In all my days I'd never considered anything to be more important than home. In a chaotic world, it was sanctuary; it was where love grew.

MOTHER. I do not believe that there is anything sweeter in the world than the ideas which awake in a mother’s heart at the sight of her child’s tiny shoe; especially if it is a shoe for festivals, for Sunday, for baptism, the shoe embroidered to the very sole, a shoe in which the infant has not yet taken a step. That shoe has so much grace and daintiness, it is so impossible for it to walk, that it seems to the mother as though she saw her child. She smiles upon it, she kisses it, she talks to it; she asks herself whether there can actually be a foot so tiny; and if the child be absent, the pretty shoe suffices to place the sweet and fragile creature before her eyes. She thinks she sees it, she does see it, complete, living, joyous, with its delicate hands, its round head, its pure lips, its serene eyes whose white is blue. If it is in winter, it is yonder, crawling on the carpet, it is laboriously climbing upon an ottoman, and the mother trembles lest it should approach the fire. If it is summer time, it crawls about the yard, in the garden, plucks up the grass between the paving-stones, gazes innocently at the big dogs, the big horses, without fear, plays with the shells, with the flowers, and makes the gardener grumble because he finds sand in the flower-beds and earth in the paths. Everything laughs, and shines and plays around it, like it, even the breath of air and the ray of sun which vie with each other in disporting among the silky ringlets of its hair. The shoe shows all this to the mother, and makes her heart melt as fire melts wax.

Ink black hair, dark smoldering eyes with eyelashes so enviably long they cast shadows upon his cheekbones, a dimpled smile and broad shoulders and a height a little over six feet was all that comprised of Logan Jackson. Basically, he looked like he had just stepped out of the cover of GQ magazine and belonged in Milan and not Haven Falls. He looked the same but completely different all at once. His pretty boyish features had hardened. He was still handsome but in a rougher more masculine way. Gone was the slightly mischievous innocent child. Now there only remained a devilishly handsome young man

When Aziza first spotted Mariam in the morning, her eyes always sprang open, and she began mewling and squirming in her mother's grip. She thrust her arms toward Mariam, demanding to be held, her tiny hands opening and closing urgently, on her face a look of both adoration and quivering anxiety. "What a scene you're making," Laila would say, releasing her to crawl toward Mariam. "What a scene! Calm down. Khala Mariam isn't going anywhere. There she is, your aunt. See? Go on, now." As soon as she was in Mariam's arms, Aziza's thumb shot into her mouth and she buried her face in Mariam's neck. Mariam bounced her stiffly, a half-bewildered, half-grateful smile on her lips. Mariam had never before been wanted like this. Love had never been declared to her so guilelessly, so unreservedly. Aziza made Mariam want to weep. "Why have you pinned your little heart to an old, ugly hag like me?" Mariam would murmur into Aziza's hair. "Huh? I am nobody, don't you see? A dehati. What have I got to give you?" But Aziza only muttered contentedly and dug her face in deeper. And when she did that, Mariam swooned. Her eyes watered. Her heart took flight. And she marvelled at how, after all these years of rattling loose, she had found in this little creature the first true connection in her life of false, failed connections.

we stared at each other, and I knew we were both thinking about the same exact thing: the night before. Not the long talk we’d had about our families—and that raw honesty we’d given each other—but about what happened after that. The movie. The damn movie. I didn’t know what the hell I’d been thinking, fully fucking aware I was already mopey, when I asked if he wanted to watch my favorite movie as a kid. I’d watched it hundreds of times. Hundreds of times. It felt like love and hope. And I was an idiot. And Aiden, being a nice person who apparently let me get away with most of the things I wanted, said, “Sure. I might fall asleep during it.” He hadn’t fallen asleep. If there was one thing I learned that night was that no one was impervious to Little Foot losing his mom. Nobody. He’d only slightly rolled his eyes when the cartoon started, but when I glanced over at him, he’d been watching faithfully. When that awful, terrible, why-would-you-do-that-to-children-and-to-humanity-in-general part came on The Land Before Time, my heart still hadn’t learned how to cope and I was feeling so low, the hiccups coming out were worse than usual. My vision got cloudy. I got choked up. Tears were coming out of my eyes like the powerful Mississippi. Time and dozens of viewings hadn’t toughened me up at all. And as I’d wiped at my face and tried to remind myself it was just a movie and a young dinosaur hadn’t lost his beloved mom, I heard a sniffle. A sniffle that wasn’t my own. I turned not-so-discreetly and saw him. I saw the starry eyes and the way his throat bobbed with a gulp. Then I saw the sideways look he shot me as I sat there dealing with my own emotions, and we stared at each other. In silence. The big guy wasn’t handling it, and if there were ever a time in any universe, watching any movie, this would be the cause of it. All I could do was nod at him, get up to my knees, and lean over so I could wrap my arms around his neck and tell him in as soothing of a voice as I could get together, “I know, big guy. I know,” even as another round of tears came out of my eyes and possibly some snot out of my nose. The miraculous part was that he let me. Aiden sat there and let me hug him, let me put my cheek over the top of his head and let him know it was okay. Maybe it happened because we’d just been talking about the faulty relationships we had with our families or maybe it was because a child losing its mother was just about the saddest thing in the world, especially when it was an innocent animal, I don’t know. But it was sad as shit. He sniffed—on any other person smaller than him it would have been considered a sniffle—and I squeezed my arms around him a little tighter before going back to my side of the bed where we finished watching the movie

Remus,” said Hermione tentatively, “is everything all right . . . you know . . . between you and—” “Everything is fine, thank you,” said Lupin pointedly. Hermione turned pink. There was another pause, an awkward and embarrassed one, and then Lupin said, with an air of forcing himself to admit something unpleasant, “Tonks is going to have a baby.” “Oh, how wonderful!” squealed Hermione. “Excellent!” said Ron enthusiastically. “Congratulations,” said Harry. Lupin gave an artificial smile that was more like a grimace, then said, “So . . . do you accept my offer? Will three become four? I cannot believe that Dumbledore would have disapproved, he appointed me your Defense Against the Dark Arts teacher, after all. And I must tell you that I believe that we are facing magic many of us have never encountered or imagined.” Ron and Hermione both looked at Harry. “Just—just to be clear,” he said. “You want to leave Tonks at her parents’ house and come away with us?” “She’ll be perfectly safe there, they’ll look after her,” said Lupin. He spoke with a finality bordering on indifference. “Harry, I’m sure James would have wanted me to stick with you.” “Well,” said Harry slowly, “I’m not. I’m pretty sure my father would have wanted to know why you aren’t sticking with your own kid, actually.” Lupin’s face drained of color. The temperature in the kitchen might have dropped ten degrees. Ron stared around the room as though he had been bidden to memorize it, while Hermione’s eyes swiveled backward and forward from Harry to Lupin. “You don’t understand,” said Lupin at last. “Explain, then,” said Harry. Lupin swallowed. “I—I made a grave mistake in marrying Tonks. I did it against my better judgment and I have regretted it very much ever since.” “I see,” said Harry, “so you’re just going to dump her and the kid and run off with us?” Lupin sprang to his feet: His chair toppled over backward, and he glared at them so fiercely that Harry saw, for the first time ever, the shadow of the wolf upon his human face. “Don’t you understand what I’ve done to my wife and my unborn child? I should never have married her, I’ve made her an outcast!” Lupin kicked aside the chair he had overturned. “You have only ever seen me amongst the Order, or under Dumbledore’s protection at Hogwarts! You don’t know how most of the Wizarding world sees creatures like me! When they know of my affliction, they can barely talk to me! Don’t you see what I’ve done? Even her own family is disgusted by our marriage, what parents want their only daughter to marry a werewolf? And the child—the child—” Lupin actually seized handfuls of his own hair; he looked quite deranged. “My kind don’t usually breed! It will be like me, I am convinced of it—how can I forgive myself, when I knowingly risked passing on my own condition to an innocent child? And if, by some miracle, it is not like me, then it will be better off, a hundred times so, without a father of whom it must always be ashamed!

I did not of course realize it then, but I know now that there was a disarming frankness in her manner that put one at one’s ease. She talked with a kind of eagerness, like a child bubbling over with the zest of life, and her eyes were lit all the time by her engaging smile. I did not know why I liked it. I should say it was a little sly, if slyness were not a displeasing quality; it was too innocent to be sly. It was mischievous rather, like that of a child who has done something that he thinks funny, but is quite well aware that you will think rather naughty; he knows all the same that you won’t be really cross and if you don’t find out about it quickly he’ll come and tell you himself. But of course then I only knew that her smile made me feel at home.

Now, as they pressured perfect footprints into the snow that had been accumulating all day, his father took Harry's hand. "Heshele, how are you?" "OK, I guess." "Are you very sad?" "I don't know. I know I should be. But what does it mean to be sad?" His father stopped. He cupped his free hand to let the snow gather. It quickly turned from an inviting white coating to black-specked gray water. "Sadness is in my hand. In a second, a thing of beauty becomes dirty water; innocence leaves a child's eyes; he who strived for immortality lies forgotten under weeds. Sad is missing the love that death has sealed in the ground or that life has denied life to." "Then I'm sad. When you took my hand, I remembered how he took my hand when we went to the pier to fish. And I thought: That will never happen again. And then I thought: Up until now I never understood the word never, and there was a lump in my throat.

You had her looking after Evie,” she spits. “Were you screwing her while she was working here? While she was looking after our child?” He removes his hand, his face a picture of contrition, of deep shame. “That was terrible. I thought . . . I thought it would be . . . Honestly, I don’t know what I thought. I’m not sure I was thinking at all. It was wrong. It was terribly wrong of me.” And the mask changes again—now he’s wide-eyed innocence, pleading with her: “I didn’t know then, Anna. You have to believe that I didn’t know what she was. I didn’t know about the baby she killed. I would never have let her look after Evie if I’d known that. You have to believe me.” Without warning, Anna jumps to her feet, pushing her chair back—it clatters onto the kitchen floor, startling their daughter. “Give her to me,” Anna says, holding her arms out. Tom backs away a little. “Now, Tom, give her to me. Give her to me.

CRADLE SONG Sweet dreams, form a shade O'er my lovely infant's head! Sweet dreams of pleasant streams By happy, silent, moony beams! Sweet Sleep, with soft down Weave thy brows an infant crown Sweet Sleep, angel mild, Hover o'er my happy child! Sweet smiles, in the night Hover over my delight! Sweet smiles, mother's smile, All the livelong night beguile. Sweet moans, dovelike sighs, Chase not slumber from thine eyes! Sweet moan, sweeter smile, All the dovelike moans beguile. Sleep, sleep, happy child! All creation slept and smiled. Sleep, sleep, happy sleep, While o'er thee doth mother weep. Sweet babe, in thy face Holy image I can trace; Sweet babe, once like thee Thy Maker lay, and wept for me: Wept for me, for thee, for all, When He was an infant small. Thou His image ever see, Heavenly face that smiles on thee! Smiles on thee, on me, on all, Who became an infant small; Infant smiles are his own smiles; Heaven and earth to peace beguiles.

Allegations of multi-perpetrator and multi-victim sexual abuse emerged to public awareness in the early 1980s contemporaneously with the denials of the accused and their supporters. Multi-perpetrator sexual offences are typically more sadistic than solo offences and organised sexual abuse is no exception. Adults and children with histories of organised abuse have described lives marked by torturous and sometimes ritualistic sexual abuse arranged by family members and other care-givers and authority figures. It is widely acknowledged, at least in theory, that sexual abuse can take severe forms, but when disclosures of such abuse occur, they are routinely subject to contestation and challenge. People accused of organised, sadistic or ritualistic abuse have protested that their accusers are liars and fantasists, or else innocents led astray by overly zealous investigators. This was an argument that many journalists and academics have found more convincing than the testimony of alleged victims.

When I'm dressed like this, people will say I don't look like a doctor." Garrett paused before continuing wryly. "On the other hand, they already say that, even when I'm wearing a surgeon's cap and gown." Carys, who was playing with the left-over glass beads on the vanity table, volunteered innocently, "You've always looked like a doctor to me." Helen smiled at her little sister. "Did you know, Carys, that Dr. Gibson is the only lady doctor in England?" Carys shook her head, regarding Garrett with round-eyed interest. "Why aren't there others?" Garrett smiled. "Many people believe women aren't suited to work in the medical profession." "But women can be nurses," Carys said with a child's clear-eyed logic. "Why can't they be doctors?" "There are many female doctors, as a matter of fact, in countries such as America and France. Unfortunately, women aren't allowed to earn a medical degree here. Yet." "But that's not fair." Garrett smiled down into the girl's upturned face. "There will always be people who say your dreams are impossible. But they can't stop you unless you agree with them.

I am thirty. I made two girls within my own body, felt the rush of bringing them into the world, and when I saw their bodies, I saw a miracle. Their skin and eye lashes perfect. Tiny lips, tiny fingernails, eyes embodying innocence and awe. They grow and run around my house naked and scream wildly without self-awareness or social concern. I teach them about our culture and what is and isn’t acceptable. But what I will not teach them is shame of their body. It was beautiful from moment one, and that will not change - not with age, not with anything. One daughter looks at her body in the mirror, we talk about the organs and skin, how her body will change. She is beautiful on every count. I remember when I was six, and I know I have to warn her. Not shame her, but tell her how some people were not taught to love, but take for themselves and she must be brave and aware. It pains me as I tell her, her innocent mind not know why one person would hurt another in such a way. “Do not be afraid,” I tell her. “But this is our culture, so be smart and be aware my brave girl.” Shame teaches us, but I will not teach my daughters in this way. I will empower them to be proud of their bodies, respectful of their bodies, in awe of how miraculous it is and what it is capable of. I will tell my daughter that to be a woman is not to be lesser, not object, not the bed in the red light district, nor the “bitch” in the hotel. She is not the body to exploit or product to consume. “She” is not shame. “She” is beautiful woman with beautiful body, capable of cosmic realities. Holding someone close, experiencing love, making love, creating life, accepting another human life as her own, feeling pain, joy, giving strength, healing with a kiss, wholeness with a touch; giving physical and mental nourishment with her own body. “She” is grounded enough to follow, still capable to lead from a child to a nation. The woman’s body is made in the image of Love, from Love herself, Life herself, so she herself is of God. For my Grandmother, for my Mother, for my daughters, my friends, and as a reminder to myself: be proud, beautiful woman, your body is intrinsically good, perfectly good. Perfect from moment one.

not despise the wisdom of childhood.” The words of the Book of Bédard flashed unbidden through his mind. “Childhood is a canvas, pure in its innocence, awaiting the brush of experience. In time, that canvas will become the portrait of a life and the growth of a living soul. But that portrait may be rich with color, filled with the texture of joy, or gray and ugly, shrouded in the bleakness of despair. It is your responsibility to guide that brush as God would have it guided. Nor will the guiding leave your life, your faith, unchanged, for a child’s eyes see what adults do not. A child’s gaze is unblinkered by preconception, and children have not learned to look willfully away from truth. Do not be deceived! That searching gaze, those fearless questions, are God’s gift to you. A child’s questions require answer; answer requires explanation; explanation requires thought; and thought requires understanding, and so even as they ask, they teach. Learn from them, treasure the opportunity God has given you, and remember always that whenever one teaches, two learn, and there is no greater joy than to learn together.” His

If we could present an attainable ideal of love it would resemble the relationship described by Maslow as existing between self-realizing personalities. It is probably a fairly perilous equilibrium: certainly the forces of order and civilization react fairly directly to limit the possibilities of self-realization. Maslow describes his ideal personalities as having a better perception of reality—what Herbert Read called an innocent eye, like the eye of the child who does not seek to reject reality. Their relationship to the world of phenomena is not governed by their personal necessity to exploit it or be exploited by it, but a desire to observe it and to understand it. They have no disgust; the unknown does not frighten them. They are without defensiveness or affectation. The only causes of regret are laziness, outbursts of temper, hurting others, prejudice, jealousy and envy. Their behaviour is spontaneous but it corresponds to an autonomous moral code. Their thinking is problem-centred, not egocentred and therefore they most often have a sense of commitment to a cause beyond their daily concerns. Their responses are geared to the present

Encircled by the social thoughts of Christmas-time, still let the benignant figure of my childhood stand unchanged! In every cheerful image and suggestion that the season brings, may the bright star that rested above the poor roof, be the star of all the Christian World! A moment’s pause, O vanishing tree, of which the lower boughs are dark to me as yet, and let me look once more! I know there are blank spaces on thy branches, where eyes that I have loved have shone and smiled; from which they are departed. But, far above, I see the raiser of the dead girl, and the Widow’s Son; and God is good! If Age be hiding for me in the unseen portion of thy downward growth, O may I, with a grey head, turn a child’s heart to that figure yet, and a child’s trustfulness and confidence! Now, the tree is decorated with bright merriment, and song, and dance, and cheerfulness. And they are welcome. Innocent and welcome be they ever held, beneath the branches of the Christmas Tree, which cast no gloomy shadow! But, as it sinks into the ground, I hear a whisper going through the leaves. “This, in commemoration of the law of love and kindness, mercy and compassion. This, in remembrance of Me!

There’s this girl…this woman I can’t get out of my mind.” He spilled the story of his seduction of sweet, innocent Amanda McCormick for Rufus’s examination. When he finished talking, there was another silence. “You did that?” Rufus’s voice was as deep and gravelly as a quarry. “Fucked some poor virgin while posing as her fiancé?” “Yeah.” “You got some balls. How’d you know you’d be a close enough match to this Baxter?” “Brown hair, blue eyes, that’s all she seemed to know about him.” Spence couldn’t explain his need for the rush of tempting fate. “I took a chance. It was a gamble.” “Jesus, you’re a mean son of a bitch.” “I didn’t want to hurt her. I was just having fun.” He sounded like a spoiled child even to himself. “And now you want to go see this woman and try to make it right?” Rufus said. “Just how the hell did you think you were going to fix it? By showing up and wrecking her marriage, if you haven’t done that already?” It was Spence’s turn to pause. “Haven’t you done enough to this lady? Where’s your head, boy? Leave her alone.” “I can’t. I have to see her again.” He didn’t want to share his dreams of the little girl. He’d sound crazy. Rufus laughed harshly. “So you can try and get another piece of tail?” “No. It’s not like that.” “What? You think you’re in love. Son, you don’t know the first thing about it. If you did, you’d be putting this woman’s needs above your own.” He thought of the little girl telling him to go to Amanda. “Maybe what she needs is me.” Rufus made a scoffing noise. “A woman needs a man who’ll stand by her, be there through hard times and good. From what you’ve told me these past months, this is the longest you’ve stayed put in one place in your life and that’s only ‘cause they won’t let you out.” “I just want to do the right thing.” “Then do like I say. Leave her be. You think she’s going to be happy to see you again?” Spence pulled his blanket tighter around his shoulders and watched a gray cloud puff from his mouth. “You still there, boy?” “Where else?” “Don’t take it too hard. Everybody does things they’re sorry for. Sometimes there’s just no way to make it right.” He leaned back against the wall and reviewed the stupid chain of events that had landed him in jail. Maybe Rufus was right and there was no way he could ever apologize for what he’d done to Amanda. He should let the whole thing slide and leave the woman in peace.

Mind control survivors have identified doctors used by the CIA under Project MKULTRA as having used different aliases. I have personally spoken and corresponded with many of these child Cold War survivors. It seems colors were one of the most commonly used themes. Many survivors have identified Josef Mengele as using the aliases Dr. Green, Dr. Black, Dr. Swartz (black in German), Father Joseph, or Vaterchen (daddy) when he did their programming. The experiments and programming he used on us were of such a heinous nature, that they were not unlike some of those performed at Auschwitz. In 1937, Mengele was appointed research assistant at the Third Reich Institute for Heredity, Biology, and Racial Purity. Mengele provided "experimental materials" to the Kaiser-Wilhelm Institute of Anthropology from twins including eyes, blood, and other body parts from Auschwitz. Mengele fled Auschwitz in January 1945 before the Russians liberated the camp. French government documents state that the Americans captured Mengele in 1946. According to the French, Mengele "was released without explanation by the Americans on November 19, 1946." The French claimed that American authorities confirmed the Mengele arrest and release on Feb. 29, 1947. 

Around the glade this pair of woodland nymphs danced. He swept her in a waltz to a duet that was sometimes off tune, sometimes rent with giggling and laughter as they made their own music. A breathless Erienne fell to a sun-dappled hummock of deep, soft moss, and laughing for the pure thrill of the day, she spread her arms, creating a comely yellow-hued flower on the dark green sward while seeming every bit as fragile as a blossom to the man who watched her. With bliss-bedazzled eyes, she gazed through the treetops overhead where swaying branches, bedecked in the first bright green of spring, caressed the underbellies of the freshlet zephyrs, and the fleecy white clouds raced like frolicking sheep across an azure lea. Small birds played courting games, and the earlier ones tended nests with single-minded perseverance. A sprightly squirrel leapt across the spaces, and a larger one followed, bemused at the sudden coyness of his mate. Christopher came to Erienne and sank to his knees on the thick, soft carpet, then bracing his hands on either side of her, slowly lowered himself until his chest touched her bosom. For a long moment he kissed those blushing lips that opened to him and welcomed him with an eagerness that belied the once-cool maid. Then he lifted her arm and lay beside her, keeping her hand in his as he shared her viewpoint of the day. They whispered sweet inanities, talked of dreams, hopes, and other things, as lovers are wont to do. Erienne turned on her side and taking care to keep her hand in the warm nest, ran her other fingers through his tousled hair. “You need a shearing, milord,” she teased. He rolled his head until he could look up into those amethyst eyes. “And does my lady see me as an innocent lamb ready to be clipped?” At her doubtful gaze, he questioned further. “Or rather a lusting, long-maned beast? A zealous suitor come to seduce you?” Erienne’s eyes brightened, and she nodded quickly to his inquiry. “A love-smitten swain? A silver-armored knight upon a white horse charging down to rescue you?” “Aye, all of that,” she agreed through a giggle. She came to her knees and grasped his shirt front with both hands. “All of that and more.” She bent to place a honeyed kiss upon his lips, then sitting back, spoke huskily. “I see you as my husband, as the father of my child, as my succor against the storm, protector of my home, and lord of yonder manse. But most of all, I see you as the love of my life.” -Erienne & Christopher

There beside me sat the flail, seemingly harmless if you discounted the weapon itself. “You can just stay there in the snow, you fucking piece of shit weapon!” Let someone else use it, die on its point . . . I pushed slowly back to my feet, but I’d only taken a few stumbling, exhausted steps before I slowed. I couldn’t leave the stupid thing behind. It was too damn dangerous. What if a child found it and played with it? Could the innocent one die from such evil? Groaning, I turned, but it wasn’t there in the snow anymore. Fear flickered through me and I reached up to find the handle of the flail sticking above my shoulder, ready once more. It belongs to you now, my mother’s voice whispered. “Awesome, just fucking awesome that a psychotic weapon that wants to kill me likes me enough to just attach itself to my back like a damn cactus.” I clenched my hands at my sides in part because I wanted to grab the flail and chuck it off my shoulder, but I also did not want to touch it. Which meant it was just going to have to stay there. Forever. I stumbled through the snow, following Balder’s hoof prints through the trees. It wasn’t long before hoof beats reached my ears. Only it wasn’t Balder, but the other horse, Batman. He snorted and danced as he got close to me, his eyes rolling as his nostrils flared. “I know, I stink like blood and wolf. But the big bad wolf is gone.” I held a hand out to him and he slowly drew close enough to where I could grab hold of his reins.

I seem to remember carrying him that evening to the window with uncommon tenderness (following the setting sun that was to take him away), and telling him with not unnatural bitterness that he had got to leave me because another child was in need of all his pretty things; and as the sun, his true father, lapt him in its dancing arms, he sent his love to a lady of long ago whom he called by the sweetest of names, not knowing in his innocence that the little white birds are the birds that never have a mother. I wished (so had the phantasy of Timothy taken possession of me) that before he went he could have played once in the Kensington Gardens, and have ridden on the fallen trees, calling gloriously to me to look; that he could have sailed on paper-galleon on the Round Pond; fain would I have had him chase one hoop a little way down the laughing avenues of childhood, where memory tells us we run but once, on a long summer-day, emerging at the other end as men and women with all the fun to pay for; and I think (thus fancy wantons with me in these desolate champers) he knew my longings, and said with a boy-like flush that the reason he never did these things was not that he was afraid, for he would have loved to do them all, but because he was not quite like other boys; and, so saying, he let go my finger and faded from before my eyes into another and olden ether; but I shall ever hold that had he been quite like the other boys there would have been none braver than my Timothy

Then first I knew the delight of being lowly; of saying to myself, “I am what I am, nothing more.” “I have failed,” I said, “I have lost myself — would it had been my shadow.” I looked round: the shadow was nowhere to be seen. Ere long, I learned that it was not myself, but only my shadow, that I had lost. I learned that it is better, a thousand-fold, for a proud man to fall and be humbled, than to hold up his head in his pride and fancied innocence. I learned that he that will be a hero, will barely be a man; that he that will be nothing but a doer of his work, is sure of his manhood. In nothing was my ideal lowered, or dimmed, or grown less precious; I only saw it too plainly, to set myself for a moment beside it. Indeed, my ideal soon became my life; whereas, formerly, my life had consisted in a vain attempt to behold, if not my ideal in myself, at least myself in my ideal. Now, however, I took, at first, what perhaps was a mistaken pleasure, in despising and degrading myself. Another self seemed to arise, like a white spirit from a dead man, from the dumb and trampled self of the past. Doubtless, this self must again die and be buried, and again, from its tomb, spring a winged child; but of this my history as yet bears not the record. Self will come to life even in the slaying of self; but there is ever something deeper and stronger than it, which will emerge at last from the unknown abysses of the soul: will it be as a solemn gloom, burning with eyes? or a clear morning after the rain? or a smiling child, that finds itself nowhere, and everywhere?

I AM LOVE I am the fountain of peace, lake of tranquility, I am the lips of blooming youth, I am the wine of soul and rose of nature’s bosom, I am the glimpse of beloved through amorous eyes. I am the elation, the sacred shrine in the heart of An innocent child; The chalice of my love overflows with divine grace, I am the rose whom lover’s lips have touched. The dawn breaks with the echo of my heart song, And whispers in the twilight; I am the beating heart inside of you, The twinkling star in the night sky, the ardent desire in the swell of passion, I am the tremulous lips parted in delight, an expression of love’s rhapsody. I breathe fragrance into your heart’s essence, tearing away the veil Of your sorrowful sigh, I am the flute which plays music to your ears, I am the nature’s call, the echo of mountains, the wild dance of a swelling ocean. I am the blazing fire of love arousing your soul to an eternal call; I flow towards the beloved like a dancing stream; I am the sweetness of your soul, Who fondles the book of caressing memories, beckoning you to be lost in my heart call. I am the lost gem of love that your hungry soul has been searching for years; I am the loving wreath of moments of happiness, Your name, engraved on my heart shines as a rarest treasure; That sparkles, illuminates on my desolate soul. From thee I arise, and to Thee I surrender; You are the gushing spring of my ecstasy, As the wine of my life rests in the chalice of your heart, Your lips press it to mine, sipping a sap of it, I die to rebirth in that soul wine. Beyond all language, beyond all words, wherein lies the land Of enchanting silence; a paradise where lovers yearn to dissolve, And clasp the timeless love to their bare bosom.  

I’ll find out who’s inside. Wait here and keep alert!’ Hallam rasped. He skirted the main path to skulk towards one of the shuttered windows on the building’s eastern wall. There was a crack in the wood and he gently inched closer to peer inside. There was a hearth-fire with a pot bubbling away and a battered table made of a length of wood over two pieces of cut timber. A small ham hung from the rafters, away from the rats and mice. He couldn’t see anyone but there was a murmur of voices. Hallam leaned in even closer and a young boy with hair the colour of straw saw the movement to stare. It was Little Jim. Thank God, the child was safe. Snot hung from his nose and he was pale. Hallam put a finger to his lips, but the boy, not even four, did not understand, and just gaped innocently back. Movement near the window. A man wearing a blue jacket took up a stone bottle and wiped his long flowing moustache afterwards. His hair was shoulder-length, falling unruly over the red collar of his jacket. Tied around his neck was a filthy red neckerchief. A woman moaned and the man grinned with tobacco stained teeth at the sound. Laughter and French voices. The woman whimpered and Little Jim turned to watch unseen figures. His eyes glistened and his bottom lip dropped. The woman began to plead and Hallam instinctively growled. The Frenchman, hearing the noise, pushed the shutter open and the pistol’s cold muzzle pressed against his forehead. Hallam watched the man’s eyes narrow and then widen, before his mouth opened. Whatever he intended to shout was never heard, because the ball smashed through his skull to erupt in a bloody spray as it exited the back of the Frenchman’s head. There was a brief moment of silence. ‘28th!’ Hallam shouted, as he stepped back against the wall. ‘Make ready!

In the seven weeks that it took for Longwood to be refurbished and extended, Napoleon stayed at a pretty bungalow called The Briars, closer to Jamestown, with the family of the East India Company superintendent William Balcombe, where he had one room and a pavilion in their garden.66 This period was his happiest on St Helena, not least because he struck up an unlikely, charming and innocent friendship with the second of the Balcombes’ four surviving children, Betsy, a spirited fourteen-year-old girl who spoke intelligible if ungrammatical French and to whom Napoleon behaved with avuncular indulgence. She had originally been brought up to view Napoleon, in her words, as ‘a huge ogre or giant, with one large flaming eye in the centre of his forehead, and long teeth protruding from his mouth, with which he tore to pieces and devoured little girls’, but she very soon came to adore him.67 ‘His smile, and the expression of his eye, could not be transmitted to canvas, and these constituted Napoleon’s chief charm,’ she later wrote. ‘His hair was dark brown, and as fine and silky as a child’s, rather too much so indeed for a man as its very softness caused it to look thin.’68 The friendship began when Napoleon tested Betsy on the capitals of Europe. When he asked her the capital of Russia she replied, ‘Petersburg now; Moscow formerly’, upon which ‘He turned abruptly round, and, fixing his piercing eyes full in my face, he demanded sternly, “Who burnt it?” ’ She was dumbstruck, until he laughed and said: ‘Oui, oui. You know very well that it was I who burnt it!’ Upon which the teenager corrected him: ‘I believe, sir, the Russians burnt it to get rid of the French.’69 Whereupon Napoleon laughed and friendship with ‘Mademoiselle Betsee’, ‘lettle monkee’, ‘bambina’ and ‘little scatterbrain’ was born.

My God. How can people be so cruel and thoughtless? They should be thanking you for your service!” “That’s even worse! What the fuck do they think they’re thanking me for? They don’t know what I did over there! They don’t understand that I’ve got seconds to make a judgment call that will either save my guys or end someone’s life—and that someone could be an enemy combatant or it could be a civilian. A farmer. A woman. A child. Or it could be both! That’s the real fucked-up part of it. It could be both a child and the enemy. That kid you’ve been giving candy and comic books to? The one that brought you fresh bread and knows your name and taught you a few words in his language? Is he the one reporting your position? Did he pull the trigger wire on the IED that killed your friend and wounded every single guy in your squad? Has he been the enemy all along? Is it your fault for talking to him?” I was so shocked, I didn’t know what to say. Tears burned my eyes, and my chest ached as I raced along beside him. “Oh, Ryan, no. Of course it isn’t.” “It is. I should have known. I let them down.” “You didn’t,” I said, trying to touch his arm, but he shrugged me off, refusing to be comforted. “And how about the time Taliban fighters lined up women and children as shields behind a compound wall while they fired at you, only you didn’t realize what they’d done until after you’d fired back, killing dozens of innocents?” The tears dripped down my cheeks, but I silently wiped them away in the dark. This wasn’t about me, and I didn’t want him to stop if he needed to get these things out. “Or how about the farmer I killed that didn’t respond to warning shots, the one whose son later told us was deaf and mute? Should I be thanked for that?” I could see how furious and heartsick he was, and I hated that I’d brought this on. “Yes,” I said firmly, although I continued to cry. “Because you’re brave and strong and you did what you were trained to do, what you had to do.

There was talk in the fields about the witch in the woods, but go see her? No one would dare. So I thought to myself I’d sneak out one night to see what I could find there.   I slipped from my straw, jumped over the gate, a candle alight in my hand. I went to the woods at the edge of the park as the moon fell down on this land.   I walked through the trees, so scared and alone, though with hope in the back of my mind. As I saw a small light and smoke rising high I wondered what I would find.   I walked up to a door but before I could knock, it opened with a creak and a squeak. There stood a woman all dressed in white; I felt completely unable to speak.   I sat on a chair by the side of a fire whilst she looked fondly at me. ‘Are you a witch?’ I asked her at last. And she said ‘I may possibly be.   But don’t be afraid I just prefer it out here Away from experienced minds. I live with my innocent, simple, sweet thoughts That are pure and gentle and kind.’   I was a little confused So I said to her now, ‘How do you even survive?’ She said to me softly ‘Just love, my young man, It is only on love that I thrive.’   ‘What can I do?’ I said to her now ‘So I can be just like you?’ ‘What, wearing a dress? Clad only in white? I’m sure you’d look better in blue!’   ‘No,’ I said, laughing, ‘To feel just like you Where everything seems so right.’ She thought for a while, And closed her deep eyes As the full moon shed its fair light.   ‘All I can say Is open your mind, The world is more than you know. Look deeper than deep, Be a dreamer, my boy, And give love wherever you go.   When others hurt you, Accept that it hurts, Have faith in the bad and the good. Walk with the soul And the eyes of a child You will always be safe in these woods.   As for the world That lies there outside, Remember the words that I’ve said. Keep them inside Your heart and your mind And by them may you be led.   Soon others will see There is no such thing As being too nice or too kind. And then one fine day, When more are like you, I can leave this sweet glory behind.’   So when I got home I thought of the woman That had entered my life that dark night. I will walk tall forever With the eyes of a child, To the blackness of life I’ll bring light.

I was never a child; I never had a childhood. I cannot count among my memories warm, golden days of childish intoxication, long joyous hours of innocence, or the thrill of discovering the universe anew each day. I learned of such things later on in life from books. Now I guess at their presence in the children I see. I was more than twenty when I first experienced something similar in my self, in chance moments of abandonment, when I was at peace with the world. Childhood is love; childhood is gaiety; childhood knows no cares. But I always remember myself, in the years that have gone by, as lonely, sad, and thoughtful. Ever since I was a little boy I have felt tremendously alone―and "peculiar". I don't know why. It may have been because my family was poor or because I was not born the way other children are born; I cannot tell. I remember only that when I was six or seven years old a young aunt of mind called me [i]vecchio[/i]―"old man," and the nickname was adopted by all my family. Most of the time I wore a long, frowning face. I talked very little, even with other children; compliments bored me; baby-talk angered me. Instead of the noisy play of the companions of my boyhood I preferred the solitude of the most secluded corners of our dark, cramped, poverty-stricken home. I was, in short, what ladies in hats and fur coats call a "bashful" or a "stubborn" child; and what our women with bare heads and shawls, with more directness, call a [i]rospo[/i]―a "toad." They were right. I must have been, and I was, utterly unattractive to everybody. I remember, too, that I was well aware of the antipathy I aroused. It made me more "bashful," more "stubborn," more of a "toad" than ever. I did not care to join in the games played by other boys, but preferred to stand apart, watching them with jealous eyes, judging them, hating them. It wasn't envy I felt at such times: it was contempt; it was scorn. My warfare with men had begun even then and even there. I avoided people, and they neglected me. I did not love them, and they hated me. At play in the parks some of the boys would chase me; others would laugh at me and call me names. At school they pulled my curls or told the teachers tales about me. Even on my grandfather's farm in the country peasant brats threw stones at me without provocation, as if they felt instinctively that I belonged to some other breed.

I know I will never see that smile the same way again, it will never bring me instant comfort nor warm my soul the same again. I know I will miss the flood of emotions that released for your touch to point of dehydration. I will miss the small, pulsating, vibrations running through my body as your voice ricochet in my ear. I will miss the beauty I saw in your pain as you took me on a journey through your soul, thu conversations I will miss our inner child's spontaneous and planned play dates. I will miss the silence in my mind commanded by you taking the lead. I will miss daydreaming about loving you forever, because I still had an ounce of hope leftover after a lifetime of searching for you. I will miss you forgiving me after, I recovered from a trigger, never appreciated the punishment that came with it tho. I will miss not being able to protect your heart from the pain I recognize, that your ego guards from your souls innocents that your mind can't tolerate yet. I will miss the feeling I felt knowing you could really be here with me forever because the exchange of laughter, wisdom and moments never ended. I will miss loving the man you are now in life, because even without the potential I see, you are worthy just as you are . I will miss things about you that you will never know, it was never about status or statuses I didn't want the spotlight, I wanted to be behind the scenes. I just wanted to support and love you. I wanted to guide you through parts of life that almost broke me, that I see you encountering. I will miss having somewhere to pour almost all of me. I will miss the possibility of being loved forever, I know I felt it though the roughness of your sore hands as I caressed trying to alleviate yhe pain. I will miss your grumpy days and I still regret not knowing how to comfort you on the hardest ones. I will miss who I sometimes selfishly dreamed I could be if you could just love me in the way I could feel. I'd dream of waiting for u to get home, (its the one we talked about getting after winning the lottery) . In that moment I swear it was the first time my soul wanted another day voluntarily. I will miss you not understanding my text, but we would see eye to eye when they physically met. I will miss you teaching me, and correcting me softly. I will miss you being gentle, when I didn't even know I needed it. I know it was hard sometimes. I will miss loving you beyond myself. I will miss all those moments I wanted to pull u into me and just feel you and kiss you. I wanted you all the time, it took so much to hold back from showing you, it was out of fear. I SHOULD of done it, would of got to this point faster. I regret not loving you with all me authenticly. I will miss what never was a friend, but everything I never had In one.

Their Graces bought me, you know. They’d acquired my brother Devlin the year before, and my mother, inspired by this development, threatened to publish all manner of lurid memoirs regarding His Grace.” Acquired her brother? As if he were a promising yearling colt or an attractive patch of ground? “You are going to burden me with the details of your family past, I take it?” “You are the man who glories in details.” Without the least rude inflection, she made it sound like a failing. “My point is that my mother sold me. She could just as easily have sold me to a brothel. It’s done all the time. Unlike your sisters, Mr. Hazlit, I do not take for granted the propriety with which I was raised. You may ignore it if you please; I will not.” She had such a lovely voice. Light, soft, lilting with a hint of something Gaelic or Celtic… exotic. The sound of her voice was so pretty, it almost disguised the ugliness of her words. “How old were you?” “Five, possibly six. It depends on whether I am truly Moreland’s by-blow or just a result of my mother’s schemes in his direction.” Six years old and sold to a brothel? The food he’d eaten threatened to rebel. “I’m… sorry.” For calling her a dollymop, for making her repeat this miserable tale, for what he was about to suggest. She turned her head to regard him, the slight sheen in her eyes making him sorrier still. Sorrier than he could recall being about anything in a long, long time. Not just guilty and ashamed, but full of regret—for her. The way he’d been full of regret for his sisters and powerless to do anything but support them in their solitary struggles. He shoved that thought aside, along with the odd notion that he should take Magdalene Windham’s hand in some laughable gesture of comfort. He passed her his handkerchief instead. “This makes the stated purpose of my call somewhat awkward.” “It makes just about everything somewhat awkward,” she said quietly. “Try a few years at finishing school when you’re the daughter of not just a courtesan—there are some of those, after all—but a courtesan who sells her offspring. I realized fairly early that my mother’s great failing was not a lack of virtue, but rather that she was greedy in her fall from grace.” “She exploited a child,” Hazlit said. “That is an order of magnitude different from parlaying with an adult male in a transaction of mutual benefit.” “Do you think so?” She laid his handkerchief out in her lap, her fingers running over his monogrammed initials. “Some might say she was protecting me, providing for me and holding the duke accountable for his youthful indiscretions.” Despite her mild tone, Hazlit didn’t think Miss Windham would reach those conclusions. She might long to, but she wouldn’t. By the age of six a child usually had the measure of her caretakers. And to think of Maggie Windham at six… big innocent green eyes, masses of red hair, perfect skin… in a brothel. “I

As the most perfect subject for painting I have already specified inwardly satisfied [reconciled and peaceful] love, the object of which is not a purely spiritual ‘beyond’ but is present, so that we can see love itself before us in what is loved. The supreme and unique form of this love is Mary’s love for the Christ-child, the love of the one mother who has borne the Saviour of the world and carries him in her arms. This is the most beautiful subject to which Christian art in general, and especially painting in its religious sphere, has risen. The love of God, and in particular the love of Christ who sits at’ the right hand of God, is of a purely spiritual kind. The object of this love is visible only to the eye of the soul, so that here there is strictly no question of that duality which love implies, nor is any natural bond established between the lovers or any linking them together from the start. On the other hand, any other love is accidental in the inclination of one lover for another, or,’ alternatively, the lovers, e.g. brothers and sisters or a father in his love for his children, have outside this relation other conceI1l8 with an essential claim on them. Fathers or brothers have to apply themselves to the world, to the state, business, war, or, in short, to general purposes, while sisters become wives, mothers, and so forth. But in the case of maternal love it is generally true that a mother’s love for her child is neither something accidental just a single feature in her life, but, on the contrary, it is her supreme vocation on earth, and her natural character and most sacred calling directly coincide. But while other loving mothers see and feel in their child their husband and their inmost union with him, in Mary’s relation to her child this aspect is always absent. For her feeling has nothing in common with a wife’s love for her husband; on the contrary, her relation to Joseph is more like a sister’s to a brother, while on Joseph’s side there is a secret awe of the child who is God’s and Mary’s. Thus religious love in its fullest and most intimate human form we contemplate not in the suffering and risen Christ or in his lingering amongst his friends but in the person of Mary with her womanly feeling. Her whole heart and being is human love for the child that she calls her own, and at the same time adoration, worship, and love of God with whom she feels herself at one. She is humble in God’s sight and yet has an infinite sense of being the one woman who is blessed above all other virgins. She is not self-subsistent on her own account, but is perfect only in her child, in God, but in him she is satisfied and blessed, whether. at the manger or as the Queen of Heaven, without passion or longing, without any further need, without any aim other than to have and to hold what she has. In its religious subject-matter the portrayal of this love has a wide series of events, including, for example, the Annunciation, the Visitation, the Birth, the Flight into Egypt, etc. And then there are, added to this, other subjects from the later life of Christ, i.e. the Disciples and the women who follow him and in whom the love of God becomes more or less a personal relation of love for a living and present Saviour who walks amongst them as an actual man; there is also the love of the angels who hover over the birth of Christ and many other scenes in his life, in serious worship or innocent joy. In all these subjects it is painting especially which presents the peace and full satisfaction of love. But nevertheless this peace is followed by the deepest suffering. Mary sees Christ carry his cross, she sees him suffer and die on the cross, taken down from the cross and buried, and no grief of others is so profound as hers. Mary’s grief is of a totally different kind. She is emotional, she feels the thrust of the dagger into the centre of her soul, her heart breaks, but she does not turn into stone.

The Christmas Key The key hangs untouched For 364 days For the day after Christmas Is the day I put it away It’s getting on to the Yule Tide The one that comes every year Where smiling eyes are all around And hearts that count are here Each year is more of a struggle Still we reach the journeys end To find that we’re not just family We are also the best of friends The holiday gift is not a package No price tag to cut and hide It’s a celebration of a birthday Shared with loved ones by your side We remember the unforgettable Give thanks to all that’s new Once again, savor the innocence Of a child’s dream come true One more memory to add to the last Of love, warmth, and joy One more feeling of what was That still touches this little boy When the day is over The memories are locked away And the key put back in its place

Jane waited until she had her sons’ full attention once again and gestured for Avery to speak. “Now, let’s get down to specifics, Mother. What do you expect us to do that will make him jealous?” Avery looked up at his mother with false wide-eyed innocence, the rogue wanted her to say it! He didn’t think she would be capable of laying out her scheme in explicit detail. He was quite mistaken. “Don’t give me that sweet-as-a-lamb look, child,” Jane warned. “The three of you have sinned enough to fill the second circle of hell all on your own, and leave no room for others. You will do what you do with any gentle born lady. Compliment her. Seduce her. Fuel the fire deep within her. Lure her into passion. But do nothing to worry me in a month’s time. Understood?” Had she been in a better mood she would have laughed at the flush of embarrassment on their faces. “What? You expect me to play ignorant of such things? I gave birth to five children, and I assure you that I did not do that all on my own. Your father played a significant role in bringing your miserable existences about. There’s that little book from India I believe you all own? The one with all the illustrations. Don’t pretend you don’t know it, because I’ve read it as well.” “Mother! For God’s sake!” Lawrence begged, cutting his mother off. Jane allowed a smile to curve her lips. “It isn’t as much fun when you are on the other end of unpleasant thoughts now, is it?” She clapped her hands together. “Now then, off to the ballroom. And remember, do what I charged you or you will beg for mercy, and I shall have none to give. I brought you into this world, and should you displease me, I shall happily remove you from it.” She made the threat in such a sweet tone that all three of her sons shuddered. -Lady Rochester, Avery, Lawrence, & Linus

Smiling, Emma framed McKenna’s face in her little hands and planted a big, wet kiss right smack on her lips. “I love you, Aunt Kenny.” Taken aback by the show of affection, McKenna searched Emma’s eyes so blue and innocent. “I love you too, Emma.” She had been nine years old when she first held Robert in her arms. She’d been a child herself. Maybe it was because she was twenty-three now—certainly that had something to do with it—but the love she felt for this child was different from the love she felt for Robert. It felt as if part of her own heart were nestled within the tiny chest of this child. This precious part of Janie that was left to her.

They will wonder at and feel a superstitious admiration for us, and feel proud to be led by men so powerful and wise that a handful of them can subject a flock a thousand millions strong. Gradually men will begin to fear us. They will nervously dread our slightest anger, their intellects will weaken, their eyes become as easily accessible to tears as those of children and women; but we will teach them an easy transition from grief and tears to laughter, childish joy and mirthful song. Yes; we will make them work like slaves, but during their recreation hours they shall have an innocent child-like life, full of play and merry laughter. We will even permit them sin, for, weak and helpless, they will feel the more love for us for permitting them to indulge in it. We will tell them that every kind of sin will be remitted to them, so long as it is done with our permission; that we take all these sins upon ourselves, for we so love the world, that we are even willing to sacrifice our souls for its satisfaction.

ourselves with is an opportunity to create the cultural climate that we want. We can create a climate of compassion or one of fear, depending on what we do with our mistakes and our judgments of ourselves and others. Because I wanted to create a climate of compassion in the microcosm of my couplehood, I hunted in my memory for the tools with which to accomplish this. I remembered what Dr. Marshall Rosenberg said: “All judgments are the tragic expressions of pain and unmet needs.” Perhaps this might even apply to my oh so right, sophisticated, clinical judgments? So I started to look for the pain in my body. Oh, there it is! Outrage! And what is the universal human need underneath the outrage? The need for respect, gentleness and safety. What else is in there?—because I know that anger never comes alone. There is always hurt or fear or something under it. Now I can feel it: Devastating hurt. A need for reassurance that I am valued. -§ I may be the detonator but I am never the dynamite. I may be the trigger for another’s pain but the cause is their unmet needs. -§ As I lay there giving myself empathy, (i.e. paying attention to, and feeling into, what my reaction was all about) I start to feel a relieving shift in my body. The shift came as I allowed my awareness of my feelings to lead me into a reconnection with the life force within me. As soon as I am fully in touch with my true need, like the need to feel valued, I immediately feel the beautiful strength of it. (This is much different than staying up in my head meditating on images of the ‘lack’ or the hunger to feel valued. This only produces more fear and pain.) I began to wonder if my friend was experiencing the same thing—hurt, and the need for reassurance that she is valued. I know that if I had tried to play lifeguard earlier, attempting to save her from drowning in her distress, it would have been a double drowning. I know that the undertow of my own unconscious reactions from my unhealed past would have prevented me from really being present. I had been drowning and needed to get myself to shore first before trying to throw her a line. Or as a wise man from the Middle East once said, -§ When I am in pain I want to wait till I am clear what I want back from you before I speak. -§ “Get the dirt out of your eye first, so you can see clearly to help someone else do the same.” After giving myself empathy, I was moved by compassion to go to my friend and see if I could offer her the understanding that would restore our connection. I am glad that I waited until my desire to connect with her came from my need to understand and reconnect, instead of from fear of abandonment, or guilt about abandoning her. I am glad I remembered the first commandment of nurturing relationships: Me first and only. I waited until my giving came simply from my heart, without any fear, shame, or guilt. Once this shift happens, the energy I give from is the same joy and innocence a child has when it feeds bread to a hungry duck. “When I heard you call me a jackass a while ago, were you feeling angry and hurt because you were needing reassurance that your need to be heard mattered?” Her eyes started to fill with tears and a faint outline of a smile started to creep across her lips as she said “It’s about time, jackass.” “Yes, I’m guessing that was painful for you, and you would have liked this quality of listening earlier.” I said. “Yes” she said, the tears now flowing freely. “But I am also relieved that you waited till you were really in a position to do so instead of trying to give me empathy

Like the wide hollows of eyes marked in cathedrals of stone that left me half-perplexed as a child. A self-portrait of an innocent in this organic of ephemeral societies. Then I know I will be able to flourish viciously. That's the trouble with remembering. You begin to wish.

At such a proposal, the indignation of the friar, which had hitherto been restrained with difficulty, loudly burst forth. All his prudence and patience forsook him: 'Your protection!' exclaimed he, stepping back, and stretching forth both his hands towards Don Roderick, while he sternly fixed his eyes upon him, 'your protection! You have filled the measure of your guilt by this wicked proposal, and I fear you no longer.' 'Dare you speak thus to me?' 'I dare; I fear you no longer; God has abandoned you, and you are no longer an object of fear! Your protection! this innocent child is under the protection of God; you have, by your infamous offer, increased my assurance of her safety. Lucy, I say; see with what boldness I pronounce her name before you; Lucy—' 'How! in this house—' "I compassionate this house; the wrath of God is upon it! You have acted in open defiance of the great God of heaven and earth; you have set at naught his counsel; you have oppressed the innocent; you have trampled on the rights of those whom you should have been the first to protect and defend. The wrath of God is upon you! A day will come!

Alice of course used the camera to document anything the remotest bit mysterious. She spent her days on what she called "photo walks": looking for objects and people that hinted at a hidden, fey, or wild side, which she would try to coax out with her camera. Once she found a potential subject she worked long and hard composing the shot, sometimes with additional mirrors or a lantern if it was in a dimly lit alley. She developed these images in her aunt's darkroom and then laid them out around her own room, studying them and trying to conjure a world out of what she saw there. Sparkling dew on spiderwebs, gloomy attics, a pile of bright refuse that might have hidden a monster or poem. The elfin qualities of a child, her eyes innocent and old at the same time.

Yasser Arafat and his PLO held the records for the largest hijacking,6 the greatest number of hostages held at one time,7 the greatest number of people shot at an airport, the largest ransom collected,8 and the greatest variety of targets.9 Yasser Arafat was the man who ordered the murder of the schoolchildren in Avivim, Ma’alot, and Antwerp; the murder of eleven Jewish Olympic athletes in Munich; the murder of synagogue worshipers in Istanbul; the murder of a child and his pregnant mother in Alfeh Menashe; and the murder of a mother and her children on a bus in Jericho. This was the man who ordered innocent Arabs in Nablus to be hanged by their chins on butchers’ hooks until they died; by whose orders the bellies of pregnant Arab women were split open before the eyes of their husbands and the hands of Arab children were chopped off while their parents looked on.10 And he was awarded the Nobel Peace Prize and celebrated on the White House lawn in a forced handshake with both the leaders of the very people he had sworn to destroy.

Telling a child that what her eyes tell her is not what’s really there is an invitation for subsequent psychological complication. But what could Elvinia do? It was all very well for people to insist that one always told children the truth—that by doing so one allowed them to come to terms with the hard face of the world—but, she wondered, did that make children any happier? Or did it simply destroy the hope, the innocence, that should be the background music of childhood? Did she want Bim to grow up thinking that her father did not love her, that he had wilfully deserted her, or should she be encouraged to believe that only the demands of being a naval officer kept him from showing the love and affection he undoubtedly felt for his family? To Elvinia, the answer was obvious: Bim should be encouraged to respect her absent father, because having a father, even one who was not there, was better than having no father at all. That was what she thought, and she believed—or persuaded herself to believe—that she had read somewhere, in a magazine perhaps, that this was the right thing to do in such circumstances. There were risks, of course, and these might have consequences later on. But everyone knew that, just as everyone knew that all our behaviour has roots in what people have done to us: the lies they have told as much as the truths.