Initial D Sad Quotes

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When Bill died, I was for the first time faced with the loss of a friend, and what I initially felt when I read the news of his death in the New York Times—he had died suddenly of a heart attack—was numbness and shock. I kept thinking I should have felt more pain or sadness or grief or something. I kept trying to figure out how to grieve properly. While I was trying to sort out my response to Bill’s death, I had a conversation over lunch with my ex-boyfriend Keith, who had remained a good friend after we’d split up. He’d always been a great sounding board and an uncommonly clearheaded source of wisdom and advice. “I don’t know what to do about all this,” I told him. “I don’t know how to process it.” “Well,” he said, leaning forward intensely, as he always did when he talked, his right hand chopping the air, his boyish face bobbing up and down, “the thing is, the thing is, when you have someone you know who’s died, you have to grieve, of course, but really, there are different things you have to grieve.” “What do you mean?” “Well, you know, you have to grieve the loss of the person, you know, the fact that the actual person won’t be there anymore to talk to, to laugh with, to share memories with, that sort of thing.” “Right.” “And then you have to, you have to mourn the loss of who that person held you to be. Because that dies with them. Their vision of you no longer exists. And a whole world of who you are is gone. So you have to mourn that, too.” I sat there and took that in, an electric current of recognition coursing through my body. “That…makes sense,” I said. Keith nodded vigorously. “Yeah, it does. It does.” I shook my head. “How do you know all this stuff?” It was a question I often asked Keith; he and I were the same age, but his insight into profound human matters often outshined my own. He laughed a high-pitched giggle. “I don’t know.” That was always his answer.
Anthony Rapp (Without You: A Memoir of Love, Loss and the Musical 'Rent')
He swore, raked his hands through his hair and tried to pinpoint the moment she'd so neatly turned the tables on him, when the pursued had become the pursuer. "I don't like forward women." The sound she made was something between a snort and a giggle, and was girlish and full of fun. It made him want to grin. "Now that's a lie, and you don't do it well. I've noticed you're an honest sort of man, Brian. When you don't want to speak your mind, you say nothing-and that's not often. I like that about you,even if it did irritate me initially.I even like your slightly overwide streak of confidence. I admire your patience and dedication to the horses, your undertstanding and affection for them. I've never been involved with a man who's shared that interest with me." "You've never been involved with a man at all." "Exactly.That's just one reason why. And to continue, I appreciate the kindness you showed my mother when she was sad,and I appreciate the part of you that's struggling to back away right now instead of taking what I've never offered anyone before." She laid a hand on his arm as he stared at her with baffled frustration. "If I didn't have that respect and that liking for you,Brian,we wouldn't be having this conversation no matter how attracted I might be to you." "Sex complicates things, Keeley." "I know." "How would you know? You've never had any." She gave his arm a quick squeeze. "Good point.So,you want to try the tack room?" When his mouth fell open, she laughed and threw her arms around him for a noisy kiss on his cheek. "Just kidding.Let's go up to the main house and have some dinnre instead." "i've work yet." She drew back. She couldn't read his eyes now. "Brian, neither of us have eaten. We can have a simple meal in the kitchen-and if you're worried, we won't be alone in the house so I'll have to keep my hands off you. Temporarily.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
He missed the women he’d never get to sleep with. On the other side of the room, tantalizing at the next table, that miracle passing by the taqueria window giving serious wake. They wore too much make up or projected complex emotions onto small animals, smiled exactly so, took his side when no one else would, listened when no one else cared to. They were old money or fretted over ludicrously improbable economic disasters, teetotaled or drank like sailors, pecked like baby birds at his lips or ate him up greedily. They carried slim vocabularies or stooped to conquer in the wordsmith board games he never got the hang of. They were all gone, these faceless unknowables his life’s curator had been saving for just the right moment, to impart a lesson he’d probably never learn. He missed pussies that were raring to go when he slipped a hand beneath the elastic rim of the night-out underwear and he missed tentative but coaxable recesses, stubbled armpits and whorled ankle coins, birthmarks on the ass shaped like Ohio, said resemblance he had to be informed of because he didn’t know what Ohio look like. The size. They were sweet-eyed or sad-eyed or so successful in commanding their inner turbulence so that he could not see the shadows. Flaking toenail polish and the passing remark about the scent of a nouveau cream that initiated a monologue about its provenance, special ingredients, magic powers, and dominance over all the other creams. The alien dent impressed by a freshly removed bra strap, a garment fancy or not fancy but unleashing big or small breasts either way. He liked big breasts and he liked small breasts; small breasts were just another way of doing breasts. Brains a plus but negotiable. Especially at 3:00am, downtown. A fine fur tracing an earlobe, moles at exactly the right spot, imperfections in their divine coordination. He missed the dead he’d never lose himself in, be surprised by, disappointed in.
Colson Whitehead (Zone One)
have the right to approach anyone I want to start a conversation with. I have the right to change the subject or end the conversation whenever I would like. I have the right to insert myself into a conversation and interrupt someone who’s speaking. I have the right to say “no” to anything I don’t want to do, for any reason, without needing to justify it or give an excuse. I have the right to ask for what I want. I have the right to ask why and negotiate if someone initially says “no.” I have the right to offer anything to anyone, any number of times (and they have the right to say no). I have the right to change my mind; I do not always need to be logical and consistent. I have the right to ask questions whenever I’d like to know something. I have the right to disagree with others (even if they know more about the subject than I do). I have the right to share my perspective, even if someone might disagree or temporarily be uncomfortable. I have the right to make mistakes, mess up, or otherwise not be perfect. I have the right to not be responsible for others, including their feelings and problems. I have the right to take time and space to be by myself, even if others would prefer my company. I have the right not to have to anticipate others’ needs and wishes. If they have them, they can express them. I have the right to say yes to having sex, to enjoy sex, and to pause during sex to have a conversation. I have the right to be treated with respect. I have the right to expect honesty and integrity from others. I have the right to feel all of my feelings, including anger, grief, sadness, and fear. I have the right to feel grief about something for as long as that grief persists. I have the right to feel something or do something without needing to justify myself to others. I have the right to feel angry at those I love, and to express it in a responsible manner. I have the right to express my feelings assertively while respecting others. I have the right to choose how much I want to see a friend or someone I’m dating, and end the relationship if it does not feel desirable to me.
Aziz Gazipura (Not Nice: Stop People Pleasing, Staying Silent, & Feeling Guilty... And Start Speaking Up, Saying No, Asking Boldly, And Unapologetically Being Yourself)
Sasha swallowed her initial response, which was to laugh in his face. She’d love to tell him what he could do with his settlement demand, but the sad truth was VitaMight would probably still pay him to go away. There were two types of corporate clients: those that made litigation decisions based on business factors and those that would not settle ever, no matter what. Almost all clients claimed to fall in the second category. Almost none did.
Melissa F. Miller (Irreparable Harm (Sasha McCandless, #1))