How Cruel You Are Quotes

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Have I told you how hideous you look tonight?” Cardan asks, leaning back in the elaborately carved chair, the warmth of his words turning the question into something like a compliment. “No” I say, glad to be annoyed back into the present. “Tell me.” "I can't.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
I realize full well how hard it must be to go on living alone in a place from which someone has left you, but there is nothing so cruel in this world as the desolation of having nothing to hope for.
Haruki Murakami (The Wind-Up Bird Chronicle)
There you are," Cardan says as I take my place beside him. "How has the night been going for you? Mine has been full of dull conversation about how my head is going to find itself on a spike.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
You teach me now how cruel you've been - cruel and false. Why did you despise me? Why did you betray your own heart, Cathy? I have not one word of comfort. You deserve this. You have killed yourself. Yes, you may kiss me, and cry; and wring out my kisses and tears: they'll blight you - they'll damn you. You loved me - what right had you to leave me? What right - answer me - for the poor fancy you felt for Linton? Because misery, and degradation, and death, and nothing that God or Satan could inflict would have parted us, you, of your own will did it. I have no broken your heart - you have broken it; and in breaking it, you have broken mine. So much the worse for me that I am strong. Do I want to live? What kind of living will it be when you - Oh, God! would you like to lie with your soul in the grave?
Emily Brontë (Wuthering Heights)
You will think me cruel, very selfish, but love is always selfish; the more ardent the more selfish. How jealous I am you cannot know. You must come with me, loving me, to death; or else hate me, and still come with me, and hating me through death and after. There is no such word as indifference in my apathetic nature.
J. Sheridan Le Fanu (Carmilla)
Oh, I will be cruel to you, Marya Morevna. It will stop your breath, how cruel I can be. But you understand, don’t you? You are clever enough. I am a demanding creature. I am selfish and cruel and extremely unreasonable. But I am your servant. When you starve I will feed you; when you are sick I will tend you. I crawl at your feet; for before your love, your kisses, I am debased. For you alone I will be weak.
Catherynne M. Valente (Deathless)
America is the wealthiest nation on Earth, but its people are mainly poor, and poor Americans are urged to hate themselves. To quote the American humorist Kin Hubbard, 'It ain’t no disgrace to be poor, but it might as well be.' It is in fact a crime for an American to be poor, even though America is a nation of poor. Every other nation has folk traditions of men who were poor but extremely wise and virtuous, and therefore more estimable than anyone with power and gold. No such tales are told by the American poor. They mock themselves and glorify their betters. The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: 'if you’re so smart, why ain’t you rich?' There will also be an American flag no larger than a child’s hand – glued to a lollipop stick and flying from the cash register. Americans, like human beings everywhere, believe many things that are obviously untrue. Their most destructive untruth is that it is very easy for any American to make money. They will not acknowledge how in fact hard money is to come by, and, therefore, those who have no money blame and blame and blame themselves. This inward blame has been a treasure for the rich and powerful, who have had to do less for their poor, publicly and privately, than any other ruling class since, say Napoleonic times. Many novelties have come from America. The most startling of these, a thing without precedent, is a mass of undignified poor. They do not love one another because they do not love themselves.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
You haven’t healed, I can tell from how cruel you are.
Warsan Shire
Well—I have to say I personally have never drawn such a sharp line between ‘good’ and ‘bad’ as you. For me: that line is often false. The two are never disconnected. One can’t exist without the other. As long as I am acting out of love, I feel I am doing best I know how. But you—wrapped up in judgment, always regretting the past, cursing yourself, blaming yourself, asking ‘what if,’ ‘what if.’ ‘Life is cruel.’ ‘I wish I had died instead of.’ Well—think about this. What if all your actions and choices, good or bad, make no difference to God? What if the pattern is pre-set? No no—hang on—this is a question worth struggling with. What if our badness and mistakes are the very thing that set our fate and bring us round to good? What if, for some of us, we can’t get there any other way?
Donna Tartt (The Goldfinch)
Grief is a cruel kind of education. You learn how ungentle mourning can be, how full of anger. You learn how glib condolences can feel. You learn how much grief is about language, the failure of language and the grasping for language
Chimamanda Ngozi Adichie (Notes on Grief)
If you start wondering how this house works, you'll likely go mad. That could be amusing, I suppose. Especially if it's the kind of madness that causes you to run naked through the hallways. Do feel free to indulge in that anytime.
Rosamund Hodge (Cruel Beauty)
At first I did not love you, Jude; that I own. When I first knew you I merely wanted you to love me. I did not exactly flirt with you; but that inborn craving which undermines some women's morals almost more than unbridled passion--the craving to attract and captivate, regardless of the injury it may do the man--was in me; and when I found I had caught you, I was frightened. And then--I don't know how it was-- I couldn't bear to let you go--possibly to Arabella again--and so I got to love you, Jude. But you see, however fondly it ended, it began in the selfish and cruel wish to make your heart ache for me without letting mine ache for you.
Thomas Hardy (Jude the Obscure)
I am almost a hundred years old; waiting for the end, and thinking about the beginning. There are things I need to tell you, but would you listen if I told you how quickly time passes? I know you are unable to imagine this. Nevertheless, I can tell you that you will awake someday to find that your life has rushed by at a speed at once impossible and cruel. The most intense moments will seem to have occurred only yesterday and nothing will have erased the pain and pleasure, the impossible intensity of love and its dog-leaping happiness, the bleak blackness of passions unrequited, or unexpressed, or unresolved.
Meg Rosoff (What I Was)
It was not the thought that I was so unloved that froze me. I had taught myself to do without love. It was not the thought that God was cruel that froze me. I had taught myself never to expect anything from Him. What froze me was the fact that I had absolutely no reason to move in any direction. What had made me move through so many dead and pointless years was curiosity. Now even that had flickered out. How long I stood frozen there, I cannot say. If I was ever going to move again, someone else was going to have to furnish the reason for moving. Somebody did. A policeman watched me for a while, and then he came over to me, and he said, "You alright?" Yes," I said. You've been standing here a long time," he said. I know," I said. You waiting for somebody?" he said. No," I said. Better move on, don't you think?" he said. Yes, sir," I said. And I moved on.
Kurt Vonnegut Jr. (Mother Night)
It’s funny how you get under his skin.” At first, I’m not sure I heard him right. I almost ask whom he’s talking about, because I can’t quite believe he’s admitting that high and mighty Cardan is affected by anything. “Like a splinter?” I say. “Of iron. No one else bothers him quite the way that you do.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
If the entire cheerleading squad turns into mice, Robin, I will be very upset with you. Mortal adolescents are blind and cruel. You know that. You mustn't take revenge, no matter how you feel about the girl. Especially now. There are more worrisome things on the move. -Ms Stacy
Julie Kagawa (The Iron King (The Iron Fey, #1))
what i miss most is how you loved me. but what i didn't know was how you loved me had so much to do with the person i was. it was a reflection of everything i gave you. coming back to me. how did i not see that. how. did i sit here soaking in the idea that no one else would love me that way. when it was i that taught you. when it was i that showed you how to fill. the way i needed to be filled. how cruel i was to myself. giving you credit for my warmth simply because you had felt it. thinking it was you who gave me strength. wit. beauty. simply because you recognized it. as if i was already not these things before i met you. as if i did not remain all these things after you left.
Rupi Kaur (Milk and honey)
I want you to tell me about every person you’ve ever been in love with. Tell me why you loved them, then tell me why they loved you. Tell me about a day in your life you didn’t think you’d live through. Tell me what the word home means to you and tell me in a way that I’ll know your mother’s name just by the way you describe your bedroom when you were eight. See, I want to know the first time you felt the weight of hate, and if that day still trembles beneath your bones. Do you prefer to play in puddles of rain or bounce in the bellies of snow? And if you were to build a snowman, would you rip two branches from a tree to build your snowman arms or would leave your snowman armless for the sake of being harmless to the tree? And if you would, would you notice how that tree weeps for you because your snowman has no arms to hug you every time you kiss him on the cheek? Do you kiss your friends on the cheek? Do you sleep beside them when they’re sad even if it makes your lover mad? Do you think that anger is a sincere emotion or just the timid motion of a fragile heart trying to beat away its pain? See, I wanna know what you think of your first name, and if you often lie awake at night and imagine your mother’s joy when she spoke it for the very first time. I want you to tell me all the ways you’ve been unkind. Tell me all the ways you’ve been cruel. Tell me, knowing I often picture Gandhi at ten years old beating up little boys at school. If you were walking by a chemical plant where smokestacks were filling the sky with dark black clouds would you holler “Poison! Poison! Poison!” really loud or would you whisper “That cloud looks like a fish, and that cloud looks like a fairy!” Do you believe that Mary was really a virgin? Do you believe that Moses really parted the sea? And if you don’t believe in miracles, tell me — how would you explain the miracle of my life to me? See, I wanna know if you believe in any god or if you believe in many gods or better yet what gods believe in you. And for all the times that you’ve knelt before the temple of yourself, have the prayers you asked come true? And if they didn’t, did you feel denied? And if you felt denied, denied by who? I wanna know what you see when you look in the mirror on a day you’re feeling good. I wanna know what you see when you look in the mirror on a day you’re feeling bad. I wanna know the first person who taught you your beauty could ever be reflected on a lousy piece of glass. If you ever reach enlightenment will you remember how to laugh? Have you ever been a song? Would you think less of me if I told you I’ve lived my entire life a little off-key? And I’m not nearly as smart as my poetry I just plagiarize the thoughts of the people around me who have learned the wisdom of silence. Do you believe that concrete perpetuates violence? And if you do — I want you to tell me of a meadow where my skateboard will soar. See, I wanna know more than what you do for a living. I wanna know how much of your life you spend just giving, and if you love yourself enough to also receive sometimes. I wanna know if you bleed sometimes from other people’s wounds, and if you dream sometimes that this life is just a balloon — that if you wanted to, you could pop, but you never would ‘cause you’d never want it to stop. If a tree fell in the forest and you were the only one there to hear — if its fall to the ground didn’t make a sound, would you panic in fear that you didn’t exist, or would you bask in the bliss of your nothingness? And lastly, let me ask you this: If you and I went for a walk and the entire walk, we didn’t talk — do you think eventually, we’d… kiss? No, wait. That’s asking too much — after all, this is only our first date.
Andrea Gibson
The central attitudes driving the Water Torturer are: You are crazy. You fly off the handle over nothing. I can easily convince other people that you’re the one who is messed up. As long as I’m calm, you can’t call anything I do abusive, no matter how cruel. I know exactly how to get under your skin.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
Have I told you how hideous you look tonight?' Cardan asks, leaning back in the elaborately carved chair, the warmth of his words turning the question in to something like a compliment. 'No,' I say, glad to be annoyed back in to the present. 'Tell me.' 'I cannot,' he says, then frowns.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
You aren’t my type, just the way that I am not yours. But that’s why we are good for each other—we are so different, yet we’re the same. You told me once that I bring out the worst in you. Well, you bring out the best in me. I know you feel it, too, Tessa. And yes, I didn’t date, until you. You make me want to date, you make me want to be better. I want you to think I am worthy of you; I want you to want me the way I do you. I want to fight with you, even scream at each other until one of us admits we are wrong. I want to make you laugh, and listen to you ramble about classic novels. I just . . . I need you. I know I am cruel at times . . . well, all the time, but that’s only because I don’t know how else to be.” His voice becomes a half whisper, his eyes wild. “This has been me for so long, I have never wanted to be any other way. Until now, until you.” - Hardin
Anna Todd (After (After, #1))
Yet who can say how our souls have been stamped by witnessing such a cruel drama? All souls are hostages to their human envelopes, but souls must decay and suffer at such indignity, don't you agree?
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
I wonder what kind of upbringing is worse for a human. The kind where you’re sheltered and loved to the point that you aren’t aware of how cruel the world can be until it’s too late to acquire the necessary coping skills, or the kind of household I grew up in. The ugliest version of a family, where coping is the only thing you learn.
Colleen Hoover (Heart Bones)
Thanks to these eyes...I came to understand how cruel and despicable people can be. But that also allowed me to appreciate true beauty. All you have to do is appreciate things from a different perspective Once I realized the things we take for granted are really miracles, I came to see everything in it's precious, empheral beauty. ..... I love this world.
Jun Mochizuki (Pandora Hearts, Vol. 18)
No matter how kind you are, always expect a few imbeciles.
Criss Jami (Healology)
You know the old saying: 'one riot, one Ranger.'" The saying stemmed from a legendary event in the past. A minor fief had risen up against their cruel and avaricious lord, with hundreds of people surrounding his mano house, threatening to burn it to the ground. The panicked nobleman's message for help was answered by the arrival of a single Ranger. Aghast, the nobleman confronted the solitary figure. They sent one Ranger?" he said incredulously. "One man?" How many riots do you have?" the Ranger replied. On this occasion, however, Duncan was not inclined to be swayed by a legend. "I have a new saying," he replied. "One daughter, two Rangers." Two and a half," Will corrected him. The King couldn't help smiling at the eager young face before him. Don't sell yourself short," he said. "Two and three-quarters.
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
I want you to tell me about every person you've ever been in love with. Tell me why you loved them, then tell me why they loved you. Tell me about a day in your life you didn't think you’d live through. Tell me what the word “home” means to you and tell me in a way that I’ll know your mothers name just by the way you describe your bed room when you were 8. See, I wanna know the first time you felt the weight of hate and if that day still trembles beneath your bones. Do you kiss your friends on the cheek? Do you think that anger is a sincere emotion or just the timid motion of a fragile heart trying to beat away its pain? See, I wanna know what you think of your first name. And if you often lie awake at night and imagine your mothers joy when she spoke it for the very first time. I want you tell me all the ways you've been unkind. Tell me all the ways you've been cruel.Do you believe that Mary was really a virgin? Do you believe that Moses really parted the sea? And if you don’t believe in miracles, tell me, how would you explain the miracle of my life to me? And for all the times you've knelt before the temple of yourself, have the prayers you've asked come true? And if they didn't did you feel denied? And if you felt denied, denied by who[m]? I wanna know what you see when you look in the mirror on a day you’re feeling good. I wanna know what you see in the mirror on a day a day you’re feeling bad. I wanna know the first person who ever taught you your beauty could ever be reflected on a lousy piece of glass. If you ever reach enlightenment, will you remember how to laugh? Have you ever been a song? See, I wanna know more than what you do for a living. I wanna know how much of your life you spend just giving. And if you love yourself enough to also receive sometimes. I wanna know if you bleed sometimes through other people’s wounds. And if you dream sometimes that this life is just a balloon that if you wanted to you could pop—but you never would because you’d never want it to stop.
Andrea Gibson
And no matter how eager you are for it, you cannot make the moon set nor rise any faster.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Would you like to dance with me?” He laughed. “With you? No.” She looked at the marble floor, her chest tight. “You needn’t be so cruel.” “Cruel? Celaena, Perrington is just over there. I’m sure he’s not happy about you being here, so I wouldn’t risk drawing his attention any more than necessary.” “Coward.” Chaol’s eyes softened. “If he weren’t here, I would have said yes.” (...) “Anyway,” Chaol added, jerking his chin at Dorian, “I think you have far more attractive suitors vying for your attention. I’m boring company to keep.” “I don’t mind being here with you.” “I’m sure you don’t,” Chaol said dryly, though he met her stare. “I mean it. Why aren’t you dancing with anyone? Aren’t there ladies whom you like?” “I’m the Captain of the Guard—I’m not exactly a catch for any of them.” There was some sorrow in his eyes, though it was well concealed. “Are you mad? You’re better than everyone in here. And you’re—you’re very handsome,” she said, taking his hand in her free one. There was beauty in Chaol’s face—and strength, and honor, and loyalty. She stopped hearing the crowd, and her mouth became dry as he stared at her. How had she missed it for so long? “You think so?” he said after a moment, looking at their clasped hands. She tightened her grasp. “Why, if I wasn’t—
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
The world isn’t fair. And no matter how good and decent you are, no matter how much you give to others, someone is always going to hate you for no other reason than the fact that you breathe. You can’t help that. You can’t change people or their minds once they’ve allowed them to get twisted by hatred. But you can change how you deal with them. Never back down, but walk away when you can, fight when you must. Whatever you do don’t give them the power to hurt you. Don’t let them inside you. They’re not worth it. Live your life for yourself. Stay true to yourself and if they can’t see the beauty that is you, it’s their loss. Let the bitterness take them to their graves. Spend your time on what matters most. Being you and appreciating the people who see you for who and what you are. The people who love you, and the ones that you love. They are all that matter. Let the rest go to hell.” - Drux Cruel
Sherrilyn Kenyon (Born of Silence (The League, #5))
That's why for you, you have the right to be cruel to me. No matter how much you make me worry or how much danger you put me in, just as much as you like. But these are not enough 'compensation.' Even if I have to sacrifice my left over life for you, I would not utter a word of complaint.
Matsuri Hino
That's just how white folks will do you. It wasn't merely the cruelty involved; I was learning that black people could be mean and then some. It was a particular brand of arrogance, an obtuseness in otherwise sane people that brought forth our bitter laughter. It was as if whites didn't know they were being cruel in the first place. Or at least thought you deserved of their scorn.
Barack Obama (Dreams from My Father: A Story of Race and Inheritance)
You said 'God is cruel' the way a person who's lived his whole life on Tahiti might say 'Snow is cold'. You knew, but you didn't understand." He stepped close to David and put his palms on the boy's cold cheeks. "Do you know how cruel your God can be, David. How fantastically cruel?
Stephen King (Desperation)
All depression has its roots in self-pity, and all self-pity is rooted in people taking themselves too seriously.” At the time Switters had disputed her assertion. Even at seventeen, he was aware that depression could have chemical causes. “The key word here is roots,” Maestra had countered. “The roots of depression. For most people, self-awareness and self-pity blossom simultaneously in early adolescence. It's about that time that we start viewing the world as something other than a whoop-de-doo playground, we start to experience personally how threatening it can be, how cruel and unjust. At the very moment when we become, for the first time, both introspective and socially conscientious, we receive the bad news that the world, by and large, doesn't give a rat's ass. Even an old tomato like me can recall how painful, scary, and disillusioning that realization was. So, there's a tendency, then, to slip into rage and self-pity, which if indulged, can fester into bouts of depression.” “Yeah but Maestra—” “Don't interrupt. Now, unless someone stronger and wiser—a friend, a parent, a novelist, filmmaker, teacher, or musician—can josh us out of it, can elevate us and show us how petty and pompous and monumentally useless it is to take ourselves so seriously, then depression can become a habit, which, in tern, can produce a neurological imprint. Are you with me? Gradually, our brain chemistry becomes conditioned to react to negative stimuli in a particular, predictable way. One thing'll go wrong and it'll automatically switch on its blender and mix us that black cocktail, the ol’ doomsday daiquiri, and before we know it, we’re soused to the gills from the inside out. Once depression has become electrochemically integrated, it can be extremely difficult to philosophically or psychologically override it; by then it's playing by physical rules, a whole different ball game. That's why, Switters my dearest, every time you've shown signs of feeling sorry for yourself, I've played my blues records really loud or read to you from The Horse’s Mouth. And that’s why when you’ve exhibited the slightest tendency toward self-importance, I’ve reminded you that you and me— you and I: excuse me—may be every bit as important as the President or the pope or the biggest prime-time icon in Hollywood, but none of us is much more than a pimple on the ass-end of creation, so let’s not get carried away with ourselves. Preventive medicine, boy. It’s preventive medicine.” “But what about self-esteem?” “Heh! Self-esteem is for sissies. Accept that you’re a pimple and try to keep a lively sense of humor about it. That way lies grace—and maybe even glory.
Tom Robbins (Fierce Invalids Home from Hot Climates)
American humorist Kin Hubbard said , "It ain't no disgrace to be poor, but it might as well be". The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: "If you're so smart, why ain't you rich?" Americans, like human beings everywhere, believe many things that are obviously untrue... Their most destructive untruth is that it is very easy for any American to make money. They will not acknowledge how in fact hard money is to come by, and, therefore, those who have no money blame and blame and blame themselves. This inward blame has been a treasure for the rich and powerful, who have had to do less for their poor, publicly and privately, than any other ruling class since, say, Napoleonic times. Many novelties have come from America. The most startling of these, a thing without precedent is a mass of undignified poor. They do not love one another because they do not love themselves.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Some people find fall depressing, others hate spring. I've always been a spring person myself. All that growth, you can feel Nature groaning, the old bitch; she doesn't want to do it, not again, no, anything but that, but she has to. It's a fucking torture rack, all that budding and pushing, the sap up the tree trunks, the weeds and the insects getting set to fight it out once again, the seeds trying to remember how the hell the DNA is supposed to go, all that competition for a little bit of nitrogen; Christ, it's cruel.
John Updike (The Witches of Eastwick)
This world,' she said. 'Do you really like it?' What a question! Farid never asked himself such things. He was glad to be with Dustfinger again and didn't mind where that was. It's a cruel world, don't you think?' Meggie went on. 'Mo often told me I forget how cruel it is too easily.' With his burned fingers, Farid stroke her fair hair. It shone even in the dark. 'They're all cruel,' he said. 'The world I come from, the world you come from, and this one, too. Maybe the people don't see the cruelty in your world right away, it's better hidden, but it's there all the same.
Cornelia Funke (Inkspell (Inkworld, #2))
Ask yourself my love whether you are not very cruel to have so entrammelled me, so destroyed my freedom. Will you confess this in the Letter you must write immediately, and do all you can to console me in it — make it rich as a draught of poppies to intoxicate me —write the softest words and kiss them that I may at least touch my lips where yours have been. For myself I know not how to express my devotion to so fair a form: I want a brighter word than bright, a fairer word than fair.
John Keats (Bright Star: Love Letters and Poems of John Keats to Fanny Brawne)
At our age the imagination across the sorry facts lifts us to make roses stand before thorns. Sure love is cruel and selfish and totally obtuse— at least, blinded by the light, young love is. But we are older, I to love and you to be loved, we have, no matter how, by our wills survived to keep the jeweled prize always at our finger tips. We will it so and so it is past all accident.
William Carlos Williams
Cardan had trusted Nicasia not to hurt him, which was ridiculous, since he well knew that everyone hurts one another and that the people you loved hurt you the most grievously.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
Without the existance of people to acknowledge or dispute your greatness, your greatness is irrelevant. You are because they are. Without them, no matter how they treat you, you would not exist. Treat all the world as if you owe it your gratitude, because even the cruel and heartless define who you are.
Jayleigh Cape
I think of Madoc, dozing away upstairs, all his dreams of murder. I think of Oriana and Oak being forced apart for years. I think of Cardan and how he will hate me. I think of what it means to make myself the villain of the piece. "For the next full minute, I command you not to move," I whisper back.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Strange how mean words can return to ones thoughts, years after they’ve been callously thrown at you. They replay in your mind, spiking a sense of remembered pain. Nasty name calling can be an ugly memory that stabs unexpectedly—not unlike a nightmare where you wake up crying. Sticks and stones, may break your bones—yet, cruel names can hurt you.
Nikki Sex (Abuse (Abuse, #1))
London The Institute Year of Our Lord 1878 “Mother, Father, my chwaer fach, It’s my seventeenth birthday today. I know that to write to you is to break the law, I know that I will likely tear this letter into pieces when it is finished. As I have done on all my birthdays past since I was twelve. But I write anyway, to commemorate the occasion - the way some make yearly pilgrimages to a grave, to remember the death of a loved one. For are we not dead to each other? I wonder if when you woke this morning you remembered that today, seventeen years ago, you had a son? I wonder if you think of me and imagine my life here in the Institute in London? I doubt you could imagine it. It is so very different from our house surrounded by mountains, and the great clear blue sky and the endless green. Here, everything is black and gray and brown, and the sunsets are painted in smoke and blood. I wonder if you worry that I am lonely or, as Mother always used to, that I am cold, that I have gone out into the rain again without a hat? No one here worries about those details. There are so many things that could kill us at any moment; catching a chill hardly seems important. I wonder if you knew that I could hear you that day you came for me, when I was twelve. I crawled under the bed to block out the sound of you crying my name, but I heard you. I heard mother call for her fach, her little one. I bit my hands until they bled but I did not come down. And, eventually, Charlotte convinced you to go away. I thought you might come again but you never did. Herondales are stubborn like that. I remember the great sighs of relief you would both give each time the Council came to ask me if I wished to join the Nephilim and leave my family, and each time I said no and I send them away. I wonder if you knew I was tempted by the idea of a life of glory, of fighting, of killing to protect as a man should. It is in our blood - the call to the seraph and the stele, to marks and to monsters. I wonder why you left the Nephilim, Father? I wonder why Mother chose not to Ascend and to become a Shadowhunter? Is it because you found them cruel or cold? I have no fathom side. Charlotte, especially, is kind to me, little knowing how much I do not deserve it. Henry is mad as a brush, but a good man. He would have made Ella laugh. There is little good to be said about Jessamine, but she is harmless. As little as there is good to say about her, there is as much good to say about Jem: He is the brother Father always thought I should have. Blood of my blood - though we are no relation. Though I might have lost everything else, at least I have gained one thing in his friendship. And we have a new addition to our household too. Her name is Tessa. A pretty name, is it not? When the clouds used to roll over the mountains from the ocean? That gray is the color of her eyes. And now I will tell you a terrible truth, since I never intend to send this letter. I came here to the Institute because I had nowhere else to go. I did not expect it to ever be home, but in the time I have been here I have discovered that I am a true Shadowhunter. In some way my blood tells me that this is what I was born to do.If only I had known before and gone with the Clave the first time they asked me, perhaps I could have saved Ella’s life. Perhaps I could have saved my own. Your Son, Will
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
How do you control a population? You keep the people poor and uneducated. Tell them the same lie for centuries, and tie that lie to religion. Those people will believe you even when the truth is dancing naked in front of them. Because to believe otherwise would mean their entire world has always been a lie. And that realization is too difficult for most people to take.
Stacia Stark (A Court This Cruel & Lovely (Kingdom of Lies, #1))
We have lived in our armor for so long, you and I. And now I am not sure if either of us knows how to remove it.” — “I think of his riddle. How do people like us take off our armor? One piece at a time.
Holly Black (The Cruel Prince / The Wicked King / The Queen of Nothing (The Folk of the Air, #1-3))
It didn’t and doesn’t turn out well. There is no happy ending to the story of sorrow if you are born with a predilection for despair. The world is, after all, a coarse and brutal and cruel place. It’s only a matter of how long you can live with it.
Elizabeth Wurtzel
Good. Now the first thing you do is press in the clutch and slide the gear into reverse." She placed his hand on the gear shift in the center of her car, and showed him how to move it up and down. "You know, you really shouldn't fondle that in front of me, Grace. It's cruel." "Julian! Do you mind? I'm only trying to show you how to shift my gears." He snorted. "I wish you'd shift my gears like that.
Sherrilyn Kenyon (Fantasy Lover (Hunter Legends, #1))
We have become a Nazi monster in the eyes of the whole world—a nation of bullies and bastards who would rather kill than live peacefully. We are not just Whores for power and oil, but killer whores with hate and fear in our hearts. We are human scum, and that is how history will judge us. . . . No redeeming social value. Just whores. Get out of our way, or we’ll kill you. Well, shit on that dumbness. George W. Bush does not speak for me or my son or my mother or my friends or the people I respect in this world. We didn’t vote for these cheap, greedy little killers who speak for America today—and we will not vote for them again in 2002. Or 2004. Or ever. Who does vote for these dishonest shitheads? Who among us can be happy and proud of having all this innocent blood on our hands? Who are these swine? These flag-sucking half-wits who get fleeced and fooled by stupid little rich kids like George Bush? They are the same ones who wanted to have Muhammad Ali locked up for refusing to kill gooks. They speak for all that is cruel and stupid and vicious in the American character. They are the racists and hate mongers among us—they are the Ku Klux Klan. I piss down the throats of these Nazis. And I am too old to worry about whether they like it or not. Fuck them.
Hunter S. Thompson (Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century)
Have I told you how hideous you look tonight?" Cardan asks, leaning back in the elaborately carved chair, the warmth of his words turning the question into something like a compliment. "No," I say, glad to be annoyed back into the present. "Tell me." "I cannot," he says, then frowns.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
How cruel of you. What part of what you see here is carefree? If only you could understand the sadness of the ones who grow the delicate flowers of buffoonery, protecting them from but the slightest gust of wind and always on the verge of despair!
Osamu Dazai (The Flowers of Buffoonery)
I missed you," I whisper against his skin and feel dizzy with the intimacy of the admission, feel more naked than when he could see every inch of me. "In the mortal world, when I thought you were my enemy, I still missed you." "My sweet nemesis, how glad I am that you returned." He pulls my body against his, cradling my head against his chest. We are still lying on the floor, although a perfectly good bed is right next to us.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Always that same LSD story, you've all seen it. 'Young man on acid, thought he could fly, jumped out of a building. What a tragedy.' What a dick! Fuck him, he’s an idiot. If he thought he could fly, why didn’t he take off on the ground first? Check it out. You don’t see ducks lined up to catch elevators to fly south—they fly from the ground, ya moron, quit ruining it for everybody. He’s a moron, he’s dead—good, we lost a moron, fuckin’ celebrate. Wow, I just felt the world get lighter. We lost a moron! I don’t mean to sound cold, or cruel, or vicious, but I am, so that’s the way it comes out. Professional help is being sought. How about a positive LSD story? Wouldn't that be news-worthy, just the once? To base your decision on information rather than scare tactics and superstition and lies? I think it would be news-worthy. 'Today, a young man on acid realized that all matter is merely energy condensed to a slow vibration. That we are all one consciousness experiencing itself subjectively. There is no such thing as death, life is only a dream and we're the imagination of ourselves' . . . 'Here's Tom with the weather.
Bill Hicks
For a moment amongst the crowd, I saw you. I've since found out it's common for people separated from someone they love to keep seeing that loved one amongst strangers; something to do with recognition units in our brain being too heated and too easily triggered. This cruel trick of the mind lasted only a few moments, but was long enough to feel with physical force how much I needed you.
Rosamund Lupton (Sister)
Slowly, Genya stood, and silence fell around her. "How old are you, Yuri ?" "Eighteen, moi soverenyi" "When i was a year older than you, the Darkling set his mosnters on me, creatures born of the power you venerate so much. They had a taste for human flesh. He had to force them to stop." "Then he was not so cruel-" Genya held up a hand, and Nikolai was glad to see Yuri shut is mouth. "The Darkling didn't want me to die. He wante me to live - like this." "More fool of him,"sais Nikolai quietly, "to let such soldier survive.
Leigh Bardugo (King of Scars (King of Scars, #1))
How did you make Shade into your shadow?" I asked. "Do you remember?" The question broke the mood; in a moment Ignifex was back on his feet, all grace and half smiles and narrowed eyes. "I didn't make him. I've always had a shadow, like everyone else. And I hate him because he's a fool and a coward and he tries to steal my wives." Those last words were so unexpected that I laughed. Then Ignifex raised an eyebrow and I realized that he was serious, at least as much as he ever was.
Rosamund Hodge (Cruel Beauty)
Life is hard and unfair. It is cruel and heartless, painful, trying, disappointing, unapologetic, and frequently downright awful. But that's not important. What's important is that through it all you learn how much you need your Heavenly Father and how much your friends need you.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
You must determine where you are going, so that you can bargain for yourself, so that you don’t end up resentful, vengeful and cruel. You have to articulate your own principles, so that you can defend yourself against others’ taking inappropriate advantage of you, and so that you are secure and safe while you work and play. You must discipline yourself carefully. You must keep the promises you make to yourself, and reward yourself, so that you can trust and motivate yourself. You need to determine how to act toward yourself so that you are most likely to become and to stay a good person. It would be good to make the world a better place.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
There comes a moment in life when one must acknowledge that you just can't keep looking back into your past for reasons to keep someone in your present and future. Regardless of how much looking that cruel reality in the eye hurts...memories can't be enough.
Eiry Nieves
[Optimism] is not about providing a recipe for self-deception. The world can be a horrible, cruel place, and at the same time it can be wonderful and abundant. These are both truths. There is not a halfway point; there is only choosing which truth to put in your personal foreground.
Sonja Lyubomirsky (The How of Happiness: A Scientific Approach to Getting the Life You Want)
Bluebird: How about this? If you don't show me I won't like you anymore Wolf: That logic is cruel but sound. You asked for this Wolf: macncheeseme.com Bluebird: Is this...is this an app for finding emergency mac and cheese Wolf: Life Spider-Man, I am only looking out for the citizens of New York
Emma Lord (Tweet Cute)
The true test of a warrior is how your 'stance' holds up after any 'circumstance'. Meaning, even after the stormiest weather, a true warrior will still reflect the brilliant rays of the magnificent sun through both his or her eyes. You may get hit by sudden lightning or take severe beatings from the cruel wind, but you will always get back up and stand strong on your feet again, soak in the sunlight, and be prepared to get hit by even the most merciless hail - time and time again.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
From her thighs, she gives you life And how you treat she who gives you life Shows how much you value the life given to you by the Creator. And from seed to dust There is ONE soul above all others -- That you must always show patience, respect, and trust And this woman is your mother. And when your soul departs your body And your deeds are weighed against the feather There is only one soul who can save yours And this woman is your mother. And when the heart of the universe Asks her hair and mind, Whether you were gentle and kind to her Her heart will be forced to remain silent And her hair will speak freely as a separate entity, Very much like the seaweed in the sea -- It will reveal all that it has heard and seen. This woman whose heart has seen yours, First before anybody else in the world, And whose womb had opened the door For your eyes to experience light and more -- Is your very own MOTHER. So, no matter whether your mother has been cruel, Manipulative, abusive, mentally sick, or simply childish How you treat her is the ultimate test. If she misguides you, forgive her and show her the right way With simple wisdom, gentleness, and kindness. And always remember, That the queen in the Creator's kingdom, Who sits on the throne of all existence, Is exactly the same as in yours. And her name is, THE DIVINE MOTHER.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
High School: Oh, man. This is where boys and girls go from tweens to teens and become complicated and cruel. Girls play sick mind games; boys try to pull each other's penises off and throw them in the bushes. If you can, buy the most expensive jeans in a two-hundred-mile radius of your town and wear them on your first day. If anyone asks how you could afford them say that your father is the president of Ashton Kutcher. When they are like, 'Ashton Kutcher has a president?' answer, 'Yes.' Everyone will be in awe of you and you won't have to go through a lot of pain and cat fights.
Eugene Mirman (The Will to Whatevs: A Guide to Modern Life)
Riley squinted. He ran his fingers along my neck. When he found the collar he explored the surface and tried to tug it. "No seams. It doesn't fell like metal. The colour is amazing". "Why?" (Trella) "It blends in. It matches your skin. Didn't you know?" (Riley) "No mirrors in my cell." (Trella) He gasped with mock horror. "So cruel! How did you ever survive?" (Riley)
Maria V. Snyder (Outside In (Insider, #2))
If you're all so peaceful up there, how did you get such greedy and cruel ideas?" The dragon was silent for a long time after this question. And at last he said: "It just came over me. I don't know why. It just came over me, listening to the battling shouts and the war-cries of the earth - I got excited, I wanted to join in.
Ted Hughes (The Iron Man)
You can never heal completely. The scars will always stay behind, just to remind how cruel the time was once to you. But someday, you will learn to see beauty in the world that gave you these scars. And your eyes will shine with no lies in it. That day, you become beautiful. With baring all the scars, Which you always tried to hide from everyone.
Akshay Vasu
Ignifex's eyes widened a fraction. "He's a coward and a fool," he repeated distantly, as if he had learnt the words by rote. Then his gaze snapped back to me. "Why shouldn't I know my own shadow?" "He got better than you at kissing somehow," I said. "Don't you ever wonder how?" If Shade was really the prince-and I still thought he was-then perhaps he could stir up some of Ignifex's memories. Maybe I wanted him to be jealous, too. Ignifex opened his mouth to speak, but I cut him off. "You can meditate on that for a while. I need to go look for ways to defeat you.
Rosamund Hodge (Cruel Beauty)
When life seems too cruel, and there seems too little love in it. When you feel you have failed. When you don't know what the point is. When you cannot go on. I want you to draw strength from me then. I want you to remember how much I cherished you, how I lived for you. When the world seems full of giants who dwarf you, when it feels like a struggle just to keep your head up, I want you to remember there is more to live for than mere achievement. It is worth something to be a good man. It cannot be worth nothing to do the right thing.
Matthew Thomas (We Are Not Ourselves)
Just So You Know You fall in love with every book you touch. You never break the spine or tear the pages. That would be cruel. You have secret favorites but, when asked, you say that you could never choose. But did you know that books fall in love with you, too? They watch you from the shelf while you sleep. Are you dreaming of them, they wonder, in that wistful mood books are prone to at night when they’re bored and there’s nothing else to do but tease the cat. Remember that pale yellow book you read when you were sixteen? It changed your world, that book. It changed your dreams. You carried it around until it was old and thin and sparkles no longer rose from the pages and filled the air when you opened it, like it did when it was new. You should know that it still thinks of you. It would like to get together sometime, maybe over coffee next month, so you can see how much you’ve both changed. And the book about the donkey your father read to you every night when you were three, it’s still around – older, a little worse for wear. But it still remembers the way your laughter made its pages tremble with joy. Then there was that book, just last week, in the bookstore. It caught your eye. You looked away quickly, but it was too late. You felt the rush. You picked it up and stroked your hand over its glassy cover. It knew you were The One. But, for whatever reason, you put it back and walked away. Maybe you were trying to be practical. Maybe you thought there wasn’t room enough, time enough, energy enough. But you’re thinking about it now, aren’t you? You fall in love so easily. But just so you know, they do, too.
Sarah Addison Allen
I nearly had a cakegasm at the table. My eyes rolled back in my head, and I moaned. "Sweet Christ." I opened my eyes to find Hunter watching me with the strangest expression on his face. "What? It's really good; you should try some," I said, pushing the plate at him. It was a testament of how embarrassed I was about the cakegasm that I was even sharing at all. "I swear, if there weren't a table between us, I would be kissing you right now. And none too gently." I put my form down and swallowed so I wouldn't choke. "You didn't seem to mind about the recliner," I said. "True. But there wan't an audience, and that's a very ugly recliner. This is a very nice table. Also there is glass and sharp things I wouldn't want hurting you." "Good point. Please, have some." "If you're going to make that noise and that face again, I don't know if I can let you have any more." "I'll be good. I swear." "You're not good. That's the problem." "You're right. I'm not," I said, giving him my own smirk. "I do try, though." "Cruel. That's the word to describe you right now." "Just have some cake.
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
That was as rough a thing as I ever heard tell of happening to a boy. And I'm mighty proud to learn how my boy stood up to it. You couldn't ask any more of a grown man... It's not a thing you can forget. I don't guess it's a thing you ought to forget. What I mean is, things like that happen. They may seem mighty cruel and unfair, but that's how life is part of the time. But that isn't the only way life is. A part of the time, it's mighty good. And a man can't afford to waste all the good part, worrying about the bad parts. That makes it all bad.
Fred Gipson (Old Yeller)
There's no doubt about it: fun people are fun. But I finally learned that there is something more important, in the people you know, than whether they are fun. Thinking about those friends who had given me so much pleasure but who had also caused me so much pain, thinking about that bright, cruel world to which they'd introduced me, I saw that there's a better way to value people. Not as fun or not fun, or stylish or not stylish, but as warm or cold, generous or selfish. People who think about others and people who don't. People who know how to listen, and people who only know how to talk.
William Deresiewicz (A Jane Austen Education: How Six Novels Taught Me About Love, Friendship, and the Things That Really Matter)
Where's your car? Miles asks, glancing at him as he slams his door shut and slings his backpack over his shoulder. "And whats up with your hand?" "I got rid of it," Damen says, gaze fixed on mine. Then glancing at Miles and seeing his expression he adds, "The car, not the hand." "Did you trade it in?" I ask, but only because Miles is listening. [...] He shakes his head and walks me to the gate, smiling as he says, "No, I just dropped off on the side of the road, key in the ignition, engine running." "Excuse me?!" Miles yelps. "You mean to tell me that you left your shiny, black, BMW M6 Coupe—by the side of the road?" Damen nods. But thats a hundred-thousand-dollar car!" Miles gasps as his face turns bright red. "A hundreds and ten." Damen laughs. "Don't forget, it was fully customized and loaded with options." Miles stares at him, eyes practically bugging out of his head, unable to comprehend how anyone could do such a thing—why anyone would do such a thing. "Um, okay, so let me get this straight—you just woke up and decided—Hey, what the hell? I think I'll just dump my ridiculously expensive luxury car by the side of the road—WHERE JUST ANYONE CAN TAKE IT?" Damen shrugs. "Pretty much." "Because in case you haven't noticed," Miles says, practically hyperventilating now. "Some of us are a little car deprived. Some of us were born with parents so cruel and unusual they're forced to rely on the kindness of friends for the rest of their lives!" "Sorry." Damen shrugs. "Guess I hadn't thought about that. Though if it makes you feel any better, it was all for a very good cause.
Alyson Noel (Shadowland (The Immortals, #3))
I mourned,” Roma said just as softly. “I mourned for months, years outside the gates of the cemetery. Yet I don’t regret choosing you. No matter how cruel you think yourself, your heart beats for your people. That’s why you shot him. That’s why you took the chance. Not because you are merciless. Because you have hope.” Juliette looked up. If Roma turned, even the slightest, they would be nose to nose. “I regret that I was ever put in the position to choose,” Roma continued. His words were faint, whispered into the world while the streets roared with sirens, the building beside them teemed with chaos, and policemen along every street corner screamed for order. But Juliette heard him perfectly. “I hate that the blood feud forced my hand, but I can’t—I did what I had to do and you may think me monstrous for it. The feud keeps taking and hurting and killing and still I couldn’t stop loving you even when I thought I hated you.
Chloe Gong (These Violent Delights (These Violent Delights, #1))
A minor fief had risen up against their cruel and avaricious lord, with hundreds of people surrounding his Manor house, threatening to burn it to the ground. The panicked nobleman's message for help was answered by the arrival of a single Ranger. Aghast, the nobleman confronted the solitary cowled figure. 'They sent one Ranger?' he said incredulously. 'One man?' 'How many riots do you have?' the Ranger replied.
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
Yes, I am cruel—since you take so much delight in that word-and am I not entitled to be so? Man is the one who desires, woman the one who is desired. This is woman's entire but decisive advantage. Through his passion nature has given man into woman's hands, and the woman who does not know how to make him her subject, her slave, her toy, and how to betray him with a smile in the end is not wise.
Leopold von Sacher-Masoch (Venus in Furs)
I am frightened at the prospect of how much I might love you, because I know the price it brings, and just thinking of you has begun the investment process within my heart. It would be easier to never invest at all, to hold all vulnerability close to my chest, not allowing anyone to enter my safe. But what a cruel thing it would be, to deny an opportunity to love a soul as beautiful as yours. I’m going to hope, and hope, and hope, until one day I do something. Maybe then, we’ll be able to find that place that we have both wanted for so long. Maybe then, we’ll have each other. I’m not reaching for stars anymore. I’m reaching for you, and honestly, that’s far more beautiful than a night full of dancing flames. I am not good with words, but still my words dance out of chaos, forming something beautiful.
T.B. LaBerge (Unwritten Letters to You)
I WANT YOU TO TELL ME ABOUT EVERY PERSON YOU’VE EVER BEEN IN LOVE WITH. TELL ME WHY YOU LOVED THEM, THEN TELL ME WHY THEY LOVED YOU. TELL ME ABOUT A DAY IN YOUR LIFE YOU DIDN’T THINK YOU’D LIVE THROUGH. TELL ME WHAT THE WORD “HOME” MEANS TO YOU AND TELL ME IN A WAY THAT I’LL KNOW YOUR MOTHER’S NAME JUST BY THE WAY YOU DESCRIBE YOUR BED ROOM WHEN YOU WERE 8. SEE, I WANNA KNOW THE FIRST TIME YOU FELT THE WEIGHT OF HATE AND IF THAT DAY STILL TREMBLES BENEATH YOUR BONES. DO YOU PREFER TO PLAY IN PUDDLES OF RAIN OR BOUNCE IN THE BELLIES OF SNOW? AND IF YOU WERE TO BUILD A SNOWMAN, WOULD YOU RIP TWO BRANCHES FROM A TREE TO BUILD YOUR SNOWMAN ARMS? OR WOULD YOU LEAVE THE SNOWMAN ARMLESS FOR THE SAKE OF BEING HARMLESS TO THE TREE? AND IF YOU WOULD, WOULD YOU NOTICE HOW THAT TREE WEEPS FOR YOU BECAUSE YOUR SNOWMAN HAS NO ARMS TO HUG YOU EVERY TIME YOU KISS HIM ON THE CHEEK? DO YOU KISS YOUR FRIENDS ON THE CHEEK? DO YOU SLEEP BESIDE THEM WHEN THEY’RE SAD, EVEN IF IT MAKES YOUR LOVER MAD? DO YOU THINK THAT ANGER IS A SINCERE EMOTION OR JUST THE TIMID MOTION OF A FRAGILE HEART TRYING TO BEAT AWAY ITS PAIN? SEE, I WANNA KNOW WHAT YOU THINK OF YOUR FIRST NAME. AND IF YOU OFTEN LIE AWAKE AT NIGHT AND IMAGINE YOUR MOTHER’S JOY WHEN SHE SPOKE IT FOR THE VERY FIRST TIME. I WANT YOU TELL ME ALL THE WAYS YOU’VE BEEN UNKIND. TELL ME ALL THE WAYS YOU’VE BEEN CRUEL. SEE, I WANNA KNOW MORE THAN WHAT YOU DO FOR A LIVING. I WANNA KNOW HOW MUCH OF YOUR LIFE YOU SPEND JUST GIVING. AND IF YOU LOVE YOURSELF ENOUGH TO ALSO RECEIVE SOMETIMES. I WANNA KNOW IF YOU BLEED SOMETIMES THROUGH OTHER PEOPLE’S WOUNDS.
Andrea Gibson
Interviewer ...In the case of "American Psycho" I felt there was something more than just this desire to inflict pain--or that Ellis was being cruel the way you said serious artists need to be willing to be. DFW: You're just displaying the sort of cynicism that lets readers be manipulated by bad writing. I think it's a kind of black cynicism about today's world that Ellis and certain others depend on for their readership. Look, if the contemporary condition is hopelessly shitty, insipid, materialistic, emotionally retarded, sadomasochistic, and stupid, then I (or any writer) can get away with slapping together stories with characters who are stupid, vapid, emotionally retarded, which is easy, because these sorts of characters require no development. With descriptions that are simply lists of brand-name consumer products. Where stupid people say insipid stuff to each other. If what's always distinguished bad writing -- flat characters, a narrative world that's cliched and not recognizably human, etc. -- is also a description of today's world, then bad writing becomes an ingenious mimesis of a bad world. If readers simply believe the world is stupid and shallow and mean, then Ellis can write a mean shallow stupid novel that becomes a mordant deadpan commentary on the badness of everything. Look man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it. You can defend "Psycho" as being a sort of performative digest of late-eighties social problems, but it's no more than that.
David Foster Wallace
THE DREAM THAT MUST BE INTERPRETED This place is a dream. Only a sleeper considers it real. Then death comes like dawn, and you wake up laughing at what you thought was your grief. But there's a difference with this dream. Everything cruel and unconscious done in the illusion of the present world, all that does not fade away at the death-waking. It stays, and it must be interpreted. All the mean laughing, all the quick, sexual wanting, those torn coats of Joseph, they change into powerful wolves that you must face. The retaliation that sometimes comes now, the swift, payback hit, is just a boy's game to what the other will be. You know about circumcision here. It's full castration there! And this groggy time we live, this is what it's like: A man goes to sleep in the town where he has always lived, and he dreams he's living in another town. In the dream, he doesn't remember the town he's sleeping in his bed in. He believes the reality of the dream town. The world is that kind of sleep. The dust of many crumbled cities settles over us like a forgetful doze, but we are older than those cities. We began as a mineral. We emerged into plant life and into animal state, and then into being human, and always we have forgotten our former states, except in early spring when we slightly recall being green again. That's how a young person turns toward a teacher. That's how a baby leans toward the breast, without knowing the secret of its desire, yet turning instinctively. Humankind is being led along an evolving course, through this migration of intelligences, and though we seem to be sleeping, there is an inner wakefulness that directs the dream, and that will eventually startle us back to the truth of who we are.
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
As he described the night of the Valorian invasion and himself as a child, she began to see how natural the reflex of self-blame was for him. Ingrained. Insidious. You’re the reason I was in that prison. Yes. It occurred to her that he might have taken blame he didn’t deserve. It occurred to her that she had already guessed this even before he’d begun telling his nakedly awful story. And that maybe she had been cruel. This thinking was not the same as trust. Still, she listened. After he finished, she listened to his silence.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
I just don't understand what you see in her," Sim said carefully. "I know she's charming. Fascinating and all of that. But she seems rather," he hesitated, "cruel." I nodded. "She is." Simmon watched me expectantly, finally said. "What? No defense for her?" "No. Cruel is a good word for her. But I think you are saying cruel and thinking of something else. Denna is not wicked, or mean, or spiteful. She is cruel." Sim was quiet for a long while before responding. "I think she might be some of those things, and cruel as well." Good, honest gentle Sim. He could never bring himself to say bad things about another person, just imply them. Even that was hard for him. He looked up at me. "I talked with Savoy. He's still not over her. He really loved her, you know. Treated her like a princess. He would have done anything for her. But she left him anyway, no explanation." "Denna is a wild thing," I explained. "Like a hind or a summer storm. If a storm blows down your house, or breaks a tree, you don't say the storm was mean. It was cruel. It acted according to its nature and something unfortunately was hurt. The same is true of Denna." "What's a hind?" "A deer." "I thought that was a hart?" "A hind is a female deer. A wild deer. Do you know how much good it does you to chase a wild thing? None. It works against you. It startles the hind away. All you can do is stay gently where you are, and hope in time that the hind will come to you.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
There is absolutely no experience, however terrible, or heartbreaking, or unjust, or cruel, or evil, which you can meet in the course of your earthly life, that can harm you if you but let Me teach you how to accept it with joy; and to react to it triumphantly as I did myself, with love and forgiveness and with willingness to bear the results of wrong done by others. Every trial, every test, every difficulty and seemingly wrong experience through which you may have to pass, is only another opportunity granted to you of conquering an evil thing and bringing out of it something to the lasting praise and glory of God.
Hannah Hurnard (Mountains of Spices)
Do you think," I said at length, "that you will ever confide fully in me?" She turned round smiling, but made no answer, only continued to smile on me. "You won't answer that?" I said. "You can't answer pleasantly; I ought not to have asked you." "You were quite right to ask me that, or anything. You do not know how dear you are to me, or you could not think any confidence too great to look for. But I am under vows, no nun half so awfully, and I dare not tell my story yet, even to you. The time is very near when you shall know everything. You will think me cruel, very selfish, but love is always selfish; the more ardent the more selfish.
J. Sheridan Le Fanu (Carmilla)
You were saying you wanted to open the people's eyes. All right, you just go and open old uncle Anagnosti's eyes for him! You saw how his wife had to behave before him, waiting for his orders, like a dog begging. Just go now and teach them that women have equal rights with men, and that it's cruel to eat a piece of the pig while the pig's still raw and groaning in front of you, and that it's simple lunacy to give thanks to God because he's got everything while you're starving to death!...Let people be, boss: don't open their eyes. And supposing you did, what'd they see? Their misery! Leave their eyes closed, boss, and let them go on dreaming!
Nikos Kazantzakis (Zorba the Greek)
Do you know how long I’ve been telling myself you hated me? Or how hard it’s been to keep believing it? You’d do things, these amazing, insane things, like stealing me back from Blind Michael or breaking me out of jail, and I’d say, ‘Oh, he just wants to pay his debts,’ or, ‘Oh, who knows what a cat is thinking?’” My voice broke a little on the last word. Dammit. Tybalt’s eyes widened, hope kindling in their depths. “What are you saying?” “I’m saying— oak and ash, Tybalt, I’m saying I’m in love with you, I’ve been in love with you for a while, and the only way I was dealing with it was by not dealing with it, ever.” I shook my head. “I knew I’d never have you, so I told myself I didn’t want you, and if you don’t really want me, if you want some idea of me, or just want to chase and not catch, I’ll understand, but this has been a hard week, Tybalt, this has been such a hard week. I’ve been waiting for you to come here, because I need you to tell me. Okay? Just tell me what you want.” “Oh, October. Toby. My Toby.” He pulled one hand from mine, reaching up to tuck my hair behind my ear. His fingers were shaking. That was what I focused on, more than anything else. His fingers were shaking. “Do you think I’m cruel enough to do that to you?” I sniffled. “No,” I admitted. “Thank Oberon,” he said, and pulled me close, and kissed me.
Seanan McGuire (Ashes of Honor (October Daye, #6))
...the years have taught me not to wonder too much at the dark things men do. Strange how it is that men never act crueller than when they're fighting for the sake of an idea. We've been killing since Cain over who stands closer to god. It seems to me that cruelty is just in the way of things. You drive yourself mad if you take it all personal. Those who hurt you don't have the power over you they would like. That's why they do what they do. And I'm not going to give them the power now. But it was a cruel thing that they did, and when they had finished hurting me, a splinter of loneliness seemed to break off and stay inside me forever.
Marcel Theroux (Far North)
There is an old Eastern fable about a traveler who is taken unawares on the steppes by a ferocious wild animal. In order to escape the beast the traveler hides in an empty well, but at the bottom of the well he sees a dragon with its jaws open, ready to devour him. The poor fellow does not dare to climb out because he is afraid of being eaten by the rapacious beast, neither does he dare drop to the bottom of the well for fear of being eaten by the dragon. So he seizes hold of a branch of a bush that is growing in the crevices of the well and clings on to it. His arms grow weak and he knows that he will soon have to resign himself to the death that awaits him on either side. Yet he still clings on, and while he is holding on to the branch he looks around and sees that two mice, one black and one white, are steadily working their way round the bush he is hanging from, gnawing away at it. Sooner or later they will eat through it and the branch will snap, and he will fall into the jaws of the dragon. The traveler sees this and knows that he will inevitably perish. But while he is still hanging there he sees some drops of honey on the leaves of the bush, stretches out his tongue and licks them. In the same way I am clinging to the tree of life, knowing full well that the dragon of death inevitably awaits me, ready to tear me to pieces, and I cannot understand how I have fallen into this torment. And I try licking the honey that once consoled me, but it no longer gives me pleasure. The white mouse and the black mouse – day and night – are gnawing at the branch from which I am hanging. I can see the dragon clearly and the honey no longer tastes sweet. I can see only one thing; the inescapable dragon and the mice, and I cannot tear my eyes away from them. And this is no fable but the truth, the truth that is irrefutable and intelligible to everyone. The delusion of the joys of life that had formerly stifled my fear of the dragon no longer deceived me. No matter how many times I am told: you cannot understand the meaning of life, do not thinking about it but live, I cannot do so because I have already done it for too long. Now I cannot help seeing day and night chasing me and leading me to my death. This is all I can see because it is the only truth. All the rest is a lie. Those two drops of honey, which more than all else had diverted my eyes from the cruel truth, my love for my family and for my writing, which I called art – I no longer found sweet.
Leo Tolstoy (A Confession and Other Religious Writings)
You didn't hear the story I told," he goes on. "A shame. It featured a handsome boy with a heart of stone and a natural aptitude for villainy. Everything you could like." She laughs. "You really are terrible, you know that? I don't even understand why the things you say make me smile." He lets himself lean against her, lets himself hear the warmth in her voice. "There is one thing I did like about playing the hero. The only good bit. And that was not having to be terrified for you." "The next time you want to make a point," Jude says, "I beg you not to make it so dramatically." His shoulder hurts, and she may be right about the iron poisoning. He certainly feels as though his head is swimming. But he smiles up at the trees, the looping electrical lines, the streaks of clouds. "So long as you're begging," he says.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
You are empty,” I said, my throat working, “and cruel.” “Ah. Yes, now that is true. Would you like to know the greatest secret of fairykind?” When I didn’t answer he continued, “We prefer to pretend otherwise, but truly, we have never been the immortal ones. We may live long enough to see the world change, but we’re never the ones who changed it. When we finally reach the end, we are unloved and alone, and leave nothing behind, not even our name chiseled on a stone slab. And yet—mortals, through their works, their Craft, are remembered forever.” He turned us gracefully through the crowd without missing a step. “Oh, you cannot imagine the power your kind holds over us. How very much we envy you. There is more life in your littlest fingernail than in everyone in my court combined.
Margaret Rogerson (An Enchantment of Ravens)
Why are you being so cruel?' 'Because you won't leave!' Jacks shouted. 'And if you stay, you will die. Chaos hasn't fed in thousands of years. I know he thinks he can control his hunger, but he can't. That's why they put the helm on him.' 'You could have just said that. If you didn't want me to say goodbye or you want me to leave, you don't have to hurt me to get me to do it.' 'I'm not- I-' Jacks broke off abruptly. His eyes were no longer just red, they were blazing with fear. She'd never seen him look so terrified before. She'd been poisoned, shot, lashed across the back, and Jacks had always kept his calm until now. With a great deal of effort, he took a deep breath, and when he spoke again, his voice was soft but uneven. 'I'm sorry, Little Fox. I didn't want to hurt you, I just-' He looked suddenly at a loss for words, as if whatever he said next might be the wrong thing. He's never looked at her like this before. 'Jacks, please, don't use the stones tonight. Come with me instead.' He took a jagged breath. For a second, he looked torn. He raked a hand through his hair, his movements jagged. Evangeline took a step closer. He shuttered his expression and took a step back. 'This doesn't change anything. I still can't have you in my life. You and I aren't meant to be.' 'What if you're wrong?' Evangeline had once heard a tale about a pair of doomed stars, drawn across skies toward each other's brightness, even though they knew that if they drew too close, their desire would end in a fiery explosion. This was how Jacks looked at her now. As if neither of them would survive if they drew any closer. 'Evangeline, you need to go.' A thunderous roar poured out from the Valory, so loud it shook the arch and the angels and the ground at Evangeline's feet. 'Get out of here.' Jacks said. She held his gaze, one final time, wishing she knew how to change his mind. 'I wish our story could have had another ending.' 'I don't want another ending,' Jacks said flatly. 'I just want you to leave.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
Life While-You-Wait. Performance without rehearsal. Body without alterations. Head without premeditation. I know nothing of the role I play. I only know it’s mine. I can’t exchange it. I have to guess on the spot just what this play’s all about. Ill-prepared for the privilege of living, I can barely keep up with the pace that the action demands. I improvise, although I loathe improvisation. I trip at every step over my own ignorance. I can’t conceal my hayseed manners. My instincts are for happy histrionics. Stage fright makes excuses for me, which humiliate me more. Extenuating circumstances strike me as cruel. Words and impulses you can’t take back, stars you’ll never get counted, your character like a raincoat you button on the run — the pitiful results of all this unexpectedness. If only I could just rehearse one Wednesday in advance, or repeat a single Thursday that has passed! But here comes Friday with a script I haven’t seen. Is it fair, I ask (my voice a little hoarse, since I couldn’t even clear my throat offstage). You’d be wrong to think that it’s just a slapdash quiz taken in makeshift accommodations. Oh no. I’m standing on the set and I see how strong it is. The props are surprisingly precise. The machine rotating the stage has been around even longer. The farthest galaxies have been turned on. Oh no, there’s no question, this must be the premiere. And whatever I do will become forever what I’ve done.
Wisława Szymborska (Map: Collected and Last Poems)
[Adapted and condensed Valedictorian speech:] I'm going to ask that you seriously consider modeling your life, not in the manner of the Dalai Lama or Jesus - though I'm sure they're helpful - but something a bit more hands-on, Carassius auratus auratus, commonly known as the domestic goldfish. People make fun of the goldfish. People don't think twice about swallowing it. Jonas Ornata III, Princeton class of '42, appears in the Guinness Book of World Records for swallowing the greatest number of goldfish in a fifteen-minute interval, a cruel total of thirty-nine. In his defense, though, I don't think Jonas understood the glory of the goldfish, that they have magnificent lessons to teach us. If you live like a goldfish, you can survive the harshest, most thwarting of circumstances. You can live through hardships that make your cohorts - the guppy, the neon tetra - go belly-up at the first sign of trouble. There was an infamous incident described in a journal published by the Goldfish Society of America - a sadistic five-year-old girl threw hers to the carpet, stepped on it, not once but twice - luckily she'd done it on a shag carpet and thus her heel didn't quite come down fully on the fish. After thirty harrowing seconds she tossed it back into its tank. It went on to live another forty-seven years. They can live in ice-covered ponds in the dead of winter. Bowls that haven't seen soap in a year. And they don't die from neglect, not immediately. They hold on for three, sometimes four months if they're abandoned. If you live like a goldfish, you adapt, not across hundreds of thousands of years like most species, having to go through the red tape of natural selection, but within mere months, weeks even. You give them a little tank? They give you a little body. Big tank? Big body. Indoor. Outdoor. Fish tanks, bowls. Cloudy water, clear water. Social or alone. The most incredible thing about goldfish, however, is their memory. Everyone pities them for only remembering their last three seconds, but in fact, to be so forcibly tied to the present - it's a gift. They are free. No moping over missteps, slip-ups, faux pas or disturbing childhoods. No inner demons. Their closets are light filled and skeleton free. And what could be more exhilarating than seeing the world for the very first time, in all of its beauty, almost thirty thousand times a day? How glorious to know that your Golden Age wasn't forty years ago when you still had all you hair, but only three seconds ago, and thus, very possibly it's still going on, this very moment." I counted three Mississippis in my head, though I might have rushed it, being nervous. "And this moment, too." Another three seconds. "And this moment, too." Another. "And this moment, too.
Marisha Pessl
A psychotic world we live in. The madmen are in power. How long have we known this? Faced this?-And-how many of us do know it? Not Lotze. Perhaps if you know you are insane then you are not insane. Or you are becoming sane, finally. Waking up. I suppose only a few are aware of all this. Isolated persons here and there. But the broad masses...what do they think? All these hundreds of thousands in this city, here. Do they imagine that they live in a sane world? Or do they guess, glimpse the truth...? But, he thought, what does it mean, insane? A legal definition. What do I mean? I feel it, see it, but what is it? He thought, it is something they do, something they are. It is their unconsciousness. Their lack of knowledge about others. Their not being aware of what they do to others, the destruction they have caused and are causing. No, he thought. That isn't it. I don't know; I sense it, inuit it. But-they are purposely cruel...is that it? No. God, he thought, I can't find it, make it clear. Do they ignore parts of reality? Yes. But it is more. It is their plans. Yes, their plans. The conquering of the planets. Something frenzied and demented, as was their conquering of Africa, and before that, Europe and Asia. Their view; it is cosmic. Not of man here, a child there, but an abstraction: race, land. Volk. Land. Blut. Ehre. Not of honorable men but of Ehre itself, honor; the abstract is real, the actual is invisible to them. Die Gute, but not good men, this good man. It is their sense of space and time. They see through the here, the now, into the vast black deep beyond, the unchanging. And that is fatal to life. Because eventually there will be no life; there was once only the dust particles in space, the hot hydrogen gases, nothing more, and it will come again. This is an interval, ein Augenblick. The cosmic process is hurrying on, crushing life back into the granite and methane; the wheel turns for all life. It is all temporary. And they-these madmen-respond to the granite, the dust, the longing of the inanimate; they want to aid Natur. And, he thought, I know why. They want to be the agents, not the victims, of history. They identify with God's power and believe they are godlike. That is their basic madness. They are overcome by some archetype; their egos have expanded psychotically so that they cannot tell where they begin and the godhead leaves off. it is not hubris, not pride; it is inflation of the ego to its ultimate-confusion between him who worships and that which is worshiped. Man has not eaten God; God has eaten man. What they do not comprehend is man's helplessness. I am weak, small, of no consequence to the universe. It does not notice me; I live on unseen. But why is that bad? Isn't it better that way? Whom the gods notice they destroy. Be small...and you will escape the jealousy of the great.
Philip K. Dick (The Man in the High Castle)
Are you all right?" A crease appears between his eyebrows, and he touches my cheek gently.I bat his hand away. "Well," I say, "first I got reamed out in front of everyone,and then I had to chat with the woman who's trying to destroy my old faction,and then Eric almost tossed my friends out of Dauntless,so yeah,it's shaping up to be a pretty great day,Four." He shakes his head and looks at the dilapidated building to his right, which is made of brick and barely resembles the sleek glass spire behind me. It must be ancient.No one builds with brick anymore. "Why do you care,anyway?" I say. "You can be either cruel instructor or concerned boyfriend." I tense up at the word "boyfriend." I didn't mean to use it so flippantly,but it's too late now. "You can't play both parts at the same time." "I am not cruel." He scowls at me. "I was protecting you this morning. How do you think Peter and his idiot friends would have reacted if they discovered that you and I were..." He sighs. "You would never win. They would always call your ranking a result of my favoritism rather than your skill." I open my mouth to object,but I can't. A few smart remarks come to mind, but I dismiss them. He's right. My cheeks warm, and I cool them with my hands. "You didn't have to insult me to prove something to them," I say finally. "And you didn't have to run off to your brother just because I hurt you," he says. He rubs at the back of his neck. "Besides-it worked,didn't it?" "At my expense." "I didn't think it would affect you this way." Then he looks down and shrugs. "Sometimes I forget that I can hurt you.That you are capable of being hurt." I slide my hands into my pockets and rock back on my heels.A strange feeling goes through me-a sweet,aching weakness. He did what he did because he believed in my strength. At home it was Caleb who was strong,because he could forget himself,because all the characteristics my parents valued came naturally to him. No one has ever been so convinced of my strength. I stand on my tiptoes, lift my head, and kiss him.Only our lips touch. "You're brilliant,you know that?" I shake my head. "You always know exactly what to do." "Only because I've been thinking about this for a long time," he says, kissing my briefly. "How I would handle it, if you and I..." He pulls back and smiles. "Did I hear you call me your boyfriend,Tris?" "Not exactly." I shrug. "Why? Do you want me to?" He slips his hands over my neck and presses his thumbs under my chin, tilting my head back so his forehead meets mine. For a moment he stands there, his eyes closed, breathing my air. I feel the pulse in his fingertips. I feel the quickness of his breath. He seems nervous. "Yes," he finally says. Then his smile fades. "You think we convinced him you're just a silly girl?" "I hope so," I say.
Veronica Roth (Divergent (Divergent, #1))
There is an Eastern fable, told long ago, of a traveller overtaken on a plain by an enraged beast. Escaping from the beast he gets into a dry well, but sees at the bottom of the well a dragon that has opened its jaws to swallow him. And the unfortunate man, not daring to climb out lest he should be destroyed by the enraged beast, and not daring to leap to the bottom of the well lest he should be eaten by the dragon, seizes s twig growing in a crack in the well and clings to it. His hands are growing weaker and he feels he will soon have to resign himself to the destruction that awaits him above or below, but still he clings on. Then he sees that two mice, a black one and a white one, go regularly round and round the stem of the twig to which he is clinging and gnaw at it. And soon the twig itself will snap and he will fall into the dragon's jaws. The traveller sees this and knows that he will inevitably perish; but while still hanging he looks around, sees some drops of honey on the leaves of the twig, reaches them with his tongue and licks them. So I too clung to the twig of life, knowing that the dragon of death was inevitably awaiting me, ready to tear me to pieces; and I could not understand why I had fallen into such torment. I tried to lick the honey which formerly consoled me, but the honey no longer gave me pleasure, and the white and black mice of day and night gnawed at the branch by which I hung. I saw the dragon clearly and the honey no longer tasted sweet. I only saw the unescapable dragon and mice, and I could not tear my gaze from them. and this is not a fable but the real unanswerable truth intelligible to all. The deception of the joys of life which formerly allayed my terror of the dragon now no longer deceived me. No matter how often I may be told, "You cannot understand the meaning of life so do not think about it, but live," I can no longer do it: I have already done it too long. I cannot now help seeing day and night going round and bringing me to death. That is all I see, for that alone is true. All else is false. The two drops of honey which diverted my eyes from the cruel truth longer than the rest: my love of family, and of writing -- art as I called it -- were no longer sweet to me. "Family"... said I to myself. But my family -- wife and children -- are also human. They are placed just as I am: they must either live in a lie or see the terrible truth. Why should they live? Why should I love them, guard them, bring them up, or watch them? That they may come to the despair that I feel, or else be stupid? Loving them, I cannot hide the truth from them: each step in knowledge leads them to the truth. And the truth is death.
Leo Tolstoy (A Confession)
I see you are in a dilemma, and one of a peculiar and difficult nature. Two paths lie before you; you conscientiously wish to choose the right one, even though it be the most steep, straight, and rugged; but you do not know which is the right one; you cannot decide whether duty and religion command you to go out into the cold and friendless world, and there to earn your living by governess drudgery, or whether they enjoin your continued stay with your aged mother, neglecting, for the present, every prospect of independency for yourself, and putting up with the daily inconvenience, sometimes even with privations. I can well imagine, that it is next to impossible for you to decide for yourself in this matter, so I will decide it for you. At least, I will tell you what is my earnest conviction on the subject; I will show you candidly how the question strikes me. The right path is that which necessitates the greatest sacrifice of self-interest -- which implies the greatest good to others; and this path, steadily followed, will lead, I believe, in time, to prosperity and to happiness; though it may seem, at the outset, to tend quite in a contrary direction. Your mother is both old and infirm; old and infirm people have but few resources of happiness -- fewer almost than the comparatively young and healthy can conceive; to deprive them of one of these is cruel. If your mother is more composed when you are with her, stay with her. If she would be unhappy in case you left her, stay with her. It will not apparently, as far as short-sighted humanity can see, be for your advantage to remain at XXX, nor will you be praised and admired for remaining at home to comfort your mother; yet, probably, your own conscience will approve, and if it does, stay with her. I recommend you to do what I am trying to do myself. [Quoted from a letter to a friend, referenced in the last chapter of Vol 1. "The Life of Charlotte Bronte" by Elizabeth Gaskell ]
Charlotte Brontë
I am not my uncle. I am not my father, but I do subscribe to the twenty rules he taught me from the cradle. One, if you’re afraid to fight, then you’ll never win. Two, in times of tragedy and turmoil, you’ll learn who your true friends are. Treasure them because they are few and far between. Three, know your enemies, and never become your own worst one. Four, be grateful for those enemies. They will keep you honest and ever striving to better yourself. Five, listen to all good advice, but never substitute someone else’s judgment for your own. Six, all men and women lie. But never lie to yourself. Seven, many will flatter you. Befriend the ones who don’t, for they will remind you that you’re human and not infallible. Eight, never fear the truth. It’s the lies that will destroy you. Nine, your worst decisions will always be those that are made out of fear. Think all matters through with a clear head. Ten, your mistakes won’t define you, but your memories, good and bad, will. Eleven, be grateful for your mistakes as they will tell you who and what you’re not. Twelve, don’t be afraid to examine the past, it’s how you learn what you don’t want to do again. Thirteen, there’s a lot to be said for not knowing better. Fourteen, all men die. Not everyone lives. Fifteen, on your deathbed, your greatest regrets will be what you didn’t do. Sixteen, don’t be afraid to love. Yes, it’s a weakness that can be used against you. But it’s also a source of the greatest strength you will ever know. Seventeen, the past is history written in stone that can’t be altered. The future is transitory and never guaranteed. Today is the only thing you can change for certain. Have the courage to do so and make the most of it because it could be all you’ll ever have. Eighteen, you can be in a crowd, surrounded by people, and still be lonely. Nineteen, love all, regardless of what they do. Trust only those you have to. Harm none until they harm you. And twenty… Never be afraid to kill or destroy your enemies. They won’t hesitate to kill or destroy you.” - Darling Cruel
Sherrilyn Kenyon
Oh, mention it! If I storm, you have the art of weeping." "Mr. Rochester, I must leave you." "For how long, Jane? For a few minutes, while you smooth your hair — which is somewhat dishevelled; and bathe your face — which looks feverish?" "I must leave Adele and Thornfield. I must part with you for my whole life: I must begin a new existence among strange faces and strange scenes." "Of course: I told you you should. I pass over the madness about parting from me. You mean you must become a part of me. As to the new existence, it is all right: you shall yet be my wife: I am not married. You shall be Mrs. Rochester — both virtually and nominally. I shall keep only to you so long as you and I live. You shall go to a place I have in the south of France: a whitewashed villa on the shores of the Mediterranean. There you shall live a happy, and guarded, and most innocent life. Never fear that I wish to lure you into error — to make you my mistress. Why did you shake your head? Jane, you must be reasonable, or in truth I shall again become frantic." His voice and hand quivered: his large nostrils dilated; his eye blazed: still I dared to speak. "Sir, your wife is living: that is a fact acknowledged this morning by yourself. If I lived with you as you desire, I should then be your mistress: to say otherwise is sophistical — is false." "Jane, I am not a gentle-tempered man — you forget that: I am not long-enduring; I am not cool and dispassionate. Out of pity to me and yourself, put your finger on my pulse, feel how it throbs, and — beware!" He bared his wrist, and offered it to me: the blood was forsaking his cheek and lips, they were growing livid; I was distressed on all hands. To agitate him thus deeply, by a resistance he so abhorred, was cruel: to yield was out of the question. I did what human beings do instinctively when they are driven to utter extremity — looked for aid to one higher than man: the words "God help me!" burst involuntarily from my lips. "I am a fool!" cried Mr. Rochester suddenly. "I keep telling her I am not married, and do not explain to her why. I forget she knows nothing of the character of that woman, or of the circumstances attending my infernal union with her. Oh, I am certain Jane will agree with me in opinion, when she knows all that I know! Just put your hand in mine, Janet — that I may have the evidence of touch as well as sight, to prove you are near me — and I will in a few words show you the real state of the case. Can you listen to me?" "Yes, sir; for hours if you will.
Charlotte Brontë (Jane Eyre)