Hot Rod Car Quotes

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Street rods have a Chevy in front and a can of wax in the back; Hot Rods have a flathead in front and a box of tools in the back.
Fred Offenhauser
At work she became instant best friends with the Clinique girl, Susan, a Waynesboro muscle-car aficionado. She was fond of dispensinf wisdom along the lines or: "The bullshit stops when the green light pops!" I'd go to the mall to pick up Renee. take them both a couple of coffees, and hang out while they chattered in their hot white coats. Susan would take Renee to hot-rod shows and run-what-ya-brung drag races. She brought out sides of Renee I'd never gotten to see before, and it was a sight to behold. After a night out with Susan, Renee would always come back saying things like, "If it's got tits or tires, it's going to cost you money.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
718 A vivid memory of mine is a 1979 viewing of a late night rerun of the ABC TV movie Hot Rod (a.k.a. Rebel of the Road). It’s the story of an outcast rodder, his struggles with a corrupt small-town police force, and an eventual drag strip showdown with an Olds 4-4-2 sponsored by the Munn’s Root Beer company. At the beginning of the flick, the hero drives a 1965 Coronet sedan, presumably an A990. After the cops force him off the road, totaling the Dodge, he swaps the Hemi into a 1941 Willys. You probably remember the movie now. But has anyone noticed that he steals a replacement Hemi out of an AMC Matador cop car? I sure did! It stands as yet another tribute to the mythical legacy of Hemi-powered cop cars on TV and in the movies.
Steve Magnante (Steve Magnante's 1001 Muscle Car Facts)
Jack and Caleb stood in the driveway, the cars’ engines revving, and talked about their new toys. The lights from the porch spilled down to them. Jenna stood, leaning against the post, watching, enjoying seeing their bond and appreciation of the cars. “Boys with toys.” She smiled from the top step. “You guys look happy.” “What’s not to be happy about? These are the coolest cars ever,” Caleb said with the exuberance of a teen with his very own custom hot rod. “You owe me a ride, Jack.” “Honey, I aim to give you the ride of your life as soon as this one goes home to his wife.” Jack gave her a wicked grin and closed the hood of his car. Jenna laughed and smiled. “You have a one-track mind.” When was the last time she felt this light? “Honey, my mind hasn’t been off you since I saw you in the diner.” “I got the hint. I’m going.” Caleb closed the hood of his car, still purring like a really big kitten. He walked over to Jenna as she came down the porch steps to the gravel drive. He wrapped his arms around her, careful of her healing back, and she wrapped hers around him. So easy to do now that she’d opened herself to him, the whole family. He bent and whispered into her ear, “Thank you. Thank you for what you gave to my wife, my children, and me. I’ll never be able to repay you. If you ever need me, I’ll be there for you, no matter what. You can count on me. You’re an angel, an absolute angel.” “Get your hands off my woman. You have one of your own at home.” Jack watched his brother-in-law with Jenna. They’d created a close bond, the same as with his sister. She didn’t shy away from him when he embraced her; instead she held him and drew on his strength. Caleb would be like a big brother to her. He would protect her. Caleb drew Jenna away just enough to look into her eyes. He put his hand to her cheek, his other arm still wrapped around her. “Thank you.” “You’re welcome, Caleb. You’re a good man.” “You make me want to be a better one.” “I just want you and your family to have a happy life.” “We will, thanks in part to you and Jack. You’re part of that family now, too. Don’t ever forget that.” “Thank you.” “Don’t thank me. You’re a wonderful person. The best I’ve ever met.” He kissed her cheek and released her, turning back toward Jack. “I already punched you for kissing my sister. I guess I have to punch you for kissing her now, too,” Jack teased. Caleb didn’t rise to the bait. “You hurt her, and I’ll be the one throwing the punches.” He smiled back at Jack, then walked over and gave him a big bear hug. “Thanks for what you did for me, Summer, and the kids. It means everything to us. I’ll see you tomorrow.” He smacked Jack on the back before getting into his car. Caleb revved the engine, beamed them an excited smile, and took off like a rocket toward home. “You going to hurt me, Jack?” “Not if I can help it. I’ll spend the rest of my life and yours trying to make you happy. How’s that sound?” “Like heaven. Take me for a ride.” -Jenna, Caleb, & Jack
Jennifer Ryan (Saved by the Rancher (The Hunted, #1))
takes a moment to change everything. Savannah glanced at Jane, then smiled at Hunter. “I see you found my car.” “It’s just the hot rod
Janette Rallison (My Fair Godmother (My Fair Godmother, #1))
That's what I want to be when I grow up--caring and gentle,' I said, because that's what all good men should be like. Even if you don't have money to buy swanky dinners in flashy restaurants like Applebee's or T.G.I. Friday's or wear trendy clothes or have a shit-hot hot-rod car, you can still be gentle and caring.
Brian Conaghan (When Mr. Dog Bites)
Imagine trying to jerry-rig a Volkswagen Beetle to travel at speeds of 150 miles per hour. In 1933, Adolf Hitler commissioned Dr. Ferdinand Porsche to develop a cheap car that could get 40 miles per gallon of gas and provide a reliable form of transportation for the average German family. The result was the VW Beetle. This history, Hitler’s plan, places constraints on the ways we can modify the Beetle today; the engineering can be tweaked only so far before major problems arise and the car reaches its limit. In many ways, we humans are the fish equivalent of a hot-rod Beetle. Take the body plan of a fish, dress it up to be a mammal, then tweak and twist that mammal until it walks on two legs, talks, thinks, and has superfine control of its fingers—and you have a recipe for problems. We can dress up a fish only so much without paying a price. In a perfectly designed world—one with no history—we would not have to suffer everything from hemorrhoids to cancer.
Neil Shubin (Your Inner Fish: A Journey into the 3.5-Billion-Year History of the Human Body)
the buzz is that the general shape of the car is dead-on.” So wrote Hot Rod editor (and my former boss) David Freiburger in the March 2003 issue. His words supported a “sneak peek” cover story on the 2005 Mustang. Looking back, we now know the prototypes shown
Steve Magnante (Steve Magnante's 1001 Mustang Facts: Covers All Mustangs 1964-1/2 to Present)
There are halibut as big as doors in the ocean down below the town, flapskimming on the murky ocean floor with vast skates and rays and purple crabs and black cod large as logs, and sea lions slashing through the whip-forests of bull kelp and eelgrass and sugar wrack, and seals in the rockweed and giant perennial kelp and iridescent kelp and iridescent fish and luminous shrimp too small to see with the naked eye but billions of which feed the gray whales which slide hugely slowly by like rubbery zeppelins twice a year, north in spring and south in fall. Salmonberries, thimbleberries, black raspberries, gooseberries, bearberries, snowberries, salal berries, elderberries, blackberries along the road and by the seasonal salt marshes north and south. The ground squirrels burrow along the dirt banks of the back roads, their warren of mysterious holes, the thick scatter of fine brown soil before their doorsteps, the flash of silver-gray on their back fur as they rocket into the bushes; the bucks and does and fawns in the road in the morning, their springy step as they slip away from the gardens they have been eating; the bobcat seen once, at dusk, its haunches jacked up like a teenager's hot-rodding car; the rumor of cougar in the hills; the coyotes who use the old fire road in the hills; the tiny mice and bats one sometimes finds long dead and leathery like ancient brown paper; the little frenetic testy chittering skittering cheeky testy chickaree squirrels in the spruces and pines - Douglas squirrels, they are, their very name remembering that young gentleman botanist who wandered near these hills centuries ago. The herons in marshes and sinks and creeks and streams and on the beach sometimes at dusk; and the cormorants and pelicans and sea scoters and murres (poor things so often dead young on the beach after the late-spring fledging) and jays and crows and quorking haunted ravens (moaning Poe! Poe! at dusk) especially over the wooded hills, and the goldfinches mobbing thistles in the meadowed hills, and sometimes a falcon rocketing by like a gleeful murderous dream, and osprey of all sizes all along the Mink like an osprey police lineup, and the herring gulls and Caspian terns and arctic terns, and the varied thrushes in wet corners of thickets, and the ruffed grouse in the spruce by the road, and the quail sometimes, and red-tailed hawks floating floating floating; from below they look like kites soaring brownly against the piercing blue sky, which itself is a vast creature bluer by the month as summer deepens into crispy cold fall.
Brian Doyle (Mink River: A Novel)
When Mom says “bong,” she means her nebulizer. It turns water into vapor, and she huffs it all day like a singer breathing hot mist before a performance. Except Mom’s machine is handheld. I’m surprised she doesn’t carry it in a gun sling. But my mom is not just inhaling water. “Let’s get some colloidal silver in those lungs,” she says. Second to prayer, colloidal silver is Mom’s insurance policy on life. She makes her own, soaking two silver rods in a glass vat of water that sits next to her kitchen sink. I’ll let her explain it. This is from one of her emails telling me how to live forever: “I use distilled water and 99% pure silver rods. The rods are connected to a positive and negative charge (think of a jumper cable for your car) and they are immersed in the distilled water. Some people leave the rods in the water 2–4 hours. I leave mine in for 8–12 hours so my silver water is extra strength and powerful…I drink ¼ cup colloidal silver in a glass of water before bed, and have for years and years. RARELY am I ever sick. I take a bottle of colloidal silver on every trip (especially overseas) in case I pick up a stomach bug or am around anyone who is sick. I use it on wounds, use it for pink eye, ear infections, the flu, and more because it kills over 600 viruses and most bacteria, including MRSA. There are also studies that show the benefits of colloidal silver against cancer.” Every time I’m home, she gives me a bottle of the stuff to take back to Los Angeles. I, like a good millennial, googled its effectiveness. The scientific establishment seems to believe that colloidal silver does approximately nothing good, and in large quantities, some bad. Perhaps you’ve seen the viral meme of the old blue man? He consumed so much colloidal silver that his skin dyed blue from the inside. He looks like a Smurf with a white beard. Well, he looked like a Smurf. He’s dead. Maybe from something common like heart failure, but… When I told my mother this, she wouldn’t hear it. “I know it works. I’ve been using it for years. I don’t care what those articles say. I’ve read hundreds of articles about it.
Jedidiah Jenkins (Mother, Nature: A 5,000-Mile Journey to Discover if a Mother and Son Can Survive Their Differences)
French fries are America’s vegetable of choice, and the average American eats the fat equivalent of one whole stick of butter each day. This has forced airlines to add more fuel to planes to compensate for heavier passengers, manufacturers increase the size of car seats for children while selling seat belt extenders for adults, and curved shower curtain rods are creating space for those needing extra room while bathing. There is no way one size can possibly fit all. Time reports, “As Americans have grown physically larger, brands have shifted their metrics to make shoppers feel skinnier—so much so that a women’s size 12 in 1958 is now a size 6.” Disguising this doubling in size is called vanity sizing but has been derided as “insanity sizing”.
Jeff Swystun (TV DINNERS UNBOXED: The Hot History of Frozen Meals)
hot-rodding lasted until the 1980s when, as Matthew Crawford observes, electronic engine management made everything under the bonnet ‘a little opaque’. It is hard to rod a computer.
Bryan Appleyard (The Car: The Rise and Fall of the Machine that Made the Modern World)
I always preferred the part of him that was into hot-rod cars and playing heavy metal and rocking out as opposed to the fascist stuff. Then there’s a part of him that’s this weird quasi-Amish beet farmer. Again, they don’t make sense together but sometimes that’s what gives people dimension, these contrasting characteristics.
Andy Greene (The Office: The Untold Story of the Greatest Sitcom of the 2000s)
The setting of our urgent lives is an intricate maze whose blind corridors we learn one by one—village street, ocean vessel, forested slope—without remembering how or where they connect in space. You travel, settle, move on, stay put, go. You point your car down the riverside road to the blurred foot of the mountain. The mountain rolls back from the floodplain and hides its own height in its trees. You get out, stand on gravel, and cool your eyes watching the river move south. You lean on the car’s hot hood and look up at the old mountain, up the slope of its green western flank. It is September; the golden-rod is out, and the asters. The tattered hardwood leaves darken before they die. The mountain occupies most of the sky. You can see where the route ahead through the woods will cross a fire scar, will vanish behind a slide of shale, and perhaps reemerge there on that piny ridge now visible across the hanging valley—that ridge apparently inaccessible, but with a faint track that fingers its greenish spine. You don’t notice starting to walk; the sight of the trail has impelled you along it, as the sight of the earth moves the sun.
Annie Dillard (An American Childhood)
I think there's characters like Knock-Out where, at the beginning, when we were first designing him, that they said let's make him this hot rod, all into his paint and how it looks but I think eventually he became a lot more comedic than when we designed him but the idea was always he's like this hot car, he's in love with himself. He just thinks he looks good and wants to keep his body in shape. -Jose Lopez
Jim Sorenson (Transformers: Art of Prime)