Indigo Park Quotes

The best fantasy is written in the language of dreams. It is alive as dreams are alive, more real than real ... for a moment at least ... that long magic moment before we wake. Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end. Reality is the strip malls of Burbank, the smokestacks of Cleveland, a parking garage in Newark. Fantasy is the towers of Minas Tirith, the ancient stones of Gormenghast, the halls of Camelot. Fantasy flies on the wings of Icarus, reality on Southwest Airlines. Why do our dreams become so much smaller when they finally come true? We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang. There is something old and true in fantasy that speaks to something deep within us, to the child who dreamt that one day he would hunt the forests of the night, and feast beneath the hollow hills, and find a love to last forever somewhere south of Oz and north of Shangri-La. They can keep their heaven. When I die, I'd sooner go to middle Earth.

Title: Blue Light Lounge Sutra For The Performance Poets At Harold Park Hotel the need gotta be so deep words can't answer simple questions all night long notes stumble off the tongue & color the air indigo so deep fragments of gut & flesh cling to the song you gotta get into it so deep salt crystalizes on eyelashes the need gotta be so deep you can vomit up ghosts & not feel broken till you are no more than a half ounce of gold in painful brightness you gotta get into it blow that saxophone so deep all the sex & dope in this world can't erase your need to howl against the sky the need gotta be so deep you can't just wiggle your hips & rise up out of it chaos in the cosmos modern man in the pepperpot you gotta get hooked into every hungry groove so deep the bomb locked in rust opens like a fist into it into it so deep rhythm is pre-memory the need gotta be basic animal need to see & know the terror we are made of honey cause if you wanna dance this boogie be ready to let the devil use your head for a drum

The best fantasy is written in the language of dreams. It is alive as dreams are alive, more real than real … for a moment at least … that long magic moment before we wake. Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end. Reality is the strip malls of Burbank, the smokestacks of Cleveland, a parking garage in Newark. Fantasy is the towers of Minas Tirith, the ancient stones of Gormenghast, the halls of Camelot. Fantasy flies on the wings of Icarus, reality on Southwest Airlines. Why do our dreams become so much smaller when they finally come true? We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang. There is something old and true in fantasy that speaks to something deep within us, to the child who dreamt that one day he would hunt the forests of the night, and feast beneath the hollow hills, and find a love to last forever somewhere south of Oz and north of Shangri-La. They can keep their heaven. When I die, I’d sooner go to middle Earth.

Moths swarmed around the parking lot lamps, banging into the glass with a steady tap-tap-tap, and I wondered if they welcomed the dawn. At dawn, they could stop slamming their heads into the thing that forever kept them from the light. People don’t have a dawn. We just keep slamming away until it kills us.

Fifteen minutes later I parked behind Teri Haines’s Saturn and went to the door. I kind of expected to find the house in smoking ruins, but I guess Charles had passed out from overeating. Lighten up, Cole. He’s only a kid. Sure. They probably said that when Attila was a kid, too.

A light patter of rain began to fall, and Alexei put on the windshield wipers. We took the Alaskan Way Viaduct up past Elliot Bay into Ballard, then turned toward the water and bumped along an older part of the wharf to a warehouse at the edge of a pier. The warehouse, like the pier, was old and unkempt, with great rusted doors that slid along tracks and peeling paint and an air of poverty. Dmitri climbed out, pushed open the door, and we drove inside to park between a brand-new $100,000 Porsche Carrera and an $80,000 Mercedes SL convertible. Guess the air of poverty only went so far.

I drove back to Belmont Pier, parked in front of a shop that sold whale-watching tickets, and used a pay phone there to call Lou Poitras. He said, “Bubba, you really take advantage.” “Funny. Your wife said the same thing.” Poitras sighed. “Just tell me what you want.” Humor. You break them down with humor, and victory is yours.

Chavez Ravine is a broad flat bowl surrounded by low mountains that wall the stadium from the city. Dodger Stadium sits in the center of the bowl, surrounded by black tarmac parking lots like some kind of alien spacecraft resting alone on its launching pad. All you’d need was a big shiny robot, and you’d think Michael Rennie had come back to Earth.

I parked in the basement, then took an elevator to the lobby where I went through a metal detector and gave my name to a guy who looked like he ate a Pontiac for breakfast. Then I took another elevator up to seventeen.

be inside this house right after I kissed Indigo in the park. Which raises a fuck load of questions I am too drunk to answer. A stair creaks loudly under my foot. I pause, my heart jumping into my fucking throat. But there’s no ‘aha!’ No one demanding that I leave. And when nothing happens, I push on. Light shines under a closed door midway down the hall. The air here is scented with something girly — flowers, or candy, or something.