Indent Paragraphs Quotes

First-line indents and space between paragraphs have the same relationship as belts and suspenders. You only need one to get the job done. Using both is a mistake.

In school you learned to write as if the reader Were in constant danger of getting lost, A problem you were taught to solve not by writing clearly But by shackling your sentences and paragraphs together. Think about transitions. Remember how it goes? Late in the paragraph you prepare for the transition to the next paragraph— The great leap over the void, across that yawning indentation. You were taught the art of the flying trapeze, But not how to write.

By the time we were knit in our mothers' wombs, our lives were like open books before Him--every sentence read, every paragraph indented, every chapter titled, every page numbered. He knew it all in advance--all the sin, all the selfishness, every weakness. Yet He chose to love us--lavishly.

bond paper. Margins are usually set for a minimum of 1¼ inches at the top and at least one inch on the left and right sides and at the bottom. Almost all professional letters now use the “block form”—that is, lines of type are flush with the left margin and paragraphs are not indented. Envelopes should match the letter paper. Business letters typically

A lonely time ago, a space was hovering in the mist formed by the winds of thought. The space had no other purpose. One day, it realized it could do more than only hover, so decided to fly swiftly through the mist to find a purpose. After an immeasurable amount of time, the space landed between some vowels. Although they didn’t mind associating with the space, the new partners remained lost in a misty void and felt incoherent and incomplete. For many years they aimlessly floated through the darkness. Then one day, they lightly touched several confused consonants that were hovering upon a lazy breeze passing nearby. Without warning, commas and periods began dripping from the sky. The space, the vowels, the consonants, the commas, and the periods delightfully joined together and soon gave birth to a healthy, well-formed sentence. It grew up to became a handsome, properly indented paragraph. Then the mist evaporated and gracefully waved goodbye to its former guests. Fully developed chapters eagerly sprouted from the sentences and gently caressed all the characters that had joined together. As the chapters aged, a book lovingly wrapped around them, providing shelter from dangerous erasers, wet and fiery storms, and anything else that might disrupt their cohesion. A quickly-passing thought transformed into a title and rested upon the face of the book. The title found comfort upon its new bed and happily decided to remain. Suddenly a strong wind grabbed the book and carried it from the void and into the hands of a smiling child. There was much time spent within the book, and the book was spent within time. It endured many storms and many thoughts. Sadly, after hundreds of years, the book dissolved into a mist. Its characters were thoughtlessly scattered into a void. In the void, a lonely time later, there was a space. The Beginning

Typography like other arts, from cooking to choreography, involves a balance between the familiar and the unfamiliar, the dependably consistent and the unforeseen. Typographers generally take pleasure in the unpredictable length of the paragraph while accepting the simple and reassuring consistency of the paragraph indent. The prose paragraph and its verse counterpart, the stanza, are basic units of linguistic thought and literary style. The typographer must articulate them enough to make them clear, yet not so strongly that the form instead of the content steals the show. If the units of thought, or the boundaries between thoughts, look more important than the thoughts themselves, the typographer has failed.