β
Sometimes I can hear my bones straining under the weight of all the lives I'm not living.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Why didn't I learn to treat everything like it was the last time. My greatest regret was how much I believed in the future.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I regret that it takes a life to learn how to live.
β
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I hope that one day you will have the experience of doing something you do not understand for someone you love.
β
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Why do beautiful songs make you sad?' 'Because they aren't true.' 'Never?' 'Nothing is beautiful and true.
β
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
There were things I wanted to tell him. But I knew they would hurt him. So I buried them, and let them hurt me.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I like to see people reunited, I like to see people run to each other, I like the kissing and the crying, I like the impatience, the stories that the mouth can't tell fast enough, the ears that aren't big enough, the eyes that can't take in all of the change, I like the hugging, the bringing together, the end of missing someone.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Songs are as sad as the listener.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
She wants to know if I love her, that's all anyone wants from anyone else, not love itself but the knowledge that love is there, like new batteries in the flashlight in the emergency kit in the hall closet.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
So many people enter and leave your life! Hundreds of thousands of people! You have to keep the door open so they can come in! But it also means you have to let them go!
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
My life story is the story of everyone I've ever met.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Humans are the only animal that blushes, laughs, has religion, wages war, and kisses with lips. So in a way, the more you kiss with lips, the more human you are. And the more you wage war.
β
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I missed you even when I was with you. Thatβs been my problem. I miss what I already have, and I surround myself with things that are missing.
β
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I feel too much. That's what's going on.' 'Do you think one can feel too much? Or just feel in the wrong ways?' 'My insides don't match up with my outsides.' 'Do anyone's insides and outsides match up?' 'I don't know. I'm only me.' 'Maybe that's what a person's personality is: the difference between the inside and outside.' 'But it's worse for me.' 'I wonder if everyone thinks it's worse for him.' 'Probably. But it really is worse for me.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
We had everything to say to each other, but no ways to say it
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I hated myself for going, why couldn't I be the kind of person who stays?
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
What did thinking ever do for me, to what great place did thinking ever bring me? I think and think and think. I've thought myself out of happiness one million times, but never once into it.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Just because you're an atheist, that doesn't mean you wouldn't love for things to have reasons for why they are.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I felt suddenly shy. I was not used to shy. I was used to shame. Shyness is when you turn your head away from something you want. Shame is when you turn your head away from something you do not want.
β
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
The mistakes I've made are dead to me. But I can't take back the things I never did.
β
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I took the world into me, rearranged it, and sent it back out as a question: "Do you like me?
β
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
We need enormous pockets, pockets big enough for our families and our friends, and even the people who aren't on our lists, people we've never met but still want to protect. We need pockets for boroughs and for cities, a pocket that could hold the universe.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I never confused what I had with what I was.
β
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
The secret was a hole in the middle of me that every happy thing fell into.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Feathers filled the small room. Our laughter kept the feathers in the air. I thought about birds. Could they fly if there wasn't someone, somewhere, laughing?
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
You can't love anything more than something you miss.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I wanted to touch him, to tell him that even if everyone left everyone, I would never leave him, he talked and talked, his words fell through him, trying to find the floor to his sadness.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I did not need to know if he could love me.
I needed to know if he could need me.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
He promised us that everything would be okay. I was a child, but I knew that everything would not be okay. That did not make my father a liar. It made him my father.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
In bed that night I invented a special drain that would be underneath every pillow in New York, and would connect to the reservoir. Whenever people cried themselves to sleep, the tears would all go to the same place, and in the morning the weatherman could report if the water level of the Reservoir of Tears had gone up or down, and you could know if New York is in heavy boots.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
In the end, everyone loses everyone. There was no invention to get around that, and so I felt, that night, like the turtle that everything else in the universe was on top of.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
The end of suffering does not justify the suffering, and so there is no end to suffering.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Mom told me, βIt probably gets pretty lonely to be Grandma, donβt you think?β I told her, βIt probably gets pretty lonely to be anyone.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I thought, it's a shame that we have to live, but it's a tragedy that we get to live only one life, because if I'd had two lives, I would have spent one of them with her.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I wanted to tell her everything, maybe if I'd been able to, we could have lived differently, maybe I'd be there with you now instead of here. Maybe... if I'd said, 'I'm so afraid of losing something I love that I refuse to love anything,' maybe that would have made the impossible possible. Maybe, but I couldn't do it, I had buried too much too deeply inside me. And here I am, instead of there.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I wanted to cry but I didn't, I probably should have cried, I should have drowned us there in the room ending our suffering.
β
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I hope you never think about anything as much as I think about you.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
But I still couldn't figure out what it all meant. The more I found out, the less I understood.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
It broke my heart into more pieces than my heart was made of, why can't people say what they mean at the time?
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
There's nothing wrong with not understanding yourself.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I felt, that night, on that stage, under that skull, incredibly close to everything in the universe, but also extremely alone. I wondered, for the first time in my life, if life was worth all the work it took to live. What exactly made it worth it? What's so horrible about being dead forever, and not feeling anything, and not even dreaming? What's so great about feeling and dreaming?
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
It was one of the best days of my life, a day during which I lived my life and didn't think about my life at all.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
There were things I wanted to tell him. But I knew they would hurt him. So I buried them, and let them hurt me.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Succotash my cocker spaniel, you fudging crevasse-hole dipshiitake!
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Every moment before this one depends on this one.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
We talked about nothing in particular, but it felt like we were talking about the most important things...
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Instead of singing in the shower, I would write out the lyrics of my favourite songs, the ink would turn the water blue or red or green, and the music would run down my legs.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Why didn't he say goodbye?
I gave myself a bruise.
Why didn't he say 'I love you'?
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
She let out a laugh, and then she put her hand over her mouth, like she was angry at herself for forgetting her sadness.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Sometimes people who seem good end up being not as good as you might have hoped, you know?
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I thought about all of the things that everyone ever says to each other, and how everyone is going to die, whether it's in a millisecond, or days, or months, or 76.5 years, if you were just born. Everything that's born has to die, which means our lives are like skyscrapers. The smoke rises at different speeds, but they're all on fire, and we're all trapped.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboarded down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
She laughed enough to migrate an entire flock of birds. That was how she said yes
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I tried the key in all the doors, even though he said he didn't recognize it. It's not that I didn't trust him, becuase I did. It's that at the end of my search I wanted to be able to say: I don't know how I could have tried harder.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Even if I don't like what I am, I know what I am. My children like what they are, but they don't know what they are. So tell me which is worse.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Why I'm Not Where You Are
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
...because he had been waiting for someone to come back to him, so every time someone knocked on the door, he couldn't stop himself from hoping it might be that person, even though he knew he shouldn't hope.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Itβs hard to say goodbye to the place youβve lived. It can be as hard as saying goodbye to a person.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
It's a shame that we have to live, but it's a tragedy that we get to live only one life.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
We were quiet on the car ride home. I turned on the radio and found a station playing "Hey Jude." It was true, I didn't want to make it bad. I wanted to take the sad song and make it better. It's just that I didn't know how.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Do you have any coffee?'...'It stunts my growth, and I'm afraid of death.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
It was terrible. All of the things we couldn't share. The room was filled with conversations we weren't having.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I have so much to say to you. I want to begin at the beginning, because that is what you deserve. I want to tell you everything, without leaving out a single detail. But where is the beginning? And what is everything?
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I shook my tambourine the whole time, because it helped me remember that even though I was going through different neighborhoods, I was still me.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I was more alone than if I had been alone.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Each day has been chained to the previous one. But the weeks have wings. Anyone who believes that a second is faster than a decade did not live my life.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
...is ignorance bliss, I don't know, but it's so painful to think, and tell me, what did thinking ever do for me, to what great place did thinking ever bring me? I think and think and think, I've thought myself out of happiness one million times, but never once into it.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Parents are always more knowledgeable than their children, and children are always smarter than their parents.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
...people with nothing to declare carry the most.
β
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I looked at everyone and wondered where they came from, and who they missed, and what they were sorry for.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
...only someone who'd never been an animal would put up a sign saying not to feed them....
β
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Literature was the only religion her father practiced, when a book fell on the floor he kissed it, when he was done with a book he tried to give it away to someone who would love it.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I didn't understand why I needed help, because it seemed to me that you should wear heavy boots when your dad dies, and if you aren't wearing heavy boots, then you need help.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Well, what I don't get is why do we exist? I don't mean how, but why.' I watched the fireflies of his thoughts orbit his head. He said, 'we exist because we exist. . .we could imagine all sorts of universes like this one, but this is the one that happened.
β
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Because sometimes people who seem good
end up being not as good as you might have hoped.
β
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I knew that our time together was almost over, I asked her if she liked sports, she asked me if I liked chess, I asked her if she liked fallen trees, she went home with her father, the center of me followed her, but I was left with the shell of me, I needed to see her again, I couldn't explain my need to myself, and that's why it was such a beautiful need, there's nothing wrong with not understanding yourself.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
She had been in love so many times that she began to suspect she was not falling in love, but rather doing something much more ordinary
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I want an infinitely blank book and the rest of time.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
There is nothing wrong with compromising. Even if you compromise almost everything.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
A few weeks after the worst day, I started writing lots of letters. I don't know why, but it was one of the only things that made my boots lighter.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I try not to remember the life that I didnβt want to lose but lost and have to remember
β
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
It was the first time I had ever made love. I wondered if he knew that. It felt like crying. I wondered, Why does anyone ever make love?
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I started inventing things, and then I couldn't stop, like beavers, which I know about. People think they cut down trees so they can build dams, but in reality it's because their teeth never stop growing, and if they didn't constantly file them down by cutting through all of those trees, their teeth would start to grow into their own faces, which would kill them. That's how my brain was.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I wasnβt having second thoughts, but I was having thoughts.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
It was getting hard to keep all the things I didn't know inside me.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
...sometimes you have to put your fears in order...
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
If Iβd been someone else in a different world Iβd've done something different, but I was myself and the world was the world, so I was silent.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
She said, "Do you have more things that you need, or more that you don't need?" I said, "It depends on what it means to need.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I wondered, for the first time in my life, if life was worth all the work it took to live. What exactly made it worth it?
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
She extended a hand that I didn't know how to take, so I broke its fingers with my silence.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Darling,
You asked me to write you a letter, so I am writing you a letter. I do not know why I am writing you this letter, or what this letter is supposed to be about, but I am writing it nonetheless, because I love you very much and trust that you have some good purpose for having me write this letter. I hope that one day you will have the experience of doing something you do not understand for someone you love.
Your father
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
If it weren't my life, I wouldn't have believed it.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
No matter how much I feel, Iβm not going to let it out. If I have to cry, Iβm gonna cry on the inside. If I have to bleed, Iβll bruise. If my heart starts going crazy, Iβm not gonna tell everyone in the world about it. It doesnβt help anything. It just makes everyoneβs life worse.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
We stopped laughing, I took the world into me, rearranged it, and sent it back out as a question: "Do you like me?
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I said, I want to tell you something.
She said, you can tell me tomorrow.
I had never told her how much I loved her.
She was my sister.
We slept in the same bed.
There was never a right time to say it.
It was always unnecessary.
The books in my father's shed were sighing.
The sheets were rising and falling around me with Anna's breathing.
I thought about waking her.
But it was unnecessary.
There would be other nights.
And how can you say I love you to someone you love?
I rolled onto my side and fell asleep next to her.
Here is the point of everything I have been trying to tell you ... It's always necessary.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
It made me start to wonder if there were other people so lonely so close. I thought about βEleanor Rigby.β Itβs true, where do they all come from? And where do they all belong?
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I'd lost count of the disappointments.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Everything that's born has to die, which means our lives are like skyscrapers. The smoke rises at different speeds, but they're all on fire, and we're all trapped.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I said, 'I need to know how he died.'
He flipped back and pointed at, 'Why?'
So I can stop inventing how he died. I'm always inventing.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Anyone who believes that a second is faster than a decade did not live life.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I put my hand on the doorknob because I thought maybe her hand was on the doorknob on the other side.
β
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
The paper, the stapler, the staples, the tape. It makes me sick. Physical things. Forty years of loving someone becomes staples and tape.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I went to the guest room and pretended to write. I hit the space bar again and again and again. My life story was spaces.
β
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
She wrote, I wish I could be a girl again, with a chance to live my life again. I have suffered so much more than I needed to. And the joys I have felt have not always been joyous. I could have lived differently.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Also, I designed a pretty fascinating bracelet, where you put a rubber band around your favorite book of poems for a year, and then you take it off and wear it.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I would have done anything for him. Maybe that was my sickness.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
...the meaning of my thoughts started to float away from me, like leaves that fall from a tree into a river, I was the tree, the world was the river.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
There were things I wanted to tell him. But I knew they would hurt him. So I buried them, and let them hurt me.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
When I heard your organization was recording testimonies, I knew I had to come. She died in my arms, saying 'I don't want to die.' That is what death is like. It doesn't matter what uniforms the soldiers are wearing. It doesn't matter how good the weapons are. I thought if everyone could see what I saw, we would never have war anymore.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I loved having a dad who was smarter than the New York Times, and I loved how my cheek could feel the hairs on his chest through his T-shirt, and how he always smelled like shaving, even at the end of the day. Being with him made my brain quiet. I didn't have to invent a thing.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Highs and lows make you feel that things matter, but they're nothing." "So what's something?" "Being reliable is something. Being good.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
But I knew the truth and that's why I was so sad. Every moment before this one depends on this one. Everything in the history of the world can be proven wrong in one moment.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
We spent our lives making livings.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I am sure people tell you this constantly but if you looked up 'incredibly beautiful' in the dictionary there would be a picture of you.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
People around the world were moving from one place to another. No one was staying.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
But it was unnecessary.
There would be other nights.
And how can you say I love you to someone you love?
I rolled on my side and fell asleep next to her.
Here is the point of everything I've been trying to tell you, Oskar.
It's always necessary.
I love you,
Grandma
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
My insides don't match up with my outsides. -Do anyone's inside and outsides match up? -I don't know. I'm only me. -Maybe that's what a person's personality is: the difference between the inside and the outside.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
We could imagine all sorts of universes unlike this one, but this is the one that happened.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Sometimes one simply wants to disappear.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
She died in my arms, saying, "I don't want to die." That is what death is like. It doesn't matter what uniforms the soldiers are wearing. It doesn't matter how good the weapons are. I thought if everyone could see what I saw, we would never have war anymore.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Thatβs all anyone wants from anyone else, not love itself but the knowledge that love is there.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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We were trying to make our lives easier, trying, with all our rules, to make life effortless. But a friction began to arise between Nothing and Something, in the morning the Nothing vase cast a Something shadow, like the memory of someone you've lost, what can you say about that, at night the Nothing light spilled from the guest room spilled under the Nothing door and stained the Something hallway, there's nothing to say.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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I read the first chapter of A Brief History of Time when Dad was still alive, and I got incredibly heavy boots about how relatively insignificant life is, and how, compared to the universe and compared to time, it didn't even matter if I existed at all.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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I didn't feel empty. I wished I'd felt empty. ... I wanted to be empty like an overturned pitcher. But I was full like a stone.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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And the joys I've felt have not always been joyous. I could have lived differently. When I was your age, my grandfather bought me a ruby bracelet. It as too big for me an would slide up and down my arm. It was almost a necklace. He later told me that he had asked the jeweler make that way. Its size was supposed to be a symbol of his love. More rubies, more love. But I could not wear it comfortably. I could not wear it at all. So here is the point of everything I have been trying to say. IF I were to give a bracelet to you, now, I would measure your wrist twice
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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I thought for a minute, and then I got heavy, heavy boots.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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I wanted so much to have a life. Even just once, even for a second.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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Things were happening around us, but nothing was happening between us.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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We shared the smile of recognizing ourselves in each other, how many imposters do I have? Do we all make the same mistakes, or has one of us gotten it right, or even just a bit less wrong, am I the imposter?
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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Anyway, the fascinating thing was that I read in National Geographic that there are more people alive now than have died in all of human history. In other words, if everyone wanted to play Hamlet at once, they couldnβt, because there arenβt enough skulls!
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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We had everything to say to each other, but no ways to say it.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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We looked at each other until it felt like everything would burst into flames
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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I'm so afraid of losing something I love that I refuse to love anything,' maybe that would have made the impossible possible. Maybe, but I couldn't do it, I had buried too much too deeply inside me. And here I am, instead of there.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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And how can you say I love you to someone you love? I rolled onto my side and fell asleep next to her. Here is the point of everything I have been trying to tell you, Oskar. It's always necessary.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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Itβs the tragedy of loving, you canβt love anything more than something you miss.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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What if I never stop inventing?
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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She wanted more, more slang, more figures of speech, the bee's knees, the cats pajamas, horse of a different color, dog-tired, she wanted to talk like she was born here, like she never came from anywhere else
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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Isn't it so weird how the number of dead people is increasing even though the Earth stays the same size, so that one day there isn't going to be room to bury anyone anymore?
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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I regret how much I believed in the future.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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Anyway.
Iβm not allowed to watch TV, although I am allowed to rent documentaries that are approved for me, and I can read anything I want. My favorite book is A Brief History of Time, even though I havenβt actually finished it, because the math is incredibly hard and Mom isnβt good at helping me. One of my favorite parts is the beginning of the first chapter, where Stephen Hawking tells about a famous scientist who was giving a lecture about how the earth orbits the sun, and the sun orbits the solar system, and whatever. Then a woman in the back of the room raised her hand and said, βWhat you
have told us is rubbish. The world is really a flat plate supported on the back
of a giant tortoise.β So the scientist asked her what the tortoise was standing
on. And she said, βBut itβs turtles all the way down!β
I love that story, because it shows how ignorant people can be. And also because I love tortoises.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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And also, there are so many times when you need to make a quick escape, but humans don't have their own wings, or not yet, anyway, so what about a birdseed shirt?
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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In the end, everyone loses everyone.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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Your dad didn't die, so I won't be able to explain it to you.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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That is what death is like. It doesn't matter what uniforms the soldiers are wearing. It doesn't matter how good the weapons are. I thought if everyone could see what I saw, we would never have war anymore.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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And here I am, instead of there. I'm sitting in this library, thousands of miles from my life, writing another letter I know I won't be able to send, no matter how hard I try and how much I want to. How did that boy making love behind that shed become this man writing this letter at this table?
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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I tried to think about other things. I tried to invent optimistic inventions. But the pessimistic ones were extremely loud.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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...an infinitely blank book and the rest of time.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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We shared the smile of recognizing ourselves in each other.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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Only humans can cry tears.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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I put my hand on him. Touching him has always been important to me, it was something I lived for. I never could explain why. Little, nothing touches, my fingers against his shoulder, the outsides of our thighs touching as we squeeled together on the bus. I couldnt explain it, but I needed it. Sometimes I imagined stiching all of our little touches together. How many hundreds of thousands of fingers brushing against each other does it take to make love?
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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In the morning, when the nothing vase casts a something shadow, like the memory of someone you've lost, what can you say about that?
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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Years were passing through the spaces between moments.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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I don't mind if smiles come at my expense, I'm a small price to pay.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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Then I have some bad news for you, because humans are going to destroy each other as soon as it becomes easy enough to, which will be very soon.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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Iβm not smarter than you, Iβm more knowledgeable than you, and thatβs only because Iβm older than you. Parents are always more knowledgeable than their children, and children are always smarter than their parents.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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Oskar Schell: If the sun were to explode, you wouldn't even know about it for 8 minutes because thats how long it takes for light to travel to us.
For eight minutes the world would still be bright and it would still feel warm.
It was a year since my dad died and I could feel my eight minutes with him... were running out.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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...he was leaving me. I wondered if I should stop him. If I should wrestle him to the ground and force him to love me. I wanted to hold his shoulders down and shout into his face.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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It was one of the best days of my life, a day during which I lived my life and didn't think about my life at all.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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I've thought myself out of happinessone one million times, but never once into it.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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Dear Anna, we will live in a home with no walls, so that everywhere we go will be our home.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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It is my great hope that our paths, however long and winding, will cross again.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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Maybe that's what a person's personality is: the difference between the inside and outside.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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i couldn't speak the language of his feelings
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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Only a few months into our marriage," writes the grandfather, "we started marking off areas in the apartment as 'Nothing Places,' in which one could be assured of complete privacy, we agreed that we never would look at the marked-off zones, that they would be nonexistent territories in the apartment in which one could temporarily cease to exist.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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Does it break my heart, of course, every moment of every day, into more pieces than my heart was made of...
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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I got tired, I told him. Not worn out, but worn through. Like one of those wives who wakes up one morning and says I can't bake any more bread.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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Succotash my Balzac, dipshiitake.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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I flipped back through the pad of paper while I thought about what Stephen Hawking would do next.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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Am I such a bad person for dreaming of a world that ends when I do? I don't mean the world ending with respect to me, but every set of eyes closing with mine.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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I felt, that night, on that stage, under that skull, incredibly close to everything in the universe, but also extremely alone.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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I made up my mind that nothing,, nothing was going to stop me
Not even me.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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I can only hold on to the things I want to lose.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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I wanted to protect him, which I was sure I could do, even if I could not protect myself.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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Highs and lows make you feel that things matter, but they're nothing.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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One hundred years of joy can be erased in one second
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Jonathan Safran Foer
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I have no need for the past, I thought, like a child. I did not consider that the past might have a need for me.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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I realized I was on a something island. 'How did I get here,' I wondered, surrounded by Nothing, "and how can I get back?
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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After a time, I had only a handful of words left... Does it break my heart, of course, every moment of every day, into more pieces than my heart was made of, I never thought of myself as quiet, much less silent, I never thought about things at all, everything changed, the distance that wedged itself between me and my happiness wasn't the world, it wasn't the bombs and burning buildings, it was me, my thinking, the cancer of never letting go, is ignorance bliss, I don't know, but it's so painful to think, and tell me, what did thinking ever do for me, to what great place did thinking ever bring me? I think and think and think, I've thought myself out of happiness one million times, but never once into it.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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What if the water that came out of the shower was treated with a chemical that responded to a combination of things, like your heartbeat and your body temperature and your brainwaves, so that your skin changed color according to mood? If you were extremely excited your skin would turn green, and if you we're angry you'd turn red, obviously, and if you felt like shiitake you'd turn brown and if you we're blue you'd turn blue.
Everyone could know what everyone else felt and we could be more careful with each other, because you'd never want to tell someone who skin was purple that you're angry at her for being late, just like you'd want to pat a pink person on the back and say, "Congratulations!
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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I like to see people reunited, maybe that's a silly thing, but what an I say, I like to see people run to each other, I like the kissing and they crying, I like the impatience, the stories that the mouth can't tell fast enough, the ears that aren't big enough, the eyes that can't take in all of the change, I like the hugging, the bringing together, the end of missing someone, I sit on the side with a coffee and write in my daybook, I examine the flight schedules that I've already memorized, I observe, I write, I try not to remember the life that I didn't want to lose but lost and have to remember
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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... His arm was so thick and strong. I was sure it would protect me for as long as I lived. And it did. Even after I lost him. The memory of his arm wraps around me as his arm used to. Each day has been chained to the previous one. But the weeks have had wings.
Why are you leaving me?
He wrote, I do not know how to live.
I do not know either, but I am trying.
I do not know how to try.
There were things I wanted to tell him. But I knew they would hurt him. So I buried them, and let them hurt me.
I put my hand on him. Touching him was always so important to me. It was something I lived for. My fingers against his shoulder. The outsides of our thighs touching as we squeezed together on the bus. I couldn't explain it, but I needed it. Sometimes I imagined stitching all of our little touches together. How many hundreds of thousands of fingers brushing against each other does it take to make love. Why does anyone ever make love? ...
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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When I was a girl, my life was music that was always getting louder. Everything moved me. A dog following a stranger. That made me feel so much. A calender that showed the wrong month. I could have cried over it. I did. Where the smoke from the chimney ended. How an overturned bottle rested at the edge of a table. I spent my life learning to feel less. Every day I felt less. Is that growing old? Or is it something worse? You cannot protect yourself from sadness without protecting yourself from happiness.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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I wasnβt trying to invent better and better homes, but to show her that homes didnβt matter, we could live in any home, in any city, in any country, in any century, and be happy, as if the world were just what we lived in.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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He Wrote, Are you OK?
I told him, My eyes are crummy.
He wrote, But are you OK?
I told him, That's a very complicated question.
He wrote, That's a very simple answer.
I asked, Are you OK?
He wrote, Some mornings I wake up feeling grateful.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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I know a lot about birds and bees, but I don't know very much about the birds and the bees. Everything I do know I had to teach myself on the Internet, because I don't have anyone to ask. For example, I know that you give someone a blowjob by putting your penis in their mouth.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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Grief and loss are probably the most fearful creatures that exist. But loss shouldn't be a fearful creature. It should be a creature of wisdom. It should teach us not to fear that tomorrow may never come, but live fully, as though the hours are melting away like seconds. Loss should teach us to cherish those we love, to never do anything that will result in regret, and to cheer on tomorrow with all of its promises of greatness. It's easy and un-extraordinary to be frightened of life. It's far more difficult to arm yourself with the good stuff despite all the bad and step foot into tomorrow as an everyday warrior.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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I asked him did he really love New York or was he just wearing the shirt. He smiled, like he was nervous. I could tell he didn't understand, which made me feel guilty for speaking English, for some reason. I pointed at his shirt. "Do? You? Really? Love? New York?" He said, "New York?" I said, "Your. Shirt." He looked at his shirt. I pointed at the N and said "New," and the Y and said "York." He looked confused or embarrassed, or surprised, or maybe even mad. I couldn't tell what he was feeling, because I couldn't speak the language of his feelings. "I not know was New York. In Chinese, ny mean 'you.' Thought was 'I love you.'" It was then that I noticed the "Iβ₯NY" poster on the wall, and the "Iβ₯NY" flag over the door, and the "Iβ₯NY" dishtowels, and the "Iβ₯NY" lunchbox on the kitchen table. I asked him, "Well, then why do you love everybody so much?
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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We tried so hard. We were always trying to help each other. But not because we were helpless. He needed to get things for me, just as I needed to get things for him. It gave us purpose. Sometimes I would ask him for something that I did not even want, just to let him get it for me. We spent our days trying to help each other help each other. I would get his slippers. He would make my tea. I would turn up the heat so he could turn up the air conditioner so I could turn up the heat.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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What about a device that knew everyone you knew? So when an ambulance went down the street, a big sign on the roof could flash
DONβT WORRY! DONβT WORRY!
if the sick personβs device didnβt detect the device of someone he knew nearby. And if the device did detect the device of someone he knew, the ambulance could flash the name of the person in the ambulance, and either
ITβS NOTHING MAJOR! ITβS NOTHING MAJOR!
Or, if it was something major,
ITβS MAJOR! ITβS MAJOR!
And maybe you could rate the people you knew by how much you loved them, so if the person in the ambulance detected the device of the person he loved the most, or the person who loved him the most, and the person in the ambulance was really badly hurt, and might even die, the ambulance could flash
GOODBYE! I LOVE YOU! GOODBYE! I LOVE YOU!
One thing thatβs nice to think about is someone who was the first person on lotβs of peopleβs lists, so that when he was dying, and his ambulance went down the streets to the hospital, the whole time it would flash
GOODBYE! I LOVE YOU! GOODBYE! I LOVE YOU!
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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It was late, and we were tired.
We assumed there would be other nights.
Annaβs breathing started to slow, but I still wanted to talk.
She rolled onto her side.
I said, I want to tell you something.
She said, You can tell me tomorrow.
I had never told her how much I loved her.
She was my sister.
We slept in the same bed.
There was never a right time to say it.
It was always unnecessary.
The books in my fatherβs shed were sighing.
The sheets were rising and falling around me with Annaβs breathing.
I thought about waking her.
But it was unnecessary.
There would be other nights.
And how can you say I love you to someone you love?
I rolled on my side and fell asleep next to her.
Here is the point of everything I have been trying to tell you, Oskar.
Itβs always necessary.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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Cher Marcel,
AllΓ΄. I am Oskar's mom. I have thought about it a ton, and I have decided that it isn't obvious why Oskar should go to French lessons, so he will no longer be going to go see you on Sundays like he used to. I want to thank you very much for everything you have taught Oskar, particularly the conditional tense, which is weird. Obviously, there's no need to call me when Oskar doesn't come to his lessons, because I already know, because this was my decision. Also, I will keep sending you checks, because you are a nice guy.
Votre ami dΓ©vouΓ©e,
Mademoiselle Schell.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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We need much bigger pockets I thought as I lay in my bed counting off the seven minutes that it takes a normal person to fall asleep. We need enormous pockets pockets big enough for our families and our friends and even the people who aren't on our lists people we've never met but still want to protect. We need pockets for borough and for cities a pocket that could hold the universe.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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Touching him was always so important to me. It was something I lived for. I never could explain why. Little, nothing touches. My fingers against his shoulder. The outsides of our thighs touching as we squeezed together on the bus. I couldn't explain it, but I needed it. Sometimes I imagined stitching all of our little touches together. How many hundreds of thousands of fingers brushing against each other does it take to make love? Why does anyone ever make love?
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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A lot of the time I'd get that feeling like I was in the middle of a huge black ocean, or in deep space, but not in the fascinating way. It's just that everything was incredibly far away from me. It was worst at night. I started inventing things, and then I couldn't stop, like beavers, which I know about. People think they cut down trees so they can build dams, but in reality it's because their teeth never stop growing, and if they didn't constantly file them down by cutting through all of those trees, their teeth would start to grow into their own faces, which would kill them. That's how my brain was.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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Young friends, whose string-and-tin-can phone extended from island to island, had to pay out more and more string, as if letting kites go higher and higher. They had more and more to tell each other, and less and less string. The boy asked the girl to say "I love you" into her can, giving her no further explanation. And she didn't ask for any, or say "That's silly," or "We're too young for love," or even suggest that she was saying "I love you" because he asked her to. Instead she said, "I love you." The words traveled through the long, long string. The boy covered his can with a lid, removed it from the string, and put her love for him on a shelf in his closet. Of course, he never could open the can, because then he would lose its contents. It was enough just to know it was there.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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I went to my grandmother, your great-great-grandmother, and asked her to write a letter. She was my mother's mother. Your father's mother's mother's mother. I hardly knew her. I didn't have any interest in knowing her. I have no need for the past, I thought, like a child. I did not consider that the past might have a need for me.
What kind of letter? my grandmother asked.
I told her to write whatever she wanted to write.
You want a letter from me? she asked.
I told her yes.
Oh, God bless you, she said.
The letter she gave me was sixty-seven pages long. It was the story of her life. She made my request into her own. Listen to me.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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In bed that night I invented a special drain that would be underneath every pillow in New York, and would connect to the reservoir. Whenever people cried themselves to sleep, the tears would all go to the same place, and in the morning the weathermen could report if the water level of the Reservoir of Tears had gone up or down, and you could know if New York was in heavy boots. And when something really terrible happened - like a nuclear bomb, or at least a biological weapons attack - an extremely loud siren would go off, telling everyone to get to Central Park to put sandbags around the reservoir.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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I bumped into something and was knocked to the ground. It took me several breaths to gather myself together, at first I thought Iβd walked into a tree, but then that tree became a person, who was also recovering on the ground, and then I saw that it was her, and she saw that it was me, βHello,β I said, brushing myself off, βHello,β she said. βThis is so funny.β βYes.β How could it be explained? βWhere are you going?β I asked. βJust for a walk,β she said, βand you?β βJust for a walk.β We helped each other up, she brushed leaves from my hair, I wanted to touch her hair, βThatβs not true,β I said, not knowing what the next words out of my mouth would be, but wanting them to be mine, wanting, more than Iβd ever wanted anything, to express the center of me and be understood. βI was walking to see you.β I told her, βIβve come to your house each of the last six days. For some reason I needed to see you again.β She was silent, I had made a fool of myself, thereβs nothing wrong with not understanding yourself and she started laughing, laughing harder than Iβd ever felt anyone laugh, the laughter brought on tears, and the tears brought on more tears, and then I started laughing, out of the most deep and complete shame, βI was walking to you,β I said again, as if to push my nose into my own shit, βbecause I wanted to see you again,β she laughed and laughed, βThat explains it,β she said when she was able to speak. βIt?β βThat explains why, each of the last six days, you werenβt at your house.β We stopped laughing, I took the world into me, rearranged it, and sent it back out as a question: βDo you like me?
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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I ripped the pages out of the book.
I reversed the order, so the last one was first, and the first was last.
When I flipped through them, it looked like the man was floating up through the sky.
And if I'd had more pictures, he would've flown through a window, back into the building, and the smoke would've poured into the hole that the plane was about to come out of.
Dad would've left his messages backward, until the machine was empty, and the plane would've flown backward away from him, all the way to Boston.
He would've taken the elevator to the street and pressed the button for the top floor.
He would've walked backward to the subway, and the subway would've gone backward through the tunnel, back to our stop.
Dad would've gone backward through the turnstile, then swiped his Metrocard backward, then walked home backward as he read the New York Times from right to left.
He would've spit coffee into his mug, unbrushed his teeth, and put hair on his face with a razor.
He would've gotten back into bed, the alarm would've rung backward, he would've dreamt backward.
Then he would've gotten up again at the end of the night before the worst day.
He would've walked backward to my room, whistling 'I Am the Walrus' backward.
He would've gotten into bed with me.
We would've looked at the stars on my ceiling, which would've pulled back their light from our eyes.
I'd have said 'Nothing' backward.
He'd have said 'Yeah, buddy?' backward.
I'd have said 'Dad?' backward, which would have sounded the same as 'Dad' forward.
He would have told me the story of the Sixth Borough, from the voice in the can at the end
to the beginning, from 'I love you' to 'Once upon a time.'
We would have been safe.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
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The next morning I told Mom I couldn't go to school again. She asked what was wrong. I told her, βThe same thing thatβs always wrong.β βYouβre sick?β βI'm sad.β βAbout Dad?β βAbout everything.β She sat down on the bed next to me, even though I knew she was in a hurry. βWhat's everything?β I started counting on my fingers: βThe meat and dairy products in our refrigerator, fistfights, car accidents, Larryββ βWho's Larry?β βThe homeless guy in front of the Museum of Natural History who always says βI promise itβs for foodβ after he asks for money.β She turned around and I zipped her dress while I kept counting. βHow you donβt know who Larry is, even though you probably see him all the time, how Buckminster just sleeps and eats and goes to the bathroom and has no βraison dβetreβ, the short ugly guy with no neck who takes tickets at the IMAX theater, how the sun is going to explode one day, how every birthday I always get at least one thing I already have, poor people who get fat because they eat junk food because itβs cheaperβ¦β That was when I ran out of fingers, but my list was just getting started, and I wanted it to be long, because I knew she wouldn't leave while I was still going. ββ¦domesticated animals, how I have a domesticated animal, nightmares, Microsoft Windows, old people who sit around all day because no one remembers to spend time with them and theyβre embarrassed to ask people to spend time with them, secrets, dial phones, how Chinese waitresses smile even when thereβs nothing funny or happy, and also how Chinese people own Mexican restaurants but Mexican people never own Chinese restaurants, mirrors, tape decks, my unpopularity in school, Grandmaβs coupons, storage facilities, people who donβt know what the Internet is, bad handwriting, beautiful songs, how there wonβt be humans in fifty yearsββ βWho said there won't be humans in fifty years?β I asked her, βAre you an optimist or a pessimist?β She looked at her watch and said, βI'm optimistic.β βThen I have some bed news for you, because humans are going to destroy each other as soon as it becomes easy enough to, which will be very soon.β βWhy do beautiful songs make you sad?β βBecause they aren't true.β βNever?β βNothing is beautiful and true.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)