“
Suffering has been stronger than all other teaching, and has taught me to understand what your heart used to be. I have been bent and broken, but - I hope - into a better shape.
”
”
Charles Dickens (Great Expectations)
“
I have been bent and broken, but - I hope - into a better shape.
”
”
Charles Dickens (Great Expectations)
“
The oak fought the wind and was broken, the willow bent when it must and survived.
”
”
Robert Jordan (The Fires of Heaven (The Wheel of Time, #5))
“
When God Created Mothers"
When the Good Lord was creating mothers, He was into His sixth day of "overtime" when the angel appeared and said. "You're doing a lot of fiddling around on this one."
And God said, "Have you read the specs on this order?" She has to be completely washable, but not plastic. Have 180 moveable parts...all replaceable. Run on black coffee and leftovers. Have a lap that disappears when she stands up. A kiss that can cure anything from a broken leg to a disappointed love affair. And six pairs of hands."
The angel shook her head slowly and said. "Six pairs of hands.... no way."
It's not the hands that are causing me problems," God remarked, "it's the three pairs of eyes that mothers have to have."
That's on the standard model?" asked the angel. God nodded.
One pair that sees through closed doors when she asks, 'What are you kids doing in there?' when she already knows. Another here in the back of her head that sees what she shouldn't but what she has to know, and of course the ones here in front that can look at a child when he goofs up and say. 'I understand and I love you' without so much as uttering a word."
God," said the angel touching his sleeve gently, "Get some rest tomorrow...."
I can't," said God, "I'm so close to creating something so close to myself. Already I have one who heals herself when she is sick...can feed a family of six on one pound of hamburger...and can get a nine year old to stand under a shower."
The angel circled the model of a mother very slowly. "It's too soft," she sighed.
But tough!" said God excitedly. "You can imagine what this mother can do or endure."
Can it think?"
Not only can it think, but it can reason and compromise," said the Creator.
Finally, the angel bent over and ran her finger across the cheek.
There's a leak," she pronounced. "I told You that You were trying to put too much into this model."
It's not a leak," said the Lord, "It's a tear."
What's it for?"
It's for joy, sadness, disappointment, pain, loneliness, and pride."
You are a genius, " said the angel.
Somberly, God said, "I didn't put it there.
”
”
Erma Bombeck (When God Created Mothers)
“
I have been bent and broken, but -I hope- into a better shape.
”
”
Emily Dickinson
“
Rules should always be bent, if not broken. It's the only way to have any fun.
”
”
Alyson Noel (Evermore (The Immortals, #1))
“
If you would take one step forward, darling, you could cry in my arms. And while you do, I'll tell you how sorry I am for everything I've done -" Unable to wait, Ian caught her, pulling her tightly against him. "And when I'm finished," he whispered hoarsely as she wrapped her arms around him and wept brokenly, "you can help me find a way to forgive myself."
Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: "I'm sorry," he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. "I'm sorry." Slowly, he bent his head, covering her mouth with his. "I'm so damned sorry.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
We're not broken baby...we're just bent. And bent's okay. Bent means that we're just figuring things out.
”
”
K. Bromberg (Fueled (Driven, #2))
“
Letting him go
There is a particular kind of suffering to be experienced when you love something greater than yourself. A tender sacrifice. Like the pained silence felt in the lost song of a mermaid; or the bent and broken feet of a dancing ballerina. It is in every considered step I am taking in the opposite direction of you.
”
”
Lang Leav
“
I have been bent and broken, but—I hope—into a better shape.
”
”
Kami Garcia
“
Not broken, just bent
”
”
Mona Kasten
“
I have been bent and broken but I hope into better shape.
”
”
Abraham Verghese (The Covenant of Water)
“
She wasn't broken. She was just bent, over the chance of being ignored by the one she loved.
”
”
Robert M. Drake
“
The bent but unbroken ones.
”
”
Rick Yancey (The Last Star (The 5th Wave, #3))
“
We’re not broken, baby…we’re just bent. And bent’s okay. Bent means that we’re just figuring things out.
”
”
K. Bromberg (Fueled (Driven, #2))
“
bent
like the branches of a tree
broken
like the pieces of my heart
cracked
like the seventeenth moon
shattered
like the glass in the window
the day we met
”
”
Kami Garcia (Beautiful Redemption (Caster Chronicles, #4))
“
When evening in the Shire was grey
his footsteps on the Hill were heard;
before the dawn he went away
on journey long without a word.
From Wilderland to Western shore,
from northern waste to southern hill,
through dragon-lair and hidden door
and darkling woods he walked at will.
With Dwarf and Hobbit, Elves and Men,
with mortal and immortal folk,
with bird on bough and beast in den,
in their own secret tongues he spoke.
A deadly sword, a healing hand,
a back that bent beneath its load;
a trumpet-voice, a burning brand,
a weary pilgrim on the road.
A lord of wisdom throned he sat,
swift in anger, quick to laugh;
an old man in a battered hat
who leaned upon a thorny staff.
He stood upon the bridge alone
and Fire and Shadow both defied;
his staff was broken on the stone,
in Khazad-dûm his wisdom died.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
Not broken, just bent.
”
”
Mona Kasten (Begin Again (Again, #1))
“
Is it still there?" I asked, staring at his head, bent over, as he wedged the stethoscope beneath my left breast. And then, before I could stop myself, "Does it sound broken?
”
”
Jennifer Weiner (Good in Bed (Cannie Shapiro, #1))
“
I accept you, I tell him. All of you. The broken parts. The bent parts. The ones filled with shame. The cracks where hope seeps through. The little boy cowering in fear and the grown man still suffocating in his shadow. The demons that haunt. Your will to survive. And your spirit that fights. Every single part of you is what I love. What I accept. What I want to help heal.
”
”
K. Bromberg (Crashed (Driven, #3))
“
Ian saw the tears shimmering in her magnificent eyes and one of them traced unheeded down her smooth cheek.
With a raw ache in his voice he said, "If you would take one step forward, darling, you could cry in my arms. And while you do, I'll tell you how sorry I am for everything I've done - " Unable to wait, Ian caught her, pulling her tightly against him. "And when I'm finished," he whispered hoarsely as she wrapped her arms around him and wept brokenly, "you can help me find a way to forgive myself."
Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: "I'm sorry," he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. "I'm sorry." Slowly, he bent his head, covering her mouth with his. "I'm so damned sorry.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
He [The Bent One] has left you this way because a bent hnau can do more evil than a broken one.
”
”
C.S. Lewis (Out of the Silent Planet (The Space Trilogy, #1))
“
Royce understood then why she had come: she had come to finish the task her relatives had begun; to do to him what he had done to her brother. Unmoving, he watched her, noting that tears were pouring down her beautiful face as she slowly bent down. But instead of reaching for his lance or her dagger, she took his hand between both of hers and pressed her lips to it. Through his daze of pain and confusion, Royce finally understood that she was kneeling to him, and a groan tore from his chest: "Darling," he said brokenly, tightening his hand, trying to make her stand, "don't do this…"
But his wife wouldn't listen. In front of seven thousand onlookers, Jennifer Merrick Westmoreland, countess of Rockbourn, knelt before her husband in a public act of humble obeisance, her face pressed to his hand, her shoulders wrenched with violent sobs. By the time she finally arose, there could not have been many among the spectators who had not seen what she had done. Standing up, she stepped back, lifted her tear-streaked face to his, and squared her shoulders.
Pride exploded in Royce's battered being—because, somehow, she was managing to stand as proudly—as defiantly—as if she had just been knighted by a king.
”
”
Judith McNaught (A Kingdom of Dreams (Westmoreland, #1))
“
You’re not broken, only bent to perfection.”
—Oliver Masters
”
”
Nicole Fiorina (Even When I'm Gone (Stay with Me, #2))
“
OVERTIME “I have been bent and broken, but - I hope – into a better shape.” -- Charles Dickens, Great Expectations
”
”
Kennedy Ryan (Long Shot (Hoops, #1))
“
He was a wasteland in a suit; he was bent-postured, he was broken.
”
”
Markus Zusak (Bridge of Clay)
“
She’d been so taken by him, so seduced by the admiration in his eyes. But she should have known no man ever loved a woman’s strength—they only love the place where it runs out. They love a strong will finally broken, a straight spine bent.
”
”
Alix E. Harrow (The Once and Future Witches)
“
The Folly had last been refurbished in the 1930s when the British establishment firmly believed that central heating was the work, if not of the devil per se, then definitely evil foreigners bent on weakening the hardy British spirit.
”
”
Ben Aaronovitch (Broken Homes (Peter Grant #4))
“
[Anger] gave him the soul to keep fighting no matter how many times the world seemed bent on destroying him. He may be a broken young man, but he would never be a defeated one
”
”
Faye Fite (Skies of Dripping Gold)
“
When the fig-tree stood without fruit no one looked at it. Wishing by producing this fruit be praised by men, it was bent and broken by them.
”
”
Leonardo da Vinci (Leonardo's Notebooks)
“
There is a particular kind of suffering to be experienced when you love something greater than yourself. A tender sacrifice. Like the pained silence felt in the lost song of a mermaid; or the bent and broken feet of a dancing ballerina. It is in every considered step I am taking in the opposite direction of you.
”
”
Lang Leav (Love & Misadventure)
“
On a day of fire and blood, a tattered banner waved above Dumai’s Wells, bearing the ancient symbol of Aes Sedai.
On a day of fire and blood and the One Power, as prophecy had suggested, the unstained tower, broken, bent knee to the forgotten sign.
The first nine Aes Sedai swore fealty to the Dragon Reborn, and the world was changed forever.
”
”
Robert Jordan (Lord of Chaos (The Wheel of Time, #6))
“
I have broken where I should have bent; and have mused and brooded, when my spirit should have mixed with all God's great creation. The men who learn endurance, are they who call the whole world, brother. I have turned from the world, and I pay the penalty.
”
”
Charles Dickens (Barnaby Rudge)
“
You’re not broken, only bent to perfection.
”
”
Nicole Fiorina (Even When I'm Gone (Stay with Me, #2))
“
If I’m going to lose it, I want to be broken in right.” The pen fell from Trenton’s mouth to the floor, and he bent down to pick it up. “Uh . . . any, uh . . . any special font?
”
”
Jamie McGuire (Beautiful Oblivion (The Maddox Brothers, #1))
“
I’d changed her forever. I’d bent and twisted and broken everything that made her the most beautiful thing that ever happened to me.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
Suffering has been greater than all other teachings. I have been bent and broken, but I hope into a better shape.
”
”
Charles Dickinson
“
I rather be bent than broken
”
”
Kim Jongin
“
I have been bent and broken, but--I hope--into a better shape.
”
”
Charles Dickens (Great Expectations)
“
Bent but never broken; down but never out.
”
”
Annetta Ribken
“
I have been bent and broken, but - I hope - into a better shape.
”
”
Kami Garcia (Beautiful Chaos (Caster Chronicles, #3))
“
You stand for what is right-
for the patient and the staff.
Pressures of work may down you,
maybe bent but not broken.
”
”
Mujel Hasan (No Return Address: A collection of poems)
“
As I turned to go, I nearly trod on the body of a young robin half hidden in the grass. Its wings were twisted and bent. Its body stiff and bloodied.
'A hawk's work,' I thought, wondering if the robin had seen the brilliant blue of the sky and felt the sun on its back before its wings were broken.
”
”
Jennifer Donnelly (A Northern Light)
“
Vampires are fond of their games. But the games that They play are different than the variants that I'm familiar with. The rules were made to be bent, broken, shattered—and somebody always gets hurt.
Always.
”
”
Nenia Campbell (Bleeds My Desire (Blood Bonds, #1))
“
Mr. Clean?” he eventually got out, all choppy and broken.
Peeking at him, I shrugged and tipped my chin toward his head.
“I have hair.”
I squinted at him and hummed, trying so hard not to laugh. “Uh-huh.”
“I shave it every two weeks,” he tried explaining.
“Okay,” I coughed out, my cheeks hurting from the effort not to laugh at how bent out of shape he was getting.
“It all grows in evenly—are you laughing at me?”
”
”
Mariana Zapata (Wait for It)
“
...We're not broken just bent
And we can learn to love again..."
- Pink, "Just Give Me A Reason
”
”
P!nk
“
Reality is negotiable. Outside of science and law, all rules can be bent or broken, and it doesn’t require being unethical.
”
”
Tim Ferriss
“
They were not unfortunate girls who, as outcasts or in the belief that they were cast out by society, grieved wholesomely and intensely and, once in a while at times when the heart was too full, ventilated it in hate or forgiveness. No visible change took place in them; they lived in the accustomed context, were respected as always, and yet they were changed, almost unaccountably to themselves and incomprehensibly to others. Their lives were not cracked or broken, as others' were, but were bent into themselves; lost to others, they futilely sought to find themselves.
”
”
Søren Kierkegaard
“
Crouched in the broken shadow with the sun at his back and holding the trap at eyelevel against the morning sky he looked to be truing some older, some subtler instrument. Astrolabe or sextant. Like a man bent at fixing himself someway in the world. Bent on trying by arc or chord the space between his being and the world that was. If there be such space. If it be knowable.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
Alice recalled one of the books Dylan had read to her, a collection of Japanese fairytales. In one, a woman artist practiced kintsugi, repairing broken pottery with lacquer mixed with powdered gold. There'd been an illustration of a woman bent over a pile of broken pottery pieces, laid out to fit together, with a fine paintbrush in her hand, its bristles dipped in gold. It had enchanted Alice, the idea that breakage and repair were part of the story, not something to be disdained or disguised.
”
”
Holly Ringland (The Lost Flowers of Alice Hart)
“
It’s not like we were those homeless people you saw pushing shopping wagons full of sad things like picture frames, electronic parts, and bags of clothing; such obviously broken people that you could guess, just by looking, what it was that bent and broke to get them there. Compared to them we were lucky, without whole lives that needed pushing in carts or carrying in bags that kept busting open and spilling to remind them just what it was they held on to, and why they refused to stop carrying it.
”
”
Liz Murray (Breaking Night)
“
The facts are in the outside world. You can verify them with your senses or with objective tests. The truth is something that people build inside their heads, using the facts as raw materials. And sometimes the facts get bent or broken in the process.
”
”
M.R. Carey (Fellside)
“
Slowly, it dawned on me that nothing was more important than stopping violence toward women—that the desecration of women indicated the failure of human beings to honor and protect life and that this failing would, if we did not correct it, be the end of us all. I do not think I am being extreme. When you rape, beat, maim, mutilate, burn, bury, and terrorize women, you destroy the essential life energy of the planet. You force what is meant to be open, trusting, nurturing, creative, and alive to be bent, infertile, and broken.
”
”
V (formerly Eve Ensler) (The Vagina Monologues)
“
I was bent but never broken.
”
”
Lailah Gifty Akita
“
I have been bent and broken, but I hope into a better shape.
”
”
Charles Dickens (Great Expectations)
“
With temerity and defiance, obstinance and patience, she chipped away at every hard edge of me until there was nothing left but the truths I feared. The bent and broken.
”
”
K. Bromberg (Raced (Driven, #3.5))
“
I have been bent and broken,
but––I hope––into a better shape.
”
”
Charles Dickens
“
I want all your dark secrets to be mine to keep. I want all your pieces, all the things that make you who you are. I don’t care if you think you’re bent or broken; let me love all of you.
”
”
Helena Hunting (A Secret for a Secret (All In, #3))
“
Tonight, though, he could not help seeing his mother as a spiritual sister to the beautiful, needy and depressive girl who had broken apart on a frozen road, and to the plain, homeless outsider now lying in the chilly morgue. Leda, Lula and Rochelle had not been women like Lucy, or his Aunt Joan; they had not taken every reasonable precaution against violence or chance; they had not tethered themselves to life with mortgages and voluntary work, safe husbands and clean-faced dependants: their deathsm therefore, were not classed as "tragic", in the same way as those of staid and respectable housewives.
How easy it was to capitalise on a person's own bent for self-destruction; how simple to nudge them into non-being, then to stand back and shrug and agree tnat it had been the inevitable result of a chaotic, catastrophic life.
”
”
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
“
And everyone loved sunsets. The light lost its sanity as it fell over the hills and into the Pacific--it went red and deeper red, orange, and even green. The skies seemed to melt, like lava eating black rock into great bite marks of burning. Sometimes all the town stopped and stared west. Shopkeepers came from their rooms to stand in the street. Families brought out their invalids on pallets and in wheelbarrows to wave their bent wrists at the madness consuming their sky. Swirls of gulls and pelicans like God's own confetti snowed across those sky riots.
”
”
Luis Alberto Urrea (The House of Broken Angels)
“
Goddess Rising
This is for the women
Who have walked with hidden shame
Stirring like all is well
Though weighted down in pain.
This is for her Inner Child
Who longs to forget
Her innocence stolen
Body, soul and spirit rent
into pieces- fragments-broken-bent
This is for the Maiden
Longing to belong
-To another -
In hopes
to make right the darkened wrongs
Not realizing-blinded by oozing wounds
Her own innate delicious power
Thick within her womb
This is for the Mother
Breaking eons of fettered chains
For the children she has birthed
Through blood and breaths of change
She calls them Redemption
Regardless of their names
This is for the Crone
Who called her shattered pieces Home
To herself-
To all her luminous bodies
Where she never dared to feel
Making strong her bones
Crushing~ oppressors
With the swaying of her hips
Her hands soaring like doves
Honey dripping from her lips
This is for the Wild Woman
Who traversed the Underground
Leaving her footprints
While taming the Hellhounds.
Like a seed breaking fallow ground
Emerging fruitful garden
No longer bound
By the nightmare of the past
Awakened from the Dream-
Of Separation
SHE. IS.- merging realms between.
This is for the woman, for the Goddess
For me
For you
Rising from our ashes
Making ALL things new~
”
”
Mishi McCoy
“
The only time they ever throw anything away is when it's really and truly broken, and then they make a big deal about it. They save up all their bent pins and broken sewing needles and once a year they do a whole memorial service for them, chanting and then sticking them into a block of tofu so they will have a nice soft place to rest. Jiko says that everything has a spirit, even if it is old and useless, and we must console and honor the things that have served us well.
”
”
Ruth Ozeki (A Tale for the Time Being)
“
Someone could call themselves a hero and still walk around killing dozens. Someone else could be labeled a villain for trying to stop them. Plenty of humans were monstrous, and plenty of monsters knew how to play at being human. The difference between Victor and Eli, he suspected, wasn’t their opinion on EOs. It was their reaction to them. Eli seemed intent to slaughter them, but Victor didn’t see why a useful skill should be destroyed, just because of its origin. EOs were weapons, yes, but weapons with minds and wills and bodies, things that could be bent and twisted and broken and USED.
”
”
Victoria Schwab (Vicious (Villains, #1))
“
Oh, when we are journeying through the murky night and the dark woods of affliction and sorrow, it is something to find here and there a spray broken, or a leafy stem bent down with the tread of His foot and the brush of His hand as He passed; and to remember that the path He trod He has hallowed, and thus to find lingering fragrance and hidden strength in the remembrance of Him as " in all points tempted like as we are," bearing grief for us, bearing grief with us, bearing grief like us.
”
”
Alexander MacLaren
“
He stumbled, almost fell, and decided to sit down, with his back against the tunnel wall, his feet resting against the opposite wall. Roaring out of the morass of pity, terror, happiness, joy, sadness, elation that he had inherited - shooting forth from this void, the single sharp thought: She does not love me. It was almost more than he could take. But he was not the kind of person to fold, to crack, to be broken, and so instead, in those moments after the realization, he bent - and bent, and kept on bending beneath the pressure of this new and terrible knowledge. Soon he would bend into a totally new shape altogether. He welcomed that. He wanted that. Maybe the new thing he would become would no longer hurt, would no longer fear, would no longer look back down into the void and wonder what was left of him.
She did not love him. It made him laugh as he sat there -- great belly laughs that doubled him over in the dust, where he lay for a long moment, recovering. It was funny beyond bearing. He had fought through a dozen terrors all for love of her. And she did not love him. He felt like a character in a holovid - the jester, the clown, the fool.
”
”
Jeff Vandermeer (Veniss Underground)
“
Time ground to a halt and the trees whispered in the language of God and nature about steadfastness and resilience—gently saying that one could be constantly stirred yet not moved, bent but not broken, that a thing well grounded and deeply rooted could ever stand.
”
”
Charles M. Blow (Fire Shut Up in My Bones)
“
Fragile is the flower that grows in darkness. Precious is the flower that blossoms at night. Their gardeners absent, blind, or uncaring. But bent and broken petals still have beauty All their own. Have care where you tread, lest you Trample the treasures scattered before your feet.
”
”
Christopher Paolini (Murtagh (The Inheritance Cycle #5))
“
Broken tree branches
Scattered flowers
Bent street light poles
Cut electricity lines
Dead birds
But the weather is beautiful, and the breeze is refreshing…
My heart is full of an after-storm peace and tranquility…
The real tranquility is the one that follows not precedes the storm…
(July 1, 2015)
”
”
Louis Yako (أنا زهرة برية [I am a Wildflower])
“
I have been bent and broken, but - I hope into a better shape.
”
”
Charles Dickens (Great Expectations)
“
I have been bent and broken, but – I hope – into a better shape."
Estella in Great Expectations
”
”
Charles Dickens (Great Expectations)
“
I love you Josiah
I’m sorry I’m still broken
but I could still make you happy.
Let’s pour one out
to knowing
not hoping
”
”
Lana Del Rey (Violet Bent Backwards Over the Grass)
“
Terrible you. You who i wait for
You
You
You
Like a broken record stuck on loop.
”
”
Lana Del Rey (Violet Bent Backwards Over the Grass)
“
The spirit of Love wraps the darkness in small sacred seconds, uplifting our bent and broken souls with the miracle of love as yet unspent.
”
”
Judy Croome (Drop by Drop (poems of loss))
“
Yeah, the world here is full of rules and most of them need to be followed. Some can be bent,” I said, and continued with a smile, “and others can be broken.
”
”
Rajat Mishra (Can I Have a Chocolate Milkshake?)
“
because even the strongest people can feel weak for a moment, bent but not broken, chipped but not shattered.
”
”
David Estes (Grip (Slip, #2))
“
There are truths and lies and there are things in between, murky waters where light gets bent and broken.
”
”
Nadia Hashimi (When the Moon Is Low)
“
I have been bent and broken, but - I hope – into a better shape.
”
”
Charles Dickens (Great Expectations)
“
The Anti-Federalists feared that the Americans would follow the example of the Europeans as described by Mercy Warren: "Bent on gratification, at the expense of every moral tie, they have broken down the barriers of religion, and the spirit of infidelity is nourished at the fount; thence the poisonous streams run through every grade that constitutes the mass of nations." Warren insisted that skepticism is not, as some hold, necessarily fostered by republican
liberty. Indeed, the history of republics is the history of strict regard to religion.
”
”
Herbert J. Storing
“
Sometimes, I feel discriminated against, but it does not make me angry. It merely astonishes me. How can any deny themselves the pleasure of my company? It's beyond me.
But in the main, I feel like a brown bag of miscellany propped against a wall. Against a wall In company with other bags, white, red and yellow. Pour out the contents, and there is discovered a jumble of small, things priceless and worthless. A first water diamond, an empty spool bits of broken glass, lengths of string, a key to a door long since crumbled away, a rusty knife-blade, old shoes saved for a road that never was and never will be, a nail bent under the weight of things too heavy for any nail, a dried flower or two still a little fragrant. in your hand is the brown bag. On the ground before you is the jumble it held so much like the jumble in the bags could they be emptied that all might be dumped in a single heap and the bags refilled without altering the content of any greatly. A bit of colored glass more or less would not matter. Perhaps that is how the Great Stuffer of Bags filled them in the first place, who knows?
”
”
Zora Neale Hurston (How it Feels to be Colored Me (American Roots))
“
I dreamed I had a child, and even in the dream I saw it was my life, and it was an idiot, and I ran away. But it always crept onto my lap again, clutched at my clothes. Until I thought, if I could kiss it, whatever in it was my own, perhaps I could sleep. And I bent to its broken face, and it was horrible…but I kissed it. I think one must finally take one’s life in one’s arms.
”
”
Arthur Miller (After the Fall)
“
Later is where excuses live. Later is where good intentions go to die. Later is a broken back and a bent spirit. Later says “all-nighters are temporary until we’ve got this figured out.” Unlikely. Make the change now.
”
”
Jason Fried (It Doesn't Have to be Crazy at Work)
“
I look down and feel a sort of distant horror as I see a body that is mine but not mine. My limbs are bent at odd angles. Shards of bone poke out though my skin. When I try to move, I realize that I feel no pain because I feel nothing. Nothing at all. And no matter how hard I try, I can't move anything but my head.
I'm broken, like Luka. Broken and bloody.
The thought feels hazy, as though it ought to mean more to me than it does.
”
”
Eve Silver (Rush (The Game, #1))
“
People, especially modern cynics, love to pose the question of pain, as in, why does God allow suffering? God is the salve to our pain, God sustains us when we were broken. God is not a man bent on our destruction, but on our redemption.
Shenita Etwaroo
”
”
Shenita Etwaroo
“
Fragile is the flower that grows in darkness.
Precious is the flower that blossoms at night.
Their gardeners absent, blind, or uncaring.
But bent and broken petals still have beauty
All their own. Have care where you tread, lest you
Trample the treasures scattered before your feet.
”
”
Christopher Paolini
“
PSA37.14 The wicked have drawn out the sword, and have bent their bow, to cast down the poor and needy, and to slay such as be of upright conversation. PSA37.15 Their sword shall enter into their own heart, and their bows shall be broken. PSA37.16 A little that a righteous man hath
”
”
Anonymous (Holy Bible: King James Version)
“
My protectors had departed, and had broken the only link that held me to the world. For the first time the feelings of revenge and hatred filled my bosom, and I did not strive to control them; but, allowing myself to be borne away by the stream, I bent my mind towards injury and death.
”
”
Mary Wollstonecraft Shelley (Frankenstein)
“
The Hanlin named his granddaughter Lustrous Jade, for jade was the fairest of stones and possessed five virtues: charity, for its lustre; rectitude, for its translucence; wisdom, for its purity of sound when struck; equity, for its sharp edges that injure none; courage, for it can be broken but not bent.
”
”
Bette Bao Lord (Spring Moon: A Novel of China – A New York Times Bestselling Historical Epic of the Human Spirit Through Generations of Revolution)
“
Suffering has been stronger than all other teaching, and has taught me to understand what your heart used to be. I have been bent and broken, but - I hope - into a better shape. Heaven knows we need never be ashamed of our tears, for they are rain upon the blinding dust of earth, overlying our hard hearts.
”
”
Charles Dickens (Great Expectations)
“
The Congregating of Stars
They often meet in mountain lakes,
No matter how remote, no matter how deep
Down and far they must stream to arrive,
Navigating between the steep, vertical piles
Of broken limestone and chert, through shattered
Trees and dry bushes bent low by winter,
Across ravines cut by roaring avalanches
Of boulders and ripping ice.
Silently, the stars have assembled
On the surface of this lost lake tonight,
Arranged themselves to match the patterns
They maintain in the highest spheres
Of the surrounding sky.
And they continue on, passing through
The smooth, black countenance of the lake,
Through that mirror of themselves, down through
The icy waters to touch the perfect bottom
Stillness of the invisible life and death existing
In the nether of those depths.
Sky-bound- yet touching every needle
In the torn and sturdy forest, every stone,
Sharp, cracked along the ragged shore- the stars
Appear the same as in ancient human ages
On the currents of the old seas and the darkened
Trails of desert dunes, Orion’s belt the same
As it shone in Galileo’s eyes, Polaris certain above
The sails of every mariner’s voyage. An echoing
Light from the Magi’s star, that beacon, might even
Be shining on this lake tonight, unrecognized.
The stars are congregating, perhaps
in celebration, passing through their own
names and legends, through fogs, airs,
and thunders, the vapors of winter frost
and summer pollens. They are ancestors
of transfiguration, intimate with all the eyes
of the night. What can they know?
”
”
Pattiann Rogers (Quickening Fields (Penguin Poets))
“
On a day of fire and blood, a tattered banner waved above Dumai's wells,
bearing the ancient symbol of Aes Sedai.
On a day of fire and blood and the one power, as prophecy had suggested, the unstained tower, broken, bent knee to the forgotten sign.
The first nine Aes Sedai swore fealty to the Dragon Reborn, and the world was changed forever.
”
”
Robert Jordan (Lord of Chaos (The Wheel of Time, #6))
“
You used to be so full of life, so happy, and then— men come back from war bent out of shape all the time, it is a given. But you, you came back to me like a phantom of your former self, you were not just bent out of shape, you were well and truly shattered. On the outside you are as hard as steel, you always have been, but you were a broken man.
”
”
Shauna Richmond (Shattered Steel (The Olden Chronicles, #1))
“
The smell of near-black tea leaves torn from the green mountains of India that would travel to Britain without losing their moisture, and without losing the sharp perfume born of the tears Buddha shed for the world's suffering, suffering that also travels in tea: we drink green mountains and rain, and we also drink what the Queen drinks. We drink the Queen, we drink work, and we drink the broken back of the man bent double as he cuts the leaves, and the broken back of the man carrying them. Thanks to steam power, we no longer drink the lash of the whip on the oarsmen's backs. But we do drink choking coal miners. And that's the way of the world: everything alive lives off the death of someone or something else. Because nothing comes from nothing.
”
”
Gabriela Cabezón Cámara (The Adventures of China Iron)
“
David Copperfield had a fever when he’d gone to bed, and Larch went to check on the boy. Dr. Larch was relieved to feel that young Copperfield’s fever had broken; the boy’s forehead was cool, and a slight sweat chilled the boy’s neck, which Larch carefully rubbed dry with a towel. There was not much moonlight; therefore, Larch felt unobserved. He bent over Copperfield and kissed him, much in the manner that he remembered kissing Homer Wells. Larch moved on to the next bed and kissed Smokey Fields, who tasted vaguely like hot dogs; yet the experience was soothing to Larch. How he wished he had kissed Homer more, when he’d had the chance! He went from bed to bed, kissing the boys; it occurred to him, he didn’t know all their names, but he kissed them anyway. He kissed all of them.
When he left the room, Smokey Fields asked the darkness, ‘What was that all about?’ But no one else was awake, or else no one wanted to answer him.
I wish he would kiss me like that, thought Nurse Edna, who had a very alert ear for unusual goings-on.
‘I think it’s nice,’ Mrs. Grogan said to Nurse Angela, when Nurse Angela told her about it.
‘I think it’s senile,’ Nurse Angela said.
But Homer Wells, at Wally’s window, did not know that Dr. Larch’s kisses were out in the world, in search of him.
He didn’t know, either – he could never have imagined it! – that Candy was also awake, and also worried. If he does stay, if he doesn’t go back to St. Cloud’s, she was thinking, what will I do? The sea tugged all around her. Both the darkness and the moon were failing.
”
”
John Irving (The Cider House Rules)
“
Some say that the weeping willows once stood upright and strong, but that the broken hearts of lovers so touched the heart of the trees that they bent in grief and were never able to straighten themselves again, weeping the tears of each lover. Others say that they weep for the pain that mankind inflicts upon the earth and that they will right themselves, once again, when a new era of peace and kindness becomes a reality.
”
”
Ella Emerson
“
Not Everything Can Be Hidden Some nice accessories makeup and a new outfit won't hide how abused i've been And a large house glass doors and a nice little garden can't hide how broken this family is Just because something has a nice expensive new looking exterior doesn't mean the interior isn't broken and bent Not everything can be hidden behind a pair of nice glass doors, you know. after all The doors are transparent and so are the people trying to hide behind them
”
”
Mae Krell (All The Things I Never Said)
“
But even farther into the vision he saw a little boy, the gold circlet on his forehead, his brown locks flowing around it and his amber eyes wide, large in his small face and full of tears and longing. Devoid of a mother and nearly without a father. A heart broken beneath the weight of his loneliness. Like a sapling bent underneath the weight of its leaves, having grown too fast for its roots to hold, he toppled over and fell from the calling and destiny that had been on his life.
”
”
Victoria Lynn (Once I Knew (The Chronicles of Elira #1))
“
Victor wasn’t sure how he felt about EOs. Up until he
fetched Sydney from the side of the road, he’d only ever known one EO, himself excluded, and that was Eli. If he’d had to judge based on the two of them, then ExtraOrdinaries were damaged, to say the least. But these words people threw around—humans, monsters, heroes, villains—to Victor it was all just a matter of semantics. Someone could call themselves a
hero and still walk around killing dozens. Someone else could be labeled a villain for trying to stop them. Plenty of humans were monstrous, and plenty of monsters knew how to play at being human. The difference between Victor and Eli, he suspected, wasn’t their opinion on EOs. It was their reaction to
them. Eli seemed intent to slaughter them, but Victor didn’t see why a useful skill should be destroyed, just because of its origin. EOs were weapons, yes, but weapons with minds and wills and bodies, things that could be bent and twisted and broken and used.
”
”
Victoria Schwab
“
With a raw ache in his voice he said, “If you would take one step forward, darling, you could cry in my arms. And while you do, I’ll tell you how sorry I am for everything I’ve done-“ Unable to wait, Ian caught her, pulling her tightly against him. “And when I’m finished,” he whispered hoarsely as she wrapped her arms around him and wept brokenly, “you can help me find a way to forgive myself.”
Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: “I’m sorry,” he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. “I’m sorry.” Slowly, he bent his head, covering her mouth with his. “I’m so damned sorry.”
She kissed him back, holding him fiercely to her while shattered sobs racked her slender body and tears poured from her eyes. Tormented by her anguish, Ian dragged his mouth from hers, kissing her wet cheeks, running his hands over her shaking back and shoulders, trying to comfort her. “Please darling, don’t cry anymore,” he pleaded hoarsely. “Please don’t.” She held him tighter, weeping, her cheek pressed to his chest, her tears soaking his heavy woolen shirt and tearing at his heart.
“Don’t,” Ian whispered, his voice raw with his own unshed tears. “You’re tearing me apart.” An instant after he said those words, he realized that she’d stop crying to keep from hurting him, and he felt her shudder, trying valiantly to get control. He cupped the back of her head, crumpling the silk of her hair, holding her face pressed to his chest, imagining the nights he’d made her weep like this, despising himself with a virulence that was almost past bearing.
He’d driven her here, to hide from the vengeance of his divorce petition, and still she had been waiting for him. In all the endless weeks since she’d confronted him in his study and warned him she wouldn’t let him put her out of his life, Ian had never imagined that she would be hurting like this. She was twenty years old and she had loved him. In return, he had tried to divorce her, publicly scorned her, privately humiliated her, and then he had driven her here to weep in solitude and wait for him. Self-loathing and shame poured through him like hot acid, almost doubling him over. Humbly, he whispered, “Will you come upstairs with me?”
She nodded, her cheek rubbing his chest, and he swung her into his arms, cradling her tenderly against him, brushing his lips against her forehead. He carried her upstairs, intending to take her to bed and give her so much pleasure that-at least for tonight-she’d be able to forget the misery he’d caused her.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
High tensile bolts are manufactured by applying heat, then dipped into oil--a process known as tempering. Marks are then stamped onto the head to signify their strength: 2 to 4 is quite adequate, 6 to 8 marks are the strongest. Roughnecks are tempered as well, but by time and experience. They bear marks, scars from this profession. You can often gauge a man's experience by his physical infirmities. Roughnecks don’t have pretty hands, fingers bent, broken, or missing. Their faces often look like they’ve played professional hockey.
”
”
Greig Grey
“
The horse looked at him and it looked at the dog. He crossed the room and went out in the rain and walked around the side of the building. When he came back he had in his fist a threefoot length of waterpipe and with it he advanced upon the dog. Go on, he shouted. Git. The dog rose moaning and slouched away down the wall and limped out into the yard. When he turned to go back to his blankets it slank past him into the building again. He turned and ran at it with the pipe and it scrabbled away. He followed it. Outside it had stopped at the edge of the road and it stood in the rain looking back. It had perhaps once been a hunting dog, perhaps left for dead in the mountains or by some highwayside. Repository of ten thousand indignities and the harbinger of God knew what. He bent and clawed up a handful of small rocks from the gravel apron and slung them. The dog raised its misshapen head and howled weirdly. He advanced upon it and it set off up the road. He ran after it and threw more rocks and shouted at it and he slung the length of pipe. It went clanging and skittering up the road behind the dog and the dog howled again and began to run, hobbling brokenly on its twisted legs with the strange head agoggle on its neck. As it went it raised its mouth sideways and howled again with a terrible sound. Something not of this earth. As if some awful composite of grief had broke through from the preterite world. It tottered away up the road in the rain on its stricken legs and as it went it howled again and again in its heart’s despair until it was gone from all sight and all sound in the night’s onset.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
Chong had a dignified history. In 1923 it had been a passenger car belonging to Dr. W. T. Waters. He used it for five yean and sold it to an insurance man named Rattle. Mr. Rattle was not a careful man. The car he got in clean nice condition he drove like fury. Mr. Rattle drank on Saturday nights and the car suffered. The fenders were broken and bent. He was a pedal rider too and the bands had to be changed often. When Mr. Rattle embezzled a client’s money and ran away to San José, he was caught with a high-hair blonde and sent up within ten days.
”
”
John Steinbeck (Cannery Row (Cannery Row, #1))
“
They sat in silence for a moment. Then Jenna said," The son of a god, huh? That explains a lot."
He raised an eyebrow. "Oh?"
Jenna smirked at him, a mischievous look in her sparkling blue eyes. "You know, the whole super strong, ridiculously gorgeous thing. But obviously you've been told that a lot over the years. I don't expect it means much anymore."
A voice far in the back of head said something faint about bad ideas, but he hit it with a large mental stick until it sputtered and shut up.
"It depends on who says it," he answered, and bent his head down and kissed her.
”
”
Deborah Blake (Dangerously Charming (Broken Riders, #1))
“
And again it snowed, and again the sun came out. In the mornings on the way to the station Franklin counted the new snowmen that had sprung up mysteriously overnight or the old ones that had been stricken with disease and lay cracked apart--a head here, a broken body and three lumps of coal there--and one day he looked up from a piece of snow-colored rice paper and knew he was done. It was as simple as that: you bent over your work night after night, and one day you were done. Snow still lay in dirty streaks on the ground but clusters of yellow-green flowers hung from the sugar maples.
”
”
Steven Millhauser (Little Kingdoms (Vintage Contemporaries))
“
Samuel had a great black book on an available shelf and it had gold letters on the cover—Dr. Gunn’s Family Medicine. Some pages were bent and beat up from use, and others were never opened to the light. To look through Dr. Gunn is to know the Hamiltons’ medical history. These are the used sections—broken bones, cuts, bruises, mumps, measles, backache, scarlet fever, diphtheria, rheumatism, female complaints, hernia, and of course everything to do with pregnancy and the birth of children. The Hamiltons must have been either lucky or moral for the sections on gonorrhea and syphilis were never opened.
”
”
John Steinbeck (East of Eden)
“
He is tangled in Isabelle's arms, he is curtained by Isabelle's hair, he is touching Isabelle's body, he is lost in Isabelle, in her smell and her taste and the silk of her skin.
He is onstage, the music pounding, the floor shaking, the audience cheering, his heart beating beating beating in time with the drumbeat.
He is laughing with Clary, dancing with Clary, eating with Clary, running through the streets of Brooklyn with Clary, they are children together, they are one half of a whole, they hold hands and squeeze tight and pledge never to let go.
He is going cold, stiff, the life draining out of him, he is below, in the dark, clawing his way to the light, fingernails scraping dirt, mouth filled with dirt, eyes clogged with dirt, he is straining, reaching, dragging himself up toward the sky, and when he reaches it, he opens his mouth wide but does not breathe, for he no longer needs to breathe, only to feed. And he is so very hungry.
He is sinking his teeth into the neck of an angel's child, he is drinking the light.
He is bearing a Mark, and it burns.
He is raising his face to meet the gaze of an angel, he is flayed by the fury of angel fire, and yet still, impudent and bloodless, he lives.
He is in a cage.
He is in hell.
He is bent over the broken body of a beautiful girl, he is praying to whatever god that will listen, please let her live, anything to let her live.
He is giving away that which is most precious to him, and he is doing so willingly, so that his friends will survive.
He is, again, with Isabelle, always with Isabelle, the holy flame of their love encompassing them both, and there is pain, and there is exquisite joy, and his veins burn with angel fire and he is the Simon he once was and the Simon he now will be, he endures and he is reborn, he is blood and flesh and a spark of the divine.
He is Nephilim.
”
”
Cassandra Clare (Angels Twice Descending (Tales from the Shadowhunter Academy, #10))
“
They stood around a bleeding stump of a man lying on the ground. His right arm and left leg had been chopped off. It was inconceivable how, with his remaining arm and leg, he had crawled to the camp. The chopped-off arm and leg were tied in terrible bleeding chunks onto his back with a small wooden board attached to them; a long inscription on it said, with many words of abuse, that the atrocity was in reprisal for similar atrocities perpetrated by such and such a Red unit—a unit that had no connection with the Forest Brotherhood. It also said that the same treatment would be meted out to all the partisans unless, by a given date, they submitted and gave up their arms to the representatives of General Vitsyn’s army corps.
Fainting repeatedly from loss of blood, the dying man told them in a faltering voice of the tortures and atrocities perpetrated by Vitsyn’s investigating and punitive squads. His own sentence of death had been allegedly commuted; instead of hanging him, they had cut off his arm and leg in order to send him into the camp and strike terror among the partisans. They had carried him as far as the outposts of the camp, where they had put him down and ordered him to crawl, urging him on by shooting into the air.
He could barely move his lips. To make out his almost unintelligible stammering, the crowd around him bent low. He was saying: “Be on your guard, comrades. He has broken through.”
“Patrols have gone out in strength. There’s a big battle going on. We’ll hold him.”
“There’s a gap. He wants to surprise you. I know. ... I can’t go on, men. I am spitting blood. I’ll die in a moment.”
“Rest a bit. Keep quiet.—Can’t you see it’s bad for him, you heartless beasts!”
The man started again: “He went to work on me, the devil. He said: You will bathe in your own blood until you tell me who you are. And how was I to tell him, a deserter is just what I am? I was running from him to you.”
“You keep saying ‘he.’ Who was it that got to work on you?”
“Let me just get my breath. ... I’ll tell you. Hetman, Bekeshin. Colonel, Strese. Vitsyn’s men. You don’t know out here what it’s like. The whole town is groaning. They boil people alive. They cut strips out of them. They take you by the scruff of the neck and push you inside, you don’t know where you are, it’s pitch black. You grope about—you are in a cage, inside a freight car. There are more than forty people in the cage, all in their underclothes. From time to time they open the door and grab whoever comes first—out he goes. As you grab a chicken to cut its throat. I swear to God. Some they hang, some they shoot, some they question. They beat you to shreds, they put salt on the wounds, they pour boiling water on you. When you vomit or relieve yourself they make you eat it. As for children and women—O God!”
The unfortunate was at his last gasp. He cried out and died without finishing the sentence. Somehow they all knew it at once and took off their caps and crossed themselves.
That night, the news of a far more terrible incident flew around the camp.
Pamphil had been in the crowd surrounding the dying man. He had seen him, heard his words, and read the threatening inscription on the board.
His constant fear for his family in the event of his own death rose to a new climax. In his imagination he saw them handed over to slow torture, watched their faces distorted by pain, and heard their groans and cries for help. In his desperate anguish—to forestall their future sufferings and to end his own—he killed them himself, felling his wife and three children with that same, razor-sharp ax that he had used to carve toys for the two small girls and the boy, who had been his favorite.
The astonishing thing was that he did not kill himself immediately afterward.
”
”
Boris Pasternak (Doctor Zhivago)
“
I have a hunch it’s a thing that only fails to be basic because it’s never had material recognition. The weakness of this profession is its attraction for the man a little crippled and broken. Within the walls of the profession he compensates by tending toward the clinical, the ‘practical’— he has won his battle without a struggle.”
“On the contrary, you are a good man, Franz, because fate selected you for your profession before you were born. You better thank God you had no ‘bent’— I got to be a psychiatrist because there was a girl at St. Hilda’s in Oxford that went to the same lectures. Maybe I’m getting trite but I don’t want to let my current ideas slide away with a few dozen glasses of beer.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
In the center of the room Elizabeth stood stock still, clasping and unclasping her hands, watching the handle turn, unable to breathe with the tension. The door swung open, admitting a blast of frigid air and a tall, broad-shouldered man who glanced at Elizabeth in the firelight and said, “Henry, it wasn’t necess-“
Ian broke off, the door still open, staring at what he momentarily thought was a hallucination, a trick of the flames dancing in the fireplace, and then he realized the vision was real: Elizabeth was standing perfectly still, looking at him. And lying at her feet was a young Labrador retriever.
Trying to buy time, Ian turned around and carefully closed the door as if latching it with precision were the most paramount thing in his life, while he tried to decide whether she’d looked happy or not to see him. In the long lonely nights without her, he’d rehearsed dozens of speeches to her-from stinging lectures to gentle discussions. Now, when the time was finally here, he could not remember one damn word of any of them.
Left with no other choice, he took the only neutral course available. Turning back to the room, Ian looked at the Labrador. “Who’s this?” he asked, walking forward and crouching down to pet the dog, because he didn’t know what the hell to say to his wife.
Elizabeth swallowed her disappointment as he ignored her and stroked the Labrador’s glossy black head. “I-I call her Shadow.”
The sound of her voice was so sweet, Ian almost pulled her down into his arms. Instead, he glanced at her, thinking it encouraging she’d named her dog after his. “Nice name.”
Elizabeth bit her lip, trying to hide her sudden wayward smile. “Original, too.”
The smile hit Ian like a blow to the head, snapping him out of his untimely and unsuitable preoccupation with the dog. Straightening, he backed up a step and leaned his hip against the table, his weight braced on his opposite leg.
Elizabeth instantly noticed the altering of his expression and watched nervously as he crossed his arms over his chest, watching her, his face inscrutable. “You-you look well,” she said, thinking he looked unbearably handsome.
“I’m perfectly fine,” he assured her, his gaze level. “Remarkably well, actually, for a man who hasn’t seen the sun shine in more than three months, or been able to sleep without drinking a bottle of brandy.”
His tone was so frank and unemotional that Elizabeth didn’t immediately grasp what he was saying. When she did, tears of joy and relief sprang to her eyes as he continued: “I’ve been working very hard. Unfortunately, I rarely get anything accomplished, and when I do, it’s generally wrong. All things considered, I would say that I’m doing very well-for a man who’s been more than half dead for three months.”
Ian saw the tears shimmering in her magnificent eyes, and one of them traced unheeded down her smooth cheek.
With a raw ache in his voice he said, “If you would take one step forward, darling, you could cry in my arms. And while you do, I’ll tell you how sorry I am for everything I’ve done-“ Unable to wait, Ian caught her, pulling her tightly against him. “And when I’m finished,” he whispered hoarsely as she wrapped her arms around him and wept brokenly, “you can help me find a way to forgive myself.”
Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: “I’m sorry,” he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. “I’m sorry.” Slowly, he bent his head, covering her mouth with his. “I’m so damned sorry.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
...with his dripping basket and flip-flapped up the hill. Then a car turned into Cannery Row and Doc drove up to the front of the laboratory. His eyes were red rimmed with fatigue. He moved slowly with tiredness. When the car had stopped, he sat still for a moment to let the road jumps get out of his nerves. Then he climbed out of the car. At his step on the stairs, the rattlesnakes ran out their tongues and listened with their waving forked tongues. The rats scampered madly about the cages. Doc climbed the stairs. He looked in wonder at the sagging door and at the broken window. The weariness seemed to go out of him. He stepped quickly inside. Then he went quickly from room to room, stepping around the broken glass. He bent down.
”
”
John Steinbeck (Cannery Row (Cannery Row, #1))
“
I have no will. That is to say,’—he coloured a little,—‘ next to none that I can put in action now. Trained by main force; broken, not bent; heavily ironed with an object on which I was never consulted and which was never mine; shipped away to the other end of the world before I was of age, and exiled there until my father’s death there, a year ago; always grinding in a mill I always hated; what is to be expected from me in middle life? Will, purpose, hope? All those lights were extinguished before I could sound the words.’ ‘Light ’em up again!’ said Mr Meagles. ‘Ah! Easily said. I am the son, Mr Meagles, of a hard father and mother. I am the only child of parents who weighed, measured, and priced everything; for whom what could not be weighed, measured, and priced, had no existence.
”
”
Charles Dickens (The Charles Dickens Collection: Boxed Set)
“
When evening in the Shire was grey
his footsteps on the hill were heard;
before the dawn he went away
on journey long without a word.
From Wilderland to Western shore,
from northern waste to southern hill,
through dragon-lair and hidden door
and darkling woods he walked at will.
With Dwarf and Hobbit, Elves and Men,
with mortal and immortal folk,
with bird on bough and beast in den,
in their own secret tongues he spoke.
A deadly sword, a healing hand,
a back that bent beneath its load;
a trumpet-voice, a burning brand,
a weary pilgrim on the road.
A lord of wisdom throned he sat,
swift in anger; quick to laugh;
an old man in a battered hat
who leaned upon a thorny staff.
He stood upon the bridge alone
and Fire and Shadow both defied;
his staff was broken on the stone,
in Khazad-dûm his wisdom died.
”
”
J.R.R. Tolkien
“
Among them was a middle-aged man supported by two broken sticks. His legs were bent permanently beneath him by accident or disease, and it took him five minutes to cross the room, collect his ballot and shuffle into the booth in front of me. It was painful to watch; as he edged forward I became aware that my heart was racing. Finally - finally - the referendum really was under way. What would happen next? Could Eurico and Basilio have more support than I had assumed? How could the violence of the last seven months fail to have an effect? I should have looked away, but I watched, and saw the man on sticks painstakingly mark his cross in the lower of the two boxes, the one rejecting continuing association with Indonesia. Then he folded the paper, turned his legs around, and began walking slowly towards the ballot box.
”
”
Richard Lloyd Parry (In the Time of Madness: Indonesia on the Edge of Chaos)
“
Classical Sanskrit prose writers made very long sentences like this: "Lost in the forest and in thought, bent upon death and at the root of a tree, fallen upon calamity and her nurse's bosom, parted from her husband and happiness, burnt with the fierce sunshine and the woes of widowhood, her mouth closed with silence as well as by her hand, held fast by her companions as well as by grief, I saw her with her kindred and her graces all gone, her ears and her soul left bare, her ornaments and her aims abandoned, her bracelets and her hopes broken, her companions and the needle-like grass-spears clinging round her feet, her eyes and her beloved fixed within her bosom, her sighs and her hair long, her limbs and her merits exhausted, her aged attendants and her streams of tears falling down at her feet...." and it goes on.
”
”
Abraham Eraly (The First Spring Part 2: Culture in the Golden Age of India)
“
(…) Havia lá algo escrito a negro, que eu ainda não conhecia.
Not broken, just bent.
Levantei o dedo e passei-o sobre as linhas. O Kaden estremeceu, contudo não se moveu nem um centimetro.
- O que é isso? - perguntei num murmúrio, erguendo o olhar. O Kaden pareceu inseguro.
- As tuas palavras - respondeu, também em voz baixa. Tinha os olhos escuros e cheios de sentimento. - As palavras que me fizeram voltar a acreditar em mim mesmo, As palavras que me levaram ao limite, porque eu não conseguia imaginar que alguém me visse realmente como tu me vês. - Faltou-lhe a voz, e engoliu em seco.
Lembrei-me daquele dia junto à cascata. Da nossa conversa, de todos os sinais ocultos que ele me tinha enviado. De tudo o que ele me tinha confiado e eu lhe tinha confiado.
Tu não estás avariado, Kaden. Só um pouco empenado. Não é nada que não se possa arranjar.
”
”
Mona Kasten (Begin Again (Again, #1))
“
I came back . . . for you.” The effort had been too much. Bramblestar’s body sagged and his eyes closed as he lapsed back into unconsciousness. “Is he dead?” Squirrelflight asked, her eyes wide with alarm. Shadowsight bent over the ThunderClan leader, placing a paw on his chest and sniffing around his muzzle. “No, he’s alive,” he mewed at last. Straightening up, he added, “Squirrelflight, what did that mean? ‘I came back for you’?” For a moment Squirrelflight seemed completely confused, gazing up at the roof of the den and back down at Bramblestar’s motionless form. “I’m starting to think there’s something familiar about this fake Bramblestar,” she murmured. “But I can’t quite put my paw on what it is, or who it might actually be. I do know one thing, though,” she added, meeting Shadowsight’s concerned gaze. “I have a terrible feeling about all of this.
”
”
Erin Hunter (Veil of Shadows)
“
Blessed be God’s name …” Thousands of lips repeated the benediction, bent over like trees in a storm. Blessed be God’s name? Why, but why would I bless Him? Every fiber in me rebelled. Because He caused thousands of children to burn in His mass graves? Because He kept six crematoria working day and night, including Sabbath and the Holy Days? Because in His great might, He had created Auschwitz, Birkenau, Buna, and so many other factories of death? How could I say to Him: Blessed be Thou, Almighty, Master of the Universe, who chose us among all nations to be tortured day and night, to watch as our fathers, our mothers, our brothers end up in the furnaces? Praised be Thy Holy Name, for having chosen us to be slaughtered on Thine altar? I listened as the inmate’s voice rose; it was powerful yet broken, amid the weeping, the sobbing, the sighing of the entire “congregation”: “All
”
”
Elie Wiesel (Night)
“
He moved to the faded red chair she'd indicated. As he lowered himself into it, there was a loud crack. One of the wooden legs snapped and broke, just as Sophia and Angus had planned when they'd sawed it half-through.
A normal man would have been tossed to the floor, but with a little twist, MacLean shifted his weight forward and managed to remain upright, turning to regard the chair as it collapsed.
Sophia swept to her feet. "Goodness! How horrid!" She narrowed her gaze accusingly at the chair. There was nothing like a little humiliation to set a man against a location, and it was a pity MacLean hadn't been thrown to the floor as she'd planned.
MacLean bent and picked up a piece of the broken chair, his expression unfathomable. "Horrid, indead."
Her desire to smile fled. Did he suspect something? Could he see where Angus had cut the chair let partway through?
MacLean hefted the leg in his hand, his mouth thinned.
Sophia cleared her throat. "I'll call the butler to remove that."
His gaze locked with hers.The chair leg still in his hand,he walked toward her.
Sophia licked her suddenly dry lips. She didn't know this man, not really. What was he going to do?
She gripped the arms of her chair. Should she run for help? Surely not. Nothing she'd heard had indicated MacLean was a man of violence. Of course, everything she knew of him was mere heresay-
He stopped before her and stook looking down into her face with the faintest of smiles. He didn't look angry; he looked knowing. As if he understood exactly what she'd done and why.
A fear of another kind gripped her. Surely, he didn't. There was no way he could-
MacLean leaned forward. Sophia's heart jumped, her skin warming oddly when his arm brushed her shoulder as he leaned past her...and tossed the chair leg onto the unlit fireplace.
”
”
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
“
Glad to part again, Estella? To me, parting is a painful thing. To me, the remembrance of our last parting has been ever mournful and painful.'
'But you said to me,' returned Estella, very earnestly, '"God bless you, God bless you!" And if you could say that to me then, you will not hesitate to say that to me now - now, when suffering has been stronger than all other teaching, and has taught me to understand what your heart used to be. I have been bent and broken, but - I hope - into a better shape. Be as considerate and good to me as you were, and tell me we are friends.'
'We are friends,' said I, rising and bending over her as she rose from the bench.
'And will continue friends apart,' said Estella.
I took her hand in mine, and we went out of the ruined place; and, as the morning mists had risen long ago when I first left the forge, so, the evening mists were rising now, and in all the broad expanse of tranquil light they showed me, I saw no shadow of another parting from her.
”
”
Charles Dickens (Great Expectations)
“
The company was now come to a halt and the first shots were fired and the grey riflesmoke rolled through the dust as the lancers breached their ranks. The kid's horse sank beneath him with a long pneumatic sigh. He had already fired his rifle and now he sat on the ground and fumbled with his shotpouch. A man near him sat with an arrow hanging out of his neck. He was bent slightly as if in prayer. The kid would have reached for the bloody hoop-iron point but then he saw that the man wore another arrow in his breast to the fletching and he was dead. Everywhere there were horses down and men scrambling and he saw a man who sat charging his rifle while blood ran from his ears and he saw men and he saw men with their revolvers disassembled trying to fit the fit the spare loaded cylinders they carried and he saw men kneeling who tilted and clasped their shadows on the ground and he saw men lanced and caught up by the hair and scalped standing and he saw the horses of war trample down the fallen and a little whitefaced pony with one clouded eye leaned out of the murk and snapped at him like a dog and was gone. Among the wounded some seemed dumb and without understanding and some were pale through the masks of dust and some had fouled themselves or tottered brokenly onto the spears of the savages. Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and up the far side of the ruined ranks in a pipping of boneflutes and dropping down off the side of their mounts with one heel hung in the the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, ridding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, heads, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows. And now the horses of the dead came pounding out of the smoke and dust and circled with flapping leather and wild manes and eyes whited with fear like the eyes of the blind and some were feathered with arrows and some lanced through and stumbling and vomiting blood as they wheeled across the killing ground and clattered from sight again. Dust stanched the wet and naked heads of the scalped who with the fringe of hair beneath their wounds and tonsured to the bone now lay like maimed and naked monks in the bloodsoaked dust and everywhere the dying groaned and gibbered and horses lay screaming
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
The silence lengthened, becoming strained and awkward until it was broken by the goose’s imperious honk.
Swift glanced at the massive bird. “You have a companion, I see.”
When Daisy explained what the two boys had been doing with the goose, Swift grinned. “Clever lads.”
The remark did not strike Daisy as being especially compassionate.
“I want to help him,” she said. “But when I tried to get near, he pecked me. I expected a domestic breed would have been a bit more receptive to my approach.”
“Greylags are not known for their mild temperaments,” Swift informed her. “Particularly males. He was probably trying to show you who was boss.”
“He proved his point,” Daisy said, rubbing her arm.
Swift frowned as he saw the growing bruise on her arm. “Is that where he pecked you? Let me see.”
“No, it’s all right—” she began, but he had already come forward.
His long fingers encircled her wrist, the thumb of his other hand passing gently near the dark purple mark. “You bruise easily,” he murmured, his dark head bent over her arm.
Daisy’s heart dispensed a series of hard thumps before settling into a fast rhythm. He smelled like the outdoors—sun, water, grassy-sweet. And deeper in the fragrance lingered the tantalizing incense of warm, sweaty male. She fought the instinct to move into his arms, against his body…to pull his hand to her breast. The mute craving shocked her.
Glancing up at his downturned face, Daisy found his blue eyes staring right into hers.
“I…” Nervously she pulled away from him. “What are we to do?”
“About the goose?” His broad shoulders hitched in a shrug. “We could wring his neck and take him home for dinner.”
The suggestion caused Daisy and the Greylag to stare at him in shared outrage.
“That was a very poor joke, Mr. Swift.”
“I wasn’t joking.”
Daisy placed herself squarely between Swift and the goose. “I will deal with the situation on my own. You may leave now.”
“I wouldn’t advise making a pet of him. You’ll eventually find him on your plate if you stay at Stony Cross Park long enough.”
“I don’t care if it makes me a hypocrite,” she said. “I would rather not eat a goose I’m acquainted with.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
Hunter filled the opening in the privacy curtains. He wore green scrubs like the doctors and nurses who had scraped me off the pavement. For a split second I mistook him for an adorable doctor who looked a lot like Hunter. I knew it was Hunter when he gaped at me with a mixture of outrage and horror, his face pale, and demanded, “What did you do?”
“Crossed the street,” I said. “Badly.” Wincing, I eased up from the gurney, putting my weight on my hand and my good hip. Only a few minutes had passed since they had brought me in, ascertained I wasn’t dying, and dumped me here. I still felt very shaky from the shock of being hit. But I didn’t want to face Hunter lying down.
In two steps he bent over me and wrapped his arms around me. He was careful not to press on my hospital gown low against my back where the road rash was, but his touch on my shoulders radiated pain to the raw parts. I winced again.
“Oh, God. I’m sorry.” He let me go but hovered over me, placing his big hands on my shoulder blades. He was so close that the air felt hot between us. “What did you hurt?”
“This is just where I skidded across the road.” I gestured behind my back and then flinched at the sting in my skin as I moved my arm.
“How far down does it go?” My back felt cold as he lifted on flap of my paper gown and looked.
I kept my head down, my red cheeks hidden. He was peering at my back where my skin was missing. What could be sexier? Even if the circumstances had been happier, I was wearing no makeup and I was sure my hair was matted from my scarf. There was no reason for my blood to heat as if we were on a date instead of a gurney.
But my body did not listen to logic when it came to Hunter. He was no examining my wound. He was captivated by the sight of my lovely and unblemished bottom. I was a novelist. I could dream, couldn’t I?
Lightly I asked, “Are you asking whether I have gravel embedded in my ass? By the grace of God, no.”
Hunter let my gown go and stood up “The doc said the car hit your hip,” he insisted. “Is it broken?”
I rolled on my side to face him. “It really hurts,” I said. “If it were broken, I think it would hurt worse.”
He nodded. “When I broke my ribs, I couldn’t breathe.”
“That’s because your ribs punctured your lung.”
He pointed at me. “True.” Then he cocked his head to one side, blond hair falling into his eyes. “I’m surprised you remember that.
”
”
Jennifer Echols (Love Story)
“
In the shadows, a glass slipper shimmered on her foot. She bent to pick it up.
Strange, that everything should disappear except her glass slipper.
She hugged it to her chest. Before this night, she hadn't thought magic would ever touch her life. None of this would have been possible without her fairy godmother.
She gazed at the stars twinkling above her. Somehow, she knew her godmother was listening. "Thank you so much... for everything."
Carefully, she tucked her glass slipper into her pocket. At least she would have it to remind her of what a beautiful night it had been.
Her fairy godmother's spell had been broken. Tomorrow, everything would go back to the way it was before. Her stepmother would go back to ordering her around the chateau, her stepsisters, Anastasia and Drizella, to tormenting her over every one of their needs, but she'd caught a glimpse of happiness, something she hadn't felt in many years.
Her eyes had opened to the possibility of leaving home, of dreaming dreams that might actually come true. But she wasn't brave enough to chase them- not yet. Not so soon, anyway, after such a magnificent night.
What she didn't realize was- she might not have a choice.
”
”
Elizabeth Lim (So This is Love)
“
And then she caught the song. She fell upon it and music poured from the fiddle’s hollow, bright and liquid like fire out of the heart of the earth. Pierre-Jean drew back and stood mesmerized. The room around Fin stirred as every ear bent to the ring of heartsong. It rushed through Fin and spread to the outermost and tiniest capillary reaches of her body. Her flesh sang. The hairs of her arms and neck roused and stood. She sped the bow across the strings. Her fingers danced on the fingerboard quick as fat raindrops. Every man in the room that night would later swear that there was a wind within it. They would tell their children and lovers that a hurricane had filled the room, toppled chairs, driven papers and sheets before it and blew not merely around them but through them, taking fears, grudges, malice, and contempt with it, sending them spiraling out into the night where they vanished among the stars like embers rising from a bonfire.
And though the spirited cry of the fiddle’s song blew through others and around the room and everything in it, Fin sat at the heart of it. It poured into her. It found room in the closets and hollow places of her soul to settle and root. It planted seeds: courage, resolve, steadfastness. Fin gulped it in, seized it, held it fast. She needed it, had thirsted for it all her days. She saw the road ahead of her, and though she didn’t understand it or comprehend her part in it, she knew that she needed the ancient and reckless power of a holy song to endure it. She didn’t let the music loose. It buckled and swept and still she clung to it, defined it in notes and rhythm, channeled it like a river bound between mountain steeps. And a thing happened then so precious and strange that Fin would ever after remember it only in the formless manner of dreams. The song turned and spoke her name—her true name, intoned in a language of mysteries. Not her earthly name, but a secret word, defining her alone among all created things. The writhing song spoke it, and for the first time, she knew herself. She knew what it was to be separated out, held apart from every other breathing creature, and known. Though she’d never heard it before and wouldn’t recall it after, every stitch of her soul shook in the passage of the word, shuddered in the wake of it, and mourned as the sound sped away. In an instant, it was over. The song ended with the dissonant pluck of a broken string.
”
”
A.S. Peterson (Fiddler's Green (Fin's Revolution, #2))
“
He went away, bent double with the pains of remorse and regret and the inward biting of a love which had now no means of expression. He remembered now when it was useless how the Abbess had told him that the way was always forward. Nick had needed love, and he ought to have given him what he had to offer, without fears about its imperfection. If he had had more faith he would have done so, not calculating either Nick’s faults or his own. Michael recalled too how, with Toby; he had acted with more daring, and had probably acted wrong. Yet no serious harm had come to Toby; besides he had not loved Toby as he loved Nick, was not responsible for Toby as he had been for Nick. So great a love must have contained some grain of good, something at least which might have attached Nick to this world, given him some glimpse of hope. Wretchedly Michael forced himself to remember the occasions on which Nick had appealed to him since he came to Imber, and how on every occasion Michael had denied him. Michael had concerned himself with keeping his own hands clean, his own future secure, when instead he should have opened his heart: should impetuously and devotedly and beyond all reason have broken the alabaster cruse of very costly ointment.
”
”
Iris Murdoch (The Bell)
“
We remembered the delicate fig-shaped island,stranded between the American Empire and peaceful Canada, as it had been years ago, with its welcoming red white-and-blue flag-shaped flower bed,splashing fountains, European casino, and horse paths leading through woods where Indians had bent trees into giant bows. Now grass grew inpatches down to the littered beach where children fished with pop topstied to string. Paint flaked from once-bright gazebos. Drinking fountains rose from mud puddles laid with broken brick stepping stones. Along the road the granite face of the Civil War Hero had been spray-painted black. Mrs. Huntington Perry had donated her prize orchids to the Botanical Garden in the time before the riots, when civic money still ran high, but since her death ion the eroding tax base had forced cutbacks that had laid off one skilled gardener a year, so that plants that had survived transplantation from equatorial regions to bloom again in that false paradise now withered, weeds sprang up amid scrupulous identification tags, and fake sunlight flowed for only a few hours per
day. The only thing that remained was the steam vapor, beading the sloping greenhouse windows and filling our nostrils with the moisture and aroma of a rotting world
”
”
Jeffrey Eugenides (The Virgin Suicides)
“
Tish senses. Even as the world tries to speed by her, she is slowly taking it in. Wait, stop. That thing you said about the polar bears…it made me feel something and wonder something. Can we stay there for a moment? I have feelings. I have questions. I’m not ready to run outside to recess yet. In most cultures, folks like Tish are identified early, set apart as shamans, medicine people, poets, and clergy. They are considered eccentric but critical to the survival of the group because they are able to hear things others don’t hear and see things others don’t see and feel things others don’t feel. The culture depends on the sensitivity of a few, because nothing can be healed if it’s not sensed first. But our society is so hell-bent on expansion, power, and efficiency at all costs that the folks like Tish—like me—are inconvenient. We slow the world down. We’re on the bow of the Titanic, pointing, crying out, “Iceberg! Iceberg!” while everyone else is below deck, yelling back, “We just want to keep dancing!” It is easier to call us broken and dismiss us than to consider that we are responding appropriately to a broken world. My little girl is not broken. She is a prophet. I want to be wise enough to stop with her, ask her what she feels, and listen to what she knows.
”
”
Glennon Doyle (Untamed)
“
I hurt my hip, too.”
“Let me see.”
She made a face and yelped when her cheek protested even that slight movement. “You don’t need to see my hip. It’s fine.”
“If the skin’s broken, it’ll need cleaning, too,” he said, unbuckling her belt.
“Stop that.”
“Think of me as your doctor,” he said, as he unsnapped and then unzipped her jeans.
“My doctor doesn’t usually undress me,” she snapped. “And my patients already come undressed.”
He laughed. “Life your hips,” he said. “Up!” he ordered, when she hesitated.
She put her one good hand on his shoulder to brace herself and lifted her hips as he pulled her torn jeans down. To her surprise, her bikini underwear was shredded, and the skin underneath was bloody. “Uh-oh.”
She was still staring at the injury on her hip when she felt him pulling off her boots. She started to protest, saw the warning look in his eyes, and shut her mouth. He pulled her jeans off, leaving her legs bare above her white boot socks. “Was that really necessary?”
“You’re decent,” he said, straightening the tails of her Western shirt over her shredded bikini underwear. “I can put your boots back on if you like.”
Bay shook her head and laughed. “Just get the first-aid kit, and let me take care of myself.”
He grimaced. “If I’m not mistaken, you packed the first-aid kit in your saddlebags.”
Bay winced. “You’re right.” She stared down the canyon as far as she could see. There was no sign of her horse. “How long do you think it’ll take him to stop running?”
“He won’t have gone far. But I need to set up camp before it gets dark. And I’m not hunting for your horse in the dark, for the same reason I’m not hunting for your brother in the dark.”
“Where am I supposed to sleep? My bedroll and tent are with my horse.”
“You should have thought of that before you started that little striptease of yours.”
“You’re the one who shouted and scared me half to death. I was only trying to cool off.”
“And heating me up in the process!”
“I can’t help it if you have a vivid imagination.”
“It didn’t take much to imagine to see your breasts,” he shot back. “You opened your blouse right up and bent over and flapped your shirt like you were waving a red flag at a bull”
“I was getting some air!”
“You slid your butt around that saddle like you were sitting right on my lap.”
“That’s ridiculous!”
“Then you lifted your arms to hold your hair up and those perfect little breasts of yours—”
“That’s enough,” she interrupted. “You’re crazy if you think—”
“You mean you weren’t inviting me to kiss my way around those wispy curls at your nape?”
“I most certainly was not!”
“Could’ve fooled me.”
She searched for the worst insult she could think of to sling at him. “You—you—Bullying Blackthorne!”
“Damned contentious Creed!
”
”
Joan Johnston (The Texan (Bitter Creek, #2))
“
She was alone and still, gazing out to sea; and when she felt his presence and the worship of his eyes her eyes turned to him in quiet sufferance of his gaze, without shame or wantonness. Long, long she suffered his gaze and then quietly withdrew her eyes from his and bent them towards the stream, gently stirring the water with her foot hither and thither. The first faint noise of gently moving water broke the silence, low and faint and whispering, faint as the bells of sleep; hither and thither, hither and thither; and a faint flame trembled on her cheek.
—Heavenly God! cried Stephen’s soul, in an outburst of profane joy.
He turned away from her suddenly and set off across the strand. His cheeks were aflame; his body was aglow; his limbs were trembling. On and on and on and on he strode, far out over the sands, singing wildly to the sea, crying to greet the advent of the life that had cried to him.
Her image had passed into his soul for ever and no word had broken the holy silence of his ecstasy. Her eyes had called him and his soul had leaped at the call. To live, to err, to fall, to triumph, to recreate life out of life! A wild angel had appeared to him, the angel of mortal youth and beauty, an envoy from the fair courts of life, to throw open before him in an instant of ecstasy the gates of all the ways of error and glory. On and on and on and on!
”
”
James Joyce
“
Outside the rooms, Sam pointed to a small opening in a wall beneath a set of stairs with CELLULE DES RECALCITRANTS written over the top of it. This is where they kept the slaves who resisted, Momar translated for me. It was too dark to tell what it looked like. I turned on my phone's flashlight, bent down, and scooted inside. The stone seemed to almost absorb the light, so it still felt dark inside the shallow cavern. I waited for my eyes to adjust to the darkness. They did not. I hugged my knees close to my chest as I sat inside. The joints in my knees and ankles cracked. Dirt fell from the wall where I touched it. It was impossible to feel as if the walls weren't closing in on me. I thought of people being held here, how they might barely have been able to see their hands in front of their faces. How they would have been able to taste the salt water that hung in the air without seeing any of the ocean. I thought of all the times I had heard, 'But why didn't they fight back?' when slavery was discussed in my classes. I thought of the bell at plantations like the Whitney, which had been rung to tell the enslaved people to gather round and watch one of their loved ones being lashed until the bled. I thought of the rooms at Angola's Red Hat cell block, how the smallness of those spaces had closed in on me. The cramped cavern might have been where the lessons on first resistance had taken place in a person's earliest days of enslavement. Where spirits and bodies had been broken.
”
”
Clint Smith (How the Word Is Passed: A Reckoning with the History of Slavery Across America)
“
To this day when I inhale a light scent of Wrangler—its sweet sharpness—or the stronger, darker scent of Musk, I return to those hours and it ceases to be just cologne that I take in but the very scent of age, of youth at its most beautiful peak. It bears the memory of possibility, of unknown forests, unchartered territories, and a heart light and skipping, hell-bent as the captain of any of the three ships, determined at all costs to prevail to the new world. Turning back was no option. Whatever the gales, whatever the emaciation, whatever the casualty to self, onward I kept my course. My heart felt the magnetism of its own compass guiding me on—its direction constant and sure. There was no other way through. I feel it again as once it had been, before it was broken-in; its strength and resolute ardency. The years of solitude were nothing compared to what lay ahead. In sailing for the horizon that part of my life had been sealed up, a gentle eddy, a trough of gentle waves diminishing further, receding away. Whatever loneliness and
pain went with the years between the ages of 14 and 20, was closed, irretrievable—I was already cast in form and direction in a certain course.
When I open the little bottle of eau de toilette five hundred different days unfold within me, conversations so strained, breaking slowly, so painstakingly, to a comfortable place. A place so warm and inviting after the years of silence and introspect, of hiding.
A place in the sun that would burn me alive before I let it cast a shadow on me. Until that time I had not known, I had not been conscious of my loneliness. Yes, I had been taciturn in school, alone, I had set myself apart when others tried to engage. But though I was alone, I had not felt the pangs of loneliness. It had not burdened or tormented as such when I first felt the clear tang of its opposite in the form of another’s company. Of Regn’s company. We came, each in our own way, in our own need—listening, wanting, tentatively, as though we came upon each other from the side in spite of having seen each other head on for two years. It was a gradual advance, much again like a vessel waiting for its sails to catch wind, grasping hold of the ropes and learning much too quickly, all at once, how to move in a certain direction. There was no practicing. It was everything and all—for the first and last time. Everything had to be right, whether it was or not. The waters were beautiful, the work harder than anything in my life, but the very glimpse of any tempest of defeat was never in my line of vision. I’d never failed at anything. And though this may sound quite an exaggeration, I tell you earnestly, it is true. Everything to this point I’d ever set my mind to, I’d achieved. But this wasn’t about conquering some land, nor had any of my other desires ever been about proving something. It just had to be—I could not break, could not turn or retract once I’d committed myself to my course. You cannot force a clock to run backwards when it is made to persevere always, and ever, forward. Had I not been so young I’d never have had the courage to love her.
”
”
Wheston Chancellor Grove (Who Has Known Heights)
“
He cannot will his entry into and exit from the activity on a daily basis. There is not, as there is for most workers, a brief interval of exemption at the end of the day when he is permitted to enact a wholly different set of gestures; the timing of his eventual exit will by determined not by his own will but by the end of the war, whether that comes in days, months, or years, and there is of course a very high probability that even when the war ends he will never exit from it. Although in all forms of work the worker mixes himself with and eventually becomes inseparable from the materials of his labor (an inseparability that has only its most immediate sign the residues which coat his body, the coal beneath the skin of his arm, the spray of grain in his hair, the ink on his fingers), the boy in war is, to an extent, found in almost no other form of work, inextricably bound up with the men and materials of his labor: he will learn to perceive himself as he will be perceived by others, as indistinguishable from the men of his unit, regiment, division, and above all national group (all of whom will share the same name: he is German) as he is also inextricably bound up with the qualities and conditions – berry laden or snow laden - of the ground over which he walks or runs or crawls and with which he craves and courts identification, as in the camouflage postures he adopts, now running bent over parallel with the ground it is his work to mime, now arching forward conforming the curve of his back to the curve of a companion boulder, now standing as upright and still and narrow as the slender tree behind which he hides; he is the elms and the mud, he is the one hundred and sixth, he is a small piece of German terrain broken off and floating dangerously through the woods of France. He is a fragment of American earth wedged into an open hillside in Korea and reworked by its unbearable sun and rain. He is dark blue like the sea. He is light grey like the air through which he flies. He is sodden in the green shadows of earth. He is a light brown vessel of red Australian blood that will soon be opened and emptied across the rocks and ridges of Gallipoli from which he can never again become distinguishable.
”
”
Elaine Scarry (The Body in Pain: The Making and Unmaking of the World)
“
The man who is to die in front of us today in some way took part in the revolt. They say he had contacts with the rebels of Birkenau, that he carried arms into our camp, that he was plotting a simultaneous mutiny among us. He is to die today before our very eyes: and perhaps the Germans do not understand that this solitary death, this man’s death which has been reserved for him, will bring him glory, not infamy.
At the end of the German’s speech, which nobody understood, the raucous voice of before again rose up: “Haht ihr verst and en?" Have you understood? Who answered “Jawohl?" Everybody and nobody: it was as if our cursed resignation took body by itself, as if it turned into a collective voice above our heads. But everyone heard the cry of the doomed man, it pierced through the old thick barriers of inertia and submissiveness, it struck the living core of man in each of us: “Kamaraden, icb bin der Letzte!" (Comrades, I am the last one!).
I wish I could say that from the midst of us, an abject flock, a voice rose, a murmur, a sign of assent. But nothing happened. We remained standing, bent and grey, our heads dropped, and we did not uncover our heads until the German ordered us to do so. The trap door opened, the body wriggled horribly; the band began playing again and we were once more lined up and filed past the quivering body of the dying man.
At the foot of the gallows, the SS watch us pass with indifferent eyes: their work is finished, and well finished. The Russians can come now: there are no longer any strong men among us, the last one is now hanging above our heads, and as for the others, a few halters had been enough. The Russians can come now: they will only find us, the slaves, the worn-out, worthy of the unarmed death which awaits us.
To destroy a man is difficult, almost as difficult as to create one: it has not been easy, nor quick, but you Germans have succeeded. Here we are, docile under your gaze; from our side you have nothing more to fear; no acts of violence, no words of defiance, not even a look of judgement.
Alberto and I went back to the hut, and we could not look each other in the face. That man must have been tough, he must have been made of another metal than us if this condition of ours, which has broken us, could not bend him.
Because we also are broken, conquered: even if we know how to adapt ourselves, even if we have finally learnt how to find our food and to resist the fatigue and cold, even if we return home.
We lifted the menaschka on to the bunk and divided it, we satisfied the daily ragings of hunger, and now we are oppressed by shame.
”
”
Primo Levi (Survival in Auschwitz)
“
Reality is negotiable. Outside of science and law, all rules can be bent or broken, and it doesn't require being unethical
”
”
Timothy Ferriss (The 4-Hour Work Week, 4 Disciplines of Execution, The 7 Habits of Highly Effective People 3 Books Collection Set)
“
Two kilos out from the pillbox, they spotted it: a single stainless-steel silo toppled over with twisted landing fins jutting out of the underbrush, surrounded by redwoods thick as rocket boosters themselves. It was covered with dead leaves and broken branches. The booster was bent halfway up the shaft, and the fuel nozzle was crumpled like a tin can under the weight of the landing. Standing over the wreck, Nadine felt like a paleontologist coming across the fossilized remains of a long-dead dinosaur.
”
”
Richard Ferro (Horizon: A Novella (HºRIZON Vol. 1, Book 1))
“
Reacher twisted the skinny guy’s hand so that his inner arm was facing up, then gripped him by the wrist. “You know when people say a kid has a broken arm, the bone is often not severed all the way? It’s what’s called a green stick fracture. The bone’s just bent. Because young people are supple. But as you grow older, your bones become more brittle. They no longer bend. They shatter. Now, this guy’s no kid. He’s not old, either. I wonder how far his bones will go before they snap.
”
”
Lee Child (The Sentinel (Jack Reacher, #25))
“
What do you want me to say, Dragos? That I’m not broken?” “You’re not broken.” He straightened. “You’ve been bent in a storm, but you haven’t broken.
”
”
Dana Marie Bell (Throne of Oak (Maggie's Grove, #2))
“
The uncomfortable assumption had begun to dawn on me that maybe this was all some sex-related thing I was better off not knowing. I looked at the side of his face: petulant, irritable, glasses low on the tip of his sharp little nose and the beginnings of jowls at his jawline. Might Henry have made a pass at him in Rome? Incredible, but a possible hypothesis. If he had, certainly, all hell would have broken loose. I could not think of much else that would involve this much whispering and secrecy, or that would have had so strong an effect on Bunny. He was the only one of us who had a girlfriend and I was pretty sure he slept with her, but at the same time he was incredibly prudish — touchy, easily offended, at root hypocritical. Besides, there was something unquestionably odd about the way Henry was constantly shelling out money to him: paying his tabs, footing his bills, doling out cash like a husband to a spendthrift wife. Perhaps Bunny had allowed his greed to get the better of him, and was angry to discover that Henry's largesse had strings attached.
But did it? There were certainly strings somewhere, though — easy as it seemed on the face of it — I wasn't sure that this was where those particular strings led. There was of course that thing with Julian in the hallway; still, that had been very different. I had lived with Henry for a month, and there hadn't been the faintest hint of that sort of tension, which I, being rather more disinclined that way than not, am quick to pick up on. I had caught a strong breath of it from Francis, a whiff of at times from Julian; and even Charles, who I knew was interested in women, had a sort of naive, prepubescent shyness of them that a man like my father would have interpreted alarmingly — but with Henry, zero. Geiger counters dead. If anything, it was Camilla he seemed fondest of, Camilla he bent over attentively when she spoke, Camilla who was most often the recipient of his infrequent smiles.
And even if there was a side of him which I was unaware (which was possible) was it possible that he was attracted to Bunny? The answer to this seemed, almost unquestionable, No. Not only did he behave as if he wasn't attracted to Bunny, he acted as if he were hardly able to stand him. And it seemed that he, disgusted by Bunny in what appeared to be virtually all respects, would be far more disgusted in that particular one than even I would be. It was possible for me to recognize, in a general sort of way, that Bunny was handsome, but if I brought the lens any closer and tried to focus on him in a sexual light, all I got was a repugnant miasma of sour-smelling shirts and muscles gone to fat and dirty socks. Girls didn't seem to mind that sort of thing, but to me he was about as erotic as an old football coach.
”
”
Anonymous
“
I didn’t just want to collide with Sofia. I didn’t want her to become collateral damage that we’d have to crawl out of bent and broken.
I wanted to learn to love her in the way she deserved. The soft kind of love she couldn’t live without.
I was going to fall in love with her all over again, the right way, and hopefully, if I do it right, she’ll fall just as hard.
”
”
Monty Jay (Blind Pass)
“
I tried subtle. It chafed.
”
”
Devon Monk (Hell Bent (Broken Magic, #1))
“
She stared at the water until the sun’s reflection became too much, and then reached for her single bag of belongings. Digging around, she found the clay turtle. It was made of earth. It was tiny. She could use it for practice. Small, she thought as she cradled it with both hands. Precise. Silent. Small. She curled her lips in concentration. It was like crooking the tip of her pinky while wiggling her opposite ear. She needed a whole-body effort to keep her focus sufficiently narrow. There was another reason why she didn’t want to seek instruction from a famous bending master with a sterling reputation and wisdom to spare. Such a teacher would never let her kill Jianzhu in cold blood. Her hunger to learn all four elements had nothing to do with becoming a fully realized Avatar. Fire, Air, and Water were simply more weapons she could bring to bear on a single target. And she had to bring her earthbending up to speed too. Small. Precise. The turtle floated upward, trembling in the air. It wasn’t steady the way bent earth should be, more of a wobbling top on its last few spins. But she was bending it. The smallest piece of earth she’d ever managed to control. A minor victory. This was only the beginning of her path. She would need much more practice to see Jianzhu broken in pieces before her feet, to steal his world away from him the way he had stolen hers, to make him suffer as much as possible before she ended his miserable worthless life— There was a sharp crack. The turtle fractured along innumerable fault lines. The smallest parts, the blunt little tail and squat legs, crumbled first. The head fell off and bounced over the edge of the saddle. She tried to close her grip around the rest of it and caught only dust. The powdered clay slipped between her fingers and was taken by the breeze. Her only keepsake of Kelsang flew away on the wind.
”
”
F.C. Yee (Avatar: The Rise of Kyoshi (The Kyoshi Novels, #1))
“
Reality is negotiable. Outside of science and law, all rules can be bent or broken, and it doesn’t require being unethical. The DEAL of deal making is also an acronym for the process of becoming a member of the New Rich.
”
”
Timothy Ferriss (The 4-Hour Work Week: Escape the 9-5, Live Anywhere and Join the New Rich)
“
When evening in the Shire was grey
his [Gandalf] footsteps on the Hill were heard;
before the dawn he went away
on journey long without a word.
From Wilderland to Western shore,
from northern waste to southern hill,
through dragon-lair and hidden door
and darkling woods he walked at will.
With Dwarf and Hobbit, Elves and Men,
with mortal and immortal folk,
with bird on bough and beast in den,
in their own secret tongues he spoke.
A deadly sword, a healing hand,
a back that bent beneath its load;
a trumpet-voice, a burning brand,
a weary pilgrim on the road.
A lord of wisdom throned he sat,
swift in anger, quick to laugh;
an old man in a battered hat
who leaned upon a thorny staff.
He stood upon the bridge alone
and Fire and Shadow both defied;
his staff was broken on the stone,
in Khazad-dûm his wisdom died.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
The first time I visited dad after leaving, I had run out back to pick some sage, to roll it in my palms and smell its strong medicine. What had greeted me was a circle of wilted stems. Plants shriveled and bent, untended broken things.
”
”
Quiara Alegría Hudes (My Broken Language)
“
Wings of fire
It was a strange sight,
That brought feelings of excitement and fright,
A butterfly with wings of fire,
One representing wishes and the other meant to hoist her every desire,
There seemed to be no place where she could not go,
I had never seen her before, not even long ago,
Wherever she went, she set all flowers on fire,
Creating blazing gardens of endless desire,
Where wishes like pollen dust scattered everywhere,
Lifted by the ever rising flames and then dispersed here and there,
And wherever it fell,
There was no beauty to be felt and no stories to tell,
Because the flames turned the dust into a secret alchemy that resembled the inferno of hell,
Gardens burned, lands were parched, it was a diabolic sight that no words can explain well,
So, wherever the butterfly with wings of fire went,
It left trails of fire and devastation, with nature’s will broken and completely bent,
The butterfly used to be beautiful once,
It loved to fly and freely dance,
Until it was caught in a man made drought,
Leaving it exhausted and distraught,
As its wings stiffened and fell,
And it began collapsing into the hell,
There somehow she developed wings of fire,
To claim her unfulfilled wishes and her every desire,
And since then she has been on a rampage,
Nature too does not want to contain her in the cage,
Because she is avenging its losses,
So, now she recklessly all heights and every length crosses,
Wherever she goes the world of blazes and fires blooms,
With just one prospect, that of gloom and endless dooms,
Her desires are infinite, so her wings will never lose their fire now,
There is only one way to stop her, via a kiss of love,
But who would dare to kiss the wings of fire,
Let alone the act, the very thought does scare and tire,
Maybe the world, her world and our world will soon be reduced to cinders,
And we can only hope that someday she forgives us all, her offenders,
But behold the act of providence,
Her only means of guidance,
The wet drops of rain are soothing her hot and blazing wings,
And as her wings regain their natural and colourful shades, she once again sings,
Hopefully this spell of beauty lasts longer,
And humans and beautiful butterflies will once again learn to live together!
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
Mind, you're a broken, vindictive, rude 'warrior' with a complete lack of an honor code bent on revenge, but if you assist me, I help you. We both get what we want.
”
”
Leo Flynn (Mara's Choice (The Mara Files #2))
“
THE FELLOWSHIP OF THE RING
"Many that live deserve death. And some that die deserve life."
"Do not meddle in the affairs of Wizards, for they are subtle and quick to anger."
"Go not to the Elves for counsel, for they will say both no and yes."
"Hey dol! merry dol! ring a dong dillo!
Ring a dong! hop along! fal lal the willow!
Tom Bom, jolly Tom, Tom Bombadillo!"
"No black man shall pass my doors, while I can stand on my legs."
"All that is gold does not glitter,
Not all those who wander are lost;
The old that is strong does not wither,
Deep roots are not reached by the frost.
From the ashes a fire shall be woken,
A light from the shadows shall spring;
Renewed shall be blade that was broken,
The crownless again shall be king."
"One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the Darkness bind them."
"A deadly sword, a healing hand,
a back that bent beneath its load;
a trumpet-voice, a burning brand,
a weary pilgrim on the road.
A lord of wisdom throned he sat,
swift in anger, quick to laugh;
an old man in a battered hat
who leaned upon a thorny staff.
”
”
J.R.R. Tolkien
“
THE FELLOWSHIP OF THE RING
"Many that live deserve death. And some that die deserve life."
"Do not meddle in the affairs of Wizards, for they are subtle and quick to anger."
"Go not to the Elves for counsel, for they will say both no and yes."
"Hey dol! merry dol! ring a dong dillo!
Ring a dong! hop along! fal lal the willow!
Tom Bom, jolly Tom, Tom Bombadillo!"
"No black man shall pass my doors, while I can stand on my legs."
"All that is gold does not glitter,
Not all those who wander are lost;
The old that is strong does not wither,
Deep roots are not reached by the frost.
From the ashes a fire shall be woken,
A light from the shadows shall spring;
Renewed shall be blade that was broken,
The crownless again shall be king."
"One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the Darkness bind them."
"A deadly sword, a healing hand,
a back that bent beneath its load;
a trumpet-voice, a burning brand,
a weary pilgrim on the road.
A lord of wisdom throned he sat,
swift in anger, quick to laugh;
an old man in a battered hat
who leaned upon a thorny staff.”
"The Balrog reached the bridge. Gandalf stood in the middle of the span, leaning on the staff in his left hand, but in his other hand Glamdring gleamed, cold and white. His enemy halted again, facing him, and the shadow about it reached out like two vast wings. It raised the whip, and the thongs whined and cracked. Fire came from its nostrils. But Gandalf stood firm.
‘You cannot pass,’ he said. The orcs stood still, and a dead silence fell. ‘I am a servant of the Secret Fire, wielder of the flame of Anor. You cannot pass. The dark fire will not avail you, flame of Udûn. Go back to the Shadow! You cannot pass.’
The Balrog made no answer. The fire in it seemed to die, but the darkness grew. It stepped forward slowly on to the bridge, and suddenly it drew itself up to a great height, and its wings were spread from wall to wall; but still Gandalf could be seen, glimmering in the gloom; he seemed small, and altogether alone: grey and bent, like a wizened tree before the onset of a storm.
From out of the shadow a red sword leaped flaming. Glamdring glittered white in answer. There was a ringing clash and a stab of white fire. The Balrog fell back, and its sword flew up in molten fragments. The wizard swayed on the bridge, stepped back a pace, and then again stood still.
‘You cannot pass!’ he said.
With a bound the Balrog leaped full upon the bridge. Its whip whirled and hissed.
‘He cannot stand alone!’ cried Aragorn suddenly and ran back along the bridge. ‘Elendil!’ he shouted. ‘I am with you, Gandalf!’
‘Gondor!’ cried Boromir and leaped after him. At that moment Gandalf lifted his staff, and crying aloud he smote the bridge before him.
The staff broke asunder and fell from his hand. A blinding sheet of white flame sprang up. The bridge cracked. Right at the Balrog’s feet it broke, and the stone upon which it stood crashed into the gulf, while the rest remained, poised, quivering like a tongue of rock thrust out into emptiness.
With a terrible cry the Balrog fell forward, and its shadow plunged down and vanished. But even as it fell it swung its whip, and the thongs lashed and curled about the wizard’s knees, dragging him to the brink. He staggered and fell, grasped vainly at the stone, and slid into the abyss. ‘Fly, you fools!’ he cried, and was gone.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
scooped up a great volume of water, then bent
”
”
Brent Weeks (The Broken Eye (Lightbringer, #3))
“
Our society is so hell-bent on expansion, power and effiency at all costs that the folks [who question things or suggest the way something's done is not right,] are inconvenient. We slow the world down. We're on the bow of the Titanic, pointing, crying out, "Iceberg! Iceberg!" while everyone else is below deck, yelling back, "We just want to keep dancing!" It is easier to call us broken and dismiss us than to consider that we are responding appropriately to a broken world.
”
”
Glennon Doyle (Untamed: Stop Pleasing, Start Living / Where the Crawdads Sing / Reasons to Stay Alive)
“
A clocked minute of static—a long time to sit and watch nothing, I was all for fast-forwarding but Nakota glared me down—then a sip of absolute blackness, recorded blackness, rich and menacing as an X ray of a cancer. Nakota, lips parting to say something but the thought drowned in the flash of an image: something like bloody stalks, caressing the screen like hands behind the glass, so greedily intimate even Nakota gave a tiny backstepping whoop. Then as if a barrier shattered, ferocious fun, whatever provided the images warming to this game: a vast black grin like the Funhole itself become its namesake, black asshole-mouth studded with teeth or bones like broken glass and in that Pandora opening Nakota breathless and me with my mouth hanging wide open, village idiot at freak show, a vertiginous glide forward as upon the screen came things I didn’t want to know about, oh yes I’m quite sophisticated, quite the bent voyeur, I can laugh at stuff that would make you vomit but how would you like to see the ecstatic prance of self-evisceration, a figure carving itself, re-created in a harsh new form from what seemed to be its own hot guts, becoming no figure at all but the absence of one, a cookie-cutter shape and in but not contained by its outline a blackness, a vortex of nothing so final that beside it the Funhole was harmless, do you see what I’m saying, the Funhole was a goddamned carnival ride next to this nonfigure and all at once what I wanted least, least, far less than to be struck blind or any kind of petty death was to see the figure turn (as it did now) in slick almost pornographic slowness and show me, show me what there was to see
”
”
Kathe Koja (The Cipher)
“
So, now I’m truly bent,” Javier murmured.
“But not broken.” Kiram searched Javier’s distant expression for a sign of what their passion had cost him.
“No.” Javier released a slow breath and then offered Kiram a tired smile. “Not broken. Satisfied.
”
”
Ginn Hale (Lord of the White Hell, Book 2 (The Cadeleonian Series, #2))
“
Better kind than correct,
Better idiot than arrogant.
Better ignorant than bigoted,
Better exploited than indifferent.
Better broke than bent,
Better naive than narcissist.
Better mistaken than mindless,
Better broken than a cheat.
Better wrong than cruel,
Better ridiculed than rigid.
Better shattered than shallow,
Better ignited than idjit.
”
”
Abhijit Naskar (World War Human: 100 New Earthling Sonnets)
“
Bent and broken, but in better shape.
”
”
Abraham Verghese (The Covenant of Water)
“
Reality is negotiable. Outside of science and law, all rules can be bent or broken, and it doesn’t require being unethical.
”
”
Timothy Ferriss (The 4-Hour Work Week: Escape the 9-5, Live Anywhere and Join the New Rich)
“
In the course of the 1960s, the left adopted almost wholesale the arguments of the right,” observed Daniel Patrick Moynihan, a domestic policy adviser to all three of the decade’s presidents. “This was not a rude act of usurpation, but rather a symmetrical, almost elegant, process of transfer.” Exaggerating for effect—but not to the point of inaccuracy—Moynihan remembered that by decade’s end, “an advanced student at an elite eastern college could be depended on to avow many of the more striking views of the Liberty League and its equivalents in the hate-Roosevelt era; for example that the growth of federal power was the greatest threat to democracy, that foreign entanglements were the work of demented plutocrats, that government snooping (by the Social Security Administration or the United States Continental Army Command) was destroying freedom, that the largest number of functions should be entrusted to the smallest jurisdictions, and so across the spectrum of this viewpoint.”2 Driven primarily by the expanding war in Vietnam, this new current on the left took up individualistic and anti-statist themes that were once the province of the right. Another part of this convergence was the rise of the economics profession. The new economics appeared a success on its own terms; growth had picked up across the Kennedy years. By 1965, GNP had increased for five straight years. Unemployment was down to 4.9 percent, and would soon drop below the 4 percent goal of full employment. As James Tobin reflected, “economists were riding the crest of a wave of enthusiasm and self-confidence. They seemed, after all, to have some tools of analysis and policy other people didn’t have, and their policy seemed to be working.”3 With institutional economics a vanquished force, most economists accepted the tenets of the neoclassical revolution: individuals making rational choices subject to the incentives created by supply and demand. Approaching policy with an economic lens cut across established political lines, which were often the creation of brokered coalitions, habit, or historical precedent. Economic analysis was at once disruptive, since it failed to honor these accidental accretions, and familiar, since it spoke a market language resonant with business-friendly political culture.4 Amid this ideological confluence, Friedman continued his dour rumblings and warnings. Ignoring the positive trends in basic indicators of economic health, from inflation to unemployment to GDP, he argued fiscal demand management was misguided, warned Bretton Woods was about to collapse, predicted imminent inflation, and castigated the Federal Reserve’s basic approach. Friedman’s quixotic quest—and the media attention it generated—infuriated many of his peers. Friedman, it seemed, was bent on fixing economic theories and institutions that were not broken.
”
”
Jennifer Burns (Milton Friedman: The Last Conservative)
“
And so it is that the three Norwegians have conspired to alter the course that Levick’s life takes that day: Borchgrevink had discovered that in this area the barrier (perhaps by virtue of being bent and broken by an underwater island over which it passed) was accessible, then Nansen had given his ship Fram to this other Norwegian, this “fine looking man” as Campbell described him, who had sailed it here and set up camp on the only avenue available to the British to carry out their intended exploration.
”
”
Lloyd Spencer Davis (A Polar Affair: Antarctica's Forgotten Hero and the Secret Love Lives of Penguins)
“
Ah. You are not crazy to be heartbroken over the polar bears; the rest of us are crazy not to be. Tish couldn’t go to recess because she was paying attention to what her teacher said. As soon as she heard the polar bear news, she let herself feel the horror and know the wrongness and imagine the inevitable outcome. Tish is sensitive, and that is her superpower. The opposite of sensitive is not brave. It’s not brave to refuse to pay attention, to refuse to notice, to refuse to feel and know and imagine. The opposite of sensitive is insensitive, and that’s no badge of honor. Tish senses. Even as the world tries to speed by her, she is slowly taking it in. Wait, stop. That thing you said about the polar bears…it made me feel something and wonder something. Can we stay there for a moment? I have feelings. I have questions. I’m not ready to run outside to recess yet. In most cultures, folks like Tish are identified early, set apart as shamans, medicine people, poets, and clergy. They are considered eccentric but critical to the survival of the group because they are able to hear things others don’t hear and see things others don’t see and feel things others don’t feel. The culture depends on the sensitivity of a few, because nothing can be healed if it’s not sensed first. But our society is so hell-bent on expansion, power, and efficiency at all costs that the folks like Tish—like me—are inconvenient. We slow the world down. We’re on the bow of the Titanic, pointing, crying out, “Iceberg! Iceberg!” while everyone else is below deck, yelling back, “We just want to keep dancing!” It is easier to call us broken and dismiss us than to consider that we are responding appropriately to a broken world. My little girl is not broken. She is a prophet. I want to be wise enough to stop with her, ask her what she feels, and listen to what she knows.
”
”
Glennon Doyle (Untamed)
“
**Verse 1:**
I'm a shattered vase, pieces on the floor,
Once held together, not anymore.
The cracks run deep, the edges sharp,
A broken melody on a weathered harp.
**Chorus:**
But even broken things can find a way,
To catch the light, to face the day.
I may be fractured, but I'm not done,
I'm broken, yes, but still I run.
**Verse 2:**
The mirror's truth, a fragmented sight,
A mosaic of me in the morning light.
I gather myself, piece by piece,
In every fragment, there's a release.
**Chorus:**
'Cause even broken things have a story to tell,
Of battles fought and times they fell.
I may be scattered, but I'm not gone,
I'm broken, sure, but still I'm strong.
**Bridge:**
In the pieces, there's a chance to mend,
To be whole again, to ascend.
With every crack, there's a new start,
A broken thing, with a beating heart.
**Chorus:**
So here's to the broken, the bent, the torn,
To the weary souls, from the moment they're born.
We may be broken, but we're not lost,
We'll find our way, no matter the cost.
**Outro:**
So I'll take these pieces, make them shine,
Embrace the broken, claim it as mine.
For in the end, what's broken can mend,
And this isn't broken, it's just the bend.
”
”
James Hilton-Cowboy
“
Over and above the nagging pain, Marin had a reaction to that. It was as if he had somehow been hoping all this time, and now, suddenly, there was no hope. He felt the letdown, a kind of apathy of acceptance, a dull conviction that the worst was true, and a great sadness. He looked toward where he remembered having seen Riva that first night, her nude, tanned body half covered by the sheets of the bed. And then he visualized the same body at the instant of the titanic explosion, charred and smoldering, quickly burned to a fine ash. And in the shattered buildings all around him the members of Group 814, who had offered Wade Trask their good will, had died in a flash of dissolving fire. What was immensely disturbing was that they had died because he had discovered a secret.
As he walked stiffly over the broken floor, back to where the laboratory had been, he had another thought: Even if he could survive the sentence of death, the Brain would search ceaselessly for the individual—himself—who knew of its existence. And, accordingly, it was time to be logical. “Am I going to try to save myself?” Marin asked himself the question.
He had been waiting, he realized tensely, for something to happen that would automatically get him out of his predicament. He thought, Suppose I handled this entire affair as if it were a military campaign—who is the enemy?
The Brain?
He felt restless and indecisive. He bent down painfully and pushed a charred metal bar out of the way. And then he was able to look at the spot where—if his calculation was correct—his own body had lain. Right here, two days ago, the awareness entity that was Wade Trask inhabiting the body of David Marin had met instant death. Because of that event, the issue was now confused, but not too much. If the enemy were truly the Brain, then he could treat everyone else as if they were but puppets.
“They were . . .” He tried to think it with intense conviction. “They are!”
How could any competent authority fail to find the Brain? All those who were looking must be agents of the Brain. The entire search for such a massive structure was a farce. It was impossible to fail. He recalled Slater’s words and attitude, the secrecy of the search. Every Control officer who sought with such apparent determination was sworn to silence, and somehow they had managed to create a mental attitude whereby it became dangerous for anyone to remember that the Brain existed.
”
”
A.E. van Vogt (The Mind Cage (Masters of Science Fiction))
“
We’re not broken, Cam. We’re just bent differently than most people.
”
”
Danda K. (The Ties That Bind Us, Part One (The Ties Duet, #1))
“
For full effect, this is, of course, proceeded by normal brainwashing. The victim is first isolated from his or her previous environment and trained to hook the bio-survival circuit onto the “guru” and/or the Ashram or commune. The emotional circuit is bent and broken by continuous attacks upon status (ego), until the only emotional security left is found in Total Submission to the group reality-island. The re-infantilized victim is then ready to imprint any semantic circuitry desired, from psychological cults, political cults, religious cults, etc. The socio-sexual circuit can then easily be programmed for celibacy, for free love, or for whatever sexual game the guru has selected. Then, and only then, the neurosomatic buttons are pushed and ecstasy is “given” to the subject “by” the guru.
”
”
Robert Anton Wilson (Prometheus Rising)
“
In the dim light I could identify broken picture frames, bicycle wheels, bent and twisted lawn chairs, empty paint cans, and a commode. The castoffs looked like offerings to a Druid god.
”
”
Kathy Reichs (Déjà Dead (Temperance Brennan, #1))
“
During these two and a half hard years, the most encouraging thing Katie has learned about herself is that she’s more resilient than she ever imagined. Perhaps she can be broken, but it has not happened yet. She can be bent so severely that it doesn’t seem as though she can ever straighten herself out again, but she always does. She gets on with getting on. Conversely, if she has learned one thing about herself that is the most discouraging, it is that she is immune to the illusions in which so many people take comfort. Even though comfort based on an illusion is itself illusory, it is for a while a deliverance from the anxiety and existential dread that the world today can generate in abundance. She does not believe that any political ideology can shape society into a utopia. She knows that, instead, even the most earnest utopians always and everywhere create horrific dystopias. She does not believe that scientists are always honest, that rapidly advancing technology will inevitably save us, that everything that is called “progress” is in fact progress. She knows that “experts” are often frauds, that “intellectuals” can be as ignorant as anyone, and that those who most strenuously signal their virtue and are celebrated for it will always prove to be among the most corrupt. Such innate clearheadedness ensures that comforting illusions will elude her, though there are times, as now, when she might welcome the comfort of them.
”
”
Dean Koontz (The House at the End of the World)
“
she looks to the keeper as though to say she has made a mistake, that she has wandered by error into the land of the dead and must return, but the keeper simply tells her to close the zipper and move onto the next body. She kneels before the next body bag and unzips and whispers this is not my son, moves from body to body, seeing how the regime has left its mark on each face and neck, that murder has a smell of antiseptic, and each time the mouth whispers, this is not my son, the mouth whispering it again and again, this is not my son, this is not my son, this is not my son, this is not my son, and she looks to the keeper who is looking at the time on his wrist and she unzips another body bag saying, this is not my son before she has even taken read of the face, this is not my son, this is not my son, this is not my son, this is not my son, seeing before her the face of Bailey serenely broken, the skin smelling of bleach, and what was bent inside her breaks so that a wretched howl escapes her body and she takes his face into her hands, stares into the face of the dead child seeing only the living child, and she wishes she could die instead, smoothing her hand along the downy face, the hair still wet with blood.
”
”
Paul Lynch (Prophet Song)
“
She watched as a new, smaller monster briskly stepped up to Bell. It wore a loose blue battle jacket and had a broken pocket watch hanging around its neck like a pendant. The white rabbit looked up at the boy with cute round red eyes. Bell bent over, the same awkward smile on his face as he held out his hand. “Kuuu!” The al-miraj wiggled its long ears and leaped at him. “H-hey, wait, that tickles…! Wh-why are you licking me?” “Aruru…She cannot speak, but it seems she’s taken a liking to you.” “When you say ‘she’—it’s a girl?!” The al-miraj had already jumped onto his chest and was happily licking his cheek when Rei offered an explanation. Bell almost screamed hysterically. Lilly and the other adventurers weren’t sure what to say as they watched the indescribable scene of two “rabbits” frolicking together—and that was when the dragon girl finally exploded.
”
”
Fujino Omori (Is It Wrong to Try to Pick Up Girls in a Dungeon?, Vol. 9)
“
Gail bent over the face. Suddenly, she lurched backward. Her hand went to her forehead. “Oh! This is Lloyd Crocker, the love of my life! We were engaged at the end of high school. He was the nicest, sweetest boy, but I messed up.”
“You? How did you mess it up?”
“Oh, he took me to a party at his friend’s house and I started flirting with his friend for some reason, maybe to make him jealous; I don’t remember. So, Lloyd took me home and asked for his ring back. He said he couldn’t trust me. Oh, I was brokenhearted over him.
After I married Rich, Lloyd looked me up and we went for a walk. By then, he had a child and so did I. Oh, how I’ve regretted losing him. I hope he had a good life.”
Elsie recognized her mother’s feckless heart had never truly been rehabilitated. She could forget anyone if the next person in line seemed entertaining.
”
”
Lynn Byk (The Fearless Moral Inventory of Elsie Finch)
“
He braces himself with bent arms on either side of my head, and he looks directly down into my face. I look up at him, thinking how unusual it is for a man to be so handsome up close. Most people are better viewed from a distance. That’s why we close our eyes when we kiss.
”
”
Sophie Lark (Broken Vow (Brutal Birthright, #5))
“
loved the rainy days, when shadows made their mysterious ways around corners and across alleys. And everyone loved sunsets. The light lost its sanity as it fell over the hills and into the Pacific—it went red and deeper red, orange, and even green. The skies seemed to melt, like lava eating black rock into great bite marks of burning. Sometimes all the town stopped and stared west. Shopkeepers came from their rooms to stand in the street. Families brought out their invalids on pallets and in wheelbarrows to wave their bent wrists at the madness consuming their sky. Swirls of gulls and pelicans like God’s own confetti snowed across those sky riots.
”
”
Luis Alberto Urrea (The House of Broken Angels)
“
I have been bent and broken but I hope to be in better shape
”
”
Charles Dickens
“
Better broke than bent,
Better naive than narcissist.
Better mistaken than mindless,
Better broken than a cheat.
”
”
Abhijit Naskar (World War Human: 100 New Earthling Sonnets (Sonnet Centuries))
“
He pays attention when a charter captain like Danny Crowell passes around a bucketful of broken dishes and bent silverware and tells his customers, “I want you people to see this stuff. This is what a guy died for. We found it in his bag. Look real hard. Touch it. Are these pieces of shit worth your life?
”
”
Robert Kurson (Shadow Divers: The True Adventure of Two Americans Who Risked Everything to Solve One of the Last Mysteries of World War II)
“
They passed the Confluence sometime that afternoon, where the Little Colorado River emerged from its own canyon on the left and bent around its delta to join the Colorado. The waves turned choppy and coffee-brown where the two rivers met. Tumbled stones, rounded by water, lay on the delta: azure and mauve, taupe and terracotta, some white and cracked like eggs ready to open, others like blunt black knives. The Confluence is a sacred place to the region’s tribes. Zuni send spiritual offerings down the Little Colorado to the Grand Canyon, the home of their ancestors. Hopis say nearby is the place of emergence, where all humankind climbed into this world, the Fourth World, through the hollow stem of a reed, and spread over the Earth, leaving footprints and broken pottery to mark their journeys. Hopi youth make a sacred pilgrimage to the Confluence to gather the salt that seeps out of the sandstone, pressed from an ancient sea and crystallized into gleaming stalagmites. They bring the salt back to the mesas east of the Grand Canyon, where, they say, their people settled at the center of the earth.
”
”
Melissa L. Sevigny (Brave the Wild River: The Untold Story of Two Women Who Mapped the Botany of the Grand Canyon)
“
She lifted her face to him, and he bent forward and kissed her on the mouth, gently, with the one kiss that is an eternal pledge. And as he kissed her his heart strained again in his breast. He never intended to love her. But now it was over. He had crossed over the gulf to her, and all that he had left behind had shrivelled and become void. After the kiss, her eyes again slowly filled with tears. She sat still, away from him, with her face drooped aside, and her hands folded in her lap. The tears fell very slowly. There was complete silence. He too sat there motionless and silent on the hearthrug. The strange pain of his heart that was broken seemed to consume him. That he should love her? That this was love!
”
”
Elsinore Books (Classic Short Stories: The Complete Collection: All 100 Masterpieces)
“
Tish is sensitive, and that is her superpower. The opposite of sensitive is not brave. It's not brave to refuse to pay attention, to refuse to notice, to refuse to feel and know and imagine. The opposite of sensitive is insensitive, and that's no badge of honor.
Tish senses. Even as the world tries to speed by her, she is slowly taking it in. Wait, stop. That thing you said... it made me feel something and wonder something. Can we stay there for a moment? I have feelings. I have questions. In most cultures, folks like Tish are identified early, set apart as shamans, medicine people, poets, and clergy. They are considered eccentric but critical to the survival of the group because they are able to hear things others don't hear and see things others don't see and feel things others don't feel. The culture depends on the sensitivity of a few, because nothing can be healed if it's not sensed first. But our society is so hell-bent on expansion, power, and efficiency at all costs that the folks like Tish- like me- are inconvenient. We slow the world down. We're on the bow of the Titanic, pointing, crying out, "Iceberg! Iceberg!" while everyone else is below deck, yelling back, "We just want to keep dancing!"
It is easier to call us broken and dismiss us than to consider that we are responding appropriately to a broken world.
”
”
Glennon Doyle (Untamed)
“
bent down to get my left shoulder on a level with the door’s lock, and then I rammed against it solidly. A panel of wood splintered noisily, but the lock held. I backed off and hit it again. The lock burst with a whining screech of metal and the door flew inward to hang, sagging, on a broken hinge.
”
”
Dan J. Marlowe (Vengeance Man)
“
Baltsaros was angry at himself. For his treatment of the sinfully gorgeous youth that had bent and finally broken at his hands. For the fact that he had dismissed Tom’s affections so quickly. For the fact that he was utterly crippled when it came to understanding his own needs.
”
”
Anonymous
“
You’re not broken, Colton. You’re just bent.
”
”
K. Bromberg (Fueled (Driven, #2))
“
I have been bent and broken, but—I hope—into a better shape.
”
”
Charles Dickens
“
Swinging to his feet, Hunter scattered the fire so the flames licked feebly at the wood and threw the lodge into gentle shadows. Then he turned to regard his wife, forcing his hands to curl loosely at his sides, his stance deliberately relaxed. “Blue Eyes, come here,” he whispered softly.
She threw up her head like a startled doe, her eyes huge and wary. Hunter’s guts clenched, and with one stride he closed the distance between them. Catching her by the chin, he tipped her head back and feathered his thumb across her quivering bottom lip.
“I--” Her voice shook and broke. She swallowed and tried again. “I’m sorry, Hunter. I know I promised. It’s just that--I’m a little nervous.”
Hunter bent his head and lightly pressed his forehead against hers, nudging her hands aside so he could untie the pink ribbon that cinched her small waist. With deft fingers he loosened the petticoat and let it fall in a heap at their feet. “There is nothing to fear,” he whispered, “nothing.”
Her breath caught when he untied the first small bow that held her chemise closed. He untied the others quickly and feathered his fingers over her shoulders, skimming the muslin aside and drawing it down her arms. Shame washed over her, hot and pulsating, as the evening air touched her bare breasts. She closed her eyes, wishing she could die on the spot. An instant later she opened her eyes again, terrified of what he might do when she wasn’t watching.
Loosening the drawstring waist of her pantalets, he crouched before her, tugging the breeches down her legs, pulling off her high-topped shoes as he divested her of the garment. As he stood back up, it was his turn to catch his breath. His memories didn’t do her justice. For a moment he couldn’t drag his gaze from her, so fascinated was he by the glowing whiteness of her skin, the delicate curves, so long hidden from him by chin-high calico and multiple layers of muslin. Settling his hands on her narrow waist, he drew her toward him, his heart slamming as the pebbled tips of her small breasts came into contact with the flesh over his ribs. In the dim light he could see tears shimmering on her pale cheeks. He bent his head to catch their saltiness with the tip of his tongue.
“Ah, Blue Eyes, ka taikay, ka taikay, don’t cry. Has my hand upon you ever brought pain?”
“No,” she whispered brokenly.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
In the dim light he could see tears shimmering on her pale cheeks. He bent his head to catch their saltiness with the tip of his tongue.
“Ah, Blue Eyes, ka taikay, ka taikay, don’t cry. Has my hand upon you ever brought pain?”
“No,” she whispered brokenly.
Determined to finish what he had begun, Hunter swept her slender body into his arms and strode to the bed. Lowering her gently onto the fur, he stretched out beside her and gathered her close, his manhood throbbing with urgency against the confining leather of his pants. He half expected her to struggle, and perhaps if she had, he could have continued, his one thought to consummate their marriage, to put her fears behind them and ease the ache in his loins. But instead of fighting him, she wrapped her slender arms around his neck and clung to him, so rigid with fear that she felt brittle, her limbs quivering almost uncontrollably.
In a voice thick with tears, she said, “Hunter--would you do one thing for me? Just one small thing. Please?”
He splayed a hand on her back and felt the wild hammering of her heart. “What thing, Blue Eyes?”
“Would you get it over with quickly? Please? I won’t ever ask again, I swear it. Just this time, please?”
Hunter buried a smile in her hair and closed his eyes, tightening his arms around her. His father’s voice whispered. Fear is not like dust on a leaf that can be washed away by a gentle rain. The words no sooner came to him than a dozen forgotten memories did as well. For an instant the years rolled away, and Hunter saw himself running hand in hand with Willow by the Stream through a meadow of red daisies, their laughter ringing across the windswept grass, their eyes shining with love as they drank in the sight of one another. He remembered so many things in that instant--the love, yes, but mostly he remembered the friendship he and Willow had shared, the trust, the silliness, the laughter. Ah, yes, the laughter…He and his little blue-eyes had laughed together so few times that Hunter had difficulty recalling when they had. Suddenly he knew that without the laughter, their loving would fall far short of what it should be. Especially for her.
In a voice that rasped with frustration as well as tender amusement, Hunter said, “You have such a great want for me that we must hurry, yes?
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Still, he pulled firmly at the door, knowing how it swelled and stuck in wet weather. He might have wished to see their faces once more. The face that met him was under a fireman’s helmet, lit by a flashlight held low and expertly angled. The light caught the silver needles of rain, in the air, off the rim of the black hat. It showed him a mouth and a chin and the broad shoulders under the wet rain gear without blinding him or turning the man himself into a grotesque. “I only wanted to warn you,” the man said. He moved the flashlight across his body, to the shrubs beside the steps and then to the grass and then to the weeping willow at the edge of the yard, beside the house. The streetlights were out. Following the moving beam of white light, John Keane saw the grass of his small lawn stir like a rising wave and the roots of the tree—thin as an arm, bent here and there like an elbow—breaking through. The fireman moved the light until it caught the base of the tree where a wider swath of dirt was opening like a mouth, an unhinged jaw filled with broken roots and dirt, and then it closed up again, as if with a breath. “We were driving by and saw it,” the fireman said. “That tree’s gonna fall. It’ll probably fall straight back, but you might want to get your family downstairs. Keep them to this side of the house.” He felt the wind and the rain on his bare ankles, against the hems of his thin pajama pants. He looked beyond the young fireman. In the street, there was no sign of the fire truck or car that had brought him. No coach, either. “Yes,” he said, thinking himself foolish, in his thin pajamas. “Thank you.” “There are trees down all over,” the man added. He raised his chin and in the darkness his eyes seemed as black and wet as his coat. He couldn’t have been more than twenty-five or thirty. “Take care of your family,” he said, and turned, using his flashlight to get himself down the three steps that led to the door. Squinting against the rain, John Keane watched him cross the path to the sidewalk, the circle of white light leading him, first to the right and then across the street where he might have disappeared altogether, leaving only the pale beam of his flashlight and a flashing reflection of two streaks of silver on his back, and then, as he apparently rounded the opposite corner, not even that.
”
”
Alice McDermott (After This)
“
The possible abolition of determinism and the law of causation from physics are, however, comparatively recent developments in the history of the quantum theory. The primary object of the theory was to explain certain phenomena of radiation, and to understand the question at issue we must retrace our steps as far back as Newton and the seventeenth century. The most obvious fact about a ray of light, at any rate to superficial observation, is its tendency to travel in a straight line; everyone is familiar with the straight edges of a sunbeam in a dusty room. As a rapidly moving particle of matter also tends to travel in a straight line, the early scientists, rather naturally, thought of light as a stream of particles thrown out from a luminous source, like shot from a gun. Newton adopted this view, and added precision to it in his “corpuscular theory of light.” Yet it is a matter of common observation that a ray of light does not always travel in a straight line. It can be abruptly turned by reflection, such as occurs when it falls on the surface of a mirror. Or its path may be bent by refraction, such as occurs when it enters water or any liquid medium; it is refraction that makes our oar look broken at the point where it enters the water, and makes the river look shallower than it proves to be when we step into it.
”
”
James Hopwood Jeans (The Mysterious Universe [New Revised Edition])
“
What do I have to give to love, to feed it so that it grows lush and beautiful like you see in the movies? The happy ones, I mean.......I'm talking about the good love that some people get to have, the kind that nourishes the soul, helps it bloom in the springtime no matter how frigid the winter that precedes it. Everything I have broken or bent somehow, stained so bad that no amount of extra-strength detergent could rub it all out, no matter what the ad says. I have no money to offer to love, no wisdom or kindness. Inside me I have nothing but vast reserves of suspicion and heartache, a current that runs so deep and dark I feel its chill right to my core. And, as it turns out, this current never plays me false.
”
”
Sheena Kamal (The Lost Ones (Nora Watts, #1))
“
Suffering has been stronger than all other teac...” “Teaching.” The kid nods. “Teaching. Right. That's a 'ch' sound. Suffering has been stronger than all other teaching, and has tau...” He frowns. “Taught, kid.” “Has taught me to understand what your heart used to be. I have been bent and broken, but — I hope — into a better shape.
”
”
Jon Cronshaw (Knight of the Wasteland (Wasteland, #2))
“
What can be known is that his words will be ones in keeping with his character—breathing life, making love bloom where there was no love, restoring justice, and remaking what is bent or broken. The Spirit’s voice—always, without exception—will bring the fruit of the Spirit that Paul lists in the letter to the Galatians: love, joy, peace, patience, kindness, generosity, faithfulness, gentleness, and self-control. Against such things there is no law, on Sinai or in any valley. And so, whether the voice on the mountain burns like fire in the clouds, blisters us like the wind of the wilderness, rattles us like the quake of holy ground, or simply … whispers, it will speak. It will ask us questions that we do not want to answer, send us places we do not want to go, and remind us that the great goodness of a God of mountains is that however far our ascent to meet him may feel, his descent of love to meet us is infinitely greater.
”
”
Paul J. Pastor (The Face of the Deep: Exploring the Mysterious Person of the Holy Spirit)
“
In a dark place
in a dark time
start with black.
Stop. Soak up its energy.
Remember the circle
however bent and broken.
Prize balance. Seek Pleasure.
Allow surprise. Let music
guide your every impulse.
Support those who falter.
Steer by our fixed star:
No Justice, No Peace.
”
”
Jim Haba
“
Before she could study the damage, Zane grabbed her by her arm and pulled her to her feet. He took her hand in his and examined the injury.
Several things occurred to her at once. First--that they’d never stood this close together before. He was so big, tall and broad that he made her feel positively delicate by comparison. Second--for a man who had spent his morning on a horse, he smelled really good. All clean and woodsy. Third--the instant his fingers touched her, the pain miraculously vanished. Talk about amazing.
“Skin’s not broken,” he said as he turned over her hand. “Tell me if this hurts.”
He bent her fingers back and forth. His warmth sent sizzling jolts of awareness slip-sliding all through her body. Despite the heat filling her, something was wrong with her lungs because it was impossible to breathe. He touched her gently, as if he didn’t want to hurt her.
The logical part of her brain turned cynical, announcing that he was simply concerned about a lawsuit by a goat-bitten city girl. The romantic side of her suddenly understood all those country songs about cowboys. What was it that country star Lacey Mills had sung? “Go ahead, cowboy. Rope me in.” It was a brief battle, with romance emerging victorious.
”
”
Susan Mallery (Kiss Me (Fool's Gold, #17))
“
I have been bent and broken, but--I hope--into better shape.
”
”
Charles Dickens
“
A massive ball of brown water, uprooted tree trunks, sheared rooftops, bloated horses, stiff dogs and cats, shattered church windows, broken pews, sodden Bibles, Memorial Day flags, busted brick walls, twisted train cars, splintered rail lines, bowed streetlamps, upturned carriages, naked dolls, bent tin soldiers, dented red wagons, books, black stoves, beds, tables, armchairs, mantels, photographs, love letters, wedding dresses, baby booties, and masses of drowned humanity careens straight for us. Neither Eugene Eggar nor I can move.
”
”
Mary Hogan (The Woman in the Photo)
“
He bent down, gathered a handful of Carlan’s blood, poured two cups of brandy, divided the frozen drops between them, gave one to Deneth. “Death and all demons, Lord Relast. You agreed to back me.” The shadows clawed at the walls. He smiled. Deneth drank slowly. Bent and knelt at his feet.
”
”
Anna Smith Spark (The Court of Broken Knives (Empires of Dust, #1))
“
It interests me that there is no end of fictions, and facts made over in the forms of fictions. Because we class them under so many different rubrics, and media, and means of delivery, we don't recognize the sheer proliferation and seamlessness of them. I think at some level of scale or perspective, the police drama in which a criminal is shot, the hospital in which the doctors massage a heart back to life, the news video in which jihadists behead a hostage, and the human-interest story of a child who gets his fondest wish (a tourist trip somewhere) become the same sorts of drama. They are representations of strong experience, which, as they multiply, began to dedifferentiate in our uptake of them, despite our names and categories and distinctions...
I say I watch the news to "know". But I don't really know anything. Certainly I can't do anything. I know that there is a war in Iraq, but I knew that already. I know that there are fires and car accidents in my state and in my country, but that, too, I knew already. With each particular piece of footage, I know nothing more than I did before. I feel something, or I don't feel something. One way I am likely to feel is virtuous and "responsible" for knowing more of these things that I can do nothing about. Surely this feeling is wrong, even contemptible. I am not sure anymore what I feel.
What is it like to watch a human being's beheading? The first showing of the video is bad. The second, fifth, tenth, hundredth are—like one's own experiences—retained, recountable, real, and yet dreamlike. Some describe the repetition as "numbing". "Numbing" is very imprecise. I think the feeling, finally, is of something like envelopment and even satisfaction at having endured the worst without quite caring or being tormented. It is the paradoxically calm satisfaction of having been enveloped in a weak or placid "real" that another person endured as the worst experience imaginable, in his personal frenzy, fear, and desperation, which we view from the outside as the simple occurrence of a death...
I see: Severed heads. The Extra Value Meal. Kohl-gray eyelids. A holiday sale at Kohl's. Red seeping between the fingers of the gloved hand that presses the wound. "Doctor, can you save him?" "We'll do our best." The dining room of the newly renovated house, done in red. Often a bold color is best. The kids are grateful for their playroom. The bad guy falls down, shot. The detectives get shot. The new Lexus is now available for lease. On CNN, with a downed helicopter in the background, a peaceful field of reeds waves in the foreground. One after another the reeds are bent, broken, by boot treads advancing with the camera. The cameraman, as savior, locates the surviving American airman. He shoots him dead. It was a terrorist video. They run it again. Scenes from ads: sales, roads, ordinary calm shopping, daily life. Tarpaulined bodies in the street. The blue of the sky advertises the new car's color. Whatever you could suffer will have been recorded in the suffering of someone else. Red Lobster holds a shrimp festival. Clorox gets out blood. Advil stops pain fast. Some of us are going to need something stronger.
”
”
Mark Greif (Against Everything: Essays)
“
A little wild
a little bent
a lot human.
Once broken
but always
a whole.
”
”
Marsha Warren
“
Reality was a flexible thing, easily bent, but not easily broken. It had its own ways of protecting itself from such ordinary threats as apocalypse. But that every day the human race woke up to discover the dinosaurs were still extinct, the speed of light hadn't slowed to fifteen miles per hour, and the continents were indeed where they had left them when they went to sleep was due, in some small way, to an obscure, hairy landlord who never actually set foot in the universe he kept running properly.
”
”
A. Lee Martinez (Chasing the Moon)
“
There may be no English word as bent and broken by casual misuse, or drained of blood by idealizing admirers and apologists, or grossly caricatured by huckstering detractors, as church.
”
”
Craig Keen (After Crucifixion: The Promise of Theology)
“
his abode looked like the creation of a campfire story. Its black walls stood six stories high. Scraps of worn paint peeled beneath the fingers of a sudden, foreboding wind that picked up the moment Ceony stepped foot onto the unpaved lane leading away from the main road. Three uneven turrets jutted up from the house like a devil’s crown, one of which bore a large hole in its east-facing side. A crow, or maybe a magpie, cried out from behind a broken chimney. Every window in the mansion—and Ceony counted only seven—hid behind black shutters all chained and locked, without the slightest glimmer of candlelight behind them. Dead leaves from a dozen past winters clogged the eaves and wedged themselves under bent and warped shingles—also black—and something drip-drip-dripped nearby, smelling like vinegar and sweat. The grounds themselves bore no flower gardens, no grass lawn, not even an assortment of stones. The small yard boasted only rocks and patches of uncultivated dirt too dry and cracked for even a weed to take root. The tiles composing the path up to the front door, which hung only by its top hinge, were cracked into pieces and overturned, and Ceony didn’t trust a single one of the porch’s gray, weathered boards to hold her weight long enough for her to ring the bell. “I’ve
”
”
Charlie N. Holmberg (The Paper Magician (The Paper Magician #1))
“
Marty could see Angie had to be standing on her broken foot, banging herself against the window quite forcefully. The interior screen frame was already ripped and bent, but Marty’s greatest concern was how much pain poor Angie must be suffering with that injured foot.
”
”
E.E. Isherwood (Since the Sirens (Sirens of the Zombie Apocalypse, #1))
“
Gonna give you what you need and gonna give it to you good. Make you moan. Make you beg. Make you scream. And in doing so, gonna break down that last piece that you’re holding back from me, Ivey. Tear away your doubt. Make you believe. Take everything from you and in return give you everything that’s me. Show you how much you mean to me. Show you where you belong. Show you that you are mine to protect and keep safe.
”
”
Julia Goda (Bent Not Broken (Cedar Creek, #1))
“
My lord!” she exclaimed and began to kiss his feet. He pulled away from her, bent down, and out of earshot of his men, he whispered, “It is I who should be kissing your feet, for Yahweh has spoken to me through you when I would not listen to him in any other way. Go, my sister. Return to your husband and know that I will pray that he will be broken and repent of his mistreatment of such an excellent wife that he does not deserve.
”
”
Brian Godawa (David Ascendant (Chronicles of the Nephilim, #7))
“
chest. Everything looked strange and slow. Vernon bent over him. He felt him give his chest a big shove, and he felt his arms being raised. All at once the pressure seemed to break, and he coughed violently. Vernon rolled him to his side. He coughed, coughed again, felt a blinding icy headache take hold. Reality returned with a vengeance. Tom struggled to sit up. Vernon put his arms under his shoulders and supported him. “What happened?” “This foolish brother of yours, this Vernito, jumped into that river and pulled you out from under those logs. I have never seen such craziness in my life.” “He did?” Tom turned and looked at Vernon. He was soaked, and his forehead was cut. Blood and water ran together into his beard. Vernon grasped him, and he stood up. His head cleared a little more, and the pounding headache began to subside. He look down into the roaring chute of water ripping into the frenzied pool jammed full of broken tree trunks and branches. He looked at Vernon again. It finally sank in. “You,” he said incredulously. Vernon shrugged. “You saved my life.” “Well, you saved mine,” he said, almost defensively. “You decapitated a snake for me. All I did was jump.” Don Alfonso said, “By the Virgin Mary, I still cannot
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Douglas Preston (The Codex)
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day, the trigger was an older woman with deep wrinkles. To this day, I cannot be certain about what caused her to react so strongly. Perhaps she had used up her patience simmering in the sun for hours at the back of the line. Perhaps she had some desperately hungry grandchildren who she needed to get back to. It is impossible to know exactly what happened. But after she received her allocation of wheat, she broke the established rules of the feeding site and moved toward Bubba. She looked up at him and unleashed a verbal attack. Bubba, as gentle as ever, simply smiled at her. The more he smiled, the angrier she got. I noticed the commotion when our Somali guards suddenly tensed and turned toward the disturbance. All I could see was Bubba, head and shoulders above a gathering crowd, seemingly unperturbed, and smiling down at someone. His patient response only fueled the woman’s rage. I heard her sound of fury long before I spotted the source when she launched a long stream of vile curses at Bubba. Thankfully, he didn’t understand a word that she was saying. It was now possible to understand her complaint. She was upset about the quality of the “animal feed” that was being distributed for human consumption. She was probably right in her assessment of the food. These were surplus agricultural products that United Nations contributing members didn’t want, couldn’t sell, and had no other use for. As this hulking American continued to smile, the woman realized that she was not communicating. Now, furious and frustrated, she bent down, set her plastic bag on the ground, grabbed two fistfuls of dirty, broken wheat, grain dust, dirt and chaff. She straightened to her full height and flung the filthy mixture as hard as she could into Bubba’s face. The crowd was deathly silent as I heard a series of loud metallic clicks that indicated that an entire squad of American soldiers had instinctively locked and loaded all weapons in readiness for whatever might happen next. Everything felt frozen in time as everyone waited and watched for Bubba’s reaction. A Somali man might have beaten the woman for such a public insult—and he would have considered his action and his anger entirely justified. I knew that Bubba had traveled half-way around the world at his own expense to spend three months of personal vacation time to help hurting people. And this was the thanks that he received? He was hot, sweaty, and drained beyond exhaustion—and he had just been publicly embarrassed. He had every reason to be absolutely livid. Instead, he raised one hand to rub the grit out of his eyes, and then he gave the woman one more big smile. At that point, he began to sing. And what he sang wasn’t just any song. She didn’t understand the words, of course. But she, and the entire crowd, stood in silent amazement as Bubba belted out the words to the 1950’s Elvis Presley rock-n-roll classic: You ain’t nothin’ but a hound dog Cryin’ all the time You ain’t nothin’ but a hound dog Cryin’ all the time Well, you ain’t never caught a rabbit And you ain’t no friend of mine. By the time he started singing the next verse, the old woman had turned and stomped off in frustration, angrily plowing a path through the now-smiling crowd of Somalis to make her escape. Watching her go, Bubba raised his voice to send her off with rousing rendition of the final verse: Well they said you was high-classed Well, that was just a lie Ya know they said you was high-classed Well, that was just a lie Well, you ain’t never caught a rabbit And you ain’t no friend of mine.
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Nik Ripken (The Insanity of God: A True Story of Faith Resurrected)