“
Suffering has been stronger than all other teaching, and has taught me to understand what your heart used to be. I have been bent and broken, but - I hope - into a better shape.
”
”
Charles Dickens (Great Expectations)
“
I have been bent and broken, but - I hope - into a better shape.
”
”
Charles Dickens (Great Expectations)
“
The oak fought the wind and was broken, the willow bent when it must and survived.
”
”
Robert Jordan (The Fires of Heaven (The Wheel of Time, #5))
“
When God Created Mothers"
When the Good Lord was creating mothers, He was into His sixth day of "overtime" when the angel appeared and said. "You're doing a lot of fiddling around on this one."
And God said, "Have you read the specs on this order?" She has to be completely washable, but not plastic. Have 180 moveable parts...all replaceable. Run on black coffee and leftovers. Have a lap that disappears when she stands up. A kiss that can cure anything from a broken leg to a disappointed love affair. And six pairs of hands."
The angel shook her head slowly and said. "Six pairs of hands.... no way."
It's not the hands that are causing me problems," God remarked, "it's the three pairs of eyes that mothers have to have."
That's on the standard model?" asked the angel. God nodded.
One pair that sees through closed doors when she asks, 'What are you kids doing in there?' when she already knows. Another here in the back of her head that sees what she shouldn't but what she has to know, and of course the ones here in front that can look at a child when he goofs up and say. 'I understand and I love you' without so much as uttering a word."
God," said the angel touching his sleeve gently, "Get some rest tomorrow...."
I can't," said God, "I'm so close to creating something so close to myself. Already I have one who heals herself when she is sick...can feed a family of six on one pound of hamburger...and can get a nine year old to stand under a shower."
The angel circled the model of a mother very slowly. "It's too soft," she sighed.
But tough!" said God excitedly. "You can imagine what this mother can do or endure."
Can it think?"
Not only can it think, but it can reason and compromise," said the Creator.
Finally, the angel bent over and ran her finger across the cheek.
There's a leak," she pronounced. "I told You that You were trying to put too much into this model."
It's not a leak," said the Lord, "It's a tear."
What's it for?"
It's for joy, sadness, disappointment, pain, loneliness, and pride."
You are a genius, " said the angel.
Somberly, God said, "I didn't put it there.
”
”
Erma Bombeck (When God Created Mothers)
“
I have been bent and broken, but -I hope- into a better shape.
”
”
Emily Dickinson
“
Rules should always be bent, if not broken. It's the only way to have any fun.
”
”
Alyson Noel (Evermore (The Immortals, #1))
“
If you would take one step forward, darling, you could cry in my arms. And while you do, I'll tell you how sorry I am for everything I've done -" Unable to wait, Ian caught her, pulling her tightly against him. "And when I'm finished," he whispered hoarsely as she wrapped her arms around him and wept brokenly, "you can help me find a way to forgive myself."
Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: "I'm sorry," he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. "I'm sorry." Slowly, he bent his head, covering her mouth with his. "I'm so damned sorry.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
We're not broken baby...we're just bent. And bent's okay. Bent means that we're just figuring things out.
”
”
K. Bromberg (Fueled (Driven, #2))
“
Letting him go
There is a particular kind of suffering to be experienced when you love something greater than yourself. A tender sacrifice. Like the pained silence felt in the lost song of a mermaid; or the bent and broken feet of a dancing ballerina. It is in every considered step I am taking in the opposite direction of you.
”
”
Lang Leav
“
I have been bent and broken, but—I hope—into a better shape.
”
”
Kami Garcia
“
Not broken, just bent
”
”
Mona Kasten
“
She wasn't broken. She was just bent, over the chance of being ignored by the one she loved.
”
”
Robert M. Drake
“
I have been bent and broken but I hope into better shape.
”
”
Abraham Verghese (The Covenant of Water)
“
The bent but unbroken ones.
”
”
Rick Yancey (The Last Star (The 5th Wave, #3))
“
We’re not broken, baby…we’re just bent. And bent’s okay. Bent means that we’re just figuring things out.
”
”
K. Bromberg (Fueled (Driven, #2))
“
bent
like the branches of a tree
broken
like the pieces of my heart
cracked
like the seventeenth moon
shattered
like the glass in the window
the day we met
”
”
Kami Garcia (Beautiful Redemption (Caster Chronicles, #4))
“
When evening in the Shire was grey
his footsteps on the Hill were heard;
before the dawn he went away
on journey long without a word.
From Wilderland to Western shore,
from northern waste to southern hill,
through dragon-lair and hidden door
and darkling woods he walked at will.
With Dwarf and Hobbit, Elves and Men,
with mortal and immortal folk,
with bird on bough and beast in den,
in their own secret tongues he spoke.
A deadly sword, a healing hand,
a back that bent beneath its load;
a trumpet-voice, a burning brand,
a weary pilgrim on the road.
A lord of wisdom throned he sat,
swift in anger, quick to laugh;
an old man in a battered hat
who leaned upon a thorny staff.
He stood upon the bridge alone
and Fire and Shadow both defied;
his staff was broken on the stone,
in Khazad-dûm his wisdom died.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
Not broken, just bent.
”
”
Mona Kasten (Begin Again (Again, #1))
“
Is it still there?" I asked, staring at his head, bent over, as he wedged the stethoscope beneath my left breast. And then, before I could stop myself, "Does it sound broken?
”
”
Jennifer Weiner (Good in Bed (Cannie Shapiro, #1))
“
I accept you, I tell him. All of you. The broken parts. The bent parts. The ones filled with shame. The cracks where hope seeps through. The little boy cowering in fear and the grown man still suffocating in his shadow. The demons that haunt. Your will to survive. And your spirit that fights. Every single part of you is what I love. What I accept. What I want to help heal.
”
”
K. Bromberg (Crashed (Driven, #3))
“
Ian saw the tears shimmering in her magnificent eyes and one of them traced unheeded down her smooth cheek.
With a raw ache in his voice he said, "If you would take one step forward, darling, you could cry in my arms. And while you do, I'll tell you how sorry I am for everything I've done - " Unable to wait, Ian caught her, pulling her tightly against him. "And when I'm finished," he whispered hoarsely as she wrapped her arms around him and wept brokenly, "you can help me find a way to forgive myself."
Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: "I'm sorry," he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. "I'm sorry." Slowly, he bent his head, covering her mouth with his. "I'm so damned sorry.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
He [The Bent One] has left you this way because a bent hnau can do more evil than a broken one.
”
”
C.S. Lewis (Out of the Silent Planet (The Space Trilogy, #1))
“
Royce understood then why she had come: she had come to finish the task her relatives had begun; to do to him what he had done to her brother. Unmoving, he watched her, noting that tears were pouring down her beautiful face as she slowly bent down. But instead of reaching for his lance or her dagger, she took his hand between both of hers and pressed her lips to it. Through his daze of pain and confusion, Royce finally understood that she was kneeling to him, and a groan tore from his chest: "Darling," he said brokenly, tightening his hand, trying to make her stand, "don't do this…"
But his wife wouldn't listen. In front of seven thousand onlookers, Jennifer Merrick Westmoreland, countess of Rockbourn, knelt before her husband in a public act of humble obeisance, her face pressed to his hand, her shoulders wrenched with violent sobs. By the time she finally arose, there could not have been many among the spectators who had not seen what she had done. Standing up, she stepped back, lifted her tear-streaked face to his, and squared her shoulders.
Pride exploded in Royce's battered being—because, somehow, she was managing to stand as proudly—as defiantly—as if she had just been knighted by a king.
”
”
Judith McNaught (A Kingdom of Dreams (Westmoreland, #1))
“
He was a wasteland in a suit; he was bent-postured, he was broken.
”
”
Markus Zusak (Bridge of Clay)
“
OVERTIME “I have been bent and broken, but - I hope – into a better shape.” -- Charles Dickens, Great Expectations
”
”
Kennedy Ryan (Long Shot (Hoops, #1))
“
You’re not broken, only bent to perfection.”
—Oliver Masters
”
”
Nicole Fiorina (Even When I'm Gone (Stay with Me, #2))
“
The Folly had last been refurbished in the 1930s when the British establishment firmly believed that central heating was the work, if not of the devil per se, then definitely evil foreigners bent on weakening the hardy British spirit.
”
”
Ben Aaronovitch (Broken Homes (Peter Grant #4))
“
She’d been so taken by him, so seduced by the admiration in his eyes. But she should have known no man ever loved a woman’s strength—they only love the place where it runs out. They love a strong will finally broken, a straight spine bent.
”
”
Alix E. Harrow (The Once and Future Witches)
“
[Anger] gave him the soul to keep fighting no matter how many times the world seemed bent on destroying him. He may be a broken young man, but he would never be a defeated one
”
”
Faye Fite (Skies of Dripping Gold)
“
When the fig-tree stood without fruit no one looked at it. Wishing by producing this fruit be praised by men, it was bent and broken by them.
”
”
Leonardo da Vinci (Leonardo's Notebooks)
“
There is a particular kind of suffering to be experienced when you love something greater than yourself. A tender sacrifice. Like the pained silence felt in the lost song of a mermaid; or the bent and broken feet of a dancing ballerina. It is in every considered step I am taking in the opposite direction of you.
”
”
Lang Leav (Love & Misadventure)
“
If I’m going to lose it, I want to be broken in right.” The pen fell from Trenton’s mouth to the floor, and he bent down to pick it up. “Uh . . . any, uh . . . any special font?
”
”
Jamie McGuire (Beautiful Oblivion (The Maddox Brothers, #1))
“
You’re not broken, only bent to perfection.
”
”
Nicole Fiorina (Even When I'm Gone (Stay with Me, #2))
“
I have broken where I should have bent; and have mused and brooded, when my spirit should have mixed with all God's great creation. The men who learn endurance, are they who call the whole world, brother. I have turned from the world, and I pay the penalty.
”
”
Charles Dickens (Barnaby Rudge)
“
I rather be bent than broken
”
”
Kim Jongin
“
Suffering has been greater than all other teachings. I have been bent and broken, but I hope into a better shape.
”
”
Charles Dickinson
“
Bent but never broken; down but never out.
”
”
Annetta Ribken
“
I have been bent and broken, but--I hope--into a better shape.
”
”
Charles Dickens (Great Expectations)
“
I’d changed her forever. I’d bent and twisted and broken everything that made her the most beautiful thing that ever happened to me.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
On a day of fire and blood, a tattered banner waved above Dumai’s Wells, bearing the ancient symbol of Aes Sedai.
On a day of fire and blood and the One Power, as prophecy had suggested, the unstained tower, broken, bent knee to the forgotten sign.
The first nine Aes Sedai swore fealty to the Dragon Reborn, and the world was changed forever.
”
”
Robert Jordan (Lord of Chaos (The Wheel of Time, #6))
“
I have been bent and broken, but - I hope - into a better shape.
”
”
Kami Garcia (Beautiful Chaos (Caster Chronicles, #3))
“
You stand for what is right-
for the patient and the staff.
Pressures of work may down you,
maybe bent but not broken.
”
”
Mujel Hasan (No Return Address: A collection of poems)
“
As I turned to go, I nearly trod on the body of a young robin half hidden in the grass. Its wings were twisted and bent. Its body stiff and bloodied.
'A hawk's work,' I thought, wondering if the robin had seen the brilliant blue of the sky and felt the sun on its back before its wings were broken.
”
”
Jennifer Donnelly (A Northern Light)
“
Vampires are fond of their games. But the games that They play are different than the variants that I'm familiar with. The rules were made to be bent, broken, shattered—and somebody always gets hurt.
Always.
”
”
Nenia Campbell (Bleeds My Desire (Blood Bonds, #1))
“
Reality is negotiable. Outside of science and law, all rules can be bent or broken, and it doesn’t require being unethical.
”
”
Tim Ferriss
“
...We're not broken just bent
And we can learn to love again..."
- Pink, "Just Give Me A Reason
”
”
P!nk
“
They were not unfortunate girls who, as outcasts or in the belief that they were cast out by society, grieved wholesomely and intensely and, once in a while at times when the heart was too full, ventilated it in hate or forgiveness. No visible change took place in them; they lived in the accustomed context, were respected as always, and yet they were changed, almost unaccountably to themselves and incomprehensibly to others. Their lives were not cracked or broken, as others' were, but were bent into themselves; lost to others, they futilely sought to find themselves.
”
”
Søren Kierkegaard
“
Crouched in the broken shadow with the sun at his back and holding the trap at eyelevel against the morning sky he looked to be truing some older, some subtler instrument. Astrolabe or sextant. Like a man bent at fixing himself someway in the world. Bent on trying by arc or chord the space between his being and the world that was. If there be such space. If it be knowable.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
Alice recalled one of the books Dylan had read to her, a collection of Japanese fairytales. In one, a woman artist practiced kintsugi, repairing broken pottery with lacquer mixed with powdered gold. There'd been an illustration of a woman bent over a pile of broken pottery pieces, laid out to fit together, with a fine paintbrush in her hand, its bristles dipped in gold. It had enchanted Alice, the idea that breakage and repair were part of the story, not something to be disdained or disguised.
”
”
Holly Ringland (The Lost Flowers of Alice Hart)
“
It’s not like we were those homeless people you saw pushing shopping wagons full of sad things like picture frames, electronic parts, and bags of clothing; such obviously broken people that you could guess, just by looking, what it was that bent and broke to get them there. Compared to them we were lucky, without whole lives that needed pushing in carts or carrying in bags that kept busting open and spilling to remind them just what it was they held on to, and why they refused to stop carrying it.
”
”
Liz Murray (Breaking Night)
“
The facts are in the outside world. You can verify them with your senses or with objective tests. The truth is something that people build inside their heads, using the facts as raw materials. And sometimes the facts get bent or broken in the process.
”
”
M.R. Carey (Fellside)
“
Mr. Clean?” he eventually got out, all choppy and broken.
Peeking at him, I shrugged and tipped my chin toward his head.
“I have hair.”
I squinted at him and hummed, trying so hard not to laugh. “Uh-huh.”
“I shave it every two weeks,” he tried explaining.
“Okay,” I coughed out, my cheeks hurting from the effort not to laugh at how bent out of shape he was getting.
“It all grows in evenly—are you laughing at me?”
”
”
Mariana Zapata (Wait for It)
“
I was bent but never broken.
”
”
Lailah Gifty Akita
“
I have been bent and broken, but I hope into a better shape.
”
”
Charles Dickens (Great Expectations)
“
With temerity and defiance, obstinance and patience, she chipped away at every hard edge of me until there was nothing left but the truths I feared. The bent and broken.
”
”
K. Bromberg (Raced (Driven, #3.5))
“
I have been bent and broken,
but––I hope––into a better shape.
”
”
Charles Dickens
“
Terrible you. You who i wait for
You
You
You
Like a broken record stuck on loop.
”
”
Lana Del Rey (Violet Bent Backwards Over the Grass)
“
I want all your dark secrets to be mine to keep. I want all your pieces, all the things that make you who you are. I don’t care if you think you’re bent or broken; let me love all of you.
”
”
Helena Hunting (A Secret for a Secret (All In, #3))
“
Tonight, though, he could not help seeing his mother as a spiritual sister to the beautiful, needy and depressive girl who had broken apart on a frozen road, and to the plain, homeless outsider now lying in the chilly morgue. Leda, Lula and Rochelle had not been women like Lucy, or his Aunt Joan; they had not taken every reasonable precaution against violence or chance; they had not tethered themselves to life with mortgages and voluntary work, safe husbands and clean-faced dependants: their deathsm therefore, were not classed as "tragic", in the same way as those of staid and respectable housewives.
How easy it was to capitalise on a person's own bent for self-destruction; how simple to nudge them into non-being, then to stand back and shrug and agree tnat it had been the inevitable result of a chaotic, catastrophic life.
”
”
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
“
And everyone loved sunsets. The light lost its sanity as it fell over the hills and into the Pacific--it went red and deeper red, orange, and even green. The skies seemed to melt, like lava eating black rock into great bite marks of burning. Sometimes all the town stopped and stared west. Shopkeepers came from their rooms to stand in the street. Families brought out their invalids on pallets and in wheelbarrows to wave their bent wrists at the madness consuming their sky. Swirls of gulls and pelicans like God's own confetti snowed across those sky riots.
”
”
Luis Alberto Urrea (The House of Broken Angels)
“
Goddess Rising
This is for the women
Who have walked with hidden shame
Stirring like all is well
Though weighted down in pain.
This is for her Inner Child
Who longs to forget
Her innocence stolen
Body, soul and spirit rent
into pieces- fragments-broken-bent
This is for the Maiden
Longing to belong
-To another -
In hopes
to make right the darkened wrongs
Not realizing-blinded by oozing wounds
Her own innate delicious power
Thick within her womb
This is for the Mother
Breaking eons of fettered chains
For the children she has birthed
Through blood and breaths of change
She calls them Redemption
Regardless of their names
This is for the Crone
Who called her shattered pieces Home
To herself-
To all her luminous bodies
Where she never dared to feel
Making strong her bones
Crushing~ oppressors
With the swaying of her hips
Her hands soaring like doves
Honey dripping from her lips
This is for the Wild Woman
Who traversed the Underground
Leaving her footprints
While taming the Hellhounds.
Like a seed breaking fallow ground
Emerging fruitful garden
No longer bound
By the nightmare of the past
Awakened from the Dream-
Of Separation
SHE. IS.- merging realms between.
This is for the woman, for the Goddess
For me
For you
Rising from our ashes
Making ALL things new~
”
”
Mishi McCoy
“
The only time they ever throw anything away is when it's really and truly broken, and then they make a big deal about it. They save up all their bent pins and broken sewing needles and once a year they do a whole memorial service for them, chanting and then sticking them into a block of tofu so they will have a nice soft place to rest. Jiko says that everything has a spirit, even if it is old and useless, and we must console and honor the things that have served us well.
”
”
Ruth Ozeki (A Tale for the Time Being)
“
Someone could call themselves a hero and still walk around killing dozens. Someone else could be labeled a villain for trying to stop them. Plenty of humans were monstrous, and plenty of monsters knew how to play at being human. The difference between Victor and Eli, he suspected, wasn’t their opinion on EOs. It was their reaction to them. Eli seemed intent to slaughter them, but Victor didn’t see why a useful skill should be destroyed, just because of its origin. EOs were weapons, yes, but weapons with minds and wills and bodies, things that could be bent and twisted and broken and USED.
”
”
Victoria E. Schwab (Vicious (Villains, #1))
“
Oh, when we are journeying through the murky night and the dark woods of affliction and sorrow, it is something to find here and there a spray broken, or a leafy stem bent down with the tread of His foot and the brush of His hand as He passed; and to remember that the path He trod He has hallowed, and thus to find lingering fragrance and hidden strength in the remembrance of Him as " in all points tempted like as we are," bearing grief for us, bearing grief with us, bearing grief like us.
”
”
Alexander MacLaren
“
Time ground to a halt and the trees whispered in the language of God and nature about steadfastness and resilience—gently saying that one could be constantly stirred yet not moved, bent but not broken, that a thing well grounded and deeply rooted could ever stand.
”
”
Charles M. Blow (Fire Shut Up in My Bones)
“
Slowly, it dawned on me that nothing was more important than stopping violence toward women—that the desecration of women indicated the failure of human beings to honor and protect life and that this failing would, if we did not correct it, be the end of us all. I do not think I am being extreme. When you rape, beat, maim, mutilate, burn, bury, and terrorize women, you destroy the essential life energy of the planet. You force what is meant to be open, trusting, nurturing, creative, and alive to be bent, infertile, and broken.
”
”
V (formerly Eve Ensler) (The Vagina Monologues)
“
Broken tree branches
Scattered flowers
Bent street light poles
Cut electricity lines
Dead birds
But the weather is beautiful, and the breeze is refreshing…
My heart is full of an after-storm peace and tranquility…
The real tranquility is the one that follows not precedes the storm…
(July 1, 2015)
”
”
Louis Yako (أنا زهرة برية [I am a Wildflower])
“
He stumbled, almost fell, and decided to sit down, with his back against the tunnel wall, his feet resting against the opposite wall. Roaring out of the morass of pity, terror, happiness, joy, sadness, elation that he had inherited - shooting forth from this void, the single sharp thought: She does not love me. It was almost more than he could take. But he was not the kind of person to fold, to crack, to be broken, and so instead, in those moments after the realization, he bent - and bent, and kept on bending beneath the pressure of this new and terrible knowledge. Soon he would bend into a totally new shape altogether. He welcomed that. He wanted that. Maybe the new thing he would become would no longer hurt, would no longer fear, would no longer look back down into the void and wonder what was left of him.
She did not love him. It made him laugh as he sat there -- great belly laughs that doubled him over in the dust, where he lay for a long moment, recovering. It was funny beyond bearing. He had fought through a dozen terrors all for love of her. And she did not love him. He felt like a character in a holovid - the jester, the clown, the fool.
”
”
Jeff VanderMeer (Veniss Underground)
“
I have been bent and broken, but - I hope – into a better shape.
”
”
Charles Dickens (Great Expectations)
“
The spirit of Love wraps the darkness in small sacred seconds, uplifting our bent and broken souls with the miracle of love as yet unspent.
”
”
Judy Croome (Drop by Drop (poems of loss))
“
The Anti-Federalists feared that the Americans would follow the example of the Europeans as described by Mercy Warren: "Bent on gratification, at the expense of every moral tie, they have broken down the barriers of religion, and the spirit of infidelity is nourished at the fount; thence the poisonous streams run through every grade that constitutes the mass of nations." Warren insisted that skepticism is not, as some hold, necessarily fostered by republican
liberty. Indeed, the history of republics is the history of strict regard to religion.
”
”
Herbert J. Storing
“
Sometimes, I feel discriminated against, but it does not make me angry. It merely astonishes me. How can any deny themselves the pleasure of my company? It's beyond me.
But in the main, I feel like a brown bag of miscellany propped against a wall. Against a wall In company with other bags, white, red and yellow. Pour out the contents, and there is discovered a jumble of small, things priceless and worthless. A first water diamond, an empty spool bits of broken glass, lengths of string, a key to a door long since crumbled away, a rusty knife-blade, old shoes saved for a road that never was and never will be, a nail bent under the weight of things too heavy for any nail, a dried flower or two still a little fragrant. in your hand is the brown bag. On the ground before you is the jumble it held so much like the jumble in the bags could they be emptied that all might be dumped in a single heap and the bags refilled without altering the content of any greatly. A bit of colored glass more or less would not matter. Perhaps that is how the Great Stuffer of Bags filled them in the first place, who knows?
”
”
Zora Neale Hurston (How it Feels to be Colored Me (American Roots))
“
I dreamed I had a child, and even in the dream I saw it was my life, and it was an idiot, and I ran away. But it always crept onto my lap again, clutched at my clothes. Until I thought, if I could kiss it, whatever in it was my own, perhaps I could sleep. And I bent to its broken face, and it was horrible…but I kissed it. I think one must finally take one’s life in one’s arms.
”
”
Arthur Miller (After the Fall)
“
Later is where excuses live. Later is where good intentions go to die. Later is a broken back and a bent spirit. Later says “all-nighters are temporary until we’ve got this figured out.” Unlikely. Make the change now.
”
”
Jason Fried (It Doesn't Have to be Crazy at Work)
“
I look down and feel a sort of distant horror as I see a body that is mine but not mine. My limbs are bent at odd angles. Shards of bone poke out though my skin. When I try to move, I realize that I feel no pain because I feel nothing. Nothing at all. And no matter how hard I try, I can't move anything but my head.
I'm broken, like Luka. Broken and bloody.
The thought feels hazy, as though it ought to mean more to me than it does.
”
”
Eve Silver (Rush (The Game, #1))
“
People, especially modern cynics, love to pose the question of pain, as in, why does God allow suffering? God is the salve to our pain, God sustains us when we were broken. God is not a man bent on our destruction, but on our redemption.
Shenita Etwaroo
”
”
Shenita Etwaroo
“
The Congregating of Stars
They often meet in mountain lakes,
No matter how remote, no matter how deep
Down and far they must stream to arrive,
Navigating between the steep, vertical piles
Of broken limestone and chert, through shattered
Trees and dry bushes bent low by winter,
Across ravines cut by roaring avalanches
Of boulders and ripping ice.
Silently, the stars have assembled
On the surface of this lost lake tonight,
Arranged themselves to match the patterns
They maintain in the highest spheres
Of the surrounding sky.
And they continue on, passing through
The smooth, black countenance of the lake,
Through that mirror of themselves, down through
The icy waters to touch the perfect bottom
Stillness of the invisible life and death existing
In the nether of those depths.
Sky-bound- yet touching every needle
In the torn and sturdy forest, every stone,
Sharp, cracked along the ragged shore- the stars
Appear the same as in ancient human ages
On the currents of the old seas and the darkened
Trails of desert dunes, Orion’s belt the same
As it shone in Galileo’s eyes, Polaris certain above
The sails of every mariner’s voyage. An echoing
Light from the Magi’s star, that beacon, might even
Be shining on this lake tonight, unrecognized.
The stars are congregating, perhaps
in celebration, passing through their own
names and legends, through fogs, airs,
and thunders, the vapors of winter frost
and summer pollens. They are ancestors
of transfiguration, intimate with all the eyes
of the night. What can they know?
”
”
Pattiann Rogers (Quickening Fields (Penguin Poets))
“
David Copperfield had a fever when he’d gone to bed, and Larch went to check on the boy. Dr. Larch was relieved to feel that young Copperfield’s fever had broken; the boy’s forehead was cool, and a slight sweat chilled the boy’s neck, which Larch carefully rubbed dry with a towel. There was not much moonlight; therefore, Larch felt unobserved. He bent over Copperfield and kissed him, much in the manner that he remembered kissing Homer Wells. Larch moved on to the next bed and kissed Smokey Fields, who tasted vaguely like hot dogs; yet the experience was soothing to Larch. How he wished he had kissed Homer more, when he’d had the chance! He went from bed to bed, kissing the boys; it occurred to him, he didn’t know all their names, but he kissed them anyway. He kissed all of them.
When he left the room, Smokey Fields asked the darkness, ‘What was that all about?’ But no one else was awake, or else no one wanted to answer him.
I wish he would kiss me like that, thought Nurse Edna, who had a very alert ear for unusual goings-on.
‘I think it’s nice,’ Mrs. Grogan said to Nurse Angela, when Nurse Angela told her about it.
‘I think it’s senile,’ Nurse Angela said.
But Homer Wells, at Wally’s window, did not know that Dr. Larch’s kisses were out in the world, in search of him.
He didn’t know, either – he could never have imagined it! – that Candy was also awake, and also worried. If he does stay, if he doesn’t go back to St. Cloud’s, she was thinking, what will I do? The sea tugged all around her. Both the darkness and the moon were failing.
”
”
John Irving (The Cider House Rules)
“
Not Everything Can Be Hidden Some nice accessories makeup and a new outfit won't hide how abused i've been And a large house glass doors and a nice little garden can't hide how broken this family is Just because something has a nice expensive new looking exterior doesn't mean the interior isn't broken and bent Not everything can be hidden behind a pair of nice glass doors, you know. after all The doors are transparent and so are the people trying to hide behind them
”
”
Mae Krell (All The Things I Never Said)
“
But even farther into the vision he saw a little boy, the gold circlet on his forehead, his brown locks flowing around it and his amber eyes wide, large in his small face and full of tears and longing. Devoid of a mother and nearly without a father. A heart broken beneath the weight of his loneliness. Like a sapling bent underneath the weight of its leaves, having grown too fast for its roots to hold, he toppled over and fell from the calling and destiny that had been on his life.
”
”
Victoria Lynn (Once I Knew (The Chronicles of Elira #1))
“
Victor wasn’t sure how he felt about EOs. Up until he
fetched Sydney from the side of the road, he’d only ever known one EO, himself excluded, and that was Eli. If he’d had to judge based on the two of them, then ExtraOrdinaries were damaged, to say the least. But these words people threw around—humans, monsters, heroes, villains—to Victor it was all just a matter of semantics. Someone could call themselves a
hero and still walk around killing dozens. Someone else could be labeled a villain for trying to stop them. Plenty of humans were monstrous, and plenty of monsters knew how to play at being human. The difference between Victor and Eli, he suspected, wasn’t their opinion on EOs. It was their reaction to
them. Eli seemed intent to slaughter them, but Victor didn’t see why a useful skill should be destroyed, just because of its origin. EOs were weapons, yes, but weapons with minds and wills and bodies, things that could be bent and twisted and broken and used.
”
”
Victoria E. Schwab
“
With a raw ache in his voice he said, “If you would take one step forward, darling, you could cry in my arms. And while you do, I’ll tell you how sorry I am for everything I’ve done-“ Unable to wait, Ian caught her, pulling her tightly against him. “And when I’m finished,” he whispered hoarsely as she wrapped her arms around him and wept brokenly, “you can help me find a way to forgive myself.”
Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: “I’m sorry,” he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. “I’m sorry.” Slowly, he bent his head, covering her mouth with his. “I’m so damned sorry.”
She kissed him back, holding him fiercely to her while shattered sobs racked her slender body and tears poured from her eyes. Tormented by her anguish, Ian dragged his mouth from hers, kissing her wet cheeks, running his hands over her shaking back and shoulders, trying to comfort her. “Please darling, don’t cry anymore,” he pleaded hoarsely. “Please don’t.” She held him tighter, weeping, her cheek pressed to his chest, her tears soaking his heavy woolen shirt and tearing at his heart.
“Don’t,” Ian whispered, his voice raw with his own unshed tears. “You’re tearing me apart.” An instant after he said those words, he realized that she’d stop crying to keep from hurting him, and he felt her shudder, trying valiantly to get control. He cupped the back of her head, crumpling the silk of her hair, holding her face pressed to his chest, imagining the nights he’d made her weep like this, despising himself with a virulence that was almost past bearing.
He’d driven her here, to hide from the vengeance of his divorce petition, and still she had been waiting for him. In all the endless weeks since she’d confronted him in his study and warned him she wouldn’t let him put her out of his life, Ian had never imagined that she would be hurting like this. She was twenty years old and she had loved him. In return, he had tried to divorce her, publicly scorned her, privately humiliated her, and then he had driven her here to weep in solitude and wait for him. Self-loathing and shame poured through him like hot acid, almost doubling him over. Humbly, he whispered, “Will you come upstairs with me?”
She nodded, her cheek rubbing his chest, and he swung her into his arms, cradling her tenderly against him, brushing his lips against her forehead. He carried her upstairs, intending to take her to bed and give her so much pleasure that-at least for tonight-she’d be able to forget the misery he’d caused her.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
High tensile bolts are manufactured by applying heat, then dipped into oil--a process known as tempering. Marks are then stamped onto the head to signify their strength: 2 to 4 is quite adequate, 6 to 8 marks are the strongest. Roughnecks are tempered as well, but by time and experience. They bear marks, scars from this profession. You can often gauge a man's experience by his physical infirmities. Roughnecks don’t have pretty hands, fingers bent, broken, or missing. Their faces often look like they’ve played professional hockey.
”
”
Greig Grey
“
A massive ball of brown water, uprooted tree trunks, sheared rooftops, bloated horses, stiff dogs and cats, shattered church windows, broken pews, sodden Bibles, Memorial Day flags, busted brick walls, twisted train cars, splintered rail lines, bowed streetlamps, upturned carriages, naked dolls, bent tin soldiers, dented red wagons, books, black stoves, beds, tables, armchairs, mantels, photographs, love letters, wedding dresses, baby booties, and masses of drowned humanity careens straight for us. Neither Eugene Eggar nor I can move.
”
”
Mary Hogan (The Woman in the Photo)
“
They sat in silence for a moment. Then Jenna said," The son of a god, huh? That explains a lot."
He raised an eyebrow. "Oh?"
Jenna smirked at him, a mischievous look in her sparkling blue eyes. "You know, the whole super strong, ridiculously gorgeous thing. But obviously you've been told that a lot over the years. I don't expect it means much anymore."
A voice far in the back of head said something faint about bad ideas, but he hit it with a large mental stick until it sputtered and shut up.
"It depends on who says it," he answered, and bent his head down and kissed her.
”
”
Deborah Blake (Dangerously Charming (Broken Riders, #1))
“
And again it snowed, and again the sun came out. In the mornings on the way to the station Franklin counted the new snowmen that had sprung up mysteriously overnight or the old ones that had been stricken with disease and lay cracked apart--a head here, a broken body and three lumps of coal there--and one day he looked up from a piece of snow-colored rice paper and knew he was done. It was as simple as that: you bent over your work night after night, and one day you were done. Snow still lay in dirty streaks on the ground but clusters of yellow-green flowers hung from the sugar maples.
”
”
Steven Millhauser (Little Kingdoms (Vintage Contemporaries))
“
He is tangled in Isabelle's arms, he is curtained by Isabelle's hair, he is touching Isabelle's body, he is lost in Isabelle, in her smell and her taste and the silk of her skin.
He is onstage, the music pounding, the floor shaking, the audience cheering, his heart beating beating beating in time with the drumbeat.
He is laughing with Clary, dancing with Clary, eating with Clary, running through the streets of Brooklyn with Clary, they are children together, they are one half of a whole, they hold hands and squeeze tight and pledge never to let go.
He is going cold, stiff, the life draining out of him, he is below, in the dark, clawing his way to the light, fingernails scraping dirt, mouth filled with dirt, eyes clogged with dirt, he is straining, reaching, dragging himself up toward the sky, and when he reaches it, he opens his mouth wide but does not breathe, for he no longer needs to breathe, only to feed. And he is so very hungry.
He is sinking his teeth into the neck of an angel's child, he is drinking the light.
He is bearing a Mark, and it burns.
He is raising his face to meet the gaze of an angel, he is flayed by the fury of angel fire, and yet still, impudent and bloodless, he lives.
He is in a cage.
He is in hell.
He is bent over the broken body of a beautiful girl, he is praying to whatever god that will listen, please let her live, anything to let her live.
He is giving away that which is most precious to him, and he is doing so willingly, so that his friends will survive.
He is, again, with Isabelle, always with Isabelle, the holy flame of their love encompassing them both, and there is pain, and there is exquisite joy, and his veins burn with angel fire and he is the Simon he once was and the Simon he now will be, he endures and he is reborn, he is blood and flesh and a spark of the divine.
He is Nephilim.
”
”
Cassandra Clare (Angels Twice Descending (Tales from the Shadowhunter Academy, #10))
“
What do I have to give to love, to feed it so that it grows lush and beautiful like you see in the movies? The happy ones, I mean.......I'm talking about the good love that some people get to have, the kind that nourishes the soul, helps it bloom in the springtime no matter how frigid the winter that precedes it. Everything I have broken or bent somehow, stained so bad that no amount of extra-strength detergent could rub it all out, no matter what the ad says. I have no money to offer to love, no wisdom or kindness. Inside me I have nothing but vast reserves of suspicion and heartache, a current that runs so deep and dark I feel its chill right to my core. And, as it turns out, this current never plays me false.
”
”
Sheena Kamal (The Lost Ones (Nora Watts, #1))
“
In the center of the room Elizabeth stood stock still, clasping and unclasping her hands, watching the handle turn, unable to breathe with the tension. The door swung open, admitting a blast of frigid air and a tall, broad-shouldered man who glanced at Elizabeth in the firelight and said, “Henry, it wasn’t necess-“
Ian broke off, the door still open, staring at what he momentarily thought was a hallucination, a trick of the flames dancing in the fireplace, and then he realized the vision was real: Elizabeth was standing perfectly still, looking at him. And lying at her feet was a young Labrador retriever.
Trying to buy time, Ian turned around and carefully closed the door as if latching it with precision were the most paramount thing in his life, while he tried to decide whether she’d looked happy or not to see him. In the long lonely nights without her, he’d rehearsed dozens of speeches to her-from stinging lectures to gentle discussions. Now, when the time was finally here, he could not remember one damn word of any of them.
Left with no other choice, he took the only neutral course available. Turning back to the room, Ian looked at the Labrador. “Who’s this?” he asked, walking forward and crouching down to pet the dog, because he didn’t know what the hell to say to his wife.
Elizabeth swallowed her disappointment as he ignored her and stroked the Labrador’s glossy black head. “I-I call her Shadow.”
The sound of her voice was so sweet, Ian almost pulled her down into his arms. Instead, he glanced at her, thinking it encouraging she’d named her dog after his. “Nice name.”
Elizabeth bit her lip, trying to hide her sudden wayward smile. “Original, too.”
The smile hit Ian like a blow to the head, snapping him out of his untimely and unsuitable preoccupation with the dog. Straightening, he backed up a step and leaned his hip against the table, his weight braced on his opposite leg.
Elizabeth instantly noticed the altering of his expression and watched nervously as he crossed his arms over his chest, watching her, his face inscrutable. “You-you look well,” she said, thinking he looked unbearably handsome.
“I’m perfectly fine,” he assured her, his gaze level. “Remarkably well, actually, for a man who hasn’t seen the sun shine in more than three months, or been able to sleep without drinking a bottle of brandy.”
His tone was so frank and unemotional that Elizabeth didn’t immediately grasp what he was saying. When she did, tears of joy and relief sprang to her eyes as he continued: “I’ve been working very hard. Unfortunately, I rarely get anything accomplished, and when I do, it’s generally wrong. All things considered, I would say that I’m doing very well-for a man who’s been more than half dead for three months.”
Ian saw the tears shimmering in her magnificent eyes, and one of them traced unheeded down her smooth cheek.
With a raw ache in his voice he said, “If you would take one step forward, darling, you could cry in my arms. And while you do, I’ll tell you how sorry I am for everything I’ve done-“ Unable to wait, Ian caught her, pulling her tightly against him. “And when I’m finished,” he whispered hoarsely as she wrapped her arms around him and wept brokenly, “you can help me find a way to forgive myself.”
Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: “I’m sorry,” he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. “I’m sorry.” Slowly, he bent his head, covering her mouth with his. “I’m so damned sorry.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
The horse looked at him and it looked at the dog. He crossed the room and went out in the rain and walked around the side of the building. When he came back he had in his fist a threefoot length of waterpipe and with it he advanced upon the dog. Go on, he shouted. Git. The dog rose moaning and slouched away down the wall and limped out into the yard. When he turned to go back to his blankets it slank past him into the building again. He turned and ran at it with the pipe and it scrabbled away. He followed it. Outside it had stopped at the edge of the road and it stood in the rain looking back. It had perhaps once been a hunting dog, perhaps left for dead in the mountains or by some highwayside. Repository of ten thousand indignities and the harbinger of God knew what. He bent and clawed up a handful of small rocks from the gravel apron and slung them. The dog raised its misshapen head and howled weirdly. He advanced upon it and it set off up the road. He ran after it and threw more rocks and shouted at it and he slung the length of pipe. It went clanging and skittering up the road behind the dog and the dog howled again and began to run, hobbling brokenly on its twisted legs with the strange head agoggle on its neck. As it went it raised its mouth sideways and howled again with a terrible sound. Something not of this earth. As if some awful composite of grief had broke through from the preterite world. It tottered away up the road in the rain on its stricken legs and as it went it howled again and again in its heart’s despair until it was gone from all sight and all sound in the night’s onset.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
He moved to the faded red chair she'd indicated. As he lowered himself into it, there was a loud crack. One of the wooden legs snapped and broke, just as Sophia and Angus had planned when they'd sawed it half-through.
A normal man would have been tossed to the floor, but with a little twist, MacLean shifted his weight forward and managed to remain upright, turning to regard the chair as it collapsed.
Sophia swept to her feet. "Goodness! How horrid!" She narrowed her gaze accusingly at the chair. There was nothing like a little humiliation to set a man against a location, and it was a pity MacLean hadn't been thrown to the floor as she'd planned.
MacLean bent and picked up a piece of the broken chair, his expression unfathomable. "Horrid, indead."
Her desire to smile fled. Did he suspect something? Could he see where Angus had cut the chair let partway through?
MacLean hefted the leg in his hand, his mouth thinned.
Sophia cleared her throat. "I'll call the butler to remove that."
His gaze locked with hers.The chair leg still in his hand,he walked toward her.
Sophia licked her suddenly dry lips. She didn't know this man, not really. What was he going to do?
She gripped the arms of her chair. Should she run for help? Surely not. Nothing she'd heard had indicated MacLean was a man of violence. Of course, everything she knew of him was mere heresay-
He stopped before her and stook looking down into her face with the faintest of smiles. He didn't look angry; he looked knowing. As if he understood exactly what she'd done and why.
A fear of another kind gripped her. Surely, he didn't. There was no way he could-
MacLean leaned forward. Sophia's heart jumped, her skin warming oddly when his arm brushed her shoulder as he leaned past her...and tossed the chair leg onto the unlit fireplace.
”
”
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
“
Glad to part again, Estella? To me, parting is a painful thing. To me, the remembrance of our last parting has been ever mournful and painful.'
'But you said to me,' returned Estella, very earnestly, '"God bless you, God bless you!" And if you could say that to me then, you will not hesitate to say that to me now - now, when suffering has been stronger than all other teaching, and has taught me to understand what your heart used to be. I have been bent and broken, but - I hope - into a better shape. Be as considerate and good to me as you were, and tell me we are friends.'
'We are friends,' said I, rising and bending over her as she rose from the bench.
'And will continue friends apart,' said Estella.
I took her hand in mine, and we went out of the ruined place; and, as the morning mists had risen long ago when I first left the forge, so, the evening mists were rising now, and in all the broad expanse of tranquil light they showed me, I saw no shadow of another parting from her.
”
”
Charles Dickens (Great Expectations)
“
To this day when I inhale a light scent of Wrangler—its sweet sharpness—or the stronger, darker scent of Musk, I return to those hours and it ceases to be just cologne that I take in but the very scent of age, of youth at its most beautiful peak. It bears the memory of possibility, of unknown forests, unchartered territories, and a heart light and skipping, hell-bent as the captain of any of the three ships, determined at all costs to prevail to the new world. Turning back was no option. Whatever the gales, whatever the emaciation, whatever the casualty to self, onward I kept my course. My heart felt the magnetism of its own compass guiding me on—its direction constant and sure. There was no other way through. I feel it again as once it had been, before it was broken-in; its strength and resolute ardency. The years of solitude were nothing compared to what lay ahead. In sailing for the horizon that part of my life had been sealed up, a gentle eddy, a trough of gentle waves diminishing further, receding away. Whatever loneliness and
pain went with the years between the ages of 14 and 20, was closed, irretrievable—I was already cast in form and direction in a certain course.
When I open the little bottle of eau de toilette five hundred different days unfold within me, conversations so strained, breaking slowly, so painstakingly, to a comfortable place. A place so warm and inviting after the years of silence and introspect, of hiding.
A place in the sun that would burn me alive before I let it cast a shadow on me. Until that time I had not known, I had not been conscious of my loneliness. Yes, I had been taciturn in school, alone, I had set myself apart when others tried to engage. But though I was alone, I had not felt the pangs of loneliness. It had not burdened or tormented as such when I first felt the clear tang of its opposite in the form of another’s company. Of Regn’s company. We came, each in our own way, in our own need—listening, wanting, tentatively, as though we came upon each other from the side in spite of having seen each other head on for two years. It was a gradual advance, much again like a vessel waiting for its sails to catch wind, grasping hold of the ropes and learning much too quickly, all at once, how to move in a certain direction. There was no practicing. It was everything and all—for the first and last time. Everything had to be right, whether it was or not. The waters were beautiful, the work harder than anything in my life, but the very glimpse of any tempest of defeat was never in my line of vision. I’d never failed at anything. And though this may sound quite an exaggeration, I tell you earnestly, it is true. Everything to this point I’d ever set my mind to, I’d achieved. But this wasn’t about conquering some land, nor had any of my other desires ever been about proving something. It just had to be—I could not break, could not turn or retract once I’d committed myself to my course. You cannot force a clock to run backwards when it is made to persevere always, and ever, forward. Had I not been so young I’d never have had the courage to love her.
”
”
Wheston Chancellor Grove (Who Has Known Heights)
“
The silence lengthened, becoming strained and awkward until it was broken by the goose’s imperious honk.
Swift glanced at the massive bird. “You have a companion, I see.”
When Daisy explained what the two boys had been doing with the goose, Swift grinned. “Clever lads.”
The remark did not strike Daisy as being especially compassionate.
“I want to help him,” she said. “But when I tried to get near, he pecked me. I expected a domestic breed would have been a bit more receptive to my approach.”
“Greylags are not known for their mild temperaments,” Swift informed her. “Particularly males. He was probably trying to show you who was boss.”
“He proved his point,” Daisy said, rubbing her arm.
Swift frowned as he saw the growing bruise on her arm. “Is that where he pecked you? Let me see.”
“No, it’s all right—” she began, but he had already come forward.
His long fingers encircled her wrist, the thumb of his other hand passing gently near the dark purple mark. “You bruise easily,” he murmured, his dark head bent over her arm.
Daisy’s heart dispensed a series of hard thumps before settling into a fast rhythm. He smelled like the outdoors—sun, water, grassy-sweet. And deeper in the fragrance lingered the tantalizing incense of warm, sweaty male. She fought the instinct to move into his arms, against his body…to pull his hand to her breast. The mute craving shocked her.
Glancing up at his downturned face, Daisy found his blue eyes staring right into hers.
“I…” Nervously she pulled away from him. “What are we to do?”
“About the goose?” His broad shoulders hitched in a shrug. “We could wring his neck and take him home for dinner.”
The suggestion caused Daisy and the Greylag to stare at him in shared outrage.
“That was a very poor joke, Mr. Swift.”
“I wasn’t joking.”
Daisy placed herself squarely between Swift and the goose. “I will deal with the situation on my own. You may leave now.”
“I wouldn’t advise making a pet of him. You’ll eventually find him on your plate if you stay at Stony Cross Park long enough.”
“I don’t care if it makes me a hypocrite,” she said. “I would rather not eat a goose I’m acquainted with.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
Hunter filled the opening in the privacy curtains. He wore green scrubs like the doctors and nurses who had scraped me off the pavement. For a split second I mistook him for an adorable doctor who looked a lot like Hunter. I knew it was Hunter when he gaped at me with a mixture of outrage and horror, his face pale, and demanded, “What did you do?”
“Crossed the street,” I said. “Badly.” Wincing, I eased up from the gurney, putting my weight on my hand and my good hip. Only a few minutes had passed since they had brought me in, ascertained I wasn’t dying, and dumped me here. I still felt very shaky from the shock of being hit. But I didn’t want to face Hunter lying down.
In two steps he bent over me and wrapped his arms around me. He was careful not to press on my hospital gown low against my back where the road rash was, but his touch on my shoulders radiated pain to the raw parts. I winced again.
“Oh, God. I’m sorry.” He let me go but hovered over me, placing his big hands on my shoulder blades. He was so close that the air felt hot between us. “What did you hurt?”
“This is just where I skidded across the road.” I gestured behind my back and then flinched at the sting in my skin as I moved my arm.
“How far down does it go?” My back felt cold as he lifted on flap of my paper gown and looked.
I kept my head down, my red cheeks hidden. He was peering at my back where my skin was missing. What could be sexier? Even if the circumstances had been happier, I was wearing no makeup and I was sure my hair was matted from my scarf. There was no reason for my blood to heat as if we were on a date instead of a gurney.
But my body did not listen to logic when it came to Hunter. He was no examining my wound. He was captivated by the sight of my lovely and unblemished bottom. I was a novelist. I could dream, couldn’t I?
Lightly I asked, “Are you asking whether I have gravel embedded in my ass? By the grace of God, no.”
Hunter let my gown go and stood up “The doc said the car hit your hip,” he insisted. “Is it broken?”
I rolled on my side to face him. “It really hurts,” I said. “If it were broken, I think it would hurt worse.”
He nodded. “When I broke my ribs, I couldn’t breathe.”
“That’s because your ribs punctured your lung.”
He pointed at me. “True.” Then he cocked his head to one side, blond hair falling into his eyes. “I’m surprised you remember that.
”
”
Jennifer Echols (Love Story)
“
And then she caught the song. She fell upon it and music poured from the fiddle’s hollow, bright and liquid like fire out of the heart of the earth. Pierre-Jean drew back and stood mesmerized. The room around Fin stirred as every ear bent to the ring of heartsong. It rushed through Fin and spread to the outermost and tiniest capillary reaches of her body. Her flesh sang. The hairs of her arms and neck roused and stood. She sped the bow across the strings. Her fingers danced on the fingerboard quick as fat raindrops. Every man in the room that night would later swear that there was a wind within it. They would tell their children and lovers that a hurricane had filled the room, toppled chairs, driven papers and sheets before it and blew not merely around them but through them, taking fears, grudges, malice, and contempt with it, sending them spiraling out into the night where they vanished among the stars like embers rising from a bonfire.
And though the spirited cry of the fiddle’s song blew through others and around the room and everything in it, Fin sat at the heart of it. It poured into her. It found room in the closets and hollow places of her soul to settle and root. It planted seeds: courage, resolve, steadfastness. Fin gulped it in, seized it, held it fast. She needed it, had thirsted for it all her days. She saw the road ahead of her, and though she didn’t understand it or comprehend her part in it, she knew that she needed the ancient and reckless power of a holy song to endure it. She didn’t let the music loose. It buckled and swept and still she clung to it, defined it in notes and rhythm, channeled it like a river bound between mountain steeps. And a thing happened then so precious and strange that Fin would ever after remember it only in the formless manner of dreams. The song turned and spoke her name—her true name, intoned in a language of mysteries. Not her earthly name, but a secret word, defining her alone among all created things. The writhing song spoke it, and for the first time, she knew herself. She knew what it was to be separated out, held apart from every other breathing creature, and known. Though she’d never heard it before and wouldn’t recall it after, every stitch of her soul shook in the passage of the word, shuddered in the wake of it, and mourned as the sound sped away. In an instant, it was over. The song ended with the dissonant pluck of a broken string.
”
”
A.S. Peterson (Fiddler's Green (Fin's Revolution, #2))
“
He went away, bent double with the pains of remorse and regret and the inward biting of a love which had now no means of expression. He remembered now when it was useless how the Abbess had told him that the way was always forward. Nick had needed love, and he ought to have given him what he had to offer, without fears about its imperfection. If he had had more faith he would have done so, not calculating either Nick’s faults or his own. Michael recalled too how, with Toby; he had acted with more daring, and had probably acted wrong. Yet no serious harm had come to Toby; besides he had not loved Toby as he loved Nick, was not responsible for Toby as he had been for Nick. So great a love must have contained some grain of good, something at least which might have attached Nick to this world, given him some glimpse of hope. Wretchedly Michael forced himself to remember the occasions on which Nick had appealed to him since he came to Imber, and how on every occasion Michael had denied him. Michael had concerned himself with keeping his own hands clean, his own future secure, when instead he should have opened his heart: should impetuously and devotedly and beyond all reason have broken the alabaster cruse of very costly ointment.
”
”
Iris Murdoch (The Bell)
“
They stood around a bleeding stump of a man lying on the ground. His right arm and left leg had been chopped off. It was inconceivable how, with his remaining arm and leg, he had crawled to the camp. The chopped-off arm and leg were tied in terrible bleeding chunks onto his back with a small wooden board attached to them; a long inscription on it said, with many words of abuse, that the atrocity was in reprisal for similar atrocities perpetrated by such and such a Red unit—a unit that had no connection with the Forest Brotherhood. It also said that the same treatment would be meted out to all the partisans unless, by a given date, they submitted and gave up their arms to the representatives of General Vitsyn’s army corps.
Fainting repeatedly from loss of blood, the dying man told them in a faltering voice of the tortures and atrocities perpetrated by Vitsyn’s investigating and punitive squads. His own sentence of death had been allegedly commuted; instead of hanging him, they had cut off his arm and leg in order to send him into the camp and strike terror among the partisans. They had carried him as far as the outposts of the camp, where they had put him down and ordered him to crawl, urging him on by shooting into the air.
He could barely move his lips. To make out his almost unintelligible stammering, the crowd around him bent low. He was saying: “Be on your guard, comrades. He has broken through.”
“Patrols have gone out in strength. There’s a big battle going on. We’ll hold him.”
“There’s a gap. He wants to surprise you. I know. ... I can’t go on, men. I am spitting blood. I’ll die in a moment.”
“Rest a bit. Keep quiet.—Can’t you see it’s bad for him, you heartless beasts!”
The man started again: “He went to work on me, the devil. He said: You will bathe in your own blood until you tell me who you are. And how was I to tell him, a deserter is just what I am? I was running from him to you.”
“You keep saying ‘he.’ Who was it that got to work on you?”
“Let me just get my breath. ... I’ll tell you. Hetman, Bekeshin. Colonel, Strese. Vitsyn’s men. You don’t know out here what it’s like. The whole town is groaning. They boil people alive. They cut strips out of them. They take you by the scruff of the neck and push you inside, you don’t know where you are, it’s pitch black. You grope about—you are in a cage, inside a freight car. There are more than forty people in the cage, all in their underclothes. From time to time they open the door and grab whoever comes first—out he goes. As you grab a chicken to cut its throat. I swear to God. Some they hang, some they shoot, some they question. They beat you to shreds, they put salt on the wounds, they pour boiling water on you. When you vomit or relieve yourself they make you eat it. As for children and women—O God!”
The unfortunate was at his last gasp. He cried out and died without finishing the sentence. Somehow they all knew it at once and took off their caps and crossed themselves.
That night, the news of a far more terrible incident flew around the camp.
Pamphil had been in the crowd surrounding the dying man. He had seen him, heard his words, and read the threatening inscription on the board.
His constant fear for his family in the event of his own death rose to a new climax. In his imagination he saw them handed over to slow torture, watched their faces distorted by pain, and heard their groans and cries for help. In his desperate anguish—to forestall their future sufferings and to end his own—he killed them himself, felling his wife and three children with that same, razor-sharp ax that he had used to carve toys for the two small girls and the boy, who had been his favorite.
The astonishing thing was that he did not kill himself immediately afterward.
”
”
Boris Pasternak (Doctor Zhivago)
“
I hurt my hip, too.”
“Let me see.”
She made a face and yelped when her cheek protested even that slight movement. “You don’t need to see my hip. It’s fine.”
“If the skin’s broken, it’ll need cleaning, too,” he said, unbuckling her belt.
“Stop that.”
“Think of me as your doctor,” he said, as he unsnapped and then unzipped her jeans.
“My doctor doesn’t usually undress me,” she snapped. “And my patients already come undressed.”
He laughed. “Life your hips,” he said. “Up!” he ordered, when she hesitated.
She put her one good hand on his shoulder to brace herself and lifted her hips as he pulled her torn jeans down. To her surprise, her bikini underwear was shredded, and the skin underneath was bloody. “Uh-oh.”
She was still staring at the injury on her hip when she felt him pulling off her boots. She started to protest, saw the warning look in his eyes, and shut her mouth. He pulled her jeans off, leaving her legs bare above her white boot socks. “Was that really necessary?”
“You’re decent,” he said, straightening the tails of her Western shirt over her shredded bikini underwear. “I can put your boots back on if you like.”
Bay shook her head and laughed. “Just get the first-aid kit, and let me take care of myself.”
He grimaced. “If I’m not mistaken, you packed the first-aid kit in your saddlebags.”
Bay winced. “You’re right.” She stared down the canyon as far as she could see. There was no sign of her horse. “How long do you think it’ll take him to stop running?”
“He won’t have gone far. But I need to set up camp before it gets dark. And I’m not hunting for your horse in the dark, for the same reason I’m not hunting for your brother in the dark.”
“Where am I supposed to sleep? My bedroll and tent are with my horse.”
“You should have thought of that before you started that little striptease of yours.”
“You’re the one who shouted and scared me half to death. I was only trying to cool off.”
“And heating me up in the process!”
“I can’t help it if you have a vivid imagination.”
“It didn’t take much to imagine to see your breasts,” he shot back. “You opened your blouse right up and bent over and flapped your shirt like you were waving a red flag at a bull”
“I was getting some air!”
“You slid your butt around that saddle like you were sitting right on my lap.”
“That’s ridiculous!”
“Then you lifted your arms to hold your hair up and those perfect little breasts of yours—”
“That’s enough,” she interrupted. “You’re crazy if you think—”
“You mean you weren’t inviting me to kiss my way around those wispy curls at your nape?”
“I most certainly was not!”
“Could’ve fooled me.”
She searched for the worst insult she could think of to sling at him. “You—you—Bullying Blackthorne!”
“Damned contentious Creed!
”
”
Joan Johnston (The Texan (Bitter Creek, #2))
“
The company was now come to a halt and the first shots were fired and the grey riflesmoke rolled through the dust as the lancers breached their ranks. The kid's horse sank beneath him with a long pneumatic sigh. He had already fired his rifle and now he sat on the ground and fumbled with his shotpouch. A man near him sat with an arrow hanging out of his neck. He was bent slightly as if in prayer. The kid would have reached for the bloody hoop-iron point but then he saw that the man wore another arrow in his breast to the fletching and he was dead. Everywhere there were horses down and men scrambling and he saw a man who sat charging his rifle while blood ran from his ears and he saw men and he saw men with their revolvers disassembled trying to fit the fit the spare loaded cylinders they carried and he saw men kneeling who tilted and clasped their shadows on the ground and he saw men lanced and caught up by the hair and scalped standing and he saw the horses of war trample down the fallen and a little whitefaced pony with one clouded eye leaned out of the murk and snapped at him like a dog and was gone. Among the wounded some seemed dumb and without understanding and some were pale through the masks of dust and some had fouled themselves or tottered brokenly onto the spears of the savages. Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and up the far side of the ruined ranks in a pipping of boneflutes and dropping down off the side of their mounts with one heel hung in the the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, ridding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, heads, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows. And now the horses of the dead came pounding out of the smoke and dust and circled with flapping leather and wild manes and eyes whited with fear like the eyes of the blind and some were feathered with arrows and some lanced through and stumbling and vomiting blood as they wheeled across the killing ground and clattered from sight again. Dust stanched the wet and naked heads of the scalped who with the fringe of hair beneath their wounds and tonsured to the bone now lay like maimed and naked monks in the bloodsoaked dust and everywhere the dying groaned and gibbered and horses lay screaming
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)