Rifle Shooting Quotes

We've searched our database for all the quotes and captions related to Rifle Shooting. Here they are! All 100 of them:

You might get only one shot. So shoot. You know who said that?" The rifle clatters to the bloody floor. "Hanna FUCKING Donnelly. That's who.
Jay Kristoff (Gemina (The Illuminae Files, #2))
Why the rifle? Everybody knows you can’t shoot.” Who were these everybodies and would they like to stand in front of me, preferably within ten feet, so I could discuss this issue in greater detail.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Caine tried to roll to his feet, but something was jabbing him in the crouch. He shook off the stars and saw Edilio standing over him. Edilio had the business end of his automatic rifle in a very sensitive place. "If you move, Caine, I will shoot your balls off," Edilio said. "Toto?" "He will," Toto said, "Although he's not sure it will be just your balls.
Michael Grant (Light (Gone, #6))
The great body of our citizens shoot less as times goes on. We should encourage rifle practice among schoolboys, and indeed among all classes, as well as in the military services by every means in our power. Thus, and not otherwise, may we be able to assist in preserving peace in the world... The first step – in the direction of preparation to avert war if possible, and to be fit for war if it should come – is to teach men to shoot!
Theodore Roosevelt
And where were you when my mate was shooting ferals with a damn sniper rifle?" he demanded, exhaustion adding a bite to his words. Ryuu gave him a flat look. "Holding her ammunition.
Alanea Alder (My Savior (Bewitched and Bewildered, #4))
When I were first learning to shoot a rifle, Pa told me that nearly every battle people face is in their heads.
Erin Bowman (Vengeance Road (Vengeance Road, #1))
My dad is here," She hissed, hoping to give Gabriel enough of a head start so he could make it to the elevators before Tom took out one of his hunting rifles and shot him. "I know, I called him." She turned to Gabriel in wide-eyed disbelief. "Why would you do that? He wants to kill you." The Professor pulled himself up to his full height. "I want to marry you. That means that I need to make amends with your father. I want to be able to be in the same room without him attempting to shoot me. Or castrate me.
Sylvain Reynard (Gabriel's Rapture (Gabriel's Inferno, #2))
Guys, gals, now hear this: No one wants to take away your hunting rifles. No one wants to take away your shotguns. No one wants to take away your revolvers, and no one wants to take away your automatic pistols, as long as said pistols hold no more than ten rounds. If you can't kill a home invader (or your wife, up in the middle of the night to get a snack from the fridge) with ten shots, you need to go back to the local shooting range.
Stephen King (Guns)
Why the rifle? Everybody knows you can’t shoot.” Who were these everybodies and would they like to stand in front of me, preferably within ten feet, so I could discuss this issue in greater detail? “I can shoot just fine.” I just missed eighty percent of the time.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
When I were first learning to shoot a rifle, Pa told me that nearly every battle people face is in their heads. If you think you can't do something, you won't. If you believe you can, it's only a matter of time before you will.
Erin Bowman (Vengeance Road (Vengeance Road, #1))
Stupid deer," I said, embarrassed about being startled. "We need a ladder." "I think they're easier to shoot with a rifle." "I'm not talking about the deer," I said, hitting Milo on the back of his shoulder. "We need a ladder to look over the wall." "Or a catapult," Milo said seriously.
Obert Skye (Pillage (Pillage, #1))
Ash opened the door, stopping the males before they could go in, “Learn some manners.” Letty gave them a salute before walking in, rifle in hand. “That’s rather chauvinistic,” one of the males huffed. Ash let out an amused laugh. “I didn’t let her in first because she’s female, you jackass. I let her in first because she likes to shoot things, and I’m very considerate that way.
Charlie Cochet (Hell & High Water (THIRDS, #1))
During the night two delegates of the railwaymen were arrested. The strikers immediately demanded their release, and as this was not conceded, they decided not to allow trains leave the town. At the station all the strikers with their wives and families sat down on the railway track-a sea of human beings. They were threatened with rifles salvoes. The workers bared their breast and cried, "Shoot!" A salvo was fired into the defenceless seated crowd, and 30 to 40 corpses, among them women and children, remained on the ground. On this becoming known the whole town of Kiev went to strike on the same day. The corpses of the murdered workers were raised on high by the crowd and carried round in mass demonstration.
Rosa Luxemburg
Very close by the CMS shops, hidden about a quarter mile away in the woods, was the prison’s rifle range. Correctional officers could spend quality time with their firearms down there, and the hammering of multiple rounds was typical background noise during our workdays. There was something unsettling about toiling away for a prison while listening to your jailers practice shooting you.
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
The idea that hunting is one against one is ludicrous. It's one animal versus the hunter, the manufacturer of the rifle, the bullet maker, the designer and manufacturer of the telescopic sight, the auto manufacturer who made the car the hunter got to the edge of the wild in, the maker of his waterproof shoes, the various manufacturers of his mittens, glasses, overcoat--and that's only the beginning of the list. The "sportsman" who shoots an animal should then make a speech, like the actor who wins an Oscar does, thanking the multitudes behind the scenes who made this "victory" possible.
Dick Cavett
Shooting with his camera the animals tha they did not allow him to kill with his rifle .
Gabriel García Márquez (Love in the Time of Cholera)
Didn't go in, just hovered outside like homeless person because (a) place was too small and Detta would have spotted me, and (b) once you're through doors of shop like that, if you try to leave without buying anything, they shoot you in the back with sniper's rifle.
Marian Keyes (Anybody Out There? (Walsh Family, #4))
When has a civilian ever stopped a mass shooting with an AR-15? An AR-15 is a perfect weapon for mass murderers -- not so much for self-defense. Would you bring an AR-15 along on a date? To your place of work? To the movies? If not, how can owning an AR-15 save your life in the event of a mass shooting? Why does the NRA keep telling us we need semi-automatic rifles for self-defense? Whose side are they really on?
Quentin R. Bufogle
[Her father] never minded when there was nothing to shoot, and she never minded when there was. The harsh crack of the rifle and the limp rabbits and doves were the practical cost of the joy of those mornings.
Sonja Yoerg (House Broken)
You may never shoot a sniper rifle. You may never serve as part of an assault team, or stand security in combat, or board a hostile ship at midnight on the high seas. You may never wear a uniform; hell, you may never even throw a punch in the name of freedom. I’ll tell you what, though. Whatever it is that you do, you are making a stand, either for excellence or for mediocrity. This is what I learned about being a Navy SEAL: it is all about excellence, and about never giving up on yourself. And that is the red circle I will continue to hold, no matter what.
Brandon Webb (The Red Circle: My Life in the Navy SEAL Sniper Corps and How I Trained America's Deadliest Marksmen)
Like most policemen, Landsman sails double-hulled against tragedy, stabilized against heave and storm. It's the shallows he has to worry about, the hairline fissures, the little freaks of torque. The memory of that summer, for example, or the thought that he had long since exhausted the patience of a kid who once would have waited a thousand years to spend an hour with him shooting cans off a fence with an air rifle. The sight of the Longhouse breaks some small, as yet unbroken facet of Landman's heart. All of the things they made, during their minute in this corner of the map, dissolved in brambles of salmonberry and oblivion.
Michael Chabon (The Yiddish Policemen's Union)
I had the whole road to myself, for no one was yet stirring, and I walked on, with a slouching, dogged gait. The gray shooting-jacket was on my back, and from the end of my brother’s rifle hung a small bundle of my clothes. My fingers worked moodily at the stock and trigger, and I thought that this indeed was the way to begin life, with a gun in your hand!
Herman Melville (Redburn)
Photojournalism has frequently been lambasted for being the product of circumstance. In fact rarely are any of these images considered in terms of their composition and semantic intent. They are merely news, a happy intersection of event and opportunity. It hardly helps that photographs in general also take only a fraction of a second to acquire. It is incredible how so many people can constantly misread speed to mean ease. This is certainly most common where photography is concerned. However simply because anyone can buy a camera, shutter away, and then with a slightly prejudiced eye justify the product does not validate the achievement. Shooting a target with a rifle is accomplished with similar speed and yet because the results are so objective no one suggests that marksmanship is easy.
Mark Z. Danielewski (House of Leaves)
(In Austria after VE Day) Sergeant Mercier...dressed in a full German officer's uniform, topped off with a monocle for his right eye. Someone got the bright idea to march him over to the company orderly room and turn him in at rifle point to Captain Speirs. Someone got word to Speirs before Mercier showed up. When troopers brought Mercier up to Speirs's desk, prodding him with bayonets, Speirs did not look up. One of the troopers snapped a salute and declared, "Sir, we have captured this German officer. What should we do with him?" "Take him out and shoot him," Speirs replied, not looking up. "Sir," Mercier called out, "sir, please, sir, it's me, Sergeant Mercier." "Mercier, get out of that silly uniform," Speirs ordered.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
In a fight with Comanches, dismounting on open ground was like signing your own death warrant. Men on foot against mounted men moving 20-30 miles per hour who could shoot twelve arrows in the time it took to reload a rifle and fire it once was not a fair fight.
S.C. Gwynne (Empire of the Summer Moon)
What do you think you're going to do with an antique rifle?" "Probably shoot something with it.
E.J. Fisch (Nexus (Ziva Payvan, #2))
Rifles are for people who are going out to do shooting. But a man carrying a pistol—he’s worried about getting shot at.
Robert Jackson Bennett (Vigilance)
What made me maddest was the media treatment of the BPP, which gave the impression that the Party was racist and violent. And it worked. The pigs would burst into a Panther office, shoot first, and ask questions later. The press always reported that the police had “uncovered” a large arsenal of weapons. Later, when the “arsenal” turned out to be a few legally registered rifles and shotguns, the press never printed a word. The same thing goes on today.
Assata Shakur (Assata: An Autobiography)
Kay Cannon was a woman I’d known from the Chicago improv world. A beautiful, strong midwestern gal who had played lots of sports and run track in college, Kay had submitted a good writing sample, but I was more impressed by her athlete’s approach to the world. She has a can-do attitude, a willingness to learn through practice, and she was comfortable being coached. Her success at the show is a testament to why all parents should make their daughters pursue team sports instead of pageants. Not that Kay couldn’t win a beauty pageant - she could, as long as for the talent competition she could sing a karaoke version of ‘Redneck Woman’ while shooting a Nerf rifle.
Tina Fey
We bumped into other silent lines of kids going in the same direction. We looked like we were much younger and our lines were headed to the cafeteria or recess or the carpool line. Or it could’ve been a fire drill. Except for the stone-faced police officers weaving between us with rifles.
Laura Anderson Kurk (Glass Girl (Glass Girl, #1))
Seagulls dove among corpses and survivors alike. Turner later told his son, Norman, that he found himself fending off attacks by the birds, which swooped from the sky and pecked at the eyes of floating corpses. Rescuers later reported that wherever they saw spirals of gulls, they knew they would find bodies. Turner’s experience left him with such a deep hatred of seagulls, according to Norman, “that until his retirement he used to carry a .22 rifle and shoot every seagull he could.
Erik Larson (Dead Wake: The Last Crossing of the Lusitania)
So close. He'd get there. Not today, but soon. He had a task to accomplish here, and the sooner he completed it, the sooner he could rejoin his regiment. He wasn't stopping for anything. Except sheep. Blast it. It would seem they were stopping for sheep. A rough voice said, "I'll take care of them." Thorne joined their group. Bram flicked his gaze to the side and spied his hulking mountain of a corporal shouldering a flintlock rifle. "We can't simply shoot them, Thorne." Obedient as ever, Thorne lowered his gun. "Then I've a cutlass. Just sharpened the blade last night." "We can't butcher them, either." Thorne shrugged. "I'm hungry." Yes, that was Thorne--straightforward, practical. Ruthless.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Coyote hunting can't be justified on the basis of the damage they do. Shooting coyotes is really just fun, a man with a high-powered rifle trying to see if he can kill a frightened creature that can't shoot back.
Ted Kooser
Here, you drive," Erik said. "What? Why?" "In case we do have to start shooting; I have a badge and you don't," he explained. "Fine. But for the record, I'm a better shot than you are." "For your information, I was the youngest kid awarded the rifle shooting merit badge in my troop," Erik said, holding the wheel as she climbed across him. "Is that supposed to impress me?" "Just enough to get you back into my bed." She took over the gas pedal and Erik slid out from underneath her. "It takes more than fancy shooting," she said loftily, making a sharp turn. Erik was thrown against the door. "Would you warn me before you do that?" "It's a car chase!
Tiffany Snow (Blank Slate)
grew up with guns and I needed them. Most people don’t. All these high-capacity guns flashed by the nutcakes? They’re a disaster. If I had my way, there’d be no guns but single-shot hunting rifles and single-shot shotguns. You could do all the target shooting you want with those. You could hunt to your heart’s content. Of course, you’d actually have to learn how to hunt or how to hit a target, and most of those dimwits don’t want to be bothered.
John Sandford (The Investigator (Letty Davenport, #1))
When I met him, he hadn't eaten for days, and lived in a rathole. But his rifle was clean and he had lots of ammunition. Whenever he heard shooting he ran towards it. If it was workers shooting at priests, state officials, capitalists, or cops, he'd empty his rifle as fast as he could fill it. But if two groups of workers ever shot at each other, he'd risk his life by standing between them and shouting, "When workers kill each other, there is no more reason to live! Kill me from both sides." -- Luisa Nachalo
Sophia Nachalo (Letters of Insurgents)
We’re loyal servants of the U.S. government. But Afghanistan involves fighting behind enemy lines. Never mind we were invited into a democratic country by its own government. Never mind there’s no shooting across the border in Pakistan, the illegality of the Taliban army, the Geneva Convention, yada, yada, yada. When we’re patrolling those mountains, trying everything we know to stop the Taliban regrouping, striving to find and arrest the top commanders and explosive experts, we are always surrounded by a well-armed, hostile enemy whose avowed intention is to kill us all. That’s behind enemy lines. Trust me. And we’ll go there. All day. Every day. We’ll do what we’re supposed to do, to the letter, or die in the attempt. On behalf of the U.S.A. But don’t tell us who we can attack. That ought to be up to us, the military. And if the liberal media and political community cannot accept that sometimes the wrong people get killed in war, then I can only suggest they first grow up and then serve a short stint up in the Hindu Kush. They probably would not survive. The truth is, any government that thinks war is somehow fair and subject to rules like a baseball game probably should not get into one. Because nothing’s fair in war, and occasionally the wrong people do get killed. It’s been happening for about a million years. Faced with the murderous cutthroats of the Taliban, we are not fighting under the rules of Geneva IV Article 4. We are fighting under the rules of Article 223.556mm — that’s the caliber and bullet gauge of our M4 rifle. And if those numbers don’t look good, try Article .762mm, that’s what the stolen Russian Kalashnikovs fire at us, usually in deadly, heavy volleys. In the global war on terror, we have rules, and our opponents use them against us. We try to be reasonable; they will stop at nothing. They will stoop to any form of base warfare: torture, beheading, mutilation. Attacks on innocent civilians, women and children, car bombs, suicide bombers, anything the hell they can think of. They’re right up there with the monsters of history.
Marcus Luttrell (Lone Survivor: The Eyewitness Account of Operation Redwing and the Lost Heroes of SEAL Team 10)
In such a wild, uncharted place the book of God was vital, for it nourished their spirit and laid boundaries for their conduct. Other subjects simply had no relevance. Trigonometry and calculus would not help them find their way among the mountain trails. Adam Smith's economics were of no consequence in the matter of planting corn and breeding cattle. Nor did they need the essays of Plato or the plays of Shakespeare to teach them how to shoot a rifle, or to make clothes from animal skins, or to clear away the wilderness with their own bare hands.
James Webb (Born Fighting: How the Scots-Irish Shaped America)
Tell us,’ she said gently. ‘Would you like to grow up with horses? Or would you rather buy things and sell them for a profit?’ After all, she thought, it would be difficult for him to go against the characteristics of his race. ‘Would you rather do that?’ The boy looked up at her. ‘I want to learn to shoot with a rifle from a very long way away,’ he said, ‘because you can do that from the hills when they are on the road. And I want to learn to throw a knife hard and straight. That is best in the darkness, in the narrow streets, because it does not make a noise.
Nevil Shute (Pied Piper)
Juniper doesn’t follow all the details—she stopped going to Miss Hurston’s one-room schoolhouse at ten because after her sisters left there was no one to make her go—but she understands what Miss Stone is asking. She’s asking: Aren’t you tired yet? Of being cast down and cast aside? Of making do with crumbs when once we wore crowns? She’s asking: Aren’t you angry yet? And oh, Juniper is. At her mama for dying too soon and her daddy for not dying sooner. At her dumbshit cousin for getting the land that should have been hers. At her sisters for leaving and herself for missing them. At the whole Saints-damned world. Juniper feels like a soldier with a loaded rifle, finally shown something she can shoot. Like a girl with a lit match, finally shown something she can burn.
Alix E. Harrow (The Once and Future Witches)
One day about a month ago, I really hit bottom. You know, I just felt that in a Godless universe, I didn't want to go on living. Now I happen to own this rifle, which I loaded, believe it or not, and pressed it to my forehead. And I remember thinking, at the time, I'm gonna kill myself. Then I thought, what if I'm wrong? What if there is a God? I mean, after all, nobody really knows that. But then I thought, no, you know, maybe is not good enough. I want certainty or nothing. And I remember very clearly, the clock was ticking, and I was sitting there frozen with the gun to my head, debating whether to shoot. [The gun fires accidentally, shattering a mirror] All of a sudden, the gun went off. I had been so tense my finger had squeezed the trigger inadvertently. But I was perspiring so much the gun had slid off my forehead and missed me. And suddenly neighbors were, were pounding on the door, and, and I don't know, the whole scene was just pandemonium. And, uh, you know, I-I-I ran to the door, I-I didn't know what to say. You know, I was-I was embarrassed and confused and my-my-my mind was r-r-racing a mile a minute. And I-I just knew one thing. I-I-I had to get out of that house, I had to just get out in the fresh air and-and clear my head. And I remember very clearly, I walked the streets. I walked and I walked. I-I didn't know what was going through my mind. It all seemed so violent and un-unreal to me. And I wandered for a long time on the Upper West Side, you know, and-and it must have been hours. You know, my-my feet hurt, my head was-was pounding, and-and I had to sit down. I went into a movie house. I-I didn't know what was playing or anything. I just, I just needed a moment to gather my thoughts and, and be logical and put the world back into rational perspective. And I went upstairs to the balcony, and I sat down, and, you know, the movie was a-a-a film that I'd seen many times in my life since I was a kid, and-and I always, uh, loved it. And, you know, I'm-I'm watching these people up on the screen and I started getting hooked on the film, you know. And I started to feel, how can you even think of killing yourself. I mean isn't it so stupid? I mean, l-look at all the people up there on the screen. You know, they're real funny, and-and what if the worst is true. What if there's no God, and you only go around once and that's it. Well, you know, don't you want to be part of the experience? You know, what the hell, it's-it's not all a drag. And I'm thinkin' to myself, geez, I should stop ruining my life - searching for answers I'm never gonna get, and just enjoy it while it lasts. And, you know, after, who knows? I mean, you know, maybe there is something. Nobody really knows. I know, I know maybe is a very slim reed to hang your whole life on, but that's the best we have. And then, I started to sit back, and I actually began to enjoy myself.
Woody Allen
If anybody really wanted to shoot the president of the United States,” Kennedy told his aide Kenneth O’Donnell on the morning of November 22, “it was not a very difficult job—all one had to do was get a high building someday with a telescopic rifle, and there was nothing anybody could do to defend against such an attempt.
Jared Cohen (Accidental Presidents: Eight Men Who Changed America)
I remember back a number of years, talkin about fairs, they had a old boy come through would shoot live pigeons with ye. Him with a rifle and you with a shotgun. Or anything else. He must of had a truckload of pigeons. Had a boy out in the middle of a field with a crateful and he’d holler and the boy’d let one slip and he’d raise his rifle and blam, he’d dust it. Misters, he could strictly make the feathers fly. We’d never seen the like of shootin. They was a bunch of us pretty hotshot birdhunters lost our money out there fore we got it figured out. What he was doin, this boy was loadin the old pigeons up the ass with them little firecrackers. They’d take off like they was home free and get up about so high and blam, it’d blow their asses out. He’d just shoot directly he seen the feathers fly. You couldn’t tell it. Or I take that back, somebody did finally. I don’t remember who it was. Reached and grabbed the rifle out of the old boy’s hand fore he could shoot and the old pigeon just went blam anyways. They like to tarred and feathered him over it.
Cormac McCarthy (Child of God (Vintage International))
Shooting well with the rifle is the highest kind of skill, for the rifle is the queen of weapons; and it is a difficult art to learn.
Theodore Roosevelt (Hunting Trips of a Ranchman, Sketches of Sport on the Northern Cattle Plains)
It's wrong because if you pick up a rifle, the Man picks up a machine gun, by the time you find some machine gun he's all set up to shoot rockets, begin to see a pattern?
Thomas Pynchon (Vineland)
DDR Watchtower This was one of many such towers built in 1966 for panoramic surveillance and shooting (note the rifle windows, allowing shots to be fired in 360 degrees).
Rick Steves (Rick Steves' Germany 2014)
He declined to let us take our air rifles to the Landing (I had already begun to think of shooting Francis)
Harper Lee (To Kill a Mockingbird)
Now I get to travel to strange new worlds, seek out alien leaders and shoot them with my rail rifle.
Richard Fox (The Gardens of Nibiru (The Ember War Saga #5))
It's not a bit strange,' I tell her. 'Davey's thinking of taking up shooting as a hobby, so he wants to go check out the rifle range and he asked me if I'd like to go with him.' Kayla snorts. 'Are you kidding me? He should be checking you out - not the rifle range! No way is that a date.' I go to the one person I know I can depend on. 'It is a date, isn't it, Reggie?' 'S'pose it all depends on how it goes,' he says. 'If you have a good time, come home happy, then it's a date.' 'Okay.' 'But if he shoots yer, it wasn't a date - it was an ambush.' 'Reggie! That's mean!' 'You know I'm only kiddin', Tiffy. He puts his arms out and I gladly fall into them. 'Don't worry about what anyone says, luv. It's a date.
Bill Condon (A Straight Line to My Heart)
Listen to me, Defecates-with-Pigeons. Long before any of you came here, we dream'd of you. All the people, even Nations far to the South and the West, dreamt you before ever we saw you,— we believ'd that you came from some other World, or the Sky. You had Powers and we respected them. Yet you never dream'd of us, and when at last you saw us, wish'd only to destroy us. Then the killing started,— some of you, some of us,— but not nearly as many as we'd been expecting. You could not be the Giants of long ago, who would simply have wip'd us away, and for less. Instead, you sold us your Powers,— your Rifles,— as if encouraging us to shoot at you,— and so we did, tho' not hitting as many of you, as you were expecting. Now you begin to believe that we have come from elsewhere, possessing Powers you do not— Those of us who knew how, have fled into Refuge in your Dreams, at last. Tho' we now pursue real lives no different at their Hearts from yours, we are also your Dreams.
Thomas Pynchon (Mason & Dixon)
The shrieks were coming from two quite naked girls, who were pursued by a pair of apes snapping at their bottoms. [...] So he now raises his double-barrelled Spanish rifle, fires and kills both apes. 'God be praised, my dear Calambo! I have delivered these two poor creatures from grave peril; if it was a sin to kill an Inquisitor and a Jesuit, I have made ample amends by saving the lives of two girls [...]' He was about to continue, but words failed him when he saw the two girls throw their arms lovingly around the two apes and collapse in tears over their corpses, filling the air with the most pitiful lamentations. 'I was not expecting quite so much tenderness of heart,' he said at last to Cacambo, who replied: 'You've excelled yourself this time, Master; you have just despatched the two lovers of these young ladies.' '-Their lovers! Is it possible? You're making fun of me, Cacambo; how could anyone believe in such a thing?' - 'My dear Master,' retorted Cacambo, 'you are always astounished by everything; why do you find it so strange that in some countries it is apes who enjoy the favours of young ladies? After all, they are one-quarter human, just as I am one-quarter Spanish.
Voltaire (Candide)
Cruz made the sign of the cross over them. He hefted his rifle onto his shoulder and walked away. His warriors followed, blessed by the Lord, reconciled, holy in this day He had made, and ready to shoot.
Luis Alberto Urrea (The Hummingbird's Daughter)
When the NSSF fights against legislation designed to prevent mass shootings because it “won’t work and is a violation of rights,” we understand that many people agree with that argument. But that’s not, at all, even a little bit why the organization lobbies so hard. It works hand in hand with the NRA and certain senators, and spends millions of dollars per year for one reason and one reason only: to make more money. And every time a shooting happens, it makes even more money. Yes. For real. When a mass shooting makes national headlines, the gun lobby purposefully stokes up fear and paranoia over proposed new gun laws so that scared citizens get out their checkbooks and buy a new AR-15 (or sporting rifle). So why would the NSSF have any interest in stopping mass shootings? Why would it engage politically and invest in compromise, a reform plan that attempts to make all Americans safer, or any sort of reckoning of the role guns play in gun violence? It won’t. However you feel about guns and their place in America—whether we’re talking about rifles for hunting or assault rifles, or anything in between—it’s undeniable that the gun lobby has refused to acknowledge or entertain any sort of regulation or reform aimed at making us a safer and saner nation. The reason why: because that does not make it more money. A customer base kept terrified at all times that this will be “the last chance before the government bans” whatever gun manufacturers are peddling is much more valuable. A customer base absolutely convinced that the just-about-anyone-can-buy culture we have is politically necessary without seeing that it serves those companies is what they’re after. They have achieved it.
Trae Crowder (The Liberal Redneck Manifesto: Draggin' Dixie Outta the Dark)
The first school shooting that attracted the attention of a horrified nation occurred on March 24, 1998, in Jonesboro, Arkansas. Two boys opened fire on a schoolyard full of girls, killing four and one female teacher. In the wake of what came to be called the Jonesboro massacre, violence experts in media and academia sought to explain what others called “inexplicable.” For example, in a front-page Boston Globe story three days after the tragedy, David Kennedy from Harvard University was quoted as saying that these were “peculiar, horrible acts that can’t easily be explained.” Perhaps not. But there is a framework of explanation that goes much further than most of those routinely offered. It does not involve some incomprehensible, mysterious force. It is so straightforward that some might (incorrectly) dismiss it as unworthy of mention. Even after a string of school shootings by (mostly white) boys over the past decade, few Americans seem willing to face the fact that interpersonal violence—whether the victims are female or male—is a deeply gendered phenomenon. Obviously both sexes are victimized. But one sex is the perpetrator in the overwhelming majority of cases. So while the mainstream media provided us with tortured explanations for the Jonesboro tragedy that ranged from supernatural “evil” to the presence of guns in the southern tradition, arguably the most important story was overlooked. The Jonesboro massacre was in fact a gender crime. The shooters were boys, the victims girls. With the exception of a handful of op-ed pieces and a smattering of quotes from feminist academics in mainstream publications, most of the coverage of Jonesboro omitted in-depth discussion of one of the crucial facts of the tragedy. The older of the two boys reportedly acknowledged that the killings were an act of revenge he had dreamed up after having been rejected by a girl. This is the prototypical reason why adult men murder their wives. If a woman is going to be murdered by her male partner, the time she is most vulnerable is after she leaves him. Why wasn’t all of this widely discussed on television and in print in the days and weeks after the horrific shooting? The gender crime aspect of the Jonesboro tragedy was discussed in feminist publications and on the Internet, but was largely absent from mainstream media conversation. If it had been part of the discussion, average Americans might have been forced to acknowledge what people in the battered women’s movement have known for years—that our high rates of domestic and sexual violence are caused not by something in the water (or the gene pool), but by some of the contradictory and dysfunctional ways our culture defines “manhood.” For decades, battered women’s advocates and people who work with men who batter have warned us about the alarming number of boys who continue to use controlling and abusive behaviors in their relations with girls and women. Jonesboro was not so much a radical deviation from the norm—although the shooters were very young—as it was melodramatic evidence of the depth of the problem. It was not something about being kids in today’s society that caused a couple of young teenagers to put on camouflage outfits, go into the woods with loaded .22 rifles, pull a fire alarm, and then open fire on a crowd of helpless girls (and a few boys) who came running out into the playground. This was an act of premeditated mass murder. Kids didn’t do it. Boys did.
Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help (How to End Domestic Violence, Mental and Emotional Abuse, and Sexual Harassment))
Maybe the prolonged “festival of cruelty” going on in our literature and movies is an attempt to get rid of repressed anger by expressing it, acting it out symbolically. Kick everybody’s ass all the time! Torture the torturer! Describe every agony! Blow up everything over and over! Does this orgy of simulated or “virtual” violence relieve anger, or increase the leaden inward load of fear and pain that causes it? For me, the latter; it makes me sick and scares me. Anger that targets everything and everybody indiscriminately is the futile, infantile, psychotic rage of the man with an automatic rifle shooting preschoolers. I can’t see it as a way of life, even pretended life. You hear the anger in my tone? Anger indulged rouses anger. Yet anger suppressed breeds anger. What is the way to use anger to fuel something other than hurt, to direct it away from hatred, vengefulness, self-righteousness, and make it serve creation and compassion?
Ursula K. Le Guin (No Time to Spare: Thinking About What Matters)
And out in the rural, when Mrs. Laura McGhee--who if she thought it necessary, sat on the porch with her Winchester rifle--permitted movement workers to use her farm outside Greenwood for a rally, the sheriff came to warn her against holding it. She told him that *he* was on *her* property, that *he* was trespassing and hadn't ever offered any protection from the terrorists who kept threatening to shoot up her farms, and that he therefore had nothing to offer her now and had better leave, get off her land. And the sheriff left.
Charles E. Cobb Jr. (This Nonviolent Stuff'll Get You Killed: How Guns Made the Civil Rights Movement Possible)
Rooster here has missed Ned a few times himself, horse and all,' said the captain. 'I reckon his is on his way now to missing him again.' Rooster was holding a bottle with a little whiskey in it. He said, 'You keep on thinking that.' He drained off the whiskey in about three swallows and tapped the cork back in and tossed the bottle up in the air. He pulled his revolver and fired at it twice and missed. The bottle fell and rolled and Rooster shot at it two or three more times and broke it on the ground. He got out his sack of cartridges and reloaded his pistol. He said, 'The Chinaman is running them cheap shells in on me again.' LaBoeuf said, 'I thought maybe the sun was in your eyes. That is to say, your eye.' Rooster swung the cylinder back in his revolver and said, 'Eyes, is it? I'll show you eyes!' He jerked the sack of corn dodgers free from his saddle baggage. He got one of the dodgers out and flung it in the air and fired at it and missed. Then he flung another one up and he hit it. The corn dodger exploded. He was pleased with himself and he got a fresh bottle of whiskey from his baggage and treated himself to a drink. LaBoeuf pulled one of his revolvers and got two dodgers out of the sack and tossed them both up. He fired very rapidly but he only hit one. Captain Finch tried it with two and missed both of them. Then he tried with one and made a successful shot. Rooster shot at two and hit one. They drank whiskey and used up about sixty corn dodgers like that. None of them ever hit two at one throw with a revolver but Captain Finch finally did it with his Winchester repeating rifle, with somebody else throwing. It was entertaining for a while but there was nothing educational about it. I grew more and more impatient with them. I said, 'Come on, I have had my bait of this. I am ready to go. Shooting cornbread out here on this prairie is not taking us anywhere.' By then Rooster was using his rifle and the captain was throwing for him. 'Chunk high and not so far out this time,' said he.
Charles Portis (True Grit)
You too, brother. But where are you going? Won't you at least tell me that?" He pats the rifle at his side- the one Father had specifically made to shoot silver bullets (Father has read entirely too many books about monsters that can only be stopped with silver bullets). "I'm going hunting.
Jes Drew (Wolf Claw (Howling Twenties #1))
When the boys come, instead of buying Barbie dolls, all of a sudden you’re into trucks and remote controls, cars and tanks. You buy building blocks and build castles and locomotives. You get into knives and later take them shooting with pistols, shotguns, and rifles. All of which made me very happy.
Arnold Schwarzenegger (Total Recall: My Unbelievably True Life Story)
The nightmare takes various forms, comes in sleep, or in wakefulness, and can be pictured most simply like this: There is a blindfolded man standing with his back to the brick wall. He has been tortured nearly to death. Opposite him are six men with their rifles raised ready to shoot, commanded by a seventh, who has his hand raised, When he drops his hand, the shots will ring out, and the prisoner will fall dead. But suddenly there is something unexpected—yet not altogether unexpected, for the seventh has been listening all this while in case it happens. There is an outburst of shouting and fighting in the street outside. The six men look in query at their officer, the seventh. The officer stands waiting to see how the fighting outside will resolve itself. There is a shout: ‘We have won!’ At which the officer crosses the space to the wall, unties the bound man, and stands in his place. The man, hitherto bound, now binds the other. There is a moment, and this is the moment of horror in the nightmare, when they smile at each other: It is a brief, bitter, accepting smile. They are brothers in that smile. The smile holds a terrible truth that I want to evade. Because it cancels all creative emotion. The offer, the seventh, now stands blindfolded and waiting with his back to the wall. The former prisoner walks to the firing squad who are still standing with their weapons ready. He lifts his hand, then drops it. The shots ring out, and the body by the wall falls twitching. The six soldiers are shaken and sick; now they will go and drink to drown the memory of their murder. But the man who was bound, is now free, smiles as they stumble away, cursing and hating him, just as they would have cursed and hated the other, now dead. And in this man’s smile at the six innocent soldiers there is a terrible understanding irony. This is the nightmare.
Doris Lessing (The Golden Notebook)
I've been ordered to take you men with me. I've been told that if you don't come I can shoot you. Well, you know I won't do that. Not Maine men. I won't shoot any man who doesn't want this fight. Maybe someone else will, but I won't. So that's that." He paused again. There was nothing on their faces to lead him. "Here's the situation. I've been ordered to take you along, and that's what I'm going to do. Under guard if necessary. But you can have your rifles if you want them. The whole Reb army is up the road a ways waiting for us and this is no time for an argument like this. I tell you this: we sure can use you. We're down below half strength and we need you, no doubt of that. But whether you fight or not is up to you. Whether you come along, well, you're coming." Tom had come up with Chamberlain's horse. Over the heads of the prisoners Chamberlain could see the regiment falling into line out in the flaming road. He took a deep breath. "Well, I don't want to preach to you. You know who we are and what we're doing here. But if you're going to fight alongside us there's a few things I want you to know." He bowed his head, not looking at eyes. He folded his hands together. "This regiment was formed last fall, back in Maine. There were a thousand of us then. There's not three hundred of us now." He glanced up briefly. "But what is left is choice." He was embarrassed. He spoke very slowly, staring at the ground. "Some of us volunteered to fight for Union. Some came in mainly because we were bored at home and this looked like it might be fun. Some came because we were ashamed not to. Many of us came...because it was the right thing to do. All of us have seen men die. Most of us never saw a black man back home. We think on that, too. Freedom...is not just a word." He looked into the sky, over silent faces. "This is a different kind of army. If you look at history you'll see men fight for pay, or women, or some other kind of loot. They fight for land, or because a king makes them, or just because they like killing. But we're here for something new. I don't...this hasn't happened much in the history of the world. We're an army going out to set other men free." He bent down, scratched the black dirt into his fingers. He was beginning to warm to it; the words were beginning to flow. No one in front of him was moving. He said, "This is free ground. All the way to the Pacific Ocean. No man has to bow. No man born to royalty. Here we judge you by what you do, not by what your father was. Here you can be something. Here's a place to build a home. It isn't the land- there's always more land. It's the idea that we all have value, you and me, we're worth something more than the dirt. I never saw dirt I'd die for, but I'm not asking you to come join us and fight for dirt. What we're all fighting for, in the end, is each other.
Michael Shaara (The Killer Angels: A Novel of the Civil War)
They knew they were going into great danger. They knew they would be doing more than their part. They resented having to sacrifice years of their youth to a war they never made. They wanted to throw baseballs, not grenades, shoot a .22 rifle, not an M-1. But having been caught up in the war, they decided to be as positive as possible in their Army careers.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
The cloak coupled with a black leather vest made me suitably menacing. All that was missing was a giant neon sign with rotating sparklers proclaiming HARD CASE. LINE TO GET YOUR ASS KICKED FORMS TO THE RIGHT. A wide smile stretched Raphael’s lips. “If you laugh, I’ll kill you,” I told him. “Why the rifle? Everybody knows you can’t shoot.” Who were these everybodies and would they like to stand in front of me, preferably within ten feet, so I could discuss this issue in greater detail? “I can shoot just fine.” I just missed eighty percent of the time. With the gun anyway. I did better with a crossbow and even better with the knife. “Do you know the runes on your sword are nonsense?” “Yes, but they look mysterious.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Ryuu stepped forward. "When you get to the estate let me know, I will do all I can to help." Aiden looked at the squire with a sour expression. "And where were you when my mate was shooting ferals with a damn sniper rifle?" he demanded, exhaustion adding a bite to his words. Ryuu gave him a flat look. "Holding her ammunition." Aiden growled again in frustration. "Let's go home!
Alanea Alder (My Savior (Bewitched and Bewildered, #4))
the platoon moves out to the rifle range barracks for basic rifle training . The gospel according to Parris Island is that shooting accurately is a matter of discipline: Even the clumsiest recruit can do it well if he follows the prescribed steps, from sighting and aiming, to proper positioning, to trigger control and sight adjustment. “Any person in the world can be a marksman if he applies himself,
Thomas E. Ricks (Making the Corps)
Let us have it plain: my society is comprised of metal-worshipers. They pray to metal, are owned by metal, and metal uses them; it shoots them, it stabs them. I witness its sycophants, grave zombies, moved about humorlessly as its agents. My minions are spiritually rapt as the ages climaxes in gunpowder. One notes that, upon first being handed a rifle -- by Burton or Speke? -- a chieftain blithely shot one of his own lackeys, expressing radiant joy as the man tumbled dead. Do not stop there, happy Klansman, but watch with me early in the morning as I come in from work: across the street here in the clean "burbs" your white policeman goes reverently to his car with a deer rifle coddled in his right arm like a precocious, beautiful child. This man lives with a pistol on his hip all week, but that is not enough, no, he is devout and it is the Christmas season. His own cowardice, affirmed by the use of guns, would not occur to him any more than the cowardice of God. The gun lobby, oh my peaceful friends, you may hate, but first you had better understand that it is a religion, only secondarily connected to the Bill of Rights. The thick-headed, sometimes even close to tearful, gaze you get when chatting with one of its partisans emanates from the view that they're holding a piece of God. There is no persuading them otherwise, even by a genus, because a life without guns implies the end of the known world to them. Any connection they make to our " pioneer past" is also a fraud, a wistful apology. Folks love a gun for what it can do. A murderer always thinks it was an accident, he says, as if a religious episode had passed over him.
Barry Hannah (Bats Out of Hell)
At that distance, peacefully eating, the elephant looked no more dangerous than a cow. I thought then and I think now that his attack of “must” was already passing off; in which case he would merely wander harmlessly about until the mahout came back and caught him. Moreover, I did not in the least want to shoot him. I decided that I would watch him for a little while to make sure that he did not turn savage again, and then go home. But at that moment I glanced round at the crowd that had followed me. It was an immense crowd, two thousand at the least and growing every minute. It blocked the road for a long distance on either side. I looked at the sea of yellow faces above the garish clothes-faces all happy and excited over this bit of fun, all certain that the elephant was going to be shot. They were watching me as they would watch a conjurer about to perform a trick. They did not like me, but with the magical rifle in my hands I was momentarily worth watching. And suddenly I realized that I should have to shoot the elephant after all. The people expected it of me and I had got to do it; I could feel their two thousand wills pressing me forward, irresistibly. And it was at this moment, as I stood there with the rifle in my hands, that I first grasped the hollowness, the futility of the white man’s dominion in the East. Here was I, the white man with his gun, standing in front of the unarmed native crowd — seemingly the leading actor of the piece; but in reality I was only an absurd puppet pushed to and fro by the will of those yellow faces behind. I perceived in this moment that when the white man turns tyrant it is his own freedom that he destroys. He becomes a sort of hollow, posing dummy, the conventionalized figure of a sahib. For it is the condition of his rule that he shall spend his life in trying to impress the “natives,” and so in every crisis he has got to do what the “natives” expect of him. He wears a mask, and his face grows to fit it. I had got to shoot the elephant. I had committed myself to doing it when I sent for the rifle. A sahib has got to act like a sahib; he has got to appear resolute, to know his own mind and do definite things. To come all that way, rifle in hand, with two thousand people marching at my heels, and then to trail feebly away, having done nothing — no, that was impossible. The crowd would laugh at me. And my whole life, every white man’s life in the East, was one long struggle not to be laughed at.
George Orwell (Shooting an Elephant)
President's Commission on Campus Unrest concluded in September 1970, “Even if the guardsmen faced danger, it was not a danger that called for lethal force. The 61 shots by 28 guardsmen certainly cannot be justified. Apparently, no order to fire was given, and there was inadequate fire control discipline on Blanket Hill. The Kent State tragedy must mark the last time that, as a matter of course, loaded rifles are issued to guardsmen
Charles River Editors (The Kent State Massacre: The History and Legacy of the Shootings That Shocked America)
When Captain Sleet in person stood his mast-head in this crow's-nest of his, he tells us that he always had a rifle with him (also fixed in the rack), together with a powder flask and shot, for the purpose of popping off the stray narwhales, or vagrant sea unicorns infesting those waters; for you cannot successfully shoot at them from the deck owing to the resistance of the water, but to shoot down upon them is a very different thing.
Herman Melville (Moby Dick)
IT BEGAN WITH A GUN. On September 1, 1939, the German army invaded Poland. Two days later, Britain and France declared war on Germany. In the October 1939 issue of Detective Comics, Batman killed a vampire by shooting silver bullets into his heart. In the next issue, Batman fired a gun at two evil henchmen. When Whitney Ellsworth, DC’s editorial director, got a first look at a draft of the next installment, Batman was shooting again. Ellsworth shook his head and said, Take the gun out.1 Batman had debuted in Detective Com-ics in May 1939, the same month that the U.S. Supreme Court issued a ruling in United States v. Miller, a landmark gun-control case. It concerned the constitutionality of the 1934 National Firearms Act and the 1938 Federal Firearms Act, which effectively banned machine guns through prohibitive taxation, and regulated handgun ownership by introducing licensing, waiting period, and permit requirements. The National Rifle Association supported the legislation (at the time, the NRA was a sportsman’s organization). But gun manufacturers challenged it on the grounds that federal control of gun ownership violated the Second Amendment. FDR’s solicitor general said the Second Amendment had nothing to do with an individual right to own a gun; it had to do with the common defense. The court agreed, unanimously.2
Jill Lepore (The Secret History of Wonder Woman)
The rain is streaming down and shrouding the outside world from my sight. Long may it do so. I don’t need the world any more, and no one in the world needs me. I was in the clinic while the shooting and the coup d’etat took place, but the idea of abandoning the cure had begun insidiously to grow in my mind even before the fighting started in the streets of Moscow. I have the morphine to thank for making me brave. I’m not afraid of rifle fire now.
Mikhail Bulgakov (Morphine)
They was a brave on a ridge, against the sun. Knowed he stood out. Spread his arms an' stood. Naked as morning, an' against the sun. Maybe he was crazy. I don' know. Stood there, arms spread out; like a cross he looked. Four hunderd yards. An' the men - well, they raised their sights an' they felt the wind with their fingers; an' then they just lay there an' couldn' shoot. Maybe that Injun knowed somepin. Knowed we couldn' shoot. Jes' laid there with the rifles cocked, an' didn' even put 'em to our shoulders. Lookin' at him. Head-band, one feather. Could see it, an' naked as the sun. Long time we laid there an' looked, an' he never moved. An' then the captain got mad. "Shoot, you crazy bastards, shoot!" he yells. An' we jus' laid there. "I'll give you to a five-count, an' then mark you down," the captain says. Well, sir - we put up our rifles slow, an' ever' man hoped somebody'd shoot first. I ain't never been so sad in my life. An' I laid my sights on his belly, 'cause you can't stop a Injun no other place - an' - then. Well, he jest plunked down an' rolled. An' we went up. An' he wasn' big - he'd looked so grand - up there. All tore to pieces an' little. Ever see a cock pheasant, stiff and beautiful, ever' feather drawed an' painted, an' even his eyes drawed in pretty? An' bang! You pick him up - bloody an' twisted, an' you spoiled somepin better'n you; an' eating him don't never make it up to you, 'cause you spoiled somepin in yaself, an' you can never fix it up.
John Steinbeck (The Grapes of Wrath)
He thinks he can adapt, he’ll just shoot between the two flashes. But it’s hard to focus and it feels like something is pulling on his eyeball. It’s his hanging, face-stretching muscles connected to his eye. He yells out, “I’m hit!” Sergeant Funches quickly yells, “Shoot back!” Sergeant Funches watches Rob Disney raise his rifle to return fire. The butt of the weapon disappears into the bloody hole that is the right side of his face. Later it will take Ross Funches hours to clean the blood and flesh from Rob’s rifle.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
Thank you for your tears,” I began. “But I don’t want your sadness. Nor do I want your money. Please save that for the people in your own country who need it. My people have dignity and don’t want your pity. We’re not the victims. The brainwashed Israeli soldier who carries his rifle and shoots with no humanity—he’s the real victim. We want you to see us as the freedom fighters we are, so that you can support us the right way.” I went on to explain how important it was for them to show their solidarity by boycotting Israel politically, economically, and culturally.
Ahed Tamimi (They Called Me a Lioness: A Palestinian Girl's Fight for Freedom)
Once I made weapons carved from stone, I tied the weight to a wooden handle, a club to break the bones of my enemy. Then I became wiser... and sharpened the stone to a point and then fastened it to a stick; my arrow. I bent wood and hitched string to it; my bow. I kill my enemy with skill Then I became wiser... and made weapons forged from steel and took care to sharpen the blade of my sword. I kill my enemy with a stroke. Then I became wiser... and made the rifle that would, by exploding gunpowder, shoot balls of lead faster than the eye could see. I kill my enemy with but the pull of a trigger. Then I became wiser... and I built flying machine that could transport bombs to drop over the homes of my enemy. I kill my enemy from the sky. Then I became wiser... and created the drone, now I can guide a plane by remote control from one country and kill my enemy in another. I am a proficient killer Then I became wiser...  and I found a way to split the atom and found the power of God hidden within. I kill the ground, scorch the sky, pollute the wind and kill my enemy with the push of a button. Then I became wiser... And I found that there is nothing more foolish than a "Wise Man of War
Tonny K. Brown
Early on the first morning at the rifle range, we began what was probably the most thorough and the most effective rifle marksmanship training given to any troops of any nation during World War II. We were divided into two-man teams the first week for dry firing, or “snapping-in.” We concentrated on proper sight setting, trigger squeeze, calling of shots, use of the leather sling as a shooting aid, and other fundamentals. It soon became obvious why we all received thick pads to be sewn onto the elbows and right shoulders of our dungaree jackets: during this snapping-in, each man and his buddy practiced together, one in the proper position (standing, kneeling, sitting,
Eugene B. Sledge (With the Old Breed: At Peleliu and Okinawa)
For a long minute he gazed at her, his eyes searching the features of that face he'd grown to love so deeply over the years, his memory bringing up images of the past as he did so. The young determination in her face as, in the middle of a blazing firefight, she'd grabbed Luke's blaster rifle away from him and shot them an escape route into the Death Star's detention-level garbage chute. The sound of her voice in the middle of deadly danger at Jabba's, helping him through the blindness and tremor and disorientation of hibernation sickness. The wiser, more mature determination visible through the pain in her eyes as, lying wounded outside the Endor bunker, she had nevertheless summoned the skill and control to coolly shoot two stormtroopers off Han's back. And he remembered, too, the wrenching realization he'd had at that same time: that no matter how much he tried, he would never be able to totally protect her from the dangers and risks of the universe. Because no matter how much he might love her--no matter how much he might give of himself to her--she could never be content with that alone. Her vision extended beyond him, just as it extended beyond herself, to all the beings of the galaxy. And to take that away from her, whether by force or even by persuasion, would be to diminish her soul. And to take away part of what he'd fallen in love with in the first place.
Timothy Zahn (Dark Force Rising (Star Wars: The Thrawn Trilogy, #2))
When he gave us our air-rifles Atticus wouldn’t teach us to shoot. Uncle Jack instructed us in the rudiments thereof; he said Atticus wasn’t interested in guns. Atticus said to Jem one day, “I’d rather you shot at tin cans in the back yard, but I know you’ll go after birds. Shoot all the bluejays you want, if you can hit ’em, but remember it’s a sin to kill a mockingbird.” That was the only time I ever heard Atticus say it was a sin to do something, and I asked Miss Maudie about it. “Your father’s right,” she said. “Mockingbirds don’t do one thing but make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us.
Harper Lee (To Kill a Mockingbird)
Still gasping for breath from the exertion of the chase, the colonel lifted his rifle and aimed at the closest mountain lion. The crack of the colonel’s rifle rang through the night air, echoing off the surrounding mountains. A piece of bark flew up next to the lion as the cat leapt to a different branch of the tree. Swearing in anger that he had missed the shot, the colonel took several steps closer, levered his rifle, and fired again. Once more, the lion leaped away just in time, slinking from branch to branch as her brother hissed and snarled to keep the frenzied, stupid tree-climbing dogs at bay. Serafina ran toward her brother and sister as fast as she could, her claws out and ready to fight. The colonel fired again, and then again, twigs breaking, bark exploding, the lions hissing and snarling, the sound of the repeated shots echoing across the mist-filled valley. Discouraged by the colonel’s poor accuracy, the other hunters began to position themselves to shoot the mountain lions themselves and get it over with. “My shot!” he screamed again as he moved closer. Serafina ran straight toward them, her powerful chest expanding with raging power. She was almost there. But on the colonel’s next shot, she heard the bullet thwack into her sister’s body. Serafina watched helplessly as her sister fell from the branch of the tree and tumbled through midair, her limbs flailing as she plummeted toward the rocks below.
Robert Beatty (Serafina and the Seven Stars (Serafina, 4))
Well, she would marry a man who didn't need or want her fortune. Mr. Pinter didn't fall into that category. And given how blank his expression became as his gaze met hers, she'd been right to be skeptical. he would never be interested in her in that way. He confirmed it by saying, with his usual formality, "I doubt any man would consider your ladyship unacceptable as a wife." Oh, when he turned all hoity-toity, she could just murder him. "Then we agree that the gentlemen in question would find me satisfactory," she said, matching his cold tone. "So I don't see why you assume they'd be unfaithful." "Some men are unfaithful no matter how beautiful their wives are," Mr. Pinter growled. He thought her beautiful? There she went again, reading too much into his words. He was only making a point. "But you have no reason to believe that these gentleman would be. Unless there's some dark secret you already know about them that I do not?" Glancing away, he muttered a curse under his breath. "No." "Then here's your chance to find out the truth about their characters. Because I prefer facts to opinions. And I was under the impression that you do, too." Take that, Mr. Pinter! Hoist by your own petard. The man always insisted on sticking to the facts. And he was well aware that she'd caught him out, for he scowled, then crossed his arms over his chest. His rather impressive chest, from what she could tell beneath his black coat and plain buff waistcoat. "I can't believe I'm the only person who would object to these gentlemen," he said. "What about your grandmother? Have you consulted her?" She lifted her eyes heavenward. He was being surprisingly resistant to her plans. "I don't need to. Every time one of them asks to dance with me, she beams. She's forever urging me to smile at them or attempt flirtation. And if they so much as press my hand or take my for a stroll, she quizzes me with great glee on what was said and done." "She's been letting you go out on private strolls with these scoundrels?" Mr. Pinter said in sheer outrage. "They aren't scoundrels." "I swear to God, you're a lamb among the wolves," he muttered. That image of her, so unlike how she saw herself, made her laugh. "I've spent half my life in the company of my brothers. Every time Gabe went to shoot, I went with him. At every house party that involved his friends, I was urged to show off my abilities with a rifle. I think I know how to handle a man, Mr. Pinter." His glittering gaze bored into her. "There's a vast difference between gamboling about in your brother's company with a group of his friends and letting a rakehell like Devonmont or a devilish foreigner like Basto stroll alone with you down some dark garden path." A blush heated her cheeks. "I didn't mean strolls of that sort, sir. I meant daytime walks about our gardens and such, with servants in plain view. All perfectly innocent." He snorted. "I doubt it will stay that way." "Oh, for heaven's sake, why are you being so stubborn? You know I must marry. Why do you even care whom I choose?" "I don't care," he protested. "I'm merely thinking of how much of my time will be wasted investigating suitors I already know are unacceptable." She let out an exasperated breath. Of course. With him, it was always about money. Heaven forbid he should waste his time helping her.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Even after years of war, some men retained scruples about licensed homicide. [...] Lieutenant Peter Downward commanded the sniper platoon of 13 Para. He had never himself killed a man with a rifle, but one day he found himself peering at a German helmet just visible at the corner of an air-raid shelter--an enemy sniper. "I had his head spot in the middle of my telescopic sight, my safety catch was off, but I simply couldn't press the trigger. I suddenly realised that I had a young man's life in my hands, and for the cost of one round, about twopence, I could wipe out eighteen or nineteen years of human life. My dithering deliberations were brought back to earth with a bump as Kirkbride suddenly shouted: 'Go on, sir. Shoot the bastard! He's going to fire again.' I pulled the trigger and saw the helmet jerk back. I had obviously got him, and felt completely drained...What had I done?
Max Hastings
Barrel shrouds were listed. Barrel shrouds are just pieces of metal that go over the barrel so you don’t accidentally touch the hot part. They became an instantaneous felony too. Collapsible stocks make it so you can adjust your rifle to different-size shooters, that way a tall guy and his short wife can shoot the same gun. Nope. EVIL FEATURE! Pistol grip sounds scary, but it’s just a handle. It’s simply how you hold it. Having your wrist straight or at an angle doesn’t make the weapon any more dangerous. This nonsense has been a running joke in the gun community ever since the ban passed. When U.S. Representative Carolyn McCarthy was asked by a reporter what a barrel shroud was, she replied, “I think, I believe it’s a shoulder thing that goes up.”5 Oh good. I’m glad that thousands of law-abiding Americans unwittingly committed felonies because they had a cosmetic piece of sheet metal on their barrel, which has no bearing whatsoever on crime,
Larry Correia (In Defense of the Second Amendment)
He would spend entire days in the foothills, ostensibly searching for gazelle, but on the few occasions that he came close enough to any of the beautiful little animals to harm them he invariably allowed them to escape without so much as taking his rifle from its boot. The ape-man could see no sport in slaughtering the most harmless and defenseless of God's creatures for the mere pleasure of killing. In fact, Tarzan had never killed for "pleasure," nor to him was there pleasure in killing. It was the joy of righteous battle that he loved—the ecstasy of victory. And the keen and successful hunt for food in which he pitted his skill and craftiness against the skill and craftiness of another; but to come out of a town filled with food to shoot down a soft-eyed, pretty gazelle—ah, that was crueller than the deliberate and cold-blooded murder of a fellow man. Tarzan would have none of it, and so he hunted alone that none might discover the sham that he was practicing.
Edgar Rice Burroughs (The Return of Tarzan (Tarzan, #2))
Shortly after we returned from the Platte River in Nebraska, I scouted a few of our duck holes on my dad’s property. I wanted to see what kind of ducks had gathered on our land while we were gone. On this particular day, it was cool and crisp as it got close to sunset. As I sat in a deer stand waiting for nightfall, I was counting mallard ducks that flew over my head. Meanwhile, there were fox squirrels scurrying in the trees around me looking for acorns, while groups of wood ducks waited in the water for the squirrels to drop acorns. A few minutes later, fifteen wild turkeys walked in front of me. I thought to myself, Man, this is paradise. As I soaked in my surroundings, I heard the sounds of footsteps in shallow water. A majestic eight-point buck walked right in front of me. I raised my rifle and fired. The buck hit the ground. My dad was in the woods with me and heard me shoot. As we loaded up the deer, I shared the details of what I had seen with my dad. We both agreed that there is nothing better than the beauty of the outdoors. It was about as perfect a day as I’ve ever had in the woods.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
The shoot-to-kill order came through at zero one fifteen, relayed over a satellite radio. It’d been just three hours since the two-man reconnaissance team had reported the sighting. They lay in a shallow dugout on a windblown ridge, the leeward slope falling away steeply to an impassable boulder field. A desert-issue tarp all but covered the hole, protected from view on the flanks by thorny scrub. Shivering, they blew into their bunched trigger-finger mitts. The daytime temperature had dropped twenty degrees or more, and fine sleet was melting on their blackened faces. Darren Proctor extended the folded stock of his L115A3 sniper rifle. He split the legs of the swivel bi-pod and aligned the swivel cheek piece with the all-weather scope. Flipping open the lens cap, he glassed the terrain cast a muted green by the night vision. The tree line was sparse, a smattering of pines and cedars shuddering in the biting wind. Glimpsing movement on a scree slope fifty metres or so beyond, he focused in. The eyes of a striped hyena shone like glow sticks. He watched as the scavenger ripped at the carcass of an ibex or wild sheep. A second later it sniffed the air, ears pricked, and scampered off.
Gary Haynes (State of Honour)
You poor dear. I can hardly endure it when my brothers are staying at the town house. They’re always causing some trouble or another.” “Oh, yes, and you never cause any trouble,” Oliver teased. “Never mind the shooting match where you brought three men to blows over whose rifle you should deign to use. Or the spectacle you made of yourself when you dressed as a man to enter a match. Or-“ “You can shoot a rifle, Lady Celia?” Maria leaned forward. “How did you learn? I’ve always wanted to myself, but Papa and my cousins refused to show me how a rifle works. Could you teach me?” “No!” Oliver and Freddy said in unison. Then Oliver added, “Absolutely not.” Lord Gabriel leaned close. “I’d be happy to teach you, Miss Butterfield.” “Stay out of this, Gabe,” Oliver growled. “Bad enough you taught Celia. Maria already has enough weapons at her disposal.” His grandmother arched one eyebrow. “Pray tell, what sort of weapons do you mean?” Oliver paused, then gave a lazy smile. “Why, her beauty, of course. That weapon is devastating enough.” “It won’t stop a scoundrel from manhandling a woman,” Lady Minerva put in. “As if you know anything about that,” Lord Jarret pointed out. “Just because the heroines in your books get manhandled with nauseating regularity doesn’t mean the average woman does.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
If you’re going to shoot me, do it. Do you think I’m afraid of you?” Camille asked. No bullet could hurt worse than the thought of her father drowning, or the sight of Oscar gurgling for air as he lay in a pool of his own blood. She stared into the barrel of the rifle. “You’re a coward. Heartless and cruel, and the devil won’t even want you.” A single shot and she’d be back with her father and Oscar. She’d have them both. Perhaps that was why Umandu hadn’t worked; her heart hadn’t been able to decide. McGreenery pressed the cold steel against her throat. He bared his teeth, losing every ounce of composure and calculated grace. Camille threw a glance toward Ira, who finally jammed his knife into the ribs of his opponent. He pulled the blade free in time to see her at the end of McGreenery’s rifle. But instead of running toward her, he stopped and stared. What was he doing? McGreenery reeled forward. The rifle and stone clattered to the floor. His lips parted. “What-?” he rasped. Camille stared at him, equally bewildered. A sharp metal spike protruded from his chest and glinted in the single band of sunlight streaming from the dome’s entrance. McGreenery collapsed to his knees and revealed his assailant to her. Oscar placed a foot on McGreenery’s back and kicked him forward, sliding him off the very spear McGreenery had used to kill him. “Let’s see how you like it,” Oscar said and tossed the spear aside.
Angie Frazier (Everlasting (Everlasting, #1))
...the attitude of Gorky and his paper. He had returned to Russia early in 1914, taken a pacifist line on the the outbreak of war, but had pursued it with a restraint which protected him from most of the obloquy poured on others of similar views After the February Revolution of 1917 he had regarded the Bolsheviks as merely one among a number of progressive parties, and it was not unexpected that in October he should warn about the future. Now, he not only printed the Zinoviev-Kamenev statement but also a leading article in which he said: 'Ever more persistent rumors are spreading to the effect that on 2 November a Bolshevik rising will take place; in other words, that the hideous scenes of 16 to 18 July may be repeated. That means that once more there will appear motor lorries overfilled with men with rifles and revolvers in their trembling hands, and these rifles will shoot at shop windows, at people, at random. They will shoot only because the men armed with them will try to kill their fear. All dark instincts of the crowd irritated by disorder, by the falsehood and filth of politics, will flare up and ooze forth poisonous malice, hatred, vengeance. People will be killing one another, in their inability to destroy their own bestial stupidity. The unorganized crowd will creep out into the streets, hardly understanding what it wants, while under its cover, adventurers, thieves, [and] professional assassins will set out to "create the history of the Russian revolution". In brief, there will be repeated that bloody, senseless slaughter, which we have already witnessed, and which has undermined through our whole land the moral importance of the revolution, and has shaken its cultural meaning.
Ronald William Clark (Lenin)
The blacksmith's boy went out with a rifle and a black dog running behind. Cobwebs snatched at his feet, rivers hindered him, thorn branches caught at his eyes to make him blind and the sky turned into an unlucky opal, but he didn't mind. I can break branches, I can swim rivers, I can stare out any spider I meet, said he to his dog and his rifle. The blacksmith's boy went over the paddocks with his old black hat on his head. Mountains jumped in his way, rocks rolled down on him, and the old crow cried, You'll soon be dead. And the rain came down like mattocks. But he only said, I can climb mountains, I can dodge rocks, I can shoot an old crow any day, and he went on over the paddocks. When he came to the end of the day, the sun began falling, Up came the night ready to swallow him, like the barrel of a gun, like an old black hat, like a black dog hungry to follow him. Then the pigeon, the magpie and the dove began wailing and the grass lay down to pillow him. His rifle broke, his hat blew away and his dog was gone and the sun was falling. But in front of the night, the rainbow stood on the mountain, just as his heart foretold. He ran like a hare, he climbed like a fox; he caught it in his hands, the colours and the cold - like a bar of ice, like the column of a fountain, like a ring of gold. The pigeon, the magpie and the dove flew up to stare, and the grass stood up again on the mountain. The blacksmith's boy hung the rainbow on his shoulder instead of his broken gun. Lizards ran out to see, snakes made way for him, and the rainbow shone as brightly as the sun. All the world said, Nobody is braver, nobody is bolder, nobody else has done anything equal to it. He went home as easy as could be with the swinging rainbow on his shoulder.
Judith A. Wright
She planted her hands on her hips. “And what if I bag the most birds?” “Then you get to shoot whomever you wish,” Mr. Pinter drawled. As the others laughed, Celia glared at him. He was certainly enjoying himself, the wretch. “I’d be careful if I were you, Mr. Pinter. That person would most likely be you.” “Oho, man, you’ve really got her dander up this time,” Gabe exclaimed. “What on earth did you do?” Mr. Pinter’s gaze met hers, glinting with unholy amusement. “I confiscated her pistol.” A Gabe gasped, Oliver shook his head. “You’ll learn soon enough-never take away one of Celia’s guns. Not if you want to live.” “I’m not that bad,” Celia grumbled as the duke and the viscount eyed her with a twinge of alarm, though Lord Devonmont’s grin broadened. “I’ve never shot a person in my life.” “There’s always a first time,” Gabe teased. “Oh, for pity’s sake.” She regarded them all stoutly. “I promise not to shoot any of you. How about this? If I win, you gentlemen owe me a rifle. Between the five of you, I’m sure you can afford a decent one.” “Five?” Mr. Pinter said. “Don’t I get a part in this little game?” She stared him down. “I thought you had certain duties to attend to.” He should be investigating her suitors. “Whatever duties he has for me will keep, Celia,” Oliver said. “Do come with us, Pinter. I want to see how well you handle a fowling piece.” Mr. Pinter smiled at her. “I’d be honored, my lord. As long as her ladyship doesn’t mind.” Of course she minded. But if she tried to cut him out, they’d say she was afraid he would beat her. “Not in the least,” she said. “Just be prepared to contribute your part of my rifle.” But as she headed for the door, it wasn’t the rifle she was worried about. It was that blasted kiss. Because if he won… Well, she’d just have to make sure he didn’t.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Aware her appearance was nothing short of scandalous, Camille bounded over branches and fallen pine needles to the shield of her horse. Ira’s whistle pierced the air. “You should’a warned us you weren’t dressed, love. Though I’m not entirely sorry to see you in your unwhisperables.” She grabbed the blanket from the back of her horse and wrapped herself in it. Oscar appeared from around the bend, four pike speared on a stick. She watched him stride through the water just behind Ira. The muscle of his pale chest, stomach, and arms was enough to make her forget her clothing was still yards away near the water’s edge. Camille faced the forest as he and Ira approached the shallows. She listened to them slosh out of the water and counted off a minute as they pulled on their trousers and shirts. “Finished. Your innocence won’t be spoiled if you look now,” Ira called. She turned and saw Oscar had come up to the other side of her horse. He didn’t seem to know what to do with his eyes; they met hers, lowered to the blanket she held tight around her chest, and then focused on the horse’s stringy black mane. He held her dress over the saddle, half looking at her, half trying to be gentlemanly. But when she thanked him and tried to take it, he held on. “What is it?” he asked, then released the dress. Camille tightened the blanket around her chest. “You look frightened. Did something happen?” She hadn’t realized she’d looked upset. “It’s nothing. A deer just startled me, that’s all.” She nodded toward the woods. He backed up from the horse, his eyes lifting to her bare shoulders and then away. Ira grabbed the rifle from his horse and sprang for the trees. “When? Which way did it go?” “Ira Beam, you are not going to shoot an innocent animal,” she said, shaking out her dress. The Australian leaped into the forest. “I’ll meet you upriver!” he shouted, and then he was gone, his noisy tear into the woods enough to scatter tree ants, let alone any remaining game.
Angie Frazier (Everlasting (Everlasting, #1))
Robinson's discussion with God: "Tell me what it's like." "What what's like?" "To be God." "Like, how do you mean?" "Like, how does it make you feel to know you've created the planet earth and all its inhabitants. Do you feel proud? Sad? Embarrassed? Humbled? Mortified?" "The truth? I feel imposed upon. I feel like an exhausted father whose needy children never grew up. Do you know what I'd like to see? Honest to me, this would make me the happiest guy on earth. I'd like to see everyone just take responsibility for themselves. Stop seeking my favor with your expensive churches, synagogues, mosques and temples. And quit wasting your time expecting me to solve all your problems. Am I the numbskull who created all your stupid problems? No, all I ever did was plant a handful of seeds. I'm not the one who cheats, lies, plunders, steals, hoodwinks, bribes, and scratches and claws his backward way through the unfaithful to his loving spouse or who is disrespectful to his parents. And I'm not the one who rapes and pollutes oceans, mountains, valleys, rivers, lakes, deserts, and mesas. I'm not the one who's slaughtering all the whales in the seas, and I'm certainly not the one who's spreading AIDS, shooting innocent people with handguns and assault rifles, or overpopulating the planet. I'm not even responsible for acts of God. So what of the forest fires, earthquakes, hurricanes and tornados? You can thank dear Mother Nature for these so-called acts of me. All these disaster are completely out of my hands. Don't you see? I'm just me, God, and no more or less. Yes, I'm willing to give advice here and there, but even then , you will discover than my advice is no better than the advice you'd give yourself. And why? Because I am you. I was never anything else. I never claimed to be anything else, So, you get down on your knees and say you have faith in me? Try having some faith in yourself and leave me the hell out of it. I'm a busy man. There are books I would like to read, music I'd like to listen to, art I would like to see, and some good shows on TV I really don't want to miss.
Mark Lages (Robinson's Dream)
You whom I could not save, Listen to me. Can we agree Kevlar backpacks shouldn’t be needed for children walking to school? Those same children also shouldn’t require a suit of armor when standing on their front lawns, or snipers to watch their backs as they eat at McDonalds. They shouldn’t have to stop to consider the speed of a bullet or how it might reshape their bodies. But one winter, back in Detroit, I had one student who opened a door and died. It was the front door to his house, but it could have been any door, and the bullet could have written any name. The shooter was thirteen years old and was aiming at someone else. But a bullet doesn’t care about “aim,” it doesn’t distinguish between the innocent and the innocent, and how was the bullet supposed to know this child would open the door at the exact wrong moment because his friend was outside and screaming for help. Did I say I had “one” student who opened a door and died? That’s wrong. There were many. The classroom of grief had far more seats than the classroom for math though every student in the classroom for math could count the names of the dead. A kid opens a door. The bullet couldn’t possibly know, nor could the gun, because “guns don’t kill people,” they don’t have minds to decide such things, they don’t choose or have a conscience, and when a man doesn’t have a conscience, we call him a psychopath. This is how we know what type of assault rifle a man can be, and how we discover the hell that thrums inside each of them. Today, there’s another shooting with dead kids everywhere. It was a school, a movie theater, a parking lot. The world is full of doors. And you, whom I cannot save, you may open a door and enter a meadow, or a eulogy. And if the latter, you will be mourned, then buried in rhetoric. There will be monuments of legislation, little flowers made from red tape. What should we do? we’ll ask again. The earth will close like a door above you. What should we do? And that click you hear? That’s just our voices, the deadbolt of discourse sliding into place.
Matthew Olzmann
You may find this hard to believe, Mr. Pinter," she went on defensively, "but some men enjoy my company. They consider me easy to talk to." A ghost of a smile touched his handsome face. "You're right. I do find that hard to believe." Arrogant wretch. "All the same, there are three men who might consider marrying me, and I could use your help in securing them." She hated having to ask him for that, but he was necessary to her plan. She just needed one good offer of marriage, one impressive offer that would show Gran she was capable of gaining a decent husband. Gran didn't believe she could, or she wouldn't be holding to that blasted ultimatum. If Celia could prove her wrong, Gran might allow her to choose a husband in her own good time. And if that plan didn't work, Celia would at least have a man she could marry to fulfill Gran's terms. "So you've finally decided to meet Mrs. Plumtree's demands," he said, his expression unreadable. She wasn't about to let him in on her secret plan. Oliver might have employed him, but she was sure Mr. Pinter also spied for Gran. He would run right off and tell her. "It's not as if I have a choice." Bitterness crept into her tone. "In less than two months, if I remain unmarried, my siblings will be cut off. I can't do that to them, no matter how much I resent Gran's meddling." Something that looked oddly like sympathy flickered in his gaze. "Don't you want to marry?" "Of course I want to marry. Doesn't every woman?" "You've shown little interest in it before," he said skeptically. That's because men had shown little interest in her. Oh, Gab's friends loved to stand about with her at balls and discuss the latest developments in cartridges, but they rarely asked her to dance, and if they did, it was only to consult her on rifles. She'd tried flirting, but she was terrible at it. It seemed so...false. So did men's compliments, the few that there were. It was easier to laugh them off than to figure out which ones were genuine, easier to pretend to be one of the lads. She secretly wished she could find a man she could love, who would ignore the scandals attached to he family's name and indulge her hobby of target shooting. One who could shoot as well as she, since she could never respect a man who couldn't hit what he aimed at. I'll bet Mr. Pinter knows his way around a rifle.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Among the many people Chris met while doing charity work was Randy Cupp, who invited him and Bubba out to shoot with him come deer season. When Chris passed away, Randy made it clear to me that the offer not only still stood, but that he would love to give Bubba a chance to kill his first buck. With deer season upon us, the kids and I decided to take him up on the offer. Angel, Bubba, and I went out to his property on a beautiful morning. Setting out for the blind, I felt Chris’s presence, as if he were scouting along with us. We settled into our spots and waited. A big buck came across in front of us a short time later. It was an easy shot--except that Bubba had neglected to put his ear protection in. He scrambled to get it in, but by the time he was ready, the animal had bounded off. Deer--and opportunities--are like that. We waited some more. Another buck came out from the trees not five minutes later. And this one was not only in range, but it was bigger than the first: a thirteen pointer. Chris must have scared that thing up. “That’s the one,” said Randy as the animal pranced forward. Bubba took a shot. The deer scooted off as the gunshot echoed. My son thought he’d missed, but Randy was sure he’d hit him. At first, we didn’t see a blood trail--a bad sign, since a wounded animal generally leaves an easily spotted trail. But a few steps later, we found the body prone in the woods. Bubba had killed him with a shot to the lungs. Like father, like son. While Bubba left to dress the carcass, I went back to the blind with Angel to wait for another. She was excited that she might get a deer just like her brother. But when a buck walked within range, tears came to her eyes. “I can’t do it,” she said, putting down her gun. “It’s okay,” I told her. “I just can’t.” “Do you want me to?” I asked. She nodded. I took aim. Even though I was married to a hard-core hunter, I had never shot a deer before. I lined up the scope, walking him into the crosshairs. A slow breath, and I squeezed the trigger. The shot surprised me--just as Chris said it should. The deer fell. He was good meat; we eat what we kill, another of Chris’s golden rules. “You know, Angel, you’re going to be my hunting partner forever,” I told her later. “You’re just so calm and observant. And good luck.” We plan to do that soon. She’ll be armed with a high-powered camera, rather than a rifle.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Our team’s vision for the facility was a cross between a shooting range and a country club for special forces personnel. Clients would be able to schedule all manner of training courses in advance, and the gear and support personnel would be waiting when they arrived. There’d be seven shooting ranges with high gravel berms to cut down noise and absorb bullets, and we’d carve a grass airstrip, and have a special driving track to practice high-speed chases and real “defensive driving”—the stuff that happens when your convoy is ambushed. There would be a bunkhouse to sleep seventy. And nearby, the main headquarters would have the feel of a hunting lodge, with timber framing and high stone walls, with a large central fireplace where people could gather after a day on the ranges. This was the community I enjoyed; we never intended to send anyone oversees. This chunk of the Tar Heel State was my “Field of Dreams.” I bought thirty-one hundred acres—roughly five square miles of land, plenty of territory to catch even the most wayward bullets—for $900,000. We broke ground in June 1997, and immediately began learning about do-it-yourself entrepreneurship. That land was ugly: Logging the previous year had left a moonscape of tree stumps and tangled roots lorded over by mosquitoes and poisonous creatures. I killed a snake the first twelve times I went to the property. The heat was miserable. While a local construction company carved the shooting ranges and the lake, our small team installed the culverts and forged new roads and planted the Southern pine utility poles to support the electrical wiring. The basic site work was done in about ninety days—and then we had to figure out what to call the place. The leading contender, “Hampton Roads Tactical Shooting Center,” was professional, but pretty uptight. “Tidewater Institute for Tactical Shooting” had legs, but the acronym wouldn’t have helped us much. But then, as we slogged across the property and excavated ditches, an incessant charcoal mud covered our boots and machinery, and we watched as each new hole was swallowed by that relentless peat-stained black water. Blackwater, we agreed, was a name. Meanwhile, within days of being installed, the Southern pine poles had been slashed by massive black bears marking their territory, as the animals had done there since long before the Europeans settled the New World. We were part of this land now, and from that heritage we took our original logo: a bear paw surrounded by the stylized crosshairs of a rifle scope.
Anonymous
He finds a basket and lays fish inside it. Charcoal is in a wooden bucket. Enrique lifts it, basket in his other hand, and moves through shadow toward daylight. A presence makes him turn his head. He sees no one, yet someone is there. He sets down fish and charcoal. Straightening up, Enrique slips his Bowie knife clear of its sheath. He listens, tries to sense the man’s place. This intruder lies low. Is concealed. Behind those barrels? In that corner, crouched down? Enrique shuts his eyes, holds his breath a moment and exhales, his breath’s movement the only sound, trying to feel on his skin some heat from another body. Where? Enrique sends his mind among barrels and sacks, under shelves, behind posts and dangling utensils. It finds no one. He is hiding. Wants not to be found. Is afraid. If he lies under a tarpaulin, he cannot see. To shoot blind would be foolish: likely to miss, certain to alert the others. Enrique steps around barrels, his boots silent on packed sand. Tarps lie parallel in ten-foot lengths, their wheaten hue making them visible in the shadowed space. They are dry and hold dust. All but one lies flat. There. Enrique imagines how it will be. To strike through the tarp risks confusion. Its heavy canvas can deflect his blade. But his opponent will have difficulty using his weapon. He might fire point-blank into Enrique’s weight above him, bearing down. To pull the tarpaulin clear is to lose his advantage; he will see the intruder who will see him. An El Norte mercenary with automatic rifle or handheld laser can cut a man in half. Knife in his teeth, its ivory handle smooth against lips and tongue, Enrique crouches low. Pushing hard with his legs, he dives onto the hidden shape. The man spins free as Enrique grasps, boots slipping on waxed canvas. His opponent feels slight, yet wiry strength defeats Enrique’s hold. He takes his knife in hand and rips a slit long enough to plunge an arm into his adversary’s shrouded panic. Enrique thrusts the blade’s point where he believes a throat must be. Two strong hands clamp his arm and twist against each other rapidly and hard. Pain flares across his skin. Enrique wrests his arm free and his knife flies from his grasp and disappears behind him. He clenches-up and, pivoting on his other hand, turns hard into a blind punch that smashes the hidden face. The dust of their struggle rasps in Enrique’s throat. His intended killer sucks in a hard breath and Enrique hits him again, then again, each time turning his shoulder into the blow. The man coughs out, “Do not kill me.” Enrique knows this voice. It is Omar the Turk. [pp. 60-61]
John Lauricella (2094)
When Oliver called time a few moments later, she’d beaten them all. But she’d beaten Mr. Pinter by only one bird. “It appears, Lady Celia, that you’ve won a new rifle,” the duke said graciously. “No,” she answered. They all stared at her. “It doesn’t seem sporting to win a challenge only because one of my opponents had a faulty firearm. Which we provided to him, by the way.” “Don’t worry,” Mr. Pinter drawled. “I won’t hold the fault firearm against you and your brothers.” “That’s not the point. This should be fair, and it isn’t.” “Then we’ll move forward,” Oliver said, “and let the servants flush the grouse again. Pinter can take one more shot. That’s probably all that the misfire delayed him by. If he misses, then you’ve won squarely. If he hits his target then it’s a tie, and we’ll decide a tie breaker.” “That seems fair.” She glanced over at Mr. Pinter. “What do you say, sir?” “Whatever my lady wishes.” His eyes met hers in a heated glance. She had the unsettling feeling that he referred to more than just the shooting. “Well, then,” she said lightly. “Let’s get on with it.” The beaters headed forward to flush the grouse, but either because of where the grouse had last settled or because of the beaters’ position, the birds rose farther away than was practical. “Damn it all,” Gabe uttered. “He won’t make a shot from here.” “You can ignore this one, and we’ll have them flushed again,” Celia said. But Mr. Pinter raised his gun to follow their flight. With a flash and the repugnant smell of black powder igniting, the gun fired and white smoke filled the air. She saw a bird fall. No, not one bird. He’d hit two birds with an impossible shot. Her breath lodged in her throat. She’d hit two with one shot a few times, due to how they clustered and how well the birdshot scattered, but to do it at such a distance… She glanced at him, astonished. No one had ever beaten her-and certainly not with such an amazing shot. Mr. Pinter gazed at her steadily as he handed off the gun to a servant. “It appears that I’ve won, my lady.” Her mouth went dry. “It does indeed.” Gabe hooted pleased at having escaped buying her a rifle. The duke and the viscount scowled, while Devonmont just looked amused as usual. All of that fell away as Mr. Pinter’s gaze dropped to her mouth. “Well done, Pinter,” Oliver said, clapping him on the shoulder. “You obviously more than earned a kiss.” For a moment, raw hunger flickered in his eyes. Then it was as if a veil descended over his face, for his features turned blank. He walked up to her, bent his head… And kissed her on the forehead. Hot color flooded her cheeks. How dared he kiss her last night as if she were a woman, and then treat her like a child in front of her suitors! Or worse, a woman beneath his notice! “Thank heavens that’s done,” she said loftily, trying to retain some dignity. The men all laughed-except Mr. Pinter, who watched her with a shuttered expression. As the other gentleman crowded round to congratulate him on his fine shot, she plotted. She would make him answer for every remark, every embarrassment of this day, as soon as she had the chance to get him alone. Because no man made a fool of her and got away with it.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Bram stared into a pair of wide, dark eyes. Eyes that reflected a surprising glimmer of intelligence. This might be the rare female a man could reason with. “Now, then,” he said. “We can do this the easy way, or we can make things difficult.” With a soft snort, she turned her head. It was as if he’d ceased to exist. Bram shifted his weight to his good leg, feeling the stab to his pride. He was a lieutenant colonel in the British army, and at over six feet tall, he was said to cut an imposing figure. Typically, a pointed glance from his quarter would quell the slightest hint of disobedience. He was not accustomed to being ignored. “Listen sharp now.” He gave her ear a rough tweak and sank his voice to a low threat. “If you know what’s good for you, you’ll do as I say.” Though she spoke not a word, her reply was clear: You can kiss my great woolly arse. Confounded sheep. “Ah, the English countryside. So charming. So…fragrant.” Colin approached, stripped of his London-best topcoat, wading hip-deep through the river of wool. Blotting the sheen of perspiration from his brow with his sleeve, he asked, “I don’t suppose this means we can simply turn back?” Ahead of them, a boy pushing a handcart had overturned his cargo, strewing corn all over the road. It was an open buffet, and every ram and ewe in Sussex appeared to have answered the invitation. A vast throng of sheep bustled and bleated around the unfortunate youth, gorging themselves on the spilled grain-and completely obstructing Bram’s wagons. “Can we walk the teams in reverse?” Colin asked. “Perhaps we can go around, find another road.” Bram gestured at the surrounding landscape. “There is no other road.” They stood in the middle of the rutted dirt lane, which occupied a kind of narrow, winding valley. A steep bank of gorse rose up on one side, and on the other, some dozen yards of heath separated the road from dramatic bluffs. And below those-far below those-lay the sparkling turquoise sea. If the air was seasonably dry and clear, and Bram squinted hard at that thin indigo line of the horizon, he might even glimpse the northern coast of France. So close. He’d get there. Not today, but soon. He had a task to accomplish here, and the sooner he completed it, the sooner he could rejoin his regiment. He wasn’t stopping for anything. Except sheep. Blast it. It would seem they were stopping for sheep. A rough voice said, “I’ll take care of them.” Thorne joined their group. Bram flicked his gaze to the side and spied his hulking mountain of a corporal shouldering a flintlock rifle. “We can’t simply shoot them, Thorne.” Obedient as ever, Thorne lowered his gun. “Then I’ve a cutlass. Just sharpened the blade last night.” “We can’t butcher them, either.” Thorne shrugged. “I’m hungry.” Yes, that was Thorne-straightforward, practical. Ruthless. “We’re all hungry.” Bram’s stomach rumbled in support of the statement. “But clearing the way is our aim at the moment, and a dead sheep’s harder to move than a live one. We’ll just have to nudge them along.” Thorne lowered the hammer of his rifle, disarming it, then flipped the weapon with an agile motion and rammed the butt end against a woolly flank. “Move on, you bleeding beast.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Jackson gaped at her, wondering how this had all turned so terrible wrong. But he knew how. The woman was clearly daft. Bedlam-witted. And trying to drive him in the same direction. "You can't be serious. Since when do you know anything about investigating people?" She planted her hands on her hips. "You won't do it, so I must." God save him, she was the most infuriating, maddening-"How do you propose to manage that?" She shrugged. "Ask them questions, I suppose. The house party for Oliver's birthday is next week. Lord Devonmont is already coming, and it will be easy to convince Gran to invite my other two. Once they're here, I could try sneaking into their rooms and listening in on their conversations or perhaps bribing their servants-" "You've lost your bloody mind," he hissed. Only after she lifted an eyebrow did he realize he'd cursed so foully in front of her. But the woman would turn a sane man into a blithering idiot! The thought of her wandering in and out of men's bedchambers, risking her virtue and her reputation, made his blood run cold. "You don't seem to understand," she said in a clipped tone, as if speaking to a child. "I have to catch a husband somehow. I need help, and I've nowhere else to turn. Minerva is rarely here, and Gran's matchmaking efforts are as subtle as a sledgehammer. And even if my brothers and their wives could do that sort of work, they're preoccupied with their own affairs. That leaves you, who seem to think that suitors drop from the skies at my whim. If I can't even entice you to help me for money, then I'll have to manage on my own." Turning on her heel, she headed for the door. Hell and blazes, she was liable to attempt such an idiotic thing, too. She had some fool notion she was invincible. That's why she spent her time shooting at targets with her brother's friends, blithely unconcerned that her rifle might misfire or a stray bullet hit her by mistake. The wench did as she pleased, and the men in her family let her. Someone had to curb her insanity, and it looked as if it would have to be him. "All right!" he called out. "I'll do it." She halted but didn't turn around. "You'll find out what I need in order to snag one of my choices as a husband?" "Yes." "Even if it means being a trifle underhanded?" He gritted his teeth. This would be pure torture. The underhandedness didn't bother him; he'd be as underhanded as necessary to get rid of those damned suitors. But he'd have to be around the too-tempting wench a great deal, if only to make sure the bastards didn't compromise her. Well, he'd just have to find something to send her running the other way. She wanted facts? By thunder, he'd give her enough damning facts to blacken her suitors thoroughly. Then what? If you know of some eligible gentleman you can strong-arm into courting me, then by all means, tell me. I'm open to suggestions. All right, so he had no one to suggest. But he couldn't let her marry any of her ridiculous choices. They would make her miserable-he was sure of it. He must make her see that she was courting disaster. Then he'd find someone more eligible for her. Somehow. She faced him. "Well?" "Yes," he said, suppressing a curse. "I'll do whatever you want." A disbelieving laugh escaped her. "That I'd like to see." When he scowled, she added hastily, "But thank you. Truly. And I'm happy to pay you extra for your efforts, as I said." He stiffened. "No need." "Nonsense," she said firmly. "It will be worth it to have your discretion." His scowl deepened. "My clients always have my discretion.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))