Imperial Blue Quotes

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So gorgeous was the spectacle on the May morning of 1910 when nine kings rode in the funeral of Edward VII of England that the crowd, waiting in hushed and black-clad awe, could not keep back gasps of admiration. In scarlet and blue and green and purple, three by three the sovereigns rode through the palace gates, with plumed helmets, gold braid, crimson sashes, and jeweled orders flashing in the sun. After them came five heirs apparent, forty more imperial or royal highnesses, seven queens - four dowager and three regnant - and a scattering of special ambassadors from uncrowned countries. Together they represented seventy nations in the greatest assemblage of royalty and rank ever gathered in one place and, of its kind, the last. The muffled tongue of Big Ben tolled nine by the clock as the cortege left the palace, but on history's clock it was sunset, and the sun of the old world was setting in a dying blaze of splendor never to be seen again.
Barbara W. Tuchman (The Guns of August)
The ripe, the golden month has come again, and in Virginia the chinkapins are falling. Frost sharps the middle music of the seasons, and all things living on the earth turn home again... the fields are cut, the granaries are full, the bins are loaded to the brim with fatness, and from the cider-press the rich brown oozings of the York Imperials run. The bee bores to the belly of the grape, the fly gets old and fat and blue, he buzzes loud, crawls slow, creeps heavily to death on sill and ceiling, the sun goes down in blood and pollen across the bronzed and mown fields of the old October.
Thomas Wolfe (Of Time and the River: A Legend of Man's Hunger in His Youth)
Arin remmembered seeing her hand in Javelin’s mane, curling into the coarse strands. This made him remember the almost freakish lenghth between her littlest finger and thumb as her hand spanned piano keys. The black star of the birth-mark. He saw her again in the imperial palace. Her music room. He’d seen that room only once. About a month ago, right before Firstsummer. Her blue sleeves were fastened at the wrist. Something tugged inside him. A flutter of unease. Do you sing? Those had been her first words to him, the day she had bought him. A band of nausea circled Arin’s throat, just as it had when she had asked him that question, in part for the same reason. She’d had no trace of an accent. She had spoken in perfect, natural, mother-taught Herrani.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Royal weddings are trash, the princes who have royal weddings are trash, the imperialism that allows princes to exist at all is trash. It's trash turtles all the way down.
Casey McQuiston (Red, White & Royal Blue)
The shirt was a screen print of a famous Surrealist artwork by René Magritte in which he drew a pipe and then beneath it wrote in cursive Ceci n’est pas une pipe. (“This is not a pipe.”) “I just don’t get that shirt,” Mom said. “Peter Van Houten will get it, trust me. There are like seven thousand Magritte references in An Imperial Affliction.” “But it is a pipe.” “No, it’s not,” I said. “It’s a drawing of a pipe. Get it? All representations of a thing are inherently abstract. It’s very clever.” “How did you get so grown up that you understand things that confuse your ancient mother?” Mom asked. “It seems like just yes-terday that I was telling seven-year-old Hazel why the sky was blue. You thought I was a genius back then.” “Why is the sky blue?” I asked. “Cuz,” she answered. I laughed.
John Green (The Fault in Our Stars)
Listen,” Alex tells her, “royal weddings are trash, the princes who have royal weddings are trash, the imperialism that allows princes to exist at all is trash. It’s trash turtles all the way down.
Casey McQuiston (Red, White & Royal Blue)
As ever, the original inhabitants of Turtle Island are entirely overlooked. Mysteriously, the only time indigenous people are guaranteed a mainstream Amerikkan mention is on Thanksgiving. Again, to contextualize, this would be be kinda like someone busting into your house and robbing you blind, then sending you postcards once a year to remind you how much they are enjoying all of your stuff, and getting annoyed with you if you don't respond with appreciation for their thoughtfulness.
Inga Muscio (Autobiography of a Blue-Eyed Devil: My Life and Times in a Racist, Imperialist Society)
The faint laughter of winds was always about them and the colors of Mistawis, imperial and spiritual, under the changing clouds, were something that cannot be expressed in mere words. Shadows, too. Clustering in the pines until a wind shook them out and pursued them over Mistawis. They lay all day along the shores, threaded by ferns and wild blossoms. They stole around the headlands in the glow of the sunset, until twilight wove them all into one great web of dusk.
L.M. Montgomery (The Blue Castle)
Pixies never fail,” the little blue creature informed her imperiously. He turned and disappeared in a blue glowing streak into the woods.
Jennifer Blackstream (Before Midnight (Blood Prince, #1))
Captain,” I said after ten steps, without breaking stride. “I do understand that this is the Genitalia Festival. But when you say genitalia, doesn’t that usually mean genitals generally? Not just one kind?” For all the steps I’d taken, and as far down the corridor as I could see, the walls were hung with tiny penises. Bright green, hot pink, electric blue, and a particularly eye-searing orange.
Ann Leckie (Ancillary Sword (Imperial Radch, #2))
Ramadi’s sky was generously filled with stars. Celestial ornaments set against a banner of a deep blue velvet sky. It was a place where hell, death, and heaven were so clear and the closest I’ve felt to all three in my life.
M.B. Dallocchio (Quixote in Ramadi: An Indigenous Account of Imperialism)
The blues is relevant today because when we look down through the corridors of time, the black American interpretation of tragicomic hope in the face of dehumanizing hate and oppression will be seen as the only kind of hope that has any kind of maturity in a world of overwhelming barbarity and bestiality. That barbarity is found not just in the form of terrorism but in the form of the emptiness of our lives - in terms of the wasted human potential that we see around the world. In this sense, the blues is a great democratic contribution of black people to world history.
Cornel West (Democracy Matters: Winning the Fight Against Imperialism)
And the skies: in one day the sky could travel from green at dawn to a noon-time blue so severe it was almost black to hot silver in the afternoon to roiling burgundy at sunset. Just before night it flowered in yawning, imperial violets. Wedges of mauve, cauldrons of peach - skies more like drugs than colors.
Anthony Doerr (About Grace)
How many were the aquarelles she painted for me; what a revelation it was when she showed me the lilac tree that grows out of mixed blue and red! Sometimes, in our St Petersburg house, from a secret compartment in the wall of her dressing room (and my birth room), she would produce a mass of jewelry for my bedtime amusement. I was very small then, and those flashing tiaras and chokers and rings seemed to me hardly inferior in mystery and enchantment to the illumination in the city during imperial fêtes, when, in the padded stillness of a frosty night, giant monograms, crowns, and other armorial designs, made of coloured electric bulbs - sapphire, emerald, ruby - glowed with a kind of charmed constraint above snow-lined cornices on housefronts along residential streets.
Vladimir Nabokov (Speak, Memory)
They are both quite lovely. One is a white bowl with a blue flush and interlinked flowers. The other is red flowers and thinner porcelain. The wash and fineness of the porcelain indicate it might be Imperial Ware. Have I got that right?” “Exactly right,” Ian said. “I found a book in Paris,” she said with a cheeky smile. Ian looked at her and forgot everything else in the room. He was aware of Hart’s stare butonly peripherally, as though an insect buzzed on the edges of his hearing. How did Beth always know what words he needed and precisely when to say them? Even Curry didn’t anticipate him like that.
Jennifer Ashley (The Madness of Lord Ian Mackenzie (Mackenzies & McBrides, #1))
And the skies: in one day the sky could travel from green at dawn to a noontime blue so severe it was almost black to hot silver in the afternoon to roiling burgundy at sunset. Just before night it flowered in yawning, imperial violets. Wedges of mauve, cauldrons of peach—skies more like drugs than colors.
Anthony Doerr (About Grace)
In the meantime, the Bear had attained the Avenue, where blinding, brilliant traffic travelled like a line of light from north to south, as if between worlds. But it was Jacob who saw the ladder, wrestled with the angel, and obtained a birthright under false pretenses. The Bear had done none of these things. He pulled the hat brim farther down on his face and walked south beneath the vault of darkness, above him like guardians or heralds the electric signs of bars and stores- white, orange, yellow, gold, red, brilliant blue and green, occasional imperial purple - as if they were angels that had descended to earth only to hire themselves out as lures for business, possibly for reasons of pity. The Bear walked beneath them like a resolute and powerful man, the saxophone case at his side swinging like a cache of fate, love, gold or vengeance. When he realised that he could have his pick of them - that all options, attributions and possibilities actually were open to him, that he was, at the moment, exalted, liberated, free - he stopped walking for a moment, put down the saxophone case, looked gradually around him at the Avenue, raised his snout and smiled broadly, and there on the pavement stretched out his great and inevitable arms. Aah. The night entered him like honey, and he began so heartily and with such depth of pleasure that it might have been for the first time in his life, to laugh out loud.
Rafi Zabor
Go on from here, Ada, please. (She). Billions of boys. Take one fairly decent decade. A billion of Bills, good, gifted, tender and passionate, not only spiritually but physically well-meaning Billions, have bared the jillions of their no less tender and brilliant Jills during that decade, at stations and under conditions that have to be controlled and specified by the worker, lest the entire report be choked up by the weeds of statistics and waist-high generalizations. No point would there be, if we left out, for example, the little matter of prodigious individual awareness and young genius, which makes, in some cases, of this or that particular gasp an unprecedented and unrepeatable event in the continuum of life or at least a thematic anthemia of such events in a work of art, or a denouncer’s article. The details that shine through or shade through: the local leaf through the hyaline skin, the green sun in the brown humid eye, tout ceci, vsyo eto, in tit and toto, must be taken into account, now prepare to take over (no, Ada, go on, ya zaslushalsya: I’m all enchantment and ears), if we wish to convey the fact, the fact, the fact—that among those billions of brilliant couples in one cross section of what you will allow me to call spacetime (for the convenience of reasoning), one couple is a unique super-imperial couple, sverhimperator-skaya cheta, in consequence of which (to be inquired into, to be painted, to be denounced, to be put to music, or to the question and death, if the decade has a scorpion tail after all), the particularities of their love-making influence in a special unique way two long lives and a few readers, those pensive reeds, and their pens and mental paintbrushes. Natural history indeed! Unnatural history—because that precision of senses and sense must seem unpleasantly peculiar to peasants, and because the detail is all: The song of a Tuscan Firecrest or a Sitka Kinglet in a cemetery cypress; a minty whiff of Summer Savory or Yerba Buena on a coastal slope; the dancing flitter of a Holly Blue or an Echo Azure—combined with other birds, flowers and butterflies: that has to be heard, smelled and seen through the transparency of death and ardent beauty. And the most difficult: beauty itself as perceived through the there and then. The males of the firefly (now it’s really your turn, Van).
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
His name was Gaal Dornick and he was just a country boy who had never seen Trantor before. That is, not in real life. He had seen it many times on the hyper- video, and occasionally in tremendous three- dimensional newscasts covering an Imperial Coronation or the opening of a Galactic Council. Even though he had lived all his life on the world of Synnax, which circled a star at the edges of the Blue Drift, he was not cut off from civilization, you see. At that time, no place in the Galaxy was.
Isaac Asimov (Foundation (Foundation, #1))
Within a few generations, the Chinese allowed their naval and merchant fleets to wither; in 1500, an imperial edict made the construction of vessels with more than two masts a capital offense. In 1525, another decree forbade the building of any oceangoing vessel. Where navies are absent, pirates pillage. By the middle of the sixteenth century, Japanese wako marauders so terrorized China's coastline that to this day women in Fujian province hide their faces with blue scarves originally designed to shield the wearer from the lecherous gaze of foreign bandits
William J. Bernstein (A Splendid Exchange: How Trade Shaped the World)
His tongue slid down the inner length of her finger, then traced the lines on her palm. “Such lovely hands,” he murmured, nibbling on the fleshy part of her thumb as his fingers entwined with hers. “Strong, and yet so graceful and delicate.” “You’re talking nonsense,” Kate said self-consciously. “My hands—” But he silenced her with a finger to her lips. “Shhh,” he admonished. “Haven’t you learned that you should never ever contradict your husband when he is admiring your form?” Kate shivered with delight. “For example,” he continued, the very devil in his voice, “if I want to spend an hour examining the inside of your wrist”— with lightning-quick movements, his teeth grazed the delicate thin skin on the inside of her wrist—“ it is certainly my prerogative, don’t you think?” Kate had no response, and he chuckled, the sound low and warm in her ears. “And don’t think I won’t,” he warned, using the pad of his finger to trace the blue veins that pulsed under her skin. “I may decide to spend two hours examining your wrist.” Kate watched with fascination as his fingers, touching her so softly that she tingled from the contact, made their way to the inside of her elbow, then stopped to twirl circles on her skin. “I can’t imagine,” he said softly, “that I could spend two hours examining your wrist and not find it lovely.” His hand made the jump to her torso, and he used his palm to lightly graze the tip of her puckered breast. “I should be most aggrieved were you to disagree.” He leaned down and captured her lips in a brief, yet searing kiss. Lifting his head just an inch, he murmured, “It is a wife’s place to agree with her husband in all things, hmmm?” His words were so absurd that Kate finally managed to find her voice. “If,” she said with an amused smile, “his opinions are agreeable, my lord.” One of his brows arched imperiously. “Are you arguing with me, my lady? And on my wedding night, no less.” “It’s my wedding night, too,” she pointed out. He made a clucking noise and shook his head. “I may have to punish you,” he said. “But how? By touching?” His hand skimmed over one breast, then the next. “Or not touching?” He lifted his hands from her skin, but he leaned down, and through pursed lips, blew a soft stream of air over her nipple. “Touching,” Kate gasped, arching off the bed. “Definitely touching.” “You think?” He smiled, slowly like a cat. “I never thought I’d say this, but not touching has its appeal.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Wine talks; ask anyone. The oracle at the street corner; the uninvited guest at the wedding feast; the holy fool. It ventriloquizes. It has a million voices. It unleashes the tongue, teasing out secrets you never meant to tell, secrets you never knew. It shouts, rants, whispers. It speaks of great plans, tragic loves and terrible betrayals. It screams with laughter. It chuckles softly to itself. It weeps in front of its own reflection. It revives summers long past and memories best forgotten. Every bottle a whiff of other times, other places, every one- from the commonest Liebfraumilch to the imperious Vueve Clicquot- a humble miracle. Everyday magic, Joe had called it. The transformation of base matter into the stuff of dreams. Layman's alchemy. Take these six in Jay's cellar, for instance. The Specials. Not wines really meant for keeping, but he kept them all the same. For nostalgia's sake. For a special, yet-to-be-imagined occasion. Six bottles, each with its own small handwritten label and sealed with candle wax. Each had a cord of a different color knotted around its neck; raspberry red, elderflower green, blackberry blue, rose hip yellow, damson black. The last bottle was tied with a brown cord. Specials '75, said the label, the familiar writing faded to the color of old tea.
Joanne Harris (Blackberry Wine)
The church in every western power after Constantine has at some point succumbed to the Siren seduction of empire and has conflated Christianity and nationalism into a single syncretic religion. Rome, Byzantium, Russia, Spain, France, England, and Germany have all done it. Seventeen centuries ago the Roman church got tangled up in imperial purple. In the 1930s, the German evangelical church got tangled up in Nazi red and black. The Anglican church spent a long time tangled up in the Union Jack. Today the American evangelical church is tangled up in red, white, and blue. That this kind of entanglement has been a common failure of the church for centuries doesn’t make it any less tragic.
Brian Zahnd (Postcards from Babylon: The Church In American Exile)
I didn’t say it out loud because I knew he’d mock me—but I was thinking of writing my memoirs, too. The life of Vercingetorix the Red: soldier, and gladiator, and general who had traveled the length and breadth of the Empire, served three emperors, loved one empress and fathered another. Hadrian would preserve my son in his memoirs, god and beloved—but what of the others who had crossed Hadrian’s path and mine over the course of our long and complicated lives? What about Titus, friend and future Caesar? Young Marcus, Imperial heir and future son-in-law? And all those women, the women in blue: sinuous lapis-eyed Sabina, bitter-edged Mirah in her blue scarf, merry sapphire-decked Faustina, and fleet-footed Annia running in a bloodstained blue tunic to save the Empire? If Hadrian will not tell their story, I suppose it will be up to me.
Kate Quinn (Lady of the Eternal City (The Empress of Rome Book 4))
The “United States” does not exist as a nation, because the ruling class of the U.S./Europe exploits the world without regard to borders and nationality.  For instance, multinational or global corporations rule the world.  They make their own laws by buying politicians– Democrats and Republicans, and white politicians in England and in the rest of Europe.  We are ruled by a European power which disregards even the hypocritical U.S. Constitution.  If it doesn’t like the laws of the U.S., as they are created, interpreted and enforced, the European power simply moves its base of management and labor to some other part of the world.   Today the European power most often rules through neocolonial regimes in the so-called “Third World.”  Through political leaders who are loyal only to the European power, not to their people and the interests of their nation, the European power sets up shop in Africa, Asia, and Latin America.  By further exploiting the people and stealing the resources of these nations on every continent outside Europe, the European power enhances its domination.  Every institution and organization within the European power has the purpose of adding to its global domination: NATO, the IMF, the World Bank, the military, and the police.   The European power lies to the people within each “nation” about national pride or patriotism.  We foolishly stand with our hands over our hearts during the “National Anthem” at football games while the somber servicemen in their uniforms hold the red, white and blue flag, then a military jet flies over and we cheer.  This show obscures the real purpose of the military, which is to increase European power through intimidation and the ongoing invasion of the globe.  We are cheering for imperialist forces.  We are standing on Native land celebrating the symbols of de-humanizing terrorism.  Why would we do this unless we were being lied to?   The European imperialist power lies to us about its imperialism.  It’s safe to say, most “Americans” do not recognize that we are part of an empire.  When we think of an empire we think of ancient Rome or the British Empire.  Yet the ongoing attack against the Native peoples of “North America” is imperialism.  When we made the “Louisiana Purchase” (somehow the French thought Native land was theirs to sell, and the U.S. thought it was ours to buy) this was imperialism.  When we stole the land from Mexico, this was imperialism (the Mexican people having been previously invaded by the European imperialist power).  Imperialism is everywhere.  Only the lies of capitalism could so effectively lead us to believe that we are not part of an empire.
Samantha Foster (Center Africa / and Other Essays To Raise Reparations for African Liberation)
She flung her arms round Troy's neck, exclaiming wildly from the deepest deep of her heart— "Don't—don't kiss them! O, Frank, I can't bear it—I can't! I love you better than she did: kiss me too, Frank—kiss me! You will, Frank, kiss me too!" There was something so abnormal and startling in the childlike pain and simplicity of this appeal from a woman of Bathsheba's calibre and independence, that Troy, loosening her tightly clasped arms from his neck, looked at her in bewilderment. It was such an unexpected revelation of all women being alike at heart, even those so different in their accessories as Fanny and this one beside him, that Troy could hardly seem to believe her to be his proud wife Bathsheba. Fanny's own spirit seemed to be animating her frame. But this was the mood of a few instants only. When the momentary surprise had passed, his expression changed to a silencing imperious gaze. "I will not kiss you!" he said pushing her away.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
We look amazing," I repeated, as if I could make up for our brother's rudeness. And we did look amazing. Käthe and I were dressed as an angel and a demon, but to my surprise, my sister had chosen to be the devil. She looked majestic in her gown of black velvet, her golden curls draped with black silk and lace, cleverly twisted together and pinned to resemble horns growing from her head. She had rouged her lips a bright red, and her blue eyes looked imperious from behind her black mask. For a moment, the image of moldering gowns on dress forms rose up in my mind, a polished bronze mirror reflecting an endless line of faded Goblin Queens. I swallowed. The dress my sister had made for me was nearly innocent in its simplicity. Yards and yards of fine white muslin had made a floating, ethereal gown, while Käthe had somehow fashioned a brocade cape into the shape of folded angel wings, which grew from my shoulder blades and cascaded to the floor. She had braided gold into a crown about my head for a halo, and I carried a lyre to complete the picture.
S. Jae-Jones (Shadowsong (Wintersong, #2))
The silence lengthened, becoming strained and awkward until it was broken by the goose’s imperious honk. Swift glanced at the massive bird. “You have a companion, I see.” When Daisy explained what the two boys had been doing with the goose, Swift grinned. “Clever lads.” The remark did not strike Daisy as being especially compassionate. “I want to help him,” she said. “But when I tried to get near, he pecked me. I expected a domestic breed would have been a bit more receptive to my approach.” “Greylags are not known for their mild temperaments,” Swift informed her. “Particularly males. He was probably trying to show you who was boss.” “He proved his point,” Daisy said, rubbing her arm. Swift frowned as he saw the growing bruise on her arm. “Is that where he pecked you? Let me see.” “No, it’s all right—” she began, but he had already come forward. His long fingers encircled her wrist, the thumb of his other hand passing gently near the dark purple mark. “You bruise easily,” he murmured, his dark head bent over her arm. Daisy’s heart dispensed a series of hard thumps before settling into a fast rhythm. He smelled like the outdoors—sun, water, grassy-sweet. And deeper in the fragrance lingered the tantalizing incense of warm, sweaty male. She fought the instinct to move into his arms, against his body…to pull his hand to her breast. The mute craving shocked her. Glancing up at his downturned face, Daisy found his blue eyes staring right into hers. “I…” Nervously she pulled away from him. “What are we to do?” “About the goose?” His broad shoulders hitched in a shrug. “We could wring his neck and take him home for dinner.” The suggestion caused Daisy and the Greylag to stare at him in shared outrage. “That was a very poor joke, Mr. Swift.” “I wasn’t joking.” Daisy placed herself squarely between Swift and the goose. “I will deal with the situation on my own. You may leave now.” “I wouldn’t advise making a pet of him. You’ll eventually find him on your plate if you stay at Stony Cross Park long enough.” “I don’t care if it makes me a hypocrite,” she said. “I would rather not eat a goose I’m acquainted with.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
In 1848, Alexis de Toqueville attempted to describe the origins of this regional imperialism: Those Americans who go out far away from the Atlantic Ocean, plunging into the West, are adventurers impatient of any sort of yoke, greedy for wealth, and often outcasts from the states in which they were born. They arrive in the depths of the wilderness without knowing one another. There is nothing of tradition, family feeling, or example to restrain them, laws have little sway over them, and mores still less. Therefore, the men who are continually pouring in to increase the population of the Mississippi Valley are in every respect inferior to the Americans living within the former limits of the Union. Nevertheless, they already have great influence over its counsels, and they are taking their place in the government of public affairs before they have learned to rule themselves … [When a state has a population of 2 million and is one quarter the size of France] it feels itself strong, and if it continues to want union as something useful to its well-being, it no longer regards it as necessary to its existence, it can do without it, and although consenting to remain united, it soon wants to be preponderant.
Clyde Woods (Development Arrested: The Blues and Plantation Power in the Mississippi Delta)
Numbers express quantities. In the submissions to my online survey, however, respondents frequently attributed qualities to them. Noticeably, colors. The number that was most commonly described as having its own color was four (52 votes), which most respondents (17) said was blue. Seven was next (28 votes), which most respondents (9) said was green, and in third place came five (27 votes), which most respondents (9) said was red. Seeing colors in numbers is a manifestation of synesthesia, a condition in which certain concepts can trigger incongruous responses, and which is thought to be the result of atypical connections being made between parts of the brain. In the survey, numbers were also labeled “warm,” “crisp,” “chagrined,” “peaceful,” “overconfident,” “juicy,” “quiet” and “raw.” Taken individually, the descriptions are absurd, yet together they paint a surprisingly coherent picture of number personalities. Below is a list of the numbers from one to thirteen, together with words used to describe them taken from the survey responses. One Independent, strong, honest, brave, straightforward, pioneering, lonely. Two Cautious, wise, pretty, fragile, open, sympathetic, quiet, clean, flexible. Three Dynamic, warm, friendly, extrovert, opulent, soft, relaxed, pretentious. Four Laid-back, rogue, solid, reliable, versatile, down-to-earth, personable. Five Balanced, central, cute, fat, dominant but not too much so, happy. Six Upbeat, sexy, supple, soft, strong, brave, genuine, courageous, humble. Seven Magical, unalterable, intelligent, awkward, overconfident, masculine. Eight Soft, feminine, kind, sensible, fat, solid, sensual, huggable, capable. Nine Quiet, unobtrusive, deadly, genderless, professional, soft, forgiving. Ten Practical, logical, tidy, reassuring, honest, sturdy, innocent, sober. Eleven Duplicitous, onomatopoeic, noble, wise, homey, bold, sturdy, sleek. Twelve Malleable, heroic, imperial, oaken, easygoing, nonconfrontational. Thirteen Gawky, transitional, creative, honest, enigmatic, unliked, dark horse. You don’t need to be a Hollywood screenwriter to spot that Mr. One would make a great romantic hero, and Miss Two a classic leading lady. The list is nonsensical, yet it makes sense. The association of one with male characteristics, and two with female ones, also remains deeply ingrained.
Alex Bellos (The Grapes of Math: How Life Reflects Numbers and Numbers Reflect Life)
Across the ancient Roman Empire there were only four chariot teams, each designated by a color. By the fifth century, those had been reduced to two, the Blues and the Greens. At least once a week the gates of the Hippodrome would open, allowing thousands of Constantinople’s citizens to file in. To the left were the seats reserved for aristocrats and governmental officials. The closer that one could sit to the imperial loge, of course, the better. To the right were the sections for the regular citizens. Here, too, there were sharp divisions, first by team supporters and then by social status. And the divisions went deeper than that. The Blues and the Greens were not simply teams, but highly competitive clubs of sports fans, whose activities extended well beyond the games. They were, as historians refer to them, circus factions, and they had a clear organization. The faction leaders sat directly opposite the emperor; they were present for the award ceremonies and, in later centuries, took part in virtually all civic ceremonies inside and outside the Hippodrome. Emperors usually expressed a preference for one faction or the other (usually the Blues), and in later years the favored faction could occasionally provide an emperor with armed support against urban insurrections. It is not true, as one sometimes reads, that the factions were political parties. Instead, they were extremely enthusiastic fan clubs whose members, when unhappy, could become very, very dangerous.
Thomas F. Madden (Istanbul: City of Majesty at the Crossroads of the World)
In reality, though, it usually worked like this: A female candidate who will buzzkill your weekly happy hour? “Cultural fit.” A soft-spoken Indian or Chinese engineer, quietly competent but incapable of the hard-charging egotism that Americans almost universally wear like they do blue jeans? “Cultural fit.” Self-taught kid from some crappy college you’ve never heard of, without that glib sheen of effortless superiority you get out of Harvard or Stanford? “Cultural fit.” And so it goes. Shaffer’s machine-gun questioning and imperiousness had rattled me. I suspected that I had failed to pass his bar, and I needed to clear my head. The day had been nothing but a series of interrogations inside small, gray, rotten-smelling rooms. The Guantánamo vibe was fatiguing. Despite the NSA-level security on checking in and the way we were handed off like booby-trapped hot potatoes that no one could drop, nobody appeared for the next interview. Wining and dining evidently not in the offing, I wandered off and tried to find something to eat.
Antonio García Martínez (Chaos Monkeys: Obscene Fortune and Random Failure in Silicon Valley)
As soon as they are gone and the door closed behind them, we fall into a frenzy about my dress. “Dark green,” my mother says. “It has to be dark green.” It is our only safe color. Dark blue is the royal color of mourning, but I must not, for one moment, look as if I am grieving for my royal lover and the true king of England. Dark red is the color of martyrdom, but also sometimes, contradictorily, worn by whores to make their complexions appear flawlessly white. Neither association is one we want to inspire in the stern mind of the strict Lady Margaret. She must not think that marriage to her son is a torment for me, she must forget that everyone said that I was Richard’s lover. Dark yellow would be all right—but who looks good in yellow? I don’t like purple and anyway it is too imperial a color for a humbled girl whose only hope is to marry the king. Dark green it has to be and since it is the Tudor color, this can do nothing but good.
Philippa Gregory (The White Princess (The Plantagenet and Tudor Novels, #5))
Yours, I presume?" he said in a rich, deeply modulated voice that put her in mind of hot buttered rum on a cold winter day and the sensual luxury of lying amid warm silken sheets. Inwardly, she quivered. Her reply, whatever it might be, stuck like a stone in her throat; the incapacity only worsened when she lifted her gaze to his. Bold and intelligent, his eyes shone like a set of imperial jewels, their shade an improbably pure blue that lay somewhere between sapphire and lapis lazuli. He was sinfully handsome, with a refined jaw, a long, straight nose and a mouth that seemed the very embodiment of temptation. His mahogany-dark hair was cut short, the severe style unable to tame the rebellious wave that lent the ends just the faintest hint of curl. But most enticing of all was his height- his large, muscular, impressive height. She guessed he must be six feet three or four at least, his build broad and powerful enough to make even her feel small.
Tracy Anne Warren (Seduced by His Touch (The Byrons of Braebourne, #2))
When I was on a trip to Iceland about ten years ago, I remember standing on the harbourfront in Reykjavik, and looking at the blue fjord north of the city. Across the choppy blue waves was a glacier, maybe twelve or twenty miles away - a big, dirty white tongue of ice crashing down from the bald black mountains with infinite slowness. Intrigued, I asked some hungover local about the glacier, its name and whereabouts. He told me the name of the glacier. The he told me the name of the sea-channel: Faxafloi. But then he addded that the glacier wasn't twenty miles away, it was two hundred miles away. The air in Iceland, he explained, is so clear and unpolluted, things look nearer than they are. I turned and looked again at the glacier, framed by the imperial blue waters of the fjord. I felt a bloodrush in my heart. The scenary was so breathtaking, and so majestic - I was moved and gratified - and yet I was obscurely troubled at the same time. The sense of unexpected distance was dizzying and confusing as well as exhillarating. This may seem far-fetched as an analogy, but it's the best I can do. The feeling I had by that fjord is, somehow, the same weak and head-spinning feeling I get when I look at a truly beautiful woman.
Sean Thomas - Millions of Women are Waiting to Meet You
Mulan found it easier to face the morning by pretending that her clothes were armor. The stiff coronation robe Ting was smoothing down over her shoulders? She imagined it woven with threads of spun gold, the embroidered phoenixes stitched with blazing-red iron. Her sash, hanging loose down her back, was a shoulder guard of blue iron, and the phoenixes on her shoes were spikes and spurs. “Please keep your head forward, Empress.” A handmaiden gripped a handful of hair, pulling it taut enough to make Mulan’s eyes water. The hair, at least, was easy to imagine as a helmet. By the time the maid finished wrapping it around multiple combs and adorning the layered buns with everything from flowers to jade to tiny golden bells, Mulan’s coiffure would stop arrows far better than anything the imperial blacksmiths could craft. The maid inserted one last pin and stepped back. “All done.” She pulled the train of Mulan’s robe out as Mulan stepped in front of a full-length mirror. Mulan’s reflection was warped and metallic on the coppery finish, but she could see that she was made up as intricately as the finest ladies of court, her face powdered white, her eyes lined with charcoal, and her lips painted red as her sash. Her eyebrows had been shaved and drawn back in with blue-black pigment. Tiny silver beads adorned her yellow-tinted forehead, and three flowers had been painted on her right cheek. “Armor,” Mulan said under her breath. “Your Majesty?” “Nothing, just talking to myself.
Livia Blackburne (Feather and Flame (The Queen's Council, #2))
Mulan found it easier to face the morning by pretending that her clothes were armor. The stiff coronation robe Ting was smoothing down over her shoulders. She imagined it woven with threads of spun gold, the embroidered phoenixes stitched with blazing-red iron. Her sash, hanging loose down her back, was a shoulder guard of blue iron, and the phoenixes on her shoes were spikes and spurs. “Please keep your head forward, Empress.” A handmaiden gripped a handful of hair, pulling it taut enough to make Mulan’s eyes water. The hair, at least, was easy to imagine as a helmet. By the time the maid finished wrapping it around multiple combs and adorning the layered buns with everything from flowers to jade to tiny golden bells, Mulan’s coiffure would stop arrows far better than anything the imperial blacksmiths could craft. The maid inserted one last pin and stepped back. “All done.” She pulled the train of Mulan’s robe out as Mulan stepped in front of a full-length mirror. Mulan’s reflection was warped and metallic on the coppery finish, but she could see that she was made up as intricately as the finest ladies of court, her face powdered white, her eyes lined with charcoal, and her lips painted red as her sash. Her eyebrows had been shaved and drawn back in with blue-black pigment. Tiny silver beads adorned her yellow-tinted forehead, and three flowers had been painted on her right cheek. “Armor,” Mulan said under her breath. “Your Majesty?” “Nothing, just talking to myself.
Livia Blackburne
Space Exploration Ethics 101 If we can colonize Mars, we can heal the Earth. But that's not the point here. The point is, we gotta explore space just like we gotta explore anything unknown - but we must do so as humble scientists, not as steroid-pumped, illegitimate offspring of musky retards like Columbus. We gotta explore space just like we explore the Arctic. Humankind has several outposts in the Arctic, dedicated solely to research - our endeavors into other planets oughta be exactly like that. Otherwise, what starts out as space exploration will soon turn into space imperialism, and will do to other planets what white terrorists have been doing to the indegenous people on earth for ages. Therefore, focus on space exploration, not on space colonization. Let me put this into perspective. NASA, ISRO, CNSA, ESA, KARI, JAXA (and more) - these represent the real democratic aspirations of humankind's endeavors of curiosity into space, whereas SpaceX, Blue Origin, Virgin Galactic these are the new-age posterboys of space imperialism. All I say is this, O Brave Explorers of Space - your mission is to explore the universe to facilitate human welfare, not to be some retarded billionaire's backboneless underwear. Beware, I repeat - space exploration doesn't turn into space imperialism!
Abhijit Naskar (Tum Dunya Tek Millet: Greatest Country on Earth is Earth)
NASA, ISRO, CNSA, ESA, KARI, JAXA (and more) - these represent the real democratic aspirations of humankind's endeavors of curiosity into space, whereas SpaceX, Blue Origin, Virgin Galactic these are the new-age posterboys of space imperialism.
Abhijit Naskar (Tum Dunya Tek Millet: Greatest Country on Earth is Earth)
is July 2009. We step off our respective planes and lug our gear into the sweltering Vegas sun. Our taxis creep through downtown tourist traffic, swing around the airport, and unceremoniously drop us off in a giant, industrial-looking parking lot. The Las Vegas Sports Center sulks unimpressively in the heat, but under the sounds of arriving planes, there’s also a low hum and periodic whistles. Inside, the air is cooler and smells vaguely of . . . what is that smell? Sweat? Feet? Happiness? And when our eyes adjust to the light, we see skaters from every corner of the world—their helmets whiz by in every direction looking as if they are floating on air. On their feet are skates—black skates, white skates, blue skates, camouflage skates—propelled by a rainbow of wheels. On the sport floor, coaches with names like Carmen Getsome and Miss Fortune are drilling a centipede line of skaters in the fine art of knocking each other’s asses to the ground. Refs and skaters gear up for the mixed league, multination, battle du jour: Team Australia vs. Team Canada. Someone hobbles by with an ice pack strapped to her knee, still smiling. We smile too. Across town, nearly one thousand other skaters throng the casino and head to seminars in the meeting halls of the Imperial Palace Hotel, with nothing but roller derby on their minds. This is the fifth annual derby convention known as RollerCon.
Alex Cohen (Down and Derby: The Insider's Guide to Roller Derby)
Before either men could commence a deliberation over who knew more of the hotel’s history, Coraline injected, “India was writing the last chapters of its saga of independence when The Imperial opened its doors in the 1930s.” She paused before proceeding, “Pandit Nehru, Mahatama Gandhi, Muhammad Ali Jinnah and Lord Mountbatten met under congenial conditions to discuss the partition of India and the creation of Pakistan on the very ground we stand on. Adding to that, the Nehru family also had a permanent suite within the walls of this ‘Maiden of the East.’” She let out a discreet chuckle that I think only I caught. Both men stared at the female, not knowing how to respond. Before either one of them could opine, she continued, “If only walls could speak. Here indeed is a repository of fascinating anecdotal material for authors of romantic and detective fiction. It was here, at this very site, that one could clink glasses for the Royals to their war efforts, urge Gandhi to quit the India movement, or dance to the strains of Blue Danube, belly dance like a belle from Beirut or be serenaded by an orchestra from London.” The group of us stared at the big sister, wondering how in the world she knew so much about The Imperial. My teacher and Jabril pressed for affirmation. Instead, she vociferated, “Notably, The Imperial has the largest collection on display of land war gallantry awards in India and among its neighbouring countries such as Afghanistan, Burma, Bhutan and China. It also holds a sizeable record of orders and decorations bestowed by the British Royalties to the Emperor of India as an honour to the local Maharajas, Sultans and ruling Princes from the various Indian states.” While Narnia’s chaperone continued her historical spiel, the recruit pulled me aside and whispered amusingly, “Although everything my big sister said is true, she’s having fun with you guys. Her information is from the hotel’s brochure in the guest rooms.” I quipped. “Why didn’t you tell the rest of our group? I thought she was an expert in India’s history!” She gave me a wet kiss and said saucily, “I’m telling you because I like you.” Stunned by her raciness, I was speechless. I couldn’t decide whether to tell her there and then that I was gay – but at that very moment, Andy appeared from around the corner. “Where did you two disappear to?” he inquired. When Narnia was out of earshot, I muttered knowingly to my BB, “I’ll tell you later.”, as we continued the art tour browsing portraitures of India’s Princely Rulers of yore.
Young (Turpitude (A Harem Boy's Saga Book 4))
In other words, he stands for both a phenotypical and a multivalent cultural admixture.
Fiona I.B. Ngô (Imperial Blues: Geographies of Race and Sex in Jazz Age New York)
The Imperial Star seemed so innocent as it lay there, speckled with blood and muck, filled with limitless power which was utterly unattainable while that monster sat upon my father’s throne. It was still hidden within the intricate silver amulet, hanging from the chain that had once belonged to Darius, a piece from his closely guarded trove. I picked it up, my fingers trembling with a mixture of fatigue, cold, and fear for my twin as I raised my eyes to the horizon where dawn was just beginning to colour the sky with the slightest hint of blue. This weapon which promised so much power, so much help, had done nothing at all to aid us when we needed it most.
Caroline Peckham (Sorrow and Starlight (Zodiac Academy, #8))
Major Hankey, secretary of the Committee of Imperial Defence, was brought in by Bongie, and placed in front of him on the table the large red and blue leather-bound volume known as the War Book, he opened it sceptically. On the title page it said: ‘Co-ordination of Departmental Action on the Occurrence of Strained Relations and on the Outbreak of War’. Hankey, a spare, neat figure who reminded him of his old school gym instructor, had spent years of his life devising this bureaucratic masterpiece. Remind me how it works. The Foreign Secretary formally warns the Cabinet that he can “forsee the danger of this country being involved in war in the near future” and that sets the machine in motion. Eleven government departments will then send out the warning telegram across the Empire – ports, railways, post offices, army headquarters, police stations, town halls and so forth – initiating the precautionary phase. The recipients have already been issued with instructions, so they know what to do when they receive the warning telegram. And what does this telegram say? “In the circumstance that Great Britain is at war with …, act upon instructions.” How many telegrams will be sent? …thousands. Pg93
Robert Harris (Precipice)
You can’t go home again,” wrote Thomas Wolfe, and he might as well have been writing about the newly minted Imperial Japanese Navy aviator, resplendently clad in blue and brass, returning home to visit his family. Of course his parents and siblings were overjoyed to see him, and he them. He had done them a great honor, lifting the status of his entire clan in the eyes of neighbors, colleagues, and friends. He was bigger, stronger, tougher, older, wiser. But his homecoming was inevitably poignant, and more than a little strange. He might have dreamed of home every night he was away, clasping it in his imagination as a sanctuary from the brutality of his tormentors and the unremitting toil of his training. Once there, however, he was inevitably taken aback by the comfort, the ease, the disorder, the aimlessness. The reality of home had steadily diverged from the image he had carried in his mind. It contrasted too sharply with the harsh, purposeful life to which he had grown accustomed. He loved his family as much as he ever had, and they loved him as much as they ever had, but he was aghast at how much space had grown between them. They could never fully understand what he had done and endured, or what he had become. That was a secret known only to his classmates, his fellow survivors, who had shared in the long crucible of his training—the fatigue, the humiliations, the beatings, the deprivations, the chronic dread of expulsion, the ecstasy of flight, and the inconceivable joy he had felt upon receiving those blessed wings. He might never admit it, but his fellow airmen were closer to him now than his own kin. He belonged with them. He could not go home again because now the navy was his home.
Ian W. Toll (Pacific Crucible: War at Sea in the Pacific, 1941-1942)
Thank You Hitler (The Sonnet) Thank you Hitler for showing the worst of humanity, I am sorry that we couldn't place you on a pedestal. Things would've been different if you were not a nobody, Particularly if you had a background royally honorable. Apparently if you have an empire to your name, You can get away with the most heinous of atrocities. If you have that blue blood running through your veins, Tyranny, oppression, are deemed as acts of great dignity. The common notion is, everything nazi is sick and sinister, At the same time, everything british is great and glorious, Despite the fact that it was the british empire that was, An international force of evil unlike the nazi bastards. Nazism is an enemy of humanity, there is no doubt. Only if we felt so for the empire as we do for the krauts!
Abhijit Naskar (Making Britain Civilized: How to Gain Readmission to The Human Race)
Maman ordered the pork meatball bánh mì, and I ordered the lemongrass chicken bánh mì, with an order of shrimp salad rolls to share. "People forget about the French and the Vietnamese, sometimes," she told me as we waited. "The French brought their baguettes, and the Vietnamese used them to make bánh mì sandwiches. And then the French came home with a love for Vietnamese chicken soup deep in their souls." "There are perks to imperialism," I noted.
Hillary Manton Lodge (A Table by the Window (Two Blue Doors #1))
It was three-quarters of the way into the hour of the sheep, after lunch but well before dinner, naturally a fine time for business in the brothels of Xuanren Ward. Powder and perfume steamed in the sun; gaudy kerchiefs dazzled the eyes of passersby. Snatches of music drifted through two sets of walls from Pingkang Ward, on the opposite side of West Street, where the licensed courtesans of the Imperial Academy entertained blue bloods and VIPs. But the sisters of Xuanren Ward held their neighboring colleagues in contempt. They thought all that training as unnecessary as pulling down your pants to fart—the end result, after all, was still the same creak-creak-creak of a bed frame.
Zhang Ran (Broken Stars: Contemporary Chinese Science Fiction in Translation)
Like any other form of imperialism, theological imperialism is a menace to permanent world peace. The reign of violence will never come to an end until, first, most human beings accept the same, true philosophy of life; until, second, this Perennial Philosophy is recognized as the highest factor common to all the world religions; until, third, the adherents of every religion renounce the idolatrous time-philosophies, with which, in their own particular faith, the Perennial Philosophy of eternity has been overlaid; until, fourth, there is a world-wide rejection of all the political pseudo-religions, which place man's supreme good in future time and therefore justify and commend the commission of every sort of present iniquity as a means to that end. If these conditions are not fulfilled, no amount of political planning, no economic blue-prints however ingeniously drawn, can prevent the recrudescence of war and revolution.
Aldous Huxley
It is imperative to think of the task of decolonizing knowledge production as inseparable from every other aspect of our lives. It must be applied to the smallest and most hidden details of life, including but not limited to decolonizing romantic relationships (stop seeing beauty only in whiteness, blue eyes, and blond hair); decolonizing social connections (stop believing that there is more value in socially connecting and networking with powerful people who often happen to be Westerners); decolonizing the workplace (stop believing that expertise, management and power are embodied in Western individuals); decolonize our hobbies and activities (don’t do things or enjoy activities promoted and imposed on us by the West such as going to the beach or wasting one’s life watching TV or Netflix); decolonize travel destinations (shatter the illusion that nowhere is more worth seeing that Europe, or that traveling around Europe equals ‘seeing’ the world). We need to seek and discover new destinations, peoples, and cultures to travel to and learn about and from.
Louis Yako
In North Korea, blue jeans are considered bad taste or even illegal. They are thought to symbolise American Imperialism.
Nayden Kostov (463 Hard to Believe Facts)
At the head of the Forum menu, the equivalent of the Hawaiian Room menu’s cheery “Aloha,” was the portentous “Cenabis bene . . . apud me” from Catullus (“You will dine well . . . at my table”).18 The ice buckets for Champagne were modeled on Roman soldiers’ helmets. The head of Bacchus, the god of wine, decorated copper and brass service plates (made in Milan), and the waiters were gotten up in imperial-purple and royal-blue outfits that vaguely suggested togas.
Paul Freedman (Ten Restaurants That Changed America)
I saw now why the angry young men on the boats around us were so afraid of that derelict refugee boat: that tiny vessel represented the overturning of a centuries-old project that had been essential to the shaping of Europe. Beginning with the early days of chattel slavery, the European imperial powers had launched upon the greatest and most cruel experiment in planetary remaking that history has ever known: in the service of commerce they had transported people between continents on an almost unimaginable scale, ultimately changing the demographic profile of the entire planet. But even as they were repopulating other continents they had always tried to preserve the whiteness of their own metropolitan territories in Europe. This entire project had now been upended. The systems and technologies that had made those massive demographic interventions possible – ranging from armaments to the control of information – had now achieved escape velocity: they were no longer under anyone’s control. This was why those angry young men were so afraid of that little blue fishing boat: through the prism of this vessel they could glimpse the unravelling of a centuries-old project that had conferred vast privilege on them in relation to the rest of the world. In their hearts they knew that their privileges could no longer be assured by the people and institutions they had once trusted to provide for them. The world had changed too much, too fast; the systems that were in control now did not obey any human master; they followed their own imperatives, inscrutable as demons.
Amitav Ghosh (Gun Island)
The building is buzzing. Offices overflow with staff from every corner of the earth. Soldiers in colorful military uniforms move with martial discipline but stop smartly in the hall to let secretaries wrapped in Cambodian silk pass. Police in blue berets brief earnest young lawyers in khakis. Everyone has a military-issue radio glued to their ear. It looks like it could be a colonial administration in India or Kenya, except instead of British rule, it’s the whole world, and instead of imperial occupation, we’ve invaded in the service of peace.
Kenneth Cain (Emergency Sex (And Other Desperate Measures): True Stories from a War Zone)
I love you, Blue. I loved you then, I love you now, I’ll love you tomorrow even if I’m no longer on this earth. No time exists where I won’t love you.” “Lance, please don’t say goodbye,” my words caught in my throat as pain burrowed into my core. “I have to,” he rasped. “Just in case. I’m so fucking sorry for everything I did to you. To us. I ruined everything. And I know it can’t be fixed. That I made it nearly impossible for you to trust me when we first met, and when you finally did and I earned your heart, I broke that trust irreversibly.” “Maybe it was always meant to be this way,” I said heavily, my chest tight. “You wouldn’t have accessed the diary if you hadn’t gone to prison. Your father knew that. It was where you had to end up for us to get the Imperial Star.” “But it cost me you,” he said, his tone full of loss and regret. I clutched his hand harder as tears spilled down my cheeks, accepting that I had to open my heart one last time, because I may never get a chance to do it again. “Lance,” I said, my voice breaking, shattering. His words were the sweetest poison, tailor made to kill me. I wiped my tears away and summoned the courage to tell him what needed to be said, but then the sound of a door opening reached us and heavy footsteps pounded this way.
Caroline Peckham (Fated Throne (Zodiac Academy, #6))
Alaric grabbed her elbow, despair surging from him in waves, and pulled her to him. She let out an indignant squeak as she found herself sprawled on top of his bare chest, her nose inches from his. She held still, careful not to disturb the bandages, and his hand darted from her elbow to her lower back, exposed by the cut of her blue dress, his warm fingers trailing static charges along the base of her spine. She hadn’t realized that she was so sensitive there. “Don’t go,” he murmured hoarsely, fitfully, a man caught in a fever-dream. “I won’t bring up the rebels again. I won’t breathe another word. Just—don’t leave me, Tala.” The name he had first called her on their wedding night sent a mess of starlit recollections swirling through her at the same time that it caught in his throat, along with what he said next. “Please.” Talasyn stared into the hollow desolation in Alaric’s gray eyes, the utter defeat. She knew this loneliness. She understood it in the marrow of her bones. “I was going to clean up, that’s all,” she whispered. “I’m not leaving. It’s just—the bucket and—” “Forget the bucket,” he told her, a hint of his usual imperiousness breaking through the valerian fog. “Stay here.” “All right.” Not her wittiest moment, but it was difficult to think when she was pressed up against his solid body, his hand on the small of her back. “I’ll stay.” He looked like he didn’t believe her, and it pierced her heart.
Thea Guanzon (A Monsoon Rising (The Hurricane Wars, #2))