Igbo Culture Quotes

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Take sleep mark death.
Glen L. Richards (Jamaica in Slavery and Freedom: History, Heritage and Culture)
— The Igbo are a very democratic people. The Igbo people expressed a strong antimonarchy sentiment—Ezebuilo—which literally means, a king is an enemy. Their culture illustrates a clear-cut opposition to kings, because, I think, the Igbo people had seen what the uncontrolled power of kings could do.
Chinua Achebe (There Was a Country: A Memoir)
You know that there are no black people in Africa,” she said. Most Americans, weaned on the myth of drawable lines between human beings, have to sit with that statement. It sounds nonsensical to our ears. Of course there are black people in Africa. There is a whole continent of black people in Africa. How could anyone not see that? “Africans are not black,” she said. “They are Igbo and Yoruba, Ewe, Akan, Ndebele. They are not black. They are just themselves. They are humans on the land. That is how they see themselves, and that is who they are.” What we take as gospel in American culture is alien to them, she said. “They don’t become black until they go to America or come to the U.K.,” she said. “It is then that they become black.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
Some people refer to a ‘just war’ or a ‘war of necessity’ and others posit that it is simply an illusion to dignify war, no matter the circumstance. Having said that, the necessity or otherwise of war can be seen in the Igbo of Nigeria concept of ‘akwa aja ahụ ọgụ’. A man is thus bound to defend his ‘ama’ or territory and his manhood against any intruder, oppressor or aggressor or be regarded as a ‘woman’ by his people.
Sinachi Ukpabi (The Heritage: A Story of Interracial Love, Civil War and Culture)
You know that there are no black people in Africa,” she said. Most Americans, we have to sit with that statement. It sounds nonsensical to our ears. Of course there are black people in Africa. There is a whole continent of black people in Africa. How could anyone not see that? “Africans are not black,” she said. “They are Igbo and Yoruba, Ewe, Akan, Ndebele. They are not black. They are just themselves. They are humans on the land. That is how they see themselves, and that is who they are.” What we take as gospel in American culture is alien to them, she said. “They don’t become black until they go to America or come to the U.K.,” she said. “It is then that they become black.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
The Igbo people of Southern Nigeria are more than ten million strong and must be accounted one of the major peoples of Africa. Conventional practice would call them a tribe, but I no longer follow that convention. I call them a nation. "Here we go again!," you might be thinking. Well, let me explain. My Pocket Oxford Dictionary defines tribe as follows: "group of (esp. primitive) families or communities linked by social, religious or blood ties and usually having a common culture and dialect and a recognized leader." If we apply the different criteria of this definition to Igbo people we will come up with the following results: a. Igbo people are not primitive; if we were I would not be offering this distinguished lecture, or would I?; b. Igbo people are not linked by blood ties; although they may share many cultural traits; c. Igbo people do not speak one dialect; they speak one language which has scores of major and minor dialects; d. and as for having one recognized leader, Igbo people would regard the absence of such a recognized leader as the very defining principle of their social and political identity.
Chinua Achebe (Home and Exile)
The fourteenth-century court artists of Ife made bronze sculptures using a complicated casting process lost to Europe since antiquity, and which was not rediscovered there until the Renaissance. Ife sculptures are equal to the works of Ghiberti or Donatello. From their precision and formal sumptuousness we can extrapolate the contours of a great monarchy, a network of sophisticated ateliers, and a cosmopolitan world of trade and knowledge. And it was not only Ife. All of West Africa was a cultural ferment. From the egalitarian government of the Igbo to the goldwork of the Ashanti courts, the brass sculpture of Benin, the military achievement of the Mandinka Empire and the musical virtuosi who praised those war heroes, this was a region of the world too deeply invested in art and life to simply be reduced to a caricature of “watching the conquerors arrive.” We know better now. We know it with a stack of corroborating scholarship and we know it implicitly, so that even making a list of the accomplishments feels faintly tedious, and is helpful mainly as a counter to Eurocentrism. There
Teju Cole (Known and Strange Things: Essays)
The Igbo culture, being receptive to change, individualistic, and highly competitive, gave the Igbo man an unquestioned advantage over his compatriots in securing credentials for advancement in Nigerian colonial society. Unlike the Hausa/Fulani he was unhindered by a wary religion, and unlike the Yoruba he was unhampered by traditional hierarchies. This kind of creature, fearing no god or man, was custom-made to grasp the opportunities, such as they were, of the white man’s dispensations. And
Chinua Achebe (There Was a Country: A Memoir)
The Igbo culture says no condition is permanent. There is constant change in the world.
Chinua Achebe (There Was a Country: A Memoir)
Africans are not black,” she said. “They are Igbo and Yoruba, Ewe, Akan, Ndebele. They are not black. They are just themselves. They are humans on the land. That is how they see themselves, and that is who they are.” What we take as gospel in American culture is alien to them, she said.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
Africans are not black,” she said. “They are Igbo and Yoruba, Ewe, Akan, Ndebele. They are not black. They are just themselves. They are humans on the land. That is how they see themselves, and that is who they are.” What we take as gospel in American culture is alien to them, she said. “They don’t become black until they go to America or come to the U.K.,” she said. “It is then that they become black.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
Never forget your home as you sojourn in foreign lands my son. We’ve waited for your return to our beautiful land where winds still whistle your name and wooden gongs pronounce you a worthy son of your ancestors daily. That soulful journey to our mystical river to cleanse your naked feet is in the journal of your life written by your forebears. As it’s written, the full moon will guide you through the narrow path to your destination. You'll arrive at a special place where your ancestors will witness your transformation into a Shaman, a spiritual healer you’re destined to become. On the appointed day, as your name travels throughout our land, choice palm wines will find worthy palates to celebrate your soulful return. As your ancestors had written in the book of promises about your return before the last moon of the year, African sun will massage your skin during the day and harmattan wind will fan you to sleep at night. Hurry back home my son.
Fidelis O. Mkparu (Soulful Return)
The absence of paramount kings ruling over large areas was encapsulated by the maxim 'Igbo amaghi eze' (the Igbo knows no king). In a culture without a paramount king, admission to a title society was a status symbol and evidence of achievement. Admiss- ion was remarkably democratic. Every male adult was eligible so long as they could demonstrate high achievements in their life- time. Such titles were rarely hereditary and there were few or no qualifications for them other than achievement or money. A man could gain a title simply by raising funds and paying for it. These titles incentivised achievement and provided upward social mobility. Hence, having an honorific title in Igboland did not necessarily make the title-holder a political ruler
Max Siollun (What Britain Did to Nigeria: A Short History of Conquest and Rule)
But I cannot participate, because Igbo culture privileges men and only the male members of the extended family can attend the meetings where major family decisions are taken.
Chimamanda Ngozi Adichie (We Should All Be Feminists)
rebel soldiers. Whereas only 250 “new” slaves, most of them Igbo, participated in the rebellion of 1815, already in 1824, 1,200 slaves from plantations took part in an uprising. By Christmas of 1831, this number had risen to 20,000, and the rebellion included creoles. Ideologically, it prefigured the rise of a culturally complex “nationalism” in Jamaica, whose more recent manifestations include the Rastafari movement, based on Ethiopian traditions but with completely modern cultural components including reggae. Despite its defeat, then, the rebellion sealed the fate of slaveholders in Jamaica, and paved the way for eventual abolition.
Eduardo Grüner (The Haitian Revolution: Capitalism, Slavery and Counter-Modernity (Critical South))