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Laura Poitras I knew as a documentarian, primarily concerned with America’s post-9/11 foreign policy. Her film My Country, My Country depicted the 2005 Iraqi national elections that were conducted under (and frustrated by) the US occupation. She had also made The Program, about the NSA cryptanalyst William Binney—who had raised objections through proper channels about TRAILBLAZER, the predecessor of STELLARWIND, only to be accused of leaking classified information, subjected to repeated harassment, and arrested at gunpoint in his home, though never charged. Laura herself had been frequently harassed by the government because of her work, repeatedly detained and interrogated by border agents whenever she traveled in or out of the country. Glenn Greenwald I knew as a civil liberties lawyer turned columnist, initially for Salon—where he was one of the few who wrote about the unclassified version of the NSA IG’s Report back in 2009—and later for the US edition of the Guardian. I liked him because he was skeptical and argumentative, the kind of man who’d fight with the devil, and when the devil wasn’t around fight with himself. Though Ewen MacAskill, of the British edition of the Guardian, and Bart Gellman of the Washington Post would later prove stalwart partners (and patient guides to the journalistic wilderness), I found my earliest affinity with Laura and Glenn, perhaps because they weren’t merely interested in reporting on the IC but had personal stakes in understanding the institution.
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