If I Disappear Tomorrow Quotes

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When God Created Mothers" When the Good Lord was creating mothers, He was into His sixth day of "overtime" when the angel appeared and said. "You're doing a lot of fiddling around on this one." And God said, "Have you read the specs on this order?" She has to be completely washable, but not plastic. Have 180 moveable parts...all replaceable. Run on black coffee and leftovers. Have a lap that disappears when she stands up. A kiss that can cure anything from a broken leg to a disappointed love affair. And six pairs of hands." The angel shook her head slowly and said. "Six pairs of hands.... no way." It's not the hands that are causing me problems," God remarked, "it's the three pairs of eyes that mothers have to have." That's on the standard model?" asked the angel. God nodded. One pair that sees through closed doors when she asks, 'What are you kids doing in there?' when she already knows. Another here in the back of her head that sees what she shouldn't but what she has to know, and of course the ones here in front that can look at a child when he goofs up and say. 'I understand and I love you' without so much as uttering a word." God," said the angel touching his sleeve gently, "Get some rest tomorrow...." I can't," said God, "I'm so close to creating something so close to myself. Already I have one who heals herself when she is sick...can feed a family of six on one pound of hamburger...and can get a nine year old to stand under a shower." The angel circled the model of a mother very slowly. "It's too soft," she sighed. But tough!" said God excitedly. "You can imagine what this mother can do or endure." Can it think?" Not only can it think, but it can reason and compromise," said the Creator. Finally, the angel bent over and ran her finger across the cheek. There's a leak," she pronounced. "I told You that You were trying to put too much into this model." It's not a leak," said the Lord, "It's a tear." What's it for?" It's for joy, sadness, disappointment, pain, loneliness, and pride." You are a genius, " said the angel. Somberly, God said, "I didn't put it there.
Erma Bombeck (When God Created Mothers)
I wish that everything was different. I wish that I was a part of something. I wish that anything I said mattered, to anyone. I mean, let's face it: would anybody even notice if I disappeared tomorrow?
Val Emmich (Dear Evan Hansen)
And I have no control over which yesterdays I keep and which ones get deleted. This disease will not be bargained with. I can't offer it the names of the US presidents in exchange for the names of my children. I can't give it the names of state capitals and keep the memories of my husband. ...My yesterdays are disappearing, and my tomorrows are uncertain, so what do I live for? I live for each day. I live in the moment. Some tomorrow soon, I'll forget that I stood before you and gave this speech. But just because I'll forget it some tomorrow doesn't mean that I didn't live every second of it today. I will forget today, but that doesn't mean that today doesn't matter.
Lisa Genova (Still Alice)
My yesterdays are disappearing, and my tomorrows are uncertain, so what do I live for? I live for each day. I live in the moment. Some tomorrow soon, I'll forget that I stood before you and gave this speech. But just because I'll forget it some tomorrow doesn't mean that I didn't live every second of it today. I will forget today, but that doesn't mean that today didn't matter.
Lisa Genova (Still Alice)
So tomorrow we disappear into the unknown. This account I am transmitting down the river by canoe, and it may be our last word to those who are interested in our fate.
Arthur Conan Doyle (The Lost World (Professor Challenger, #1))
I understand addiction now. I never did before, you know. How could a man (or a woman) do something so self-destructive, knowing that they’re hurting not only themselves, but the people they love? It seemed that it would be so incredibly easy for them to just not take that next drink. Just stop. It’s so simple, really. But as so often happens with me, my arrogance kept me from seeing the truth of the matter. I see it now though. Every day, I tell myself it will be the last. Every night, as I’m falling asleep in his bed, I tell myself that tomorrow I’ll book a flight to Paris, or Hawaii, or maybe New York. It doesn’t matter where I go, as long as it’s not here. I need to get away from Phoenix—away from him—before this goes even one step further. And then he touches me again, and my convictions disappear like smoke in the wind. This cannot end well. That’s the crux of the matter, Sweets. I’ve been down this road before—you know I have—and there’s only heartache at the end. There’s no happy ending waiting for me like there was for you and Matt. If I stay here with him, I will become restless and angry. It’s happening already, and I cannot stop it. I’m becoming bitter and terribly resentful. Before long, I will be intolerable, and eventually, he’ll leave me. But if I do what I have to do, what my very nature compels me to do, and move on, the end is no better. One way or another, he’ll be gone. Is it not wiser to end it now, Sweets, before it gets to that point? Is it not better to accept that this happiness I have is destined to self-destruct? Tomorrow I will leave. Tomorrow I will stop delaying the inevitable. Tomorrow I will quit lying to myself, and to him. Tomorrow. What about today, you ask? Today it’s already too late. He’ll be home soon, and I have dinner on the stove, and wine chilling in the fridge. And he will smile at me when he comes through the door, and I will pretend like this fragile, dangerous thing we have created between us can last forever. Just one last time, Sweets. Just one last fix. That’s all I need. And that is why I now understand addiction.
Marie Sexton (Strawberries for Dessert (Coda, #4; Strawberries for Dessert, #1))
I don't care who he is. He needs to disappear." Ransom turned and called out the window. "For the love of G-d man. I have England's sweetheart bent over the desk and panting for me. Go away and come back tomorrow.
Tessa Dare (Romancing the Duke (Castles Ever After, #1))
My yesterdays are disappearing, my tomorrows are uncertain, so what do I live for? I live for each day. I live in the moment.
Lisa Genova
When I was young, I learned to expect loss. Every time you slept, something disappeared. Whenever you woke up, someone else was gone. But . . . I also learned that every day, you created everything anew. And whatever you had, you enjoyed as long as it lasted. Spend money when it’s in your pocket.” He took my hand and put the orange in it. “Eat fruit while it’s ripe.” His other hand found my cheek, his thumb brushing the corner of my mouth. “Paradise is a promise no god bothers to keep. There’s only now, and tomorrow nothing will be the same, whether we like it or not.
Heidi Heilig (The Girl from Everywhere (The Girl from Everywhere, #1))
My yesterdays are disappearing, and my tomorrows are uncertain, so what do I live for? I live for each day. I live in the moment.
Lisa Genova (Still Alice)
By tomorrow Marilyn would forget this moment: Lydia's shout, the shattered edges in her tone. It would disappear forever from her memory of Lydia, the way memories of a lost loved one always smooth and simplify themselves, shedding complexity like scales.
Celeste Ng (Everything I Never Told You)
I feel as if I'm disappearing. I wake, I work, I eat, I sleep. No family, no great career. I could disappear tomorrow, like Iolanthe
Miranda Emmerson (Miss Treadway and the Field of Stars)
I see a horseman disappearing into the evening mist. Will he travel through woods or across wild plains? Where is he heading? I don't know. Tomorrow, will I be stretched out above or below the earth? I don't know.
Omar Khayyám (Edward Fitzgerald's The Rubaiyat of Omar Khayyam (Bloom's Modern Critical Interpretations))
From time to time I meet people who live among riches I cannot even imagine. I still have to make an effort to realize that others can feel envious of such wealth. A long time ago, I once lived a whole week luxuriating in all the goods of this world: we slept without a roof, on a beach, I lived on fruit, and spent half my days alone in the water. I learned something then that has always made me react to the signs of comfort or of a well-appointed house with irony, impatience, and sometimes anger. Although I live without worrying about tomorrow now, and therefore count myself among the privileged, I don't know how to own things. What I do have, which always comes to me without my asking for it, I can't seem to keep. Less from extravagance, I think, than from another kind of parsimony: I cling like a miser to the freedom that disappears as soon as there is an excess of things.
Albert Camus (Lyrical and Critical Essays)
In this pilgrimage in search of modernity I lost my way at many points only to find myself again. I returned to the source and discovered that modernity is not outside but within us. It is today and the most ancient antiquity; it is tomorrow and the beginning of the world; it is a thousand years old and yet newborn. It speaks in Nahuatl, draws Chinese ideograms from the 9th century, and appears on the television screen. This intact present, recently unearthed, shakes off the dust of centuries, smiles and suddenly starts to fly, disappearing through the window. A simultaneous plurality of time and presence: modernity breaks with the immediate past only to recover an age-old past and transform a tiny fertility figure from the neolithic into our contemporary. We pursue modernity in her incessant metamorphoses yet we never manage to trap her. She always escapes: each encounter ends in flight. We embrace her and she disappears immediately: it was just a little air. It is the instant, that bird that is everywhere and nowhere. We want to trap it alive but it flaps its wings and vanishes in the form of a handful of syllables. We are left empty-handed. Then the doors of perception open slightly and the other time appears, the real one we were searching for without knowing it: the present, the presence.
Octavio Paz
As the sun disappeared below the horizon and its glare no longer reflected off a glassy sea, I thought of how beautiful the sunsets always were in the Pacific. They were even more beautiful than over Mobile Bay. Suddenly a thought hit me like a thunderbolt. Would I live to see the sunset tomorrow?
Eugene B. Sledge (With the Old Breed: At Peleliu and Okinawa)
So? If I die, then I die! The loss to the world won’t be great. Yes, and I’m fairly bored with myself already. I am like a man who is yawning at a ball, whose reason for not going home to bed is only that his carriage hasn’t arrived yet. But the carriage is ready . . . farewell! I run through the memory of my past in its entirety and can’t help asking myself: Why have I lived? For what purpose was I born? . . . There probably was one once, and I probably did have a lofty calling, because I feel a boundless strength in my soul . . . But I didn’t divine this calling. I was carried away with the baits of passion, empty and unrewarding. I came out of their crucible as hard and cold as iron, but I had lost forever the ardor for noble aspirations, the best flower of life. Since then, how many times have I played the role of the ax in the hands of fate! Like an instrument of execution, I fell on the head of doomed martyrs, often without malice, always without regret . . . My love never brought anyone happiness, because I never sacrificed anything for those I loved: I loved for myself, for my personal pleasure. I was simply satisfying a strange need of the heart, with greediness, swallowing their feelings, their joys, their suffering—and was never sated. Just as a man, tormented by hunger, goes to sleep in exhaustion and dreams of sumptuous dishes and sparkling wine before him. He devours the airy gifts of his imagination with rapture, and he feels easier. But as soon as he wakes: the dream disappears . . . and all that remains is hunger and despair redoubled! And, maybe, I will die tomorrow! . . . And not one being on this earth will have ever understood me totally. Some thought of me as worse, some as better, than I actually am . . . Some will say “he was a good fellow,” others will say I was a swine. Both one and the other would be wrong. Given this, does it seem worth the effort to live? And yet, you live, out of curiosity, always wanting something new . . . Amusing and vexing!
Mikhail Lermontov (A Hero of Our Time)
Tonight I am transformed,” she whispered. “Tomorrow I shall disappear.” Benedict drew her close and dropped the softest, most fleeting of kisses onto her brow. “Then we must pack a lifetime into this very night.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
He wanted you to be the small, quiet girl from Abnegation," Four says softly. "He hurt you because your strength made him feel weak. No other reason." I nod and try to believe him. "The others won't be as jealous if you show some vulnerability. Even if it isn't real." "You think I have to pretend to be vulnerable?" I ask, raising an eyebrow. "Yes,I do." He takes the ice pack from me, his fingers brushing mine, and holds it against my head himself. I put my hand down, too eager to relax my arm to object. Four stands up. I stare at the hem of his T-shirt. Sometimes I see him as just another person, and sometimes I feel the sight of him in my gut, like a deep ache. "You're going to want to march into breakfast tomorrow and show your attackers they had no effect on you," he adds, "but you should let that bruise on your cheek show, and keep your head down." The idea nauseates me. "I don't think I can do that," I say hollowly. I lift my eyes to his. "You have to." "I don't think you get it." Heat rises into my face. "They touched me." His entire body tightens at my words, his hand clenching around the ice pack. "Touched you," he repeates, his dark eyes cold. "Not...in the way you're thinking." I clear my throat. I didn't realize when I said it how awkward it would be to talk about. "But...almost." I look away. He is silent and still for so long that eventually,I have to say something. "What is it?" "I don't want to say this," he says, "but I feel like I have to.It is more important for you to be safe than right, for the time being. Understand?" His straight eyebrows are drawn low over his eyes. My stomach writhes, partly because I know he makes a good point but I don't want to admit it, and partly because I want something I don't know how to express; I want to press against te space between us until it disappears. I nod. "But please,when you see an opportunity..." He pesses his hand to my cheek,cold and strong, and tilts my head up so I have to look at him. His eyes glint. They look almost predatory. "Ruin them." I laugh shakily. "You're a little scary, Four." "Do me a favor," he says, "and don't call me that." "What should I call you,then?" "Nothing." He takes his hand from my face. "Yet.
Veronica Roth (Divergent (Divergent, #1))
My eyelids get heavy, and i feel an instant urge to make today disappear by falling asleep until it's tomorrow. But i can't move.
A.S. King
Maybe memory is overrated. Maybe forgetting is better. (Show me the Proust of forgetting, and I'll read him tomorrow.) Sometimes it's like juggling a hundred thousand crystal balls in the air at once, trying to keep all these memories going. Every time one falls to the floor and shatters into dust, another crevice cracks open inside me, through which another chunk of who we were disappears forever.
Francisco Goldman (Say Her Name)
I wish that everything was different. I wish that I was a part of something. I wish that anything I said mattered, to anyone. I mean, let’s face it: would anybody even notice if I disappeared tomorrow?
Val Emmich (Dear Evan Hansen)
I live, like you, in a century in which reason submits only to fact and to evidence. My name, like yours, is TRUTH-SEEKER. My mission is written in these words of the law: Speak without hatred and without fear; tell that which thou knowest! The work of our race is to build the temple of science, and this science includes man and Nature. Now, truth reveals itself to all; to-day to Newton and Pascal, tomorrow to the herdsman in the valley and the journeyman in the shop. Each one contributes his stone to the edifice; and, his task accomplished, disappears. Eternity precedes us, eternity follows us: between two infinites, of what account is one poor mortal that the century should inquire about him?
Pierre-Joseph Proudhon (What Is Property?)
Kiss me," I whispered. Make me forget, for a night, that this isn't real. Make me believe that this could be my life. That I'm not betraying everything I know to be here, to feel like this. Ember bent down. Her lips touched mine, and my doubts vanished. The soldier disappeared. Everything disappeared, except her. I felt nothing but her hands on my skin, her lips, her bodey pressed agaqinst me. I kissed her until I was consumed with her, searing this moment into my consciousness, driving away the soldier and St. George and everything about the war. I would get back to it tomorrow. Tonight, I wanted to be normal. Tonight, Garret the soldier didn't exist.
Julie Kagawa (Talon (Talon, #1))
don’t believe I will get better,” Daudet wrote, “. . . yet I always behave as if my damned pains were going to disappear by tomorrow morning.”)
Meghan O'Rourke (The Invisible Kingdom: Reimagining Chronic Illness)
BRADBURY: Well, if you love people you criticize them, and if you don’t love them you don’t criticize them, you let them go to hell, don’t you? To help any kind of friendship, your marriage, your children, you criticize because you love. And this works the same way. With your friends--let’s say in writing--if you don’t offer criticism to them and scare them on occasion… In other words you say to a new writer, for gods sake write, because if you don’t you will disappear. The world doesn’t give a damn about you unless you do something. Those are the rules; I didn’t make them. If you are lazy, if you don’t get the work that you love done, the world won’t care if you die tomorrow and go into the grave and are gone and forgotten forever.
Ray Bradbury
My yesterdays are disappearing, and my tomorrows are uncertain, so what do I live for? I live for each day. I live in the moment. Some tomorrow soon, I’ll forget that I stood before you and gave this speech. But just because I’ll forget it some tomorrow doesn’t mean that I didn’t live every second of it today. I will forget today, but that doesn’t mean that today didn’t matter.
Lisa Genova (Still Alice)
Xinxin Ming or Trust in the Heart The Perfect Way is only difficult for those who pick and choose; Do not like, do not dislike; all will then be clear. Make a hairbreadth difference, and heaven and earth are set apart. If you want the truth [of nonduality] to stand clear before you, never be for or against. The struggle between "for" and "against" is the mind's worst disease. When the Way is not understood, the mind chatters endlessly to no avail. The Perfect Way is vastness without holiness. Like infinite space it contains all and lacks nothing. Because you pick and choose, cling and reject, you can't see its Suchness. Neither be entangled in the world, nor in inner feelings of emptiness. Be serene in the oneness of things, And dualism vanishes of its own accord. Craving the passivity of Oneness you are filled with activity. As long as you tarry in dualism, You will never know Oneness. If you don't trust in the Heart, you fall into assertion or denial. In this world of Suchness there is neither self nor other-than-self. To be in accord with the Way, let go of all self-centered striving. Denying the world [of duality] is the asserting of it; Asserting emptiness [oneness] is the denying of it. The more you talk and think about it, the further astray you go. To return to the root [the One] is to find the meaning, But to pursue appearances [the many] is to miss the source. At the moment of inner enlightenment there is a going beyond the one and the many. The mind clings to its image of the world; We call it real only because of our ignorance. Do not seek after the truth, merely cease to cherish your opinions. For the mind in harmony with the One, all selfishness disappears. With not even a trace of fear, you can trust the universe completely. All at once you are free, with nothing left to hold on to. All is empty, brilliant, perfect in its own being. In the world of things as they are, there is neither observer nor observed. If you want to describe its essence, the best you can say is "Not-two." Even to have the idea of enlightenment is to go astray. Thoughts that are fettered turn from truth, sink into the unwise habit of "not liking." "Not liking" brings weariness of spirit; estrangements serve no purpose. In this "Not-two" nothing is separate, And nothing in the world is excluded. The enlightened of all times and places have entered into this truth. The One is none other than the All, the All none other than the One. Take your stand on this, and the rest will follow of its accord; To trust in the Heart is the "Not-two," the "Not-two" is to trust in the Heart. There is one reality, not many; Distinctions arise from the clinging needs of the ignorant. To seek Mind with the mind is the greatest of all mistakes. I have spoken, but in vain; For what can words say— Of things that have no yesterday, tomorrow, or today. Jianzhi Sengcan (aka Seng-Ts'an, 僧璨, ?-606)
Sengcan
Even though I'm still torn about the way I dealt with Mama's disappearance and more than likely will meet my Maker being so, I am dreadfully certain about one thing. First impressions? They can be dead wrong.
Lesley Kagen (Tomorrow River)
There was nothing green left; artillery had denuded and scarred every inch of ground. Tiny flares glowed and disappeared. Shrapnel burst with bluish white puffs. Jets of flamethrowers flickered and here and there new explosions stirred up the rubble. While I watched, an American observation plane droned over the Japanese lines, spotting targets for the U.S. warships lying offshore. Suddenly the little plane was hit by flak and disintegrated. The carnage below continued without pause. Here I was safe, but tomorrow I would be there. In that instant I realized that the worst thing that could happen to me was about to happen to me.
William Manchester
Gregory?” I called. I couldn’t help myself. It was irrational, but I was scared to see him run from me. He turned my direction, his feet pivoting in the dirt. Warily, I crossed into the light for a moment. “Do you, um…” I inhaled deeply. “Do you think you’ll still want to be my friend tomorrow?” I held my breath and waited for his answer. Although I could feel the sunshine perceptibly tingle every inch of exposed skin, the way Gregory smiled at me produced a swell of warmth unmatchable even for the sun. “I’ll always want to be your friend, Annabelle. Do you want to be mine?” My head nodded like mad, ecstatic, all on its own. I disappeared among the shadows again and watched my new friend until he stepped around the Hopkins’ house. Then I waited until his car drove off -- Gregory and his mother headed for home. I was on a high like no other, but I’d not lost my grasp on reality entirely. I knew that the real test would come Monday. It was one thing to befriend an outcast in the privacy of the woods, but quite another to risk ridicule and reputation when surrounded by peers. This was true even for those with the biggest of hearts, which I now believed Gregory Hill to have.
Richelle E. Goodrich (Dandelions: The Disappearance of Annabelle Fancher)
The best blade shop is Diana’s on Flintlock Street,” he said, eyes alight. “I’ll pick you up tomorrow afternoon.” “It’s a date,” Clary said. “A weapons date.” “So much better than dinner and a movie,” he said, and disappeared into the shadows.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
This must have been the side that Sam slept on when he snuck in here, because I recognized his scent. How ballsy he had been to come here night after night, just to be with Grace. I imagined him lying right here, Grace next to him. I had seen them kiss before—the way that Sam’s hands pressed on Grace’s back when he thought no one would see and the way that the hardness of Grace’s face disappeared entirely when he did. It was easy to picture them lying together here, kissing, tangled. Sharing breath, lips pressed urgently against necks and shoulders and fingertips. I felt hungry suddenly, for something that I didn’t have and couldn’t name. It made me think of Cole’s hand on my collarbone and how his breath had been so hot in my mouth, and suddenly I was sure that I was going to call him or find him tomorrow if such a thing was possible.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
BARBARA: One of the last times I spoke with my father, we were talking about . . . I don’t know, the state of the world, something . . . and he said, “You know, this country was always pretty much a whorehouse, but at least it used to have some promise. Now it’s just a shithole.” And I think now maybe he was talking about something else, something more specific, something more personal to him . . . this house? This family? His marriage? Himself? I don’t know. But there was something sad in his voice—or no, not sad, he always sounded sad—something more hopeless than that. As if it had already happened. As if whatever was disappearing had already disappeared. As if it was too late. As if it was already over. And no one saw it go. This country, this experiment, America, this hubris: what a lament, if no one saw it go. Here today, gone tomorrow. (Beat) Dissipation is actually much worse than cataclysm.
Tracy Letts (August: Osage County (TCG Edition))
My yesterdays are disappearing, and my tomorrows are uncertain, so what do I live for? I live for each day. I live in the moment. But just because I'll forget it some tomorrow doesn't mean that I didn't live every second of it today. I will forget today, but that doesn't mean that today didn't matter.
Lisa Genova (Still Alice)
You know she made me a list, don’t you?” “What do you mean?” “A list. Chelsea made me a list of questions to ask Mike.” Violet laughed, pulling herself up. It was too ridiculous to believe. But it was Chelsea, so of course it was true. “What did you do with it? You didn’t give it to him, did you?” Violet asked, her eyes wide with shock. Jay sat up too and grinned, and Violet was sure that he had. And then he shook his head. “Nah. I told her if she really wanted the answers, she’d have to give it to him herself.” Violet relaxed back into the couch. “Did she?” Jay shrugged. “I dunno. You never know with Chelsea.” He leaned forward, watching Violet closely as he ran his thumb down the side of her cheek. “Anyway,” he said, switching the subject, “I get off work at six tomorrow; maybe we can hook up after that.” He moved closer, grinning. “And you can tell me how much you missed me.” He kissed her, at first quickly. Then the kiss deepened, and she heard him groan. This time, when he pulled back, there was indecision in his eyes. Violet wanted to say something sarcastic and sharp-witted to lighten the mood, but with Jay staring at her like that, any hope of finding a clever response was lost. She could feel herself disappearing into the depths of that uncertain look.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Aim small. You don’t want to shoulder too much to begin with, given your limited talents, tendency to deceive, burden of resentment, and ability to shirk responsibility. Thus, you set the following goal: by the end of the day, I want things in my life to be a tiny bit better than they were this morning. Then you ask yourself, “What could I do, that I would do, that would accomplish that, and what small thing would I like as a reward?” Then you do what you have decided to do, even if you do it badly. Then you give yourself that damn coffee, in triumph. Maybe you feel a bit stupid about it, but you do it anyway. And you do the same thing tomorrow, and the next day, and the next. And, with each day, your baseline of comparison gets a little higher, and that’s magic. That’s compound interest. Do that for three years, and your life will be entirely different. Now you’re aiming for something higher. Now you’re wishing on a star. Now the beam is disappearing from your eye, and you’re learning to see. And what you aim at determines what you see. That’s worth repeating. What you aim at determines what you see.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
And these are his daughters, Hallie and Luna. Guys, this is my cousin Winnie and her friend Ellie.” “Oh, we already know Winnie,” Hallie informed him. “You do?” Chip grinned down at her in surprise. “Yes, she lives next door,” said Luna excitedly, bouncing up and down. “We saw her bum today!” Record scratch. Horrible silence. Chip looked confused. “Her what?” “Her bum.” Luna patted her own backside while I held my breath and tried to make myself disappear. “We saw it when we were in her bedroom today.” “Luna!” Hallie elbowed her sister. “Daddy told us in the car not to tell that story tonight. You’re gonna get us in trouble and then we can’t go swimming tomorrow.” “I forgot.” Luna rubbed her shoulder and looked up at Dex. “Sorry, Daddy.” Dex struggled for words and came up with, “Fucking hell, Luna.
Melanie Harlow (Ignite (Cloverleigh Farms, #6))
So... Dell had been a good boy with bad friends. I knew this – I used to be one of them. I’d always known Dell would disappear one day; he was too decent, too golden. This place never tainted that, and I don’t know why. He made me feel dirty. Dark and corrupt. It hadn’t always that way, and I don’t know when it changed... but I felt it now. I only knew I couldn’t hold onto him tight enough to stop those long legs carrying him away somewhere better. A day’ll come when everybody’s had you and nobody wants you anymore... As Dell drove Erin away in their rent-a-car from the Holiday Inn into the early evening traffic, I felt the walls closing in, the world swelling around me, and I knew that day had finally come. Tomorrow, I leave Paradise. It’s true. Shanise was right. I turned away as the car disappeared up the slushy street. That was the last time I saw them alive.
H. Alazhar (City of Paradise)
Your own death, or the death of your near and dear ones, is not something you can experience. What you actually experience is the void created by the disappearance of another individual and the unsatisfied demand to maintain the continuity of your relationship with that person for a nonexistent eternity. The arena for the continuation of all these "permanent" relationships is the tomorrow, heaven, next life, and so on. These things are the inventions of a mind interested only in it's undisturbed, permanent continuity in a "self" generated, fictitious future. The basic method of maintaining the continuity is the repetition of the question, "How? How? How?" "How am I to live? How can I be happy? How can I be sure I will be happy tomorrow?" This has made life an insoluble dilemma for us. We want to know, and through that knowledge we hope to continue on with our miserable existences forever.
U.G. Krishnamurti
Watanabe-san and Sadie exchanged gifts. She brought him a pair of carved wooden Ichigo chopsticks that their Japanese distributor had had made to celebrate the release of the second Ichigo in Japan. In return, he gave her a silk scarf with a reproduction of Cherry Blossoms at Night, by Katsushika Ōi, on it. The painting depicts a woman composing a poem on a slate in the foreground. The titular cherry blossoms are in the background, all but a few of them in deep shadow. Despite the title, the cherry blossoms are not the subject; it is a painting about the creative process---its solitude and the ways in which an artist, particularly a female one, is expected to disappear. The woman's slate appears to be blank. "I know Hokusai is an inspiration for you," Watanabe-san said. "This is by Hokusai's daughter. Only a handful of her paintings survived, but I think she is even better than the father.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
This was what he stood for: a world where there would be room enough even for such a mass of clumsy and cumbersome freedom. A margin of humanity, of tolerance, where some of life’s beauty could take refuge. His eyes narrowed a little, and an ironic, bitter smile came to his lips. I know you all, he thought. Today you say that elephants are archaic and cumbersome, that they interfere with roads and telegraph poles, and tomorrow you’ll begin to say that human rights too are obsolete and cumbersome, that they interfere with progress, and the temptation will be so great to let them fall by the road and not to burden ourselves with that extra load. And in the end man himself will become in your eyes a clumsy luxury, an archaic survival from the past, and you’ll dispense with him too, and the only thing left will be total efficiency and universal slavery and man himself will disappear under the weight of his material achievement. He had learned that much behind the barbed wire of the forced labor camp: it was our education, a lesson be was not prepared to forget.
Romain Gary (The Roots of Heaven)
On a sleepy morning that I keep waking up to pull my necktie tight And when I pass through my classroom door I can start walking with my chest puffed out just a little The wind blows through such ordinary days I realized I heard it I realized I felt it Now in my chest that started to tremble I realized it was coming already I saw off The millions of stars that were disappearing I waved my hand Saying, "Good for you" I look down at the corner of the hallway in middle of cleaning I think it's a strange thing Even though the time inside of me has stopped It feels like I'm living through different days Dust falls and accumulates like snow I realized you're waiting I realized you're calling Now in this time that started to tremble I realized I found it My lost memories recalled My story Of eternity It's ending I started running before I knew it My hand was being pulled along by you Yesterday was far away, tomorrow was right ahead That natural fact made my heart dance I realized I heard it I realized I felt it Now in my chest that started to tremble I realized it was coming already A new sun overcame thousands of mornings I realized you're waiting I realized you're calling My soul is trembling I realized I found it I saw off The day that's able to disappear like millions of dreams I waved my hand Saying, "Thank you
Lia
Deacon met my glare with an impish grin. “Anyway, did you celebrate Valentine’s Day when you were slumming with the mortals?” I blinked. “Not really. Why?” Aiden snorted and then disappeared into one of the rooms. “Follow me,” Deacon said. “You’re going to love this. I just know it.” I followed him down the dimly-lit corridor that was sparsely decorated. We passed several closed doors and a spiral staircase. Deacon went through an archway and stopped, reaching along the wall. Light flooded the room. It was a typical sunroom, with floor-to-ceiling glass windows, wicker furniture, and colorful plants. Deacon stopped by a small potted plant sitting on a ceramic coffee table. It looked like a miniature pine tree that was missing several limbs. Half the needles were scattered in and around the pot. One red Christmas bulb hung from the very top branch, causing the tree to tilt to the right. “What do you think?” Deacon asked. “Um… well, that’s a really different Christmas tree, but I’m not sure what that has to do with Valentine’s Day.” “It’s sad,” Aiden said, strolling into the room. “It’s actually embarrassing to look at. What kind of tree is it, Deacon?” He beamed. “It’s called a Charlie Brown Christmas Tree.” Aiden rolled his eyes. “Deacon digs this thing out every year. The pine isn’t even real. And he leaves it up from Thanksgiving to Valentine’s Day. Which thank the gods is the day after tomorrow. That means he’ll be taking it down.” I ran my fingers over the plastic needles. “I’ve seen the cartoon.” Deacon sprayed something from an aerosol can. “It’s my MHT tree.” “MHT tree?” I questioned. “Mortal Holiday Tree,” Deacon explained, and smiled. “It covers the three major holidays. During Thanksgiving it gets a brown bulb, a green one for Christmas, and a red one for Valentine’s Day.” “What about New Year’s Eve?” He lowered his chin. “Now, is that really a holiday?” “The mortals think so.” I folded my arms. “But they’re wrong. The New Year is during the summer solstice,” Deacon said. “Their math is completely off, like most of their customs. For example, did you know that Valentine’s Day wasn’t actually about love until Geoffrey Chaucer did his whole courtly love thing in the High Middle Ages?” “You guys are so weird.” I grinned at the brothers. “That we are,” Aiden replied. “Come on, I’ll show you your room.” “Hey Alex,” Deacon called. “We’re making cookies tomorrow, since it’s Valentine’s Eve.” Making cookies on Valentine’s Eve? I didn’t even know if there was such a thing as Valentine’s Eve. I laughed as I followed Aiden out of the room. “You two really are opposites.” “I’m cooler!” Deacon yelled from his Mortal Holiday Tree room
Jennifer L. Armentrout (Deity (Covenant, #3))
I write to tell you that I love you That my heart travels every day That I was cold with grief Afraid of being alone And to disappear tomorrow. I write to tell you that I love you That everything will end in your arms That one day my heart was lost In his pain That I thought he had stopped That it took you to resume it I write to tell you that I love you That you are all I have of horizon That you will see Our children sing in the tall grass And soon the spring will rise by the windows I write to tell you that I love you That for this appointment of beginning or end It is with you that I want to breathe, Don’t you see, I live in the orphaned space That your hands create.
Emmanuelle Soni-Dessaigne
I have been all day thinking of a legend," he said. "I don't remember whether I have read it somewhere or heard it, but it is a strange and almost grotesque legend. To begin with, it is somewhat obscure. A thousand years ago a monk, dressed in black, wandered about the desert, somewhere in Syria or Arabia. . . . Some miles from where he was, some fisherman saw another black monk, who was moving slowly over the surface of a lake. This second monk was a mirage. Now forget all the laws of optics, which the legend does not recognise, and listen to the rest. From that mirage there was cast another mirage, then from that other a third, so that the image of the black monk began to be repeated endlessly from one layer of the atmosphere to another. So that he was seen at one time in Africa, at another in Spain, then in Italy, then in the Far North. . . . Then he passed out of the atmosphere of the earth, and now he is wandering all over the universe, still never coming into conditions in which he might disappear. Possibly he may be seen now in Mars or in some star of the Southern Cross. But, my dear, the real point on which the whole legend hangs lies in the fact that, exactly a thousand years from the day when the monk walked in the desert, the mirage will return to the atmosphere of the earth again and will appear to men. And it seems that the thousand years is almost up . . . . According to the legend, we may look out for the black monk to-day or to-morrow.
Anton Chekhov (The Lady with the Dog and Other Stories (The Tales of Chekhov, #3))
As though if I could make my body fit on one of these tiny barstools, I'd be in a perfect, fulfilling relationship instead of forcing myself to get through this date, wishing I could just disappear. Of course I know that none of that is true. That I can't change my body type (and don't even want to!), that thin women are no more happy than I am, that these insecurities are seeded and tended in my brain by the weight-loss industry, which profits from our collective self-loathing to the tune of $70 billion each year-despite the fact the 97% of diets fail. (Side note: What if we put all that money towards solving actual health problems instead? Could we cure ovarian cancer, like, tomorrow?) I know all these things, but tonight, I just can't feel them
Kate Stayman-London (One to Watch)
Whilst I adore this ineffable life which is at my heart, it will not condescend to gossip with me, it will not announce to me any particulars of science, it will not enter into the details of my biography, and say to me why I have a son and daughters born to me, or why my son dies in his sixth year of life. Herein, then I have this latent omniscience coexistent with omnigorance. Moreover, whilst this Deity glows at the heart, and by his unlimited presentiments gives me all Power, I know that to-morrow will be as this day, I am a dwarf, and I remain a dwarf. That is to say, I believe in Fate. As long as I am weak, I shall talk of Fate; whenever the God fills me with his fullness, I shall see the disappearance of Fate. I am defeated all the time; yet to Victory I am born.
Ralph Waldo Emerson
Haven’t I tired you out yet, darling?” Ian whispered several hours later. “Yes,” she said with an exhausted laugh, her cheek nestled against his shoulder, her hand drifting over his chest in a sleepy caress. “But I’m too happy to sleep for a while yet.” So was Ian, but he felt compelled to at least suggest that she try. “You’ll regret it in the morning when we have to appear for breakfast,” he said with a grin, cuddling her closer to his side. To his surprise, the remark made her smooth forehead furrow in a frown. She tipped her face up to his, opened her mouth as if to ask him a question, then she changed her mind and hastily looked away. “What is it?” he asked, taking her chin between his thumb and forefinger and lifting her face up to his. “Tomorrow morning,” she said with a funny, bemused expression on her face. “When we go downstairs…will everyone know what we have done tonight?” She expected him to try to evade the question. “Yes,” he said. She nodded, accepting that, and turned into his arms. “Thank you for telling me the truth,” she said with a sigh of contentment and gratitude. “I’ll always tell you the truth,” he promised quietly, and she believed him. It occurred to Elizabeth that she could ask him now, when he’d given that promise, if he’d had anything to do with Robert’s disappearance. And as quickly as the thought crossed her mind, she pushed it angrily away. She would not defame their marriage bed by voicing ugly, unfounded suspicions carried to her by a man who obviously had a grudge against all Scots. This morning, she had made a conscious decision to trust him and marry him; now, she was bound by her vows to honor him, and she had absolutely no intention of going back on her own decision or on the vow she made to him in church. “Elizabeth?” “Mmmm?” “While we’re on the subject of truth, I have a confession to make.” Her heart slammed into her ribs, and she went rigid. “What is it?” she asked tautly. “The chamber next door is meant to be used as your dressing room and withdrawing room. I do not approve of the English custom of husband and wife sleeping in separate beds.” She looked so pleased that Ian grinned. “I’m happy to see,” he chuckled, kissing her forehead, “we agree on that.
Judith McNaught (Almost Heaven (Sequels, #3))
Your mom probably wouldn't be too happy if you're dating someone who quit school." I laugh. "Nope, don't think so. But I do think she likes you." "Why do you say that?" he says, cocking his head at me. "When I called her, she told me to tell you good morning. And then she told me you were 'a keeper.'" She also said he was hot, which is a ten and a half on the creep-o-meter. "She won't think that when I start failing out of all my classes. I've missed too much school to give a convincing performance in that aspect." "Maybe you and I could do an exchange," I say, cringing at how many different ways that could sound. "You mean besides swapping spit?" I'm hyperaware of the tickle in my stomach, but I say, "Gross! Did Rachel teach you that?" He nods, still grinning. "I laughed for days." "Anyway, since you're helping me try to change, I could help you with your schoolwork. You know, tutor you. We're in all the same classes together, and I could really use the volunteer hours for my college application." His smile disappears as if I had slapped him. "Galen, is something wrong?" He unclenches his jaw. "No." "It was just a suggestion. I don't have to tutor you. I mean, we'll already be spending all day together in school and then practicing at night. You'll probably get sick of me." I toss in a soft laugh to keep it chit-chatty, but my innards feel as though they're cartwheeling. "Not likely." Our eyes lock. Searching his expression, my breath catches as the setting sun makes his hair shine almost purple. But it's the way each dying ray draws out silver flecks in his eyes that makes me look away-and accidentally glance at his mouth. He leans in. I raise my chin, meeting his gaze. The sunset probably deepens the heat on my cheeks to a strawberry red, but he might not notice since he can't seem to decide if he wants to look at my eyes or my mouth. I can smell the salt on his skin, feel the warmth of his breath. He's so close, the wind wafts the same strand of my hair onto both our cheeks. So when he eases away, it's me who feels slapped. He uproots the hand he buried in the sand beside me. "It's getting dark. I should take you home," he says. "We can do this again-I mean, we can practice again-tomorrow after school.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Tobias takes me to the atrium near the hotel dormitory, and we spend some time there, talking and kissing and pointing out the strangest plants. It feels like something that normal people do--go on dates, talk about small things, laugh. We have had so few of those moments. Most of our time together has been spent running from one threat or another, or running toward one threat or another. But I can see a time on the horizon when that won’t need to happen anymore. We will reset the people in the compound, and work to rebuild this place together. Maybe then we can find out if we do as well with the quiet moments as we have with the loud ones. I am looking forward to it. Finally the time comes for Tobias to leave. I stand on the higher step in the atrium and he stands on the lower one, so we’re on the same plane. “I don’t like that I can’t be with you tonight,” he says. “It doesn’t feel right to leave you alone with something this huge.” “What, you don’t think I can handle it?” I say, a little defensive. “Obviously that is not what I think.” He touches his hands to my face and leans his forehead against mine. “I just don’t want you to have to bear it alone.” “I don’t want you to have to bear Uriah’s family alone,” I say softly. “But I think these are things we have to do separately. I’m glad I’ll get to be with Caleb before…you know. It’ll be nice not having to worry about you at the same time.” “Yeah.” He closes his eyes. “I can’t wait until tomorrow, when I’m back and you’ve done what you set out to do and we can decide what comes next.” “I can tell you it will involve a lot of this,” I say, and I press my lips to his. His hands shift from my cheeks to my shoulders and then slide painstakingly down my back. His fingers find the hem of my shirt, then slip under it, warm and insistent. I feel aware of everything at once, of the pressure of his mouth and the taste of our kiss and the texture of his skin and the orange light glowing against my closed eyelids and the smell of green things, growing things, in the air. When I pull away, and he opens his eyes, I see everything about them, the dart of light blue in his left eye, the dark blue that makes me feel like I am safe inside it, like I am dreaming. “I love you,” I say. “I love you, too,” he says. “I’ll see you soon.” He kisses me again, softly, and then leaves the atrium. I stand in that shaft of sunlight until the sun disappears. It’s time to be with my brother now.
Veronica Roth (Allegiant (Divergent, #3))
Nowadays, enormous importance is given to individual deaths, people make such a drama out of each person who dies, especially if they die a violent death or are murdered; although the subsequent grief or curse doesn't last very long: no one wears mourning any more and there's a reason for that, we're quick to weep but quicker still to forget. I'm talking about our countries, of course, it's not like that in other parts of the world, but what else can they do in a place where death is an everyday occurrence. Here, though, it's a big deal, at least at the moment it happens. So-and-so has died, how dreadful; such-and-such a number of people have been killed in a crash or blown to pieces, how terrible, how vile. The politicians have to rush around attending funerals and burials, taking care not to miss any-intense grief, or is it pride, requires them as ornaments, because they give no consolation nor can they, it's all to do with show, fuss, vanity and rank. The rank of the self-important, super-sensitive living. And yet, when you think about it, what right do we have, what is the point of complaining and making a tragedy out of something that happens to every living creature in order for it to become a dead creature? What is so terrible about something so supremely natural and ordinary? It happens in the best families, as you know, and has for centuries, and in the worst too, of course, at far more frequent intervals. What's more, it happens all the time and we know that perfectly well, even though we pretend to be surprised and frightened: count the dead who are mentioned on any TV news report, read the birth and death announcements in any newspaper, in a single city, Madrid, London, each list is a long one every day of the year; look at the obituaries, and although you'll find far fewer of them, because an infinitesimal minority are deemed to merit one, they're nevertheless there every morning. How many people die every weekend on the roads and how many have died in the innumerable battles that have been waged? The losses haven't always been published throughout history, in fact, almost never. People were more familiar with and more accepting of death, they accepted chance and luck, be it good or bad, they knew they were vulnerable to it at every moment; people came into the world and sometimes disappeared at once, that was normal, the infant mortality rate was extraordinarily high until eighty or even seventy years ago, as was death in childbirth, a woman might bid farewell to her child as soon as she saw its face, always assuming she had the will or the time to do so. Plagues were common and almost any illness could kill, illnesses we know nothing about now and whose names are unfamiliar; there were famines, endless wars, real wars that involved daily fighting, not sporadic engagements like now, and the generals didn't care about the losses, soldiers fell and that was that, they were only individuals to themselves, not even to their families, no family was spared the premature death of at least some of its members, that was the norm; those in power would look grim-faced, then carry out another levy, recruit more troops and send them to the front to continue dying in battle, and almost no one complained. People expected death, Jack, there wasn't so much panic about it, it was neither an insuperable calamity nor a terrible injustice; it was something that could happen and often did. We've become very soft, very thin-skinned, we think we should last forever. We ought to be accustomed to the temporary nature of things, but we're not. We insist on not being temporary, which is why it's so easy to frighten us, as you've seen, all one has to do is unsheathe a sword. And we're bound to be cowed when confronted by those who still see death, their own or other people's, as part and parcel of their job, as all in a day's work. When confronted by terrorists, for example, or by drug barons or multinational mafia men.
Javier Marías (Your Face Tomorrow: Fever and Spear / Dance and Dream / Poison, Shadow, and Farewell (Your face tomorrow, #1-3))
Muriah approached him with a new pair of khakis and a couple of T-shirts. “I guessed at the size so you might want to go try these on first.” He took the clothes and slid his arm around her waist, maneuvering her toward the fitting room. “Hey, I didn’t sign on to be your dresser.” She grumbled, but didn’t struggle. He pulled the door closed and turned to meet her eyes. “It’s light in here and full of people. Apep will not be able to surprise us, and his serpents cannot spy. We need to talk.” *** He stripped off the wet shirt, exposing his chiseled torso. She did her best not to choke on her tongue. His tanned skin and taut muscles tempted her, luring her to touch him. Turning around to give him privacy seemed like the right thing to do, but there wasn’t a hint of modesty in this Mayan god, and if he could handle getting this personal, then she could, too. When he unzipped the wet pants, she held her breath. Would an ancient guy wear underwear? She was about to find out. He bent over to lower the wet slacks. When he straightened up, she realized he’d been talking, but she didn’t have a clue what he had said. Instead, all her attention was focused on a fine trail of dark hair leading from just below his navel and disappearing under the low-slung elastic band of his boxer briefs. “Muriah?” Her gaze snapped up to meet his. Thank the universe he couldn’t read her thoughts. “Yeah?” “Did you hear my question?” He stood two feet from her in only his underwear, and he thought she was listening? He was either completely unaware of his sex appeal, or he was way too accustomed to being obeyed. Probably both. She cleared her throat. “I must’ve missed it.” A spark lit his eyes that told her he might have more than a clue to his sex appeal. He picked up the T-shirt and pulled it on. “I asked if you knew of another hotel closer to the airport so we can get out of New York as soon as the sun sets tomorrow.” “I’m sure I can find one.” She pulled out her phone, grateful to have something to pretend to focus on besides him tucking his package into the new khakis she pulled off the rack for him. “I probably should’ve grabbed some dry underwear, too.” “They are nearly dry now. I will be fine.” He popped the tags off, and she glanced up from her hotel search. “They’re not going to like you taking the tags off before you pay.” The corner of his mouth curved up. “They will be honored to take my money.” She groaned and rolled her eyes. “Do you ever not get your way?” He stepped closer to her, his chest an inch from hers until her back pressed against the modular wall of the fitting room. “Rarely.” His dark gaze held hers, and the deep rumble of his voice sent heat through her body. “But some things are worth the extra effort.
Lisa Kessler (Night Child (Night, #3))
think you should let me go on my knees and eat you out until tomorrow morning.” God. God. I shake my head, dizzy, warm, dazzled. “Let’s just have sex. You—you can’t be enjoying this,” I tell him around a moan. I clearly am. Enjoying it. “You sure?” He angles me a little, and there is no mistaking the hot bulge of his cock against my hip. “Oh.” “Yeah.” “I’m not—I’m not even doing anything. If we went to bed, I could—” “You make soft little sounds. You shift your hips when I do—ah, yes. This. And these tiny spasms around my finger, which make me think of you clenching around my cock. Given how tight you are, it isn’t happening anytime soon, but—” He closes his eyes and takes a deep, undone breath. “Sorry.” His rhythm on my clit is picking up, and I’m fading fast, all shallow breathing and spotty vision. “Sorry?” “Just trying to get a grip.” “You don’t have to get a grip. You can take me upstairs and—” My channel contracts around him and we both groan. “You sure you don’t want two fingers, Elsie?” I let my shoulders fall back against the window. It’s wet with my sweat, not cold anymore. “We should try.” He watches himself this time. He stares at his index finger disappearing inside me alongside the middle, his other hand drawing calming patterns on my waist. I clench and gasp and twist on him, but he doesn’t let up, keeps pushing in slowly, and after some resistance, I’m taking him, arching involuntarily to make room, letting out a final little noise of gratitude and disbelief. “Jesus,” Jack says. “Fuck.” I’m getting used to it. This sense of being crammed with something hot and beautiful. I move experimentally
Ali Hazelwood (Love, Theoretically)
Um, I think I left my handkerchief on the table,” Jane said. “I’ll just run down and fetch it. There’s no need to wait for me--you go on to bed.” Lisette stopped to stare at her in bewilderment. “Your handkerchief will be perfectly fine where it is. A footman will find it and give it to you in the morning.” “No, I dare not leave it or I’ll forget about it in the confusion of our departure.” She was already turning to descend the stairs. “And it’s my favorite.” Jane didn’t stop to see if Lisette believed that nonsense. She just hastened down, trying to figure out how to get Dom alone. Fortunately, just as she approached the dining room, she heard the duke say from inside, “Sorry to be a wet blanket, old chap, but I shall turn in, too. Lisette and I don’t usually rise as early as we did this morning.” “So I’ve noticed.” Then Dom added hastily, “Not that it matters, mind you. Everyone has his own habits.” “Yes, that’s true.” The duke’s puzzled tone showed he was unaware of what his wife had said yesterday about his “habits.” “Don’t forget that we must leave as early tomorrow as possible.” “Of course.” “I’m hoping Tristan will have arrived by then, but if not, we’ll press on without him.” “Certainly,” Max said, rather stiffly now. He probably wasn’t used to being ordered about by anyone, even his brother-in-law. “Well, good night, then.” Hearing footsteps approaching, Jane darted quickly into an alcove and waited with heart pounding as the duke emerged from the dining room. He strode, with a surprisingly quick step for a man who claimed to be tired, in the direction his wife had gone. Only after he’d disappeared up the stairs did Jane relax. This was her chance.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
He shoulders past me, pours himself a glass of milk from the fridge, and downs it. “Of course you don’t just get them, Mom. You have to earn them.” “I see. And how does that happen?” Another glass of milk disappears down Steven’s gullet. “Save some for cereal tomorrow,” I say. “You’re not the only human in this house.” “Maybe you should go out and get another carton, then. It’s your job, right?” My hand flies with a will of its own, makes contact; and a bright palm print blooms on the right side of Steven’s face. He doesn’t flinch, doesn’t raise his own hand, doesn’t react at all, except to say, “Nice, Mom. Real nice. One day, that’s gonna be a crime.” “You little shit.” He’s smug now, which makes everything worse. “I’ll tell you how I earned the pin. I got recruited. Recruited, Mom. They needed volunteers from the boys’ school to make the rounds to the girls’ schools and explain a few things. I accepted. And for the past three days, I’ve been going out in the field and demonstrating how the bracelets work. Look.” He pushes up one sleeve and brandishes the burn mark around his wrist. “We go in pairs, and we take turns. All so girls like Sonia know what will happen.” As if to defy me once more, he drains his glass of milk and licks his lips. “By the way, I wouldn’t encourage her to pick the sign language back up.” “Why the hell not?” I’m still trying to absorb the fact that my son has purposefully shocked himself “so girls like Sonia know what will happen.” “Mom. Honestly. You of all people should get it.” His voice has taken on the timbre of someone much older, someone tired of explaining how things are. “Signing defeats the purpose of what we’re trying to do here.
Christina Dalcher (Vox)
With regard to other animals, humans have long since become gods. We don’t like to reflect on this too deeply, because we have not been particularly just or merciful gods. If you watch the National Geographic channel, go to a Disney film or read a book of fairy tales, you might easily get the impression that planet Earth is populated mainly by lions, wolves and tigers who are an equal match for us humans. Simba the lion king holds sway over the forest animals; Little Red Riding Hood tries to evade the Big Bad Wolf; and little Mowgli bravely confronts Shere Khan the tiger. But in reality, they are no longer there. Our televisions, books, fantasies and nightmares are still full of them, but the Simbas, Shere Khans and Big Bad Wolves of our planet are disappearing. The world is populated mainly by humans and their domesticated animals. How many wolves live today in Germany, the land of the Grimm brothers, Little Red Riding Hood and the Big Bad Wolf? Less than a hundred. (And even these are mostly Polish wolves that stole over the border in recent years.) In contrast, Germany is home to 5 million domesticated dogs. Altogether about 200,000 wild wolves still roam the earth, but there are more than 400 million domesticated dogs.1 The world contains 40,000 lions compared to 600 million house cats; 900,000 African buffalo versus 1.5 billion domesticated cows; 50 million penguins and 20 billion chickens.2 Since 1970, despite growing ecological awareness, wildlife populations have halved (not that they were prospering in 1970).3 In 1980 there were 2 billion wild birds in Europe. In 2009 only 1.6 billion were left. In the same year, Europeans raised 1.9 billion chickens for meat and eggs.4 At present, more than 90 per cent of the large animals of the world (i.e., those weighing more than a few pounds) are either humans or domesticated animals.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
At the sound of the heavy knob turning, he cursed under his breath. She was coming in, damn it! To stop Maria before she ruined everything, he grabbed her about the waist, hauled her against him, and sealed his mouth to hers. At first she seemed too stunned to do anything. When after a moment, he felt her trying to draw back from him, he caught her behind the neck in an iron grip. “Oh,” Gran said in a stiff voice. “Beg pardon.” Dimly he heard the door close and footsteps retreating, but before he could let Maria go, a searing pain shot through his groin, making him see stars. Blast her, the woman had kneed him in the ballocks! As he doubled over, fighting to keep from passing out, she snapped, “That was for making me look like a whore, too!” When she turned for the door, he choked out, “Wait!” “Why should I?” she said, heading inexorably forward. “You’ve done nothing but insult and humiliate me before your family.” Still reeling, he presented his only ace in the hole, “If you return to town,” he called after her, “what will you do about your Nathan?” That halted her, thank God. He forced himself to straighten, though the room spun a little. “You still need my help, you know.” Slowly, she faced him. “So far you haven’t demonstrated any genuine intent to offer help,” she said icily. “But I will.” He gulped down air, struggling for mastery over his pain. “Tomorrow we’ll return to town and hire a runner. I know one who’s very adept. You can tell him everything you’ve learned so far about your fiancés disappearance, and I’ll make sure he pursues it.” “And in exchange, all I have to do is pretend to be a whore?” He grimaced. Christ, she felt strongly about this. He should have known that any woman who would thrust a sword at him wouldn’t be easily bullied. “No.” “No, what?” she demanded. “You needn’t pretend to be a whore. Just don’t leave. This can still work.” “I don’t see how,” she shot back. “You’ve already said we met in a brothel. Telling them we’re thieves is no better. I won’t have them thinking that we’re about to steal you blind.” “I’ll come up with some story, don’t worry,” he clipped out. “Something else to make me sound like a low, grasping schemer?” “No” She had him cornered, and she knew it. “Trust me, your background alone is enough to alarm Gran. She pretends not to mind it right now, but she won’t let it go on. Just stay. I’ll make it right, I swear.
Sabrina Jeffries
You stand alone upon a height," he said, dreamily, "like one in a dreary land. Behind you all is darkness, before you all is darkness; there is but one small space of light. In that one space is a day. They come, one at a time, from the night of To-morrow, and vanish into the night of Yesterday. "I have thought of the days as men and women, for a woman's day is not at all like a man's. For you, I think, they first were children, with laughing eyes and little, dimpled hands. One at a time, they came out of the darkness, and disappeared into the darkness on the other side. Some brought you flowers or new toys and some brought you childish griefs, but none came empty-handed. Each day laid its gift at your feet and went on. "Some brought their gifts wrapped up, that you might have the surprise of opening them. Many a gift in a bright-hued covering turned out to be far from what you expected when you were opening it. Some of the happiest gifts were hidden in dull coverings you took off slowly, dreading to see the contents. Some days brought many gifts, others only one. "As the days grew older, some brought you laughter; some gave you light and love. Others came with music and pleasure--and some of them brought pain." "Yes," sighed Evelina, "some brought pain." "It is of that," went on the Piper, "that I wished to be speaking. It was one day, was it not, that brought you a long sorrow?" "Yes." "Not more than one? Was it only one day?" "Yes, only one day," "See," said The Piper, gently, "the day came with her gift. You would not let her lay it at your feet and pass on into the darkness of Yesterday. You held her by her grey garments and would not let her go. You kept searching her sad eyes to see whether she did not have further pain for you. Why keep her back from her appointed way? Why not let your days go by?" "The other days," murmured Evelina, "have all been sad." "Yes, and why? You were holding fast to one day--the one that brought you pain. So, with downcast eyes they passed you, and carried their appointed gifts on into Yesterday, where you can never find them again. Even now, the one day you have been holding is struggling to free herself from the chains you have put upon her. You have no right to keep a day." "Should I not keep the gifts?" she asked. His fancy pleased her. "The gifts, yes--even the gifts of tears, but never a day. You cannot hold a happy day, for it goes too quickly. This one sad day that marched so slowly by you is the one you chose to hold. Lady," he pleaded, "let her go!
Myrtle Reed (A Spinner In The Sun)
I’m still in the big Jacuzzi tub when the power flickers--once, twice--and then goes out, leaving me in total darkness, chin deep in lukewarm water. I don’t know why, but it all hits me then--Nan’s surgery tomorrow, shooting that moccasin, this stupid, never-ending storm. I start to cry, deep, gulping sobs. I know it seems childish, but I want my daddy. What if things get worse? What if the house starts to flood? Or the roof blows off? As much as I hate to admit it, I’m scared. Really scared. A knock on the bathroom door startles me. “Jemma? You okay in there?” “I’m fine,” I call out, my voice thick. My cheeks burn with shame at being caught crying in the dark like a two-year-old. “Do you want a candle or something? Maybe a hurricane lamp?” “No, I’m…” I start to say “fine” again, but a ragged sob tears from my throat instead. “It’s going to be okay, Jem. We’ll get through this.” I sink lower into the water, wanting to disappear completely. Why can’t he just go away and let me have my little meltdown in private? Why, after all these years of being a jerk, does he have to suddenly be so nice? “I got both dogs dried off,” he continues conversationally, as if I’m not in here crying my eyes out. “They’re in the kitchen eating their supper. I think Beau’s pretty worked up.” I continue to bawl like a baby. I know he can hear me, that he’s right outside the door, listening. Still, it takes me a good five minutes to get it all out of my system. Once the tears have slowed, I reach for my washcloth and lay it across my eyes, hoping it’ll reduce the puffiness. A minute or two later, I drag it away and wring it out before laying it over the edge of the tub. It’s still dark inside the bathroom, though I can see a flicker of light coming from beneath the door. Ryder must have a flashlight, or maybe one of the battery-operated lanterns I scattered around the house, just in case. I wonder how long he’s going to stand three, waiting for me. The lights flick off, and I think maybe he’s finally left me in peace. But then I hear a muffled thump, and I know he’s still out there, probably sitting with his back against the door. “Hey, Jem?” he says. “You saved my life, you know--out there by the barn. Most people couldn’t have made that shot.” I squeeze my eyes shut, but tears leak through anyway. I hadn’t wanted to kill that stupid snake, but if it had bitten Ryder and we hadn’t been able to make it to the hospital in time… I let the thought trail off, not wanting to examine it further. “Thank you,” he says softly. “I owe you one.
Kristi Cook (Magnolia (Magnolia Branch, #1))
In Memory of W. B. Yeats I He disappeared in the dead of winter: The brooks were frozen, the airports almost deserted, And snow disfigured the public statues; The mercury sank in the mouth of the dying day. What instruments we have agree The day of his death was a dark cold day. Far from his illness The wolves ran on through the evergreen forests, The peasant river was untempted by the fashionable quays; By mourning tongues The death of the poet was kept from his poems. But for him it was his last afternoon as himself, An afternoon of nurses and rumours; The provinces of his body revolted, The squares of his mind were empty, Silence invaded the suburbs, The current of his feeling failed; he became his admirers. Now he is scattered among a hundred cities And wholly given over to unfamiliar affections, To find his happiness in another kind of wood And be punished under a foreign code of conscience. The words of a dead man Are modified in the guts of the living. But in the importance and noise of to-morrow When the brokers are roaring like beasts on the floor of the bourse, And the poor have the sufferings to which they are fairly accustomed And each in the cell of himself is almost convinced of his freedom A few thousand will think of this day As one thinks of a day when one did something slightly unusual. What instruments we have agree The day of his death was a dark cold day. II You were silly like us; your gift survived it all: The parish of rich women, physical decay, Yourself. Mad Ireland hurt you into poetry. Now Ireland has her madness and her weather still, For poetry makes nothing happen: it survives In the valley of its making where executives Would never want to tamper, flows on south From ranches of isolation and the busy griefs, Raw towns that we believe and die in; it survives, A way of happening, a mouth. III Earth, receive an honoured guest: William Yeats is laid to rest. Let the Irish vessel lie Emptied of its poetry. In the nightmare of the dark All the dogs of Europe bark, And the living nations wait, Each sequestered in its hate; Intellectual disgrace Stares from every human face, And the seas of pity lie Locked and frozen in each eye. Follow, poet, follow right To the bottom of the night, With your unconstraining voice Still persuade us to rejoice; With the farming of a verse Make a vineyard of the curse, Sing of human unsuccess In a rapture of distress; In the deserts of the heart Let the healing fountain start, In the prison of his days Teach the free man how to praise.
W.H. Auden
In the middle of the night, Alexander—with the moist towel still on his face—was startled out of sleep by the cheerful drunken whisper of Ouspensky, who was shaking him awake, while taking his hand and placing into it something soft and warm. It took Alexander a moment to recognize the softness and warmness as a large human breast, a breast still attached to a human female, albeit a not entirely sober human female, who breathed fire on him, kneeled near his bed and said something in Polish that sounded like, “Wake up, cowboy, paradise is here.” “Lieutenant,” said Alexander in Russian, “you’re going on the rack tomorrow.” “You will pray to me as if I’m your god tomorrow. She is bought and paid for. Have a good one.” Ouspensky lowered the flaps on the tent and disappeared. Sitting up and turning on his kerosene lamp, Alexander was faced with a young, boozy, not unattractive Polish face. For a minute as he sat up, they watched each other, he with weariness, she with drunken friendliness. “I speak Russian,” she said in Russian. “I’m going to get into trouble being here?” “Yes,” said Alexander. “You better go back.” “Oh, but your friend…” “He is not my friend. He is my sworn enemy. He has brought you here to poison you. You need to go back quickly.” He helped her sit up. Her swinging breasts were exposed through her open dress. Alexander was naked except for his BVDs. He watched her appraise him. “Captain,” she said, “you’re not telling me you are poison? You don’t look like poison.” She reached out for him. “You don’t feel like poison.” She paused, whispering, “At ease, soldier.” Moving away from her slightly—only slightly—Alexander started to put on his trousers. She stopped him by rubbing him. He sighed, moving her hand away. “You left a sweetheart behind? I can tell. You’re missing her. I see many men like you.” “I bet you do.” “They always feel better after they’re with me. So relieved. Come on. What’s the worst that can happen? You will enjoy yourself?” “Yes,” said Alexander. “That’s the worst that can happen.” She stuck out her hand holding a French letter. “Come on. Nothing to be afraid of.” “I’m not afraid,” said Alexander. “Oh, come on.” He buckled his belt. “Let’s go. I’ll walk you back.” “You have some chocolate?” she said, smiling. “I’ll suck you off for some chocolate.” Alexander wavered, lingering on her bare breasts. “As it turns out, I do have some chocolate,” he said, throbbing everywhere, including his heart. “You can have it all.” He paused. “And you don’t even have to suck me off.” The Polish girl’s eyes cleared for a moment. “Really?” “Really.” He reached into his bag and handed her some small pieces of chocolate wrapped in foil. Hungrily she shoved the bars into her mouth and swallowed them whole. Alexander raised his eyebrows. “Better the chocolate than me,” he said. The girl laughed. “Will you really walk me back?” she said. “Because the streets are not safe for a girl like me.” Alexander took his machine gun. “Let’s go.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
When you teach someone your true name, you place everything you are in their hands.” “I know, but I may never have the chance again. This is the only thing I have to give, and I would give it to you.” “Eragon, what you are proposing…It is the most precious thing one person can give another.” “I know.” A shiver ran through Arya, and then she seemed to withdraw within herself. After a time, she said, “No one has ever offered me such a gift before…I’m honored by your trust, Eragon, and I understand how much this means to you, but no, I must decline. It would be wrong for you to do this and wrong for me to accept just because tomorrow we may be killed or enslaved. Danger is no reason to act foolishly, no matter how great our peril.” Eragon inclined his head. Her reasons were good reasons, and he would respect her choice. “Very well, as you wish,” he said. “Thank you, Eragon.” A moment passed. Then he said, “Have you ever told anyone your true name?” “No.” “Not even your mother?” Her mouth twisted. “No.” “Do you know what it is?” “Of course. Why would you think otherwise?” He half shrugged. “I didn’t. I just wasn’t sure.” Silence came between them. Then, “When…how did you learn your true name?” Arya was quiet for so long, he began to think that she would refuse to answer. Then she took a breath and said, “It was a number of years after I left Du Weldenvarden, when I finally had become accustomed to my role among the Varden and the dwarves. Faolin and my other companions were away, and I had a great deal of time to myself. I spent most of it exploring Tronjheim, wandering in the empty reaches of the city-mountain, where others rarely tread. Tronjheim is bigger than most realize, and there are many strange things within it: rooms, people, creatures, forgotten artifacts…As I wandered, I thought, and I came to know myself better than ever I had before. One day I discovered a room somewhere high in Tronjheim--I doubt I could locate it again, even if I tried. A beam of sunlight seemed to pour into the room, though the ceiling was solid, and in the center of the room was a pedestal, and upon the pedestal was growing a single flower. I do not know what kind of flower it was; I have never seen its like before or since. The petals were purple, but the center of the blossom was like a drop of blood. There were thorns upon the stem, and the flower exuded the most wonderful scent and seemed to hum with a music all its own. It was such an amazing and unlikely thing to find, I stayed in the room, staring at the flower for longer than I can remember, and it was then and there that I was finally able to put words to who I was and who I am.” “I would like to see that flower someday.” “Perhaps you will.” Arya glanced toward the Varden’s camp. “I should go. There is much yet to be done.” He nodded. “We’ll see you tomorrow, then.” “Tomorrow.” Arya began to walk away. After a few steps, she paused and looked back. “I’m glad that Saphira chose you as her Rider, Eragon. And I’m proud to have fought alongside you. You have become more than any of us dared hope. Whatever happens tomorrow, know that.” Then she resumed her stride, and soon she disappeared around the curve of the hill, leaving him alone with Saphira and the Eldunarí.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
He disappeared out the door and Marilyn starting cleaning the tables that had been vacated by the leaving patrons.  At Tom’s seat there was a five dollar bill with some writing on it.  It read “To the most beautiful waitress I’ve ever seen. See you tomorrow night. Tom.”  That was five dollars that Marilyn Ledbedder would never spend.
David Methvin Pierce (Take Revenge or Die)
Do not worry about tomorrow—He is the God of tomorrow, He sees the end from the beginning. Do not worry about the necessities of life—He is there to supply and provide. A true victorious Christian is one who, in spite of worries, inner conflicts, and tensions, is confident that God is in control and will be victorious in the end. In reliance on the Holy Spirit, we will find that many of our physical and mental ailments will disappear along with many worries, inner conflicts, and tensions. Whatever our difficulties, whatever our circumstances, we must remember, as Corrie ten Boom used to say, “Jesus is victor!” Our Father and our God, I praise Your glorious name for sending Jesus Christ, who is the Victor eternal. He is the mighty One; He is the holy One; He is the King of kings and Lord of lords. He is the Master of my soul and the Guide for my life. And He shall reign forever and ever. Hallelujah! Praise the name of Jesus! In Him I pray. Amen.
Billy Graham (Unto the Hills: A Daily Devotional)
Francis Schaeffer once asked a penetrating question: “I wonder what would happen to most churches and Christian work if we awakened tomorrow, and everything concerning the reality and work of the Holy Spirit, and everything concerning prayer, were removed from the Bible. I don’t mean just ignored, but actually cut out—disappeared. I wonder how much difference it would make?
Zack Eswine (Preaching to a Post-Everything World: Crafting Biblical Sermons That Connect with Our Culture)
You’re very quiet,” Benedict said softly. “I was just thinking.” “About?” “About what I’d miss— and what I wouldn’t miss— should my life drastically change.” His eyes grew intense. “And do you expect it to drastically change?” She shook her head and tried to keep the sadness out of her voice when she answered, “No.” His voice grew so quiet it was almost a whisper. “Do you want it to change?” “Yes,” she sighed, before she could stop herself. “Oh, yes.” He took her hands and brought them to his lips, gently kissing each one in turn. “Then we shall begin right now,” he vowed. “And tomorrow you shall be transformed.” “Tonight I am transformed,” she whispered. “Tomorrow I shall disappear.” Benedict drew her close and dropped the softest, most fleeting of kisses onto her brow. “Then we must pack a lifetime into this very night.” -Benedict & Sophie
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
GROW THE ACTION HABIT Practice these key points: 1. Be an activationist. Be someone who does things. Be a doer, not a don’t-er. 2. Don’t wait until conditions are perfect. They never will be. Expect future obstacles and difficulties and solve them as they arise. 3. Remember, ideas alone won’t bring success. Ideas have value only when you act upon them. 4. Use action to cure fear and gain confidence. Do what you fear, and fear disappears. Just try it and see. 5. Start your mental engine mechanically. Don’t wait for the spirit to move you. Take action, dig in, and you move the spirit. 6. Think in terms of now. Tomorrow, next week, later, and similar words often are synonymous with the failure word, never. Be an “I’m starting right now” kind of person. 7. Get down to business—pronto. Don’t waste time getting ready to act. Start acting instead. 8. Seize the initiative. Be a crusader. Pick up the ball and run. Be a volunteer. Show that you have the ability and ambition to do. Get in gear and go!
David J. Schwartz (The Magic of Thinking Big)
You’ll always get the kind of person who watches himself acting, who sees himself as if in some continuous performance. Who believes there’ll be witnesses to report his generous or contemptible death and that this is what matters most. Or who, if there are no witnesses, invents them — the eye of God, the world stage, or whatever. Who believes that the world only exists to the extent that it’s reported and events only to the extent that they’re recounted, even though it’s highly unlikely that anyone will bother to recount them, or to recount those particular facts, I mean, the facts relating to each individual. The vast majority of things simply happen and there neither is nor ever was any record of them, those we hear about are an infinitesimal fraction of what goes on. Most lives and, needless to say, most deaths, are forgotten as soon as they’ve occurred and leave not the slightest trace, or become unknown soon afterwards, after a few years, a few decades, a century, which, as you know, is, in reality, a very short time. Take battles, for example, think how important they were for those who took part in them and, sometimes, for their compatriots, think how many of those battles now mean nothing to us, not even their names, we don’t even know which war they belonged to, more than that, we don’t care. What do the names Ulundi and Beersheba, or Gravelotte and Rezonville, or Namur, or Maiwand, Paardeberg and Mafeking, or Mohacs, or Nájera, mean to anyone nowadays?’ — He mispronounced that last name, Nájera. — ‘But there are many others who resist, incapable of accepting their own insignificance or invisibility, I mean once they’re dead and converted into past matter, once they’re no longer present to defend their existence and to declare: “Hey, I’m here. I can intervene, I have influence, I can do good or cause harm, save or destroy, and even change the course of the world, because I haven’t yet disappeared.” — ‘I’m still here, therefore I must have been here before,
Javier Marías (Your Face Tomorrow: Fever and Spear / Dance and Dream / Poison, Shadow, and Farewell (Your face tomorrow, #1-3))
I’m furious with you,” he said almost idly. Curled in his arms, warm and safe with his heart beating steadily beneath her cheek, it was difficult to take his displeasure seriously. “Why?” “You left without saying goodbye this afternoon.” In the lightless, confined cabin, his Scottish accent seemed impossibly exotic, so much more noticeable than in the light of day. She buried her face in his brocade waistcoat and felt his hand rest on her coiled hair. If they weren’t careful, all Lise’s hard work would go for nothing and Campion would emerge from the carriage looking like she’d run through a hurricane. The spicy essence of lemon soap and Lachlan’s skin filled her senses. “I couldn’t bear to tell you that it was our last afternoon together.” He tensed against her and his heart kicked into a faster rhythm. “Last?” She raised her head. Her vision had adjusted enough for her to see the glitter of his eyes. “My aunt is sending me back to Sussex tomorrow.” “Damn it, Campion, you should have told me.” His embrace firmed as he pressed her closer. “I had things to say to you today. Important things.” Happiness had fluttered inside her like fledgling birds since she’d seen him. His somber tone pricked at her elation. “I suppose you want me to leave my aunt’s home and stay in London as your mistress,” she said flatly. He thrust her back against the seat so hard that she bounced. She flinched beneath his blistering anger as his hands tightened on her shoulders. “Of course I wasn’t going to say that, you lovely fool.” She hardly heard him. “I know I’m provincial and poor, but I’m proud of the Parnell name. My parents were fine people who loved me. I can’t bring shame upon their memory by accepting your carte blanche.” She blinked away the prickling rush of moisture. For a fleeting instant tonight, she’d imagined that she was done with tears, at least until Christmas Eve turned into Christmas Day. “Whatever else I might choose to do if there were no other considerations.” “So are you saying that you’d like to be my mistress?” he asked slowly, in a tone she couldn’t interpret. She shrugged unhappily and risked the truth. “I don’t want to leave you.” His sigh expressed temper. “Yet you did leave me.” “Lachlan, don’t be angry. Not tonight.” She framed his face with her hands, although it was too dark to see his expression. He’d recently shaved. His skin was smoother than it had been this afternoon. “I know I was a coward, but it seemed easier on both of us if I just disappeared.” “Did it indeed?” The muscles of his cheeks were taut under her palms, but his question sounded merely curious. “I thought that was the last time I’d ever see you.
Anna Campbell (A Grosvenor Square Christmas)
A lady at the general store said the Walking Skeleton takes arms and hands from the statues so it can turn into a person again!” “That’s one of the tales going around, but, of course, it’s just a story,” Charlotte said. “I really don’t know how the statues got damaged recently. They are quite old and already worn away by the weather. But now a few pieces are missing--not just falling off, but disappearing. I do hope you can all keep an eye on the property.” This gave Jessie a good idea. “We gave Benny an instant camera for his birthday. If we take pictures of the statues and something happens to them, maybe we can figure out when it happened and who was around at that time.” “Excellent,” Charlotte said. “I’ll be dropping off a job list tomorrow morning with Hilda and William. I’ll make sure to tell them to let you children photograph and sketch around the property. That will give them more time to do other things.” “Here’s to catching the Walking Skeleton!” Jessie said. The Aldens clinked their lemonade glasses. The Mystery at Skeleton Point
Gertrude Chandler Warner (The Boxcar Children Halloween Special (The Boxcar Children Mysteries))
Who the hell is that?” Chase barks. He watches Pete’s prideful swagger all the way down the aisle until he disappears from sight. Chase looks down at me. I shrug. “He’s a friend.” “Since when do you have friends like that?” he asks. He steps toward me, and I step back, until my back is against the shelves behind me. I don’t like to be cornered, but Chase has no way of knowing that. I skitter to the side so that I’m not hemmed in. “Friends like what?” I ask. I know he’s referring to the tattoos. Pete walks by the end of the aisle and waves at us, and then he winks at me. A grin tugs at my lips. I shrug again. “He’s really very nice.” “Where did you meet him?” I can tell the truth or I can lie. But then I hear Pete one aisle over as he starts to sing the lyrics to Elvis Presley’s “Jailhouse Rock.” I grin. I can’t help it. “He’s helping out at the camp this week,” I say instead of the truth. Well, it’s sort of the truth. “Where’s he from?” Chase asks. “New York City,” I say. Pete’s song changes from Elvis to AC/DC’s “Jailbreak.” I laugh out loud this time. I can’t help it. “Your dad’s all right with you hanging out with him?” My dad is covered in tattoos, too, but most of his are hidden by his clothing. “He likes Pete,” I say. “I do, too.” Chase puts one arm on the shelf behind me and leans toward my body. I dodge him again, and he looks crossly at me. “Don’t box me in,” I warn. He holds up both hands like he’s surrendering to the cops. But he still looks curious. “So, about tomorrow,” he says. “I can’t,” I blurt out. I think I hear a quickly hissed, “Yes!” from the other side of the aisle, but I can’t be sure. Chase touches my elbow, and it makes my skin crawl. I pull my elbow back. “Don’t touch me,” I say. Suddenly, Pete’s striding down the aisle toward us. His expression is thunderous, and I step in front of him so that he has to run into me instead of pummeling Chase like I’m guessing he wants to do. I lay a hand on his chest. “You ready to go?” I ask. He looks down at me, his eyes asking if I’m all right. His hand lands on my waist and slides around my back, pulling me flush against him. He’s testing me. And I don’t want to fight him. I admit it. Chase makes my skin crawl, and Pete makes my skin tingle. It’s not an altogether pleasant sensation, but only because I can’t control it. He holds me close, one hand on the center of my back, and the other full of breath mints and assorted sundries. He steps toward Chase, and Pete and I are so close together that I have to step backward when he steps forward. I repeat my question. “You get everything?” He finally looks down at me. “I got everything I need,” he says. His tone is polite but clear and soft as butter.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
I know I need to keep living while I wait for you to come home But I don't know how to tell my heart to stop hurting since you're the reason it keeps beating on My days are empty, my eyes full of tears but the sound of your voice and the promise of your smile make it all disappear You're the other half of my soul the light that shows me the way You're my yesterday and my tomorrow The Angel that keeps me safe.”   I
Sloane Kennedy (Retribution (The Protectors, #3))
Why the sigh, love?” “This has happened too fast, and I am not at all at peace with it. I like you, Lucas, I like you a very great deal…” Whatever arguments she was trying to resurrect, they died on another sigh as Deene started massaging her neck. “I like you a very great deal too, and we’ll manage, Eve. Trust me on that. I’ll call on you tomorrow before I head into Town, and expect to see you there forthwith. No leaving me to face all the good wishes myself, if you please.” The longer he worked at the tense muscles of her neck, the more she rested against him. “Give me a week, Lucas.” “Do something for me.” She was becoming a warm, boneless press of female against him with results as predictable as they were inappropriate. “What?” “Drive out. Take that little fellow who was in the traces today, hitch up one of your sister Sophie’s great beasts, but don’t hole up here and fret yourself into a decline. Drive out, Eve Windham. Get into the sunshine, call on the neighbors with your news, let Her Grace show you off a bit, but get the ribbons into your hands again soon.” She pulled away a little to peer up at him. “This is an odd request, but I’ll tend to it.” “And my only request until I can squire you about in Town.” She blinked. “My headache feels better.” He’d been able to ease her headache, and she liked him a very great deal. Deene kissed her cheek, waited until she’d disappeared into her room, then strode off to have that drink His Grace had mentioned. Eve had agreed to drive out. A celebration was, indeed, in order. ***
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
I said, ‘I’m not going to be here for long.’ ‘The lending desk closes in five,’ she said. And she wheeled on towards a door with a poster on it saying Enter a World Of Adventure, and disappeared through it. For a while I couldn’t locate the Poetry shelves at all. I walked past Pottery and Ceramics, past Parenting Skills, Personal Development, Philosophy, Psychology and Pet Care, but there was no Poetry. I walked past an old man sitting beside a shelf that said Withdrawn Fiction: 10p, and a big woman in Scholl sandals and beige socks, reading a book called Bring Me My Arrows of Desire. I walked past a carousel displaying off-the-peg reading glasses – See Clearly Again for only £3.99! said a sign – a claim which seemed improbable to me, like one of Jesus’s miracles. Pinned to a cork noticeboard beside the carousel was another poster I hadn’t noticed the last time I’d gone there. It said: THE WORLD ENDS TOMORROW! (according to Nostradamus) So please make sure you return your overdue books
Ruth Thomas (The Snow and the Works on the Northern Line)
He took her hands and brought them to his lips, gently kissing each one in turn. ''Then we shall begin right now'', he vowed. ''And tomorrow you shall be transformed''. ''Tonight I am transformed'', she wishpered. ''Tomorrow I shall disappear.
Julia Quinn
He took her hands and brought them to his lips, gently kissing each one in turn. “Then we shall begin right now”, he vowed. “And tomorrow you shall be transformed”. “Tonight I am transformed”, she whispered. “Tomorrow I shall disappear.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
He took her hands and brought them to his lips, gently kissing each one in turn. “Then we shall begin right now”, he vowed. “And tomorrow you shall be transformed”. “Tonight I am transformed”, she wishpered. “Tomorrow I shall disappear.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
I don’t think you can. You’re smart enough to say all those empty, meaningless, soulless words, but you’re too dumb to see the truth: that you aren’t even a real person. That your entire existence is meaningless. You could disappear from the world tomorrow, and nobody would even miss you.
Adara Wolf (Blue Storm)
And what if you don’t have more time? What if something happened to you tomorrow? What if I disappeared before I could help you? Do you really want to live with regrets forever?” Luke frowned and took a step towards her. “Why would you disappear?
ICanSpellConfusionWithAK (We Found Wonderland)
I flip through those two “fancy” hangers again and again—and even expand the search to the “not fancy” section of the closet. I scour the “outgrew it but not ready to say goodbye” section in the way back of the closet, but the shirt is nowhere to be found. Blergh! In desperation, I drop down to my pile of “let’s see if they still smell tomorrow” clothes on the floor, pinching my nose closed as I rummage through the mountain of stinky horse-themed tops and gym clothes. “Aha!” I bravely plunge my arm into the pile of stench. There, hiding at the very bottom, is the missing white button-down. Of course! I wore it back in October for my Amelia Earhart costume at the Halloween parade! It must have somehow disappeared in my Bermuda Triangle of laundry . . . for three months. Yikes. I
Carrie Seim (Horse Girl)
A lot of people buy into the slogan “Live life like there’s no tomorrow.” But I tend to disagree. Once you become aware of your impending death, you have to make a compromise in accepting the loss of the life you wish you could have led and the reality of your imminent death. Sure, there will always be regrets and broken dreams, but you have to go easy on yourself. Over the last few days, I’ve come to realize that there’s a certain beauty in those regrets. They’re proof of having lived.
Genki Kawamura (If Cats Disappeared from the World)
squatted at the corner of the hutch one more time. They’d been trying for an hour to get it loaded, but no matter how many different angles they attempted, it was too heavy for him and Violet to move on their own, especially with Violet’s arm still in a cast. “Let me give it a try.” Barney stepped forward, and Nate scrutinized him. He didn’t appear frail by any stretch, but the man was nearly ninety years old. Nate didn’t want to be responsible for breaking him. “Barnabas Riley, step away from that hutch right this minute.” Gladys bustled into the room, pointing a spatula at her husband. Barney stepped back. “Busted.” But he nudged Nate and whispered, “I wasn’t really going to do it. Just had to show her I’m still willing.” Nate laughed with him, but Violet gave the hutch a regretful pat. “Looks like it wasn’t meant to be.” “Hold on a minute, dear. You’re the one we want to have this.” Gladys disappeared again. Nate and Violet both looked at Barney, but he threw his hands into the air. “Even after sixty-five years of marriage, I don’t understand everything about that woman.” He winked at them again. “Keeps me on my toes.” Three minutes later, Gladys reappeared. “I called Sylvia, and she said her grandson can come over to help us.” “That’s great.” Violet pulled out a chair to sit down and stifled a yawn. She looked exhausted. “In the morning,” Gladys finished. Violet dropped the hand that had been covering her yawn. “I’m sorry. I don’t think we can come back tomorrow.” “Of course not.” Gladys waved her objection away. “You can stay with us. It’s getting late anyway. You don’t want to drive back yet tonight.” Nate stole a subtle peek at the time. It was already eight o’clock. And Violet looked ready to drop. She gave him a questioning look, and he shrugged, hoping she would understand that meant it was up to her. “I guess that would work. The store is always closed on Mondays anyway.” Her eyes traveled to Nate. “Unless you need to be in the office.” He should be. He really should be. If Dad called and he didn’t answer, he would never hear the end of it. But right now, he cared more about what Violet needed. And she needed this hutch to save her store. “I don’t need to be in the office.” “Oh, but Tony―” Violet clasped his arm. She had a point there. He couldn’t leave his dog uncared for. “Unless.” Violet pulled out her phone. “Just a second.” She wandered toward the kitchen with the phone pressed to her ear. “Looks like I’m not the only one with a mysterious woman.” Barney chuckled so hard he broke into a coughing fit. “Oh, we’re―” “Neighbors.” Gladys rested a hand on her husband’s back. “We know.” Barney stopped coughing and straightened, shooting Nate a wink. Nate was about to argue more, but Violet stepped back into the room. Her smile was enough to steal his protest. “Sophie’s going to stop by to take care of Tony tonight and tomorrow morning. I hope you don’t mind, but I told her about your super-secret hiding spot for the spare key.” Nate pretended to be shocked. “How do you know about that?” “I saw you putting it under the mat the other day when you forgot your keys, remember?” He did remember. He had been especially enchanted by her laugh that day. It was amazing how many of his recent memories involved her. Including
Valerie M. Bodden (Not Until You (Hope Springs #3))
We are all complicit, and farmer-bashing is not going to help. We need farmers, more than any other profession. If lawyers, politicians, bankers, university academics or salesmen were to somehow disappear tomorrow, I think the world would muddle through pretty well. Some things might even get better. But if farmers were to vanish, most of us would be dead within a year.
Dave Goulson (The Garden Jungle)
Evangeline,” Lisa said. “I like you better like this.” “You would,” Daphne scoffed. “Where is Uncle Jack tonight?” “He's got a date,” Evangeline said. “He asked me to watch Ruby till y'all came home. I was about to start supper, but I’m going to have to rethink what we are going to eat. I've only got six pork chops.” “Don't worry, Evangeline. There's plenty to eat. We just need to adjust a little,” Jen said. She walked down a short hallway that led to the laundry room and disappeared into a closet that had been turned into a pantry. She emerged a moment later carrying an arm full of ingredients. She put two bags of noodles on the counter, along with four cans of tuna and two cans of cream of mushroom soup. Then went back to get a box of breadcrumbs. “Tuna noodle casserole?” Charlie asked. “Yep,” Jen said. “Quick, easy, and a crowd pleaser.” “Yeah, my thighs are going to be real pleased,” Lisa quipped. “Oh hush,” Jen said. “You can run it off tomorrow.” “I love tuna noodle casserole,” Daphne smiled. “Honestly though, I can't remember the last time I had it.” “That's because you eat too much take out, sweetie,” Evangeline said. “So, anything I can do to help?” “Could you check the fridge for sour cream and Parmesan cheese, please? And there should be a bag of frozen peas in the freezer,” Jen said, inclining her head in that direction. Charlie handed one of the three journals from Edwina’s box to Lisa and the other one to Daphne. “Come on, let's start looking through these while they’re making dinner.” Charlie sat at the end of the table with Lisa and Daphne flanking her, and they each began to flip through the pages of Edwina’s most private thoughts. Ruby walked into the kitchen and placed herself between Charlie and Lisa. Ruby glanced up at the clock. “Aunt Lisa, will you come upstairs and read me a story?” Jen ripped open the packages of noodles and poured them into a pot of hot water. “Ruby Ellen, you've already had a story. Why are you out of bed?” “I can't sleep, Mama,” Ruby said. Lisa
Wendy Wang (Shadow Child (Witches of Palmetto Point #6))
Do you…do you know how long I’ll have?” Emyr asks here, and his claws dig into my thigh. I reach down and put my hand over his. I don’t pull his fingers away. “I know that resurrection magic is rarely permanent. My—my mother—” Vorgaine reaches across the table and lays her hand across the back of Emyr’s. He stills under her touch, and tilts his head up to stare into her eyes. “I am sorry about your mother, Emyr. That never should have happened.” She shakes her head. “But I can tell you this. Wyatt’s energy is permanently, and inextricably, tangled with yours. For as long as one of you lives, the other cannot die.” And just like that, with one sentence, a thousand pounds of invisible weight, sitting on my chest for the last few weeks, disappears. Our world is on fire. Everything we’ve ever known is a lie. We could both die tomorrow.
 But Emyr isn’t going anywhere without me. I am not going to lose him. Never again.
H.E. Edgmon (The Fae Keeper (Witch King #2))
He is there but I cannot find him The man I once knew has disappeared Gone as in death. Lost somewhere in the maze of his mind Bewildered. Confused without understanding Not knowing what to do. The whereabouts of things What is happening. I grieve the loss, feel the sorrow. Yet for him, he has no concerns For today or tomorrow
Peter Bills (The Jersey: The All Blacks: The Secrets Behind the World's Most Successful Team)
As a working actor, you’re always being asked when it was that you finally knew you’d “made it.” Most actors I know, myself included, respond with something resembling “never.” Acting is such a precarious profession that most of us wisely never relax, never stop watching our backs, never feel we have true job security. Even if the evidence is to the contrary, most of us feel we aren’t yet safe. If necessary, I could pick up a tray tomorrow and take your order—I remember those years like no time has passed. I never take this career for granted. There are far more actors who worked for a while and disappeared than there are actors who’ve stuck around for decades.
Lauren Graham (Talking as Fast as I Can: From Gilmore Girls to Gilmore Girls (and Everything in Between))
In The Lost And Found (Honky Bach)" He held his breath to hold your hand To walk the stairsteps in pairs Climbing up a slippery slope I'm in love, love I hope Don't go home Angelina Stay with me, hanging around in the lost and found He kissed you quick, feeling weird Lonely leered, and disappeared This is such a simple place The passing time can't erase Don't go home Angelina Paint tomorrow blue Day breaks But every morning when he wakes he thinks of you I'm alone, but that's okay I don't mind most of the time I don't feel afraid to die She was here, passing by Don't go home Angelina Stay with me, hanging around in the lost and found Stay with me, hanging around in the lost and found
Elliott Smith
If one of the faces I pass daily on the streets disappears, I feel sad; yet they meant nothing to me, other than being a symbol of all life. [...] What has become of those people who, just because I saw them day after day, became part of my life? Tomorrow I too will disappear from Rua da Prata, Rua dos Douradores, Rua dos Fanqueiros. Tomorrow I too -- this feeling and thinking soul, the universe I am to myself -- yes, tomorrow I too will be someone who no longer walks these streets, someone others will evoke with a vague: 'I wonder what's become of him?' And everything I do, everything I feel, everything I experience, will be just one less passer-by on the daily streets of some city or other.
Fernando Pessoa (The Book of Disquiet)
Having a fair idea of how well Gentry received Sir Ross's attempts to reform him, Lottie bit the inside of her lower lip to suppress a sudden smile. Seeing the twitch of her lips, Gentry gave her a glance of mock warning. "That amuses you, does it?" "Yes," she admitted, and yelped in surprise as he nudged a sensitive spot beneath her ribs. "Oh, don't! I'm ticklish there. Please." He moved over her with easy grace, his thighs straddling her hips, his hands catching at her wrists to pull them over her head. Lottie's amusement disappeared at once. She felt a pang of fear, as well as a confusing rush of excitement, as she stared at the large male above her. She was stretched beneath him in a primal position of submission, helpless to prevent him from doing whatever he wanted. Despite her anxiety, however, she did not ask him to release her, only waited tensely with her gaze locked on his dark face. His grip on her wrists loosened, and his thumbs dipped gently into the humid cups of her palms. "Shall I come to you tonight?" he whispered. Lottie had to lick her dry lips before she could answer. "Are you posing a question to me or yourself?" A smile flickered in his eyes. "You, of course. I already know what I want." "I'd rather you stayed away, then." "Why prolong the inevitable? One more night isn't going to make a difference." "I would prefer to wait until after we are married." "Principle?" he mocked, his thumbs tracing slowly along her inner arms. "Practicality," Lottie countered, unable to prevent a gasp as he touched the delicate creases inside her elbows. How was it that he could elicit sensation from such ordinary parts of her body? "If you think I might change my mind about marrying you after one night of lovemaking... you're wrong. My appetite isn't satisfied nearly that easily. In fact, having you once is only going to make me want you more. It's a pity that you're a virgin. That will limit the number of things I can do with you... for a while, at least." Lottie scowled. "I'm so sorry for the inconvenience." Gentry grinned at her annoyance. "That's all right. We'll do the best we can, in light of the circumstances. Perhaps it will be less of a hindrance than I expect. Never having had a virgin before, I won't know until I try one." "Well, you will have to wait until tomorrow night," she said firmly, wriggling beneath him in an effort to free herself. For some reason he froze and caught his breath at the movement of her hips beneath his. Lottie frowned. "What is it? Did I hurt you?" Shaking his head, Gentry rolled away from her. He dragged a hand through his gleaming brown hair as he sat up. "No," he muttered, sounding a bit strained. "Although I may be permanently debilitated if I don't get some relief soon." "Relief from what?" she asked, while he left the bed and fumbled with the front of his trousers. "You'll find out." He glanced over his shoulder, his blue eyes containing both a threat and a delicious promise.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
She studied his face, the chiseled lines and valleys, the square chin and solid jaw. There was something different this morning, but she couldn’t quite figure… “You shaved,” she blurted out, feeling like an idiot the instant the words let her mouth. His lips curved up. She remembered exactly the way they felt pressing into hers and a little sliver of heat trickled into her belly. “Believe it or not, I shave every once in a while.” “You look good.” God, did he. If she’d thought he was handsome before, now she realized how disturbingly attractive he was. “Do I?” A hint of color crept beneath the bones in his cheeks. “Then I guess I’ll have to do it more often.” He glanced down at the metal detector. “How’s it going? Found anything yet?” “Not yet. I don’t think I’ve quite got the hang of this thing, but tomorrow we clean out the sluice box. Hopefully, something will turn up then.” He nodded, began to look off toward his house like he wanted to escape. Or maybe only part of him wanted to leave. She gathered her courage and plunged in. “I still say I owe you for your very timely rescue. How about supper?” “Supper?” “Just a neighborly sort of thing. If you don’t already have plans, that is. I was thinking maybe tomorrow evening.” He looked uncertain, torn in some way. “Well, I…yeah, tomorrow night sounds all right.” “You won’t attack me again, will you?” she teased just to make him feel at ease, and he relaxed a little. “Not unless you ask me real nice.” Her own smile turned wobbly. Surely she could trust herself--couldn’t she? “Okay, then. Supper tomorrow evening. Seven o’clock okay?” “Fine. I’ll see you at seven.” He started walking toward the path leading back to his house. “By the way,” she called after him, “how is it you always seem to know what I’m doing over here?” He turned to her and actually grinned. “Binoculars. A good woodsman always knows what’s going on around him.” Her mouth dropped open. “Binoculars! You’ve been watching me with binoculars?” Call kept on walking. “They come in real handy up here,” he said over one wide shoulder. “You ought to get yourself a pair.” Charity sputtered, opened her mouth, then snapped it closed again and simply stood there fuming. Binoculars! She watched him disappear down the trail, so amazed she couldn’t get a single ugly name past her lips.
Kat Martin (Midnight Sun (Sinclair Sisters Trilogy, #1))
I am afraid that I may die tomorrow without knowing myself. My life experiences have taught me that a frightful chasm separates me from the others. The same experiences also have taught me when to remain silent and keep my thoughts to myself. Nevertheless, I have decided that I should write. That I should introduce myself to my shadow―the stooped shadow on the wall that voraciously swallows all that I put down. It is for him that I am making this experiment to see if we can know each other better. Since the time when I severed my ties with others, I want to know myself better. Absurd thoughts! Fine. Yet these thoughts torture me more than any reality. Are not these people who resemble me, who seemingly share my needs, whims and desires gathered here to deceive me? Are they not shadows brought into existence to mock and beguile me? Are not all my feelings, observations, and calculations imaginary and quite different from reality? I write only for the benefit of my shadow on the wall. I need to introduce myself to it. I thought in this base world, full of poverty and misery, for the first time in my life, a ray of sunshine shone on my life. But alas, instead of a sunbeam it was a transient beam, a shooting star that appeared to me in the likeness of a woman or an angel. In the light of that moment that lasted about a second, I witnessed all my life's misfortunes, and discovered their magnitude and grandeur. Then that beam of light disappeared into the dark abyss for which it was destined. No. I could not keep that transient beam for myself.
Sadegh Hedayat
The System The denunciation of a dictatorship’s crimes doesn’t end with a list of the tortured, murdered, and disappeared. The machine gives you lessons in egoism and lies. Solidarity is a crime. To save yourself, the machine teaches, you have to be a hypocrite and a louse. The person who kisses you tonight will sell you tomorrow. Every favor breeds an act of revenge. If you say what you think, they smash you, and nobody deserves the risk. Doesn’t the unemployed worker secretly wish the factory will fire the other guy in order to take his place? Isn’t your neighbor your competition and enemy? Not long ago, in Montevideo, a little boy asked his mother to take him back to the hospital, because he wanted to be unborn. Without a drop of blood, without even a tear, the daily massacre of the best in every person is carried out. Victory for the machine: people are afraid of talking and looking at one another. May nobody meet anybody else. When someone looks at you and keeps looking, you think, “He’s going to screw me.” The manager tells the employee, who was once his friend, “I had to denounce you. They asked for the lists. Some name had to be given. If you can, forgive me.” Out of every thirty Uruguayans, one has the job of watching, hunting down, and punishing others. There is no work outside the garrisons and the police stations, and in any case to keep your job you need a certificate of democratic faith given by the police. Students are required to denounce their fellow students, children are urged to denounce their teachers. In Argentina, television asks, “Do you know what your child is doing right now?” Why isn’t the murder of souls through poisoning written up on the crime page?
Eduardo Galeano (Days and Nights)
No endings All seasons have ended, Life that began once, it too has ended, But in all these endings something is born, A new hope, a new desire, a new wish is born, Old visions have ended, Old realities do not exist anymore, they too have ended, Because sometimes the heart wants to seek more, So the mind ends the old, to be able to align itself with the heart a little more, Yesterday's dreams are over, their appeal has ended, All moments associated with all yesterdays and bygone days, have ended, But the feeling to seek a new end has surfaced, And to support this pursuit to seek a new end, a new beginning has surfaced, Past has become insignificant because it has ended, And before the present moments end too like the past that just now ended, The present has arrived, And with it many hopes too have arrived, But, her memories, her feelings, her sensations, none of them have ended, Because she appeared as the only beginning when everything had ended, So my new romance with her has begun, That begins with every new end, and I love whatever in its wake has begun, Tomorrow, today will have ended, Just like the moments that belong to the moment called now, will in the next moment have ended, But she is neither like today nor like the disappearing moments of time, She is the feeling that becomes more relevant and more anchored in the present, unlike the virtue of time! So let me love her until everything has ended, To know what actually begins when everything has ended, And be sure that it is my love for her that can never die or be confounded, These maybe lover’s solicitous feelings, and maybe it is due to them my love for her can never be confounded!
Javid Ahmad Tak (They Loved in 2075!)
This isn’t the last night, and the next person to act like Ven is going to disappear tomorrow is getting an axe to the neck.” “Typical Vold,” Andel muttered. “Jumping straight to an axe to the neck when a simple ‘please’ might have sufficed.” Vale chuckled, drawing a few surprised looks. He shrugged. “I don’t think you’ve ever said that word. I don’t think any of us have.” “Not true,” Andel defended. “Half a decade ago I asked you all to please die for good and leave me to eternal peace.” “You’re right,” Fjor muttered dully. “Manners make all the difference.
Jane Washington (A World of Lost Words (A Tempest of Shadows, #5))
My head was swimming now, a pleasantly intoxicated dream state. I no longer knew or even cared what century it was. I was numb from the waist down, circulation cut off long ago cut off to my legs. The heavily painted faces and costumes of my geisha companions. the spare black-and-white walls the choo-choo train of tiny plates of jewel-like dishes - everything melted together into that rear full mind/body narcotized zone where everything/nothing matters. You know you're having one of the meals of your life but are no longer intimidated by it. Consciousness of time and expense go out the window. Cares about table manners disappear. What happens next, later, or even tomorrow, fades into insignificance. You become a happy passenger, completely submitting to whatever happens next, confident that somehow the whole universe is in particularly benevolent alignment, that nothing could possibly distract or detract from the wonderfulness of the moment.
Anthony Bourdain (A Cook's Tour: Global Adventures in Extreme Cuisines)
It was the first time in a while that I felt purposeful and free, not constantly in my head, worrying about tomorrow or my place in the world. Instead, all that disappeared, and I lost myself
Rea Frey (Don't Forget Me)