Idyllic Day Quotes

We've searched our database for all the quotes and captions related to Idyllic Day. Here they are! All 67 of them:

Though much is taken, much abides; and though We are not now that strength which in old days Moved earth and heaven, that which we are, we are; One equal temper of heroic hearts, Made weak by time and fate, but strong in will To strive, to seek, to find, and not to yield.
Alfred Tennyson (Idylls of the King and a Selection of Poems)
The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years. All business and politics is personal in the Philippines. If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump. They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on. I'm not lazy. I'm just motivationally challenged. I'm not fat. I just have lots of stored energy. You don't get it do you? What people think of you matters more than the reality. Marilyn. Despite standing firm at the final hurdle Marilyn was always ready to run the race. After answering the question the woman bent down behind the stand out of sight of all, and crossed herself. It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up. He wondered at the price of honesty in a grey world whose half tones changed faster than the weather. The banality of truth somehow always surprises the news media before they tart it up. You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points] Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse. You could call the Oval Office an information rain shadow. In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil. There's honest and dishonest corruption in this country. Don't enjoy it too much for it's what we love that usually kills us. The good guys don't always win wars but the winners always make sure that they go down in history as the good guys. The Philippines is like a woman. You love her and hate her at the same time. I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality. The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent. Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins. Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it. Tsismis or rumours grow in this land like tropical weeds. Surprises are so common here that nothing is surprising. A crooked leader who can lead is better than a crooked one who can't. Although I always followed the politics of Hitler I emulate the drinking habits of Churchill. It [Australia] is the country that does the least with the most. Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold. Didn't your mother ever tell you never to trust a man who doesn't drink? She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
John Richard Spencer
Pray for my soul. More things are wrought by prayer Than this world dreams of: Wherefore, let thy voice, Rise like a fountain for me night and day.
Alfred Tennyson (Idylls of the King)
All the idylls of youth: beauty manifest in lakes, mountains, people; richness in experience, conversation, friendships. Nights during a full moon, the light flooded the wilderness, so it was possible to hike without a headlamp. We would hit the trail at two A.M., summiting the nearest peak, Mount Tallac, just before sunrise, the clear, starry night reflected in the flat, still lakes spread below us. Snuggled together in sleeping bags at the peak, nearly ten thousand feet up, we weathered frigid blasts of wind with coffee someone had been thoughtful enough to bring. And then we would sit and watch as the first hint of sunlight, a light tinge of day blue, would leak out of the eastern horizon, slowly erasing the stars. The day sky would spread wide and high, until the first ray of the sun made an appearance. The morning commuters began to animate the distant South Lake Tahoe roads. But craning your head back, you could see the day’s blue darken halfway across the sky, and to the west, the night remained yet unconquered—pitch-black, stars in full glimmer, the full moon still pinned in the sky. To the east, the full light of day beamed toward you; to the west, night reigned with no hint of surrender. No philosopher can explain the sublime better than this, standing between day and night. It was as if this were the moment God said, “Let there be light!” You could not help but feel your specklike existence against the immensity of the mountain, the earth, the universe, and yet still feel your own two feet on the talus, reaffirming your presence amid the grandeur.
Paul Kalanithi (When Breath Becomes Air)
We’re living as if we were in mourning for a lost paradise, he thought. As if we longed for the car thieves and safecrackers of the old days, who doffed their caps and behaved like gentlemen when we came to take them in. But those days have irretrievably vanished, and it’s questionable whether they were ever as idyllic as we remember them.
Henning Mankell (Faceless Killers (Wallander, #1))
Most economists are accustomed to treating companies as idyllic places where everyone is devoted to a common goal: making as much money as possible. In the real world, that’s not how things work at all. Companies aren’t big happy families where everyone plays together nicely. Rather, most workplaces are made up of fiefdoms where executives compete for power and credit, often in hidden skirmishes that make their own performances appear superior and their rivals’ seem worse. Divisions compete for resources and sabotage each other to steal glory. Bosses pit their subordinates against one another so that no one can mount a coup. Companies aren’t families. They’re battlefields in a civil war. Yet despite this capacity for internecine warfare, most companies roll along relatively peacefully, year after year, because they have routines – habits – that create truces that allow everyone to set aside their rivalries long enough to get a day’s work done.
Charles Duhigg (The Power of Habit: Why We Do What We Do in Life and Business)
Christianity - and that is its greatest merit - has somewhat mitigated that brutal Germanic love of war, but it could not destroy it. Should that subduing talisman, the cross, be shattered, the frenzied madness of the ancient warriors, that insane Berserk rage of which Nordic bards have spoken and sung so often, will once more burst into flame. This talisman is fragile, and the day will come when it will collapse miserably. Then the ancient stony gods will rise from the forgotten debris and rub the dust of a thousand years from their eyes, and finally Thor with his giant hammer will jump up and smash the Gothic cathedrals. ... Do not smile at the visionary who anticipates the same revolution in the realm of the visible as has taken place in the spiritual. Thought precedes action as lightning precedes thunder. German thunder is of true Germanic character; it is not very nimble, but rumbles along ponderously. Yet, it will come and when you hear a crashing such as never before has been heard in the world's history, then you know that the German thunderbolt has fallen at last. At that uproar the eagles of the air will drop dead, and lions in the remotest deserts of Africa will hide in their royal dens. A play will be performed in Germany which will make the French Revolution look like an innocent idyll. (1834)
Heinrich Heine
Each day, at the same time, Jude would return and they would be there, led by Webb, whose life could not have been more different than his. Where Webb's memories of childhood were idyllic and earthy, Jude's reeked of indifference. Webb read fantasy; Jude read realism. Webb believed a tree house was the perfect place for gaining a different perspective on the world; Jude saw it as perfect for surveillance and working out who or what was a threat to them. They argued about sport codes and song lyrics. Jude saw the rain-dirty valley; Webb saw Brigadoon. Yet, despite all this, they connected, and the nights they spent in the tree house discussing their brave new worlds and not so brave emotions made everything else in their lives insignificant. Somehow the world of Webb and Fitz and Tate and Narnie became the focus of Jude's life.
Melina Marchetta (On the Jellicoe Road)
The breathless idyl of their engagement gave way, first, to the intense romance of the more passionate relationship. The breathless idyl left them, fled on to other lovers; they looked around one day it and it was gone, how, they scarcely knew. Had either of them lost the other in the days of the idyl, the love lost would have been ever to the loser that dim desire without fulfillment which stands back of all life. But magic must hurry on, and the lovers remain...
F. Scott Fitzgerald (The Beautiful and Damned)
Today is not yesterday. And tomorrow is nothing more than an idyllic day dream.
Rhonda Laurel
What I have lately said of painting is equally true with respect to poetry. It is only necessary for us to know what is really excellent, and venture to give it expression; and that is saying much in few words. To-day I have had a scene, which, if literally related, would, make the most beautiful idyl in the world. But why should I talk of poetry and scenes and idyls? Can we never take pleasure in nature without having recourse to art?
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
And I, the last, go forth companionless, And the days darken round me, and the years, Among new men, strange faces, other minds.
Alfred Tennyson (Idylls of the King)
you can use positive constraints to increase perceived free will and results. Freeform days might seem idyllic, but they are paralyzing due to continual paradox of choice (e.g., “What should I do now?”) and decision fatigue (e.g., “What should I have for breakfast?”). In
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
Christianity — and that is its greatest merit — has somewhat mitigated that brutal German love of war, but it could not destroy it. Should that subduing talisman, the Cross, be shattered, the frenzied madness of the ancient warriors, that insane Berserk rage of which Nordic bards have spoken and sung so often, will once more burst into flame. This talisman [the cross] is fragile, and the day will come when it will collapse miserably. Then . . . a play will be performed in Germany which will make the French Revolution look like an innocent idyll.
Heinrich Heine
The maidens and youths of paradise, sometimes a target of ridicule by modern-day sceptics, might be seen as part of the same idyllic scene, since the Qur’an explicitly denies carnal pleasures in paradise (e.g. Q. 52:23).
Anonymous (The Qur'an: (Penguin Classics Deluxe Edition))
What’s the difference between this school and a happy retirement community?” The room was silent again. “The difference is ’rithmetic! A retired person living by the ocean, just doing a little reading and writing till the end of their days—that’s the dream, right? ‘What do you do all day?’ ‘Some reading, a little writing.’ Sounds idyllic, right? And yet school sucks. Everybody hates it. What’s the difference? ’Rithmetic! It’s time somebody put their finger on this fucking obvious thing.
B.J. Novak (One More Thing: Stories and Other Stories)
I have grown up listening to my grandparents’ stories about ‘the other side’ of the border. But, as a child, this other side didn’t quite register as Pakistan, or not-India, but rather as some mythic land devoid of geographic borders, ethnicity and nationality. In fact, through their stories, I imagined it as a land with mango orchards, joint families, village settlements, endless lengths of ancestral fields extending into the horizon, and quaint local bazaars teeming with excitement on festive days. As a result, the history of my grandparents’ early lives in what became Pakistan essentially came across as a very idyllic, somewhat rural, version of happiness.
Aanchal Malhotra
Most people look at cats and think what a life—all we do is lie around in the sun, never having to lift a finger. But cats’ lives aren’t that idyllic. Cats are powerless, weak little creatures that injure easily. We don’t have shells like turtles, nor wings like birds. We can’t burrow into the ground like moles or change colors like a chameleon. The world has no idea how many cats are injured every day, how many of us meet a miserable end. I happen to be lucky enough to live with the Tanabes in a warm and friendly family, the children treat me well, and I’ve got everything I need. But even my life isn’t always easy. When it comes to strays, though, they have a very tough time of it.
Haruki Murakami (Kafka on the Shore)
The the street was quiet again. Country quiet. That's partly what took city natives like the Whitlams by surprise, Falk thought: the quiet. He could understand them seeking out the idyllic country lifestyle, a lot of people did. The idea had an enticing, wholesome glow when it was weighed out from the back of a traffic jam, or while crammed into a gardenless apartment. They all had the same visions of breathing fresh clean air and knowing their neighbors. The kids would eat home-grown veggies and learn the value of an honest day's work. On arrival, as the empty moving truck disappeared form sight, they looked around and were always taken aback by the crushing vastness of the open land. The space was the thing that hit them first. There was so much of it. There was enough to drown in. To look out and see not another soul between you and the horizon could be a strange and disturbing sight. Soon, they discovered that the veggies didn't grow as willingly as they had in the city window box. That every single green shoot had to be coaxed and prized from the reluctant soil, and the neighbors were too busy doing the same on an industrial scale to muster much cheer in their greetings. There was no daily bumper-to-bumper commute, but there was also nowhere much to drive to. Falk didn't blame the Whitlams, he'd seen it many times before when he was a kid. The arrivals looked around at the barrenness and the scale and the sheer bloody hardness of the land, and before long their faces all said exactly the same thing. "I didn't know it was like this." He turned away, remembering how the rawness of local life had seeped into the kids' paintings at the school. Sad faces and brown landscapes.
Jane Harper (The Dry (Aaron Falk, #1))
days slipping by in idyll.
Madeline Miller (The Song of Achilles)
I spent my childhood and youth on the outskirts of the Alps, in a region that was largely spared the immediate effects of the so-called hostilities. At the end of the war I was just one year old, so I can hardly have any impressions of that period of destruction based on personal experience. Yet to this day, when I see photographs or documentary films dating from the war I feel as if I were its child, so to speak, as if those horrors I did not experience cast a shadow over me … I see pictures merging before my mind’s eye—paths through the fields, river meadows, and mountain pastures mingling with images of destruction—and oddly enough, it is the latter, not the now entirely unreal idylls of my early childhood, that make me feel rather as if I were coming home…
W.G. Sebald (On the Natural History of Destruction)
The setting, concerns, and mood of The Woodlanders are consonant with the Wessex of the earlier novels. There is an element of nostalgia in Hardy’s treatment of the woodlands of Little Hintock. Although such rural economies were very much alive in Hardy’s day, he strikes an elegiac note in his evocation of a world that will inevitably pass away. However, the woodlands do not form the backdrop to an idyllic pastoral of humanity living in tranquil harmony with nature. The trees, which are such a dominant presence in the novel, compete with each other for nourishment and light, are vulnerable to disease and damage, and are frightening in their moaning under the lash of the storm. The woodlands represent the Darwinian struggle for existence that Hardy sees as extending not only to the inhabitants of this little world but also beyond ...
Geoffrey Harvey (Thomas Hardy (Routledge Guides to Literature))
For the person who wants to capture everything that passes before his eyes, [...] the only coherent way to act is to snap at least one picture a minute, from the instant he opens his yes in the morning to when he goes to sleep. This is the only way that he rolls of exposed film will represent a faithful diary of our days, with nothing left out. If I were to start taking pictures, I'd see this thing through, even if it meant losing my mind. But the rest of you still insist on making a choice. What sort of choice? A choice in the idyllic sense, apologetic, consolatory, at peace with nature, the fatherland, the family. Your choice isn't only photographic; it is a choice of life, which leads you to exclude dramatic conflicts, the knots of contradiction, the great tensions of will, passion, aversion. So you think you are saving yourselves from madness, but you are falling into mediocrity, into hebetude." - from "The Adventure of a Photographer
Italo Calvino (Difficult Loves)
Those days, those places, saw the enraptured hours. The breathless idyl of their engagement gave way, first, to the intense romance of the more passionate relationship. The breathless idyl left them, fled on to other lovers; they looked around one ay and it was gone, how they scarcely knew. Had either of them lost the other in the days of idyl, the love lost would have been ever to the loser that dim desire without fulfilment which stands back of all life. But magic must hurry on, and the lovers remain…
F. Scott Fitzgerald (The Beautiful and Damned)
The Chorus Line: The Birth of Telemachus, An Idyll Nine months he sailed the wine-red seas of his mother's blood Out of the cave of dreaded Night, of sleep, Of troubling dreams he sailed In his frail dark boat, the boat of himself, Through the dangerous ocean of his vast mother he sailed From the distant cave where the threads of men's lives are spun, Then measured, and then cut short By the Three Fatal Sisters, intent on their gruesome handcrafts, And the lives of women also are twisted into the strand. And we, the twelve who were later to die by his hand At his father's relentless command, Sailed as well, in the dark frail boats of ourselves Through the turbulent seas of our swollen and sore-footed mothers Who were not royal queens, but a motley and piebald collection, Bought, traded, captured, kidnapped from serfs and strangers. After the nine-month voyage we came to shore, Beached at the same time as he was, struck by the hostile air, Infants when he was an infant, wailing just as he wailed, Helpless as he was helpless, but ten times more helpless as well, For his birth was longed-for and feasted, as our births were not. His mother presented a princeling. Our various mothers Spawned merely, lambed, farrowed, littered, Foaled, whelped and kittened, brooded, hatched out their clutch. We were animal young, to be disposed of at will, Sold, drowned in the well, traded, used, discarded when bloomless. He was fathered; we simply appeared, Like the crocus, the rose, the sparrows endangered in mud. Our lives were twisted in his life; we also were children When he was a child, We were his pets and his toythings, mock sisters, his tiny companions. We grew as he grew, laughed also, ran as he ran, Though sandier, hungrier, sun-speckled, most days meatless. He saw us as rightfully his, for whatever purpose He chose, to tend him and feed him, to wash him, amuse him, Rock him to sleep in the dangerous boats of ourselves. We did not know as we played with him there in the sand On the beach of our rocky goat-island, close by the harbour, That he was foredoomed to swell to our cold-eyed teenaged killer. If we had known that, would we have drowned him back then? Young children are ruthless and selfish: everyone wants to live. Twelve against one, he wouldn't have stood a chance. Would we? In only a minute, when nobody else was looking? Pushed his still-innocent child's head under the water With our own still-innocent childish nursemaid hands, And blamed it on waves. Would we have had it in us? Ask the Three Sisters, spinning their blood-red mazes, Tangling the lives of men and women together. Only they know how events might then have had altered. Only they know our hearts. From us you will get no answer.
Margaret Atwood (The Penelopiad)
Philosophy cannot and should not give faith, but it should understand itself and know what it has to offer and take nothing away, and least of all should fool people out of something as if it were nothing. I am not unacquainted with the perplexities and dangers of life, I do not fear them, and I encounter them buoyantly. I am not unacquainted with the dreadful, my memory is a faithful wife, and my imagination is (as I myself am not) a diligent little maiden who all day sits quietly at her work, and in the evening knows how to chat to me about it so prettily that I must look at it, though not always, I must say, is it landscapes, or flowers, or pastoral idylls she paints.
Søren Kierkegaard (Fear and Trembling)
What I remember most about those days is how happy we all were. When I think back on my life growing up on Terra d’Amore, tides of warm memories wash over me like the waves of the Mediterranean. Our little farm, nestled in the hills and valleys of Montecalvo just outside Bologna, was idyllic. Indeed, it was an Italian paradise...a veritable heaven.
Giacomino Nicolazzo
During any prolonged activity one tends to forget original intentions. But I believe that, when making a start on A Month in the Country, my idea was to write an easy-going story, a rural idyll along the lines of Thomas Hardy's Under the Greenwood Tree. And, to establish the right tone of voice to tell such a story, I wanted its narrator to look back regretfully across forty or fifty years but, recalling a time irrecoverably lost, still feel a tug at the heart. And I wanted it to ring true. So I set its background up in the North Riding, on the Vale of Mowbray, where my folks had lived for many generations and where, in the plow-horse and candle-to-bed age, I grew up in a household like that of the Ellerbeck family. Novel-writing can be a cold-blooded business. One uses whatever happens to be lying around in memory and employs it to suit one's ends. The visit to the dying girl, a first sermon, the Sunday-school treat, a day in a harvest field and much more happened between the Pennine Moors and the Yorkshire Wolds. But the church in the fields is in Northamptonshire, its churchyard in Norfolk, its vicarage London. All's grist that comes to the mill. Then, again, during the months whilst one is writing about the past, a story is colored by what presently is happening to its writer. So, imperceptibly, the tone of voice changes, original intentions slip away. And I found myself looking through another window at a darker landscape inhabited by neither the present nor the past.
J.L. Carr (A Month in the Country)
Okay.First things first. Three things you don't want me to know about you." "What?" I gaped at him. "You're the one who says we don't know each other.So let's cut to the chase." Oh,but this was too easy: 1. I am wearing my oldest, ugliest underwear. 2.I think your girlfriend is evil and should be destroyed. 3.I am a lying, larcenous creature who talks to dead people and thinks she should be your girlfriend once the aforementioned one is out of the picture. I figured that was just about everything. "I don't think so-" "Doesn't have to be embarrassing or major," Alex interrupted me, "but it has to be something that costs a little to share." When I opened my mouth to object again, he pointed a long finger at the center of my chest. "You opened the box,Pandora.So sit." There was a funny-shaped velour chair near my knees. I sat. The chair promptly molded itself to my butt. I assumed that meant it was expensive, and not dangerous. Alex flopped onto the bed,settling on his side with his elbow bent and his head propped on his hand. "Can't you go first?" I asked. "You opened the box..." "Okay,okay. I'm thinking." He gave me about thirty seconds. Then, "Time." I took a breath. "I'm on full scholarship to Willing." One thing Truth or Dare has taught me is that you can't be too proud and still expect to get anything valuable out of the process. "Next." "I'm terrified of a lot things, including lightning, driving a stick shift, and swimming in the ocean." His expression didn't change at all. He just took in my answers. "Last one." "I am not telling you about my underwear," I muttered. He laughed. "I am sorry to hear that. Not even the color?" I wanted to scowl. I couldn't. "No.But I will tell you that I like anchovies on my pizza." "That's supposed to be consolation for withholding lingeries info?" "Not my concern.But you tell me-is it something you would broadcast around the lunchroom?" "Probably not," he agreed. "Didn't think so." I settled back more deeply into my chair. It didn't escape my notice that, yet again, I was feeling very relaxed around this boy. Yet again, it didn't make me especially happy. "Your turn." I thought about my promise to Frankie. I quietly hoped Alex would tell me something to make me like him even a little less. He was ready. "I cried so much during my first time at camp that my parents had to come get me four days early." I never went to camp. It always seemed a little bit idyllic to me. "How old were you?" "Six.Why?" "Why?" I imagined a very small Alex in a Spider-Man shirt, cuddling the threadbare bunny now sitting on the shelf over his computer. I sighed. "Oh,no reason. Next." "I hated Titanic, The Notebook, and Twilight." "What did you think of Ten Things I Hate About You?" "Hey," he snapped. "I didn't ask questions during your turn." "No,you didn't," I agreed pleasantly. "Anser,please." "Fine.I liked Ten Things. Satisfied?" No,actually. "Alex," I said sadly, "either you are mind-bogglingly clueless about what I wouldn't want to know, or your next revelation is going to be that you have an unpleasant reaction to kryptonite." He was looking at me like I'd spoken Swahili. "What are you talking about?" Just call me Lois. I shook my head. "Never mind. Carry on." "I have been known to dance in front of the mirror-" he cringed a little- "to 'Thriller.'" And there it was. Alex now knew that I was a penniless coward with a penchant for stinky fish.I knew he was officially adorable. He pushed himself up off his elbow and swung his legs around until he was sitting on the edge of the bed. "And on that humiliating note, I will now make you translate bathroom words into French." He picked up a sheaf of papers from the floor. "I have these worksheets. They're great for the irregular verbs...
Melissa Jensen (The Fine Art of Truth or Dare)
A morning-flowered dalliance demured and dulcet-sweet with ebullience and efflorescence admiring, cozy cottages and elixirs of eloquence lie waiting at our feet - We'll dance through fetching pleasantries as we walk ephemeral roads evocative epiphanies ethereal, though we know our hearts are linked with gossamer halcyon our day a harbinger of pretty things infused with whispers longing still and gamboling in sultry ways to feelings, all ineffable screaming with insouciance masking labyrinthine paths where, in our nonchalance, we walk through the lilt of love’s new morning rays. Mellifluous murmurings from a babbling brook that soothes our heated passion-songs and panoplies perplexed with thought of shadows carried off with clouds in stormy summer rains… My dear, and that I can call you 'dear' after ripples turned to crashing waves after pyrrhic wins, emotions drained we find our palace sunned and rayed with quintessential moments lit with wildflower lanterns arrayed on verandahs lush with mutual love, the softest love – our preferred décor of life's lilly-blossom gate in white-fenced serendipity… Twilight sunlit heavens cross our gardens, graced with perseverance, bliss, and thee, and thou, so splendid, delicate as a morning dove of charm and mirth – at least with me; our misty mornings glide through air... So with whippoorwill’d sweet poetry - of moonstones, triumphs, wonder-woven in chandliers of winglet cherubs wrought with time immemorial, crafted with innocence, stowed away and brought to light upon our day in hallelujah tapestries of ocean-windswept galleries in breaths of ballet kisses, light, skipping to the breakfast room cascading chrysalis's love in diaphanous imaginings delightful, fleeting, celestial-viewed as in our eyes which come to rest evocative, exuberant on one another’s moon-stowed dreams idyllic, in quiescent ways, peaceful in their radiance resplendent with a myriad of thought soothing muse, rhapsodic song until the somnolence of night spreads out again its shaded truss of luminescent fantasies waiting to be loved by us… Oh, love! Your sincerest pardons begged! I’ve gone too long, I’ve rambled, dear, and on and on and on and on - as if our hours were endless here… A morning toast, with orange-juiced lips exalting transcendent minds suffused with sunrise symphonies organic-born tranquilities sublimed sonorous assemblages with scintillas of eternity beating at our breasts – their embraces but a blushing, longing glance away… I’ll end my charms this enraptured morn' before cacophony and chafe coarse in crude and rough abrade when cynical distrust is laid by hoarse and leeching parasites, distaste fraught with smug disgust by hairy, smelly maladroit mediocrities born of poisoned wells grotesque with selfish lies - shrill and shrieking, biting, creeping around our love, as if they rose from Edgar Allen’s own immortal rumpled decomposing clothes… Oh me, oh my! I am so sorry! can you forgive me? I gone and kissed you for so long, in my morning imaginings, through these words, through this song - ‘twas supposed to be "a trifle treat," but little treats do sometimes last a little longer; and, oh, but oh, but if I could, I surly would keep you just a little longer tarrying here, tarrying here with me this pleasant morn
Numi Who
Adam Parrish was uncanny. Perhaps standing next to Ronan Lynch, dreamer of dreams, he looked ordinary, but it was only because everything uncanny about him was turned inside instead of out. He, too, had a connection with the peculiar ley line energy that seemed to power Ronan's dreams, except that Adam's connection happened while he was awake, and only ever produced knowledge instead of objects. He was something like a psychic, if there was such a thing as a psychic whose powers extended more towards the future of the world than the future of people. During the idyllic summer he'd spent at the Barns with Ronan, he'd played with energy nearly every single day. He'd gaze into a bowl of dark liquid and lose himself in the unfathomable pulse that connects all living things. While on the phone with Gansey or Blue, he'd take out his deck of haunted tarot cards and read one or three cards for them. At night, he'd sit on the end of Ronan's childhood bed and meet Ronan in dreamspace--Ronan, asleep, in a dream, Adam, awake, in a trance. He had put all of that away to go to Harvard.
Maggie Stiefvater (Call Down the Hawk (Dreamer, #1))
am not unacquainted with the dreadful, my memory is a faithful wife, and my imagination is (as I myself am not) a diligent little maiden who all day sits quietly at her work, and in the evening knows how to chat to me about it so prettily that I must look at it, though not always, I must say, is it landscapes, or flowers, or pastoral idylls she paints. I have seen the dreadful before my own eyes, I do not flee from it timorously, but I know very well that, although I advance to meet it, my courage is not the courage of faith, nor anything comparable to it.
Søren Kierkegaard (Fear and Trembling)
He mailed me a Christmas card every year, one of those newsletters that foreigners send to their friends with domestic news and photos of triumphant families. They only tell of their successes in these collective missives: travels, births and marriages. No one ever goes bankrupt, is sent to prison, or has cancer, no one commits suicide or gets divorced. Luckily that stupid tradition doesn’t exist in our culture. Harald Fiske’s newsletters were even worse than the idyllic families’: birds, birds, and more birds, birds from Borneo, birds from Guatemala, birds from the Arctic. Yes, apparently there are even birds in the Arctic. I think I already told you that the man was in love with our country, which he said was the most beautiful place in the world since we had every type of landscape: a lunar desert, long coastline, tall mountains, pristine lakes, valleys of orchards and vineyards, fjords and glaciers. He thought we were friendly and welcoming people because he judged us with his romantic heart and little real-life experience. However odd his reasons, he decided he was going to live out his final days here. I never understood it, Camilo, because if you can live legally in Norway, you’d have to be demented to move to this catastrophic country.
Isabel Allende (Violeta)
Mom,” Vaughn said. “I’m sure Sidney doesn’t want to be interrogated about her personal life.” Deep down, Sidney knew that Vaughn—who’d obviously deduced that she’d been burned in the past—was only trying to be polite. But that was the problem, she didn’t want him to be polite, as if she needed to be shielded from such questions. That wasn’t any better than the damn “Poor Sidney” head-tilt. “It’s okay, I don’t mind answering.” She turned to Kathleen. “I was seeing someone in New York, but that relationship ended shortly before I moved to Chicago.” “So now that you’re single again, what kind of man are you looking for? Vaughn?” Kathleen pointed. “Could you pass the creamer?” He did so, then turned to look once again at Sidney. His lips curved at the corners, the barest hint of a smile. He was daring her, she knew, waiting for her to back away from his mother’s questions. She never had been very good at resisting his dares. “Actually, I have a list of things I’m looking for.” Sidney took a sip of her coffee. Vaughn raised an eyebrow. “You have a list?” “Yep.” “Of course you do.” Isabelle looked over, surprised. “You never told me about this.” “What kind of list?” Kathleen asked interestedly. “It’s a test, really,” Sidney said. “A list of characteristics that indicate whether a man is ready for a serious relationship. It helps weed out the commitment-phobic guys, the womanizers, and any other bad apples, so a woman can focus on the candidates with more long-term potential.” Vaughn rolled his eyes. “And now I’ve heard it all.” “Where did you find this list?” Simon asked. “Is this something all women know about?” “Why? Worried you won’t pass muster?” Isabelle winked at him. “I did some research,” Sidney said. “Pulled it together after reading several articles online.” “Lists, tests, research, online dating, speed dating—I can’t keep up with all these things you kids are doing,” Adam said, from the head of the table. “Whatever happened to the days when you’d see a girl at a restaurant or a coffee shop and just walk over and say hello?” Vaughn turned to Sidney, his smile devilish. “Yes, whatever happened to those days, Sidney?” She threw him a look. Don’t be cute. “You know what they say—it’s a jungle out there. Nowadays a woman has to make quick decisions about whether a man is up to par.” She shook her head mock reluctantly. “Sadly, some guys just won’t make the cut.” “But all it takes is one,” Isabelle said, with a loving smile at her fiancé. Simon slid his hand across the table, covering hers affectionately. “The right one.” Until he nails his personal trainer. Sidney took another sip of her coffee, holding back the cynical comment. She didn’t want to spoil Isabelle and Simon’s idyllic all-you-need-is-love glow. Vaughn cocked his head, looking at the happy couple. “Aw, aren’t you two just so . . . cheesy.” Kathleen shushed him. “Don’t tease your brother.” “What? Any moment, I’m expecting birds and little woodland animals to come in here and start singing songs about true love, they’re so adorable.” Sidney laughed out loud. Quickly, she bit her lip to cover.
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
The kail grows brittle from the cold in my dank and cheerless garden. A crust of bread gathers timid pheasants around me. The robins, I see, have made the coalhouse their home. Walter Lunny's dog never barks without rousing my sluggish cat to a joyful response. It is Dutch courage with the birds and beasts of the glen, hard driven for food; but I look attentively for them in these long forenoons, and they have begun to regard me as one of themselves. My breath freezes despite my pipe, as I peer from the door; and with a fortnight-old newspaper I retire to the ingle-nook. The friendliest thing I have seen today is the well-smoked ham suspended from my kitchen rafters. It was a gift from the farm of Tullin, with a load of peats, the day before the snow began to fall. I doubt if I have seen a cart since.
J.M. Barrie (Auld Licht Idylls)
Come for a walk, dear. The air will do you good." Raoul thought that she would propose a stroll in the country, far from that building which he detested as a prison whose jailer he could feel walking within the walls... the jailer Erik... But she took him to the stage and made him sit on the wooden curb of a well, in the doubtful peace and coolness of a first scene set for the evening's performance. On another day, she wandered with him, hand in hand, along the deserted paths of a garden whose creepers had been cut out by a decorator's skillful hands. It was as though the real sky, the real flowers, the real earth were forbidden her for all time and she condemned to breathe no other air than that of the theatre. An occasional fireman passed, watching over their melancholy idyll from afar. And she would drag him up above the clouds, in the magnificent disorder of the grid, where she loved to make him giddy by running in front of him along the frail bridges, among the thousands of ropes fastened to the pulleys, the windlasses, the rollers, in the midst of a regular forest of yards and masts. If he hesitated, she said, with an adorable pout of her lips: "You, a sailor!" And then they returned to terra firma, that is to say, to some passage that led them to the little girls' dancing-school, where brats between six and ten were practicing their steps, in the hope of becoming great dancers one day, "covered with diamonds..." Meanwhile, Christine gave them sweets instead. She took him to the wardrobe and property-rooms, took him all over her empire, which was artificial, but immense, covering seventeen stories from the ground-floor to the roof and inhabited by an army of subjects. She moved among them like a popular queen, encouraging them in their labors, sitting down in the workshops, giving words of advice to the workmen whose hands hesitated to cut into the rich stuffs that were to clothe heroes. There were inhabitants of that country who practiced every trade. There were cobblers, there were goldsmiths. All had learned to know her and to love her, for she always interested herself in all their troubles and all their little hobbies. She knew unsuspected corners that were secretly occupied by little old couples. She knocked at their door and introduced Raoul to them as a Prince Charming who had asked for her hand; and the two of them, sitting on some worm-eaten "property," would listen to the legends of the Opera, even as, in their childhood, they had listened to the old Breton tales.
Gaston Leroux (The Phantom of the Opera)
Eventually the term ended and I was on the windy mountain road to camp, still slightly worried that I’d made a wrong turn in life. My doubt, however, was short-lived. The camp delivered on its promise, concentrating all the idylls of youth: beauty manifest in lakes, mountains, people; richness in experience, conversation, friendships. Nights during a full moon, the light flooded the wilderness, so it was possible to hike without a headlamp. We would hit the trail at two A.M., summiting the nearest peak, Mount Tallac, just before sunrise, the clear, starry night reflected in the flat, still lakes spread below us. Snuggled together in sleeping bags at the peak, nearly ten thousand feet up, we weathered frigid blasts of wind with coffee someone had been thoughtful enough to bring. And then we would sit and watch as the first hint of sunlight, a light tinge of day blue, would leak out of the eastern horizon, slowly erasing the stars. The day sky would spread wide and high, until the first ray of the sun made an appearance. The morning commuters began to animate the distant South Lake Tahoe roads. But craning your head back, you could see the day’s blue darken halfway across the sky, and to the west, the night remained yet unconquered—pitch-black, stars in full glimmer, the full moon still pinned in the sky. To the east, the full light of day beamed toward you; to the west, night reigned with no hint of surrender. No philosopher can explain the sublime better than this, standing between day and night. It was as if this were the moment God said, “Let there be light!” You could not help but feel your specklike existence against the immensity of the mountain, the earth, the universe, and yet still feel your own two feet on the talus, reaffirming your presence amid the grandeur.
Paul Kalanithi (When Breath Becomes Air)
In the 1990s legal scholar and public policy advocate Wendy Kaminer published a brace of books engaged with the New Age cultures of recovery and self-help. She represented an Old Left perspective on new superstition, and although she was of the same generation as the cultural studies scholars, she did exactly what Andrew Ross warned academics and elites against. She criticized the middlebrow, therapeutic culture of self-help for undermining critical thinking in popular discourse. She encouraged the debunking of superstition, deplored public professions of piety. Her books were polemical and public interventions that were addressed to the maligned liberal and more or less thoughtful reader who took an interest in the issues of the day. In some ways, her writing was a popularization of some of psychoanalytic theory scholar, sociologist, and cultural critic Philip Rieff’s and Richard Hofstadter’s critiques of a therapeutic culture of anti-intellectualism.77 She speculated that the decline of secular values in the political sphere was linked to the rise of a culture of recovery and self-help that had come out of the popularization of New Age, countercultural beliefs and practices. In both I’m Dysfunctional, You’re Dysfunctional: The Recovery Movement and Other Self-Help Fashions and Sleeping with Extra-Terrestrials: The Rise of Irrationalism and the Perils of Piety, Kaminer publicly denounced the decline of secular culture and the rise of a therapeutic culture of testimony and self-victimization that brooked no dissent while demanding unprecedented leaps of faith from its adherents.78 Kaminer’s work combined a belief in Habermasian rational communication with an uncompromising skepticism about the ubiquity of piety that for her was shared by both conservatives and liberals. For Kaminer, argument and persuasion could no longer be operative when belief and subjective experience became the baseline proofs that underwrote public and private assertions. No speaker or writer was under any obligation to answer his or her critics because argument and testimony were fatefully blurred. When reasoned impiety was slowly being banished from public dialogue, political responsibility would inevitably wane. In the warm bath of generalized piety and radical plurality, everyone could assert a point of view, an opinion, and different beliefs, but no one was under any obligation to defend them. Whereas cultural studies scholars saw themselves contesting dominant forms of discourse and hegemonic forms of thinking, Kaminer saw them participating in a popular embrace of an irrational Counter-Enlightenment. Like Andrew Ross, Kaminer cited Franz Mesmer as an important eighteenth-century pioneer of twentieth-century alternative healing techniques. Mesmer’s personal charisma and his powers of psychic healing and invocation of “animal magnetism” entranced the European courts of the late eighteenth century. Mesmer performed miracle cures and attracted a devoted, wealthy following. Despite scandals that plagued his European career, the American middle class was eager to embrace his hybrid of folk practices and scientific-sounding proofs. Mesmerism projected an alternative mystical cosmology based upon magnets and invisible flows of energy. Mesmer, who was said to control the invisible magnetic flow of forces that operated upon human and animal bodies, built upon a network of wealthy patrons who were devoted to the powers of a charismatic leader, Mesmer himself. Mesmer’s manipulation of magnets and hands-on healing evoked for the French court the ancient arts of folk healing while it had recourse to ostensibly modern scientific proofs. Historian of the French eighteenth century Robert Darnton insisted that mesmerism could not be dismissed as mere quackery or charlatanism but represented a transitional worldview, one that bridged the Enlightenment and the particular forms of nineteenth-century Romanticism that followed.
Catherine Liu (American Idyll: Academic Antielitism as Cultural Critique)
you'll watch those same people become automatically terrified of a burly man with tattooed knuckles even as they embrace the charismatic yet humble blonde man offering a drink with a smile you'll come to understand that people only see the soft spot in certain kinds of people and that appearances mean more than maybe they should and you'll know that's why even Children's Protective Services would dismiss a case called in by a therapist and a physician on a white dad in flannel living on an idyllic farm but would on the same day show up at a mobile home in the middle of a junk graveyard and start a file on a father living in poverty right away, especially if that poor dad shows up at the door without a tooth and especially if he's any shade of brown. Perhaps the rich dad molested his daughter. Perhaps the poor dad hasn't had electricity for a month. You'll know that the poor dad will be the one most likely to get it—not the rich—because you'll see these things happen. You'll stop wondering why we can't say the truth about these things you'll start to understand why people hide pain and oppression as if that means it isn't really happening you'll start to see that some people actually use those human tendencies to their advantage.
H.G. Beverly (The Other Side of Charm: Your Memoir)
Here in Southern California we San Diegans have a saying. Hawaiians wouldn’t appreciate it, but we say it nonetheless. We go outside, look around, and then say, “Just another day in paradise.” The saying fits most every day of the year. In San Diego, near the ocean, it’s never bitterly cold and it’s never oppressively hot. I can appreciate the realities of the nonsublime weather in certain areas of the country. I spent a few years in Chicago for college, before heading back to San Diego. Then I returned to the Chicago area for two years of graduate school. I have figured that in the five years (sixty months) that I spent in the Midwest, forty months consisted of glacial winter. Another seventeen months were hot, airless summer. Perhaps three months over the entire five years were pleasant. Maybe even a day or two could have been described as idyllic. San Diego is different from that. Every five years we have about sixty months of heavenly weather.
Anonymous
On an idyllic summer day, we walked through the meadows and hillsides, sitting in circles, laughing and filling sacks of cottongrass, salmonberries, crowberries, cranberries, mountain alder, northern golden rod, and rose hip roots. We collected cloudberry tea and Labrador tea, and wild celery. The Elders walked together, laughing, talking of the old days when they would travel to the Messenger Feasts, across the channel to Siberia, or south to trade in Qikiqtaġruk. We’d mix a dessert of fresh berries and lard, whipping and whipping the lard until fluffy.
Lily H. Tuzroyluke (Sivulliq: Ancestor)
Aamir, recalling back to the idyllic days of his college youth, pictured himself once again sitting quietly on a familiar neighbourhood rooftop. He often enjoyed relaxing there, alone or with friends, while watching the colourful fluttering prayer flags on rooftop poles, especially in the warmth of an early evening breeze, as wispy clouds drifted against the jagged Himalayan backdrop. He has oft times wondered, ever since his childhood, if the prayers to the spirits of the dead, flying out from those slowly tattering rags, will ever really be answered. Perhaps it will be in another place, in another time, when we’re living another life that we shall finally know. Aamir had calmly thought at the time. He was that sort of philosophical guy.
Andrew James Pritchard (One In an Eleven Million)
there lived a young spirit of a lagoon so deep in the rain forest that even now only monkeys live there. He called himself Ikne, and all the world loved him. The nearby trees grew their greenest leaves, flowers unfurled their brightest petals and exhaled their sharpest scents. If a fish was lucky enough to live in the lagoon, it grew sleek and fat and happy, and spent every day singing of Ikne to his less fortunate fishy friends. If Ikne wasn’t always happy, he was more often than most. His life was good. Bright. He could live a long time like this, become an ancient spirit like the ones of caves and mountains, live to complain about kids these days and play arthritic peteca on the municipal courts. And so Ikne walked away from his idyll and got a job sharpshooting for the Pernambuco guerrillas in Salvador. It wasn’t an easy life, and one day he got shot in the stomach by a lead bullet. The bullet fell in love with him, of course, but she couldn’t stop the slow bleed of his gastric cavity into his pancreas, and she felt terrible, which was too bad, since he’d known all along what would happen. He died; he always said he would. Someone had to take out the bullet.
Alaya Dawn Johnson (The Summer Prince)
And so Ikne walked away from his idyll and got a job sharpshooting for the Perambuco guerrillas in Salvador. It wasn't an easy life, and one day he got shot in the stomach by a lead bullet. The bullet fell in love with him, of course, but she couldn't stop the slow bleed of his gastric cavity into his pancreas, and she felt terrible, which was too bad, since he'd known all along what would happen. He died; he always said he would. Someone had to take out the bullet.
Alaya Dawn Johnson (The Summer Prince)
A grown person in Tahiti has an eating hour allotted to him twice a day, at 10 A.M. and 5 P.M.
Charles Warren Stoddard (South-Sea Idyls)
The saying fits most every day of the year. In San Diego, near the ocean, it’s never bitterly cold and it’s never oppressively hot. I can appreciate the realities of the nonsublime weather in certain areas of the country. I spent a few years in Chicago for college, before heading back to San Diego. Then I returned to the Chicago area for two years of graduate school. I have figured that in the five years (sixty months) that I spent in the Midwest, forty months consisted of glacial winter. Another seventeen months were hot, airless summer. Perhaps three months over the entire five years were pleasant. Maybe even a day or two could have been described as idyllic. San Diego is different from that. Every five years we have about sixty months of heavenly weather.
Anonymous
What I have lately said of painting is equally true with respect to poetry. It is only necessary for us to know what is really excellent, and venture to give it expression; and that is saying much in few words. To-day I have had a scene which, if literally related, would make the most beautiful idyl in the world. But why should I talk of poetry and scenes and idyls? Can we never take pleasure in Nature without having recourse to art? If
William Allan Neilson (The Harvard Classics Shelf of Fiction - German German Fiction Selected by Charles W. Eliot, LL.D.)
Sunny wintry days. The idyll of (inner) loneliness. What am I going to do with my life?
Joyce Carol Oates
A pang of despair struck Lydia at those words. No more idyllic days at the lake, with the sun on her back, casting her fishing line into sparkling water. And what about her painting? There would be no more sunrises. Fighting
Brooklyn Ann (One Bite Per Night (Scandals with Bite, #2))
The Queen’s Highland castle retreat, set in 40,000 acres of heather and grouse moor, is effectively the Windsors’ family seat. Ever since Queen Victoria bought the estate in 1848 it has had a special place in the affections of the royal family. However the very quirks and obscure family traditions which have accrued over the years can intimidate newcomers. “Don’t sit there” they chorus at an unfortunate guest foolish enough to try and sit in a chair in the drawing-room which was last used by Queen Victoria. Those who successfully navigate this social minefield, popularly known as “the Balmoral test,” are accepted by the royal family. The ones who fail vanish from royal favour as quickly as the Highland mists come and go. So the prospect of her stay at Balmoral loomed large in Diana’s mind. She was “terrified” and desperately wanted to behave in the appropriate manner. Fortunately rather than staying in the main house, she was able to stay with her sister Jane and husband Robert who, as he was a member of the royal Household, enjoyed a grace and favour cottage on the estate. Prince Charles rang her every day, suggesting she join him for a walk or a barbecue. It was a “wonderful” few days until the glint of a pair of binoculars across the river Dee spoilt their idyll. They were carried by royal journalist James Whitaker who had spotted Prince Charles fishing by the banks of the river Dee. The hunters had become the hunted. Diana immediately told Charles that she would make herself scarce so while he continued fishing she hid behind a tree for half an hour hoping vainly that the journalists would go away. Cleverly she used the mirror from her powder compact to watch the unholy trinity of James Whitaker and rival photographers Ken Lennox and Arthur Edwards as they tried to capture her on film. She foiled their efforts by calmly walking straight up through the pine trees, her head muffled with a headscarf and flat cap, leaving Fleet Street’s finest clueless as to her identity.
Andrew Morton (Diana: Her True Story in Her Own Words)
It was summer in the Midwest and thus idyllic. Long days rolled out like the land before us, expansive and dotted with wild flowers and fireflies. It’s a potent season that can enchant away all thoughts of our protracted northern winters, which seem not only far off but altogether improbable. I blamed it on the heady billow of chlorophyll and vitamin D. In this unfiltered sunshine even a non-agrarian like me could see that this swelling farmland was beautiful and precious, a ripe expanse of great potential. I just wasn’t convinced it was our potential. But we were about to find out. With a transition as subtle as an ax, today would come to have a story, a moniker, and forever more be The Day the Chickens Came.
Lucie Amundsen
Perhaps under the influence of too much Filipino palm wine, Pigafetta marveled at the coconut and all its uses. “This palm bears a fruit, named cocho, which is as large as the head or thereabouts, and its first husk is green and two fingers thick, in which are found certain fibers of which those people make the ropes by which they bind their boats. Under this husk is another, very hard and thicker than that of a nut. . . . And under the said husk there is a white marrow of a finger’s thickness, which they eat with meat and fish, as we do bread, and it has the flavor of an almond. . . . From the center of this marrow there flows a water which is clear and sweet and very refreshing, like an apple.” The Filipinos taught their visitors how to produce milk from the coconut, “as we proved by experience.” They pried the meat of the coconut from the shell, combined it with the coconut’s liquor, and filtered the mixture through cloth. The result, said the chronicler, “became like goat’s milk.” Pigafetta was so moved by the coconut’s versatility that he declared, with some exaggeration, that two palm trees could sustain a family of ten for a hundred years. Their idyll lasted a week, each day bringing with it new discoveries and a growing intimacy with their genial Filipino hosts. “These people entered into very great familiarity and friendship with us, and made us understand several things in their language, and the name of some islands which we saw before us,” Pigafetta commented. “We took great pleasure with them, because they were merry and conversable.” But Magellan nearly destroyed the idyll when he invited the Filipinos aboard Trinidad. He incautiously showed his guests “all his merchandise, namely cloves, cinnamon, pepper, walnut, nutmeg, ginger, mace, gold, and all that was in the ship.” Clearly
Laurence Bergreen (Over the Edge of the World: Magellan's Terrifying Circumnavigation of the Globe)
To-day I have had a scene, which, if literally related, would, make the most beautiful idyl in the world. But why should I talk of poetry and scenes and idyls? Can we never take pleasure in nature without having recourse to art?
Johann Wolfgang von Goethe (The Complete Works of Johann Wolfgang von Goethe: Faust, Wilhelm Meister, Torquato Tasso, The Sorrows Of Young Werther and More (23 Books With Active Table of Contents))
Upon their first meeting, Liza's beauty had made an impression in his heart. He read novels and idylls, had a rather lively imagination, and in his mind frequently transported himself back to those times (real or imagined) when, according to the accounts of poets, everyone strolled lightheartedly through meadows, bathed in the waters of pure springs, kissed like turtledoves, reclined in the shade of rose and myrtle beaches, and spent all their days in happy idleness. It appeared to him that he had found in Liza what his heart had long sought.
Nikolay Karamzin (Poor Liza)
A thick mist had risen from the lakes and rivers, extending into long belts beside the hills and through the trees and villages. The land slowly coalesced into substantial forms out of these foaming banks of violet and rose. Three very bright planets shone out in perfect symmetry, one to the left, one to the right, and one straight ahead. We passed solitary figures already scything hay, picking herbs, or taking cows to pasture along the slopes and gullies of common land. It was a stunning sight, an idyllic moment. It was difficult to believe that any harm could come out of a day of such beginnings.
Ben Macintyre (The Spy and the Traitor: The Greatest Espionage Story of the Cold War)
Yes, they were evil times, but in my long lifetime I have come to see that the times have always been evil, and the idyllic old days of nobility and virtue never really occurred, but are only the fantasies of poets and moralists.
John Maddox Roberts (The King's Gambit (SPQR, #1))
After all the angst and anxiety of my first year in space, the next ten months seemed idyllic---if you think of idyllic as working twelve hours a day for weeks on end locked in a big tin can surrounded by metric mega-butt loads of nothing.
Nathan Lowell (Full Share (Golden Age of the Solar Clipper, #3))
hundred pounds a night. She had looked up the prices. She walked into a hyperbolic oriental extravaganza. Her bag had arrived before her. She walked in, uneasily, the wood panelling on the walls set off the scarlet fabrics. The king-size bed was lower than normal and a Ming stone carving stood in the room. She kept away, well away. She stepped out into the private walled garden with an oriental style water feature. The day was dry with a crisp chill in the air. The place was idyllic. It had a charm all its own. The sort of place she would love to bring Oliver.
Sadie Ryan (The Proposal)
I declared myself, I declared my love. More than to her I spoke to the landscape. The train looked like a toy, it left. ‘Ne sois pas triste.’ She left me a note. I had lost what was most important in my life, the sky was still blue, oblivious, everything yearned for peace and happiness, the landscape was idyllic, like idyllic, desperate adolescence. The landscape seemed to protect us, the small white houses of Appenzell, the fountain, the sign Töchterinstitut, it was as if the place hadn’t been affected by human distortions. Can one feel disorientated in an idyll? An atmosphere of catastrophe covered the land-scape. The irremediable came home to me in one of the most beautiful, transparent days of the year.
Fleur Jaeggy (Sweet Days of Discipline)
We dine on destruction: idyllic worlds reduced to industrial complexes that toil to the thud of dirty diesels day and night keeping millions of tortured fish alive with chemicals and dubious feed products; we sup on people's lives destroyed by noise and official contempt.
Richard Flanagan (Toxic: The Rotting Underbelly of the Tasmanian Salmon Industry)
Here I have you to myself, day and night," she told Jaehaerys. "When we go back, I shall be fortunate to snatch an hour with you, for every man in Westeros will want a piece of you." For her, these days on Dragonstone were an idyll. "Many years from now when we are old and grey, we shall look back upon these days and smile, remembering how happy we were.
George R.R. Martin (Fire & Blood (A Targaryen History, #1))
There is a classic story that I love to tell about a man who died and ended up in the the most idyllic world imaginable. All around were people like him and who liked him, and he never once had a fight with anyone; if there was a disagreement, the others always took his side. Each day he was free to indulge in anything he wanted without any consequences or ill effects; he played poker and always won, he drank his favorite whiskey and never got drunk, and at the end of the night, always managed to get the girl. Never once did anyone go against him, never once was anything out of place. At some point, the man began to grow tired of such constant gratification. Surrounded only by those who supported him no matter what he did, successful no matter how hard he tried to fail, and completely unchallenged against his own selfish desires, the excitement of everything he used to love faded. He went to the angel and requested a transfer: “This heaven of yours is quite nice, but it is a little boring. I think I might try hell for a little while. Maybe there I will be able to feel something again.” The angel replied, “Oh, I am terribly sorry, sir. This is hell.
Casey Cole (Called: What Happens After Saying Yes to God)
Like the Pythagoreans, Empedocles was a vegetarian. The sage was as much concerned for the welfare of animals as he was for that of his fellow human beings. He wrote of a time “when all animals were tame and the flame of friendship between us and all other creatures burned brightly.” He spoke of eating flesh as “pure cruelty,” a crime tantamount to cannibalism because animals are our kin. He ardently denounced animal sacrifices, writing of an idyllic time “when people didn’t worship Ares or Zeus or Poseidon, but instead honored the Great Goddess. They propitiated her with beautiful paintings and figurines, fragrant oils and incense, and libations of liquid honey. In those days altars weren’t drenched with the blood of murdered animals!
Linda Johnsen (Lost Masters: Rediscovering the Mysticism of the Ancient Greek Philosophers (An Eckhart Tolle Edition))
The drinking became a little more of a problem when I went to university. My parents had never been particularly present while I was growing up, so one might presume if I was going to go off the rails, why not do it at home, but I saved it for when I went away. I was enough of a disappointment to my father. I didn’t need to give him yet another excuse to help me understand I was not the daughter he wanted. My mother had left her native America when she fell in love with my dad while working for a year as an au pair in Gerrards Cross. She seemed happy when I was very young, then spent most of my teenage years in what I have always thought must have been, albeit undiagnosed a deep, and possibly clinical, depression. I can understand why. What I couldn’t understand is how she ever ended up with my father in the first place. He was handsome, and I suppose he must have been charming when they were young, but he was so damned difficult, I used to think, even when I was young, that we’d all be much happier if they got a divorce. I would sit with friends who would be in floods of tears because their mother had just found out their father had been having an affair, or their parents had decided they hated each other, or whatever the myriad of reasons are that drive people apart, and these friends would be crying at the terrible fear of their families breaking up, and all I could think was: I wish my parents would get divorced. It seemed to me that if ever there were two people on the planet who should not have been together, it was my parents. My mother is laid-back, funny, kind. She’s comfortable in her skin and has the easy laugh you expect from all Americans. She was brought up in New York, but her parents died very young, after which she went to live with her Aunt Judith. I never knew Aunt Judith, but everything about those days sounds idyllic, especially her summers in Nantucket. You look at pictures of my mum from those days and she was in flowing, hippie-ish clothes, always smiling. She had long, silky hair, and she looked happy and free. In sharp contrast to the pictures of her with my dad, even in those early days, when they were newlyweds, supposedly the happiest time of a relationship. He insisted she wear buttoned-up suits, or twinsets and pearls. Her hair was elaborately coiffed. I remember the heated rollers she kept in the bathroom, twisting her hair up every morning, spraying it into tight submission, slicking lipstick on her lips, her feet sliding into Roger Vivier pumps. If my father was away, she left her hair long and loose, wrapping a scarf around her head. She’d wear long gypsy skirts with espadrilles or sandals. I loved her like that most of all. I used to think it was her clothing that changed her personality,
Jane Green (Cat and Jemima J)
Tumbling over one another, these new realities produced nervous responses. Stratagems of defense, partly unconscious, included regression from liberal open-mindedness, nostalgia for an idyllic past when the poor had doffed their caps to their better, fearful clinging to strict rules of conduct, and psychological denials that were derisively, and unhelpfully, called hypocrisy. [...] Still, if alarm had been unanimous, the calls for a return to the old days would have been irresistible. The truth is that the agents of anxiety — those overpowering forces for change in politics, economics, science, morals, and social policy — were at the same time agents of self confidence.
Peter Gay (The Bourgeois Experience: Victoria to Freud, Volume 3: The Cultivation of Hatred)
People always point to an idyllic view of the healers of old, who didn’t seem to need money—at least in our present-day imaginations. The equivalent of a “thank you goat” for a healer living in Chicago is someone swiping their bank card for her services.
Abiola Abrams (African Goddess Initiation: Sacred Rituals for Self-Love, Prosperity, and Joy)
Imagine Melitene, land of plenty, under snow and ice and high blue skies; imagine it in spring, with the meltwater running off the mountains and the herds going up to the high pastures to graze and their milk scented with mint and citrus; imagine it in high summer, limpid in the day’s heat, with the hawks circling high above and the mares full fat with foal, swatting flies with their tails. Imagine that a man enters this idyll who does not know that he has come to paradise, who brings with him such ill luck as to make the statue of Fortune fall on her face at his passing and set the crows circling in murderous groups, eleven at a time, number of ill augur. Imagine such a man causing the minted milk to sour, and the men to sour with it, even before he gives the word to prosecute an unwinnable war, against the orders of his betters; or at least against Corbulo’s explicit command. Such a man was our new general and while you will have heard of the statue that fell on its face and the other ill omens – they became common enough currency in Rome soon after – you may not know that he disobeyed orders when he began his war.
M.C. Scott (Rome: The Eagle of the Twelfth (Rome, #3))