Icy Trees Quotes

During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was--but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasureable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me--upon the mere house, and the simple landscape features of the domain--upon the bleak walls--upon the vacant eye-like windows--upon a few rank sedges--and upon a few white trunks of decayed trees--with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveller upon opium--the bitter lapse into everyday life--the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart--an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime.

It was one of those bitter mornings when the whole of nature is shiny, brittle, and hard, like crystal. The trees, decked out in frost, seem to have sweated ice; the earth resounds beneath one's feet; the tiniest sounds carry a long way in the dry air; the blue sky is bright as a mirror, and the sun moves through space in icy brilliance, casting on the frozen world rays which bestow no warmth upon anything.

Idris had been green and gold and russet in the autumn, when Clary had first been there. It had a stark grandeur in the winter: the mountains rose in the distance, capped white with snow, and the trees along the side of the road that led back to Alicante from the lake were stripped bare, their leafless branches making lace-like patterns against the bright sky. Sometimes Jace would slow the horse to point out the manor houses of the richer Shadowhunter families, hidden from the road when the trees were full but revealed now. She felt his shoulders tense as they passed one that nearly melded with the forest around it: it had clearly been burned and rebuilt. Some of the stones still bore the black marks of smoke and fire. “The Blackthorn manor,” he said. “Which means that around this bend in the road is …” He paused as Wayfarer summited a small hill, and reined him in so they could look down to where the road split in two. One direction led back toward Alicante — Clary could see the demon towers in the distance — while the other curled down toward a large building of mellow golden stone, surrounded by a low wall. “ … the Herondale manor,” Jace finished. The wind picked up; icy, it ruffled Jace’s hair. Clary had her hood up, but he was bare-headed and bare-handed, having said he hated wearing gloves when horseback riding. He liked to feel the reins in his hands. “Did you want to go and look at it?” she asked. His breath came out in a white cloud. “I’m not sure.

The bare branches of the trees and the frozen grass peeking up from the snow stood out stark and hard in the icy winter night. The nipple on her almost bare breast grew hard, but the skin did not burn, nor did she begin to feel numb. Having become a demon, she could no longer be hurt by the cold.

I know my time will come soon enough, but I will not dwell on it. What is the purpose? We might as well dwell on the work of our teeth or on the mechanics of our walk. It is there, it will always be there, and I don't intend to spend my glorious hours looking over my shoulder to see death's icy face.

...trees to cool the towns in the boiling summer, trees to hold back the winter winds. There were so many things a tree could do: add color, provide shade, drop fruit, or become a children's playground, a whole sky universe to climb and hang from; an architecture of food and pleasure, that was a tree. But most of all the trees would distill an icy air for the lungs, and a gentle rustling for the ear when you lay nights in your snowy bed and were gentled to sleep by the sound.

Almost immediately, I found the red door into the library. I opened it idly- and the breath stopped in my throat. It was the same room I remembered: the shelves, the lion-footed table, the white bass-relief of Clio. But now, tendrils of dark green ivy grew between the shelves, reaching toward the books as if they were hungry to read. White mist flowed along the floor, rippling and tumbling as if blown by wind. Across the ceiling wove a network of icy ropes like tree roots. They dripped- not little droplets like the ice melting off a tree but grape-sized drops of water, like giant tears, that splashed on the table, plopped to the floor.

Turning, she looked out at the icy landscape, the soaring trees, branches dark and bitten blue with frost. And for a moment, she had something like a premonition, a feeling that something terrible was watching her, something hungry and sick. She could nearly hear it out there, panting between the trees, its breath ragged and spoiled.

If things were different, you wouldn’t have been you.” He finally looks back to me. His once icy eyes are now tepid pools as inviting and warm as the creeks I would strip bare and swim in underneath the redwood trees deep in the forests around the temple. “And I’ve found I’m very fond of exactly the woman you are. I wouldn’t change a single thing.

Grasping the staff, Donia pressed her mouth to Beira’s still body and inhaled. The rest of the Winter Queen’s cold flowed into her, rolling through her like an icy wave, churning until it suddenly stopped and lay quiet — a fathomless frozen pool surrounded by ice-laden trees and unmarred white fields. The words came to her from the white world, sliding through her lips like a winter wind, "I am the Winter Queen. As those before me, I will carry the wind and ice." And she was healed, stronger than she’d ever been.

The mountain panorama was the backdrop to every photo taken here, the backdrop to everything. At first Ursula had thought it beautiful, now she was beginning to find its magnificence oppressive. The great icy crags and the rushing waterfalls, the endless pine trees--nature and myth fused to form the Germanic sublimated soul. German Romanticism, it seemed to Ursula, was write large and mystical, the English Lakes seemed tame by comparison. And the English soul, if it resided anywhere, was surely in some unheroic back garden--a patch of lawn, a bed of roses, a row of runner beans.

And then I remembered something. Holy crap, I’d obviously been without magic for way too long to have forgotten one of the coolest spells I could do. “Stop!” I yelled.. Archer, Cal, and Jenna all skidded to a halt on the sand. I waved my hands at them to come closer. “Okay, everybody hold hands,” I said. Archer stared at me, one hand pressed to his bleeding chest. “Sophie, this really isn’t the time for a friendship circle.” “It’s not that,” I said. “It’s this.” I closed my eyes and channeled all my magic into a transportation spell. There was a rush of icy air, and then we were standing in the grove of trees that housed Hex Hall’s very own Itineris. “Wow,” Jenna breathed. “It is awesome to have you back.” Magic and satisfaction rushed through me. “You said it,” I agreed. “Now come on.” And with that, the four of us dove into the Itineris.

What was that sound? That rustling noise? It could be heard in the icy North, where there was not one leaf left upon one tree, it could be heard in the South, where the crinoline skirts lay deep in the mothballs, as still and quiet as wool. It could be heard from sea to shining sea, o'er purple mountains' majesty and upon the fruited plain. What was it? Why, it was the rustle of thousands of bags of potato chips being pulled from supermarket racks; it was the rustle of plastic bags being filled with beer and soda pop and quarts of hard liquor; it was the rustle of newspaper pages fanning as readers turned eagerly to the sports section; it was the rustle of currency changing hands as tickets were scalped for forty times their face value and two hundred and seventy million dollars were waged upon one or the other of two professional football teams. It was the rustle of Super Bowl week...

A sprawling North London parkland, composed of oaks, willows and chestnuts, yews and sycamores, the beech and the birch; that encompasses the city’s highest point and spreads far beyond it; that is so well planted it feels unplanned; that is not the country but is no more a garden than Yellowstone; that has a shade of green for every possible felicitation of light; that paints itself in russets and ambers in autumn, canary-yellow in the splashy spring; with tickling bush grass to hide teenage lovers and joint smokers, broad oaks for brave men to kiss against, mown meadows for summer ball games, hills for kites, ponds for hippies, an icy lido for old men with strong constitutions, mean llamas for mean children and, for the tourists, a country house, its façade painted white enough for any Hollywood close-up, complete with a tea room, although anything you buy there should be eaten outside with the grass beneath your toes, sitting under the magnolia tree, letting the white blossoms, blush-pink at their tips, fall all around you. Hampstead Heath! Glory of London! Where Keats walked and Jarman fucked, where Orwell exercised his weakened lungs and Constable never failed to find something holy.

...many neat holes dug in the dawn hours, seeds dropped in, and water brought....And, the thing that he wanted was Mars grown green and tall with trees and foliage, producing air, more air, growing larger with each season; trees to cool the towns in the boiling summer, trees to hold back the winter winds. There were so many things a tree could do: add color, provide shade, drop fruit or become a children's playground, a whole sky universe to climb and hang from; an architecture of food and pleasure, that was a tree. But most of all the trees would distill an icy air for the lungs, and a gentle rustling for the ear when you lay nights in your snowy bed and were gentled to sleep by the sound.

Where was Araceli? Ivy paced beneath the pepper trees where they always met, the winter limbs now naked with balled fists. Icy sprinkles stung her face. She whispered, “Hurry …

A moon of unsurpassable brilliance flooded the silent landscape with a cruel glare of greenish light, which traced sharp inky shadows of the trees on the rounded white folds. The snow crystals caught and reflected the moonlight upon a myriad facets until I appeared to be walking in a world of sparkling diamonds. The frightful stillness of the woodland at midnight was almost startling – everything seemed to be frost-bound and nerveless. Even the icy air seemed frozen into immobility. The crisp crunch of my footfall appeared to be an unpardonable intrusion, while the scars they made upon the smooth field of scintillating white seemed a positive sacrilege.

Lost Love I found you, hidden by crooked fingers of gnarly wood and leafy green, a pale ghost, drifting like morning mist, through haunted trees and forest birdsong. You come to me in waning moonlight, your story told on icy skin, the pages pale, with purple kisses, walking barefoot and breathless, toward my heart. You found me, buried deep beneath this earthly blanket, of thorny twigs and weeping mud, two lovers torn now bound together, in joyful death we make our bed.

Even with her failing vision, Violet West could see the scars. They had turned purple, almost red, from the icy cold, the color of the pears on the tree in the yard, the color of blood that can't be washed away and of things that can never be undone.

Through the stillness, snow fell not in skeins but in infinitely layered arabesques, filigree in motion, ornamenting the icy air, of an especially intense white in the dove-gray light of the morning, laying boas on the limbs of leafless trees, ermine collars on the tops of walls, a grace of softness in a hard world. You might have thought it would fall forever, endlessly beautifying all it touched, except for the reminder of the river. When the snowflakes met the undulant water, they ceased to exist.

Afroditi of the Flowers at Knossos Leave Kriti and come here to this holy temple with your graceful grove of apple trees and altars smoking with frankincense. Icy water babbles through apple branches and roses leave shadow on the ground and bright shaking leaves pour down profound sleep. Here is a meadow where horses graze amid wild blossoms of the spring and soft winds blow aroma of honey. Afroditi, take the nectar and delicately pour it into gold wine cups and mingle joy with our celebration.

O wind, songs have ye in her name? Plucked her did ye from midnight blasted millyard winds and made her renown ring in stone and brick and ice? Hard implacable bridges of iron cross her milk of brows? God bent from his steel arc welded her a hammer of honey and of balm? The rutted mud of hardrock Time . . . was it wetted, springified, greened, blossomied for me to grow in nameless bloodied lutey naming of her? Wood on cold trees would her coffin bare? Keys of stone rippled by icy streaks would ope my needy warm interiors and make her eat the soft sin of me? No iron bend or melt to make my rocky travail ease--I was all alone, my fate was banged behind an iron door, I'd come like butter looking for Hot Metals to love, I'd raise my feeble orgone bones and let them be rove and split the half and goop the big sad eyes to see it and say nothing. The laurel wreath is made of iron, and thorns of nails; acid spit, impossible mountains, and incomprehensible satires of blank humanity--congeal, cark, sink and seal my blood--

A stranger hurrying as fast as he could over the icy sidewalks looked in. He saw a circle of singing people bathed in the clean white light from a tree, and his heart did a somersault, and the image stayed with him; it merged with him even as he came home to his own children, who were already sleeping in their beds, to his wife crossly putting together the tricycle without the screwdriver that he’d run out to borrow. It remained long after his children ripped open their gifts and abandoned their toys in puddles of paper and grew too old for them and left their house and parents and childhoods, so that he and his wife gaped at each other in bewilderment as to how it had happened so terribly swiftly. All those years, the singers in the soft light in the basement apartment crystallized in his mind, became the very idea of what happiness should look like.

The Congregating of Stars They often meet in mountain lakes, No matter how remote, no matter how deep Down and far they must stream to arrive, Navigating between the steep, vertical piles Of broken limestone and chert, through shattered Trees and dry bushes bent low by winter, Across ravines cut by roaring avalanches Of boulders and ripping ice. Silently, the stars have assembled On the surface of this lost lake tonight, Arranged themselves to match the patterns They maintain in the highest spheres Of the surrounding sky. And they continue on, passing through The smooth, black countenance of the lake, Through that mirror of themselves, down through The icy waters to touch the perfect bottom Stillness of the invisible life and death existing In the nether of those depths. Sky-bound- yet touching every needle In the torn and sturdy forest, every stone, Sharp, cracked along the ragged shore- the stars Appear the same as in ancient human ages On the currents of the old seas and the darkened Trails of desert dunes, Orion’s belt the same As it shone in Galileo’s eyes, Polaris certain above The sails of every mariner’s voyage. An echoing Light from the Magi’s star, that beacon, might even Be shining on this lake tonight, unrecognized. The stars are congregating, perhaps in celebration, passing through their own names and legends, through fogs, airs, and thunders, the vapors of winter frost and summer pollens. They are ancestors of transfiguration, intimate with all the eyes of the night. What can they know?

Down the street, tree branches strung in purple Halloween lights began to shudder and sway. Dusty whirlwinds rose from the ground, and from the north came a great rush of wind. From Congo Square, she thought. Where the slaves danced and sang. "...and St. Louis Cemetery," whispered in her ear. The wind blew as cold as the icy breath of Lake Superior. Blowing veins seizured round the wrought iron gate. Yet the music continued. The only one oblivious to the sudden shift in the air--as if she were expecting it--was Angelique, who continued her dance, face to the sky. As though nothing had changed, though everything had.

Kay yawned and rested her forehead against the windowpane, her fingers idly strumming the guitar: the strings sang a hollow, lulling tune, as monotonously soothing as the Southern landscape, smudged in darkness, flowing past the window. An icy winter moon rolled above the train across the night sky like a thin white wheel.

DURING the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was; but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me—upon the mere house, and the simple landscape features of the domain—upon the bleak walls—upon the vacant eye-like windows—upon a few rank sedges—and upon a few white trunks of decayed trees—with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveler upon opium—the bitter lapse into every-day life—the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart—an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it—I paused to think—what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled luster by the dwelling, and gazed down—but with a shudder even more thrilling than before—upon the remodeled and inverted images of the gray sedge, and the ghastly tree stems, and the vacant and eye-like windows.

Her vision came into focus and again this time the trees crackled and mocked her. You’re going to die you silly bitch, they seemed to chant. They waved their branches, howling, as the wind whistled through the trails which had suddenly grown icy cold. Kayn’s mind snapped back to reality; she had lost a lot of blood…none of this was real. Children of Ankh

I see him in every shadow of every tree, a ghost standing tall against the rainstorm in the Bowl of Bones. Water streams between the points of his iron crown, into his eyes and mouth, into his collar, into the icy abyss that is his wasted heart. It goes red in color, turning from water to my blood. He opens his mouth to taste it, and the teeth within are sharp, gleaming razors of white bone.

She was carrying with her, the cold. She was holding on to that icy stone of grief. It had been there all along, sitting high in her chest, and with every step another fissure split through its middle-shivering over the orchard, frosting and melting, seasons flickering around her with the rhythm of her breaths, with the beat of her heart, she and the trees and the earth all part of the same creature.

Tristan contrefit sa voix et répondit : « Aux noces de l'abbé du Mont, qui est de mes amis. Il a épousé une abbesse, une grosse dame voilée. De Besançon jusqu'au Mont tous les prêtres, abbés, moines et clercs ordonnés ont été mandés à ces épousailles : et tous sur la lande, portant bâtons et crosses, jouent et dansent à l'ombre des grands arbres. Mais je les ai quittés pour venir ici : car je dois aujourd'hui servir à la table du roi. »

They were at the edge of the Quiescent Jungle, which was the friendliest forest in Never Land. The leaves of the trees spanned every shade of golden green, and the creatures who lived there were all harmless and mostly furry. The air smelled like ripening blackberries- although it was not quite the right season- and a whisper of cool moistness hinted at a delightfully icy stream somewhere nearby. Only a fool would want to leave. Only a genius would choose to nap there.

I shook with cold and fear, without being able to answer. After a lapse of some moments, I was again called. I made an effort to speak, and then felt the bandage which wrapped me from head to foot. It was my shroud. At last, I managed feebly to articulate, 'Who calls?' 'Tis I' said a voice. 'Who art thou?' 'I! I! I!' was the answer; and the voice grew weaker, as if it was lost in the distance; or as if it was but the icy rustle of the trees. A third time my name sounded on my ears; but now it seemed to run from tree to tree, as if it whistled in each dead branch; so that the entire cemetery repeated it with a dull sound. Then I heard a noise of wings, as if my name, pronounced in the silence, had suddenly awakened a troop of nightbirds. My hands, as if by some mysterious power, sought my face. In silence I undid the shroud which bound me, and tried to see. It seemed as if I had awakened from a long sleep. I was cold. I then recalled the dread fear which oppressed me, and the mournful images by which I was surrounded. The trees had no longer any leaves upon them, and seemed to stretch forth their bare branches like huge spectres! A single ray of moonlight which shone forth, showed me a long row of tombs, forming an horizon around me, and seeming like the steps which might lead to Heaven. All the vague voices of the night, which seemed to preside at my awakening, were full of terror. ("The Dead Man's Story")

Even in the coldest weather, the harbor, the fields, the woods, all are alive. Blue jays fly, and brown winter wrens; finches feed on birch seed. Tiny, unseen things crawl, hunt, live, die. Lacewings hibernate under the loose bark on the trees. Caddis-fly larvae carry houses made from plant debris on their backs, and aphids huddle on the alders. Wood frogs sleep frozen beneath piles of leaf mold, and beetles and back swimmers, newts and spotted salamanders, their tails thick with stored fat, all flicker in the icy waters above. There are carpenter ants, and snow fleas, and spiders, and black mourning cloak butterflies that flit across the snow like burned paper. White-footed mice and woodland voles and pygmy shrews scurry through the slash, ever-wary of the foxes and weasels and the vicious, porcupine-hunting fishers that share the habitat. The snowshoe hare changes its coat to white in response to the diminishing daylight hours, the better to hide itself from its predators. Because the predators never go away.

I watched an orange-red crane turning against the blue background of the sky. I watched a black insect that drew a broad, foaming, icy furrow across the heavens. The eternal youth of the world makes me feel breathless. Some things I loved have vanished. A great many others have been given to me. Yesterday evening I was going up the Boulevard Raspail and the sky was crimson: it seemed to me that I was walking upon an unknown planet where the grass might be violet, the earth blue. It was trees hiding the red glare of a neon-light advertisement.

She's selling CDs on the corner, fifty cents to any stoner, any homeboy with a boner. Sleet and worse - the weather's awful. Will she live? It's very doubtful. Life out here is never healthful. She puts a CD in her Sony. It's the about the pony and a pie with pepperoni and a mom with warm, clean hands who doesn't bring home guys from bands or make some sickening demands. The cold wind bites like icy snakes. She tries to move but merely shakes. Some thief leans down and simply takes. Her next CD's called Land Of Food. No one there can be tattooed or mumble things that might be crude and everything to eat is free, there's always a big Christmas tree and crystal bowls of potpourri. She's weak but still she play one more: She's on a beach with friends galore. They scamper down the sandy shore to watch the towering waves cascade and marvel at the cute mermaids who call to her and serenade. She can't resist. the water's fine. The rocks are like a kind of shrine. The foam goes down like scarlet wine. One cop stands up and says, "She's gone." The other shakes his head and yawns. It's barely 10:00, and life goes on.

A butterfly fluttered from flower to flower in the old garden, gracing the silvery-blue tips of the crocuses and what remained of the icy-white petals of the lady's prized tulips. The yellow strands on the butterfly's wings shimmered in the fading light, and Libby watched the creature in its journey, mesmerized by the graceful rise and fall of its dance. Her arms outstretched, Libby twirled around like she had as a girl, embracing the last rays of sunlight. Here in this garden, she was as free as the butterfly. Here she didn't have to hide. The butterfly climbed above the flowers and soared toward the lily pond. Beyond the pond were more flowers, hundreds of them, and then the trees. Soon the butterfly would curl up under a rock or leaf and rest for the night, hiding in the darkness, alone and vulnerable until the sun powered her wings again at dawn. Libby trailed the creature around the pond to see where it would land. If the night stayed warm, she might curl up beside the butterfly to rest, but not now. She no longer had to hide in these gardens. Soon the moonlight would glaze the paths with gold, and she would explore for hours, enveloped in the shadows and the light.

The front door of the hollow tree faced eastwards, so Toad was called at an early hour; partly by the bright sunlight streaming in on him, partly by the exceeding coldness of his toes, which made him dream that he was at home in bed in his own handsome room with the Tudor window, on a cold winter’s night, and his bedclothes had got up, grumbling and protesting they couldn’t stand the cold any longer, and had run downstairs to the kitchen fire to warm themselves; and he had followed, on bare feet, along miles and miles of icy stone-paved passages, arguing and beseeching them to be reasonable.

I looked upon the scene before me—upon the mere house, and the simple landscape features of the domain—upon the bleak walls—upon the vacant eye-like windows—upon a few rank sedges—and upon a few white trunks of decayed trees—with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveller upon opium—the bitter lapse into every-day life—the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart—an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime.

THE CONDITIONAL Say tomorrow doesn’t come. Say the moon becomes an icy pit. Say the sweet-gum tree is petrified. Say the sun’s a foul black tire fire. Say the owl’s eyes are pinpricks. Say the raccoon’s a hot tar stain. Say the shirt’s plastic ditch-litter Say the kitchen’s a cow’s corpse. Say we never get to see it: bright future, stuck like a bum star, never coming close, never dazzling. Say we never meet her. Never him. Say we spend our last moments staring at each other, hands knotted together, clutching the dog, watching the sky burn. Say, It doesn’t matter. Say, That would be enough. Say you’d still want this: us alive, right here, feeling lucky.

The Merry Chrismouse by Stewart Stafford What a time for the merry Chrismouse, Making toys in his workshop/house, Everyone contributes, even his spouse, With Christmas cheer, no one will douse. A sprig of holly for a present tree, Blizzard snow is grated cheese, The kindly rodent set to please, When he comes on Christmas Eve. Nuts and seeds on their button table, Playing games and telling fables, Discarded tinsel on the wall of gable, In midwinter's icy spell unstable. A time for amnesia that felines exist, Kindness and joy at their fingertips, Baby mice excitedly make lists, To have many gifts when they insist. © Stewart Stafford, 2021. All rights reserved.

At night the wind moaned. The gnarled and stunted tree trunks creaked and groaned and forced Yossarian’s thoughts each morning, even before he was fully awake, back on Kid Sampson’s skinny legs bloating and decaying, as systematically as a ticking clock, in the icy rain and wet sand all through the blind, cold, gusty October nights. After Kid Sampson’s legs, he would think of pitiful, whimpering Snowden freezing to death in the rear section of the plane, holding his eternal, immutable secret concealed inside his quilted, armor-plate flak suit until Yossarian had finished sterilizing and bandaging the wrong wound on his leg, and then spilling it out suddenly all over the floor.

Amsterdam, I dreamed about my mother for the first time in years. I’d been shut up in my hotel for more than a week, afraid to telephone anybody or go out; and my heart scrambled and floundered at even the most innocent noises: elevator bell, rattle of the minibar cart, even church clocks tolling the hour, de Westertoren, Krijtberg, a dark edge to the clangor, an inwrought fairy-tale sense of doom. By day I sat on the foot of the bed straining to puzzle out the Dutch-language news on television (which was hopeless, since I knew not a word of Dutch) and when I gave up, I sat by the window staring out at the canal with my camel’s-hair coat thrown over my clothes—for I’d left New York in a hurry and the things I’d brought weren’t warm enough, even indoors. Outside, all was activity and cheer. It was Christmas, lights twinkling on the canal bridges at night; red-cheeked dames en heren, scarves flying in the icy wind, clattered down the cobblestones with Christmas trees lashed to the backs of their bicycles. In the afternoons, an amateur band played Christmas carols that hung tinny and fragile in the winter air. Chaotic room-service trays; too many cigarettes; lukewarm vodka from duty free. During those restless, shut-up days, I got to know every inch of the room as a prisoner comes to know his cell. It was my first time in Amsterdam; I’d seen almost nothing

When Sally stopped crying, she found herself alone, the cold draft of the window at her neck, and on both sides, the rows of doors went on and on, diminishing to nothing, the end. 'What fun it is to ride and sing a sleighing song tonight, oh.' What glories. Mathilde came. And though she appeared to be the... same sweet girl Sally had been afraid of, she was not. Sally saw the flint in her. Mathilde can save Lotto from his own laziness, Sally thought. But here they were, a year later, and he was still ordinary. The chorus caught in her throat. A stranger hurrying as fast as he could over the icy sidewalks looked in. He saw a circle of singing people bathed in the clean, white light from a tree, and his heart did a soumersault. And the image stayed with him, it merged with him even as he came home to his own children, who were already asleep in their beds, to his wife crossly putting together the tricycle without the screwdriver he'd run out to borrow. It remained long after his children ripped open their gifts and abandoned their toys and puddles of paper and grew too old for them and left their house and parents and childhoods, so that he and his wife gaped at each other in bewilderment as to how it had happened so terribly swiftly. All those years, the singers in the soft light in the basement apartment crystalized in his mind, became the very idea of what happiness should look like.

{From Luther Burbank's funeral. He was loved until he revealed he was an atheist, then he began to receive death threats. He tried to amiably answer them all, leading to his death} It is impossible to estimate the wealth he has created. It has been generously given to the world. Unlike inventors, in other fields, no patent rights were given him, nor did he seek a monopoly in what he created. Had that been the case, Luther Burbank would have been perhaps the world's richest man. But the world is richer because of him. In this he found joy that no amount of money could give. And so we meet him here today, not in death, but in the only immortal life we positively know--his good deeds, his kindly, simple, life of constructive work and loving service to the whole wide world. These things cannot die. They are cumulative, and the work he has done shall be as nothing to its continuation in the only immortality this brave, unselfish man ever sought, or asked to know. As great as were his contributions to the material wealth of this planet, the ages yet to come, that shall better understand him, will give first place in judging the importance of his work to what he has done for the betterment of human plants and the strength they shall gain, through his courage, to conquer the tares, the thistles and the weeds. Then no more shall we have a mythical God that smells of brimstone and fire; that confuses hate with love; a God that binds up the minds of little children, as other heathen bind up their feet--little children equally helpless to defend their precious right to think and choose and not be chained from the dawn of childhood to the dogmas of the dead. Luther Burbank will rank with the great leaders who have driven heathenish gods back into darkness, forever from this earth. In the orthodox threat of eternal punishment for sin--which he knew was often synonymous with yielding up all liberty and freedom--and in its promise of an immortality, often held out for the sacrifice of all that was dear to life, the right to think, the right to one's mind, the right to choose, he saw nothing but cowardice. He shrank from such ways of thought as a flower from the icy blasts of death. As shown by his work in life, contributing billions of wealth to humanity, with no more return than the maintenance of his own breadline, he was too humble, too unselfish, to be cajoled with dogmatic promises of rewards as a sort of heavenly bribe for righteous conduct here. He knew that the man who fearlessly stands for the right, regardless of the threat of punishment or the promise of reward, was the real man. Rather was he willing to accept eternal sleep, in returning to the elements from whence he came, for in his lexicon change was life. Here he was content to mingle as a part of the whole, as the raindrop from the sea performs its sacred service in watering the land to which it is assigned, that two blades may grow instead of one, and then, its mission ended, goes back to the ocean from whence it came. With such service, with such a life as gardener to the lilies of the field, in his return to the bosoms of infinity, he has not lost himself. There he has found himself, is a part of the cosmic sea of eternal force, eternal energy. And thus he lived and always will live. Thomas Edison, who believes very much as Burbank, once discussed with me immortality. He pointed to the electric light, his invention, saying: 'There lives Tom Edison.' So Luther Burbank lives. He lives forever in the myriad fields of strengthened grain, in the new forms of fruits and flowers, plants, vines, and trees, and above all, the newly watered gardens of the human mind, from whence shall spring human freedom that shall drive out false and brutal gods. The gods are toppling from their thrones. They go before the laughter and the joy of the new childhood of the race, unshackled and unafraid.

Now the wind, which sings and weeps, Down the dark road swoops and leaps. Crow’s wings ripping through the clouds Tear the heavens into shrouds. Naked tree with shaking boughs Black and dreadful mops and mows. Morgan the Fairy sings and sighs, Morgan sings and Morgan cries, Morgan moans and Morgan weeps, Down the dark road swoops and leaps And within his dwelling creeps Morgan the Fairy’s icy breath Bring him to dole and death. Make him drink from your black cup, Wine of mulberry make him sup. So his pain may longer be, Long his spirit’s agony. Fill his clothes with biting lice, Curse his horse with stinging flies, Crack his bones until he dies. Strike his nerves with mortal cold Rot his flesh with creeping mould So his pain may longer be, Long his spirit’s agony And his body maggot’s fee.

More extraordinary than all this to David, however, was the fact that these people regarded HIM, not themselves, as being strange. As if it were not the most natural thing in the world to live with one's father in one's home on the mountain-top, and spend one's days trailing through the forest paths, or lying with a book beside some babbling little stream! As if it were not equally natural to take one's violin with one at times, and learn to catch upon the quivering strings the whisper of the winds through the trees! Even in winter, when the clouds themselves came down from the sky and covered the earth with their soft whiteness,—even then the forest was beautiful; and the song of the brook under its icy coat carried a charm and mystery that were quite wanting in the chattering freedom of summer. Surely there was nothing strange in all this, and yet these people seemed to think there was!

How was Gengo to know, Saigyo reflected, that this unheroic existence imposed even greater torment than the icy lashings of the Nachi Falls in its thousand-foot leap? How was Gengo to realize that Saigyo had not slept a single night undisturbed since he had fled his home for the Eastern Hills, that his sleep was haunted by the cries of his beloved daughter from whom he had torn himself. Who knew that during the day, when he went about his tasks of drawing water and chopping wood as he composed verses, the sighting of the wind in the treetops of the valleys below and the pines surrounding the temple sounded to him like the mourning of his young wife, and so troubled his nights that sleep no longer visited him? Never again would Saigyo find peace. He had wrenched asunder the living boughs of the tree that was his life. Remorse and compassion for his loved ones would dog him to the end of his days.

This will not be a normal winter. The winter will begin, and it will continue, winter following winter. There will be no spring, no warmth. People will be hungry and they will be cold and they will be angry. Great battles will take place, all across the world. Brothers will fight brothers, fathers will kill sons. Mothers and daughters will be set against each other. Sisters will fall in battle with sisters, and will watch their children murder each other in their turn. This will be the age of cruel winds, the age of people who become as wolves, who prey upon each other, who are no better than wild beasts. Twilight will come to the world, and the places where the humans live will fall into ruins, flaming briefly, then crashing down and crumbling into ash and devastation. Then, when the few remaining people are living like animals, the sun in the sky will vanish, as if eaten by a wolf, and the moon will be taken from us too, and no one will be able to see the stars any longer. Darkness will fill the air, like ashes, like mist. This will be the time of the terrible winter that will not end, the Fimbulwinter. There will be snow driving in from all directions, fierce winds, and cold colder than you have ever imagined cold could be, an icy cold so cold your lungs will ache when you breathe, so cold that the tears in your eyes will freeze. There will be no spring to relieve it, no summer, no autumn. Only winter, followed by winter, followed by winter. After that there will come the time of the great earthquakes. The mountains will shake and crumble. Trees will fall, and any remaining places where people live will be destroyed. The earthquakes will be so great that all bonds and shackles and fetters will be destroyed. All of them. Fenrir, the great wolf, will free himself from his shackles. His mouth will gape: his upper jaw will reach the heavens, the lower jaw will touch the earth. There is nothing he cannot eat, nothing he will not destroy. Flames come from his eyes and his nostrils. Where Fenris Wolf walks, flaming destruction follows. There will be flooding too, as the seas rise and surge onto the land. Jormungundr, the Midgard serpent, huge and dangerous, will writhe in its fury, closer and closer to the land. The venom from its fangs will spill into the water, poisoning all the sea life. It will spatter its black poison into the air in a fine spray, killing all the seabirds that breathe it. There will be no more life in the oceans, where the Midgard serpent writhes. The rotted corpses of fish and of whales, of seals and sea monsters, will wash in the waves. All who see the brothers Fenrir the wolf and the Midgard serpent, the children of Loki, will know death. That is the beginning of the end.

When he struck the icy water, he feared his heart might stop. He wasn’t sure what he’d expected, but the force of the river was terrifying, flowing fast and hard as an avalanche. The noise was deafening even beneath the water, but with fear also came a kind of giddy vindication. He’d been right. The Voice of God. There was always truth in legend. Kaz had spent enough time building his own myth to know. He’d wondered where the water that fed the Ice Court’s moat and fountains came from, why the river gorge was so very deep and wide. As soon as Nina had described the drüskelle initiation ritual, he’d known: The Fjerdan stronghold hadn’t been built around a great tree but around a spring. Djel, the wellspring, who fed the seas and rains, and the roots of the sacred ash. Water had a voice. It was something every canal rat knew, anyone who had slept beneath a bridge or weathered a winter storm in an overturned boat—water could speak with the voice of a lover, a long-lost brother, even a god.

At this point, the sequence of my memories is disrupted. I sank into a chaos of brief, incoherent and bizarre hallucinations, in which the grotesque and the horrible kept close company. Prostrate, as if I were being garrotted by invisible cords, I floundered in anguish and dread, oppressively ridden by the most unbridled nightmares. A whole series of monsters and avatars swarmed in the shadows, coming to life amid draughts of sulphur and phosphorus like an animated fresco painted on the moving wall of sleep. There followed a turbulent race through space. I soared, grasped by the hair by an invisible hand of will: an icy and powerful hand, in which I felt the hardness of precious stones, and which I sensed to be the hand of Ethal. Dizziness was piled upon dizziness in that flight to the abyss, under skies the colour of camphor and salt, skies whose nocturnal brilliance had a terrible limpidity. I was spun around and around, in bewildering confusion, above deserts and rivers. Great expanses of sand stretched into the distance, mottled here and there by monumental shadows. At times we would pass over cities: sleeping cities with obelisks and cupolas shining milk-white in the moonlight, between metallic palm-trees. In the extreme distance, amid bamboos and flowering mangroves, luminous millennial pagodas descended towards the water on stepped terraces.

It was a wondrous sight. The wood was green as mosses of the Icy Glen; the trees stood high and haughty, feeling their living sap; the industrious earth beneath was as a weaver’s loom, with a gorgeous carpet on it, whereof the ground-vine tendrils formed the warp and woof, and the living flowers the figures. All the trees, with all their laden branches; all the shrubs, and ferns, and grasses; the message-carrying air; all these unceasingly were active. Through the lacings of the leaves, the great sun seemed a flying shuttle weaving the unwearied verdure. Oh, busy weaver! unseen weaver!—pause!—one word!—whither flows the fabric? what palace may it deck? wherefore all these ceaseless toilings? Speak, weaver!—stay thy hand!—but one single word with thee! Nay—the shuttle flies—the figures float from forth the loom; the fresher-rushing carpet for ever slides away. The weaver-god, he weaves; and by that weaving is he deafened, that he hears no mortal voice; and by that humming, we, too, who look on the loom are deafened; and only when we escape it shall we hear the thousand voices that speak through it. For even so it is in all material factories. The spoken words that are inaudible among the flying spindles; those same words are plainly heard without the walls, bursting from the opened casements. Thereby have villainies been detected. Ah, mortal! then, be heedful; for so, in all this din of the great world’s loom, thy subtlest thinkings may be overheard afar.

I looked upon the scene before me—upon the mere house, and the simple landscape features of the domain—upon the bleak walls—upon the vacant eye-like windows—upon a few rank sedges—and upon a few white trunks of decayed trees—with an utter desperation of soul which I can compare to no earthly sensation more properly than to the afterdream of the reveller upon opium—the bitter lapse into everyday life—the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart—an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it—I paused to think—what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled lustre by the dwelling, and gazed down—but with a shudder even more thrilling than before—upon the remodelled and inverted images of the grey sedge, and the ghastly tree-stems, and the vacant and eye-like windows.

I looked upon the scene before me—upon the mere house, and the simple landscape features of the domain—upon the bleak walls—upon the vacant eye-like windows—upon a few rank sedges—and upon a few white trunks of decayed trees—with an utter desperation of soul which I can compare to no earthly sensation more properly than to the afterdream of the reveller upon opium—the bitter lapse into everyday life—the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart—an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it—I paused to think—what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled lustre by the dwelling, and gazed down—but with a shudder even more thrilling than before—upon the remodelled and inverted images of the grey sedge, and the ghastly tree-stems, and the vacant and eye-like windows.

HEXAGON Snowflakes descend purposefully or wistfully but, surrounded by their tiny peers, each is confident they together will soon hide the meadows, driveways, roofs, fences, the stripped gardens. A speck of dust or pollen lofted to the top of the sky encountered a water drop that in the celestial cold adhered and froze, forming an ice crystal which, now weightier than the air it floated on, began to waft downwards, adding water particles as it traveled, six spikes or arms creating a filigree all its own as it passed through differing temperatures and amounts of dampness. Its delicate white intricacy, though, contains an inner space also unique. One offers a forest of snowy evergreens where, as afternoon light dims, a man wearing a homespun hooded garment and bent under a sack thrown over a shoulder plods along a footpath winding uphill between firs and pines. With each step, his breath appears like smoke until he and his burden are lost from view, and a chill wind sways the thin twigs of bushes emerging from drifts beside the track. In that flake is preserved an era in which the body endures and welcomes the simple opposites: icy cold against face skin and eventually a fire’s warmth, sodden feet and, at last, these dried once more, while the eye registers an omnipresent starkness —white fields, white roads, white trees— which, like a minor key, can please the mind. Here is the past returned to Earth by the water that changes form but does not die. In this vision, each frozen tuft among the millions that lower to the ground is a memento mori that affirms: No life is useless or pointless, since each in its turn advances the future. Yet all are swiftly forgotten in the beauty of the falling snow.

Having lost his mother, father, brother, an grandfather, the friends and foes of his youth, his beloved teacher Bernard Kornblum, his city, his history—his home—the usual charge leveled against comic books, that they offered merely an escape from reality, seemed to Joe actually to be a powerful argument on their behalf. He had escaped, in his life, from ropes, chains, boxes, bags and crates, from countries and regimes, from the arms of a woman who loved him, from crashed airplanes and an opiate addiction and from an entire frozen continent intent on causing his death. The escape from reality was, he felt—especially right after the war—a worthy challenge. He would remember for the rest of his life a peaceful half hour spent reading a copy of 'Betty and Veronica' that he had found in a service-station rest room: lying down with it under a fir tree, in a sun-slanting forest outside of Medford, Oregon, wholly absorbed into that primary-colored world of bad gags, heavy ink lines, Shakespearean farce, and the deep, almost Oriental mistery of the two big-toothed wasp-waisted goddess-girls, light and dark, entangled forever in the enmity of their friendship. The pain of his loss—though he would never have spoken of it in those terms—was always with him in those days, a cold smooth ball lodged in his chest, just behind his sternum. For that half hour spent in the dappled shade of the Douglas firs, reading Betty and Veronica, the icy ball had melted away without him even noticing. That was magic—not the apparent magic of a silk-hatted card-palmer, or the bold, brute trickery of the escape artist, but the genuine magic of art. It was a mark of how fucked-up and broken was the world—the reality—that had swallowed his home and his family that such a feat of escape, by no means easy to pull off, should remain so universally despised.

I scrambled onto the bed, lunging for him, feeling what was his arm, then his stomach, then his shoulders. His skin was freezing as I gripped his shoulders and shouted his name. No response, and I slid a hand up his neck, to his mouth- to make sure he was still breathing, that this wasn't his power floating away from him- Icy breath hit my palm. And bracing myself, I rose up on my knees, aiming blindly and slapping him. My palm stung- but he didn't move. I hit him again, pulling on that bond between us, shouting his name down it like it was a tunnel, banging on that wall of ebony adamant within his mind, roaring at it. A crack in the dark. And then his hands were on me, flipping me, pinning me with expert skill to the mattress, a taloned hand at my throat. I went still. 'Rhysand.' I breathed. Rhys, I said, through the bond, putting a hand against that inner shield. The dark shuddered. I threw my own power out- black to black, soothing his darkness, the rough edges, willing it to calm, to soften. My darkness sang his own a lullaby, a song my wet nurse had hummed when my mother had shoved me into her arms to go back to attending parties. 'It was a dream,' I said. His hand was so cold. 'It was a dream.' Again, the dark paused. I sent my own veils of night brushing up against it, running star-flecked hands down it. And for a heartbeat, the inky blackness cleared enough that I saw his face above me: drawn, lips pale, violet eyes wide- scanning. 'Feyre,' I said. 'I'm Feyre.' His breathing was jagged, uneven. I gripped the wrist that held my throat- held, but didn't hurt. 'You were dreaming.' I willed that darkness inside myself to echo it, to sing those raging fears to sleep, to brush up against that ebony wall within his mind, gentle and soft... Then, like snow shaken from a tree, his darkness fell away, taking mine with it. Moonlight poured in- and the sounds of the city.

At the Fishhouses Although it is a cold evening, down by one of the fishhouses an old man sits netting, his net, in the gloaming almost invisible, a dark purple-brown, and his shuttle worn and polished. The air smells so strong of codfish it makes one's nose run and one's eyes water. The five fishhouses have steeply peaked roofs and narrow, cleated gangplanks slant up to storerooms in the gables for the wheelbarrows to be pushed up and down on. All is silver: the heavy surface of the sea, swelling slowly as if considering spilling over, is opaque, but the silver of the benches, the lobster pots, and masts, scattered among the wild jagged rocks, is of an apparent translucence like the small old buildings with an emerald moss growing on their shoreward walls. The big fish tubs are completely lined with layers of beautiful herring scales and the wheelbarrows are similarly plastered with creamy iridescent coats of mail, with small iridescent flies crawling on them. Up on the little slope behind the houses, set in the sparse bright sprinkle of grass, is an ancient wooden capstan, cracked, with two long bleached handles and some melancholy stains, like dried blood, where the ironwork has rusted. The old man accepts a Lucky Strike. He was a friend of my grandfather. We talk of the decline in the population and of codfish and herring while he waits for a herring boat to come in. There are sequins on his vest and on his thumb. He has scraped the scales, the principal beauty, from unnumbered fish with that black old knife, the blade of which is almost worn away. Down at the water's edge, at the place where they haul up the boats, up the long ramp descending into the water, thin silver tree trunks are laid horizontally across the gray stones, down and down at intervals of four or five feet. Cold dark deep and absolutely clear, element bearable to no mortal, to fish and to seals . . . One seal particularly I have seen here evening after evening. He was curious about me. He was interested in music; like me a believer in total immersion, so I used to sing him Baptist hymns. I also sang "A Mighty Fortress Is Our God." He stood up in the water and regarded me steadily, moving his head a little. Then he would disappear, then suddenly emerge almost in the same spot, with a sort of shrug as if it were against his better judgment. Cold dark deep and absolutely clear, the clear gray icy water . . . Back, behind us, the dignified tall firs begin. Bluish, associating with their shadows, a million Christmas trees stand waiting for Christmas. The water seems suspended above the rounded gray and blue-gray stones. I have seen it over and over, the same sea, the same, slightly, indifferently swinging above the stones, icily free above the stones, above the stones and then the world. If you should dip your hand in, your wrist would ache immediately, your bones would begin to ache and your hand would burn as if the water were a transmutation of fire that feeds on stones and burns with a dark gray flame. If you tasted it, it would first taste bitter, then briny, then surely burn your tongue. It is like what we imagine knowledge to be: dark, salt, clear, moving, utterly free, drawn from the cold hard mouth of the world, derived from the rocky breasts forever, flowing and drawn, and since our knowledge is historical, flowing, and flown.

He remembered that clear, icy journey to Lampozhnya, and the sledges arching and hissing across the glittering axle tree of world. For a few days, what he had felt was pure happiness. And what Lymond had known, he now saw, was freedom.

April 2 The God of all grace, who called you to his eternal glory in Christ, after you have suffered a little while, will himself restore you and make you strong, firm and steadfast. 1 PETER 5:10 DEVOTION Through the Storm Winter snow and ice storms may stretch into the spring, offering one last blast of bitter cold. A late burst of freezing temps can kill fragile blossoms and snap icy branches with bitter winds. Some trees will buckle under the weight of heavy spring snow and lean toward the ground, burdened by the unexpected, unseasonable storm. They will require assistance in their restoration, someone to brush the remaining snow away and sometimes to stake them upright. You, too, may experience a late, unexpected storm. Things seem to be going well in your life and then suddenly, you hit a wall, overwhelmed by your responsibilities, weighted by countless burdens, unsure of how you’ll keep going. This is when God, our perfect and loving Gardener, will sustain and restore you. His grace is more than sufficient to keep you alive and fruitful. Don’t be frightened when spring snows come. DAILY INTERACTION CONNECT: Send an e-card to someone who might need encouragement as they experience a trial or hardship.

chest. Everything looked strange and slow. Vernon bent over him. He felt him give his chest a big shove, and he felt his arms being raised. All at once the pressure seemed to break, and he coughed violently. Vernon rolled him to his side. He coughed, coughed again, felt a blinding icy headache take hold. Reality returned with a vengeance. Tom struggled to sit up. Vernon put his arms under his shoulders and supported him. “What happened?” “This foolish brother of yours, this Vernito, jumped into that river and pulled you out from under those logs. I have never seen such craziness in my life.” “He did?” Tom turned and looked at Vernon. He was soaked, and his forehead was cut. Blood and water ran together into his beard. Vernon grasped him, and he stood up. His head cleared a little more, and the pounding headache began to subside. He look down into the roaring chute of water ripping into the frenzied pool jammed full of broken tree trunks and branches. He looked at Vernon again. It finally sank in. “You,” he said incredulously. Vernon shrugged. “You saved my life.” “Well, you saved mine,” he said, almost defensively. “You decapitated a snake for me. All I did was jump.” Don Alfonso said, “By the Virgin Mary, I still cannot

I shoved helplessly through the brittle pine trees, leafless branches clawing at my flesh.  Snow flooded my sneakers, soaking higher and higher on my jeans with every step I took. My heart pounded furiously. My lungs grew tight, about to collapse from exhaustion. The air dipped colder. Fog swirled everywhere. They were close, so close I could feel their icy breath down my neck. That’s what they do—they drop the

A long time ago inside a local ice rink, 15 year olds went to battle to win a game of hockey.  They played for themselves, for their teams, for their coaches, for their towns, and for their families. It was a 0-0 tie in the 2nd period.     Both goalies were outstanding.  But one appeared to be somewhere else. Thinking.  The shot came.    The antagonist wasn’t aiming to break the scoreless tie.  He was living up to his agreement with the other team’s coach.  A coach who wanted his son to be the team's goalie.     He didn’t want a new goalie that could take his team where they have never been.  The playoffs.  A goalie that could secure his team at the top.  The coach watched the shot he bought.      The goalie could have shifted, dodged out of the way, but he was paralyzed.  He dropped to the ice when the puck struck his unprotected neck.     The player skated over to examine the goalie. He had accomplished his task.    And with the money he earned, he can buy the bicycle he always wanted.     The goalie’s father was standing amongst the other parents.  He was enraged that his son didn’t make the save.     He felt the hard work he put into his boy slowly fade, and quickly die out.  He knew how good his son was, and would be.  He knew the puck struck because the goalie let it.  He did not know why.   I groaned as the puck hit me in the arm.  I had pads, but pads can only soften the blow. I squeezed my arm.     My father stood and watched.     My friend fired another shot that whacked me in the throat, knocking me down.  I felt dizzy.      It was frigid on the pond in winter.     This is where I learned to play hockey.  This is also where I learned it was painful to be a goaltender.  I got up slowly, glowering at him.  My friend was perplexed at my tenacity.     “This time, stay down!” And then he took the hardest slap shot I have ever encountered.     The puck tore through the icy air at incredible speed right into my face.     My glove rapidly came up and snatched it right before it would shatter my jaw.  I took my glove off and reached for the puck inside.     I swung my arm and pitched it as fiercely as I could at my friend.     Next time we play, I should wear my mask and he should wear a little more cover than a hat.  I turned towards my father.  He was smiling.  That was rare.     I was relieved to know that I was getting better and he knew it.  The ice cracked open and I dropped through…      The goalie was alone at the hospital.  He got up and opened the curtains the nurse keeps closing at night so he could see through the clear wall.     He eyed out the window and there was nothing interesting except a lonely little tree.  He noticed the way the moonlight shined off the grass and radiated everything else.  But not the tree.  The tree was as colourless as the sky.     But the sky had lots of bright little glowing stars.  What did the tree have?  He went back to his bed and dozed off before he could answer his own question.   Nobody came to visit him at the hospital but his mother.     His father was at home and upset that his son is no longer on the team.  The goalie spot was seized by the team’s original goalie, the coach’s son.     The goalie’s entire life had been hockey.  He played every day as his father observed.  He really wanted a regular father, whatever that was.  A father that cares about him and not about hockey.  The goalie did like hockey, but it was a game.         A sport just like other sports, only there’s an ice surface to play on.  But he did not love hockey.     It was just something he became very good at, with plenty of practice and bruises.     He was silent in his new team’s locker room, so he didn’t assume anyone would come and see how he was doing.

All kinds of forgetting were possible in the tree. Naomi could forget the grime she scrubbed from the sinks, the slap of wet sheets against her ankles as she flung them over the clothesline, the breakfasts and lunches and dinners waiting to be made and eaten and cleaned up. She could forget the stares at school and Miranda’s icy words. Inside the tree, she could forget the girl she saw Wash with at his house and the ones at Mason’s. She could forget that Wash belonged to the twins first of all.

The cold not only bears down on human bodies, but also bends sound. The forest sits under an inversion, chilled air pooling under a warmer cap. The colder air is like molasses for sound waves, slowing them as they pass, causing them to lag sound travelling in higher, warmer air. The difference in speed turns the temperature gradient into a sound lens. Waves curve down. Sound energy , instead of dissipating in a three dimensional dome, is forced to spread in two dimensions, spilling across the ground, focusing its vigor on the surface. What would have been muffled, distant sounds leap closer, magnified by the jeweler’s icy loupe. The aggressive whine of the snowmobile mingles with the churr and chip of red squirrels and chickadees. Here are modern and ancient sunlight, manifest in the boreal soundscape. Squirrels nipping the buds of fir trees, chickadee poking for hidden seeds and insects, all powered by last summer’s photosynthesis; diesel and gasoline, sunlight squeezed and fermented for tens or hundreds of millions of years, now finally freed in an exultant engine roar. Nuclear fusion pounds its energy into my eardrums, courtesy of life’s irrepressible urge to turn sunlight into song.

I remember the first time I ever thought about my wife. I was seven years old, my parents were still alive and loved each other, and it was Christmas. We lived in a brick home in the foothills of the snowcapped mountains of Calgary, Alberta. Though the fogged sun had already set, my parents hadn’t turned on the end table lamps in our living room. The walls glowed from the twilight outside, and on our tree hung Christmas lights of green, crimson, and icy blue. Mom was lying in Dad’s arms in the silence, as he ran his fingers through her hair. I remember watching them and wondering where my wife was.

Long past the first official day of spring on the calendar, old man winter slowly loosened his icy grip on the Lanark County farmlands. We waited and watched for the tell-tale signs, hoping that the mercury in the old thermometer would being to move in the right direction. Even as the sap began to drip slowly from our beloved maple trees, the bitter winds blew relentlessly from the north.

wall against his back, then frowned as he heard a creaking sound coming from somewhere close by. He was about to investigate, when the house was plunged into darkness once again. * * * Ryan swung his car through the gates and was forced to reduce his speed along the narrow driveway, for which Phillips was eternally grateful. They followed the road over the little stone bridge next to the Archimedes screw and heard the water bubbling furiously through its crushing blades as they passed. They rounded a bend and the house materialised through the trees, its windows flaming brightly against the inky blue-black sky. “It doesn’t look real, does it?” Phillips said, his eyes trained on the perfect backdrop. “It’s not going to disappear before your eyes,” Ryan muttered. Then, in a moment of extreme irony, that is exactly what happened. The two men looked on in shock as the house seemed to disappear, its walls blending with the colour of the night sky and the trees surrounding it. CHAPTER 30 “What the hell?” Martin Henderson swore beneath his breath as the lights went out. He stepped away from the wall to begin feeling his way towards the doorway but the house was pitch black and he could barely see his own hand in front of his face. The circuit had blown again, he thought, which was hardly surprising when a couple of old crackpots insisted on living like Victorian throwbacks rather than relying on the National Grid like the rest of the known world. The sooner he could get away from here, the better. His fingers brushed against the architrave on the doorway and he began to retrace his steps using the wall as a guide, no longer concerned about keeping his meeting at nine o’clock. He only hoped the other person was having as much trouble as he was, finding their way through the maze of rooms in the old house. When his fingers touched nothing but air, he realised he’d reached the turning to lead him back into the small hallway outside the bedrooms and the morning room, and the lift shaft was somewhere over his left shoulder. Blind without any light source, Henderson’s other senses were heightened considerably. He shivered as he stepped in front of the doors to the lift shaft, feeling an icy breath of wind brush against his cheeks. His brain was slow to compute the fact and he did not realise the implication until it was too late. The doors were open. The figure stepped out in front of him, barely making a creak against the floorboards but it was enough to alert him to the presence of another. “For The Valiant,” they whispered. Two firm hands came up to thrust against his chest and

The air had lost its icy feel, but now a thin, sickly mist clung to everything, wrapping around tree trunks and moving over the ground in visible tides.

[The] chanting died away and silence flooded back the moonlit grove, a silence as solid and lucent as glass. A cloud drew across the moon, plunging the clearing into into darkness. The forest held its breath. Then the ground around them began to tremble, shaking as if a thousand horses were charging by. As the cloud peeled back from the moon, Gytha could see something rising in front of them just beyond the circle. A wisp of mist was uncurling from the ground, pushing up the earth around it, like the first shoot of a plant. Then the column of mist burst out of the black earth with a thin wail like a newborn baby's cry. It whirled around and around, and as it turned there came a low moaning in the forest as if an icy winter wind was wandering among the branches of the trees, but the trees were quite still. The moaning grew into a shriek, rising higher and higher till the very darkness was vibrating with the pain of it. Then, just as suddenly, the shrieking stopped. A naked infant stood in front of them, its body so thin the ribs stood out like the timbers of a wrecked ship. The lips were drawn back to reveal the toothless bones of its jaws, its empty eye sockets were as dark as black fire. Madron turned her sightless eyes towards her daughter. 'Has he come? Do you see him?' Gytha could not wrench her gaze from the little corpse in front of her. 'He is here, Madron, the babe is here,' she whispered.

warm breeze snow melting trees and rooftops drip drip drip open windows fresh air buds sprout on limbs crocus crack through icy earth i can’t help but feel hopeful

A walk I took among rambling ivy and heathers, to catch a glimpse of the swollen moon. I witnessed her giving birth to phantoms, shadows sisters; daring to tell her my loneliness, heart never knowing love, body absent of experiencing any cardinal ecstasy. ~ My one love took another, with a sardonic expression upon an otherwise innocent face, in front of me. For it seemed to be the season of ice for me; Heart caught in a maelstrom of icy crystals, inevitably, entered paralyzing sorrow. ~ No, No! ~ A walk I took meandering around, I recall feeling restless; till I reached a decrepit cemetery I’ve never seen before; atop of a strange hill. Yew trees guarded sleeping souls; lying next to their beloved, or strangers. ~ Dewdrops from a Fae’s wand glistened upon enchanter’s nightshade; entangled within the thorns from briar roses. ~ I sat upon an ancient moss covered, stone bench. Pungent earth, dampness surrounded me, inquisitive owls stared at me. My heart cried its lament, to forever be alone, my heart will never find its love’s home. . dormiveglia: pt. i :  2021: all rights reserved

Was it ghastly?" I remembered the sunlit summer of 1940, the crowds rushing from Paris, as from a fire, to join the snake-like lines of mattress-topped cars that drove slow, slower and slowest of all just before their closely packed passengers scattered into ditches where the dive bombers still found them. I remembered Nice with its sea and sky and palm trees still as bright as new travel posters and its sidewalks crowded with the most typical of twentieth-century tourists: displaced persons. I remembered the sensation of living in a dull fear-encircled vacuum and the incredulous joy with which I greeted my husband when he arrived hollow-eyed from his narrow escape and long hitch-hike across two countries. I remembered Lyons in the unheated winters, the wind scything between the cliff-like gray houses and inserting itself into the city's labyrinth of passageways. I remembered the turnip meals, the recurrent colds and chilblains, the disinclination to wash in icy water, the sordid temporary lodgings and false identity cards, the drearily uncomfortable atmosphere, and the exhilarating meetings with friends who had also escaped arrest. And then I remembered my husband's arrest and the nightmare that followed. "Yes," I said, repudiating stiff upper lips, "yes, it was ghastly.

No one loved him. His head burnt up lies and licentiousness in twilit rooms. The blue rustling of a woman's dress turned him into a pillar of stone and in the doorway stood the night-dark figure of his mother. Over his head reared the shadow of Evil. O, you nights and stars. At evening he walked by the mountain with the cripple; upon the icy summit lay the roseate gleam of sunset and his heart rang quietly in the twilight. The stormy pines sank heavily over them and the red huntsman stepped out of the forest. When night fell, his heart broke like crystal and darkness beat his brow. Beneath bare oak trees with icy hands he strangled a wild cat. At the right hand appeared the white form of an angel lamenting, and in the darkness the cripple's shadow grew. But he took up a stone and threw it at the man that he fled howling, and sighing the gentle countenance of the angel vanished in the shadow of the tree. Long he lay on the stony field and gazed astonished at the golden canopy of the stars. Pursued by bats he plunged into darkness. Breathless he stepped into the derelict house. In the courtyard he, a wild animal, drank from the blue waters of the well till he felt the chill. Feverish he sat on the icy steps, raging against God that he was dying. O, the grey countenance of terror, as he raised his round eyes over the slit throat of a dove. Hastening over strange stairways he encountered a Jewish girl and clutched at her black hair and he took her mouth. A hostile force followed him through gloomy streets and an iron clash rent his ear. By autumnal walls he, now an altar boy, quietly followed the silent priest; under arid trees in ecstasy he breathed the scarlet of that venerated garment. O, the derelict disc of the sun. Sweet torments consumed his flesh. In a deserted half-way house a bleeding figure appeared to him rigid with refuse. He loved the sublime works of stone more deeply; the tower which assails the starry blue firmament with fiendish grimace; the cool grave in which Man's fiery heart is preserved. Woe to the unspeakable guilt which declares all this. But since he walked down along the autumn river pondering glowing things beneath bare trees, a flaming demon in a mantle of hair appeared to him, his sister. On awakening, the stars about their heads went out.

The darkness seems to pull her towards it, holding her in a freezing embrace as she moves down the lane and deeper into the treacle-thick night. The air electrocutes her lungs with each icy inhale, and her legs feel slick, sure of their new direction. She hears the stream bubbling by her side and the branches from the silver birch trees creak over her head like arthritic fingers knitting together. The moon shines its mottled, kindly face, silvering her path like a fairy godmother; she smiles up at it before it vanishes again behind a fast-moving cloud. She feels entirely of the world; it moves easily along with her, as though some invisible force has, with a small sigh, been released within her, and she's in step with life. She starts to hum, surprising herself, something made-up, childlike; it's nonsense but she doesn't care and she doesn't feel ashamed. Why didn't she notice before how smooth the world can be?

Sometimes, still, I think of grief that way—as a vast, icy mountain, seemingly impossible to survive, so frigid the cold permeates your very bones, the depths of your soul. Each step takes a monumental effort, making any real headway seem insurmountable. And yet, if you raise your eyes to the horizon, looking with your heart as well as your eyes, you can see a tiny wisp of smoke rising from a cozy cabin where you will finally, finally find warmth. Hope. And if you have another who will take your hand, drag you when necessary, and travel through that unforgiving landscape, you will emerge through the trees, changed, yes, but together. Stronger. And when you turn your head and look back at the stark, sweeping vista from which you somehow emerged, you will know, deep down to the very core of yourself, that nothing, nothing is impossible when love is greater, more vast, more solid and immovable than the mountain itself.

Three windows, three faces. And the first face: the moon-face of Toby Dance. The first window, the parlor window of that solid frame house and the Christmas-dreaming, bright-eye gleaming face of five year old Toby Dance who, no more than a twinkling instant before, has sent a tissue paper letter up the roaring red throat of the parlor chimney; a prayerful inventory of certain wonders he should like to find beneath the enchanted tree next morning. And now he watches from the window all the capricious white wizardry of snow and the swathed, candied hills beyond the river and the Chinese Elm in the backyard now lofty and up-thrust against the pearled sky like a black, ermined dancer, and Toby sighs and sees his breath suddenly being upon the icy window pane and that printed breath is a faith that already ancient, faery legions of the Ice King are bearing his letter high and away for the right eyes to read.

Cathedral of Light by Stewart Stafford The wintry grey forest branches, Embrace freezing fog as build, Backlit by the pushy noon sun, Revealing a cathedral of light. An air frost of transient structure, Reprieve from a hangman's bloom, Naked limbs greeted the icy cover, The looming cape of ersatz foliage. Tongues of wind scatter the pop-up, Six sheep in a straight line saw it off, A still and sunny afternoon followed, Frozen matinee fades another day. © Stewart Stafford, 2023. All rights reserved.

Imagine your own senses, multiplied by ten. A passing shopping trolley sounds like a low-flying fighter jet, a little breeze feels like an icy hand in your neck. Tight clothing becomes a metal harness you can't move around in and sunlight through the trees hits you like the flashing of a stroboscope you accidently looked straight into.

In the gloomy forests which covered vast reaches of Germany, giant bull-like creatures roamed, and mysterious entities named elks, without ankles or knees; in the icy waters of the Ocean, which would retreat and then advance twice a day, tearing loose oak trees and engulfing entire plains beneath their flood-tides, there shimmered ‘the outline of enigmatic beings – half-men, half-beast’.86 Just as Ovid, peering askance at the Tomitans, had fingered them as lycanthropes, so in the savage reaches of Germany were the borders between animal and human even more unsettlingly blurred.

To their right, a strange fog glowed eerily, streamed through the rain and wound through the trees. It moved forward at knee level coming straight toward them now. Shea felt her heart in her throat. She touched Jacques’ back for reassurance. He stopped, seemingly relaxed, his muscles coiled and ready, like a panther awaiting its moment. She could feel it in him, his readiness, so still and confident. As the fog grew closer, only several yards away now, the moisture began to stack itself higher and higher, the droplets connecting and forming the shape of a man. Shea wanted to scream with fear, but she stayed very still, afraid of distracting Jacques. Byron’s form shimmered for a moment. She could actually see the tree behind the mist, and then he was solid, standing with the curious elegance of the Carpathian male. He lifted his eyes from the ground to meet Jacques’ icy-black gaze. “We have been friends for centuries, Jacques. I cannot remember a time in my life that we did not run together. It is strange and sad to me that you can look at me and not know me.” Shea, behind Jacques, stirred uncomfortably. Byron’s sorrow appeared more than he could bear. She wanted to reach out to him, make an attempt to ease his obvious suffering. Do not! The command was sharp in her mind, clear and in a tone that brooked no argument. Jacques remained motionless, as if carved from stone. Byron’s words did not appear to move him in any way. Byron shrugged, his face twisted with pain. “When we thought you were dead, we searched for your body. Months, years even. You were never out of our thoughts. You were my family, Jacques, my friend. It was hard to learn to be completely solitary. Gregori and Mikhail and even Aidan survived the centuries because, as alone as they had to be, they had a bond, an anchor to keep them strong through the bleak centuries. You were mine. Once you were gone, my struggle became immense.

We buried Paolo with his sex bunny at the foot of a tree in the backyard, where they lie wrapped in an endless embrace in their Mexican serape. For weeks, Lucy looked like she was about to sob. Our home felt empty without that cat; we were palpably down a man. It was a wet, gray winter and it passed slowly with very little daylight. — PERIODICALLY, LUCY WOULD STILL seem drunk. I heard her entering the house while I was taking a shower one afternoon, and I came out wrapped in a yellow towel, excited to see her. But I took one look and saw that it wasn’t really her. There was a blurriness in her eyes, a vacated twist to her facial expression. I felt the floor turn to water under my feet. Lucy had vanished, and in her place someone furtive and messy was telling me things that didn’t add up. Sometimes her speech would be slurred, but usually it was subtle. Something would just be…off. Then a terrible queasiness would slither through me and come out of my mouth in different ways. Sometimes fearful, sad, pleading: “Honey, have you been drinking?” Sometimes unhinged, abject: “I can’t take this anymore.” Sometimes icy, condemning, ruthless: “You’re the worst,” I said once, and meant it. (To my best friend in the world. To the person I had slept next to on a thousand naked nights, I said, You’re the worst.)

The Golub tree, measuring two hundred feet tall, stood steps away. It was as wide as a redwood, with a thin layer of frost burrowed within its creases. Its plentiful dewdrop leaves created a crown the color of the inside of a cracked papaya, with the branches toward the bottom bare and icy. The limbs of the simple eastern pines surrounding it were coated with tendrils of orange frost.

Thank you, Princess,” Prasutagus said, inclining is head to me. His eyes lingered on mine. And once again, I felt that same sense of familiarity. “Let me speak to Balfor. I’ll see to you and your men’s accommodations,” Bran told Prasutagus, then rose and left the room. I refilled the prince’s cup. “I was sorry to hear of the passing of your wife.” Prasutagus nodded. “Thank you. It has been a difficult year,” he said, then met my gaze. “You lost someone close to you in this attack on your people, I think.” Surprised by his observation, I nodded. I willed myself not to, but I could not hide the play of emotions on my face. “I did,” I said, my voice catching. Prasutagus, in a gesture of empathy, moved to take my hand but held back. When he did so, I noticed his fingers were tattooed with Ogham, the secret tree language. “As I remind myself, a person lives many lives, and those we love the most always return to us—one way or another.” “I… Thank you. I wish the same for you,” I said, lightly touching his fingers. “Prince Prasutagus, your lodgings are already ready,” Bran said. “Apparently, our housecarl is more astute than I am,” he added with a good-natured laugh. “Very well. Thank you,” Prasutagus said, rising. He turned to me. “Good night, Princess.” “Good night.” With that, Prince Prasutagus followed Bran from the dining hall toward the guest chambers. Balfor motioned for the prince’s men to follow him to the guest house just outside. I sat frozen. The moment our hands connected, a vision had danced through my mind. I saw Prasutagus and myself standing on the shore of an icy river. Prasutagus held my waist, his arm around me protectively. Yet, we looked different—different eyes, different hair, different everything. But inside of us, we were the same people. And what I felt for him… The ramifications of such a vision shook me to my very core.

of the tiny aircraft and helped the third passenger aboard, his girlfriend Sandra, 30. The plane taxied and sped down the runway. As it rose into the blue California sun, Norman felt a surge of excitement. But as they banked east over Venice Beach, it was clear there was a storm ahead. In front of them a thick blanket of grey cloud was smothering the San Bernardino Mountains. Only the very tips of their 3,000 m (10,000 ft) peaks showed above the gloom. Norman Senior asked the pilot if it was okay to fly in that weather. The pilot reassured them: it was just a thirty-minute hop. They’d stay low and pop through the mountains to Big Bear before they knew it. Norman wondered if he’d be able to see the slope he’d won the championship on when they wheeled round Mount Baldy. His dad nodded and sat back to read the paper and whistle a Willie Nelson tune. Up front, Norman was savouring every moment. He stretched up to see over the plane’s dashboard and listened to the air traffic chatter on his headphones. As the foothills rose below them, he heard Burbank control pass their plane on to Pomona Control. The pilot told Pomona he wanted to stay below 2,300 m (7,500 ft) because of low freezing levels. Then a private plane radioed a warning against flying into the Big Bear area without decent instruments. Suddenly, the sun went out. The greyness was all around them, as thick as soup. They had pierced the storm. The plane shook and lurched. A tree seemed to flit by in the mist, its spiky fingers lunging at the window. But that couldn’t be, not up here. Then there really was a branch outside and with a sickening yawn, time slowed down and the horror unfurled. Norman instinctively curled into a ball. A wing clipped into a tree, tumbling the plane round, up, down, over and round. The spinning only stopped when they slammed into the rugged north face of Ontario Peak. The plane was instantly smashed into debris and the passengers hurled across an icy gully. And there they lay, sprawled amid the wreckage, 75 m (250 ft) from the top of the 2,650 m (8,693 ft) high mountain and perched on a 45-degree ice slope in the heartless storm.

he heard a voice saying ‘GO’. He crawled to a tree and snapped off a couple of limbs to make improvised ice axes and led Sandra out from under the wing. They stepped and slid down the icy slope an inch at a time. Norman kicked holes with the toes of his trainers and dug the stick in as best he could. Sandra followed behind, her feet half on the snow, half on Norman’s shoulders, her arm still hanging uselessly. The slope slanted across as well as down, drawing them towards an even steeper and icier funnel section of the gulley. Norman tried to keep away from this lethal chute. He looked back up the mountain. They had only gone 9 m (30 ft). They would never make it at this pace. ‘We need to go faster.’ And he turned round to encourage Sandra, only to see her slipping into the insane drop of the funnel. Her hand, her arm, her hip and then her whole body were gone. Norman pushed himself in after her. Momentum took them right across the funnel and Norman caught her as they clattered into jagged rocks on the far side. Bone smashed onto stone as they scrabbled furiously with sticks, fingers, feet – anything to get a grip. Bouncing like a pinball between the boulders they finally came to a stop. Norman’s knuckles were shredded to the bone. But he was too cold to feel any pain. Sandra moaned and started talking about God. There was nothing to do but inch on down the endless chute.

They rested by a tree at the base of a rock wall. Night was only a couple of hours away and they were still thousands of feet above the meadow. Norman didn’t know how they were going to get down. He turned to check on Sandra and suddenly she was gone, tumbling into the icy funnel. ‘An insatiable spirit, he was crazy for the storm. And it saved my life.’ Norman Ollestad, of his father. From Crazy for the Storm by Norman Ollestad. At first he cursed himself for not staying close to her. Then he ate some snow to pacify his savage thirst and kept going down. There was blood on the snow. Lots of it. So much he could follow it like a trail, right down the throat of the funnel. The blood smear ended at a tree. Norman called out. Nothing. He moved past the tree and saw blood again. His chest felt empty. He struggled towards a tree at the edge of the gully and threw his arms around it. He needed to hold something, any living thing.

Shadows stretched against the hillside, black and hungry. All the trees were bowed and twisted by the weight of the ice they carried. Some hardly looked like trees at all. Buried from root to crown in frozen snow, they huddled on the hill like giants, monstrous and misshapen creatures hunched against the icy wind.

The white tree on the bluff over the ocean was hung with icicles like curtains of glass, creaking faintly in the wind. Morgan’s cottage, once they passed through the icy snowless beech wood, was white as bone and black as aged oak among the weathered stems of the garden.

The exquisite watch towers, the gold and green memorial archways, the vermillion city gates, and the pavilion at Jiangshan Park were silent, as if listening to a sound they might never hear again. The wind blew, like a mournful sigh, snaking through the palace towers and the halls, as if wanting to relate tales of days past… The bridge was practically deserted. Dull moonlight shone down, cold and desolate, on expanses of ice on both sides. Dim outlines of distant pavilions cast dark shadows… with only their yellow roof tiles glimmering faintly. A white pagoda reaching into the hazy clouds cast a desolate chill on everything, causing the three lakes to reveal their northern bleakness… As he was crossing the bridge, Xiangzi shivered from the icy expanse below and refused to go any farther. Normally, when he was pulling his rickshaw across the bridge, he concentrated on his feet, afraid of a misstep, as if the sights around him did not exist. Now he was free to look, but the scenery frightened him. The cold, gray ice, the rustling trees, and the deathly pale pagoda were so forlorn… Even the white stones of the bridge at his feet seemed abnormally bleak and so white that even the street lamps were subdued and dreary. He did not want to move, he did not want to look, and he definitely did not want to be with her.

small town with only three hundred and ninety-four inhabitants. The area around Arnakke had been inhabited since the Stone Age. The name meant “eagle’s neck” since there used to be a lot of eagles fishing in the fjord that was called Isefjorden. You could still spot them occasionally, I was told, but it was rare now. I looked up at the sky between the trees but saw only crows. The road was slippery from the wet snow. The trees covered in the white powder. We had packed the car with sledges and winter clothing. I looked forward to tumbling in the snow with Julie and building a huge snowman or a snow cabin. I inhaled the icy air deeply into my lungs. The kids complained that it was getting cold in the car so I rolled up the window. I looked at Sune. This was going to be great, I thought. Just me and the people I loved in a small cabin

I lost Tomiko and her mother at the eel stall. It was the place to buy prepared fillets of unagi, as meltingly tender as a stick of soft butter. A spotlight shone down on the delicate fillets, gleaming under a varnish of sweet soy glaze. Every eel shop and restaurant makes its own special glaze, which eel purists often forgo. All eel lovers, however, sprinkle on sansho, the tingly tongue-numbing green powder from the ground dried seedpods of the prickly ash tree that lifts the dish from sumptuous to sensational. At that particular eel shop, the fillets, priced according to their fatty succulence, were still warm and drenched with sauce. The next few shops were a sashimi lover's paradise. Spiky forest-green sea urchins swollen with creamy yellow eggs sat in green plastic baskets beside huge steak-like sides of tuna, caught only hours ago from the icy waters off Japan. Gigantic octopuses with suction cups like the bottom of rubber bathtub mats rested on ice near sapphire-silver mackerel imbricated on round white platters.