Icon Inspirational Quotes

We have to create culture, don't watch TV, don't read magazines, don't even listen to NPR. Create your own roadshow. The nexus of space and time where you are now is the most immediate sector of your universe, and if you're worrying about Michael Jackson or Bill Clinton or somebody else, then you are disempowered, you're giving it all away to icons, icons which are maintained by an electronic media so that you want to dress like X or have lips like Y. This is shit-brained, this kind of thinking. That is all cultural diversion, and what is real is you and your friends and your associations, your highs, your orgasms, your hopes, your plans, your fears. And we are told 'no', we're unimportant, we're peripheral. 'Get a degree, get a job, get a this, get a that.' And then you're a player, you don't want to even play in that game. You want to reclaim your mind and get it out of the hands of the cultural engineers who want to turn you into a half-baked moron consuming all this trash that's being manufactured out of the bones of a dying world.

Who is the beauty icon that inspires you the most? Is it Sophia Loren? Audrey Hepburn? Halle Berry? Mine is Nosferatu, because that vampire taught me my number-one and number-two favorite beauty tricks of all time: avoid the sun at all costs and always try to appear shrouded in shadows.

We seem to feel that a person like Helen Keller can be an inspiration only so long as she remains uncontroversial, one-dimensional. We don't want complicated icons. "People do not like to think. If one thinks, one must reach conclusions," Helen Keller pointed out. "Conclusions are not always pleasant.

If you must walk in someone's shadow make sure it's your own

The Qur’an does not hesitate to retell biblical incidents with modifications—or to introduce entirely new vignettes around iconic biblical figures. As a book purposely not constructed around a formal narrative, the Qur’an leverages these allusions primarily to emphasize a moral value rather than re- veal an origin story. Every time the Qur’an presents a story, it always follows with terse analyses synthesizing key takeaways.

Funny how we do not realize the true value and legacy of a living icon until they suddenly pass away. Truth is, there are many living legends among us, we just do not stop and take time to notice their worth until it's too late.

Could it be that we don’t want to think badly of Woodrow Wilson? We seem to feel that a person like Helen Keller can be an inspiration only so long as she remains uncontroversial, one-dimensional. We don’t want complicated icons. “People do not like to think. If one thinks, one must reach conclusions,” Helen Keller pointed out. “Conclusions are not always pleasant.”41 Most of us automatically shy away from conflict, and understandably so. We particularly seek to avoid conflict in the classroom.

You understand the fundamental principle of an icon, don’t you? “Inspired by God” “Not made by hands” “Supposedly directly imprinted upon the background material by God Himself” All Icons fundamentally were the work of God. A revelation in material form. And sometimes new icon could be made from another simply by pressing a new cloth to the original and a magic transfer would occur.

Joan was not only an actual human being but a most important one. A FEMINIST ICON WHO PROVED TO THE WORLD THAT WOMEN CAN ROCK EVEN HARDER THAN MEN. An innovator, an architect, a punk rock pioneer so powerful, she inspired generations of young women to pick up guitars and do the same.

We build too many walls and not enough bridges.” Why

Moral beauty existed as clearly as any other form of beauty and perhaps that was where we could find the God who was so vividly, and sometimes bizarrely, described in our noisy religious explanations. It was an intriguing thought, as it meant that a concert could be a spiritual experience, a secular painting a religious icon, a beguiling face a passing angel.

Zeena Schreck is a Berlin-based interdisciplinary artist, author, musician/composer, tantric teacher, mystic, animal rights activist, and counter-culture icon known by her mononymous artist name, ZEENA. Her work stems from her experience within the esoteric, shamanistic and magical traditions of which she's practiced, taught and been initiated. She is a practicing Tibetan Buddhist yogini, teaches at the Buddhistische Gesellschaft Berlin and is the spiritual leader of the Sethian Liberation Movement (SLM).

Howdy, neighbors.

Kindred spirits aren't as scarce as I once thought. They're out there. You just need to keep searching until you find them.- In Search of Kindred Spirits by Hope Dalvay

About the worst thing an honest man can do is make an honest mistake." John Wayne

Thus he became the archetype of the Renaissance Man, an inspiration to all who believe that the “infinite works of nature,” as he put it, are woven together in a unity filled with marvelous patterns.2 His ability to combine art and science, made iconic by his drawing of a perfectly proportioned man spread-eagle inside a circle and square, known as Vitruvian Man, made him history’s most creative genius.

Rorschach knew Binet’s work and was familiar with Binet’s own inspiration—Leonardo da Vinci, who in his “Treatise on Painting” described throwing paint at a wall and looking at the stains for inspiration.

The guilt and anxiety induced by hunting, combined with frustration resulting from ritual celibacy, could have been projected onto the image of a powerful woman, who demands endless bloodshed.27 The hunters could see that women were the source of new life; it was they – not the expendable males – who ensured the continuity of the tribe. The female thus became an awe-inspiring icon of life itself – a life that required the ceaseless sacrifice of men and animals.

MANDELA: " a man deemed to be the greatest icon in Africa. his life thought me couple of lessons that always inspires me to strive hard for respect and to make an impact on humanity. may his footsteps continue to live for ever on the sands of time.

So much of the job is more emotion and ‘heart work’ than it is ‘head work.’ The head comes in after, to look at what the heart has presented and to organize it. But the initial inspiration comes from a different place, and it’s not the head, and it’s not an intellectual activity.

To boldly go where no man has gone before” says the iconic Captain’s Oath in the Star Trek series. Humanity seeks to live adventures, either by conquering mountains or the seas, or by watching war movies, space adventures, fantasies and thrillers. But often the greatest adventure of them all is to negotiate through a lifetime.

I never expect anything. I just feel things in my gut and I do them. If something sounds exciting and interesting, I do it--and then I worry about it later. Doing new things takes a lot of energy and strength. It's very tiring to make things happen, to learn how to master a skill, to push fears aside. Most people would rather just go with the flow; it's much easier. But it's not very interesting.

It seemed like there was no shortage of things for us to talk about: it was like we were, in dialogue, reading a book that had no chapters and no end. There seemed to be no place to break. We walked each other back and forth until our mothers threatened to take a switch to our behinds. In this very literal way, I came to think of a homegirl as someone with whom the soul conversation is so deep and so stirring that you keep walking each other home.

Virtually all letter writers confessed how their encounter with Nietzsche's philosophy either emboldened or chastened them, liberated them from old falsehoods, or saddled them with new moral responsibilities. Helen Bachmuller of Dayton, Ohio, wrote to let Förster-Nietzsche know that her brother had inspired the belief that human greatness was still possible in the modern world. Though unworthy of his greatness, he nevertheless awakened in her a longing for something deeper in herself. Nietzsche, Bachmuller confessed, had saved her from her 'own inner emptiness.' The 'Ohio country' she called home had become 'tame and commonplace,' filled with lives 'trivial and ... essentially ugly, for they are engrossed with matters of money and motors, not with work or faith or art.' She regarded the Methodist church near her house as 'vulgar, pretentious.' Though disgusted by the offensive mediocrity around her, she was also chagrined by her own limitations: 'It would be, probably, impossible for you to imagine anything more superficial than I am.' But reading presumably the recently released translation of Förster-Nietzsche's The_Nietzsche-Wagner_Correspondence had exposed Bachmuller to 'depths beyond depths, of one great soul striking fire against another great soul, and I became thrilled. I could feel the harmonies and dissonances, the swell and surge of those two glorious beings, and I felt much more that I cannot express.' Reading Nietzsche enlivened her to the possibility 'for a companionship that would stimulate, that would deepen, that would give me Tiefen [depth].' Nietzsche strengthened her resolve that 'all my life I will hold on to my hunger, if I never manage to have a soul, at any rate I will remain, by hook or crook, aware of it and I will desire one all my life, I will not accept substitutes.

When Kate Middleton stepped onto the stage, the landscape had changed beyond recognition from the genteel tradition of portraiture of centuries past. News was no longer reported day by day on the front pages of newspapers, but minute by minute via websites and social media. Anyone, anywhere in the world, could discover what Kate was wearing within an hour of her stepping out, with dozens of images capturing every outing from all imaginable angles. In this unique combination of circumstances, the scene was set for the future Duchess of Cambridge - a sporty, middle class 'normal' girl from Berkshire - to become a new kind of royal style icon. Kate's normality was essential to conjuring her own brand of majestic magic. Her marriage to William saw her living a fairytale that many young girls had dreamed of for generations before her. This was not another aristocratic Sloane Ranger, but a girl who had been born to a flight attendant and flight dispatcher and was now destined to be Queen Consort one day. A decade on and Kate's effect on fashion is impossible to understate - she has had dresses named after her, set trends, inspired superfans around the world and has been credited with boosting the British fashion industry by up to 1 billion in a single year.

Certain shapes and patterns hover over different moments in time, haunting and inspiring the individuals living through those periods. The epic clash and subsequent resolution of the dialectic animated the first half of the nineteenth century; the Darwinian and social reform movements scattered web imagery through the second half of the century. The first few decades of the twentieth century found their ultimate expression in the exuberant anarchy of the explosion, while later decades lost themselves in the faceless regimen of the grid. You can see the last ten years or so as a return to those Victorian webs, though I suspect the image that has been burned into our retinas over the past decade is more prosaic: windows piled atop one another on a screen, or perhaps a mouse clicking on an icon. These shapes are shorthand for a moment in time, a way of evoking an era and its peculiar obsessions. For individuals living within these periods, the shapes are cognitive building blocks, tools for thought: Charles Darwin and George Eliot used the web as a way of understanding biological evolution and social struggles; a half century later, the futurists embraced the explosions of machine-gun fire, while Picasso used them to re-create the horrors of war in Guernica. The shapes are a way of interpreting the world, and while no shape completely represents its epoch, they are an undeniable component of the history of thinking. When I imagine the shape that will hover above the first half of the twenty-first century, what comes to mind is not the coiled embrace of the genome, or the etched latticework of the silicon chip. It is instead the pulsing red and green pixels of Mitch Resnick’s slime mold simulation, moving erratically across the screen at first, then slowly coalescing into larger forms. The shape of those clusters—with their lifelike irregularity, and their absent pacemakers—is the shape that will define the coming decades. I see them on the screen, growing and dividing, and I think: That way lies the future.

It" is the idea of him or her that resides in us--inspired by the "Something" in them, as Pope has it, "That gives us back the Image of our Mind." Although the perception of It must be excited by some extraordinary perturbation in the looks and personality of the adored, the aura that It broadcasts arises not merely from the singularity of an original, as Walter Benjamin supposed, but also from the fabulous success of its reproducibility in the imaginations of many others, charmed exponentially by the number of its copies. The one-of-kind item must become a type, a replicable role-icon of itself--from "a Charles Hart" or "a Nell Gwyn" to "a Mary Pickford" or "a Douglas Fairbanks"--in order to unleash the Pygmalion effect in the hearts and minds of the fans, making the idea of him or her theirs--as much or more than anything else they might call their own.

If you are a Church Of One, do you trust your congregation? When you want to be inspired by an icon representing something bigger than yourself, don’t you ever get tired of just looking into the mirror?

I now know the same secret that Michelle does: in order to have it all we can't do it all.

Aristotle was privileged to study at Plato’s Academy, but some kid on the other side of the world was probably just as promising as young Aristotle and never got the mentorship. How can building deep relationships with master mentors be a smartcut if it hinges on our being lucky enough to know the master? Hip-hop icon Jay-Z gives us a clue in one of his lyrics, “We were kids without fathers . . . so we found our fathers on wax and on the streets and in history. We got to pick and choose the ancestors who would inspire the world we were going to make for ourselves.” In ancient Greece, few people had access to the best mentors. Jay-Z didn’t either, but he had books from which he could get an inkling about what those kinds of mentors were like. With every increase in communication, with every autobiography published, and every YouTube video of a superstar created, we increase our access to the great models in every category. This allows us to at least study the moves that make masters great—which is a start.

Most companies have logos, but few have been able to convert those logos into meaningful symbols. Because most companies are bad at communicating what they believe, so it follows that most logos are devoid of any meaning. At best they serve as icons to identify a company and its products. A symbol cannot have any deep meaning until we know WHY it exists in terms bigger than simply to identify the company.

In the morning he follows up on something he is calling

One of those mind habits is the method of self-talk. “If you talked to you friends like you talk to yourself, you wouldn’t have any friends.” Why

No child should have to see all that I have seen

Many of the one-liners teach volumes. Some summarize excellence in an entire field in one sentence. As Josh Waitzkin (page 577), chess prodigy and the inspiration behind Searching for Bobby Fischer, might put it, these bite-sized learnings are a way to “learn the macro from the micro.” The process of piecing them together was revelatory. If I thought I saw “the Matrix” before, I was mistaken, or I was only seeing 10% of it. Still, even that 10%—“ islands” of notes on individual mentors—had already changed my life and helped me 10x my results. But after revisiting more than a hundred minds as part of the same fabric, things got very interesting very quickly. For the movie nerds among you, it was like the end of The Sixth Sense or The Usual Suspects: “The red door knob! The fucking Kobayashi coffee cup! How did I not notice that?! It was right in front of me the whole time!” To help you see the same, I’ve done my best to weave patterns together throughout the book, noting where guests have complementary habits, beliefs, and recommendations. The completed jigsaw puzzle is much greater than the sum of its parts.

Diana has been one of my inspirations to become someone who I wanted to be. She gave me faith and trust in things and people. She is truly an icon and a Princess of the People.

Peter’s breathing exercise focuses on expanding the lungs with fast, large inhales. His affirmational mantra, which he repeats a number of times, is “I am joy. I am love. I am gratitude. I see, hear, feel, and know that the purpose of my life is to inspire and guide the transformation of humanity on and off the Earth.

My inspiration comes from many sources. Clearly, Mother Nature has always occupied an important position in this regard, which is tied up to my early experiences in Mexico. In addition, the patterns used in Mexican arts and crafts—ceramics, textiles, tiles, masks, etc.—also have been present in the development of my mental and artistic imaginary from the very beginning. Other elements that I can mention are indigenous myths and legends, the expressions of other artists from various cultures, iconic historical figures, and the works of poets and other writers, some of whom are my friends. Obviously, my surroundings are also a big source of inspiration, as my series of paintings on the Pacific Northwest clearly show. (Interview in Artophilia)

In the 1960s, the rise of "flower power" brought yoga to the attention of a generation of young Americans and Europeans. The wholesale embrace of Indian metaphysics and yoga by many countercultural icons (such as The Beatles' spiritual romance with the Maharishi Mahesh Yogi) reinforced the position of yoga in the popular psyche and inspired many to join the "hippy trail" to India in pursuit of alternative philosophies and lifestyles. Increased media attention brought yoga closer to the mainstream, and printed primers and television series throughout the 1960s and 1970s, such as Richard Hittleman's Yoga for Health (first broadcast in 1961), encouraged many to take up posture-based yoga in the comfort of their own homes.

A great perfume can express the intangible, but essential, intentions of a designer and convey the constant, enduring, and driving identity of the fashion house. It was through Marc Rosen's advocacy that I came to realize that the greatest modern perfume bottles were an art reflecting art. They exist as design objects in their own right, but are directly responsive to the composition of the scents they hold. A perfume, based on a series of layers and combinations of scent and composed of "notes" in a system that is at once science and subjectivity, is dependent on the sensory and the intuitive. With evocative qualities that are an amalgam of references framing it conceptually, a perfume can inspire possibilities of representation through graphics and the form of its flacon. Perfume bottles reside at the intersection of aesthetics and technology. They are, at their most artful, the sculptural manifestations of the ideas, emotions, and poetry elicited by a fragrance.

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To friends, she sent bouquets, and to some of her numerous correspondents—over one thousand of her letters have been found—pressed flowers.

Samuel L. Jackson is a hard worker. That’s just what I would say if I were called upon to post blandishments on his enviable career. I would, within my own ken, call him a god of the screen, an icon of note, a spiffy and nifty actor, a connoisseur of entertaining art, a quintessence of classic dialogue, an untiring stallion of grace, an embodiment of panache, a gentleman and an inspiring human being.

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Inspired by Mitra and the other animals, I got my own little dog—a beagle whom I named Jane Austen because she had the same brow line. It was a rash, ill-advised pet-shop purchase. I bought her for her adorable little face and sad pleading beagle eyes without a thought for breed behavioural characteristics. I didn’t care. I adored her. I found her naughtiness trying but hilarious, especially when she was a puppy. When she was nearly two she followed her nose off the edge of a forty-metre cliff and broke her leg in six places.

Asked by a curious admirer whether the iconic Eames lounge chair came to him in a flash, Charles replied, “Yes, sort of a thirty-year flash.

Imagine this: you log onto Everycharity.org, and the site is as visually seductive as iTunes. It most definitely does not look as if it was designed by a Ph.D. candidate in accounting. The icons look so good you want to lick them, as Steve Jobs once remarked about the icons in the Mac operating system. Instead of reading like it was written by a committee of academics, it’s as easy to understand as Mr. Rogers. Instead of being filled with acronyms and social service jargon, it contains words that anyone can understand. The words actually inspire you instead of confusing you. Instead of intimidating, it invites.

Whenever I think about Michelle Obama, I think, “When I grow up, I want to be just like her.” I want to be that intelligent, confident, and comfortable in my own skin.

Its iconic red color is the result of centuries of weathering, during which the iron-oxide banding within the rock discolored. It was this scarlet rock that inspired John William Burgon, the English poet and Dean of Chichester Cathedral, to describe Petra as ‘‘the rose-red city, half as old as time.

Being able to pick and read good waves is almost more important than surfing well.

Surround yourself with people who make you happy. People who make you laugh, who help you when you’re in need. People who genuinely care. They are the ones worth keeping in your life. Everyone else is just passing through.” Why

You have power over your mind—not outside events. Realize this, and you will find strength. Everything we hear is an opinion, not a fact. Everything we see is a perspective, not the truth. You don’t have to turn this into something. It doesn’t have to upset you. Things can’t shape our decisions by themselves. I have often wondered how it is that every man loves himself more than all the rest of men, but yet sets less value on his own opinion of himself than on the opinion of others.” Why

Next time when you are in an argument, let the arising anger cease. Listen to the other side, try to sincerely understand their perspective, and you will have more peace, feeling like a Zen master. Try to focus on being happy and at peace, instead of focusing on being right.

Effective listening is a skill that is the cornerstone of all positive human relationships, and it should be mastered by anyone with an active social life. Period.

We should do it because we should try to get out of our own jail cell of bitterness and hatred and leave the pain behind. Forgiveness is an attribute of a strong character.

Laura Vanderkam has written an entire book on the weekend habits of successful people. In What The Most

The emotion of sex is an ‘irresistible force,’ against which there can be no such opposition as an ‘immovable body.’ When driven by this emotion, men become gifted with a super power for action. Understand this truth, and you will catch the significance of the statement that sex transmutation will lift one to the status of a genius. Destroy the sex glands, whether in man or beast, and you have removed the major source of action. For proof of this, observe what happens to any animal after it has been castrated. A bull becomes as docile as a cow after it has been altered sexually. Sex alteration takes out of the male, whether man or beast, all the FIGHT that was in him.

Napoleon Hill also said, “A man is never whipped until he quits in his own mind.”   The

Working in purpose, you are doing what you fills you with passion and wakes you up every morning ready to conquer the world. It’s

Each day, aspire to life your life full and without regrets.   It

Instead of copying already existing success icons be an innovation and variety among them.

To be honest, I was uneasy about Steve. He had a forceful personality, whereas I do not, and I felt threatened by him. For all of my talk about the importance of surrounding myself with people smarter than myself, his intensity was at such a different level, I didn’t know how to interpret it. It put me in the mind of an ad campaign that the Maxell cassette tape company released around this time, featuring what would become an iconic image: a guy sitting low in a leather-and-chrome Le Corbusier chair, his long hair being literally blown back by the sound from the stereophonic speaker in front of him. That’s what it was like to be with Steve. He was the speaker. Everyone else was the guy.

and won’t take his laptop into bed. In the morning he follows up on something he is calling the “3C morning routine” which consists of coffee, cardio, and cold showers. “The

In the restaurant, my wife always says, ‘You didn’t look at the bill.’ I say, ‘I don’t want to worry myself by looking at the bill and asking, ‘who had the onion rings?’ or ‘they overcharged me for chips.’ Because those moments all add up to years. And how much money would you pay for another year?” Why

Creativity is just connecting things.

I’m not a businessman, I’m a business, man!” Why

Creativity flourishes in solitude. Sitting in peace and quiet, you can reach deep within yourself. With quiet, you will be able to hear your thoughts. Solitude will help you to focus.

Our never-ending quest towards self-improvement is a long journey of small steps. Small habits we repeat day after day, week after week, year after year. Small habits that have turned us into who we are today that will also determine who we will become in the future.

You have to become aware of who you are—your strengths, weaknesses, likes, beliefs and how you feel and why you feel a certain way. Knowing yourself goes far beyond just thinking about your life. The practice of reflection also includes talking to others, e.g. through finding a mentor who offers guidance, someone to share your views and experiences with, someone to ask questions to.

King’s visionary speech is widely regarded as one of the finest speeches

Any fool can criticize, condemn, and complain—and most fools do. But it takes character and self-control to be understanding and forgiving.” Why

You have power over your mind—not outside events. Realize this, and you will find strength. Everything we hear is an opinion, not a fact. Everything we see is a perspective, not the truth.

You’re not your job. You’re not how much money you have in the bank. You’re not the car you drive. You’re not the contents of your wallet. You’re not your fucking khakis. You’re the all-singing, all-dancing crap of the world.” Why

list of his 13 virtues, taken from his autobiography, An American Life: Temperance. Eat not to dullness; drink not to elevation. Silence. Speak not but what may benefit others or yourself; avoid trifling conversation. Order. Let all your things have their places; let each part of your business have its time. Resolution. Resolve to perform what you ought; perform without fail what you resolve. Frugality. Make no expense but to do good to others or yourself; i.e., waste nothing. Industry. Lose no time; be always employ’d in something useful; cut off all unnecessary actions. Sincerity. Use no hurtful deceit; think innocently and justly, and, if you speak, speak accordingly. Justice. Wrong none by doing injuries, or omitting the benefits that are your duty. Moderation. Avoid extremes; forbear resenting injuries so much as you think they deserve. Cleanliness. Tolerate no uncleanliness in body, clothes, or habitation. Tranquility. Be not disturbed at trifles, or at accidents common or unavoidable. Chastity.

Like A Virgin: Secrets They Won’t Teach You at Business School

Outliers,

Think and Grow Rich.

AM Chicago.

Your own personal mission statement will have a directional and a motivational function.

There is a supreme moment of destiny, calling on your life. Your job is to feel that, to hear that, to know that. 

No matter what you do, the ability to focus on the tasks at hand as well as your long term goals is very important.

The last thing DeMille added to his $13 million film before he delivered the final negative to Paramount was his introduction that ran before the opening credits, filmed with him standing behind a microphone in front of a blue-and-white curtain (the colors of the Israeli flag). His intention was to emphasize the “importance” of what the audience was about to see and how authentic the film really was, and to make the spiritual connection to the Holocaust. DeMille says, in part: “The theme of this picture is whether man ought to be ruled by God’s law, or whether they are to be ruled by the whims of a dictator like Rameses. Are men the property of the state or are they free souls under God? This same battle continues throughout the world today. Our intention was not to create a story, but to be worthy of the divinely inspired story, created three thousand years ago . . .” The introduction was almost always cut after the film’s initial run. That

The Beginning Is “heart work,” not “head work” “So much of the job is more emotion and ‘heart work’ than it is ‘head work.’ The head comes in after, to look at what the heart has presented and to organize it. But the initial inspiration comes from a different place, and it’s not the head, and it’s not an intellectual activity.

Lenora was a Fosse girl. She had learned from the mater, the actual master himself. Fosse was a galvanizing choreographer, who fascinated and spoke directly to me for a range of reasons. The first was the fact that the most iconic aspects of his work were inspired by his imperfections. Because he was losing his hair, hats became an integral part of his pageantry. His shoulders were rounded, giving rise to his signature slouch. He didn't like his hands, so gloves made their way into his numbers. He was pigeon-toed and couldn't achieve the kind of turnout expected in ballet, so he developed a style in which the legs are turned in and the feet point at each other. I was intoxicated by the way he had spun his ‘flaws’ into stylistic gold. It felt like a message for me that my own ‘flaws’ and vulnerabilities might actually be arrows pointing straight to the heart of my power as a performer, and – dare I say – my artistry.

Parents aspire for their children to excel academically and develop their talents, but mainstream celebrities often encourage them to prioritize drug consumption and mindless entertainment over educational pursuits. Parents hope for their daughters to maintain their purity and innocence, yet idols continuously promote looseness and self-objectification as virtuous behaviors. Parents also want their children to prioritize their health and to lead a wholesome lifestyle, yet modern music celebrities often glamorize drug use, portraying it as a masculine and cool pursuit. Alternatively, parents often aim to instill a growth mindset and a strong work ethic in their children. Yet, the musical icons often glorify hedonist pursuits and short-term gratification. In light of these toxic messages incessantly inundating the airwaves, it is hardly surprising to see so many individuals leading self-destructive lives or harboring toxic misconceptions about life’s true essence. They have unwittingly followed the wrong role models, heeded the wrong idols, and are now grappling with the consequences of such misguided influence.

Lenora was a Fosse girl. She had learned from the master, the actual master himself. Fosse was a galvanizing choreographer, who fascinated and spoke directly to me for a range of reasons. The first was the fact that the most iconic aspects of his work were inspired by his imperfections. Because he was losing his hair, hats became an integral part of his pageantry. His shoulders were rounded, giving rise to his signature slouch. He didn't like his hands, so gloves made their way into his numbers. He was pigeon-toed and couldn't achieve the kind of turnout expected in ballet, so he developed a style in which the legs are turned in and the feet point at each other. I was intoxicated by the way he had spun his ‘flaws’ into stylistic gold. It felt like a message for me that my own ‘flaws’ and vulnerabilities might actually be arrows pointing straight to the heart of my power as a performer, and – dare I say – my artistry.

Like Chuck Close says, ‘Inspiration is for amateurs—the rest of us just show up and get to work. And the belief that things will grow out of the activity itself and that you will—through work—bump into other possibilities and kick open other doors that you would never have dreamt of if you were just sitting around looking for a great ‘art idea.

Light and dark are a puzzle That knows the dimensions of its depth Reaching into the castles of kingdoms Where iconic warriors have leapt

iconic women travel the world charming others with their beauty their distinct personality leaves a mark on everyone who is around because a warm and genuine smile has a special kind of style

the fortification of positivity, inspiration and high hopes at a time of general negativity is mission-central to their campaign of producing sublime work and leading a life that surges with happiness, serenity and spiritual freedom.

Of course, Orwell was not the first to teach us about the spiritual devastations of tyranny. What is irreplaceable about his work is his insistence that it makes little difference if our wardens are inspired by right- or left-wing ideologies. The gates of the prison are equally impenetrable, surveillance equally rigorous, icon-worship equally pervasive.

Why Consider Fasting? Dom has discussed the idea of a therapeutic “purge fast” with his colleague Dr. Thomas Seyfried of Boston College. Per Dom: “If you don’t have cancer and you do a therapeutic fast 1 to 3 times per year, you could purge any precancerous cells that may be living in your body.” If you’re over the age of 40, cancer is one of the four types of diseases (see Dr. Peter Attia on page 59) that will kill you with 80% certainty, so this seems like smart insurance. There is also evidence to suggest—skipping the scientific detail—that fasts of 3 days or longer can effectively “reboot” your immune system via stem cell–based regeneration. Dom suggests a 5-day fast 2 to 3 times per year. Dom has done 7-day fasts before, while lecturing at the University of South Florida. On day 7, he went into class with his glucose between 35 and 45 mg/dL, and his ketones around 5 mmol. Then, before breaking the fast, he went to the gym and deadlifted 500 pounds for 10 reps, followed by 1 rep of 585 pounds. Dom was inspired to do his first 7-day fast by George Cahill, a researcher at Harvard Medical School, who’d conducted a fascinating study published in 1970* wherein he fasted people for 40 days.

Dostoevsky is a literary titan, and in some ways this can be the kiss of death, because it becomes easy to regard him as yet another sepia-tinted Canonical Author, belovedly dead. His works, and the tall hill of criticism they’ve inspired, are all required acquisitions for college libraries … and there the books usually sit, yellowly, smelling the way really old library books smell, waiting for somebody to have to do a term paper. Dahlberg is mostly right, I think. To make someone an icon is to make him an abstraction, and abstractions are incapable of vital communication with living people.

All said and done, in our headstrong struggle for inclusion, we mustn't also underestimate everything we have achieved so far as a species. As a matter of fact, we've come a long way since our tribal days of division and discrimination. Let me show you how. World's most beloved poet, Mevlana Rumi, was a muslim - world's icon of civil rights, MLK, was a black person - world's greatest inspiration of science, Albert Einstein, was a German Jew - and most recently, as of 2023, PM of UK and VP of US, both are of Indian origin. So don't tell me, we've achieved nothing - don't tell me, there is no hope for integration! Integration is happening all over the world, despite the ancient impediments of intolerance and hate. Therefore, the question is not whether integration is possible - real question is, are you a part of that integration, or aren't you! Our home is planet earth - and here on earth, we all cry the same pain, smile the same joy, and live the same love.

Our annual year-end bash was a tradition as sturdy as our conviction that socks and sandals were a fashion faux pas. From fashion outlaws, we became accepted as fashion forward style icons. -Kim Lee ‘The Big Apple Took a Bite Off Me’ Now on Amazon Books and Kindle

In love then and in love now In love then and in love now, The mind never protested, And I fell in love, Because the heart too never resisted, Time grew on us together, Both of us, she and I as well, Almost like two different people bearing the same feather, And thus, in love we fell, She became the sun that only shone for me, While I always believed I was something similar for her, And we became eternal lovers, and that is how it was meant to be, She loving me and I loving her, Her skin, her lips, her eyes were the only beauty’s icons I wanted to feel and see, And in moments of love I spilled over her like a wave of joy, And I loved her with every part of me, Like a child, like a man and at times like a youthful innocent boy, So, I continue to love her everyday and today, With the clarity of my mind, Because my heart beats for her everyday, And wherever I may see, it is her eyes, her lips and her, that I find, And it shall be so today and tomorrow too, because it is a feeling pleasuresome, To love her now as I loved her then, And when I think of you Irma, time does not become burdensome, Because somehow it feels now, as it felt then!

Female Pharaohs didn't have a unique title distinguishing them from male Pharaohs. They were just Pharaohs too. The Pharaoh is my icon because of this fact. A reminder that being a woman doesn't mean you can't commission pyramids, command armies, overthrow enemies and order around powerful warlocks. "Queen" doesn't do it for me. I'm not a Queen; I am a Pharaoh.

Fallen heroes remain iconic figures through their devout patriotism and loyalty, the nations progress of today and the nations future growth is made possible by the foundation they build with great sacrifice.

The speech started as an acknowledgment of political icons—Roosevelt, Obama, and Bill Clinton—and mixed in applause lines for constituencies Hillary wanted to court, including African Americans, Hispanics, the LGBT community, and women of all races and sexual orientations. She sprinkled in bromides about economic opportunity and how “prosperity can’t just be for CEOs.” But there was no overarching narrative explaining her candidacy, no framing of Hillary as the point of an underdog spear, no emotive power. “America can’t succeed unless you succeed,” she offered in a trite tautology. “That is why I am running for president of the United States.” Even those in her camp who defended the speech acknowledged that there were too many cooks in the kitchen, that the text was too watered down to serve as a call to action, and that Hillary was less than inspiring. And these were the kinder criticisms. “That speech had a simple mission, which was a requirement,” said one source close to Hillary. “This was the chance to make a credible persuasive case for why she wants to be president. She had to answer the why question. It’s not because of her mother. Her mother’s an inspiration, but that is not why. It has to sort of feel like kind of a call to action, a galvanizing, ‘I’m bringing us together around this larger-than-all-of-us’ idea or cause, and I don’t think it did that. I don’t think it did either of those.