Iceberg Quotes

I will love you as the iceberg loves the ship, and the passengers love the lifeboat and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms.

It's easy to look at people and make quick judgments about them, their present and their past, but you'd be amazed at the pain and tears a single smile hides. What a person shows to the world is only one tiny facet of the iceberg hidden from sight. And more often then not, it's lined with cracks and scars that go all the way to the foundation of their soul.

No," Cath said, "Seriously. Look at you. You’ve got your shit together, you’re not scared of anything. I’m scared of everything. And I’m crazy. Like maybe you think I’m a little crazy, but I only ever let people see the tip of my crazy iceberg. Underneath this veneer of slightly crazy and socially inept, I’m a complete disaster.

When you are in the middle of a story it isn't a story at all, but only a confusion; a dark roaring, a blindness, a wreckage of shattered glass and splintered wood; like a house in a whirlwind, or else a boat crushed by the icebergs or swept over the rapids, and all aboard powerless to stop it. It's only afterwards that it becomes anything like a story at all. When you are telling it, to yourself or to someone else.

People are icebergs, with just a bit you can see and loads you can’t.

Once you name something, it stops you seeing the whole of it, or why it matters. You focus on the word, which is just the tiniest part, really, the tip of an iceberg.

I always try to write on the principle of the iceberg. There is seven-eighths of it underwater for every part that shows.

I wonder how much we don‘t see. How much of our lives we witness and accept as truth when the rest of the iceberg—the heaviest, bulkiest part—is buried and invisible.

Raven, a little later we can play Titanic" he calls over his shoulder. "I'll yell iceberg and you can go down.

Nothing is safe from you. If I were to court a girl who lived on an iceberg in the middle of the ocean, sooner or later— probably sooner— I’d look up to see you swooping overhead on a broomstick. In fact, by now I’d be disappointed in you if I didn’t see you.” “Are you off to the iceberg today?” Sophie retorted.

For several years, I had been bored. Not a whining, restless child's boredom (although I was not above that) but a dense, blanketing malaise. It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative (although the word derivative as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else. I would have done anything to feel real again.

Is it possible that the relationship between humanity and evil is similar to the relationship between the ocean and an iceberg floating on its surface? Both the ocean and the iceberg are made of the same material. That the iceberg seems separate is only because it is in a different form. In reality, it is but a part of the vast ocean.…

I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and ats the horseradish loves the miyagi, and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness of the napkin, and the squinting eye of the reader loves the smudged document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp... I will love you until all such compartments are discovered and opened, and all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and rebuilt from the handsomest and most susceptible of woods. I will love you until the bird hates a nest and the worm hates an apple. I will love you as we find ourselves farther and farther from one another, where once we were so close... I will love you until your face is fogged by distant memory. I will love you no matter where you go and who you see, I will love you if you don't marry me. I will love you if you marry someone else--and i will love you if you never marry at all, and spend your years wishing you had married me after all. That is how I will love you even as the world goes on its wicked way.

And I’m terrified he’ll see through the tough iceberg layer, and he’ll discover not a soft, sweet girl, but an ugly fucking disaster underneath.

He’s a love-’em-and-leave-’em kind of guy. And though he’s not a Lord, he does have a curse hanging over his head. I have the book to prove it.” William growled low in his throat. “Anya! Must you share my secrets with everyone?” He flattened his palms on the arms of his chair. “Fine. If you can spill, I can, too. Anya’s the reason the Titanic sank. She was playing chicken with the icebergs.” Scowling, Anya anchored her hands on her hips. “William had a bronze made of his penis and placed it on his mantel.

Reality is, you know, the tip of an iceberg of irrationality that we've managed to drag ourselves up onto for a few panting moments before we slip back into the sea of the unreal.

The optimum population is modeled on the iceberg- eight-ninths below the water line, one-ninth above.

They keep saying that sea levels are rising an' all this. It's nowt to do with the icebergs melting, it's because there's too many fish in it. Get rid of some of the fish and the water will drop. Simple. Basic science.

I recall certain moments, let us call them icebergs in paradise, when after having had my fill of her –after fabulous, insane exertions that left me limp and azure-barred–I would gather her in my arms with, at last, a mute moan of human tenderness (her skin glistening in the neon light coming from the paved court through the slits in the blind, her soot-black lashes matted, her grave gray eyes more vacant than ever–for all the world a little patient still in the confusion of a drug after a major operation)–and the tenderness would deepen to shame and despair, and I would lull and rock my lone light Lolita in my marble arms, and moan in her warm hair, and caress her at random and mutely ask her blessing, and at the peak of this human agonized selfless tenderness (with my soul actually hanging around her naked body and ready to repent), all at once, ironically, horribly, lust would swell again–and 'oh, no,' Lolita would say with a sigh to heaven, and the next moment the tenderness and the azure–all would be shattered.

He had blue eyes. People generally think blue eyes are pretty, but his were not. They were not cornflower, sky, baby, indigo, azure. His were iceberg, squall, hypothermia, eventual death.

I’m scared of everything. And I’m crazy. Like maybe you think I’m a little crazy, but I only ever let people see the tip of my crazy iceberg. Underneath this veneer of slightly crazy and socially inept, I’m a complete disaster.

I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in blurry, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as a starfish loves a coral reef and as a kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. i will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and as an eraser loves to leave dust in the hairdos of people who talk too much. I will love you as a cufflink loves to drop from its shirt and explore the party for itself and as a pair of white gloves loves to slip delicately into the punchbowl. I will love you as the taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock.

Anger is the go-to feeling for most people because it’s outward-directed—angrily blaming others can feel deliciously sanctimonious. But often it’s only the tip of the iceberg, and if you look beneath the surface, you’ll glimpse submerged feelings you either weren’t aware of or didn’t want to show: fear, helplessness, envy, loneliness, insecurity. And if you can tolerate these deeper feelings long enough to understand them and listen to what they’re telling you, you’ll not only manage your anger in more productive ways, you also won’t be so angry all the time.

If a writer of prose knows enough about what he is writing about, he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water

It’s Gabe. He might look at an iceberg floating on the sea and wonder what was under it where I would only be interested in how cold the water must be to keep it solid. He’s pointing at the moon and I’m looking at his finger.

What is powerful is when what you say is just the tip of the iceberg of what you know

It’s easy to look at people and make quick judgments about them, their present and their pasts, but you’d be amazed at the pain and tears a single smile hides. What a person shows to the world is only one tiny facet of the iceberg hidden from sight. And more often than not, it’s lined with cracks and scars that go all the way to the foundation of their soul.

When you are in the middle of a story it isn’t a story at all, but only a confusion; a dark roaring, a blindness, a wreckage of shattered glass and splintered wood; like a house in a whirlwind, or else a boat crushed by the icebergs or swept over the rapids, and all aboard powerless to stop it. It’s only afterwards that it becomes anything like a story at all. When you are telling it, to yourself or to someone else.

We'd pass icebergs floating in the middle of the ocean. They were gigantic, with strange formations carved into them. They were so haunting and majestic you could feel your heart break, but really they're just chunks of ice and they mean nothing.

Gradually the awful truth dawns on you: that Santa Claus was just the tip of the iceberg - that your future will not be the rollercoaster ride you'd imagined, that the world occupied by your parents, the world of washing the dishes, going to the dentist, weekend trips to the DIY superstore to buy floor tiles, is actually largely what people mean when they speak of 'life'.

He grabbed my chin, pulling me towards him. 'In my dreams,' he told me, his voice still as hard and cold as an iceberg, 'more interesting things happen. Things that involve the two of us'.

An iceberg is water striving to be land; a mountain, especially a Himalaya, especially Everest, is land's attempt to metamorphose into sky; it is grounded in flight, the earth mutated--nearly--into air, and become, in the true sense, exalted. Long before she ever encountered the mountain, Allie was aware of its brooding presence in her soul.

Percy was waiting for them. He looked mad. He stood at the edge of the glacier, leaning on the staff with the golden eagle, gazing down at the wreckage he'd caused: several hundred acres of newly open water dotted with icebergs and flotsam from the ruined camp. The only remains on the glacier were the main gates, which listed sideways, and a tattered blue banner lying over a pile of now-bricks. When they ran up to him, Percy said, "Hey," like they were just meeting for lunch or something. "You're alive!" Frank marveled. Percy frowned. "The fall? That was nothing. I fell twice that far from the St. Louis Arch." "You did what?" Hazel asked. "Never mind. The important thing was I didn't drown.

Knowledge can be like the skin on the surface of the water in a pond, or it can go all the way down to the mud. It can be the tiny tip of the iceberg or the whole hundred percent.

I'll travel the sub-zero tundra I'll brave glaciers and frozen lakes And that's just the tip of the iceberg I'll do whatever it takes To change

Like icebergs, people normally expose only a small part of themselves, and generally just the part they wish to show.

New York is a diamond iceberg floating in river water.

Yes, Soteria. I have. I assure you, my life has never been an easy one and you should be grateful every day you live that you can’t imagine what kind of childhood I had. (Acheron) I’m sorry, Ash. I didn’t know. (Tory) It’s easy to look at people and make quick judgments about them, their present, and their past, but you’d be amazed at the pain and tears a single smile hides. What a person shows to the world is only one tiny facet of the iceberg hidden from sight. And more often than not, it’s lined with cracks and scars that go all the way to the foundations of their soul. (Acheron)

After everything happened with you and me, I tried to heal. I knew that I needed to forget you and move on. I hurt so much; everyday felt like a death sentence. I mourned you like you were dead and then, I met Leah. We were set up on a blind date and I remember feeling hope that day. It was the first day in a year that I felt hope. We took our time getting to know each other, I bought her a ring.” He shot me a look to see if I remembered the iceberg. “And then, all of a sudden I missed you again. I mean, I never stopped missing you, but this time it hit me hard. I couldn’t go to sleep for a single night without seeing you in my dreams. I compared everything Leah did to everything I remembered about you. It was like the old wound opened itself up again and I was bleeding out my feelings for you.” I close my eyes at his words. Words that I want to hear badly but that are making my heart ache so terribly I can barely breathe.

When Death Comes When death comes like the hungry bear in autumn; when death comes and takes all the bright coins from his purse to buy me, and snaps the purse shut; when death comes like the measle-pox when death comes like an iceberg between the shoulder blades, I want to step through the door full of curiosity, wondering: what is it going to be like, that cottage of darkness? And therefore I look upon everything as a brotherhood and a sisterhood, and I look upon time as no more than an idea, and I consider eternity as another possibility, and I think of each life as a flower, as common as a field daisy, and as singular, and each name a comfortable music in the mouth, tending, as all music does, toward silence, and each body a lion of courage, and something precious to the earth. When it's over, I want to say all my life I was a bride married to amazement. I was the bridegroom, taking the world into my arms. When it's over, I don't want to wonder if I have made of my life something particular, and real. I don't want to find myself sighing and frightened, or full of argument. I don't want to end up simply having visited this world

An emotional debt is hard to square.

Talking out loud to fictional characters is just the tip of the iceberg.

You have an instinct, Sophie, that's how," said Howl. "Nothing is safe from you. If I were to court a girl who lived on an iceberg in the middle of the ocean, sooner or later—probably sooner—I'd look up to see you swooping overhead on a broomstick. In fact, by now I'd be disappointed in you if I didn't see you.

Every death even the cruelest death drowns in the total indifference of Nature Nature herself would watch unmoved if we destroyed the entire human race I hate Nature this passionless spectator this unbreakable iceberg-face that can bear everything this goads us to greater and greater acts

Before I'd touch a square bitch's slit, I'd suck a thousand clappy pricks and swim through liquid shit, They got green puke between their rotten toes, And snot runs from their funky nose, I hope square bitches become syphilitic wrecks, I hope they fall through their own assholes and break their motherfucking necks.

The world of the grotesque is the darkness within us. Well before Freud and Jung shined a light on the workings of the subconscious, this correlation between darkness and our subconscious, these two forms of darkness, was obvious to people. It wasn’t a metaphor, even. If you trace it back further, it wasn’t even a correlation. Until Edison invented the electric light, most of the world was totally covered in darkness. The physical darkness outside and the inner darkness of the soul were mixed together, with no boundary separating the two. They were directly linked. Like this.” Oshima brings his two hands together tightly. "But today things are different. The darkness in the outside world has vanished, but the darkness in our hearts remains, virtually unchanged. Just like an iceberg, what we label the ego or consciousness is, for the most part, sunk in darkness. And that estrangement sometimes creates a deep contradiction or confusion within us.

I am an iceberg drifting toward the edge of the map.

Reality is merely one-tenth visible section of the iceberg that one sees above the surface of the ocean - art remaining nine-tenths of it that lies below the surface. That is why it is more near Truth than Reality itself. Art does not merely reflect Reality - it enlarges it.

But all cities were icebergs, the real power underneath

Abraham Lincoln did not shoot John Wilkes Booth. Titanic did not sink a North Atlantic iceberg. And Fox News is neither fair nor balanced. These are simple historical facts intelligible to all adults, most children, and some of your more discerning domesticated animals. But not... to Bill O

Life is maybe like deep-sea fishing. We wake up in the morning, we cast our nets into the water, an, if we are lucky, at day's end we will have netted one-- maybe two-- small fish. Occasionally we will net a seahorse or sometimes a shark-- or a life preserver or an iceberg, or a monster. And in our dreams at night we assess our Catch of the Day-- the treasures of this long, slow process of accumulation...

It’s easy to look at people and make quick judgments about them, their present and their past, but you’d be amazed at the pain and tears a single smile hides. What a person shows to the world is only one tiny facet of the iceberg hidden from sight. And more often then not, it’s lined with cracks and scars that go all the way to the foundation of their soul.

I smiled at him, as Doyle squeezed my hand and I squeezed back. "Some people are addicted to falling in love, Doctor. Some people love that rush of new emotions, and when that first rush of new love is spent, they move on to the next, thinking the love wasn't real. What I felt in her, and potentially in you, is the love of years. Love that knows that that first rush of freshness isn't the real thing. It's the tip of the iceberg.

I feel like I'm in a disaster movie, and that belt is the iceberg that's going to sink the good ship Orgasm. It must be destroyed.

Like maybe you think I’m a little crazy, but I only ever let people see the tip of my crazy iceberg. Underneath this veneer of slightly crazy and socially inept, I’m a complete disaster.

Peer over the edge Can you see me? Rivulets flow from your eyes Paint runs from your mouth Like a waterfall And your lungs crystalize

Why did Justice really always wear a blindfold? I knew now. It was because the cunning bitch had dollar signs for eyeballs

A solemn, unsmiling, sanctimonious old iceberg who looked like he was waiting for a vacancy in the Trinity.

There is seven-eights of it under water for every part that shows. Anything you know you can eliminate and it only strengthens your iceberg. It is the part that doesn't show. If a writer omits something because he does not know it then there is a hole in the story. (Interview with Paris Review, 1958)

My heart lost rhythm at the flicker of phantom in the whiskey-stained voice.

Success is like an iceberg. Nobody sees the work that comprises it.

[ In a relationship] someone's gotta be the iceberg and someone's gotta be the sun.

Her sentences were icebergs, with just the tip of her thought coming out of her mouth, and the rest kept up in her head, which I was starting to think was more and more beautiful the longer I looked at her.

Of course, if I had misbehaved that day, my dinner was a salad made entirely out of iceberg lettuce, with water on top instead of dressing. It was like cabbage soup without the dignity.


In this particular tub, two knees jut up like icebergs, while minute brown hairs rise on arms and legs in a fringe of kelp; green soap navigates the tidal slosh of seas breaking on legendary beaches; in faith we shall board our imagined ship and wildly sail among sacred islands of the mad till death shatters the fabulous stars and makes us real. --from "Tale of a Tub", written 1956

Is it possible that the relationship between humanity and evil is similar to the relationship between the ocean and an iceberg floating on its surface? Both the ocean and the iceberg are made of the same material. That the iceberg seems separate is only because it is in a different form. In reality, it is but a part of the vast ocean.… It was impossible to expect a moral awakening from humankind itself, just like it was impossible to expect humans to lift off the earth by pulling up on their own hair. To achieve moral awakening required a force outside the human race.

What to make of this man? He was proper. He was passionate. He had the public demeanor of an iceberg, but he kissed her as if she were his oasis in a vast, arid desert. What are you doing to me? he'd whispered. Charlotte had no idea. But whatever it was, he was doing it back.

Build Icebergs, Not Skyscrapers

Catch sunbeams in a mirror! A reflection of a sunbeam can melt an iceberg.

Icebergs behoove the soul (both being self-made from elements least visible) to see themselves: fleshed, fair, erected, indivisible.

I guess it means we don't understand everything, and we're not going to. Maybe the whys aren't answered here. Not because there aren't answers, but because we wouldn't understand the answers if we had them. Maybe there's a bigger purpose, a bigger picture that we only contribute a very small piece to. You know, like one of those thousand piece puzzles? There's no way you can tell by looking at one piece of the puzzle what the puzzle is going to look like in the end. And we don't have the picture on the outside of the puzzle box to guide us. Maybe everyone represents a piece of the puzzle. We all fit together to create this experience we call life. None of us can see the part we play or the way it all turns out. Maybe the miracles that we see are just the tip of the iceberg. And maybe we just don't recognize the blessings that come as a result of terrible things.

—Tienes un instinto especial, Sophie —continuó Howl—. Contigo nada está a salvo. Si decidiera cortejar a una doncella que viviera en un iceberg en el medio del océano, antes o después, probablemente antes, levantaría la vista y te vería volando por allí en una escoba. De hecho, me llevaría una decepción si no fuera así.

And somewhat as in blind night, on a mild sea, a sailor may be made aware of an iceberg, fanged and mortal, bearing invisibly near, by the unwarned charm of its breath, nothingness now revealed itself: that permanent night upon which the stars in their expiring generations are less than the glinting of gnats, and nebulae, more trivial than winter breath; that darkness in which eternity lies bent and pale, a dead snake in a jar, and infinity is the sparkling of a wren blown out to sea; that inconceivable chasm of invulnerable silence in which cataclysms of galaxies rave mute as amber.

I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table.I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavour of naval uniforms. I never want to be away from you again, except at work, in the restroom or when one of us is at a movie the other does not want to see.

Son, there is no reason except a stupid one for anybody to project on that screen anything that will worry him or dull that vital edge. After all, we are the absolute bosses of that whole theatre and show in our minds. We even write the script. So always write positive, dynamic scripts and show only the best movies for you on that screen whether you are pimp or priest.

From my ship, adrift, I spied you. And I thought you were an island. Alas, you were an iceberg.

People Are like Icebergs, You only really see the tip of them.

Dammit, Ethan, help me!” I feel like I’m in a disaster movie, and that belt is the iceberg that’s going to sink the good ship Orgasm. It must be destroyed.

Nothing should ever really surprise us because people are like icebergs, you only see the little bit on the top.

Whatever good things you’ve heard about me probably aren’t true. Whatever bad things you’ve heard are probably just the tip of the iceberg,” I said.

He entendido con el corazón encogido que la verdad, cuando aparece, a menudo es solo la puerta a otra verdad más profunda que jamás habíamos sospechado y que a menudo lo explica todo. He cerrado los ojos durante un instante y he respirado hondo. Entonces la he visto. La base del iceberg. Ahí estaba. Potente como la luz de un faro.

He set the backpack down on the floor. "It's easy to look at people and make quick judgments about them, their present and their pasts, but you'd be amazed at the pain and tears a single smile hides. What a person shows to the world is only one tiny facet of the iceberg hidden from sight. And more often than not, it's lined with cracks and scars that go all the way to the foundation of their soul." - Ash

Only a fool trips on what is behind them.

America was an iceberg shattered into a billion fragments, and on each stood a person, rotating like an ice floe in a storm.

I was the Titanic and the iceberg all at once.

When trying to write your way to a happier life, expressing gratitude is just the tip of the iceberg.

Thoughts always moved slowly through Brutha’s mind, like icebergs. They arrived slowly and left slowly and when they were there they occupied a lot of space, much of it below the surface.

I'm scared of everything. And I'm crazy. Like maybe you think I'm a little crazy, but I only ever let people see the tip of my crazy iceberg. Underneath this veneer of slightly crazy and socially inept, I'm a complete disaster.

It's easy to look at people and make quick judgments about them, their present and their pasts, but you'd be amazed at the pain and tears a single smile hides. What a person shows to the world is only one tiny facet of the iceberg hidden from sight. And more often than not, it's lined with cracks and scars that go all the way to the foundation of their soul.

Acheron: It's easy to look at people and make quick judgments about them, their present and their pasts, but you'd be amazed at the pain and tears a single smile hides. What a person shows to the world is only one tiny facet of the iceberg hidden from sight. And more often than not, it's lined with cracks and scars that go all the way to the foundation of their soul.

You know, you spend your childhood watching TV, assuming that at some point in the future everything you see will one day happen to you: that you too will win a Formula One race, hop a train, foil a group of terrorists, tell someone 'Give me the gun', etc. Then you start secondary school, and suddenly everyone's asking you about your career plans and your long-term goals, and by goals they don't mean the kind you are planning to score in the FA Cup. Gradually the awful truth dawns on you: that Santa Claus was just the tip of the iceberg - that your future will not be the rollercoaster ride you'd imagined,that the world occupied by your parents, the world of washing dishes, going to the dentist, weekend trips to the DIY superstore to buy floor-tiles, is actually largely what people mean when they speak of 'life'.

Cool" was a mild term for her demeanor. In truth, he suspected icebergs at the North Pole might be a shade or two warmer.

The optimum population,” said Mustapha Mond, “is modelled on the iceberg—eight-ninths below the water line, one-ninth above.

The tip of the neighbour's iceberg often looks very nice.

Fiona has the same glacial beauty as an iceberg, but unlike the iceberg she has absolutely nothing below the surface.

For thousands of years, it had been nature--and its supposed creator--that had had a monopoly on awe. It had been the icecaps, the deserts, the volcanoes and the glaciers that had given us a sense of finitude and limitation and had elicited a feeling in which fear and respect coagulated into a strangely pleasing feeling of humility, a feeling which the philosophers of the eighteenth century had famously termed the sublime. But then had come a transformation to which we were still the heirs.... Over the course of the nineteenth century, the dominant catalyst for that feeling of the sublime had ceased to be nature. We were now deep in the era of the technological sublime, when awe could most powerfully be invoked not by forests or icebergs but by supercomputers, rockets and particle accelerators. We were now almost exclusively amazed by ourselves.

Maybe everyone represents a piece of the puzzle. We all fit together to create this experience we call life. None of us can see the part we play or the way it all turns out. Maybe the miracles that we see are just the tip of the iceberg. And maybe we just don't recognize the blessings that come as a result of terrible things.

The sea-lentils tied to giant serpentine string beans, sea-liquor brine, sea-lyme grass, sea-moss, sea-cucumbers. He never knew the sea had such a lavish garden—sea-plumes, sea-grapes, sea-lungs. […] The sky put on its own evanescent spectacles, a pivoting stage, fugitive curtains, decors for ballets, floating icebergs, unrolled bolts of chiffon, gold and pearl necklaces, marabous of oyster white, scarves of Indian saris, flying feathers, shorn lambs, geometric architecture in snows and cotton. His theater was the clouds, where no spectacle repeated itself.

I smelled the stink that only a street whore has after a long, busy night.

Be honest, Miss Mountbatten.” “I am being honest. Mr. Reynaud has not subjected me to any unwanted attentions, nor taken advantage of me in any way.” Ash looked suspicious, but he didn’t belabor the question. “Regardless. His sexual escapades are merely the tip of the iceberg.” “Oh, I haven’t even acquainted her with the tip,” Chase said merrily. “Not properly.

. . . don't you have this sense sometimes that our life is essentially just the tip of the iceberg, and if you stop clinging to your puny bit of ice in fear or out of habit and just dive into the water, you will discover this luminous mass going down, deep down, and meet creatures you can't even imagine, and have thoughts and feelings no one has ever had before . . .

It's easy to look at people and make quick judgments about them, their present, and the their past, but you'd be amazed at the pain and tears a single smile hides. What a person shows to the world is only one tiny facet of the iceberg hidden from sight. And more often than not, it's lined with cracks and scars that go all the way to the foundations of their soul. (Acheron)

I opened my mouth, mad enough to spit, and said loudly, “I don’t eat iceberg lettuce!” Really? I asked myself. That’s what you’re going to throw down with? “I don’t care what you eat, just don’t be pickin’ in there!

It's easy to look at people and make quick judgements about them, their present and their pasts, but you'd be amazed at the pain and tears a single smile hides. What a person shows to the world is only oneone tiny facet of the iceberg hidden from site. And more often than not, it's lined with cracks and scars that go all the way to the foundation of their soul." ~Acheron 2008

What in water did Bloom, waterlover, drawer of water, watercarrier, returning to the range, admire? Its universality: its democratic equality and constancy to its nature in seeking its own level: its vastness in the ocean of Mercator's projection: its unplumbed profundity in the Sundam trench of the Pacific exceeding 8000 fathoms: the restlessness of its waves and surface particles visiting in turn all points of its seaboard: the independence of its units: the variability of states of sea: its hydrostatic quiescence in calm: its hydrokinetic turgidity in neap and spring tides: its subsidence after devastation: its sterility in the circumpolar icecaps, arctic and antarctic: its climatic and commercial significance: its preponderance of 3 to 1 over the dry land of the globe: its indisputable hegemony extending in square leagues over all the region below the subequatorial tropic of Capricorn: the multisecular stability of its primeval basin: its luteofulvous bed: its capacity to dissolve and hold in solution all soluble substances including millions of tons of the most precious metals: its slow erosions of peninsulas and islands, its persistent formation of homothetic islands, peninsulas and downwardtending promontories: its alluvial deposits: its weight and volume and density: its imperturbability in lagoons and highland tarns: its gradation of colours in the torrid and temperate and frigid zones: its vehicular ramifications in continental lakecontained streams and confluent oceanflowing rivers with their tributaries and transoceanic currents, gulfstream, north and south equatorial courses: its violence in seaquakes, waterspouts, Artesian wells, eruptions, torrents, eddies, freshets, spates, groundswells, watersheds, waterpartings, geysers, cataracts, whirlpools, maelstroms, inundations, deluges, cloudbursts: its vast circumterrestrial ahorizontal curve: its secrecy in springs and latent humidity, revealed by rhabdomantic or hygrometric instruments and exemplified by the well by the hole in the wall at Ashtown gate, saturation of air, distillation of dew: the simplicity of its composition, two constituent parts of hydrogen with one constituent part of oxygen: its healing virtues: its buoyancy in the waters of the Dead Sea: its persevering penetrativeness in runnels, gullies, inadequate dams, leaks on shipboard: its properties for cleansing, quenching thirst and fire, nourishing vegetation: its infallibility as paradigm and paragon: its metamorphoses as vapour, mist, cloud, rain, sleet, snow, hail: its strength in rigid hydrants: its variety of forms in loughs and bays and gulfs and bights and guts and lagoons and atolls and archipelagos and sounds and fjords and minches and tidal estuaries and arms of sea: its solidity in glaciers, icebergs, icefloes: its docility in working hydraulic millwheels, turbines, dynamos, electric power stations, bleachworks, tanneries, scutchmills: its utility in canals, rivers, if navigable, floating and graving docks: its potentiality derivable from harnessed tides or watercourses falling from level to level: its submarine fauna and flora (anacoustic, photophobe), numerically, if not literally, the inhabitants of the globe: its ubiquity as constituting 90 percent of the human body: the noxiousness of its effluvia in lacustrine marshes, pestilential fens, faded flowerwater, stagnant pools in the waning moon.

Words, no matter whether they are vocalized and made into sounds or remain unspoken as thoughts, can cast an almost hypnotic spell upon you. You easily lose yourself in them, become hypnotized into implicitly believing that when you have attached a word to something, you know what it is. The fact is: You don’t know what it is. You have only covered up the mystery with a label. Everything, a bird, a tree, even a simple stone, and certainly a human being, is ultimately unknowable. This is because it has unfathomable depth. All we can perceive, experience, think about, is the surface layer of reality, less than the tip of an iceberg.

There is going to be destruction: the obliteration of a person, his intellect, his experience and his agency. I am to watch it. This is my part.

I’m bullshit proof.

No more small towns for me. I was going to the city to get my degree in pimping.

Un iceberg se derrite por cada conversación incómoda que hay entre padres e hijos

Setting oneself on a predetermined course in unknown waters is the perfect way to sail straight into an iceberg.

It was a frightening metaphor for what the United States was becoming – a Titanic of rich, proud dimwits heading for the iceberg of anti-colonialist backlash.

people were like icebergs--most of what really went on, especially the ugliness, was submerged

No, Damien Stark is just one of those dark, quiet types. He’s like an iceberg, Texas. The deep parts are well hidden and what you do see is hard and a little bit cold.

Qui a coulé le Titanic? - - Iceberg, encore un Juif.

I don't know why I'm so cold and broken up about this but I know the icebergs never meant to hurt the titanic, they were just lonely.

I am an iceberg drifting towards the edge of the map

If I knew anything, it was that people were like icebergs. You only saw what they allowed you to see, but the dark places of a person’s soul were concealed beneath the surface. Inevitably, people tended to consist of more darkness than light.

We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can’t recall a single amazing thing I have seen firsthand that I didn’t immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it.

And the present sheared asunder from the past, like an iceberg sheared off from its frozen parent cliffs, and went sailing out to sea in lonely pride. All the past ages had accomplished was as nothing.

Sometimes there's nothing to be done. Sometimes they're not listening, can't hear, don't want to, don't believe you. Sometimes you cannot stop the storm, stem the tide, change the path of the ocean liner even though it hasn't quite yet hit the iceberg. There will be times despite all efforts you will feel completely misunderstood completely unappreciated completely wronged. Sometimes love just isn't enough.

Like every other tiny-ass town in the South, there were plenty of crappy Mexican restaurants to choose from. Not fancy Mexican like I eat in L.A. When I eat Mexican food in L.A., it’s like a kale salad with pepitas and soy beef tacos with fresh pico de gallo. In NC, it’s a five-dollar plate of cheese enchiladas with refried beans and a bowl of melted white cheese dip. Essentially you just walk in and ask for a plate of brown with a little iceberg lettuce, and it’s fucking delish.

Whenever possible, Salgado lives for a while with the people he photographs. “I tell a little bit of my life to them, and they tell a little of theirs to me. The picture itself is just the tip of the iceberg.

Some people lead charmed lives and think it is all due to them. They stand, like ship captains, proud and tall, feet apart, one hand loosely on the helm of their destinies. They are often charming, charismatic people because why wouldn’t they be? They have no need of fortune tellers. They have only ever faced clear seas and easy choices. When the iceberg looms, when something finally happens that is outside of their control, they are outraged. They whip their eyes to the left, to the right, looking for someone to blame. Try not to marry that sort of person.

Teach me how to love you so good our hearts will be beating thunderously against our ribcages straining to get out. For so long I have only known how to hurt. There are scars on my body like constellations. The one on my hip was from when I was six and I learned my parents were the Titanic and the iceberg. My wrist has a faint bruise reminding me of when I gave myself to a boy who crashed and burned and took me down with him. Heartbreak sounds a lot like a slamming door. Show me it doesn’t have to be this way, I want to be proven wrong. Teach me how to love right.

If we turn too much of our backstory into the story or illustrate too much of it via detailed flashbacks (either at the beginning of our stories or in subsequent chapters), we rob our readers of the sense of weight given by the 9/10 of the iceberg floating under the water of our stories.

It took a month for the gestalt of drugs and tension he moved through to turn those perpetually startled eyes into wells of reflexive need. He’d watched her personality fragment, calving like an iceberg, splinters drifting away, and finally he’d seen the raw need, the hungry armature of addiction.

If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.

When writing a novel a writer should create living people; people not characters. A character is a caricature. If a writer can make people live there may be no great characters in his book, but it is possible that his book will remain as a whole; as an entity; as a novel. If the people the writer is making talk of old masters; of music; of modern painting; of letters; or of science then they should talk of those subjects in the novel. If they do not talk of these subjects and the writer makes them talk of them he is a faker, and if he talks about them himself to show how much he knows then he is showing off. No matter how good a phrase or a simile he may have if he puts it in where it is not absolutely necessary and irreplaceable he is spoiling his work for egotism. Prose is architecture, not interior decoration, and the Baroque is over. For a writer to put his own intellectual musings, which he might sell for a low price as essays, into the mouths of artificially constructed characters which are more remunerative when issued as people in a novel is good economics, perhaps, but does not make literature. People in a novel, not skillfully constructed characters, must be projected from the writer’s assimilated experience, from his knowledge, from his head, from his heart and from all there is of him. If he ever has luck as well as seriousness and gets them out entire they will have more than one dimension and they will last a long time. A good writer should know as near everything as possible. Naturally he will not. A great enough writer seems to be born with knowledge. But he really is not; he has only been born with the ability to learn in a quicker ratio to the passage of time than other men and without conscious application, and with an intelligence to accept or reject what is already presented as knowledge. There are some things which cannot be learned quickly and time, which is all we have, must be paid heavily for their acquiring. They are the very simplest things and because it takes a man’s life to know them the little new that each man gets from life is very costly and the only heritage he has to leave. Every novel which is truly written contributes to the total of knowledge which is there at the disposal of the next writer who comes, but the next writer must pay, always, a certain nominal percentage in experience to be able to understand and assimilate what is available as his birthright and what he must, in turn, take his departure from. If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.

When the management iceberg is shaped like a huge phallus, you know that there are a lot of tossers that the top penguin has had to climb over to reach the tip and that there is no shortage of the same caliber of penguin in the balls and shaft of the corporation, just waiting for their chance to get a spurt to the top. Should I sugar coat this a little more? or tell it like it is?

It’s as if we regard other people as psychological crystals, with everything important refracted to the visible surface, while regarding ourselves as psychological icebergs, with the majority of what matters submerged and invisible.

I don't want to be buried in the ground, rotting, with all those worms. What I would love is to have my body dropped where you have those big icebergs and the water is so cold and pure, to be eaten by a polar bear or a seal or an otter.

It has often been suggested to me that the Constitution of the United States is a sufficient safeguard for the freedom of its citizens. It is obvious that even the freedom it pretends to guarantee is very limited. I have not been impressed with the adequacy of the safeguard. The nations of the world, with centuries of international law behind them, have never hesitated to engage in mass destruction when solemnly pledged to keep the peace; and the legal documents in America have not prevented the United States from doing the same. Those in authority have and always will abuse their power. And the instances when they do not do so are as rare as roses growing on icebergs. Far from the Constitution playing any liberating part in the lives of the American people, it has robbed them of the capacity to rely on their own resources or do their own thinking. Americans are so easily hoodwinked by the sanctity of law and authority. In fact, the pattern of life has become standardized, routinized, and mechanized like canned food and Sunday sermons. The hundred-percenter easily swallows syndicated information and factory-made ideas and beliefs. He thrives on the wisdom given him over the radio and cheap magazines by corporations whose philanthropic aim is selling America out. He accepts the standards of conduct and art in the same breath with the advertising of chewing gum, toothpaste, and shoe polish. Even songs are turned out like buttons or automobile tires--all cast from the same mold.

When death comes like the hungry bear in autumn; when death comes and takes all the bright coins from his purse to buy me, and snaps the purse shut; when death comes like the measle-pox when death comes like an iceberg between the shoulder blades, I want to step through the door full of curiosity, wondering: what is it going to be like, that cottage of darkness? And therefore I look upon everything as a brotherhood and a sisterhood, and I look upon time as no more than an idea, and I consider eternity as another possibility, and I think of each life as a flower, as common as a field daisy, and as singular, and each name a comfortable music in the mouth, tending, as all music does, toward silence, and each body a lion of courage, and something precious to the earth. When it’s over, I want to say all my life I was a bride married to amazement. I was the bridegroom, taking the world into my arms. When it’s over, I don’t want to wonder if I have made of my life something particular, and real. I don’t want to find myself sighing and frightened, or full of argument. I don’t want to end up simply having visited this world

What Lucas would feel, instead, would be a murderous anger, an iceberg of hate. He would kill anyone who hurt Weather, Sam, or Letty. He’d be cold about it, he’d plan it, but the anger would never go away, and sooner or later, he would find them and kill them.

Just this past summer, I took online courses in introductory logic and law through civilization. Often the weight of history, with its facts heaped upon facts requiring complex chains of inference to sort through – I mean complex for someone with the soft brain of a tomato merchant; for me the premises are obvious and the conclusions dire and inescapable – threatened to crush me, and I was ultimately forced to abandon the whole undertaking. By way of recovery, I spent the rest of the summer immersed in a Freudian meditation on some choice tabloids. The mysterious lives of celebrities make for challenging induction. The reasoning process involves navigating many gaps in our knowledge of them. What is certain is that under the iceberg of glitz and glamor lie neurotic, depraved individuals with bizarre habits and hobbies, people who think they’re above the law.

But, when I was growing up, the one thing that did help me not to feel so isolated and crazy was reading - especially books by authors who fearlessly examined and exposed their highly imperfect inner lives. Books like "Confessions of a Mask" by Yukio Mishima; "Tropic of Cancer" by Henry Miller; "Try" by Dennis Cooper; and, of course, the works of authors like Bukowski, Salinger, Hesse, Bataille, Iceberg Slim, and Murakami. These writers revealed the things that existed beneath most humans' seemingly secure and confident exteriors. I suddenly realized, after reading their work, that I wasn't unique - that my doubts and fears and insecurities were more universal that I could've ever imagined. Their words gave me strength. They have me permission to start trying to accept my flaws, my darkness, my insanity. They let me know that it was okay not to fit in with everyone else - to be a sensitive person - and that others struggled just like I did. It was such a relief when I finally began to understand this. It was like I could breathe - maybe for the first time.

It’s easy to look at people and make quick judgments about them, their present and their past, but you’d be amazed at the pain and tears a single smile hides. What a person shows to the world is only one tiny facet of the iceberg hidden from sight. And more often than not, it’s lined with cracks and scars that go all the way to the foundation of their soul.

Take away the clothes of the greatest living man, his father once told him, and you behold a very embarrassed, naked and defenseless animal.

People are like icebergs. You only see what's on the surface.

Now pull back briefly from the dripping streets of Ankh-Morpork, pan across the morning mists of the Disc, and focus in again on a young man heading for the city with all the openness, sincerity, and innocence of purpose of an iceberg drifting into a major shipping lane.

Think of a Just Cause like an iceberg. All we ever see is the tip of that iceberg, the things we have already accomplished. In an organization, it is often the founders and early contributors who have the clearest vision of the unknown future, of what, to everyone else, remains unseen.

This may be one of the most astonishing, and tragic, hummingbird effects in all of twentieth-century technology: someone builds a machine to listen to sound waves bouncing off icebergs, and a few generations later, millions of female fetuses are aborted thanks to that very same technology.

Every single iceberg filled me with feelings of sadness and wonder. Not thoughts of sadness and wonder, mind you, because thoughts require a thinker, and my head was a balloon, incapable of thoughts. I didn't think about Dad, I didn't think about you, and, the big one, I didn't think about myself. The effect was like heroin (I think), and I wanted to stretch it out as long as possible. Even the simplest human interaction would send me crashing back to earthly thoughts. So I was the first one out in the morning, and the last one back. I only went kayaking, never stepped foot on the White Continent proper. I kept my head down, stayed in my room, and slept, but, mainly, I was. No racing heart, no flying thoughts.

Life,” Joe said. “What a completely weird thing it is. A person lives sixty years, does all kinds of things, knows all kinds of things, feels all kinds of things, and then it’s over. Like it never happened at all.” “We’ll always remember her.” “No, we’ll remember parts of her. The parts she chose to share. The tip of the iceberg. The rest, only she knew about. Therefore the rest already doesn’t exist. As of now.

Maybe I’ll call it nothing. An unnamed something that I occasionally write in. I like that better. Once you name something, it stops you seeing the whole of it, or why it matters. You focus on the word, which is just the tiniest part, really, the tip of an iceberg. I’ve never been that comfortable with words—I always think in pictures, express myself with images—so I’d never have started writing this if it weren’t for Gabriel.

Mosca had been so busy working the oars of her little plan that she had failed to see the iceberg upon which it was doomed to founder. And now here it was in front of her, a towering glacial mountain of selfishness, and she could not understand how she could have missed it. How vast was it? How far beneath the surface did it go?

When you are in the middle of a story it isn’t a story at all, but only a confusion; a dark roaring, a blindness, a wreckage of shattered glass and splintered wood; like a house in a whirlwind, or else a boat crushed by the icebergs or swept over the rapids, and all aboard powerless to stop it. It’s only afterwards that it becomes anything like a story at all. When you are telling it, to yourself or to someone else. —Margaret Atwood, Alias Grace

As an example of consequential knowledge— knowledge affecting decisions with meaningful consequences in people’s lives— the officers in charge of the Titanic no doubt had much complex knowledge about the intricacies of ships and navigation on the seas. But the most consequential knowledge on a particular night was the mundane knowledge of the location of particular icebergs, because collision with an iceberg is what damaged and sank the Titanic.

Gradually the awful truth dawns on you: that Santa Claus was just the tip of the iceberg – that your future will not be the rollercoaster ride you’d imagined, that the world occupied by your parents, the world of washing the dishes, going to the dentist, weekend trips to the DIY superstore to buy floor-tiles, is actually largely what people mean when they speak of ‘life’. Now, with every day that passes, another door seems to close, the one marked PROFESSIONAL STUNTMAN, or FIGHT EVIL ROBOT, until as the weeks go by and the doors – GET BITTEN BY SNAKE, SAVE WORLD FROM ASTEROID, DISMANTLE BOMB WITH SECONDS TO SPARE – keep closing, you begin to hear the sound as a good thing, and start closing some yourself, even ones that didn’t necessarily need to be closed. (from "Skippy Dies")

That's delusion. Exactly the same. This is the dream. The question is, who is doing the dreaming and how do we wake up? How do we get real? That's what all this enlightenment stuff boils down to. It's about waking up and seeing what's really true, and to do what we have to become progressively less asleep. We have to fight and scratch and claw our way to wakefulness. In the same sense, if you want to be more true, then the way to do that is by becoming less false, less full of shit. If you want to be less full of shit, the the way to do it is to go inside yourself with the spotlight of discrimination, find the shit, and illuminate it. Illumination destroys it. lies disappear when you really look at them because they never had real substance, they were only imagined. That's what you were doing just now-- bravely shining a light inward, digging deeper-- and that's cool. It's not easy and it's not fun, but that's the process. That's how the good stuff happens. That's how icebergs get melted back into the ocean.

People don’t seem to realize it that it is not like we’re on the Titanic and we have to avoid the iceberg. We’ve already hit the iceberg. The water is rushing in down below. But some people just don’t want to leave the dance floor; others don’t want to give up on the buffet. But if we don’t make the hard choices, nature will make them for u

All people are unknowable, no matter how close you may think you are. Of the millions of thoughts we all think every day, of the millions of experiences we have, how many do we allow other people to know about? A handful? And no one willingly shares their worst, do they? The flaws you see, those are like the very tip of an iceberg. So we’re all just poking around on the surface, trying to figure out the people we love with a kind of, I guess, naïve idealism.

He took the bait like a rapist in a nudist colony for the blind.

When you are in the middle of a story it isn’t a story at all, but only a confusion; a dark roaring, a blindness, a wreckage of shattered glass and splintered wood; like a house in a whirlwind, or else a boat crushed by the icebergs or swept over the rapids, and all aboard powerless to stop it. It’s only afterwards that it becomes anything like a story at all.

Is the soul solid, like iron? Or is it tender and breakable, like the wings of a moth in the beak of the owl? Who has it, and who doesn’t? I keep looking around me. The face of the moose is as sad as the face of Jesus. The swan opens her white wings slowly. In the fall, the black bear carries leaves into the darkness. One question leads to another. Does it have a shape? Like an iceberg? Like the eye of a hummingbird? Does it have one lung, like the snake and the scallop? Why should I have it, and not the anteater who loves her children? Why should I have it, and not the camel? Come to think of it, what about the maple trees? What about the blue iris? What about all the little stones, sitting alone in the moonlight? What about roses, and lemons, and their shining leaves? What about the grass? —Mary Oliver, “Some Questions You Might Ask

It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative...we were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or a TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crispier, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.

Empower Others to Act. Remove as many barriers as possible so that those who want to make the vision a reality can do so. Encourage others to remove barriers and make true innovation happen.

APPROACH Rain is falling. Winter approaches. I drive towards it. In the slow rain. In the semi-darkness. Cello music is playing in the car. The deep sad sound of the cello. It almost swamps me. Routine endeavours to swamp me. The everyday paying of bills. But I paint men walking in a city of icebergs and crystal. Some of the icebergs are red. I paint a woman swimming in green wavy water. Surrounded by desert mesas. Bright orange in the sunlight. With darker orange for shadows. I paint two people. With purple and pink and yellow and blue circles overlapping the boundaries of their bodies. Dancing. Life is not ordinary. When I see you tonight I will press my lips to your eyelids. Each one in turn. I will rub my fingertips over the skin on the back of your hands and around your wrists. I will sigh. I will growl. I will whinny. I will gallop into your smile. One sharp foot after the other.

I was finally tired of hiding behind bravado. My family had hurt me so many times that I had started to lie about my feelings to everyone. To Sarah. To Maddie. To Ethan. And to myself. I was like an iceberg, with ninety percent of my real feelings submerged so no one would know how vulnerable I truly felt. I lied so much, and so often, that even I didn’t know my true feelings anymore.

Far more often, you must keep showing up, day in and day out, until the hard, unglamorous work adds up and pays off. It’s easy to misunderstand what you are seeing when you look at people taking a victory lap or receiving attention or promotion. Their celebration is only the tip of the iceberg. Invisible to your eye is what’s underwater—the hell they went through on the road to success.

I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in a blurring, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fetuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and an eraser loves to leave dust in the hairdos of the people who talk too much. I will love you as a taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock. I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong.

In moving through apprehensive chills to mounting excitement and waves of moist tingling warmth, the body, with its innate capacity to heal, melts the iceberg created by deeply frozen trauma. Anxiety and despair can become creative wellspring when we allow ourselves to experience bodily sensations, such as trembling, that stem from traumatic symptoms. Held within the symptoms of trauma are the very energies, potentials, and resources necessary for their constructive transformation. The creative healing process can be blocked in a number of ways—by using drugs to suppress symptoms, by overemphasizing adjustment or control, or by denial or invalidation of feelings and sensations.

A BIG PART OF SONGWRITING, like all writing, is editing—distilling thought down to essentials. Novice writers often hide behind filigree. In many cases the artistry is in what is unsaid. As the old saying goes, an iceberg moves gracefully because most of it is beneath the surface.

He was an old Drag man with his bit getting short. He was the first to attempt to teach me to control my emotions. He would say, “Always remember whether you be sucker or hustler in the world out there, you’ve got that vital edge if you can iron-clad your feelings. I picture the human mind as a movie screen. If you’re a dopey sucker, you’ll just sit and watch all kinds of mindwrecking, damn fool movies on that screen.” He said. “Son, there is no reason except a stupid one for anybody to project on that screen anything that will worry him or dull that vital edge. After all, we are the absolute bosses of that whole theatre and show in our minds. We even write the script. So always write positive, dynamic scripts and show only the best movies for you on that screen whether you are pimp or priest.” His rundown of his screen theory saved my sanity many years later. He was a twisted wise man and one day when he wasn’t looking, a movie flashed on the screen. The title was “Death For an Old Con.

Our society was utterly, ruinously derivative (although the word derivative as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can’t recall a single amazing thing I have seen firsthand that I didn’t immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I’ve literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can’t anymore.

So what did you do when death came to your house? We continued in the same way as before. What is that, a failure of the imagination? Are you in denial? This is not wholly true; we continue in the same way as before but in parenthesis. My thinking has switched its grammar. The present continuous is its single operational tense. Uncertainty is our present and our future.

There is an inability to sustain the tragic mood, a phoenix quality of the mind. It may be helpful or harmful, it is just a part of the will to survive—yet, also, it has made it possible for us to engage in one weakening war after another. But it is a necessary part of our mechanism that we should be able to cry only for a time over even an ocean of spilt milk—the spectacular must soon become the commonplace if life is to be supportable. Under a wide blue sky where a few clouds sailed like celestial icebergs the cities became a less oppressive memory, and the sense of living freshened us again like a clean wind. It does not, perhaps, excuse, but it does at least explain why from time to time I was surprised to find myself singing as I drove.

The following spring was a time of calving. Great icebergs calved from the vast glaciers which stretched down to our fjords from distant mountains. The heifers and cows of Kaupangen gave birth to over one hundred calves that spring. Most survived. Gudrod, the master shepherd, had seventy-five new lambkins skipping after their mothers. Ten sets of lamb twins were born in the city that year. Bitches had pups suckling at their breasts. The mountain goats that stood watch over the fjord, indifferently chewing on the wild grasses between the rocks, had kids following them on their steep paths. The residents of the city, too, gave birth. Twenty-one new healthy babies were born within thirty days of the spring equinox; boys and girls with thick blonde, brown, black, or red hair; others with smooth bald heads. Olaf, my third father, my king, had a son, stillborn. Olaf wept. Kenna wept. I wept as the boy was buried inside the casket with his mother in our graveyard by the church.

Slim, I hope you ain't sexed that pretty bitch yet. Believe me, Slim, a pimp is really a whore who's reversed the game on whores. Slim, be as sweet as the scratch. Don't be no sweeter. Always stick a whore for a bundle before you sex her. A whore ain't nothing but a trick to a pimp. Don't let em Georgia you. Always get your money in front just like a whore. Whores in a stable are like working chumps in the white man's factory..

He felt no regrets as the work of a lifetime was swept away. He had labored to take man to the stars, and, in the moment of success, the stars—the aloof, indifferent stars—had come to him. This was the moment when history held its breath, and the present sheared asunder from the past as an iceberg splits from its frozen, parent cliffs, and goes sailing out to sea in lonely pride. All that the past ages had achieved was as nothing now: only one thought echoed and re-echoed through Reinhold’s brain: The human race was no longer alone.

The sexual eagle exults he will gild the earth once more his descending wing his ascending wing sways imperceptibly the sleeves of the peppermint and all the water's adorable undress Days are counted so clearly that the mirror has yielded to a froth of fronds of the sky i see but one star now around us there is only the milk describing its dizzy ellipsis from which sometimes soft intuition with pupils of eyed agate rises to poke its umbrella tip in the mud of the electric light then great reaches cast anchor stretch out in the depths of my closed eyes icebergs radiating the customs of all the worlds yet to come bron from a fragment of you fragment unkown and iced on the wing your existence the giant bouquet escaping fr4om my arms is badly tied it didgs out walls unrolls the stairs of houses loses its leaves in the show windows of the street to gether the news i am always leaving to gather the news the newspaper is glass today and if letters no longer arrive it's that the train has been consumed the great incision of the emerald which gaave birth to the foliage is scarred for always the sawdust of blinding snow and the quarries of flesh are sounding along on the first shelf reversed on this shelf i take the impression of death and life to the liquid air

PERCY WAS WAITING FOR THEM. He looked mad. He stood at the edge of the glacier, leaning on the staff with the golden eagle, gazing down at the wreckage he’d caused: several hundred acres of newly open water dotted with icebergs and flotsam from the ruined camp. The only remains on the glacier were the main gates, which listed sideways, and a tattered blue banner lying over a pile of snow-bricks. When they ran up to him, Percy said, “Hey,” like they were just meeting for lunch or something. “You’re alive!” Frank marveled. Percy frowned. “The fall? That was nothing. I fell twice that far from the St. Louis Arch.” “You did what?” Hazel asked. “Never mind. The important thing was I didn’t drown.” “So the prophecy was incomplete!” Hazel grinned. “It probably said something like: The son of Neptune will drown a whole bunch of ghosts.” Percy shrugged. He was still looking at Frank like he was miffed. “I got a bone to pick with you, Zhang. You can turn into an eagle? And a bear?” “And an elephant,” Hazel said proudly. “An elephant.” Percy shook his head in disbelief. “That’s your family gift? You can change shape?” Frank shuffled his feet. “Um…yeah. Periclymenus, my ancestor, the Argonaut—he could do that. He passed down the ability.” “And he got that gift from Poseidon,” Percy said. “That’s completely unfair. I can’t turn into animals.” Frank stared at him. “Unfair? You can breathe underwater and blow up glaciers and summon freaking hurricanes—and it’s unfair that I can be an elephant?” Percy considered. “Okay. I guess you got a point. But next time I say you’re totally beast—” “Just shut up,” Frank said. “Please.” Percy cracked a smile.

This volume is dedicated to time. It gives us memories, fine wine, and wrinkles. But the only thing worse than getting old is not getting old. So here's to time, dear reader, yours and mine. May you have many more wrinkles, a lot of fine wine, and memories to last two lifetimes.

I examined the shapes and shades of her face, studying her. Each feature was its own inhabitable world. Her hair was the color of cream soda, or papyrus scrolls streaked with night light. Her eyebrows were the color of lions, lazy ones, dozing in sunlight or eating butter at night with their paws by lantern. Her eyes: icebergs for shipwrecking. Lashes: smoke and platinum. Her skin was the Virgin Mary, also very baby. Her nose: adorable, breathing. Upper lip: pink peony. Lower lip: rose. The teeth were trickier, but her inner mouth was easy—Valentine hearts and hell.

The radical economist J K Gibson-Graham (two women writing under one name) portray our society as an iceberg, with competitive capitalist practices visible above the waterline and below all kinds of aid and cooperation by families, friends, neighbors, churches, cooperatives, volunteers, and voluntary organizations from softball leagues, to labor unions, along with activities outside the market, under the table, bartered labor and goods, ad more, a bustling network of uncommercial enterprise. Kropotkin's mutual-aid tribes, clans, and villages never went away entirely, even among us, here and now.

Life is like an iceberg. Ninety percent is under the water, invisible to the naked eye. The only way to understand the supernatural world is through the Bible. I don’t know how I existed without knowing God, or living in His love 24/7, or experiencing His peace no matter what the circumstances, or gaining His wisdom in all of life’s choices. I can honestly say I now have no fear of lack, sickness, or even death.

Despite the newness of the science and tentativeness of the conclusions that can currently be drawn, changing women's hormones changes women. And this is a big deal. Although we don't yet know that the pill does the research suggests that it probably has a hand in women's mate preferences, our sensitivity to smells, our relationship satisfaction, the functioning of our stress response, the activities of multiple neurotransmitter systems, the activity of multiple hormones, our moods, our persistence in difficult tasks, our ability to learn and remember and our sex drive. And this is probably just the tip of the iceberg.

Anger is the go-to feeling for most people because it’s outward-directed — angrily blaming others can feel deliciously sanctimonious. But often it’s only the tip of the iceberg, and if you look beneath the surface, you’ll glimpse submerged feelings you either weren’t aware of or didn’t want to show: fear, helplessness, envy, loneliness, insecurity. And if you can tolerate these deeper feelings long enough to understand them and listen to what they’re telling you, you’ll not only manage your anger in more productive ways, you also won’t be so angry all the time. Of course, anger serves another function — it pushes people away and keeps them from getting close enough to see you.

To all my friends who constantly talk disparagingly about the supposed 'homosexual lifestyle' and stereotype gay people and the community, I'd like to get this straight. There are essentially two worlds – the 'gay scene' and the gay (or LGBTIQ) community. The 'scene' is like the tip of the iceberg; what is seen by others because it is visible on a street, suburb or pride parade. Like the ninety percent of the submerged iceberg, the community is larger and less visible. It consists of organisations, groups, support networks and also gay and lesbian singles and couples living 'normal' lives in the suburbs. Occasionally there is an overlap but not often. Some live, socialise and work in both. Many never enter each others worlds. The values, lifestyles and culture of these two worlds are as different as Asian culture is to western is to African is to Middle Eastern. Dig down even deeper below the surface and you find it is not a single community but diverse communities and subcultures that are separate but not necessarily divided. The common thing that binds them together is their experience of inequality, discrimination and their desire to make a better world for themselves, others and future generations. If you believe that all gays and lesbians are shallow and obsessed with sex, body image, partying, nightclubs and bars then you are obviously an observer from the outside or mixing in the wrong circles.

It was as if she had spoken slightingly of a woman he loved. For he dreamed of peace by day and night. Once in sleep it had appeared to him as the great glowing shoulder of the moon heaving across his window like an iceberg, arctic and destructive in the moment before the world was struck: by day he tried to win a few moments of its company, crouched under the rusting handcuffs in the locked office, reading the reports from the sub-stations. Peace seemed to him the most beautiful word in the language: My peace I give to you, my peace I leave with you: O Lamb of God, who takest away the sins of the world, grant us thy peace. In the Mass he pressed his fingers against his eyes to keep the tears of longing in.

On my analysis, misogyny’s primary function and constitutive manifestation is the punishment of “bad” women, and policing of women’s behavior. But systems of punishment and reward—and conviction and exoneration—tend to work together, holistically. So, the overall structural features of the account predict that misogyny as I’ve analyzed it is likely to work alongside other systems and mechanisms to enforce gender conformity. 7 And a little reflection on current social realities encourages pursuing this line of thinking, which would take the hostility women face to be the pointy, protruding tip of a larger patriarchal iceberg. We should also be concerned with the rewarding and valorizing of women who conform to gendered norms and expectations, enforce the “good” behavior of others, and engage in certain common forms of patriarchal virtue-signaling—by, for example, participating in slut-shaming, victim-blaming, or the Internet analog of witch-burning practices.

Positive thinking is a coping mechanism, an automatic coping mechanism. It is void of life. Feeling and experiencing the realness of what is actually happening are the essences of being alive. Feeling, connecting, reacting to the flow-- this is all living. Positive thinking happens in the head, meanwhile, it denies the heart its authentic, genuine feelings. Not only does it have the potential to rob you of real and deeper connection which is ultimately necessary to living a passionate and compassionate life; but it even has the potential to cut you off from reality itself. A mask that you put on your face, other people's faces, and throw over everything around you. We do not become positive by refusing to be real. We become positive people by really living, really feeling, and really rising above anything that would threaten to sink us. You can't even see what threatens to sink you if you refuse to acknowledge that it's even there. Why did Titanic sink? Someone refused to see the icebergs.

Why? Why wouldn’t revenge make things better? I think I saw then the difference between my anger toward my father and my anger toward Kera. It was like watching two icebergs separate, after moving together for a very long time. One was enormous, the size of an island; so enormous that I’d been standing atop it my entire life and never realized it was dragging me away from myself. The other was a regular iceberg. Not small, because icebergs aren’t small; but not bottomless either. Contained within a definable space. Able to be seen all at once, if I was willing to dive into the cold, and look at it from below. Was I willing to dive? What would that mean? Could I look at one anger, without being overwhelmed by all the others? I wonder if angers can connect to each other, if you’re not careful. I wonder if they combine, and feed one another, strengthen each other, make each individual anger bigger than it’s supposed to be? That seems dangerous. It seems like something to look out for, in a life of perils.

In conscious life, we achieve some sense of ourselves as reasonably unified, coherent selves, and without this action would be impossible. But all this is merely at the ‘imaginary’ level of the ego, which is no more than the tip of the iceberg of the human subject known to psychoanalysis. The ego is function or effect of a subject which is always dispersed, never identical with itself, strung out along the chains of the discourses which constitute it. There is a radical split between these two levels of being — a gap most dramatically exemplified by the act of referring to myself in a sentence. When I say ‘Tomorrow I will mow the lawn,’ the ‘I’ which I pronounce is an immediately intelligible, fairly stable point of reference which belies the murky depths of the ‘I’ which does the pronouncing. The former ‘I’ is known to linguistic theory as the ‘subject of the enunciation’, the topic designated by my sentence; the latter ‘I’, the one who speaks the sentence, is the ‘subject of the enunciating’, the subject of the actual act of speaking. In the process of speaking and writing, these two ‘I’s’ seem to achieve a rough sort of unity; but this unity is of an imaginary kind. The ‘subject of the enunciating’, the actual speaking, writing human person, can never represent himself or herself fully in what is said: there is no sign which will, so to speak, sum up my entire being. I can only designate myself in language by a convenient pronoun. The pronoun ‘I’ stands in for the ever-elusive subject, which will always slip through the nets of any particular piece of language; and this is equivalent to saying that I cannot ‘mean’ and ‘be’ simultaneously. To make this point, Lacan boldly rewrites Descartes’s ‘I think, therefore I am’ as: ‘I am not where I think, and I think where I am not.

It rarely snows because Antarctica is a desert. An iceberg means it’s tens of millions of years old and has calved from a glacier. (This is why you must love life: one day you’re offering up your social security number to the Russia Mafia; two weeks later you’re using the word calve as a verb.) I saw hundreds of them, cathedrals of ice, rubbed like salt licks; shipwrecks, polished from wear like marble steps at the Vatican; Lincoln Centers capsized and pockmarked; airplane hangars carved by Louise Nevelson; thirty-story buildings, impossibly arched like out of a world’s fair; white, yes, but blue, too, every blue on the color wheel, deep like a navy blazer, incandescent like a neon sign, royal like a Frenchman’s shirt, powder like Peter Rabbit’s cloth coat, these icy monsters roaming the forbidding black.

Of all the noble, vaunted heroes we hear about, at least half were contemptible liars and schemers who used their influence to claim achievements and write the histories, and managed to succeed. Of those who really did give everything for truth and justice, two-thirds choked to death horribly and quietly in the dust of history, forgotten by everyone, and the remaining one-third had their reputations smeared into eternal infamy, just like Song Cheng. Only a tiny percentage were remembered as they were by history, less than the exposed corner of the iceberg.

Anger is the go-to feeling for most people because it’s outward-directed — angrily blaming others can feel deliciously sanctimonious. But often it’s only the tip of the iceberg, and if you look beneath the surface, you’ll glimpse submerged feelings you either weren’t aware of or didn’t want to show: fear, helplessness, envy, loneliness, insecurity. And if you can tolerate these deeper feelings long enough to understand them and listen to what they’re telling you, you’ll not only manage your anger in more productive ways, you also won’t be so angry all the time.

Taking Off Emily Dickinson’s Clothes" First, her tippet made of tulle, easily lifted off her shoulders and laid on the back of a wooden chair. And her bonnet, the bow undone with a light forward pull. Then the long white dress, a more complicated matter with mother-of-pearl buttons down the back, so tiny and numerous that it takes forever before my hands can part the fabric, like a swimmer’s dividing water, and slip inside. You will want to know that she was standing by an open window in an upstairs bedroom, motionless, a little wide-eyed, looking out at the orchard below, the white dress puddled at her feet on the wide-board, hardwood floor. The complexity of women’s undergarments in nineteenth-century America is not to be waved off, and I proceeded like a polar explorer through clips, clasps, and moorings, catches, straps, and whalebone stays, sailing toward the iceberg of her nakedness. Later, I wrote in a notebook it was like riding a swan into the night, but, of course, I cannot tell you everything— the way she closed her eyes to the orchard, how her hair tumbled free of its pins, how there were sudden dashes whenever we spoke. What I can tell you is it was terribly quiet in Amherst that Sabbath afternoon, nothing but a carriage passing the house, a fly buzzing in a windowpane. So I could plainly hear her inhale when I undid the very top hook-and-eye fastener of her corset and I could hear her sigh when finally it was unloosed, the way some readers sigh when they realize that Hope has feathers, that Reason is a plank, that Life is a loaded gun that looks right at you with a yellow eye.

The Convergence of the Twain Thomas Hardy, 1840 - 1928 (Lines on the loss of the “Titanic”) I In a solitude of the sea Deep from human vanity, And the Pride of Life that planned her, stilly couches she. II Steel chambers, late the pyres Of her salamandrine fires, Cold currents thrid, and turn to rhythmic tidal lyres. III Over the mirrors meant To glass the opulent The sea-worm crawls—grotesque, slimed, dumb, indifferent. IV Jewels in joy designed To ravish the sensuous mind Lie lightless, all their sparkles bleared and black and blind. V Dim moon-eyed fishes near Gaze at the gilded gear And query: “What does this vaingloriousness down here?”. . . VI Well: while was fashioning This creature of cleaving wing, The Immanent Will that stirs and urges everything VII Prepared a sinister mate For her—so gaily great— A Shape of Ice, for the time far and dissociate. VIII And as the smart ship grew In stature, grace, and hue In shadowy silent distance grew the Iceberg too. IX Alien they seemed to be: No mortal eye could see The intimate welding of their later history. X Or sign that they were bent By paths coincident On being anon twin halves of one August event, XI Till the Spinner of the Years Said “Now!” And each one hears, And consummation comes, and jars two hemispheres.

It matters to me little whether they're on the Mongolian steppe, the deserts of West Africa, the Australian Outback, the marshlands of Southeast Asia... I can't escape the feeling of nausea... And this is just the tip of the iceberg - the ongoing spectacle of humans blissfully ignorant, boisterous, over-confident, scheming, and talking big about their dominion overthe world - a suffocating, self-absorbed, vacuous place called the wrold-for-us - to say nothing of how human culture has legitimized the most horrific actions against itself, a sickening and banal drama of the exchange of bodies, the breeding of spe ies, the struggle for power, prosperity and prestige. It just keeps going on and on, no matter how many films or TV shows imagine -like a myth - the disappearance of the human.

You know, you spend your childhood watching TV, assuming that at some point in the future everything you see there will one day happen to you: that you too will win a Formula One race, hop a train, foil a group of terrorists, tell someone 'Give me the gun', etc. Then you start secondary school, and suddenly everyone's asking you about your career plans and your long-term goals, and by goals they don't mean the kind you are planning to score in the FA Cup. Gradually the awful truth dawns on you: that Santa Claus was just the tip of the iceberg — that your future will not be the rollercoaster ride you'd imagined, that the world occupied by your parents, the world of washing the dishes, going to the dentist, weekend trips to the DIY superstore to buy floor-tiles, is actually largely what people mean when they speak of 'life'. Now, with every day that passes, another door seems to close, the one marked PROFESSIONAL STUNTMAN, or FIGHT EVIL ROBOT, until as the weeks go by and the doors — GET BITTEN BY SNAKE, SAVE WORLD FROM ASTEROID, DISMANTLE BOMB WITH SECONDS TO SPARE — keep closing, you begin to hear the sound as a good thing, and start closing some yourself, even ones that didn't necessarily need to be closed.

Early naturalists talked often about “deep time”—the perception they had, contemplating the grandeur of this valley or that rock basin, of the profound slowness of nature. But the perspective changes when history accelerates. What lies in store for us is more like what aboriginal Australians, talking with Victorian anthropologists, called “dreamtime,” or “everywhen”: the semi-mythical experience of encountering, in the present moment, an out-of-time past, when ancestors, heroes, and demigods crowded an epic stage. You can find it already by watching footage of an iceberg collapsing into the sea—a feeling of history happening all at once. It is. The summer of 2017, in the Northern Hemisphere, brought unprecedented extreme weather: three major hurricanes arising in quick succession in the Atlantic; the epic “500,000-year” rainfall of Hurricane Harvey, dropping on Houston a million gallons of water for nearly every single person in the entire state of Texas; the wildfires of California, nine thousand of them burning through more than a million acres, and those in icy Greenland, ten times bigger than those in 2014; the floods of South Asia, clearing 45 million from their homes. Then the record-breaking summer of 2018 made 2017 seem positively idyllic. It brought an unheard-of global heat wave, with temperatures hitting 108 in Los Angeles, 122 in Pakistan, and 124 in Algeria. In the world’s oceans, six hurricanes and tropical storms appeared on the radars at once, including one, Typhoon Mangkhut, that hit the Philippines and then Hong Kong, killing nearly a hundred and wreaking a billion dollars in damages, and another, Hurricane Florence, which more than doubled the average annual rainfall in North Carolina, killing more than fifty and inflicting $17 billion worth of damage. There were wildfires in Sweden, all the way in the Arctic Circle, and across so much of the American West that half the continent was fighting through smoke, those fires ultimately burning close to 1.5 million acres. Parts of Yosemite National Park were closed, as were parts of Glacier National Park in Montana, where temperatures also topped 100. In 1850, the area had 150 glaciers; today, all but 26 are melted.

If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.

And that date, too, is far off?' 'Far off; when it comes, think your end in this world is at hand!' 'How and what is the end? Look east, west, south and north.' 'In the north, where you never yet trod, towards the point whence your instincts have warned you, there a spectre will seize you. 'Tis Death! I see a ship - it is haunted - 'tis chased - it sails on. Baffled navies sail after that ship. It enters the regions of ice. It passes a sky red with meteors. Two moons stand on high, over ice-reefs. I see the ship locked between white defiles - they are ice-rocks. I see the dead strew the decks - stark and livid, green mold on their limbs. All are dead, but one man - it is you! But years, though so slowly they come, have then scathed you. There is the coming of age on your brow, and the will is relaxed in the cells of the brain. Still that will, though enfeebled, exceeds all that man knew before you, through the will you live on, gnawed with famine; and nature no longer obeys you in that death-spreading region; the sky is a sky of iron, and the air has iron clamps, and the ice-rocks wedge in the ship. Hark how it cracks and groans. Ice will imbed it as amber imbeds a straw. And a man has gone forth, living yet, from the ship and its dead; and he has clambered up the spikes of an iceberg, and the two moons gaze down on his form. That man is yourself; and terror is on you - terror; and terror has swallowed your will. And I see swarming up the steep ice-rock, grey grisly things. The bears of the north have scented their quarry - they come near you and nearer, shambling and rolling their bulk, and in that day every moment shall seem to you longer than the centuries through which you have passed. And heed this - after life, moments continued make the bliss or the hell of eternity.' 'Hush,' said the whisper; 'but the day, you assure me, is far off - very far! I go back to the almond and rose of Damascus! - sleep!' ("The House And The Brain

Why don't you make everybody an Alpha Double Plus while you're about it?" Mustapha Mond laughed. "Because we have no wish to have our throats cut," he answered. "We believe in happiness and stability. A society of Alphas couldn't fail to be unstable and miserable. Imagine a factory staffed by Alphas–that is to say by separate and unrelated individuals of good heredity and conditioned so as to be capable (within limits) of making a free choice and assuming responsibilities. Imagine it!" he repeated. The Savage tried to imagine it, not very successfully. "It's an absurdity. An Alpha-decanted, Alpha-conditioned man would go mad if he had to do Epsilon Semi-Moron work–go mad, or start smashing things up. Alphas can be completely socialized–but only on condition that you make them do Alpha work. Only an Epsilon can be expected to make Epsilon sacrifices, for the good reason that for him they aren't sacrifices; they're the line of least resistance. His conditioning has laid down rails along which he's got to run. He can't help himself; he's foredoomed. Even after decanting, he's still inside a bottle–an invisible bottle of infantile and embryonic fixations. Each one of us, of course," the Controller meditatively continued, "goes through life inside a bottle. But if we happen to be Alphas, our bottles are, relatively speaking, enormous. We should suffer acutely if we were confined in a narrower space. You cannot pour upper-caste champagne-surrogate into lower-caste bottles. It's obvious theoretically. But it has also been proved in actual practice. The result of the Cyprus experiment was convincing." "What was that?" asked the Savage. Mustapha Mond smiled. "Well, you can call it an experiment in rebottling if you like. It began in A.F. 473. The Controllers had the island of Cyprus cleared of all its existing inhabitants and re-colonized with a specially prepared batch of twenty-two thousand Alphas. All agricultural and industrial equipment was handed over to them and they were left to manage their own affairs. The result exactly fulfilled all the theoretical predictions. The land wasn't properly worked; there were strikes in all the factories; the laws were set at naught, orders disobeyed; all the people detailed for a spell of low-grade work were perpetually intriguing for high-grade jobs, and all the people with high-grade jobs were counter-intriguing at all costs to stay where they were. Within six years they were having a first-class civil war. When nineteen out of the twenty-two thousand had been killed, the survivors unanimously petitioned the World Controllers to resume the government of the island. Which they did. And that was the end of the only society of Alphas that the world has ever seen." The Savage sighed, profoundly. "The optimum population," said Mustapha Mond, "is modelled on the iceberg–eight-ninths below the water line, one-ninth above." "And they're happy below the water line?" "Happier than above it.

Feminist theory sometimes portrays men as being united with all other men in their common purpose of oppressing women. But the evolution of human mating suggests that this scenario cannot be true, because men and women compete primarily against members of their own gender. Men strive to control resources mainly at the expense of other men. Men deprive other men of their resources, exclude other men from positions of status and power, and derogate other men in order to make them less desirable to women. Indeed, the fact that nearly 70 percent of all homicides are inflicted by men on other men reveals the tip of the iceberg of the cost of competition to men. The fact that men on average die years earlier than women in every culture is further testimony to the penalties men pay for this struggle with other men. Women do not escape damage inflicted by members of their own sex. Women compete with each other for access to high-status men, have sex with other women’s husbands, and lure men away from their wives. Mate poaching is a ubiquitous sexual strategy of our species. Women slander and denigrate their rivals and are especially harsh toward women who pursue short-term sexual strategies. Women and men are both victims of the sexual strategies of their own gender and so can hardly be said to be united with their own gender for some common goal. Moreover, both men and women benefit from the strategies of the opposite sex. Men lavish resources and protection on certain women, including their wives, their sisters, their daughters, and their mistresses. A woman’s father, brothers, and sons all benefit from her selection of a mate who is flush with abundance. Contrary to the view that men or women are united with all members of their own sex for the purpose of oppressing the other sex, each individual shares key interests with particular members of each sex and is in conflict with other members of each sex. Simple-minded views of a same-sex conspiracy have no foundation in reality.

Maybe that's where it started and they brought it back from the desert, some kind of contagious psychic wound, guilt based. Maybe it's the dark matter, invisibly making up most of the universe. Maybe it was methane thawing at the bottom of the sea, releasing some ancient spore from the melted icebergs. Maybe it was the hole in the ozone, the collapse of the upper atmosphere. Maybe it was the overload of information, the swarms of data generated by every human gesture. Maybe it was the networking craze, the resurrection of dead friendships and memories meant to be lost, now resurfacing like rusted shipwrecks to reclaim our attention and scramble our sense of time. Maybe it was the death of an artist at the hands of a zealot. Maybe it was the particles made to collide. Maybe the mapping of the genome. Maybe the clashing of gods, the tug-of-war over our souls, not one of them refusing to let go, instead opting to see us sliced in two by Soloman's sword. Maybe it was food becoming a prop for food. Maybe it was a distant comet dusting us with its tail of poisoned ice. Maybe it was someone uttering a combination of syllables that should never be uttered. Maybe it was the emergence of collective intelligence, the flattening of the world. Maybe the game we inhabit had a glitch. Maybe the angel's horn had finally been blown.

El mundo fantástico son las tinieblas que hay en el interior de nuestra mente. Antes de que en el siglo XIX Freud y Jung arrojaran luz sobre todo esto con sus análisis del subconsciente, la correlación entre ambas tinieblas era, para la mayoría de las personas, un hecho tan obvio que no valía la pena pararse a reflexionar sobre él. Ni siquiera era una metáfora. Y si nos remitimos a épocas anteriores, ni siquiera era una correlación. Hasta que Edison inventó la luz eléctrica, la mayor parte del mundo vivía, literalmente, envuelto en unas tinieblas tan negras como la laca. Y no existía frontera alguna entre las tinieblas físicas del exterior y las tinieblas interiores del alma, ambas se entremezclaban. Más aún, se confundían en una. De esta manera. -Y Oshima aprieta la palma de una mano contra la otra-. En la época en que vivía Murasaki Shikibu, los espíritus vivos eran a la vez un fenómeno fantástico y una disposición del espíritu de lo más normal, algo que estaba allí. Pensar en estas dos clases de oscuridad como algo separado era algo que, probablemente, no pudiera hacer la gente de aquella época. Pero para nosotros, que estamos en el mundo actual, las cosas son distintas. Las tinieblas del mundo exterior han desaparecido, pero las tinieblas de nuestra alma continúan inalteradas. Una gran parte de lo que llamamos yo o consciencia permanece oculta en el reino de las tinieblas, como un iceberg. Esta disociación, en algunos casos, crea en nosotros confusión y grandes contradicciones

Every novel which is truly written contributes to the total of knowledge which is there at the disposal of the next writer who comes, but the next writer must pay, always, a certain nominal percentage in experience to be able to understand and assimilate what is available as his birthright and what he must, in turn, take his departure from. If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.