Fedora Quotes

Jordan doesn't really care about the blood," Simon said now. "His whole thing is about me being comfortable with what I am. Get in touch with your inner vampire, blah, blah." Clary slid in next to him onto the bed and hugged a pillow. "Is your inner vampire different from your...outer vampire?" "Definitely. He wants me to wear midriff-baring shirts and a fedora. I'm fighting it." Clary smiled faintly. "So your inner vampire is Magnus?

Like most fedora wearers, he had a lot of inexplicable confidence.

Is your inner vampire different from your...outer vampire?' 'Definitely. He wants me to wear midriff-baring shirts and a fedora.' 'So your inner vampire is Magnus?

All is as if the world did cease to exist. The city's monuments go unseen, its past unheard, and its culture slowly fading in the dismal sea.

Do we not each dream of dreams? Do we not dance on the notes of lost memories? Then are we not each dreamers of tomorrow and yesterday, since dreams play when time is askew? Are we not all adrift in the constant sea of trial and when all is done, do we not all yearn for ships to carry us home?

You can get used to eating breakfast with a man in a fedora. You can get used to anything, my mother was in the habit of saying.

Call me crazy, but there is something terribly wrong with this city.

I can’t help but ask, “Do you know where you are?” She turns to me with a foreboding glare. “Do you?

There is a stillness between us, a period of restlessness that ties my stomach in a hangman’s noose. It is this same lack in noise that lives, there! in the darkness of the grave, how it frightens me beyond all things.

Did Bach ever eat pancakes at midnight?

It means I know you, Adrien with an e, and I know you get reckless when you're impatient. You're paying for this investigation, and I'll keep you apprised every step of the way, but if you even think about going rogue on this one, I'm turning in my fedora and you can hire some other dick." I don't want any other dick. I closed my mouth on that one—metaphorically speaking—and said, “I don't know why the hell everyone seems to think I'm so reckless—

In every age someone, looking at Fedora as it was, imagined a way of making it the ideal city, but while he constructed his miniature model, Fedora was already no longer the same as before, and what had been until yesterday a possible future became only a toy in a glass globe.

Because noir isn’t really a new thing at all. It’s just a fairy tale with guns. Your hardscrabble detective is nothing more than a noble knight with a cigarette and a disease where his heart should be. He talks prettier, that’s all. He’s no less idealistic—there’re good women and bad women, good jobs and bad jobs. Justice and truth are always worth seeking. He pulls his fedora down like the visor on a suit of armour. He serves his lord faithfully whether he wants to or not. And he is in thrall to the idea of a woman. It’s just that in detective stories, women are usually dead before the curtain goes up. In fairy tales, they’re usually alive.

History doesn’t start with a tall building and a card with your name written on it, but jokes do. I think someone is taking us for suckers and is playing a mean game.

She rolled her eyes. " I was talking about your temperature, jerk. But just to be clear, I never said you weren't good-looking. If you remember, I said you made me nervous." "Right. So, you think I'm good-looking?" She swatted me over the head with her fedora, then went back to the cash register, saying, "You're really annoying. If you're sisters are pains in the ass, I'm thinking they learned it from you.

She leaves my side and heads deeper into the apartment singing, “—if the spirit tries to hide, its temple far away… a copper for those they ask, a diamond for those who stay.

It was a lovely sight," said one witness. "I cannot even begin to describe the beauty of her ascension," said another. "You kind of did, though," said another witness, who was wearing a fedora. "By saying you cannot describe something, that is a sort of apophasis (a paralipsis, if you will), which gives the mind an implied description through nondescription," he continued.

Charlie pushed his fedora back onto his head. Some hats can only be worn if you're willing to be jaunty, to set them at an angle and to walk beneath them with a spring in your stride as if you're only a step away from dancing.

I steal one glance over my shoulder as soon as we are far from the foreboding luminance of the neon glow, and it is there that my stomach leaps into my throat. Squatting just shy of the light and partially concealed by the shade of an alley is a sinister silhouette beneath a crimson cowl, beaming a demonic smile which spans from cheek to swollen cheek.

And in the ocean I will fly to the bottomless pit of darkness

he just seemed to be comfortable with himself and not particularly shy. Like most fedora wearers, he had a lot of inexplicable confidence.

I rouse Emily to our guests, as she finishes off our fifteenth snowman by setting the head atop its torso. She stands limp at my direction, pointing out the coming shadows and I cannot help but hear a muffled sigh as she decapitates her latest creation with a single push of her hand.

That’s a stupid name! Whirly-gig is much better, I think. Who in their right mind would point at this thing and say, ‘I’m going to fly in my Model-A1’. People would much rather say, ‘Get in my whirly-gig’. And that’s what you should name it.

Longing on a large scale is what makes history. This is just a kid with a local yearning but he is part of an assembling crowd, anonymous thousands off the buses and trains, people in narrow columns tramping over the swing bridge above the river, and even if they are not a migration or a revolution, some vast shaking of the soul, they bring with them the body heat of a great city and their own small reveries and desperations, the unseen something that haunts the day—men in fedoras and sailors on shore leave, the stray tumble of their thoughts, going to a game.

The set of her shoulders, her fucking fedora--this girl has seen some life and she has set her body and her brain against further damage. She might be walking alone, but she is walking unbowed. She is courage on her way out for coffee.

Placing his suitcase on the seat next to him, he unbuttoned his suit jacket, loosened up his necktie and removed his fedora. He kept his custom eye wear on and made himself comfortable, looking more like a Wall Street accountant than the cold killer he'd become...

Earth to Sawyer?" Campbell said. I had no idea what I'd missed. "We were just about to discuss how incredibly debonair I look in this hat," Boone informed me, sliding his fingers along its brim. "I was born to fedora." I wasn't sure whether the pained look on Nick's face was the result of Boone's use of the word fedora as a verb or the conversation he, Campbell, and I had been having before we'd been interrupted.

Let us consider the farmer who makes his straw hat his sweetheart; or the old woman who makes a floor lamp her son; or the young woman who has set herself the task of scraping her shadow off a wall.... Let us consider the old woman who wore smoked cows’ tongues for shoes and walked a meadow gathering cow chips in her apron; or a mirror grown dark with age that was given to a blind man who spent his nights looking into it, which saddened his mother, that her son should be so lost in vanity.... Let us consider the man who fried roses for his dinner, whose kitchen smelled like a burning rose garden; or the man who disguised himself as a moth and ate his overcoat, and for dessert served himself a chilled fedora....

Some are clearly so confused that they have taken to wearing fedoras. A difficult period indeed.

fedora,

Those who love cats have a special place in heaven,” he said, tipping his fedora at me.

I never understood the term “Ass hat.” Not until I misplaced my Fedora, and decided to cover up my disheveled hair with underwear.

Just because i have a fedora on doesn't mean i want to help solve crime, but it also doesn't mean that i cant solve crime.

He's all right, but he sometimes wears a fedora.

I made decaf,” he said. “Caffeine isn’t good for you.” “Thank you, Mama Lane.” He made a face at her. “Tate and I used to share everything. Let him go off in a snit. I’ll share his baby. If he doesn’t come back, I’ll appropriate it, and you.” “That’s one area where all your commando skills will fail, dear man,” she said affectionately. “I like you very much, and you can be baby’s godfather. But I’m raising this child myself.” “Godfather.” He was savoring the word when the toast popped up. “Bad choice of words,” she murmured. “I wouldn’t want to give you any bad ideas. I don’t want my child outfitted in a fedora and a machine gun.” “Commando godfathers are a different breed.” “Black bags and camo gear aren’t much better,” she informed him. “Spoilsport. Where’s your sense of adventure?” “Hanging in the shower trying to dry out.

(which is ridiculous even to imagine, since those trapeze acts all have names like The Flying Fedoras, and mine would be called The Flying Bunches, which sounds like a couple of guys throwing bananas at each other).

Inevitably, however, a dude approached us. He was white. Jazz camp was mostly white dudes. This dude was clutching a gold-embossed tenor sax case, and on his head was a fedora with two different eagle feathers in it.

I could get a fedora and a trench coat and a wisecracking sense of humor; she could sit poised at hotel bars with a slinky red dress and a camera in her lipstick, to snare cheating businessmen…. I almost laughed out loud.

But let me just say that talking dirty is so important in sex. And it’s pretty easy. To wit: establish from the very beginning that you like this. And trust me, you want to do it early on. Because if you wait too long to introduce the concept, your Special Lady Friend will be a little thrown and might not take you seriously. Think of it as a hat. If you never, ever wear a hat and one day you try to rock a fedora with a feather, all of your friends will be like, “Dude—why are you wearing a fucking fedora with a fucking feather?” You’ll feel insecure and never wear it again. Now imagine that scenario, but in bed with your hardened dick out and it’s your girlfriend saying, “Dude—why the fuck are you talking like that?” Not good.

There's a certain kind of rain that falls only in comics, a thick, persistent drizzle, much heavier than normal water, that bounces off whatever it hits, dripping from fedoras, running slowly down windowpanes and reflecting the doom in bad men's hearts. It's called an "eisnershpritz," and it's named after the late Will Eisner, one of the preeminent stylists of twentieth-century comics, who never drew a foreboding scene that couldn't be made a little more foreboding with a nice big downpour.

had been of the opinion that the whole karaoke evening was going to be an utter bust; but then the little old man had sashayed into the room, walked past the table of several blonde women with the fresh sunburns and smiles of tourists, who were sitting by the little makeshift stage in the corner. He had tipped his hat to them, for he wore a hat, a spotless green fedora, and lemon-yellow gloves, and then he walked over to their table. They giggled. “Are you enjoyin’ yourselves, ladies?” he asked. They continued to giggle and

And the men who got down from the cab were not ordinary truck drivers in soft caps and mackinaws but men in overcoats and fedoras with a way of lighting their cigarettes in their cupped hands while the teamsters on inside duty backed the trucks into the black depths...

Tate practically raised you from what I hear. You love him, don’t you?” Her face closed up. “For all the good it will ever do me, yes,” she said softly. “He won’t have the excuse of pure Lakota blood much longer,” he advised. “I’m not holding out for miracles anymore,” she vowed. “I’m going to stop wanting what I can never have. From now on, I’ll take what I can get from life and be satisfied with it. Tate will have to find his own way.” “That’s sour grapes,” he observed. “You bet it is. What do you want me to do to help?” “It’s dangerous,” he pointed out, hesitating as he considered her youth. “I don’t know…” “I’m a card-carrying archeologist,” she reminded him. “Haven’t you ever watched an Indiana Jones movies? We’re all like that,” she told him with a wicked grin. “Mild-mannered on the outside and veritable world-tamers inside. I can get a whip and a fedora, too, if you like,” she added.

I throw him a smile and pull on my suit jacket and then my hat. “Come on, what would you do?” He pauses for a moment and then lets out a low chuckle. “Just go. Maybe you two can sing in the rain Frank!” he jests, eyeballing my fedora. I throw him a sly smirk. “You may be the better looking brother Kyle, but you know I’m the one with the killer style!

Exchanging Hats Unfunny uncles who insist in trying on a lady's hat, --oh, even if the joke falls flat, we share your slight transvestite twist in spite of our embarrassment. Costume and custom are complex. The headgear of the other sex inspires us to experiment. Anandrous aunts, who, at the beach with paper plates upon your laps, keep putting on the yachtsmen's caps with exhibitionistic screech, the visors hanging o'er the ear so that the golden anchors drag, --the tides of fashion never lag. Such caps may not be worn next year. Or you who don the paper plate itself, and put some grapes upon it, or sport the Indian's feather bonnet, --perversities may aggravate the natural madness of the hatter. And if the opera hats collapse and crowns grow draughty, then, perhaps, he thinks what might a miter matter? Unfunny uncle, you who wore a hat too big, or one too many, tell us, can't you, are there any stars inside your black fedora? Aunt exemplary and slim, with avernal eyes, we wonder what slow changes they see under their vast, shady, turned-down brim.

A look passed between Recevo and Karras. They could hear the rest of them crowded outside the door. Karras cradled the Thompson gun, pressed the butt tight against his ribs. "Well," he whispered. "Come on if you're gonna come." They charged into the room. Karras saw white fire as he heard the reports, heard Joey's gun explode, saw one man fall, heard Joey scream, watched Joey's fedora tumble by as if it had been blown by a strong wind. Karras squeezed the trigger, saw men diving through the gunsmoke, the doorframe disintegrating in spark and dust. He fell back to the floor from a blunt shock that felt like a hammer blow to his chest. Karras winced, got himself up onto the balls of his feet. He leaned his face against the table, rested it there, caught his breath. He listened to the others move about the room. Swim, you Greek bastard. And he was over the table, landing on his feet as softly as if he had landed in water. And they were there, the Welshman and the others, moving toward him, emptying their guns at once, the sound deafening now and riding over their caterwauling screams and the bottomless scream coming from his own mouth. Karras went forward, humming as his finger locked down on the trigger, the Tommy gun dancing crazily in his arms, the gunmen falling before him through the smoke and ejecting shells and the white gulls gliding against the perfect blue sky. Red flowers bloomed on the chests of the men who had come to take Peter Karras to the place where he was always meant to be.

I was thinning the hellebore when I saw a woman in an oversize suit jacket and a fedora trying to throw a rope into a window two stories high to rescue her friend in the dark and rain. I've traveled all over the world and I've seen many things, but I've never seen anything like that. And then the alarm went off and she didn't run. She didn't give up. She refused to leave her friend and tried to scale a sheer brick wall with her bare hands. I didn't know love and loyalty like that existed. I only knew what it meant to be alone. I had to meet her." "We didn't meet," I said. "You grabbed me and dragged me into the bushes." "That's what you do when you find the love of your life," he said. "You love me?" His voice was soft as he turned away. "I think I loved you from the moment you threw that rope.

Growing up, I was a big fan of the Indiana Jones movies. I watched them again recently and found them to be misleading. Aspiring archeologists across the world probably show up to their first day of work with their weather-worn fedoras and their whips and they’re like, “Where’s the cavern of jewels?” And their boss is like, “Actually, today we’re gonna start off by dusting thousands of miles of nothing.

Harrison Salisbury When Amor Towles was ten years old, he threw a bottle containing a short note he had written into the Atlantic Ocean. A few weeks later he received a letter from the man who found it: Harrison Salisbury, the managing editor of The New York Times. From this childhood incident, a correspondence developed between Salisbury and Towles and they eventually met. In his earlier career, Harrison Salisbury was the real-life chief correspondent for The New York Times in Moscow. The author of an important history of the Russian Revolution, Black Nights, White Snow, his memoirs were the source of some of the detail Towles uses in A Gentleman in Moscow. Salisbury’s cameo appearance in the novel, along with the mention of his fedora and trench coat (stolen by the Count as a disguise) pay tribute to Salisbury’s literary legacy on early twentieth century Russia as well as the author’s serendipitous connection with him.

He was wearing a gleaming cream-coloured linen suit, and a Panama hat. The weirdest thing about this was that he was not the most outlandish-looking person in the room by a long way. Not that Little Miss Dresses-Like-Bogart over here has a right to complain

His consolation prize was a hat. A battered fedora that looked as if it had blown off of Humphrey Bogart during the filming of Key Largo. Sucked up into the atmosphere during the movie’s hurricane, it had ended up here, on the other side of the world, sixty years later. On his head. Even though it had been enshrined in a closet inside the house, it kind of smelled as if it had spent about three of those decades at the bottom of a birdcage. Yesiree. It was almost as fun to wear as the brown leather flight jacket. Which really wasn’t fair to the flight jacket. It was a gorgeously cared-for antique that didn’t smell at all. And it definitely worked for him, in terms of some of his flyboy fantasies. But the day had turned into a scorcher. It was just shy of a bazillion degrees in the shade. He needed mittens or perhaps a wool scarf to properly accessorize his impending heat stroke. “Today, playing the role of Indiana Jones, aka Grady Morant, is Jules Cassidy,” he said, as he slipped his arms into the sleeves. Was anyone really going to be fooled by this? Jones was so much taller than he was.

Our house was made of stone, stucco, and clapboard; the newer wings, designed by a big-city architect, had a good deal of glass, and looked out into the Valley, where on good days we could see for many miles while on humid hazy days we could see barely beyond the fence that marked the edge of our property. Father, however, preferred the roof: In his white, light-woolen three-piece suit, white fedora cocked back on his head, for luck, he spent many of his waking hours on the highest peak of the highest roof of the house, observing, through binoculars, the amazing progress of construction in the Valley - for overnight, it seemed, there appeared roads, expressways, sewers, drainage pipes, "planned" communities with such names as Whispering Glades, Murmuring Oaks, Pheasant Run, Deer Willow, all of them walled to keep out intruders, and, yet more astonishing, towerlike buildings of aluminum and glass and steel and brick, buildings whose windows shone and winked like mirrors, splendid in sunshine like pillars of flame; such beauty where once there had been mere earth and sky, it caught at your throat like a great bird's talons, taking your breath away. 'The ways of beauty are as a honeycomb,' Father told us, and none of us could determine, staring at his slow moving lips, whether the truth he spoke was a happy truth or not, whether even it was truth. ("Family")

The truth is that things do not work out, that there are no solutions, and you can go a year, a whole year, and be no better, no more healed, maybe even worse, be so skittish that if you’re walking down the street with Anna, and if someone opens a car door and gets out and slams the door you turn around, honest-to-god ready to kill them, turn around so fast that Anna, who knows what is happening, cannot even open her mouth in time and then you’re standing there, crying, and there’s some guy in a leather jacket and a fedora getting out of his Volkswagen Rabbit staring at you like, is this girl all right? and you want to be like, this girl is not all right, this girl will never be all right.

Delbert was the only Bumpus kid in my grade, but they infested Warren G. Harding like termites in an outhouse. There was Ima Jean, short and muscular, who was in the sixth grade, when she showed up, but spent most of her time hanging around the poolroom. There was a lanky, blue-jowled customer they called Jamie, who ran the still and was the only one who ever wore shoes. He and his brother Ace, who wore a brown fedora and blue work shirts, sat on the front steps at home on the Fourth of July, sucking at a jug and pretending to light sticks of dynamite with their cigars when little old ladies walked by. There were also several red-faced girls who spent most of their time dumping dishwater out of windows. Babies of various sizes and sexes crawled about the back yard, fraternizing indiscriminately with the livestock. They all wore limp, battleship-gray T-shirts and nothing else. They cried day and night. We thought that was all of them—until one day a truck stopped in front of the house and out stepped a girl who made Daisy Mae look like Little Orphan Annie. My father was sprinkling the lawn at the time; he wound up watering the windows. Ace and Emil came running out onto the porch, whooping and hollering. The girl carried a cardboard suitcase—in which she must have kept all her underwear, if she owned any—and wore her blonde hair piled high on her head; it gleamed in the midday sun. Her short muslin dress strained and bulged. The truck roared off. Ace rushed out to greet her, bellowing over his shoulder as he ran: “MAH GAWD! HEY, MAW, IT’S CASSIE! SHE’S HOME FROM THE REFORMATORY!” Emil

Insisto que morri, ele nega. Pergunto se o mundo acabou, ele diz que não sabe de nada. Mundo?, pergunta, sem esconder o ar sardônico. Quando repito que morri, desta vez como pergunta, o caolho jura que nunca saí do lugar. De qual Fedora estou falando, ele pergunta e desconverso. Na memória de minha vida as pontas nunca se amarram. Não possuo narrativa, apenas lampejos de imagens, odores, sensações. Raciocínios superpostos. Lembranças que não poderiam ter sido. Mas se não havia ninguém para morrer, se não existia mundo para acabar, não sei o quue faço por aqui. O caolho me diz que não existem mundos, apenas os sonhos de um mundo. Falácia. Recuso-me a admitir que sou um espectro vagando por um sonho que finge estar desperto. Ele ri de meu apego pelo fim das cousas, dizendo que nada começa. Que só existe enquanto. Como pode saber? De onde tira tanta certeza? Se, como afirma, ele não é Deus e nem a imagem que tenho de Deus, quem seria? Um servo competente, responde o caolho. Só preciso saber se existo: sim ou não. Ele ri do meu ou e responde com seu e. Se algo existe, ele diz, é sempre um talvez. Não aceito, e ele responde que tudo que faço é apontar para meu próprio umbigo, cavocá-lo com o dedo em riste. Renuncie, sugere. Digo que ele está se refugiando na negação. Ele repete que falou em talvez. Imploro as regras do jogo, ele me dispensa afirmando que um jogo só existe se houver jogadores. Completa que posso jogar, desde que saiba estar jogando; para isso, segundo o caolho, não se precisa de regras. Se eu pedir uma solução para o enigma, ele dirá que não existe enigma. Sim, é um jogo, e é simples de entender. Simplório, até. Apesar disso, não enxergo saída. Posso não estar aqui, mas continuo prisioneira. Digo que não mereço, ele responde que ninguém merece. Tento escapar de seu sofisma, e ele completa que as cousas são e ponto. Aceite que não há merecimento, diz o caolho, apenas uma vasta rede de interconexões aleatórias. E quando pergunto se é apenas isso que somos, vítimas das circunstâncias, ele diz: não existem circunstâncias.

The student with whom Hal shared a bedroom, Englishman John Abel Smith, bore educational credentials that Hal could only dimly conceive. John was the namesake of a renowned merchant banker and British Member of Parliament. He had attended Eton, one of the world’s most famous preparatory schools, before entering Cambridge, where he had “read” under the personal tutelage of English scholars. Hal began to understand the difference between his public-school education and the background of his roommates when he surveyed them relative to a reading list he came across. It was titled, “One Hundred Books Every Educated Person Ought to Have Read.” George Montgomery and Powell Cabot had read approximately seventy and eighty, respectively. John Abel Smith had read all but four. Hal had read (though not necessarily finished) six. Hal also felt his social inferiority. He had long known that his parents weren’t fashionable. His mother never had her hair done in a beauty parlor. His father owned only one pair of dress shoes at a time and frequently took long trips abroad with nothing but his briefcase and a single change of underwear, washing his clothes—including a “wash-and-wear” suit—in hotel sinks at night. That was part of the reason why Hal took an expensive tailored suit—a broad-shouldered pinstripe—and a new fedora hat to Boston. He knew that he needed to rise to a new level, fashion-wise. But he realized that his fashion statement had failed when Powell Cabot asked, late in October, to borrow his suit and hat. Hal’s swell of pride turned to chagrin when Powell explained his purpose—he had been invited to a Halloween costume party, and he wanted to go as a gangster.

Joaquin was almost ten years older than me, born in Philadelphia, and possessed a swagger that seemed unearned, considering he was wearing a FUCKING FEDORA.

MacMillian narrowed his eyes at the man in the fedora. Neither he nor his friend looked a day older than nineteen, at most. "You're a... minister?" The man's lips twitched. "Of sorts.

Words Matter What people write and say affects others. Don't believe me? Consider these examples. --Jihadists persuade everyday people to strap explosives to themselves and wreak havoc in public places. --Words start wars and end marriages. Words matter.

One of the classic settings in fiction, a little world as reassuring as imperial St Petersburg or Victorian London, is suburban Connecticut in the 1950s. If you close your eyes, you can picture autumn leaves drifting down on quiet streets, you can see commuters in fedoras streaming off the platforms of the New Haven Line, you can hear the tinkle of the evening's first pitcher of martinis; and hear the ugly fights then, after midnight; and smell the desperate or despairing sex. (Introduction to "The Man in the Gray Flannel Suit")

Ian opens the box and moves the polystyrene strips to uncover a matryoshka. He’s astonished when he sees that it’s his face painted on it. "But...," he says. "Is it me?" He looks at Andrea, puzzled. "You’re very good." The look is from a photo of him at a party, before he knew him personally, that he found on the internet. He’s in a gray suit and has a cane, like a count from the olden days. "That's the Count," he says, and Ian looks at him and swallows. Andrea smiles. His gift holds a deep meaning that only the two of them understand. Ian opens the first doll and inside there is another. He gasps on seeing it. "That’s Dorian," says Andrea. He has painted Ian as he had looked on the night of his first event. When he wore the white Versace suit and Borsalino fedora. His hand trembling, Ian opens the doll to see the next one inside. "That's Ian," Andrea smiles, as does Ian when he sees himself portrayed with the black linen scarf and white sweater that he was wearing when they had met for the first time in Clusone. He has a serious look in the previous dolls while here he is cheerful. Ian shakes the doll a little and hears the wood rattle. He looks at Andrea, doubtful: they both know that their rapport finishes here. Andrea hasn’t discovered his innermost layer and sounderstands his perplexity. Ian seems to have to pluck up courage and then opens again. Inside there is the last, smallest doll, made from a single small piece of wood and known as the "seed". It dances in a large empty space, given that the doll above it is missing. It’s golden and doesn’t have a face. "That’s the soul," says Andrea. "One’s missing. That's why there's that little table with brushes in my room. I hope to do it soon. As soon as I can." Ian takes the little piece of wood and holds it in his fist. "Thank you, Andrea. It’s a wonderful gift," he says, tightening his jaw. "I eagerly await the last." He’s

It was bad enough I was a detective without a fedora. But now I was a jungle adventurer without a fedora. This was unacceptable.

A 1968 calendar, large X’s marking various dates (April 4, July 19); a letter written in blood so smeary its satanic message cannot be deciphered; an astrology chart; a fedora tilted on the plastic neck of a female torso, and, in a place that once housed Christians—well, Catholics anyway—not a cross of Jesus anywhere.

She began to click through the profiles. You’ve got to be in it to win it, right? Pathetic. Some men could be eliminated with a quick glance at their profile photograph. It was key when you thought about it. The profile portrait each man had painstakingly chosen was, in pretty much every way, the first (very controlled) impression. It thus spoke volumes. So: If you made the conscious choice to wear a fedora, that was an automatic no. If you chose not to wear a shirt, no matter how well built you were, automatic no. If you had a Bluetooth in your ear—gosh, aren’t you important?—automatic no. If you had a soul patch or sported a vest or winked or made hand gestures or chose a tangerine-hued shirt (personal bias) or balanced your sunglasses on top of your head, automatic no, no, no. If your profile name was ManStallion, SexySmile, RichPrettyBoy, LadySatisfier—you get the gist.

Kevin, you’re my favorite geek.” He tipped an imaginary fedora. “M’lady.

It’s a good thing I got you out of LA. I was tired of all those fedora-wearing hipsters hitting on you.

The fedoras weren’t a great call, I have to say. I could barely see

The clothes make the man, or so the saying goes. But all you have to do is look at a row of fedoras to know what a bunch of baloney that is. Gather together a group of men of every gradation—from the powerhouse to the putz—have them toss their fedoras in a pile, and you’ll spend a lifetime trying to figure out whose was whose. Because it’s the man who makes the fedora, not versa vice. I mean, wouldn’t you rather wear the hat worn by Frank Sinatra than the one worn by Sergeant Joe Friday? I should hope so. In

The click, clack of the typewriter weakened as I casually strolled through the forest. I stopped for a moment, turned back to study the cottage and the faint light in the window. I felt sad for the man because whatever it was that he was smiling about, whatever it was that he was typing, was disappearing with every stroke of the key.

As I came closer, he didn’t acknowledge my footsteps at all. A creepiness came over me. It almost felt like I was approaching a ghost.

. . . I still strolled casually, leisurely, towards the balloon. It was quite an eerie feeling with it just hanging there as if an invisible person were holding the string, which is why I approached it slowly.

Ivy plopped a worn-looking fedora on top of his head. “I figured you wouldn’t care about dressing up. So I came prepared. You actually look good, Cam.” I forced myself to refocus. “Very eighties Johnny Depp,” I agreed. He blinked his gaze away from me and straightened the hat. “I’d rather be Jack Sparrow Johnny Depp, but I didn’t dress for that either.” “It wouldn’t fit eighties night,” Ivy said. He scoffed. “Who says it’s 1980s and not 1780s?

​The overcoat wasn't just any coat. It was a trench coat, to be specific. In addition to the trench coat, he had a hat on. An old fashioned hat, atop his head. The kind one could expect to see a character wearing in an old gangster movie. An old, worn out fedora.

He drove a gray Honda CR-V and ate six Wendy’s Jr. Bacon Cheeseburgers from the Drive-Thru Value Menu. He listened to a Spotify playlist of Ed Sheeran, Death Cab for Cutie, and Coldplay while driving exactly the speed limit with his fedora on the dashboard, hooked atop a plastic hat rack he’d purchased for $9.99 on Amazon.

But every now and then, a diamond was discovered. Megan still dreamed of transforming herself into that diamond. “We’re not saying it’s mandatory,” the chairwoman said, yet her smile said it was. “However, it would help your chances. Dean Henry is more… approachable at such events.” “Just look for the man with a fedora and a martini,” her advisor added. “But wait until he’s on his second or third.

Nichts davon schien Dulles zu stören, der in einem zerknitterten Regenmantel und einem sorglos in den Nacken geschobenen Fedora auf dem Kopf offen durch die Berner Straßen spazierte.

In the stout-hearted person of Harrison Ford, Indy was a new generation’s Ethan Edwards—a young John Wayne-bwana dispatched to curate the Third World. Not an identity-cloaked sci-fi superhero but a bullwhip-toting, fedora-wearing, two-fisted sophisticate who respected the Bible and saved the children of India—a superb hero yet an intrinsically nostalgic figure.

For a new Linux user I recommend using a popular Linux distribution such a Linux Mint or Ubuntu from the Debian family, or Fedora.  These distributions tend to have the latest technology and are very easy to use.  I also recommend learning how to use both a Debian variant and Fedora variant as there a some major differences between the variants and knowing how to use both will improve your Linux skills and marketability in the job market.  You will need

They reached the back of the room. Two life-sized dolls with white whiskers and fedoras, sewn of cloth stuffed with straw, sat here at a chessboard. The two original players had died long ago, halfway through their year-long game, and Old Bat Brown had sewn the dolls himself as a tribute. Behind

Ramalama was moving higher in the sky already, the day was getting on. He was going to be late getting to San Fedora for his meeting with the Sheriff. And as a bounty hunter – even a good one with a lot of work, time is money. It seemed today that time was running out for Beck the Badfeller.

Apparently some rustlers had been swiping red-horned wildebeest from farms in the San Fedora area and transporting them off-world to other colonies where they would sell them. And these were known repeat offenders. He could make a packet if he got the whole bunch of them the same time. The pickings were kind of slim in Atro City lately and he could use the money. He didn’t like feeling like a leech around Cindy-Mei.

Whether in a white dinner jacket or in a trench coat and a snap-brim fedora, he became a new and timely symbol of the post-Pearl Harbor American: tough but compassionate, skeptical yet idealistic, betrayed yet ready to believe again, and above all, a potentially deadly opponent.

Whether in a white dinner jacket or in a trench coat and a snap-brim fedora, he became a new and timely symbol of the post-Pearl Harbor American: tough but compassionate, skeptical yet idealistic, betrayed yet ready to believe again, and above all, a potentially deadly opponent.

There wasn’t a tear to be seen on the faces of the men and women in the street as the two of them walked down to Schrafft’s. Only him, again, leaning by the door, suit jacket and fedora, the sunlight striking gold, the leg he had favored bent back and pressed against the building. He was smoking a cigarette. He was the handsomest man on the block. He was waiting for her. She felt Pauline beside her,

There wasn’t a tear to be seen on the faces of the men and women in the street as the two of them walked down to Schrafft’s. Only him, again, leaning by the door, suit jacket and fedora, the sunlight striking gold, the leg he had favored bent back and pressed against the building. He was smoking a cigarette. He was the handsomest man on the block. He was waiting for her.

Only then, as she prepared to cross the avenue, did she again spot the man in the fedora hat. He was at the opposite side of the street from where he’d stood before, but the caramel color of his coat was unmistakable. He was loitering in front of what looked like a Ford V8 parked nose-up on the sidewalk. Florence adjusted her shawl over her shoulders and crossed to the opposite corner of the plaza. When she turned back to look again, he was gone

Sir Jones wore a leather jacket with a wide brimmed, high crowned, sable fedora. Strapped to his hip was a whip and a small hand crossbow with a cylinder where the bolts normally were loaded. To finish off the outfit, he had a leather satchel slung over his shoulder.

The throbbing of the music murky yellow light revealing swaying bodies moving to the beat. Shadowy outlines of tall men the waving hair of the woman. Happy smiles and a heart beating with excitement. Fedoras, suspenders and tattoos.Swing music, pounding base. Laughing with friends. Walking down well lite city streets, feeling humanity all around. ~Swing Dancing

Got a bullwhip and fedora on ya, Indiana?

The man wore a dark fedora and beneath its brim the fierce empty eyes looked out as if they were coming from a thousand miles away, and were off immediately another thousand in some other direction.

Fedoras only tip one way, to m'lady

call down to the desk to ask about the room?” “No phone,” Cisco said. “Just watch.” Once back on the ground floor, Gloria stepped out of the elevator and went to a house phone that was on a table against the wall. She made a call and soon was speaking to someone. “This is her asking to be connected to the room,” Cisco said. “She is told by the operator that there is no Daniel Price registered in the hotel and no one in eight thirty-seven.” Gloria hung up the phone, and I could tell by her body language that she was annoyed, frustrated. Her trip had been wasted. She headed back through the lobby, moving at a faster clip than when she had arrived. “Now watch this,” Cisco said. Gloria was halfway across the lobby when a man entered the screen thirty feet behind her. He was wearing a fedora and had his

The back door opens again a few minutes later and I stand, fully prepared to wrestle the phone away from her. But Morgan’s not standing in my backyard. “Hey, you.” I blink. He’s here. Dark-red T-shirt, brown fedora. I blink again. The corner of his mouth turns up and I take off in a sprint, fly down the stairs of the deck, and jump into his arms, which he wraps tight around me. His hand cups the back of my head and repeatedly strokes my damp hair. Our bodies sway back and forth, and I slowly slide down until my feet touch the ground. I take a step back to study him. “You’re a hat guy again.” I grin. “But, that means--” I gasp when I pull the hat off him. “Your hair! You cut it!” I reach up and rake my hand through his subdued curls, more like waves now. “I cut it for you.” His hands at my bare waist send shivers through my core. “I liked the curls, you know.” “You thought I had a perm!” He leans his head back and laughs fully. “That’s the very definition of not liking the curls.” I giggle and shrug. “They grew on me. But this can grow on me too.

Jordan Cross sat in the back of a taxicab headed for the wharf wearing tortoiseshell glasses, a blond mustache and a straw fedora over his dyed hair, smiling like an idiot, nodding his head up and down, up and down, like one of those fuzzy sequin-eyed plastic dogs they sell in tacky souvenir shops. He

I look through the crowd of people and somehow see him right away. He looks up at the same time and smiles as soon as our eyes meet. “Hey,” I say when we meet. He stops just inches from me and takes me in his arms, dipping me back a bit for a kiss. “Hey to you too.” He runs his hands over my arms.  “What’s this?” “Oh, I got you something.” “You did?” “I got it on a whim. I saw it at a market I walked through and thought—well, just look at it and you’llknow.” He takes the shopping bag from me and opens it up, pulling out a wool fedora. Looking it over, I worry he won’t get it. “Is this an Indiana Jones hat?” he asks. “Yes!” “I like it.” He smiles and puts it on, and even Harrison Ford would be jealous. “But, uh, why?” I lean back, staring at Archer like he just asked what color the sky is. “You’re Dr. Jones. Please do not tell me no one has ever said ‘okey-dokey Dr. Jones’ to you.” “It’s surprising now that you’ve pointed it out, but no, they haven’t.” He pulls me in and kisses me again. “Wait, there’s an Indiana Jones market going on?” “No, just some weird guy at a pop-up selling hats. He told me I had nice feet.” Archer chuckles. “I guess you do, though, in that dress, it’s hard to look past your tits.” I shimmy and wiggle my eyebrows. “That’s the point of a pushup bra.” 

saw a large SUV pull up and obstruct traffic, illegally parking in front of the unadorned Hotel Nápoles. Two men in black, wearing opaque sunglasses, got out and snatched the rear door open for a middle-aged man wearing a fedora, with a fawn-colored jacket like a cape over his shoulders. This cosseted, well-guarded figure, with an aura of power and money—a cabrón (big goat) in the admiring sense, a padrino (godfather), perhaps—took three strides to the Hotel Nápoles and the entrance to the café just inside, La Colomba, where he was greeted by a sinister smiling mustached man, who hugged him and led him into the shadowy café, which was closed to the public.

I was ironing shirts one night when my father dropped by to remind me that times have changed. “When I was your age,” he said, peeling off his grey fedora and easing himself into a soft chair, “I enjoyed being a man. Oh sure, life wasn’t beachfront property then either. There were pyramids to build, dinosaurs to avoid, and fire to invent. But at least we had clearly defined roles. Not anymore. Not you guys. No siree.” He sniffed the air. “Speaking of rolls, are those cherry tarts done yet?” “Not quite,” I said, holding a shirt up to the light with a critical gaze. “They need another 10 minutes. I always put the cherry ones on 350, you know. The crust is flakier that way.” “Flakier, alright,” he said softly, hauling both feet onto a stool. “You know, I wouldn’t trade places with today’s guy for a doctorate in Home Economics. No way. I get tired just watching you.” I creased another collar, listened to his laugh, and wondered if he had a point. It was the first thinking I’d done in awhile, what with attending church planning sessions, babysitting during Ladies’ Night Out, driving kids to sporting events, hollering at insurance salesmen, and...oh yes, holding down a full-time job.

I heard you have a date with Oliver, and from the looks of it, you definitely do. You’re sweating like a whore in church!” Rob says as soon as he sees me. I punch him in the shoulder. “No I’m not! Oh God, am I?” I head toward the bathroom and look at myself, realizing that he was exaggerating. But, damn. I am nervous. “Why am I so nervous about this? And where is Meep?” “She’s in the shower, and you’re nervous because this is your first date together. I mean, real date. Shenanigans don’t count.” He raises a blonde eyebrow and laughs when I glare at him. “I need a drink,” I announce, heading to the kitchen. “No, you don’t. You need to sit and relax and be still. You’re going to give me a heart attack!” “Stop being a pest,” I mutter, plopping down on the couch. “Okay, but on your date, do not sit like that. Nothing is more gross than a careless sitter in a dress.” My eyes widen, and I cross my legs, sitting upright. “Damn you. Maybe I should have worn jeans.” Robert laughs, throwing his head back. He looks so much like Mia when he does that. “I was joking! Geez, you really are nervous.” “Who’s nervous?” Mia asks, walking over to us. “Jitterbug over here is acting like a virgin going to prom,” Rob says, earning a laugh from me, and a look from Mia. “Way to lay it all out there,” I say. “She looks fine,” Mia says walking over to me. “It’s just Bean.” “Exactly. It’s just Bean . . . do I look okay?” Mia gives me a once-over and nods. “You look beautiful, like you do every other day, when you wear make-up and brush your hair and dress up.” “Meaning not like every other day?” “Well, you have to save beauty for special occasions, Chicken.” “Bitch,” I say, laughing until the knock on the door swallows my smile. “Ohh here he comes,” Rob starts singing like he was singing Man Eater, and I want to crawl into a hole and die. Mia swings the door open and whistles loudly. “Looks like somebody wants to get laid tonight,” she announces. And this time, for real, I want to crawl into a hole and die. I can feel my face burning as I walk to the door and tell Mia and Robert to shut up. Oliver is wearing dark jeans, black shoes, a gray button-down, and a fedora on his head. It’s simple and hot, and it matches the gray dress I’m wearing, so I have to laugh. “It’s like they’re meant to be!” Rob states loudly. “They match! This is too fucking cute! Mia! Get the camera!” “I hate you.” I say, looking at him. “I hate you.” I say, turning to Mia’s face, red from laughing. “I don’t hate you . . . yet.” I say, turning to Oliver, who gives me a slow, cocky half grin that makes me melt a little. “Please have her home by midnight, and make sure she lays off the vodka,” As Mia starts rattling off her list, she stops to look at my blushing face and bursts out laughing. “Awww . . . I’m sorry, Elle, this is so cute though. You haven’t been this nervous since you lost your virginity to Hunter Grayson.” She stops laughing and turns to Oliver with a serious face. “All jokes aside, if you hurt her again, I will fucking murder you, and I’m not talking about a nice quiet murder, I’m talking dick cut off, internal organs everywhere kind of murder. So please, be mindful of that.

I left the building as soldiers cleared a path for Mayor Briggs. She wore a white pantsuit and a matching fedora, similar to the other members of the city council. Unique clothing, well styled. That contrasted with the everyday people, who wore…well, basically anything. During the early days in Newcago, clothing had been

Sure, guess I could give you a bullwhip and a fedora. We’d market you as Indiana Bones. Or maybe go sci-fi. You sorta look like that guy who roamed outer space everybody’s so crazy about.” “Malcolm Reynolds?” asked Rook.