“
I won't ever leave you, even though you're always leaving me.
”
”
Audrey Niffenegger (The Time Traveler's Wife)
“
Isabelle drifted over, Jace a pace behind her. She was wearing a long black dress with boots and an even longer cutaway coat of soft green velvet, the color of moss. "I can't believe you did it!" she exclaimed. "How did you get Magnus to let Jace leave?"
"Traded him for Alec," Clary said.
Isabelle looked mildly alarmed. "Not permanently?"
"No," said Jace. "Just for a few hours. Unless I don't come back," he added thoughtfully. "In which case, maybe he does get to keep Alec. Think of it as a lease with an option to buy."
Isabelle looked dubious. "Mom and Dad won't be pleased if they find out."
"That you freed a possible criminal by trading away your brother to a warlock who looks like a gay Sonic the Hedgehog and dresses like the Child Catcher from Chitty Chitty Bang Bang?" Simon inquired. "No, probably not.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Kitten, you need to make a decision. Either we stay here and behave or we leave now and I promise you”—his voice dipped lower and the words fell against my lips—“if we leave, I won’t behave.
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
Why won’t you leave me alone?” I whispered one night as he hovered behind me while I tried to work at my desk.
Long minutes passed. I didn’t think he would answer. I even had time to hope he might have gone, until I felt his hand on my shoulder.
“Then I’d be alone, too," he said, and he stayed the whole night through, till the lamps burned down to nothing.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
She moaned into her pillow. "Go away. I feel like dying."
"No fair maiden should die alone," he said, putting a hand on hers. "Shall I read to you in your final moments? What story would you like?"
She snatched her hand back. "How about the story of the idiotic prince who won't leave the assassin alone?"
"Oh! I love that story! It has such a happy ending, too—why, the assassin was really feigning her illness in order to get the prince's attention! Who would have guessed it? Such a clever girl. And the bedroom scene is so lovely—it's worth reading through all of their ceaseless banter!
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
Loneliness is a strange sort of thing.
It creeps on you, quiet and still, sits by your side in the dark, strokes by your hair as you sleep. It wraps itself around your bones, squeezing so tight you almost can't breathe. It leaves lies in your heart, lies next to you at night, leaches the light out of every corner. It's a constant companion, clasping your hand only to yank you down when you're struggling to stand up.
You wake up in the morning and wonder who you are. You fail to fall asleep at night and tremble in your skin. You doubt you doubt you doubt.
do I
don't I
should I
why won't I
And even when you're ready to let go. When you're ready to break free. When you're ready to be brand-new. Loneliness is an old friend stand beside you in the mirror, looking you in the eye, challenging you to live your life without it. You can't find the words to fight yourself, to fight the words screaming that you're not enough never enough never ever enough.
Loneliness is a bitter, wretched companion.
Sometimes it just won't let go.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
I can't do this anymore," I cried, "Why won't you just leave me alone?"
Because you would never leave me.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
If you're gonna leave, I wish you'd just leave. Why do you keep coming back if you're not going to stay? Because even when you're gone, you're never really gone... I won't get over it if you keep coming back. Losing you once was hard enough. And now you're here again and everything's coming back. I'm going to get screwed. And I can't do it again.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
It's okay,' he tells me. 'If you want to go. Everyone wants you to stay. I want you to stay more than I've ever wanted anything in my life.' His voice cracks with emotion. He stops, clears his throat, takes a breath, and continues. 'But that's what I want and I could see why it might not be what you want. So I just wanted to tell you that I understand if you go. It's okay if you have to leave us. It's okay if you want to stop fighting.'
For the first time since I realized that Teddy was gone, too, I feel something unclench. I feel myself breathe. I know that Gramps can't be that late-inning pinch hitter I'd hoped for. He won't unplug my breathing tube or overdoes me with morphine or anything like that. But this is the first time today that anyone has acknowledged what I have lost. I know that the social worker warned Gran and Gramps not to upset me, but Gramps's recognition, and the permission he just offered me--it feels like a gift.
Gramps doesn't leave me. He slumps back into the chair. It's quiet now. So quiet you can almost hear other people's dreams. So quiet that you can almost hear me tell Gramps, 'Thank you.
”
”
Gayle Forman (If I Stay (If I Stay, #1))
“
His eyebrows pulled in. “You won’t leave me, right? Even when I’m a pain in the ass?”
“I vowed in front of God – and Elvis – that I wouldn’t, didn’t I?
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
Just Friends
I know that I don't own you,
and perhaps I never will,
so anger when you're with her,
I have no right to feel
I know that you don't owe me,
and I should ask for more;
I shouldn't feel so let down,
all the times when you don't call
What I feel—I should show you,
so when you're around I won't;
I knwo I've no right to feel it
but it doesn't mean I don't.
”
”
Lang Leav (Love & Misadventure)
“
Strange to be almost fifty, no? I feel like I just understood how to be young."
"Yes! It's like the last day in a foreign country. You finally figure out where to get coffee, and drinks, and a good steak. And then you have to leave. And you won't ever be back.
”
”
Andrew Sean Greer (Less)
“
One word, Ma'am," he said, coming back from the fire; limping, because of the pain. "One word. All you've been saying is quite right, I shouldn't wonder. I'm a chap who always liked to know the worst and then put the best face I can on it. So I won't deny any of what you said. But there's one more thing to be said, even so. Suppose we have only dreamed, or made up, all those things-trees and grass and sun and moon and stars and Aslan himself. Suppose we have. Then all I can say is that, in that case, the made-up things seem a good deal more important than the real ones. Suppose this black pit of a kingdom of yours is the only world. Well, it strikes me as a pretty poor one. And that's a funny thing, when you come to think of it. We're just babies making up a game, if you're right. But four babies playing a game can make a play-world which licks your real world hollow. That's why I'm going to stand by the play world. I'm on Aslan's side even if there isn't any Aslan to lead it. I'm going to live as like a Narnian as I can even if there isn't any Narnia. So, thanking you kindly for our supper, if these two gentlemen and the young lady are ready, we're leaving your court at once and setting out in the dark to spend our lives looking for Overland. Not that our lives will be very long, I should think; but that's a small loss if the world's as dull a place as you say.
”
”
C.S. Lewis (The Silver Chair (Chronicles of Narnia, #4))
“
So what I'm trying to say is you should text me back.
Because there's a precedent. Because there's an urgency.
Because there's a bedtime.
Because when the world ends I might not have my phone charged and
If you don't respond soon,
I won't know if you'd wanna leave your shadow next to mine.
”
”
Marina Keegan (The Opposite of Loneliness: Essays and Stories)
“
I know that it can be hard to believe that someone loves you if you are afraid of being yourself, or if you are not exactly sure who you are. It can be hard to believe that someone won't leave.
”
”
Ava Dellaira (Love Letters to the Dead)
“
Did you know I always thought you were braver than me? Did you ever guess that that was why I was so afraid? It wasn't that I only loved some of you. But I wondered if you could ever love more than some of me.
I knew I'd miss you. But the surprising thing is, you never leave me. I never forget a thing. Every kind of love, it seems, is the only one. It doesn't happen twice. And I never expected that you could have a broken heart and love with it too, so much that it doesn't seem broken at all. I know young people look at me and think my youth seems so far away, but it's all around me, and you're all around me. Tiger Lily, do you think magic exists if it can be explained? I can explain why I loved you, I can explain the theory of evolution that tells me why mermaids live in Neverland and nowhere else. But it still feels magic.
The lost boys all stood at our wedding. Does it seem odd to you that they could have stood at a wedding that wasn't yours and mine? It does to me. and I'm sorry for it, and for a lot, and I also wouldn't change it.
It is so quiet here. Even with all the trains and the streets and the people. It's nothing like the jungle. The boys have grown. Everything has grown. Do you think you will ever grow? I hope not. I like to think that even if I change and fade away, some other people won't.
I like to think that one day after I die, at least one small particle of me - of all the particles that will spread everywhere - will float all the way to Neverland, and be part of a flower or something like that, like that poet said, the one that your Tik Tok loved. I like to think that nothing's final, and that everyone gets to be together even when it looks like they don't, that it all works out even when all the evidence seems to say something else, that you and I are always young in the woods, and that I'll see you sometime again, even if it's not with any kind of eyes I know of or understand. I wouldn't be surprised if that is the way things go after all - that all things end happy. Even for you and Tik Tok. and for you and me.
Always,
Your Peter
P.S. Please give my love to Tink. She was always such a funny little bug.
”
”
Jodi Lynn Anderson (Tiger Lily)
“
Helping out people in difficulty can be a noble cause. Some will always bear in mind your generosity and remember you forever; especially when they wise up they are in trouble again.("I hope she won't mind my leaving")
”
”
Erik Pevernagie
“
We’re so self-important. Everybody’s going to save something now. “Save the trees, save the bees, save the whales, save those snails.” And the greatest arrogance of all: save the planet. Save the planet, we don’t even know how to take care of ourselves yet. I’m tired of this shit. I’m tired of f-ing Earth Day. I’m tired of these self-righteous environmentalists, these white, bourgeois liberals who think the only thing wrong with this country is that there aren’t enough bicycle paths. People trying to make the world safe for Volvos. Besides, environmentalists don’t give a shit about the planet. Not in the abstract they don’t. You know what they’re interested in? A clean place to live. Their own habitat. They’re worried that some day in the future they might be personally inconvenienced. Narrow, unenlightened self-interest doesn’t impress me.
The planet has been through a lot worse than us. Been through earthquakes, volcanoes, plate tectonics, continental drift, solar flares, sun spots, magnetic storms, the magnetic reversal of the poles … hundreds of thousands of years of bombardment by comets and asteroids and meteors, worldwide floods, tidal waves, worldwide fires, erosion, cosmic rays, recurring ice ages … And we think some plastic bags and some aluminum cans are going to make a difference? The planet isn’t going anywhere. WE are!
We’re going away. Pack your shit, folks. We’re going away. And we won’t leave much of a trace, either. Maybe a little Styrofoam … The planet’ll be here and we’ll be long gone. Just another failed mutation. Just another closed-end biological mistake. An evolutionary cul-de-sac. The planet’ll shake us off like a bad case of fleas.
The planet will be here for a long, long, LONG time after we’re gone, and it will heal itself, it will cleanse itself, ’cause that’s what it does. It’s a self-correcting system. The air and the water will recover, the earth will be renewed. And if it’s true that plastic is not degradable, well, the planet will simply incorporate plastic into a new paradigm: the earth plus plastic. The earth doesn’t share our prejudice toward plastic. Plastic came out of the earth. The earth probably sees plastic as just another one of its children. Could be the only reason the earth allowed us to be spawned from it in the first place. It wanted plastic for itself. Didn’t know how to make it. Needed us. Could be the answer to our age-old egocentric philosophical question, “Why are we here?”
Plastic… asshole.
”
”
George Carlin
“
1. Everyone is entitled to their opinion about the things they read (or watch, or listen to, or taste, or whatever). They’re also entitled to express them online.
2. Sometimes those opinions will be ones you don’t like.
3. Sometimes those opinions won’t be very nice.
4. The people expressing those may be (but are not always) assholes.
5. However, if your solution to this “problem” is to vex, annoy, threaten or harrass them, you are almost certainly a bigger asshole.
6. You may also be twelve.
7. You are not responsible for anyone else’s actions or karma, but you are responsible for your own.
8. So leave them alone and go about your own life."
[Bad Reviews: I Can Handle Them, and So Should You (Blog post, July 17, 2012)]
”
”
John Scalzi
“
Hope is a waking dream.' I let the words echo in my head. The quote reminded me of that feeling you get when you start to wake from a dream you don't want to leave. That crushing sensation in the center of your chest, like you are losing an important piece of yourself you won't ever get back.
”
”
Jennifer Rush (Altered (Altered, #1))
“
Ladies and gentlemen of the class of '97:
Wear sunscreen.
If I could offer you only one tip for the future, sunscreen would be it. The long-term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now.
Enjoy the power and beauty of your youth. Oh, never mind. You will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years, you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine.
Don't worry about the future. Or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life are apt to be things that never crossed your worried mind, the kind that blindside you at 4 pm on some idle Tuesday.
Do one thing everyday that scares you.
Sing.
Don't be reckless with other people's hearts. Don't put up with people who are reckless with yours.
Floss.
Don't waste your time on jealousy. Sometimes you're ahead, sometimes you're behind. The race is long and, in the end, it's only with yourself.
Remember compliments you receive. Forget the insults. If you succeed in doing this, tell me how.
Keep your old love letters. Throw away your old bank statements.
Stretch.
Don't feel guilty if you don't know what you want to do with your life. The most interesting people I know didn't know at 22 what they wanted to do with their lives. Some of the most interesting 40-year-olds I know still don't.
Get plenty of calcium. Be kind to your knees. You'll miss them when they're gone.
Maybe you'll marry, maybe you won't. Maybe you'll have children, maybe you won't. Maybe you'll divorce at 40, maybe you'll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don't congratulate yourself too much, or berate yourself either. Your choices are half chance. So are everybody else's.
Enjoy your body. Use it every way you can. Don't be afraid of it or of what other people think of it. It's the greatest instrument you'll ever own.
Dance, even if you have nowhere to do it but your living room.
Read the directions, even if you don't follow them.
Do not read beauty magazines. They will only make you feel ugly.
Get to know your parents. You never know when they'll be gone for good. Be nice to your siblings. They're your best link to your past and the people most likely to stick with you in the future.
Understand that friends come and go, but with a precious few you should hold on. Work hard to bridge the gaps in geography and lifestyle, because the older you get, the more you need the people who knew you when you were young.
Live in New York City once, but leave before it makes you hard. Live in Northern California once, but leave before it makes you soft. Travel.
Accept certain inalienable truths: Prices will rise. Politicians will philander. You, too, will get old. And when you do, you'll fantasize that when you were young, prices were reasonable, politicians were noble, and children respected their elders.
Respect your elders.
Don't expect anyone else to support you. Maybe you have a trust fund. Maybe you'll have a wealthy spouse. But you never know when either one might run out.
Don't mess too much with your hair or by the time you're 40 it will look 85.
Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia. Dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts and recycling it for more than it's worth.
But trust me on the sunscreen.
”
”
Mary Schmich (Wear Sunscreen: A Primer for Real Life)
“
Zarek! I won’t leave you here to die. (Astrid)
It’s okay, princess. I don’t mind dying for you. (Zarek)
”
”
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
“
What I feel—I shouldn't show you,
so when you're around I won't;
I know I've no right to feel it
but it doesn't mean I don't.
”
”
Lang Leav (Love & Misadventure)
“
Why won't you leave me alone?"
"Then I'd be alone, too.
”
”
Victoria Aveyard (Red Queen (Red Queen, #1))
“
Are you sure this isn't a nightmare?" he asked quietly. "And that we won't just wake up?" I stared ahead at the road, the way the dust blowing in from the desert covered it with a faint golden sheen even as gray clouds began to gather over us. "yes," i said after some time. Because dreamers always wake up and leave their monsters behind.
”
”
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
“
Lo,” I whisper, my fingers making circles on his black shirt. “I just want you to know that if you leave this world, I won’t be in it for much longer.” He’s a piece of me. You cut it off, and it’s like going through life with no lungs.
”
”
Krista Ritchie (Thrive (Addicted #4))
“
This much I'm certain of: it doesn't happen immediately. You'll finish [the book] and that will be that, until a moment will come, maybe in a month, maybe a year, maybe even several years. You'll be sick or feeling troubled or deeply in love or quietly uncertain or even content for the first time in your life. It won't matter. Out of the blue, beyond any cause you can trace, you'll suddenly realize things are not how you perceived them to be at all. For some reason, you will no longer be the person you believed you once were. You'll detect slow and subtle shifts going on all around you, more importantly shifts in you. Worse, you'll realize it's always been shifting, like a shimmer of sorts, a vast shimmer, only dark like a room. But you won't understand why or how. You'll have forgotten what granted you this awareness in the first place
...
You might try then, as I did, to find a sky so full of stars it will blind you again. Only no sky can blind you now. Even with all that iridescent magic up there, your eye will no longer linger on the light, it will no longer trace constellations. You'll care only about the darkness and you'll watch it for hours, for days, maybe even for years, trying in vain to believe you're some kind of indispensable, universe-appointed sentinel, as if just by looking you could actually keep it all at bay. It will get so bad you'll be afraid to look away, you'll be afraid to sleep.
Then no matter where you are, in a crowded restaurant or on some desolate street or even in the comforts of your own home, you'll watch yourself dismantle every assurance you ever lived by. You'll stand aside as a great complexity intrudes, tearing apart, piece by piece, all of your carefully conceived denials, whether deliberate or unconscious. And then for better or worse you'll turn, unable to resist, though try to resist you still will, fighting with everything you've got not to face the thing you most dread, what is now, what will be, what has always come before, the creature you truly are, the creature we all are, buried in the nameless black of a name.
And then the nightmares will begin.
”
”
Mark Z. Danielewski (House of Leaves)
“
You are a terror, aren't you? Leave this yard alone. I know just where everything is in it, and I won't be able to find the things I need for my transport spells if you tidy them up.'
So there was probably a bundle of souls or a box of chewed hearts somewhere out here, Sophie thought. She felt really thwarted. ‘Tidying up is what I’m here for!’ she shouted at Howl.
‘Then you must think of a new meaning for your life,’ Howl said.
”
”
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
“
My office door slams open, leaving a dent in the drywall.
Here we go.
“You are driving me crazy!”
Her cheeks are flushed, her breathing’s fast, and she’s got murder in her eyes.
Beautiful.
I raise my brows hopefully. “Crazy? Like you want to rip my shirt open again?”
“No. Crazy like the itch of a yeast infection that just won’t go away.”
I flinch. Can’t help it.
I mean—Christ.
”
”
Emma Chase (Tangled (Tangled, #1))
“
Stay with me.”
“We’re married,” she whispered. “Of course I’ll stay.”
“You could decide to leave me.”
“I won’t.” “Promise me.”
“I have promised. I do promise.
”
”
Jennifer Ashley (The Madness of Lord Ian Mackenzie (Mackenzies & McBrides, #1))
“
When loved ones die, people always say, “Don’t be sad. I’m sure they would have wanted you to be happy.” I’m sure that’s true. But let’s be realistic here, people also want to be missed. It is every person’s nightmare to leave the world behind as if they had never been there at all.
”
”
Esther Earl (This Star Won't Go Out: The Life and Words of Esther Grace Earl)
“
I don’t want to be work. I don’t want you to feel that I’m work.”
“Somewhere along the way your wires got crossed. Your brain decided that you’re not worth people’s time and effort, and that if you ask for anything, they won’t just say no, they’ll also leave you. That’s not how love works, Elsie.
”
”
Ali Hazelwood (Love, Theoretically)
“
And I was -- this is just how I was afraid you'd take it. I knew it, that you'd think this means you were right to be afraid all the time and never feel secure or trust me. I knew it'd be 'See, you're leaving after all when you promised you wouldn't.' I knew it but I'm trying to explain anyway, okay? And I know you probably won't understand this either, but --wait-- just try to listen and maybe absorb this, okay? Ready? Me leaving is not the confirmation of all your fears about me. It is not. It's because of them. Okay? Can you see that? It's your fear I can't take. It's your distrust and fear I've been trying to fight. And I can't anymore. I'm out of gas on it. If I loved you even a little less maybe I could take it. But this is killing me, this constant feeling that I am always scaring you and never making you feel secure. Can you see that?
”
”
David Foster Wallace (Brief Interviews with Hideous Men)
“
I won't let that night ruin you forever." But it did, it broke me into a million pieces and blew them away in the wind, like crumbled leaves.
”
”
Jessica Sorensen (The Secret of Ella and Micha (The Secret, #1))
“
He smiled at me, as innocent as an angel. "I will sit her all day and night. I'll camp out on your porch. and i won't leave. we have all week, Kitten. either get it over with tomorrow and be done with me, or I'll be right here until you agree. you won't be able to leave your house."
I gaped at him. "You can't be serious."
"Oh, I am.
”
”
Jennifer L. Armentrout (Obsidian (Lux, #1))
“
Grow up, Bailey."
"That is precisely what I'm doing," Bailey says. "I don't care if you don't understand that. Staying here won't make me happy. It will make you happy because you're insipid and boring, and an insipid, boring life is enough for you. It's not enough for me. It will never be enough for me. So I'm leaving. Do me a favor and marry someone who will take decent care of the sheep.
”
”
Erin Morgenstern (The Night Circus)
“
You’ve missed a lot of things. But mostly I think you’ve missed several opportunities to leave. Let me assist you to the door so that you won’t miss this next one.
”
”
Victoria Laurie (Abby Cooper, Psychic Eye (Psychic Eye Mystery, #1))
“
No, I won't leave the world--I'll enter a lunatic asylum and see if the profundity of insanity reveals to me the riddles of life. Idiot, why didn't I do that long ago, why has it taken me so long to understand what it means when the Indians honour the insane, step aside for them? Yes, a lunatic asylum--don't you think I may end up there?
”
”
Søren Kierkegaard
“
The woman knows from living with the abusive man that there are no simple answers. Friends say: “He’s mean.” But she knows many ways in which he has been good to her. Friends say: “He treats you that way because he can get away with it. I would never let someone treat me that way.” But she knows that the times when she puts her foot down the most firmly, he responds by becoming his angriest and most intimidating. When she stands up to him, he makes her pay for it—sooner or later. Friends say: “Leave him.” But she knows it won’t be that easy. He will promise to change. He’ll get friends and relatives to feel sorry for him and pressure her to give him another chance. He’ll get severely depressed, causing her to worry whether he’ll be all right. And, depending on what style of abuser he is, she may know that he will become dangerous when she tries to leave him. She may even be concerned that he will try to take her children away from her, as some abusers do.
”
”
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
“
When God has a plan for your life, I don’t care how much you murmur and complain and kick and fuss and scream and yell. When you know that God has a plan for your life, He got you tied up… I serve a God who will tie you up when you’re acting crazy, tie you up, while you’re trying to do your own thing, tie you up while your temper is raging, tie you up, when your ambition is out of control. Sometimes, God will tie you up til the time is right. Nothing will work, your money won’t work, your career won’t work, the boyfriend will leave, the house will sell, cause when God has you tied up, He’s not gonna let you get away. He’ll say, Be still and see the salvation of the Lord.
”
”
T.D. Jakes
“
I love you,” he whispered. “We are together. This isn’t over. And even if you leave, it won’t be over because you’ll take the love with you and it’ll bring you back.
”
”
Abby Jimenez (Part of Your World (Part of Your World, #1))
“
I’ve grown quiet now. You won’t hear me talk about you anymore. It doesn’t hurt like it used to. I suppose that is something to be thankful for.
”
”
Lang Leav (The Universe of Us)
“
Fire's tears were real now, and there was no helping them, for there was no time. Everything was moving too fast. She crossed the room to him, put her arms around him, clung to him, turning her face to the side, learning all at once that it was awkward to show a person all of one's love when one's nose was broken.
His arms came around her tightly, his breath short and hard against her hair. He held on to the silk of her hair and she pressed herself against him until her panic calmed to something desperate, but bearable.
Yes, she thought to him, understanding now what he'd been about to ask. If you die in the war, I'll keep Hanna in my heart. I promise I won't leave her.
”
”
Kristin Cashore (Fire (Graceling Realm, #2))
“
After a pause, he asked, 'What do you think of Nasuada's plans?'
'Mmm...she's doomed! You're doomed! They're all doomed!'She cackled, doubling over, then straightened abruptly. 'notice I didn't specify what kind of doom, so no matter what happens, I predicted it. How very wise of me.' She lifted the basket again, setting it on one hip. 'I supposed I won't see you for a while, so farewell, best of luck, avoid roasted cabbage, don't eat earwax, and look on the bright side of life!' And with a cheery wink, she strolled off, leaving Eragon blinking and nonplussed.
”
”
Christopher Paolini (Eldest (The Inheritance Cycle, #2))
“
Regardless, you ask why I
did not greet you. Well, let us assume that I had acted as you suggest I
should. Upon your approach, you would have had me gush over you?”
“Naturally.”
“You would have me point out how stunning you appear in that gown?”
“I wouldn’t complain.”
“Mention how your dazzling eyes glisten in the fireworks like burning
embers?”
“That would be nice.”
“Expound on how your lips are so perfectly red that they could leave any
man breathless with wonder, yet drive him compose the most brilliant of
poetry each time he recalled the moment?”
“I’d be flattered for certain.”
“And you claim you want these reactions from me?”
“I do.”
“Well blast it, woman,” Lightsong said, picking up his cup. “If I’m
stunned, dazzled, and breathless, then how the hell am I supposed to greet
you? By definition, won’t I be struck dumb?”
She laughed. “Well, then, you’ve obviously found your tongue now.”
“Surprisingly, it was in my mouth,” he said. “I always forget to check
there.
”
”
Brandon Sanderson (Warbreaker)
“
I waited for him to say something more, but he was quiet.
"Was there something you wanted?" I asked.
He didn't answer right away, but I could feel him struggling, so I waited.
"If I asked you something, would you tell me the truth?"
It was my turn to hesitate. "I don't know everything," I hedged.
"You would know this. When we were walking... me and Jeb... he was telling me some things. Things he thought, but I don't know if he's right."
Melanie was suddenly very in my head.
Jamie's whisper was hard to hear, quieter than my breathing. "Uncle Jeb thinks that Melanie might still be alive. Inside there with you, I mean."
Melanie sighed.
I said nothing to either of them.
"I didn't know that could happen. Does that happen?" His voice broke and I could hear that he was fighting tears. He was not a boy to cry, and here I'd grieved him this deeply twice in one day. A pain pierced through the general region of my chest.
"Does it, Wanda?"
"Why won't you answer me?" Jamie was really crying now but trying to muffle the sound.
I crawled off the bed, squeezing into the hard space between the mattress and the mat, and threw my arm over his shaking chest. I leaned my head against his hair and felt his tears, warm on my neck.
"Is Melanie still alive, Wanda? Please?"
He was probably a tool. The old man could have sent him just for this, Jeb was smart enough to see how easily Jamie broke through my defenses.
Jamie's body shook beside me.
Melanie cried. She battered ineffectually at my control.
But I couldn't blame this on Melanie if it turned out to be a huge mistake. I knew who was speaking now.
"She promised she would come back, didn't she?" I murmured. "Would Melanie break a promise to you?"
Jamie slid his arms around my waist and clung to me for a long time. After a few minutes, he whispered. "Love you, Mel."
"She loves you, too. She's so happy that you're here and safe."
He was silent long enough for the tears on my skin to dry, leaving a fine, salty dust behind.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
I know in my mind
I would leave you now
If I had the strength to
I would leave you up
To your own devices
Will you not talk
Can you take pity
I don't ask much
But won't you speak
Please.
”
”
Dave Matthews Band (Best of Dave Matthews Band for Easy Guitar, Volume 1 | Beginner Guitar Tab Songbook with Chords and Lyrics | Rock Guitar Sheet Music for Acoustic and Electric Players | Easy Guitar Songbook Edition)
“
I won't leave you! Do you know how unbearable it's been without you? You're not like the rest of them." His hand swipes through air almost savagely. I stare at him, my eyes wide and aching. "You're not some well-trained puppy content to go along with what you're told. You have fire." He laughs brokenly. "I don't mean literally, although there is that. There's something in you, Jacinda. You're the only thing real for me there, the only thing remotely interesting.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
Start by pulling him out of the fire and
hoping that he will forget the smell.
He was supposed to be an angel but they took him
from that light and turned him into something hungry,
something that forgets what his hands are for when they
aren’t shaking.
He will lose so much, and you will watch it all happen
because you had him first, and you would let the world
break its own neck if it means keeping him.
Start by wiping the blood off of his chin and
pretending to understand.
Repeat to yourself
“I won’t leave you, I won’t leave you”
until you fall asleep and dream of the place
where nothing is red.
When is a monster not a monster?
Oh, when you love it.
Oh, when you used to sing it to sleep.
Here are your upturned hands.
Give them to him and watch how he prays
like he is learning his first words.
Start by pulling him out of another fire,
and putting him back together with the pieces
you find on the floor.
There is so much to forgive, but you do not
know how to forget.
When is a monster not a monster?
Oh, when you are the reason it has become so mangled.
Here is your humble offering,
obliterated and broken in the mouth
of this abandoned church.
He has come back to stop the world
from turning itself inside out, and you love him, you do,
so you won’t let him.
Tell him that you will never know any better.
”
”
Caitlyn Siehl
“
I can’t stop you leaving, but I won’t stay to see you go.
”
”
Pepper Winters (Quintessentially Q (Monsters in the Dark, #2))
“
And I was -- this is just how I was afraid you'd take it. I knew it, that you'd think this means you were right to be afraid all the time and never feel secure or trust me. I knew it'd be "See, you're leaving after all when you promised you wouldn't." I knew it but I'm trying to explain anyway, okay? And I know you probably won't understand this either, but --wait-- just try to listen and maybe absorb this, okay? Ready? Me leaving is not the confirmation of all your fears about me. It is not. It's because of them.
”
”
David Foster Wallace
“
Hua Cheng quietly sighed, extended his arms, and once again folded him into his embrace. "Your Highness, I've always watched you."
This was the second time he had said this, but his voice was softer than before. Xie Lian clutched the red robes at his chest, asking, his mind blank, "I know, I know. But... what should I do now?"
Hua Cheng's long and slender fingers gently combed through Xie Lian's mussed hair. "Then, Your Highness, do you know why I refuse to leave this world?"
Xie Lian couldn't understand why Hua Cheng could still be so calm at a time like this, he was panicking so hard he was trembling. But, while feeling lost, he still simple-mindedly asked, "Why?"
Hua Cheng replied quietly, "Because I have a beloved who is still in this world."
Hearing this, Xie Lian was slightly stunned. He seemed to have heard this somewhere before.
Hua Cheng continued, "My beloved is a brave, noble, and gracious special someone. He's saved my life; I've looked up to him ever since I was young. But, I wanted to catch up to him more, and become and even stronger person for him. Although he might not remember me well. We never really talked. I want to protect him."
He gazed at Xie Lian. "If your dream is to save the common people, then my dream is only you."
"..." Relying on his memory, Xie Lian asked with a trembling voice, "But... you won't... be able to rest in peace... like this...?"
Hua Cheng answered, "I pray to never rest in peace.
”
”
Mò Xiāng Tóng Xiù (天官赐福 [Tiān Guān Cì Fú])
“
You can take the city person out of the city, but the city will always be in them. I think it’s the same for sisters. Anywhere we go, we won’t leave each other. We couldn’t even if we wanted to. And we don’t. We never will.
”
”
Emily Henry (Book Lovers)
“
That scares me... you scare me... I am completly caught up in your spell, considering a lifestyle with you that I didn't even know existed until last week, and then you write something like that and I want to run screaming into the hills. I won't of course, because I'd miss you. Really miss you. I want us to work, but I am terrified of the dept of feeling I have for you and the dark path you're leading me down. What you are offering is erotic and sexy, and I'm curious, but I'm also scared you'll hurt me- physically and emotionally. After threee months you could say good-bye, and where will that leave me if you do?
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
It isn’t your fault. It’s nothing you did. You cannot change who you are, any more than you can change black eyes to blue. You can only accept it. If you fight yourself, you will lose, and fighting leaves scars. But you will survive them. I have survived many. You will do good things you will regret, and bad things you won’t, but you must keep going
”
”
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
“
Alan! How many more times do I have to tell you? We do not say “see you soon” to customers when they leave our shop. We say “goodbye”, because they won’t be coming back, ever. When will you get that into your thick head?
”
”
Jean Teulé (The Suicide Shop)
“
Just breathe, Cleo," Zoe said. "I won't leave you. I won't go anywhere. You're safe." Cleo smiled into Zoe's gold-flecked eyes. Everything she had ever wanted to hear from a man was hers from the mouth of a girl.
”
”
Coco Mellors (Cleopatra and Frankenstein)
“
Without you the instruments would die.
One sits close beside you. Another takes a long kiss.
The tambourine begs, Touch my skin so I can be myself.
Let me feel you enter each limb bone by bone,
that what died last night can be whole today.
Why live some soberer way, and feel you ebbing out?
I won't do it.
Either give me enough wine or leave me alone,
now that I know how it is
to be with you in constant conversation.
”
”
Jalal ad-Din Muhammad ar-Rumi (Night and Sleep)
“
Well you know I'm a ghost,
Pull the note out my throat,
And leave me alone,
But it's all for you, all for you and more,
He won't take her anymore.
”
”
Pierce the Veil
“
I don’t want you accusing me of treating you like all my other dates.”
“Does that mean you won’t fuck me at the end?”
“It means I won’t leave you at the end.
”
”
Whitney G. (Reasonable Doubt: Volume 3 (Reasonable Doubt, #3))
“
Why won't you leave me alone?
Then I'd be alone too.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
I turn to head outside when the boys make their way back into the house. Kel stops in the doorway and puts his hands on his hips, then looks up at me.
“Are you my sister’s boyfriend?”
I’m thrown off by his directness. I pull my jacket on and shake my head. “Um, no. Just her friend.”
“She told my mom you were taking her on a date. I thought only boyfriends took girls on dates.”
“Well,” I pause. “Sometimes boys take girls on dates to see if they want them to be their girlfriend.”
I notice Caulder standing beside me, taking in the conversation as if he’s just as curious. I wasn’t prepared to have to explain the rules of dating right now.
“So it’s like a test?” Caulder asks. “To see if you want Layken to be your girlfriend?”
I shrug and nod. “Yeah, I guess you could say that.”
Kel laughs. “You aren’t gonna like her. She burps a lot. And she’s bossy. And she never lets me drink coffee, so she probably won’t let you have any, either. And she has really bad taste in music and sings way too loud and leaves her bras all over the house. It’s gross.”
I laugh. “Thanks for the warning. You think it’s too late to back out now?”
Kel shakes his head, missing my sarcasm completely. “No, she’s already dressed so you have to take her now.”
I sigh, pretending to be annoyed. “Well, it’s just a few hours. Hopefully she won’t burp a lot and boss me around and steal my coffee and sing to her really bad music and leave her bra in my car.”
Or hopefully she will.
”
”
Colleen Hoover (This Girl (Slammed, #3))
“
The Romans move east from New York. They advance in your camp, and nothing can slow them down.
"Nothing can slow them down," Leo mused. "I wonder..."
"What?" Jason asked.
Leo looked at the dwarfs. "I'll make you a deal."
Akmon's eyes lit up. "Thirty percent?"
"We'll leave you all the treasure," Leo said, "except the stuff that belongs to us, and the astrolabe, and this book, which we'll take back to the dude in Venice."
"But he'll destroy us!" Passolos wailed.
"We won't say where we got it," Leo promised. "And we won't kill you. We'll let you go free."
"Uh, Leo...?" Jason asked nervously.
Akmon squealed in delight. "I knew you were as smart at Hercules! I will call you Black Bottom, the Sequel!"
"You, no thanks," Leo said. "But in return for us sparing your lives, you have to do something for us. I'm going to send you somewhere to steal from some people, harass them, make life hard for them any way you can. You have to follow my directions exactly. You have to swear on the River Styx."
"We swear!" Passalos said. "Stealing from people is our specialty!"
"I love harassment!" Akmon agreed. "Where are we going?"
Leo grinned. "Ever heard of New York?
”
”
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
“
You won’t hear from me again after today, and I don’t want you to worry. I’ll be okay. Because I have to be.
”
”
Lang Leav (The Universe of Us)
“
I’ve stopped being sorry for all my soft. I won’t apologise because I miss you, or because I said it, or because I text you first, or again. I think everyone spends too much time trying to close themselves off. I don’t want to be cool or indifferent, I want to be honest. If I love you at 5AM, I’d damn well rather that you know I felt it. If I love you two hours later, I’ll tell you then too. Listen, I won’t wait double the time it takes for you to text me back because I don’t want to. I don’t care enough to be patient with you. I’m happy, you made me feel that way, don’t you want to know? So that’s how it’s going to be. I’m going to leave myself as open as a church door. And I’m going to wake you up before the crack of dawn to tell you that I’m fucking joyful, no pretending, not from me, not ever. Would you like some coffee, would you please kiss me? Here, these are my hands, this is my mouth, it is all yours.
”
”
Azra T.
“
This is who I am, Rachel . Accept it or not. The tattoos won’t wash off. The earrings will never change. I am who I am and nothing more. I’m loyal to a chosen few, I always keep my word and I’ll protect you with my life.
“I scare the hell out of most people, but you will never have anything to fear from me. Choose. Love me or don’t. But tell me now.” Because I can’t leave my heart open for her to rip out later. If I belong to her, then I do, and nothing will stand in our way.
”
”
Katie McGarry (Crash into You (Pushing the Limits, #3))
“
I must court her now,' said the Prince. 'Leave us alone for a minute.' He rode the white expertly down the hill.
Buttercup had never seen such a giant beast. Or such a rider.
'I am your Prince and you will marry me,' Humperdinck said.
Buttercup whispered, 'I am your servant and I refuse.'
'I am your Prince and you cannot refuse.'
'I am your loyal servant and I just did.'
'Refusal means death.'
'Kill me then.'
'I am your Prince and I’m not that bad — how could you rather be dead than married to me?'
'Because,' Buttercup said, 'marriage involves love, and that is not a pastime at which I excel. I tried once, and it went badly, and I am sworn never to love another.'
'Love?' said Prince Humperdinck. 'Who mentioned love? Not me, I can tell you. Look: there must always be a male heir to the throne of Florin. That’s me. Once my father dies, there won’t be an heir, just a king. That’s me again. When that happens, I’ll marry and have children until there is a son. So you can either marry me and be the richest and most powerful woman in a thousand miles and give turkeys away at Christmas and provide me a son, or you can die in terrible pain in the very near future. Make up your own mind.'
'I’ll never love you.'
'I wouldn’t want it if I had it.'
'Then by all means let us marry.
”
”
William Goldman (The Princess Bride)
“
If you're strange enough, people won't notice you're kind and will leave you alone.
”
”
David Levithan (Ten Things I Hate about You)
“
Are you scared?” he said into my hair.
“Yeah.”
“What scares you?”
I kept my eyes on the ceiling.
“That this is too good. That it won’t last. That you’ll leave.
”
”
Leah Raeder (Unteachable)
“
And then she started climbing/ The girl is in the seventh grade, and she's climbing a tree--way, way up in the tree. And why does she do it? So she can yell down at us that the bus is five! four! three blocks away! Blow-by-blow traffic watch from a tree--what every kid in junior high feels like hearing first thing in the morning. She tried to get me to come up there with her, too. "Bryce, come on! You won't believe the colors! It's absolutely magnificent! Bryce, you've got to come up here!" Yeah, I could just hear it: "Bryce and Juli sitting in a tree..." Was I ever going to leave the second grade behind?
”
”
Wendelin Van Draanen (Flipped)
“
I love you. That won't change because you tell me you don't love me. My love is not dependent on yours. It's just there, and I won't do anything to cut it out of my heart. It's what I've waited for all my life, and if you walk out that door, I'll go to my grave loving you, missing you, praying that you'll come back to me. I will never love another woman the way I love you. I will always be there for you. If you leave, know that my door is open. I will always be waiting for you to walk back through it.
”
”
Sophie Oak (Small Town Siren (Texas Sirens, #1))
“
Do not listen to her," Alaric said. "She is going to tell you in some kind of code only the two of you will understand, because you are siblings, to call the police on your cell phone. But if you do that, I will kill you and dispose of your body in a place where no one will find it. The river, I think. Your doorman is so stupid, he won't notice if I leave this building carrying a body in a rolled-up carpet.
”
”
Meg Cabot (Insatiable (Insatiable, #1))
“
Are you alright ?"
"You're still here."
"I won't leave you again without saying good-bye. Can't you sleep ?"
"I thought this was a dream.
”
”
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
“
I won't leave you but you need to go on up and say your goodbyes. I'll stand right here behind you," Beau whispered from beside me
”
”
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))
“
I’ll miss you every day for the rest of my life. You’re my heart and it’ll go with you. I’ll be here, and I’ll hold your hand, and you focus on me, and when you leave me, you won’t be alone. Don’t be afraid. We won’t be saying good-bye, baby. Just, ’til later.
”
”
T.A. Webb (Second Chances (Second Chances #1))
“
You’ve ruined me,” she repeats, her voice quieting a little as it catches. “You’ve ruined me—you made me wake up. And now I can’t get rid of you.” Her voice surges again as I reach out, curling my hand around her arm, her skin flushed hot under my fingers. “You won’t leave me alone.
”
”
Amie Kaufman (This Shattered World (Starbound, #2))
“
But I can’t leave, not yet. I’ll stay with her until sunrise. If I brace my feet, I won’t slide. I can rest my cheek on the roof tile and still see her. Pacing. Pulling her hair.
“I’ll fix you,” I tell her. “I promise.”
Even though I don’t know how.
It’s better than good-bye.
”
”
Pam Bachorz (Candor)
“
Nightingale"
Did I wound you, mutilate. Take away your voice. Did I cut something from you. Leave you locked in silence?
This is what you do: you sing. Every part of you. Your locks of hair sing, your eyes, your hands, your smile. If I listen closely I can even hear your blood.
Was I the one that took that away?
Go down to the water where we used to swim. Stand under the sky at dawn when the sky is streaked with blood. Open your mouth and shout our secret to the waves. The ocean will be your voice. You won't have to carry anything alone. Little Sister, my Spring, April. Little nightingale. Sant at the edge of the water. Your voice will come back to you. Maybe. If I am silent.
”
”
Francesca Lia Block (Wasteland)
“
Costin regained his serious tone but his eyes softened.
"I won't force you into anything Sally. I know this is all different to you. I've known all my life that I had one perfect mate out there for me. And when I look at you, I'm in awe of what I've been given." Sally blushed as he paused. "I won't leave you unprotected, and allowing other males around you is something that neither I, nor my wolf, will be able to handle. Besides," he said, his eyes twinkling with mischief, "how could you not want to be around all this?"
Sally let out a snort. "You've been around Jen way too much."
"I don't know, she's quite educational."
"Yeah, I don’t think I really want you to be educated by her.
”
”
Quinn Loftis
“
Every piece of me is in here.” He placed his palm flat on her chest, feeling her heart beat hard and steady beneath his fingers. He closed his eyes briefly at the beauty of it. “My breath, my heart, my life. I won’t ever leave you if you keep that safe inside of you.
”
”
Kate McCarthy (Fighting Redemption)
“
Bella." He strocked my face anxiously. "I'm not going anywhere. I'll be right here as long as you need me."
"Do you swear you won't leave me?" I whispered. I tried to control the gasping, at least. My ribs were throbbing.
He put his hands on either side of my face and brought his face close to mine. His eyes were wide and serious. "I swear.
”
”
Stephenie Meyer (Twilight (The Twilight Saga, #1))
“
He leaned her back against the tub, setting her head on the edge, then washed her shoulders.
"I know I left you once."
She opened her mouth, wanting to say it didn't matter, it was forgotten. But it wasn't.
"I know I hurt you."
Again, she wanted to argue. But she couldn't.
"I know I said I won't leave you again, but I also know that's not enough, and that the only way you're going to trust that I won't leave is if I don't".
He slid the cloth over her arms.
"If this ends, Hope, it won't be me that ends it. I think you know that.
”
”
Kelley Armstrong (Living with the Dead (Women of the Otherworld, #9))
“
No, Layla. I won't stop." He moved closer, cradling my head to his chest before continuing. "I know you're leaving and I would never try to keep you from going, and I guess I have my own path to follow as well. But don't ever ask me to stop loving you, because I can't. Don't ever think I'll be able to forget you, because I won't.
”
”
T. Torrest (Remember When (Remember Trilogy, #1))
“
If you tell me, I will leave you alone," I said. "And if you don't tell me, I am going to grab the nearest ghostwritten James Patterson romance novel and I am going to follow you through this store reading it out loud until you relent. Would you prefer me to read from Daphne's Three Tender Months with Harold or Cindy and John's House of Everlasting Love? I guarantee, your sanity and your indie street cred won't last a chapter. And they are very, very short chapters."
Now I could see the fright beneath the defiance.
”
”
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
Crocodile Lies
I confess, yes, our Fall was all my fault
If you kissed my eyes, your lips would taste salt
But you think my regret is a lie, and the tears I cry
Are the crocodile kind.
The sweat on your upper lip starts to boil
White hot with anger, still convinced I'm your foil
You keep fighting me, though my eyes are free
From crocodile lies.
You, yes, you, linger inside my heart
The same you who stopped us before we could start
I didn't want to leave, but you began to believe
Your own crocodile lies.
The only person stopping you is yourself,
You won't accept that I want no one else,
So until you do, I'll let someone else have you
Every day I live the lie,
But not the crocodile kind
--Marcus Flutie
”
”
Megan McCafferty (Second Helpings (Jessica Darling, #2))
“
Shepley walked out of his bedroom pulling a T-shirt over his head. His eyebrows pushed together. “Did they just leave?”
“Yeah,” I said absently, rinsing my cereal bowl and dumping Abby’s leftover oatmeal in the sink. She’d barely touched it.
“Well, what the hell? Mare didn’t even say goodbye.”
“You knew she was going to class. Quit being a cry baby.”
Shepley pointed to his chest. “I’m the cry baby? Do you remember last night?”
“Shut up.”
“That’s what I thought.” He sat on the couch and slipped on his sneakers. “Did you ask Abby about her birthday?”
“She didn’t say much, except that she’s not into birthdays.”
“So what are we doing?”
“Throwing her a party.” Shepley nodded, waiting for me to explain. “I thought we’d surprise her. Invite some of our friends over and have America take her out for a while.”
Shepley put on his white ball cap, pulling it down so low over his brows I couldn’t see his eyes. “She can manage that. Anything else?”
“How do you feel about a puppy?”
Shepley laughed once. “It’s not my birthday, bro.”
I walked around the breakfast bar and leaned my hip against the stool. “I know, but she lives in the dorms. She can’t have a puppy.”
“Keep it here? Seriously? What are we going to do with a dog?”
“I found a Cairn Terrier online. It’s perfect.”
“A what?”
“Pidge is from Kansas. It’s the same kind of dog Dorothy had in the Wizard of Oz.”
Shepley’s face was blank. “The Wizard of Oz.”
“What? I liked the scarecrow when I was a little kid, shut the fuck up.”
“It’s going to crap every where, Travis. It’ll bark and whine and … I don’t know.”
“So does America … minus the crapping.”
Shepley wasn’t amused.
“I’ll take it out and clean up after it. I’ll keep it in my room. You won’t even know it’s here.”
“You can’t keep it from barking.”
“Think about it. You gotta admit it’ll win her over.”
Shepley smiled. “Is that what this is all about? You’re trying to win over Abby?”
My brows pulled together. “Quit it.”
His smile widened. “You can get the damn dog…”
I grinned with victory.
“…if you admit you have feelings for Abby.”
I frowned in defeat. “C’mon, man!”
“Admit it,” Shepley said, crossing his arms. What a tool. He was actually going to make me say it.
I looked to the floor, and everywhere else except Shepley’s smug ass smile. I fought it for a while, but the puppy was fucking brilliant. Abby would flip out (in a good way for once), and I could keep it at the apartment. She’d want to be there every day.
“I like her,” I said through my teeth.
Shepley held his hand to his ear. “What? I couldn’t quite hear you.”
“You’re an asshole! Did you hear that?”
Shepley crossed his arms. “Say it.”
“I like her, okay?”
“Not good enough.”
“I have feelings for her. I care about her. A lot. I can’t stand it when she’s not around. Happy?”
“For now,” he said, grabbing his backpack off the floor.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
For as long as it takes for the sorrow and pain to transfer into acceptance. I’ll stay here. With you. By your side. I won’t leave.”
“Promise?”
“Vow.” I placed his hands gently on the piano. “I vow.
”
”
Rachel Van Dyken (Toxic (Ruin, #2))
“
He and Nina had never exchanged gifts or rings; they’d had no possessions they shared. They had been wanderers and soldiers. Even so, she could not leave him with nothing. From her pocket, she drew a slender sprig of ash and let it drift down into the grave, followed by a smattering of withered red petals from the tulips their compatriots had placed on his chest when they bid him goodbye in Ketterdam.
“I know you never cared for sweets.” Her voice wobbled as she let a handful of toffees fall from her hand. They made a hollow patter. “But this way I’m with you, and you can keep them for me when I see you next. I know you won’t eat them yourself.
”
”
Leigh Bardugo (King of Scars (King of Scars, #1))
“
I love you, too... I won't ever leave you again. I promise. I kept that promise. For love him I did. For nearly two years I spent almost every waking hour with him. Until he was taken from me. But I never left him. And I never will.
”
”
Jennifer Donnelly (Revolution)
“
No fair maiden should die alone" he said, putting a hand on hers. "Shall I read to you in your final moments? What story would you like?"
She snatched her hand back. 'How about the story of the idiotic prince who won't leave the assassin alone?"
"Oh! I love that story! It has such a happy ending too- why, the assassin was really feigning her illness in order to get the prince's attention! Who would have guessed it? Such a clever girl. And the bedroom scene is so lovely- it's worth reading through all of their ceaseless banter!
”
”
Sarah J. Maas
“
Ideas are powerful things; we should take more care with them. I know there are some who would disagree - those who think ideas are like food they can taste and spit out if they don't like it. But ideas are stronger than that. You can get a taste of an idea inside you, and the next thing you know, it won't leave. Until you do something about it.
”
”
Rene Denfeld (The Enchanted)
“
You are about to begin reading Italo Calvino's new novel, If on a winter's night a traveler. Relax. Concentrate. Dispel every other thought. Let the world around you fade. Best to close the door; the TV is always on in the next room. Tell the others right away, "No, I don't want to watch TV!" Raise your voice -- they won't hear you otherwise -- "I'm reading! I don't want to be disturbed!" Maybe they haven't heard you, with all that racket; speak louder, yell: "I'm beginning to read Italo Calvino's new novel!" Or if you prefer, don't say anything: just hope they'll leave you alone.
”
”
Italo Calvino (If on a Winter's Night a Traveler)
“
Are you out of your collective minds? I swear I can’t leave you two alone for three seconds that you don’t go off and hurt yourselves. I expect stupid out of you, but you know better.” – Caleb
“I tried to tell him that. He won’t listen to me. Tag. You’re it.” – Nekoda
”
”
Sherrilyn Kenyon (Invincible (Chronicles of Nick, #2))
“
He was right. They could have a whole conversation without exchanging a word. And the conversation they had right now went like this: Colin, shut it. I don’t think I will, M. Then I’ll make you. Really? How?I’m not certain, but it will be slow and painful. And I won’t leave any evidence.
”
”
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
“
He gathered me closer, kissed my neck, then spoke in a low voice next to my ear. “I figure, see, if you find yourself getting more attached to the two of us than you planned, maybe you won’t think about picking up and leaving to start another life somewhere else.
”
”
Jenn Bennett (Kindling the Moon (Arcadia Bell, #1))
“
Move across the country and hope the Sadness won’t find you, won’t follow you like a stray dog from coast to coast. Hope the Sadness isn’t just a fog on a leash, shadowing you always. Hope the Sadness can’t be as fleet as you are, hope the Sadness is more rooted. Perhaps the Sadness has friends, a family, and can’t just pick up and go. Look at all this stuff the Sadness has here in San Jose or Chapel Hill or wherever you’re currently leaving. How’s the Sadness going to survive without all this stuff? Hope this isn’t one of those any-place-I-hang-my-hat-is-home-type situations where the Sadness hangs its hat on you. Hope that you are not the Sadness’s home, anywhere you go, no matter how far, no matter how quickly—the Sadness lives in you. Hope to God it’s not that.
”
”
Raphael Bob-Waksberg (Someone Who Will Love You in All Your Damaged Glory)
“
When you first looked at me
I forgot to breathe
that moment marked my hardened heart
I vowed to never leave
And the touch of your skin
healed something deep within
that left me wanting more of you
the less I got the more it grew
Oh I couldn't help from falling, falling for you
So I'm standing here, oh girl you know
After all that we've been through we couldn't let it go
and as long as I'm alive, in your eyes I'll stare
holding you so close I'll solemnly swear
that I have fallen too far
that I have fallen too far, too far for you.
For you
When I finally found you
I finally found me
that day I won't soon forget
the reason for it all
I'll give you a new name
nothing in life will be the same
the story is now complete
our life and love is all we need
'Cause I couldn't help from falling
falling for you
So I'm standing here oh girl you know
After all we've been through we couldn't let it go
and as long as I'm alive, in your eyes I'll stare
holding you so close I'll solemnly swear
that I have fallen too far, that I have fallen too far
too far for you
My heart is beating
begging for you
this night will be
a dream come true
so fall, fall, fall into my arms
So I'm standing here oh girl you know
After all that we've been through we couldn't let it go
That I have fallen too far
That I have fallen too far
That I have fallen too far
too far for you, yeah
For you...
”
”
Abbi Glines (Forever Too Far (Rosemary Beach, #3; Too Far, #3))
“
Oh, certainly, sir. Would you like me to accompany you?”
“That won’t be necessary, Lieutenant, but thank you for the offer.”
“I—s-sir,” he stammers. “Of course, it’s m-my pleasure, sir, to assist you—”
Good God, I have taken leave of my senses. I never thank Delalieu. I’ve likely given the poor man a heart attack.
”
”
Tahereh Mafi
“
I meant what I said before. You need to walk away, Pidge. God knows I can’t walk away from you.”
I touched his arm. “You don’t want me to leave.”
Travis’ jaws tensed again, and then he took me under his arm. He paused for a moment, and then kissed my forehead, pressing his cheek against my temple. “It doesn’t matter how hard I try. You’re going to hate me when it’s all said and done.”
I wrapped my arms around him. “We have to be friends. I won’t take no for an answer,” I quoted.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
That there is no world, no scenario, no reality in which I'll gracefully allow you to leave me. That if I don't let you go now, five years, five months, five days down the line, I won't be able to. Every second, I want you too much, and every second, I'm on the verge of wanting you more. Every second is my last chance to do the decent thing. To let you live your life without taking up all of it-
”
”
Ali Hazelwood (Bride (Bride, #1))
“
The season was waning fast
Our nights were growing cold at last
I took her to bed with silk and song,
'Lay still, my love, I won’t be long;
I must prepare my body for passion.'
'O, your body you give, but all else you ration.'
'It is because of these dreams of a sylvan scene:
A bleeding nymph to leave me serene...
I have dreams of a trembling wench.'
'You have dreams,' she said, 'that cannot be quenched.'
'Our passion,' said I, 'should never be feared;
As our longing for love can never be cured.
Our want is our way and our way is our will,
We have the love, my love, that no one can kill.'
'If night is your love, then in dreams you’ll fulfill...
This love, our love, that no one can kill.'
Yet want is my way, and my way is my will,
Thus I killed my love with a sleeping pill.
”
”
Roman Payne
“
Bramble's lips were tight. Her fists still shook.
"Take it back," she said. She gazed at the floor, but the words whipped. "We don't want the picture. We don't want your charity. Take it back!"
Teddie drew himself up to his full, towering taffy height.
"N-dash it-O!" he said. "It's not charity and I won't take it back! It's a gift! A gift, dash it all! Because I liked your mum! And I like your sisters! And you, Bramble! I love you!"
The words echoed. Everyone's hands clasped over their mouths, and they stared at Lord Teddie, who panted but kept a tight chin up. Bramble's lips were still pursed. They were white.
"Young man," said the King gently. "Your ship leaves soon?"
Azalea guessed that, with the fiasco of everything, the King had annulled any arrangements between Bramble and Lord Teddie. Lord Teddie's entire taffylike form slumped. He turned to go, all bounciness dissolved.
"Do you mean it?"
Lord Teddie turned quickly. Bramble's lips remained tight, but her gaze was up, blazing yellow.
"Gad, yes," said Lord Teddie. "I love you so much, my fingers hurt!"
"Oh!" Bramble slapped he hand over her mouth and doubled over. "Oh-oh-oh-oh!" She shook. It was hard to tell if she was crying, or coughing, or ill. "Oh!"
In a billow of skirts, Bramble leaped. It was a grand jete worthy of the Delchastrian prima ballerina. She landed right on Lord Teddie, who had no choice but to catch her, and threw her arms around his neck. Then, to everyone's shock, she pressed her lips full on his.
"Oh...my," said Clover.
No one seemed more surprised than Lord Teddie who stumbled back under Bramble's assault.
”
”
Heather Dixon Wallwork (Entwined)
“
You won't remember me. You won't need me anymore.
You will leave me again.
I forgive you. I forgave you. I will always forgive you.
You should know that for a little while, you were not alone.Not alone.
I loved you when you were pixels on a screen.
”
”
Julio Alexi Genao (When You Were Pixels (Syntax #0.1))
“
We will never fight again, our lovely, quick, template-ready arguments. Our delicate cross-stitch of bickers.
The house becomes a physical encyclopedia of no-longer hers, which shocks and shocks and is the principal difference between our house and a house where illness has worked away. Ill people, in their last day on Earth, do not leave notes stuck to bottles of red wine saying ‘OH NO YOU DON’T COCK-CHEEK’. She was not busy dying, and there is no detritus of care, she was simply busy living, and then she was gone.
She won’t ever use (make-up, turmeric, hairbrush, thesaurus).
She will never finish (Patricia Highsmith novel, peanut butter, lip balm).
And I will never shop for green Virago Classics for her birthday.
I will stop finding her hairs.
I will stop hearing her breathing.
”
”
Max Porter (Grief Is the Thing with Feathers)
“
Maxon, I hope you find someone you can't love without. I really do. And I hope you never have to know what it's like to have to try and live without them."
Maxon's face was a shallow echo of my own pain. He looked absolutely brokenhearted for me. More than that, he looked angry.
"I'm sorry, America. I don't..." His face shifted a little. "Is this a good time to pat your shoulder?"
His uncertainty made me smile. "Yes. Now would be a great time."
He seemed as skeptically as he'd been the other day, but instead of just patting my shoulder, he leaned in and tentatively wrapped his arms around me.
"I only really ever hug my mother. Is this okay?" he asked.
I laughed. "It's hard to get a hug wrong."
After a minute, I spoke again. "I know what you mean, though. I don't really hug anyone besides my family."
I felt so drained after the long day of dressing and the Report and dinner and talking. It was nice to have Maxon just hold me, sometimes even patting my hair. He wasn't as lost as he seemed. He patiently waited for my breathing to slow, and when it did, he pulled back to look at me.
"America, I promise you I'll keep you here until the last possible moment. I understand that they want me to narrow the Elite down to three and then choose. But I swear to you, I'll make it to two and keep you here until then. I won't make you leave a moment before I have to. Or the moment you're ready. Whichever comes first."
I nodded.
"I know we just met, but I think you're wonderful. And it bothers me to see you hurt. If he were here, I'd...I'd..." Maxon shook with frustration, then sighed. "I'm so sorry, America."
He pulled me back in, and I rested my head on his broad shoulder. I knew Maxon would keep his promises. So I settled into perhaps the last place I ever thought I'd find genuine comfort.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
Somewhere along the way your wires got crossed. Your brain decided that you’re not worth people’s time and effort, and that if you ask for anything, they won’t just say no, they’ll also leave you.” He says it matter-of-fact, like he’s Archimedes of Syracuse repeating his findings about upward buoyant forces to the acropolis for the tenth time. “That’s not how love works, Elsie. But don’t worry for now. I’ll show you.
”
”
Ali Hazelwood (Love, Theoretically)
“
I love you." For a start, we'd better put these words on a high shelf; in a square box behind glass which we have to break with our elbow; in a bank. We shouldn't leave them lying around the house like a tube of vitamin C. If the words come too easily to hand, we'll use them without thought; we won't be able to resist. Oh, we say we won't, but we will. We'll get drunk, or lonely, or - likeliest of all - plain damn hopeful, and there are the words gone, used up, grubbied. We think we might be in love and we're trying out the words to see if they're appropriate? How can we know what we think till we hear what we say? Come off it; that won't wash. These are grand words; we must make sure we deserve them. Listen to them again: "I love you.
”
”
Julian Barnes (A History of the World in 10½ Chapters)
“
I brought you this." Gale holds up a sheath. When I take it, I notice it holds a single, ordinary arrow. "It's
supposed to be symbolic. You firing the last shot of the war."
"What if I miss?" I say. "Does Coin retrieve it and bring it back to me? Or just shoot Snow through the head herself?"
"You won't miss." Gale adjusts the sheath on my shoulder.
We stand there, face-to-face, not meeting each other's eyes. "You didn't come see me in the hospital." He doesn't answer, so finally I just say it. "Was it your bomb?"
"I don't know. Neither does Beetee," he says. "Does it matter? You'll always be thinking about it."
He waits for me to deny it; I want to deny it, but it's true. Even now I can see the flash that ignites her, feel
the heat of the flames. And I will never be able to separate that moment from Gale. My silence is my answer.
"That was the one thing I had going for me. Taking care of your family," he says. "Shoot straight, okay?" He touches my cheek and leaves. I want to call him back and tell him that I was wrong. That I'll figure out a way to
make peace with this. To remember the circumstances under which he created the bomb. Take into account my own inexcusable crimes. Dig up the truth about who dropped the parachutes. Prove it wasn't the rebels. Forgive him. But since I can't, I'll just have to deal with the pain.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
I’m still in love with you,” he repeated walking closer to me. “I’ve tried to stop it. I tried to ignore it.
I tried to wish it away, but it won’t leave. Whenever you’re near me, I want you closer. Whenever you
laugh, I want the sound to never fade. Whenever you’re sad, I want to kiss your tears away. I know all of
the reasons that I shouldn’t want to be with you. I know that I can never be forgiven for what happened all
those years ago, but I also know that I still love you. You’re still the fire that keeps me warm when life
becomes cold. You’re still the voice that keeps the darkness at bay. You’re still the reason my heart beats.
You’re still the air in my lungs. You’re still my greatest high. And I am still truly, madly, painfully in love
with you. And I don’t think I’ll ever know how to stop.
”
”
Brittainy C. Cherry (The Fire Between High & Lo (Elements, #2))
“
When my husband had an affair with someone else I watched his eyes glaze over when we ate dinner together and I heard him singing to himself without me, and when he tended the garden it was not for me.
He was courteous and polite; he enjoyed being at home, but in the fantasy of his home I was not the one who sat opposite him and laughed at his jokes. He didn't want to change anything; he liked his life. The only thing he wanted to change was me.
It would have been better if he had hated me, or if he had abused me, or if he had packed his new suitcases and left.
As it was he continued to put his arm round me and talk about being a new wall to replace the rotten fence that divided our garden from his vegetable patch. I knew he would never leave our house. He had worked for it.
Day by day I felt myself disappearing. For my husband I was no longer a reality, I was one of the things around him. I was the fence which needed to be replaced. I watched myself in the mirror and saw that I was mo longer vivid and exciting. I was worn and gray like an old sweater you can't throw out but won't put on.
He admitted he was in love with her, but he said he loved me.
Translated, that means, I want everything. Translated, that means, I don't want to hurt you yet. Translated, that means, I don't know what to do, give me time.
Why, why should I give you time? What time are you giving me? I am in a cell waiting to be called for execution.
I loved him and I was in love with him. I didn't use language to make a war-zone of my heart.
'You're so simple and good,' he said, brushing the hair from my face.
He meant, Your emotions are not complex like mine. My dilemma is poetic.
But there was no dilemma. He no longer wanted me, but he wanted our life
Eventually, when he had been away with her for a few days and returned restless and conciliatory, I decided not to wait in my cell any longer. I went to where he was sleeping in another room and I asked him to leave. Very patiently he asked me to remember that the house was his home, that he couldn't be expected to make himself homeless because he was in love.
'Medea did,' I said, 'and Romeo and Juliet and Cressida, and Ruth in the Bible.'
He asked me to shut up. He wasn't a hero.
'Then why should I be a heroine?'
He didn't answer, he plucked at the blanket.
I considered my choices.
I could stay and be unhappy and humiliated.
I could leave and be unhappy and dignified.
I could Beg him to touch me again.
I could live in hope and die of bitterness.
I took some things and left. It wasn't easy, it was my home too.
I hear he's replaced the back fence.
”
”
Jeanette Winterson (Sexing the Cherry)
“
THE BAGPIPE WHO DIDN'T SAY NO
It was nine o'clock at midnight at a quarter after three
When a turtle met a bagpipe on the shoreside by the sea,
And the turtle said, "My dearie,
May I sit with you? I'm weary."
And the bagpipe didn't say no.
Said the turtle to the bagpipe, "I have walked this lonely shore,
I have talked to waves and pebbles--but I've never loved before.
Will you marry me today, dear?
Is it 'No' you're going to say dear?"
But the bagpipe didn't say no.
Said the turtle to his darling, "Please excuse me if I stare,
But you have the plaidest skin, dear,
And you have the strangest hair.
If I begged you pretty please, love,
Could I give you just one squeeze, love?"
And the bagpipe didn't say no.
Said the turtle to the bagpipe, "Ah, you love me. Then confess!
Let me whisper in your dainty ear and hold you to my chest."
And he cuddled her and teased her
And so lovingly he squeezed her.
And the bagpipe said, "Aaooga."
Said the turtle to the bagpipe, "Did you honk or bray or neigh?
For 'Aaooga' when your kissed is such a heartless thing to say.
Is it that I have offended?
Is it that our love is ended?"
And the bagpipe didn't say no.
Said the turtle to the bagpipe, "Shall i leave you, darling wife?
Shall i waddle off to Woedom? Shall i crawl out of your life?
Shall I move, depart and go, dear--
Oh, I beg you tell me 'No' dear!"
But the bagpipe didn't say no.
So the turtle crept off crying and he ne'er came back no more,
And he left the bagpipe lying on that smooth and sandy shore.
And some night when tide is low there,
Just walk up and say, "Hello, there,"
And politely ask the bagpipe if this story's really so.
I assure you, darling children, the bagpipe won't say "No.
”
”
Shel Silverstein
“
Hey. Just to make sure I beat everyone to it, I wanted to write in this first. I hope that’s some more proof of how much I’m in love with you. I still can’t believe it. How did three years go by so fast? It feels like yesterday I was sitting on the bus behind you trying to build the courage to say something. It’s crazy to think there was a time before we knew each other. A time before “Sam and Julie.” Or “Julie and Sam”? I’ll let you decide that one. I know you can’t wait to leave this place, but I’m gonna miss it. I get it, though. Your ideas were always too big for a small town, and everyone here knows it. But I’m happy your path somehow made you stop in Ellensburg along the way. So you and I could meet each other. Maybe it was supposed to happen, you know? I feel like my life didn’t start until I met you, Julie. You’re the best thing to happen to this small town. To me. I realize it doesn’t matter where we’re going next, as long as we’re together. I’ll be honest. I used to be scared of leaving home. Now I can’t wait to move on and make new memories with you. Just don’t forget the ones we made here. Especially when you make it big. And whatever happens, promise you won’t forget me, okay? Anyway, I love you, Julie, and always will. Yours forever, Sam
”
”
Dustin Thao (You've Reached Sam (You've Reached Sam, #1))
“
You’re late.”
Fang stepped out of the shadows, eating an apple. He was dressed in black, as usual, and his face looked like a lumpy plum pie. But his eyes shone as he came toward me, and then I was running to him over the sand, my wins out in back or me.
We smashed together awkwardly, with fang standing stiffly for a moment, but then his arms slowly came around me, and he hugged me back. I held him tight trying to swallow the lump of cotton in my throat, my head on his shoulder, my eyes squeezed shut.
Don’t ever leave me again,” I said in a tiny voice.
I won’t,” he promised into my hair, most un-fang like. I won’t. Not ever.”
And just like that, a cold shard of ice that had been inside my chest ever since we’d spilt up – well, it just disappeared. I felt myself relax for the first time in I don’t know how long. The wind was chilly, but the sun was bright, and my whole flock was together. Fang and I were together.
“Excuse me? I’m alive too.” Iggy’s plaintive voice made me pull back.
”
”
James Patterson
“
Close your eyes,” Marcus said, his hand moving to her bottom in a circling caress. He brushed his mouth over her forehead and her fragile eyelids. “Rest. You’ll need to regain your strength… because once we’re married, I won’t be able to leave you alone. I’ll want to love you every hour, every minute of the day.” He nestled her more closely against him. “There is nothing on earth more beautiful to me than your smile… no sound sweeter than your laughter… no pleasure greater than holding you in my arms. I realized today that I could never live without you, stubborn little hellion that you are. In this life and the next, you’re my only hope of happiness. Tell me, Lillian, dearest love… how can you have reached so far inside my heart?” He paused to kiss her damp silken skin… and smiled as the wisp of a feminine snore broke the peaceful silence.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
Bran,” I sob. “You have to go.” He just smiles. “Bran! You must!” Again the smile. He won't leave. He'll be my faithful friend forever. He'd rather die by my side than skip free without me. I return the smile. “Very well,” I sigh and reach out a hand. Bran takes it, expecting only my touch. But what he gets on top of that is the last of my magic. A swift, improvised spell. I reach into his mind and send an image into his thoughts, of the hole, him dashing out of it, racing through the cave and not coming back. And then, with all the magical force I can muster, I yell at him— “Run fast!
”
”
Darren Shan (Bec (The Demonata, #4))
“
I smiled sweetly at his embarressment, beginning to walk again, kicking up golden leaves. I heard him scuffling leaves behind me. "And what was the point of this again?"
Forget it!" Sam said. "Do you you like this place or not?"
I stoped in my tracks, spinning to face him. "Hey." I pointed at him; he raised his eyebrows and stopped in his tracks. "You didn't think Jack would be here at all, did you?"
His thick black eyebrows went up even farther.
Did you evan intend to look for him at all?"
He held his hands up as if a surrender. "What do you want me to say?"
You were trying to see if I would reconize it, wern't you?" I took anouther step, colsing the distance between us. I could feel the heat of his body, even without touching him, in the increasing cold of the day. "YOU told me about this wood somehow. How did you show it to me?"
I keep trying to tell you. You wont listen. Because you're stubbon. It's how we speek- it's the only words we have. Just pictures. Just simple little picters. You HAVE changed Grace. Just not your skin. I want you to believe me." His hands were still raise, but he was starting to grin at me in the failing light.
So you brought me here to see this." I stepped forward again, and he stepped back.
Do you like it?"
Under false pretence." Anouther step forward; anouther back. The grine widened
So do you like it?"
When you knew we wouldn't come across anybody else."
His teeth flashed in his grin. "Do you like it?"
I punched my hands into his chest. "You know I love it. You knew I would." I went to punch him, and he grabed my wrists. For a moment we stood there like that, him looking down at me with a grin half-caught on his face, and me lookingup at him: Still Life with Boy and Girl. It would've been the perfect moment to kiss me, but he didn't. He just looked at me and looked at me, and by the time I relizeed I could just as easily kiss him, I noticed that his grin was slipping away.
Sam slowly lowered my wrists and relesed them. "I'm glad." he said very quietly.
My arms still hung by my sides, right where Sam had put them. I frowned at him. "You were supposed to kiss me."
I thought about it."
I just kept looking at the soft, sad shape of his lips, looking just like his voice sounded. I was probably staring, but I couldn't stop thinking about how much I wanted him to kiss me and how stupide it was to want it so badly. "Why don't you?"
He leaned over and gave mr the lightest of kisses. His lips, cool and dry, ever so polite and incredibly maddening. "I have to get inside soon," he whispered "It's getting cold
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
I won’t let him hurt you again.” His breath makes me shiver. A strange sensation, when surrounded with such blazing warmth. “I believe you,” I tell him, lying. Because I am weak, I turn in his arms. Because I am weak, I press my lips to his, searching for something to make me stop running, to make me forget. We are both weak, it seems. As his hands run over my skin, I feel a different sort of pain. Worse than Maven’s machine, deeper than my nerves. It aches like a hollow, like an empty weight. I am a sword, born of lightning, of this fire — and of Maven’s. One already betrayed me, and the other might leave at any moment. But I do not fear a broken heart. I do not fear pain.
”
”
Victoria Aveyard (Glass Sword (Red Queen, #2))
“
I intercepted Chaol, and he informed me of your ‘condition.’ You’d think a man in his position wouldn’t be so squeamish, especially after examining all of those corpses.”
Calaena opened an eye and frowned as Dorian sat on her bed. “I’m in a state of absolute agony and I can’t be bothered.”
“It can’t be that bad,” he said, fishing a deck of cards from his jacket. “Want to play?”
“I already told you that I don’t feel well.”
“You look fine to me.” He skillfully shuffled the deck. “Just one game.”
“Don’t you pay people to entertain you?”
He glowered, breaking the deck. “You should be honored by my company.”
“I’d be honored if you would leave.”
“For someone who relies on my good graces, you’re very bold.”
“Bold? I’ve barely begun.” Lying on her side, she curled her knees to her chest.
He laughed, pocketing the deck of cards. “Your new canine companion is doing well, if you wish to know.”
She moaned into her pillow. “Go away. I feel like dying.”
“No fair maiden should die alone,” he said, putting a hand on hers. “Shall I read to you in your final moments? What story would you like?”
She snatched her hand back. “How about the story of the idiotic prince who won’t leave the assassin alone?”
“Oh! I love that story! It has such a happy ending, too—why, the assassin was really feigning her illness in order to get the prince’s attention! Who would have guessed it? Such a clever girl. And the bedroom scene is so lovely—it’s worth reading through all of their ceaseless banter!”
“Out! Out! Out! Leave me be and go womanize someone else!” She grabbed a book and chucked it at him.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
He’s sort of a homeless horse,” I said.
“I’m leaving for the airport in two seconds, and I won’t be back for a couple days. You can put the horse in the garage, but I don’t want that horse in my apartment.”
“Who would put a horse in an apartment? That’s dumb.”
“Where’s the horse staying now?”
“My apartment.”
“I can always count on you to brighten my day,” Ranger said. And he disconnected.
”
”
Janet Evanovich (Plum Lucky (Stephanie Plum, #13.5))
“
My life is full of unconventionalities, abnormalities and awkward fucking situations. If you’re easily offended by crude language and inappropriate talks, you’ve taken a wrong fucking turn somewhere. You won’t understand me if you can’t handle me, and I’m not going to try to explain myself. I’m raw. I’m hard. I’m the thing you shy away from. So I’m warning you now. Back away. Because once you enter my life, I won’t ever let you leave.
”
”
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
“
How busy are you today?"
"Oh," he [Thomas] mused. "I don't know. I mean, I've got to get a new shirt now."
"After that," I asked, "would you like to help me save the city? If you don't already have plans."
He snorted. "You mean, would I like to follow you around, wondering what the hell is going on because you won't tell me everything, then get in a fight with something that is going to leave me in intensive care?"
"Uh-huh," I said, nodding, "pretty much."
"Yeah," he said. "Okay.
”
”
Jim Butcher (Cold Days (The Dresden Files, #14))
“
Do you have your own room, Charlie Brown?"
"Oh, yes... I have a very nice room."
"I hope you realize that you won't always have your own room... Someday you'll get drafted or something, and you'll have to leave your room forever!"
"Why do you tell me things like that?"
"It's on a list I've made up for you... I call it, Things You Might As Well Know!
”
”
Charles M. Schulz (The Complete Peanuts, 1969–1970 (The Complete Peanuts, #10))
“
I just make the best book that I can and try to not worry about audience or if it will sell. The odds are against you, so why abuse your talent for the sake of a chimera? The only real pleasure for me in writing comes from pleasing myself. What readers think is interesting and illuminating (and it may even be correct), but that is nothing compared to the excitement of seeing a world develop. Besides, even though I like most individuals I meet, I have a pretty low opinion of people in general. So if I were to write for people in general, I would have to drastically lower my estimation of the intelligence of my reader. Rather than doing that, I write the way it seems the book has to appear. I don’t think that’s egotistic. There are often things I would like to include in my books—things about me personally and other materials—that I feel I have to leave out because they aren’t relevant to the book. I’m fairly ruthless along those lines, because I try to let nothing come in the way of what’s best for the book. If that means that the book won’t sell or that a publisher won’t buy it, then that’s my problem. I’ll suffer for that, but I won’t let the book suffer for it.
”
”
William T. Vollmann
“
When the pages are in the typewriter, I can't see his face.
In that way i am choosing you over him.
I don't need to see him.
I don't need to know if he is looking up at me.
It's not even that I trust him not to leave.
I know this won't last.
I'd rather be me than him.
The words are coming so easily.
The pages are coming easily.
At the end of my dream, Eve put the apple back on the branch. The tree went back into the ground. It became a sapling, which became a seed.
God brought together the land and the water, the sky and the water, the water and the water, evening and morning, something and nothing.
He said, Let there be light.
And there was darkness.
”
”
Jonathan Safran Foer
“
Wei Wuxian seized Lan Wangji by the shoulders. “But! But from now on, I’ll remember everything you’ve said to me, everything you’ve done. I won’t forget a thing!” “…” “You’re especially wonderful. I like you,” Wei Wuxian said. “…” “Or, in other words—I fancy you, I love you, I want you, I can’t leave you, I whatever you.” “…” “I want to go on Night Hunts with you for the rest of my life.
”
”
Mò Xiāng Tóng Xiù (Grandmaster of Demonic Cultivation: Mo Dao Zu Shi (Novel) Vol. 5)
“
Yes, if you want to say that I was a drum major, say that I was a drum major for justice. Say that I was a drum major for peace. I was a drum major for righteousness. And all of the other shallow things will not matter. I won't have any money to leave behind. I won't have the fine and luxurious things of life to leave behind. But I just want to leave a committed life behind. And that's all I want to say.
”
”
Martin Luther King Jr.
“
I was going to say the
words that could have
made a difference but
then I saw you
You were least interested
to know
You didn’t even bother to
see the truth in my eyes
I had to leave darling I
had to
I had no intention to end
things like this
But this was written
It was in our fate
They say, “When you end
up remember there’s a
new beginning waiting
for you somewhere”
I’ll look for that new
beginning
To search for a new
commencing
With a promise that this
time
I won’t look backward.
”
”
Hareem Ch (Another World)
“
Hmm…’ Ciri bit her lower lip, then leaned over and put her eye closer to the hole. ‘Madam Yennefer is standing by a willow… She’s plucking leaves and playing with her star. She isn’t saying anything and isn’t even looking at Geralt… And Geralt’s standing beside her. He’s looking down and he’s saying something. No, he isn’t. Oh, he’s pulling a face… What a strange expression…’ ‘Childishly simple,’ said Dandelion, finding an apple in the grass, wiping it on his trousers and examining it critically. ‘He’s asking her to forgive him for his various foolish words and deeds. He’s apologising to her for his impatience, for his lack of faith and hope, for his obstinacy, doggedness. For his sulking and posing; which are unworthy of a man. He’s apologising to her for things he didn’t understand and for things he hadn’t wanted to understand—’ ‘That’s the falsest lie!’ said Ciri, straightening up and tossing the fringe away from her forehead with a sudden movement. ‘You’re making it all up!’ ‘He’s apologising for things he’s only now understood,’ said Dandelion, staring at the sky, and he began to speak with the rhythm of a balladeer. ‘For what he’d like to understand, but is afraid he won’t have time for… And for what he will never understand. He’s apologising and asking for forgiveness… Hmm, hmm… Meaning, conscience, destiny? Everything’s so bloody banal…’ ‘That’s not true!’ Ciri stamped. ‘Geralt isn’t saying anything like that! He’s not even speaking. I saw for myself. He’s standing with her and saying nothing…’ ‘That’s the role of poetry, Ciri. To say what others cannot utter.’ ‘It’s a stupid role. And you’re making everything up!’ ‘That is also the role of poetry. Hey, I hear some raised voices coming from the pond. Have a quick look, and see what’s happening there.’ ‘Geralt,’ said Ciri, putting her eye once more to the hole in the wall, ‘is standing with his head bowed. And Yennefer’s yelling at him. She’s screaming and waving her arms. Oh dear… What can it mean?’ ‘It’s childishly simple.’ Dandelion stared at the clouds scudding across the sky. ‘Now she’s saying sorry to him.
”
”
Andrzej Sapkowski (The Time of Contempt (The Witcher #2))
“
Ysandre has
destroyed more lives than you can begin to imagine, starting with her own.’’ Myrnin’s eyes were dark and very, very serious. ‘‘If
she wants Shane, let her have him. She’ll be done with him soon enough. Amelie won’t allow her to kill him.’’
‘‘I think she wants other things,’’ Claire said.
‘‘Ah. Sexual, then. Or some version of it. Ysandre has always been a bit—odd.’’
‘‘How do I stop her?’’
Myrnin slowly shook his head. ‘‘I’m sorry. I can’t help you. My only suggestion—which I’m quite certain you won’t like—is to
let him deal with this in his own way. She’ll leave him alive, and largely intact, unless he resists her.’’
‘‘You’re right. I don’t like it.’’
‘‘Complain to the management, my dear.
”
”
Rachel Caine (Feast of Fools (The Morganville Vampires, #4))
“
Let me tell you what I think about your fucking rules," he said, his voice dripping with venom as he pushed past Liam. "You sit up in your room and you pretend like you want what's best for everyone, but you don't do any of the work yourself. I can't tell if you're just a spoiled little shit, or if you're too worried about getting your pretty princess hands dirty, but it sucks. You are fucking awful, and you sure as hell don't have me fooled... You talk about us all being equals, like we're one big rainbow of peace and all that bullshit, but you never once believed that yourself, did you? You won't let anyone contact their parents, and you don't care about the kids that are still trapped in camps your father set up. You wouldn't even listen when the Watch kids brought it up. So what I want to know is, why can't we leave?... What's the point of this place, other than for you to get off on how great you are and toy with people and their feelings?
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
I never wanted to marry anyone before,” he said. “When two people marry, they surrender a small part of themselves. They become more like each other. I never met a woman who was better than me at things I take pride in, and I never wanted to be like them. I always knew that whoever I was with was temporary. There was always a new woman around the corner. I’ve seen marriages shatter. Twice. My mother left, then Richard’s wife. It almost broke my brother.”
“So how do I know that you won’t move on and leave me broken?”
“Because you are the one. You are better than me in some things, and I am better than you in others.” He drew her into his arms. “I don’t mind being a bit like you. I hope you don’t mind being a bit like me.
”
”
Ilona Andrews (Fate's Edge (The Edge, #3))
“
Oh, Oliver, I said to myself on my way to the kitchen for a quick bite to eat, I’ll do anything for you. I’ll ride up the hill with you, and I’ll race you up the road to town, and won’t point out the sea when we reach the berm, and I’ll wait at the bar in the piazzetta while you meet with your translator, and I’ll touch the memorial to the unknown soldier who died on the Piave, and I won’t utter a word, I’ll show you the way to the bookstore, and we’ll park our bikes outside the shop and go in together and leave together, and I promise, I promise, I promise, there’ll be no hint of Shelley, or Monet, nor will I ever stoop to tell you that two nights ago you added an annual ring to my soul.
”
”
André Aciman (Call Me by Your Name)
“
We met at a cross-roads in life,
But we were going different directions.
We were part of each other's lives,
But only for a moment.
The first person that you meet in life
Won't necessarily be the one who's forever.
Just look at you and me,
And it's not hard to see that
This is the moment before life goes on.
We are still friends;
We are still really good friends.
Please tell me that you agree.
But I'm not the one for you,
And you just can't see yourself with me.
”
”
Margo T. Rose (The Words)
“
Search for the answers I knew all along;
I lost myself,
We all fall down;
Never the wiser of what I've become
Alone I stand,
A broken man...
All I have is one last chance.
I won't turn my back on you.
Take my hand,
Drag me down.
If you fall,
Then I will too.
And I can't save what's left of you...
(Chorus)
Sing something new,
I have nothing left.
I can't face the dark without you.
There's nothing left to lose,
The fight never ends.
I can't face the dark without you.
Swallow me under and pull me apart.
I understand;
There's nothing left.
Pain so familiar and close to the heart;
No more no less,
I won't forget.
Come back down,
Save yourself.
I can't find my way to you.
And I can't bear to face the truth...
(chorus)
I wanted to forgive;
I'm trying to forget;
Don't leave me here again.
I am with you, forever, the end.
(chorus)
Holding the hand that holds me down.
I forgive you, forget you, the end.
Holding the hand that holds me down.
I forgive you, forget you, the end.
(classical finish)
”
”
Breaking Benjamin
“
While I pressed the tissue to my face, Beck said, “Can I tell you something? There are a lot of empty boxes in your head, Sam.”
I looked at him, quizzical. Again, it was a strange enough concept to hold my attention.
“There are a lot of empty boxes in there, and you can put things in them.” Beck handed me another tissue for the other side of my face.
My trust of Beck at that point was not yet complete; I remember thinking that he was making a very bad joke that I wasn’t getting. My voice sounded wary, even to me. “What kinds of things?”
“Sad things,” Beck said. “Do you have a lot of sad things in your head?”
“No,” I said.
Beck sucked in his lower lip and released it slowly. “Well, I do.”
This was shocking. I didn’t ask a question, but I tilted toward him.
“And these things would make me cry,” Beck continued. “They used to make me cry all day long.”
I remembered thinking this was probably a lie. I could not imagine Beck crying. He was a rock. Even then, his fingers braced against the floor, he looked poised, sure, immutable.
“You don’t believe me? Ask Ulrik. He had to deal with it,” Beck said. “And so you know what I did with those sad things? I put them in boxes. I put the sad things in the boxes in my head, and I closed them up and I put tape on them and I stacked them up in the corner and threw a blanket over them.”
“Brain tape?” I suggested, with a little smirk. I was eight, after all.
Beck smiled, a weird private smile that, at the time, I didn’t understand. Now I knew it was relief at eliciting a joke from me, no matter how pitiful the joke was. “Yes, brain tape. And a brain blanket over the top. Now I don’t have to look at those sad things anymore. I could open those boxes sometime, I guess, if I wanted to, but mostly I just leave them sealed up.”
“How did you use the brain tape?”
“You have to imagine it. Imagine putting those sad things in the boxes and imagine taping it up with the brain tape. And imagine pushing them into the side of your brain, where you won’t trip over them when you’re thinking normally, and then toss a blanket over the top. Do you have sad things, Sam?”
I could see the dusty corner of my brain where the boxes sat. They were all wardrobe boxes, because those were the most interesting sort of boxes — tall enough to make houses with — and there were rolls and rolls of brain tape stacked on top. There were razors lying beside them, waiting to cut the boxes and me back open.
“Mom,” I whispered.
I wasn’t looking at Beck, but out of the corner of my eye, I saw him swallow.
“What else?” he asked, barely loud enough for me to hear. “The water,” I said. I closed my eyes. I could see it, right there, and I had to force out the next word. “My …” My fingers were on my scars.
Beck reached out a hand toward my shoulder, hesitant. When I didn’t move away, he put an arm around my back and I leaned against his chest, feeling small and eight and broken.
“Me,” I said.
”
”
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
“
INEZ: To forget about the others? How utterly absurd! I feel you there, in every pore.Your silence clamours in my ears. You can nail up your mouth, cut your tongue out - but you can't prevent your being there. Can you stop your thoughts? I hear them ticking away like a clock, tick-tock, tick-tock, and I'm certain you hear mine. It's all very well skulking on your sofa, but you're everywhere, and every sound comes to me soiled because you've intercepted it on its way. Why, you've even stolen my face; you know it and I don't ! And what about her, about Estelle? You've stolen her from me, too; if she and I were alone do you suppose she'd treat me as she does? No, take your hands from your face, I won't leave you in peace - that would suit your book too well. You'd go on sitting there, in a sort of trance, like a yogi, and even if I didn't see her I'd feel it in my bones - that she was making every sound, even the rustle of her dress, for your benefit, throwing you smiles you didn't see... Well, I won't stand for that, I prefer to choose my hell; I prefer to look you in the eyes and fight it out face to face.
”
”
Jean-Paul Sartre (No Exit)
“
Loneliness is a strange sort of thing.
It creeps on you, quiet and still, sits by your side in the dark, strokes your hair as you sleep. It wraps itself around your bones, squeezing so tight you almost can’t breathe. It leaves lies in your heart, lies next to you at night, leaches the light out of every corner. It’s a constant companion, clasping your hand only to yank you down when you’re struggling to stand up. You wake up in the morning and wonder who you are. You fail to fall asleep at night and tremble in your skin. You doubt you doubt you doubt.
Do I
Don’t I
Should I
Why won't I
”
”
Tahereh Mafi
“
I have lived in the shadow of loss—the kind of loss that can paralyze you forever.
I have grieved like a professional mourner—in every waking moment, draining every ounce of my life force.
I died—without leaving my body.
But I came back, and now it’s your turn.
I have learned to remember my past—without living in it.
I am strong, electric, and alive, because I chose to dance, to laugh, to love, and to
live again.
I have learned that you can’t re-create the life you once had—you have to
reinvent a life for yourself.
And that reinvention is a gift, not a curse.
I believe your future self is a work of art and that science can help you create it. If you’re lost . . . if you’re gone . . . if you can barely absorb the words on this
page . . . I want you to hold this truth in your heart: when it’s your time to go, you won’t wish you had spent more time grieving; you’ll wish you had spent more time living.
That’s why I’m here. And why you are, too. Let’s live like our lives depend on it.
”
”
Christina Rasmussen (Second Firsts: Live, Laugh, and Love Again)
“
You're thinking of revolution as a great all-or-nothing. I think of it as one more morning in a muggy cotton field, checking the undersides of leaves to see what's been there, figuring out what to do that won't clear a path for worse problems next week. Right now that's what I do. You ask why I'm not afraid of loving and losing, and that's my answer. Wars and elections are both too big and too small to matter in the long run. The daily work--that goes on, it adds up. It goes into the ground, into crops, into children's bellies and their bright eyes. Good things don't get lost.
Codi, here's what I've decided: the very least you can do in you life is to figure out what you hope for. And the most you can do is live inside that hope. Not admire it from a distance but live right in it, under its roof. What I want is so simple I almost can't say it: elementary kindness. Enough to eat, enough to go around. The possibility that kids might one day grow up to be neither the destroyer nor the destroyed.
”
”
Barbara Kingsolver (Animal Dreams)
“
You haven’t given me any ink,” he said.
“Oh, you won’t need ink,” said Professor Umbridge with the merest suggestion of a laugh in her voice.
Harry placed the point of the quill on the paper and wrote: I must not tell lies.
He let out a gasp of pain. The words had appeared on the parchment in what appeared to be shining red ink. At the same time, the words had appeared on the back of Harry’s right hand, cut into his skin as though traced there by a scalpel — yet even as he stared at the shining cut, the skin healed over again, leaving the place where it had been slightly redder than before but quite smooth.
Harry looked around at Umbridge. She was watching him, her wide, toadlike mouth stretched in a smile.
“Yes?”
“Nothing,” said Harry quietly.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
I took a steadying breath. “Listen, I know we have a full night ahead of us, but I wanted to give you your birthday present.”
“Oh, darling, you didn’t need to get me anything. Every day with you is a gift.” He leaned in and kissed me.
“Well, I hadn’t planned on getting you a gift, but then something presented itself, so here we are.”
“All right then,” he said, placing his glass on the ground. “I’m ready. Where is it?”
“That’s the only problem,” I started. I felt my hands begin to shake. “It won’t actually arrive for another seven or eight months.”
He smiled but squinted. “Eight months? What in the world could take . . .”
As his words drifted away, so did his eyes, leaving my face and making their way to my stomach. He seemed to expect me to look different, for me to be as big as a house already. But I’d done my best to hide everything: the tiredness, the nausea, the sudden distaste for foods.
He stared on and on, and I waited for him to smile or laugh or jump up and down. But he sat there, frozen to the point that it started to frighten me.
“Maxon?” I reached out and touched his leg. “Maxon, are you all right?”
He nodded, still watching my stomach.
”
”
Kiera Cass (The One (The Selection, #3))
“
Ive told you before and my feelings haven't changed. I love you Sakura. Even if I cant match up to Natsume, my feelings would not lose to his. Even if we part ways and you forget about me, I will always think of you. Even if I grow old and leave this academy, I will definitely come see you. I'm here for you, until the day you look my way, I will always... I will always wait for you, together with Natsume. And this time around, I wont let Natsume steal you away again. Next time we meet, I will be more straight forward with my feelings, so that this time around, it wont be Natsume, but me you will choose, and me you will love. I wont lose, definitely." - Ruka
”
”
Tachibana Higuchi (学園アリス 27 [Gakuen Alice 27])
“
Start ringing things up then. This won't take long."
"Which ones?"
"I don't care." I push some at her. "These."
"These?" She looked dubious.
"Why not these?"
She glanced at Ray. "'Cause if that's your man, I'd say you can leave these off."
"Oh, no, you didn't." Ray said.
"What's this shit?" Ray demanded, looking at the saleclerk.
"Honey, truth hurts, but ain't no way you're a Magnum."
"Well, I ain't no medium!"
The clerk smiled. "Yeah, but I was being generous."
"What are you doing?" The clerk demanded as Ray grabbed another box. "I ain't rung those up yet."
Ray pulled out a foil package and tossed the box back on the counter. "So ring it up."
She arched an eyebrow, but didn't bother, maybe because she was watching him unbutton his fly. I caught his wrist. "What are you doing?"
"Proving a point."
"Not in the middle of the store, you're not."
"Ain't nobody here," the cashier reminded me. "And ain't no way he's filling that thing out.
”
”
Karen Chance (Fury's Kiss (Dorina Basarab, #3))
“
I want to know now,” I whine, not caring that I sound like a five-year-old throwing a tantrum.
“How about this? We’ll Rock, Paper, Scissors for it.”
Yeah, we’re going to make great parents, all right.
“Fine.” I crack my knuckles, which makes him snicker. “Ready?”
“Ready.”
We count in unison. On three, we reveal our hands. He did paper. I did rock.
“I win,” he says smugly.
“Sorry, baby, but you lose.”
“Paper covers rock!”
I smirk. “Rock weighs down the paper so it can’t fly away. It traps it.”
A loud sigh fills the room. “I’m not going to win on this, am I?”
“Nope.” But he looks so cute right now that I offer a compromise. “How about this? You can leave the room while the doctor tells me, and I swear I won’t give it away. I’ll hide all my baby purchases in my closet so you can’t see what I’m buying.”
“Deal
”
”
Elle Kennedy (The Goal (Off-Campus, #4))
“
Did I learn anything? No way. But all the things you want to learn from
grief turn out to be the total opposite of what you actually learn. There are no revelations, no wisdoms as a trade-off for the things you have lost. You
just get stupider, more selfish. Colder and grimmer. You forget your keys. You leave the house and panic that you won’t remember where you live.
You know less than you ever did. You keep crossing thresholds of grief and you think, Maybe this one will unveil some sublime truth about life and
death and pain. But on the other side, there’s just more grief.
”
”
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
“
It’s like I’m trying to climb a mountain, but I’ve got one fool trying to shove me down so I won’t be on his level, and another fool tugging at my leg, trying to pull me to the ground he refuses to leave. Jared and Trey are only two people, but after today, I know that when I head to Yale next fall (because I AM going there), I’m gonna be paranoid about people looking at me and wondering if I’m qualified to be there. How do I work against this, Martin? Getting real with you, I feel a little defeated. Knowing there are people who don’t want me to succeed is depressing. Especially coming from two directions.
”
”
Nic Stone (Dear Martin)
“
Travis is a fucking wreck! He won’t talk to us, he’s trashed the apartment, threw the stereo across the room…Shep can’t talk any sense into him!”
“He took a swing at Shep when he found out we helped you leave. Abby! Please tell me!” she pleaded, her eyes glossing over. “It’s scaring me!”
“It’s something else, Abby. He’s gone fucking nuts! I heard him call your name, and then he stomped all over the apartment looking for you. He barged into Shep’s room, demanding to know where you were. Then he tried to call you. Over, and over and over,” she sighed. “His face was…Jesus, Abby. I’ve never seen him like that.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
I’m leaving.” Her cold lips barely moved as she mouthed the words.
Horror fisted around his vitals. “No.”
For the first time she met his eyes. Hers were red-rimmed but dry. “I have to leave,Simon.”
“No.” He was a little boy denied a sweet. He felt like falling down and screaming.
“Let me go.”
“I can’t let you go.” He half laughed here in the too-bright, cold London sun before his own
house. “I’ll die if I do.”
She closed her eyes. “No, you won’t. I can’t stay and watch you tear yourself apart.”
“Lucy.”
“Let me go, Simon. Please.” She opened her eyes, and he saw infinite pain in her gaze.
Had he done this to his angel? Oh, God. He unclasped his hands.
”
”
Elizabeth Hoyt (The Serpent Prince (Princes Trilogy, #3))
“
I need to leave something behind. Something that will stay. This room should be a historical landmark, the site of the beginning and end of Colby and Bev. Several minutes have passed, and I know that if I wait too long there will be a knock on the door and I'll have to go, but I need to leave a mark. It has to be significant enough to last, but subtle enough that the maid won't notice and wash it away.
As I'm looking around I realize that I never noticed the print above the bed. It's another in the family series - a faded wedding portrait. Groom in tux. Bride with pearls. It comes off the wall easily.I set the print on the bedspread and wit eht dust on the wall with the sleeve of my hood. I take out a Sharpie from my bag. The wall has yellowed to create a perfect rectangle where the photograph must have been hanging, unremoved, for years.
I fill the whiter space with this: I never got to tell you how beautiful you are.
And then I return the frame to its place on the wall and go back out into the night.
”
”
Nina LaCour (The Disenchantments)
“
HOME
no one leaves home unless
home is the mouth of a shark
you only run for the border
when you see the whole city running as well
your neighbors running faster than you
breath bloody in their throats
the boy you went to school with
who kissed you dizzy behind the old tin factory
is holding a gun bigger than his body
you only leave home
when home won’t let you stay.
no one leaves home unless home chases you
fire under feet
hot blood in your belly
it’s not something you ever thought of doing
until the blade burnt threats into
your neck
and even then you carried the anthem under
your breath
only tearing up your passport in an airport toilets
sobbing as each mouthful of paper
made it clear that you wouldn’t be going back.
you have to understand,
that no one puts their children in a boat
unless the water is safer than the land
no one burns their palms
under trains
beneath carriages
no one spends days and nights in the stomach of a truck
feeding on newspaper unless the miles travelled
means something more than journey.
no one crawls under fences
no one wants to be beaten
pitied
no one chooses refugee camps
or strip searches where your
body is left aching
or prison,
because prison is safer
than a city of fire
and one prison guard
in the night
is better than a truckload
of men who look like your father
no one could take it
no one could stomach it
no one skin would be tough enough
the
go home blacks
refugees
dirty immigrants
asylum seekers
sucking our country dry
niggers with their hands out
they smell strange
savage
messed up their country and now they want
to mess ours up
how do the words
the dirty looks
roll off your backs
maybe because the blow is softer
than a limb torn off
or the words are more tender
than fourteen men between
your legs
or the insults are easier
to swallow
than rubble
than bone
than your child body
in pieces.
i want to go home,
but home is the mouth of a shark
home is the barrel of the gun
and no one would leave home
unless home chased you to the shore
unless home told you
to quicken your legs
leave your clothes behind
crawl through the desert
wade through the oceans
drown
save
be hunger
beg
forget pride
your survival is more important
no one leaves home until home is a sweaty voice in your ear
saying-
leave,
run away from me now
i dont know what i’ve become
but i know that anywhere
is safer than here
”
”
Warsan Shire
“
Anyone and everyone taking a writing class knows that the secret of good writing is to cut it back, pare it down, winnow, chop, hack, prune, and trim, remove every superfluous word, compress, compress, compress...
Actually, when you think about it, not many novels in the Spare tradition are terribly cheerful. Jokes you can usually pluck out whole, by the roots, so if you're doing some heavy-duty prose-weeding, they're the first to go. And there's some stuff about the whole winnowing process I just don't get. Why does it always stop when the work in question has been reduced to sixty or seventy thousand words--entirely coincidentally, I'm sure, the minimum length for a publishable novel? I'm sure you could get it down to twenty or thirty if you tried hard enough. In fact, why stop at twenty or thirty? Why write at all? Why not just jot the plot and a couple of themes down on the back of an envelope and leave it at that? The truth is, there's nothing very utilitarian about fiction or its creation, and I suspect that people are desperate to make it sound manly, back-breaking labor because it's such a wussy thing to do in the first place. The obsession with austerity is an attempt to compensate, to make writing resemble a real job, like farming, or logging. (It's also why people who work in advertising put in twenty-hour days.) Go on, young writers--treat yourself to a joke, or an adverb! Spoil yourself! Readers won't mind!
”
”
Nick Hornby (The Polysyllabic Spree)
“
Oh, look, the lights are so pretty,” I said dreamily, having just noticed
them.
I smiled at the way the lights were dancing overhead, pink and yellow and
blue. I felt some pressure on my arm and thought, I should look over and see
what’s going on, but then the thought was gone, sliding away like Jell-O off a
hot car hood.
“Fang?”
“Yeah. I’m here.”
I struggled to focus on him. “I’m so glad you’re here.”
“Yeah, I got that.”
“I don’t know what I’d do without you.” I peered up at him, trying to see
past the too-bright lights.
“You’d be fine,” he muttered.
“No,” I said, suddenly struck by how unfine I would be. “I would be totally
unfine. Totally.” It seemed very urgent that he understand this.
Again I felt some tugging on my arm, and I really wondered what that was
about. Was Ella’s mom going to start this procedure any time soon?
“It’s okay. Just relax.” He sounded stiff and nervous. “Just...relax. Don’t
try to talk.”
“I don’t want my chip anymore,” I explained groggily, then frowned.
“Actually, I never wanted that chip.”
“Okay,” said Fang. “We’re taking it out.”
“I just want you to hold my hand.”
“I am holding your hand.”
“Oh. I knew that.” I drifted off for a few minutes, barely aware of
anything, but feeling Fang’s hand still in mine.
“Do you have a La-Z-Boy somewhere?” I roused myself to ask, every word an
effort.
“Um, no,” said Ella’s voice, somewhere behind my head.
“I think I would like a La-Z-Boy,” I mused, letting my eyes drift shut
again. “Fang, don’t go anywhere.”
“I won’t. I’m here.”
“Okay. I need you here. Don’t leave me.”
“I won’t.”
“Fang, Fang, Fang,” I murmured, overwhelmed with emotion. “I love you. I
love you sooo much.” I tried to hold out my arms to show how much, but I
couldn’t move them.
“Oh, jeez,” Fang said, sounding strangled.
”
”
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
“
Why are you being so cruel?'
'Because you won't leave!' Jacks shouted. 'And if you stay, you will die. Chaos hasn't fed in thousands of years. I know he thinks he can control his hunger, but he can't. That's why they put the helm on him.'
'You could have just said that. If you didn't want me to say goodbye or you want me to leave, you don't have to hurt me to get me to do it.'
'I'm not- I-' Jacks broke off abruptly. His eyes were no longer just red, they were blazing with fear. She'd never seen him look so terrified before. She'd been poisoned, shot, lashed across the back, and Jacks had always kept his calm until now.
With a great deal of effort, he took a deep breath, and when he spoke again, his voice was soft but uneven. 'I'm sorry, Little Fox. I didn't want to hurt you, I just-'
He looked suddenly at a loss for words, as if whatever he said next might be the wrong thing. He's never looked at her like this before.
'Jacks, please, don't use the stones tonight. Come with me instead.'
He took a jagged breath. For a second, he looked torn. He raked a hand through his hair, his movements jagged.
Evangeline took a step closer.
He shuttered his expression and took a step back. 'This doesn't change anything. I still can't have you in my life. You and I aren't meant to be.'
'What if you're wrong?'
Evangeline had once heard a tale about a pair of doomed stars, drawn across skies toward each other's brightness, even though they knew that if they drew too close, their desire would end in a fiery explosion. This was how Jacks looked at her now. As if neither of them would survive if they drew any closer.
'Evangeline, you need to go.'
A thunderous roar poured out from the Valory, so loud it shook the arch and the angels and the ground at Evangeline's feet.
'Get out of here.' Jacks said.
She held his gaze, one final time, wishing she knew how to change his mind. 'I wish our story could have had another ending.'
'I don't want another ending,' Jacks said flatly. 'I just want you to leave.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
If I order an appetizer is there any chance I can get it quickly? I'm two and a half months pregnant with a Bradford," she said, not mentioning it was twins because the thought was actually starting to scare her and she hadn't told Trevor yet and didn't want him finding out this way. She just hoped the woman understood because she was close to crying. Judging by the slightly startled look on the woman's face she did.
The waitress shook her head. "No, you're right. You probably won't be able to survive the wait," she said, sending Trevor, who was still trying to get the woman to leave, a glare. "I'll bring you out a bowl of clam chowder followed by chicken fingers, they'll only take a few minutes to prepare. Will that work?"
Zoe nodded solemnly. "You are my hero."
"I'll put a rush on your food," the waitress said before walking away.
"Bless you," Zoe said, fighting the urge to kiss the woman.
”
”
R.L. Mathewson (Perfection (Neighbor from Hell, #2))
“
She had something Adam didn't. Curiosity. First step to growth -- and if it wasn't for Eve's Adam would still be sitting by the side of the pool picking his nose and scratching his scalp, bamboozled by his own reflection. Off in her part of Eden, Eve hadn't bothered naming the animals. On the other hand she'd discovered how to milk some of them and how best to eat the eggs of others. She'd decided she wasn't overly keen on torrential rain and had built a shelter from bamboo and banana leaves, into which she'd retire when the heavens opened, having set out coconut shells to catch the rainwater with a view to saving herself the schlep down to the spring every time she wanted a drink. The only thing you won't be surprised to hear about is that she'd already domesticated a cat and called it Misty.
”
”
Glen Duncan (I, Lucifer)
“
No, you don't feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead
with its lines, and passion branded your lips with itshideous fires, you will feel it, you will feel it terribly.Now, wherever you go, you charm the world. Will it always
be so? . . . You have a wonderfully beautiful face, Mr. Gray. Don't frown. You have. And beauty is a form of genius-- is higher, indeed, than genius, as it needs no explanation.
It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine
right of sovereignty. It makes princes of those who have it.You smile? Ah! when you have lost it you won't smile.
. . . People say sometimes that beauty is only superficial.That may be so, but at least it is not so superficial
as thought is. To me, beauty is the wonder of wonders.It is only shallow people who do not judge by appearances.
The true mystery of the world is the visible, not the invisible.
. . . Yes, Mr. Gray, the gods have been good to you.But what the gods give they quickly take away. You have only
a few years in which to live really, perfectly, and fully.When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you,
or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats.Every month as it wanes brings you nearer to something dreadful.
Time is jealous of you, and wars against your lilies and your roses.
You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.... Ah! realize your youth
while you have it. Don't squander the gold of your days,listening to the tedious, trying to improve the hopeless failure,or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals,of our age. Live! Live the wonderful life that is in you!
Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing. . . . A new Hedonism--
that is what our century wants. You might be its visible symbol.With your personality there is nothing you could not do.The world belongs to you for a season. . . . The moment I met
you I saw that you were quite unconscious of what you really are,
of what you really might be. There was so much in you that charmed me that I felt I must tell you something about yourself.I thought how tragic it would be if you were wasted. For there is
such a little time that your youth will last--such a little time.The common hill-flowers wither, but they blossom again.The laburnum will be as yellow next June as it is now.In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars.
But we never get back our youth. The pulse of joy that beats in us
at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. Youth! Youth! There is absolutely nothing in the world but
youth!
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
You were right to end it with us,” I said harshly. “And I’m not willing to do it again.”
He stared at me, shocked. My words were a lie, of course. Part of me wanted to try again, to endure anything to be with him. But I couldn’t stop thinking about Maddie. Couldn’t stop thinking about the hurt she would go through. It was ironic, really. Last time, he’d gone out of his way to hurt me purposely because it was for the greater good. Now I was doing the same for both of them, saving her from heartache and him from more grief with me. We were in an endless cycle.
“You can’t mean that. I know you can’t.” His face was a mixture of incredulity and pain.
I shook my head. “I do. You and me are a disaster. What we did during this stasis...it was wrong. It was disgraceful. Immoral. We betrayed someone who loves both of us, who wishes nothing but the best for us. How could we do that? What kind of precedent is that? How could we expect to have a solid relationship that was built on that sort of sordid foundation? One that was built on lies and deceit?” Saying those words hurt. It was tarnishing the beauty of these precious few days we had, but I needed to make my case.
Seth was silent for several moments as he assessed me. “You’re serious.”
“Yes.” I was a good liar, good enough that the person who loved me most couldn’t tell. “Go back to her, Seth. Go back to her and make it up to her.”
“Georgina...” I could see it, see it hitting him. The full weight of betraying Maddie was sinking in. His nature couldn’t ignore the wrong he’d done. It was part of his good character, the character that had gone back to save Dante, the character that was going to make him leave me. Again. Hesitantly, he extended his hand to me. I took it, and he pulled me into an embrace. “I will always love you.”
My heart was going to burst. How many times, I wondered, could I endure this kind of agony? “No, you won’t,” I said. “You’ll move on. So will I.”
Seth left not long after that. Staring at the door, I replayed my own words. You’ll move on. So will I. In spite of how much he loved me, how much he was willing to risk, I truly felt he’d go back to Maddie, that he’d believe what I said. I’d driven home the guilt, made it trump his love for me.
You’ll move on. So will I.
The unfortunate part about being a good liar, however, was that while I could get other people to believe my words, I didn’t believe them myself.
”
”
Richelle Mead (Succubus Heat (Georgina Kincaid, #4))
“
He’s sorry, Chloe. He really is a sweet guy. Don’t be a bitch about this. And don’t screw it up. Just go over there. Give him a chance and, in no time, you’ll forget everything else.
And that’s exactly why I stayed in my chair. I didn’t want to forget everything else, or the next thing I knew, he’d be back on that roof, putting his life in danger.
“You don’t get to do this,” I said finally.
“Do what?” He asked the question innocently enough, but his gaze dipped slightly. “I”m sorry. That’s what I’m trying to say, Chloe. That I’m sorry.”
“For what?”
He looked up, confused. “Making you mad.”
I didn’t answer, just got up to leave. I made it as far as the door. Then he was there, behind me, hand on my elbow. I didn’t look back at him. I didn’t dare. But I stopped and I listened.
“When I got mad about you leaving,” he said, “it wasn’t because I thought it was stupid or I didn’t think you’d be careful.”
“You were just worried about me.”
An exhale, relieved that I understood. “Yeah.”
I turned. “Because you think I’m worth it.”
He put his fingers under my chin. “I absolutely think you’re worth it.”
“But you don’t think you are.”
His mouth opened. Shut.
“That’s what this is about, Derek. You won’t let us worry about you because you don’t think you’re worth it. But I do. I absolutely do.
”
”
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
“
It's a misery peculiar to would-be writers. Your theme is good, as are your sentences. Your characters are so ruddy with life they practically need birth certificates. The plot you've mapped out for them is grand, simple and gripping. You've done your research, gathering the facts; historical, social, climatic culinary, that will give your story its feel of authenticity. The dialogue zips along, crackling with tension. The descriptions burst with color, contrast and telling detail.
Really, your story can only be great. But it all adds up to nothing.
In spite the obvious, shining promise of it, there comes a moment when you realize that the whisper that has been pestering you all along from the back of your mind is speaking the flat, awful truth: IT WON'T WORK.
An element is missing, that spark that brings to life in a real story, regardless of whether the history or the food is right.
Your story is emotionally dead, that's the crux of it.
The discovery is something soul-destroying, I tell you. It leaves you with an aching hunger.
”
”
Yann Martel
“
Off To The Races"
My old man is a bad man but
I can't deny the way he holds my hand
And he grabs me, he has me by my heart
He doesn't mind I have a Las Vegas past
He doesn't mind I have an LA crass way about me
He loves me with every beat of his cocaine heart
Swimming pool glimmering darling
White bikini off with my red nail polish
Watch me in the swimming pool bright blue ripples you
Sitting sipping on your black Cristal
Oh yeah
Light of my life, fire of my loins
Be a good baby, do what I want
Light of my life, fire of my loins
Give me them gold coins, gimme them coins
And I'm off to the races, cases of Bacardi chasers
Chasing me all over town
Cause he knows I'm wasted, facing
Time again at Riker's Island and I won't get out
Because I'm crazy, baby I need you to come here and save me
I'm your little scarlet, starlet singing in the garden
Kiss me on my open mouth
Ready for you
My old man is a tough man but
He's got a soul as sweet as blood red jam
And he shows me, he knows me
Every inch of my tar black soul
He doesn't mind I have a flat broke down life
In fact he says he thinks it's why he might like about me
Admires me, the way I roll like a Rolling Stone
Likes to watch me in the glass room bathroom, Chateau Marmont
Slippin' on my red dress, puttin' on my makeup
Glass film, perfume, cognac, lilac
Fumes, says it feels like heaven to him
Light of his life, fire of his loins
Keep me forever, tell me you own me
Light of your life, fire of your loins
Tell me you own me, gimme them coins
And I'm off to the races, cases of Bacardi chasers
Chasing me all over town
Cause he knows I'm wasted, facing
Time again at Riker's Island and I won't get out
Because I'm crazy, baby I need you to come here and save me
I'm your little scarlet, starlet singing in the garden
Kiss me on my open mouth
Now I'm off to the races, laces
Leather on my waist is tight and I am fallin' down
I can see your face is shameless, Cipriani's basement
Love you but I'm going down
God I'm so crazy, baby, I'm sorry that I'm misbehaving
I'm your little harlot, starlet, Queen of Coney Island
Raising hell all over town
Sorry 'bout it
My old man is a thief and I'm gonna stay and pray with him 'til the end
But I trust in the decision of the Lord to watch over us
Take him when he may, if he may
I'm not afraid to say that I'd die without him
Who else is gonna put up with me this way?
I need you, I breathe you, I never leave you
They would rue the day I was alone without you
You're lying with your gold chain on, cigar hanging from your lips
I said "Hon' you never looked so beautiful as you do now, my man."
And we're off to the races, places
Ready, set the gate is down and now we're goin' in
To Las Vegas chaos, Casino Oasis, honey it is time to spin
Boy you're so crazy, baby, I love you forever not maybe
You are my one true love, you are my one true love
You are my one true love
”
”
Lana Del Rey
“
I felt my resolve crumbling. I wanted him, wanted him badly. I needed him too. I almost gave in. I almost told him that there was nothing in the world I wanted more than to be with him. That I didn’t think I was capable of leaving him. That he was more precious to me than anything. That I’d give up anything to be with him.
But then he pressed me close and spoke softly in my ear, “Pease don’t leave me, priya. I don’t think I could survive without you.”
My eyes filled up with tears, and shiny wet drops spilled down my cheeks. I touched his face.
“Don’t you see, Ren? That’s exactly why I have to go. You need to know that you can survive without me. That there’s more to life than just me. You need to see this world that’s opened up to you and know that you have choices. I refuse to be your cage.
“I could capture you and keep you selfishly to indulge my own desires. Regardless of whether you’re willing or not, it would be wrong. I helped you so that you could be free. Free to see and do all of the things that you missed out on all these years.” My hand slipped from his cheek to his neck. “Should I put a collar on you? Chain you up so you spend your life connected to me out of a sense of obligation?” I shook my head.
I wept openly now. “I’m sorry, Ren, but I won’t do that to you. I can’t. Because…I love you too.”
I kissed him quickly one last time.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
it’s a terrible feeling when you first fall in love. your mind gets completely taken over, you can’t function properly anymore. the world turns into a dream place, nothing seems real. you forget your keys, no one seems to be talking English and even if they are you don’t care as you can’t hear what they’re saying anyway, and it doesn’t matter since your not really there. things you cared about before don’t seem to matter anymore and things you didn’t think you cared about suddenly do. I must become a brilliant cook, I don’t want to waste time seeing my friends when I could be with him, I feel no sympathy for all those people in India killed by an earthquake last night; what is the matter with me? It’s a kind of hell, but you feel like your in heaven.
even your body goes out of control, you can’t eat, you don’t sleep properly, your legs turn to jelly as your not sure where the floor is anymore. you have butterflies permanently, not only in your tummy but all over your body - your hands, your shoulders, your chest, your eyes everything’s just a jangling mess of nerve endings tingling with fire. it makes you feel so alive. and yet its like being suffocated, you don’t seem to be able to see or hear anything real anymore, its like people are speaking to you through treacle, and so you stay in your cosy place with him, the place that only you two understand. occasionally your forced to come up for air by your biggest enemy, Real Life, so you do the minimum then head back down under your love blanket for more, knowing it’s uncomfortable but compulsory.
and then, once you think you’ve got him, the panic sets in. what if he goes off me? what if I blow it, say the wrong thing? what if he meets someone better than me? Prettier, thinner, funnier, more like him? who doesn’t bite there nails? perhaps he doesn’t feel the same, maybe this is all in my head and this is just a quick fling for him. why did I tell him that stupid story about not owning up that I knew who spilt the ink on the teachers bag and so everyone was punished for it? does he think I'm a liar? what if I'm not very good at that blow job thing and he’s just being patient with me? he says he loves me; yes, well, we can all say words, can’t we? perhaps he’s just being polite.
of course you do your best to keep all this to yourself, you don’t want him to think you're a neurotic nutcase, but now when he’s away doing Real Life it’s agony, your mind won’t leave you alone, it tortures you and examines your every moment spent together, pointing out how stupid you’ve been to allow yourself to get this carried away, how insane you are to imagine someone would feel like that about you. dad did his best to reassure me, but nothing he said made a difference - it was like I wanted to see Simon, but didn’t want him to see me.
”
”
Annabel Giles (Birthday Girls)
“
I’m kind of hoping it will end like this. You made me happy. Very happy. But…you deserve everything. Wife, kids, a white picket fence.”
“And I’ll have all of it. With you.”
“You know that can’t happen with me.”
“Then it can’t happen with anyone. There won’t be a next Rosie. And there won’t be another story like ours. This is it, Rose LeBlanc. And this is us. If there is no you, then there is no me.”
“You know, I always hated Romeo and Juliet . The play. The movie. The very idea. It was tragic, all right. Tragically stupid. I mean, they were what? Thirteen? Sixteen? What a waste of life, to kill yourself because your family wouldn’t let you get hitched. But Romeo and Juliet were right. I was the next eleven years killing myself slowly while I grieved for you. Then you came back, and I still thought it was just a fascination. But now that I know…”
“Now that I know that it can only ever be you, you’re going to get better for me so Earth won’t explode. Can you do that, Sirius? I promise not to leave this room until you get out. Not even for a shower. Not even to get you your chocolate chip cookies. I’ll get someone to drive all the way to New York and bring them for you.”
“I love you.” Rosie’s tears curtained her vision.
“I love you, Baby LeBlanc,” I said. “So fucking much. You taught me how to love. How well did I do?”
“A-plus,” she whispered. “You aced it. Can you promise me something?”
“Anything.”
“ Live .”
“Not without you.”
“And have kids. Lots of them. They’re fun.” “Rosie…”
“I’m not afraid. I got what I wanted from this life. You .”
“Rosie.”
“I love you, Earth. You were good to me.” “Rose!”
Her eyes closed, the door opened, the sound on her monitor went off, and my heart disintegrated.
Piece.
By piece.
By piece.
”
”
L.J. Shen (Ruckus (Sinners of Saint, #2))
“
I don't have to tell you things are bad. Everybody knows things are bad. It's a depression. Everybody's out of work or scared of losing their job. The dollar buys a nickel's worth, banks are going bust, shopkeepers keep a gun under the counter. Punks are running wild in the street and there's nobody anywhere who seems to know what to do, and there's no end to it. We know the air is unfit to breathe and our food is unfit to eat, and we sit watching our TV's while some local newscaster tells us that today we had fifteen homicides and sixty-three violent crimes, as if that's the way it's supposed to be. We know things are bad - worse than bad. They're crazy. It's like everything everywhere is going crazy, so we don't go out anymore. We sit in the house, and slowly the world we are living in is getting smaller, and all we say is, 'Please, at least leave us alone in our living rooms. Let me have my toaster and my TV and my steel-belted radials and I won't say anything. Just leave us alone.' Well, I'm not gonna leave you alone. I want you to get mad! I don't want you to protest. I don't want you to riot - I don't want you to write to your congressman because I wouldn't know what to tell you to write. I don't know what to do about the depression and the inflation and the Russians and the crime in the street. All I know is that first you've got to get mad. You've got to say, 'I'm a HUMAN BEING, God damn it! My life has VALUE!' So I want you to get up now. I want all of you to get up out of your chairs. I want you to get up right now and go to the window. Open it, and stick your head out, and yell, 'I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE!' I want you to get up right now, sit up, go to your windows, open them and stick your head out and yell - 'I'm as mad as hell and I'm not going to take this anymore!' Things have got to change. But first, you've gotta get mad!... You've got to say, 'I'm as mad as hell, and I'm not going to take this anymore!' Then we'll figure out what to do about the depression and the inflation and the oil crisis. But first get up out of your chairs, open the window, stick your head out, and yell, and say it: "I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE!
”
”
Paddy Chayefsky (Network [Screenplay])
“
As if I didn't have enough to worry about. My kingdom is threatened by war, extinction, or both, and the only way to solve it is to give up the only thing I've ever really wanted. Then Toraf pulls something like this. Betrays me and my sister. Galen cant imagine how things could get worse. So he's not expecting it when Emma giggles.
He turns on her. "What could be funny?"
She laughs so hard she has to lean into him for support. He stiffens against the urge to wrap his arms around her. Wiping tears from her eyes, she says, "He kissed me!" The confession makes her crack up all over again.
"And you think that's funny?"
"You don't understand, Galen," she says, the beginnings of hiccups robbing her of breath.
"Obviously."
"Don't you see? It worked!"
"All I saw was Toraf, my sister's mate, my best friend, kissing my...my..."
"Your what?"
"Student." Obsession.
"Your student. Wow." Emma shakes her head then hiccups. "Well, I know you're mad about what he did to Rayna, but he did it to make her jealous."
Galen tries to let that sink in, but it stays on the surface like a bobber. "You're saying he kissed you to make Rayna jealous?"
She nods, laugher bubbling up again. "And it worked! Did you see her face?"
"You're saying he set Rayna up." Instead of me? Galen shakes his head. "Where would he get an idea like that?"
"I told him to do it."
Galen's fists ball against his will. "You told him to kiss you?"
"No! Sort of. Not really though."
"Emma-"
"I told him to play hard to get. You know, act uninterested. He came up with kissing me all on his own. I'm so proud of him!"
She thinks Toraf is a genius for kissing her. Great. "Did...did you like it?"
"I just told you I did, Galen."
"Not his plan. The kiss."
The delight leaves her face like a receding tide. "That's none of your business, Highness."
He runs a hand through his hair to keep from shaking her. And kissing her.
"Triton's trident, Emma. Did you like it or not?"
Taking several steps back, she throws her hands on her hips. "Do you remember Mr. Pinter, Galen? World history?"
"What does that have to do with anything?"
"Tomorrow is Monday. When I walk into Mr. Pinter's class, he won't ask me how I liked Toraf's kiss. In fact, he won't care what I did for the entire weekend. Because I'm his student. Just like I'm your student, remember?" Her hair whips to the side as she turns and walks away with that intoxicating saunter of hers. She picks up her towel and steps into her flip-flops before heading up the hill to the house.
"Emma, wait."
"I'm tired of waiting, Galen. Good night.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Mitchell Maxwell’s Maxims
• You have to create your own professional path. There’s no longer a roadmap for an artistic career.
• Follow your heart and the money will follow.
• Create a benchmark of your own progress. If you never look down while you’re climbing the ladder you won’t know how far you’ve come.
• Don’t define success by net worth, define it by character. Success, as it’s measured by society, is a fleeting condition.
• Affirm your value. Tell the world “I am an artist,” not “I want to be an artist.”
• You must actively live your dream. Wishing and hoping for someday doesn’t make it happen. Get out there and get involved.
• When you look into the abyss you find your character.
• Young people too often let the fear of failure keep them from trying. You have to get bloody, sweaty and rejected in order to succeed.
• Get your face out of Facebook and into somebody’s face. Close your e-mail and pick up the phone. Personal contact still speaks loudest.
• No one is entitled to act entitled. Be willing to work hard.
• If you’re going to buck the norm you’re going to have to embrace the challenges.
• You have to love the journey if you’re going to work in the arts.
• Only listen to people who agree with your vision.
• A little anxiety is good but don’t let it become fear, fear makes you inert.
• Find your own unique voice. Leave your individual imprint on the world, not a copy of someone else.
• Draw strength from your mistakes; they can be your best teacher.
”
”
Mitchell Maxwell
“
I never knew I never knew that everything was falling through That everyone I knew was waiting on a cue To turn and run when all I needed was the truth But that's how it's got to be It's coming down to nothing more than apathy I'd rather run the other way than stay and see The smoke and who's still standing when it clears Everyone knows I'm in Over my head
Over my head With eight seconds left in overtime She's on your mind
She's on your mind Let's rearrange I wish you were a stranger I could disengage Just say that we agree and then never change Soften a bit until we all just get along But that's disregard Find another friend and you discard As you lose the argument in a cable car Hanging above as the canyon comes between Everyone knows I'm in Over my head
Over my head With eight seconds left in overtime She's on your mind
She's on your mind Everyone knows I'm in Over my head
Over my head With eight seconds left in overtime She's on your mind She's on your ... And suddenly I become a part of your past I'm becoming the part that don't last I'm losing you and its effortless Without a sound we lose sight of the ground In the throw around Never thought that you wanted to bring it down I won't let it go down till we torch it ourselves And everyone knows I'm in Over my head
Over my head With eight seconds left in overtime She's on your mind
She's on your mind Everyone knows She's on your mind Everyone knows I'm in over my head I'm in over my head I'm over my... Everyone knows I'm in Over my head
Over my head With eight seconds left in overtime She's on your mind
She's on your mind.
”
”
The Fray
“
I will run every mile, i will save
every line, i will say i reached the
top and i will fall back down standing.
I will write down every thing, the good
and the bad,I will wake up one day and
go back to the start. I will notice
that the good ones were nothing but my
beautiful lines, were everything painted
by my mind. I will notice that the bad
ones were nothing but pieces of my
pain that should have been crumbled and thrown away the first time i started to
rain. I will leave home and i won't
mind, i will miss some beating pieces
but i will survive.the sky will stay
in place, mountains won't shake and my
mind will go nowhere.the stars will
take my side not yours, and the new air
in your chest will feel forever cold. I
will donate a piece of my heart to hurt
you forever and a lifelong lasting
question about what you have lost.My
hands won't ever fit in yours and my
faith says that crown on your head will
hurt you the most.
One day i won't overlook anything
anymore. One day i won't remember
anything anymore.I will stop
pretending i'm ice cold and i will
learn how to be strong.one day I will
grow out of this, i will grow out of
us.
”
”
Mennah al Refaey
“
I'm sorry I wasn't strong enough to stay long enough to graduate and get a job. I'm sorry that I'm leaving you. I hope in the next life I will have a better childhood, parents, and friends. I hope it's better than this life I hope it's not as sad as this life. I'm so sorry that I couldn't match up and fit your expectations for you. I'm sorry for not being enough for you and not being the greatest at everything. I'm tired, tired of all of this. You shouldn't be sad that I'm gonna be leaving the world's overpopulation anyway and I won't matter there and the worlds gonna die and end either way. I wish I got the help I needed. I wish I was able to open up and be able to cry. I wish I was able to feel something but now I'm empty and can't feel anything like I'm avoiding. I wish I made a better decision in making friends. I wish I was able to talk to someone. I know life isn't fair and that it's shitty and not everything will go to plan so I hope you can understand me for leaving it might take a while so I'm sorry your gonna have to go through this. I'm sorry for the pain I'm gonna put you through. It's my fault your gonna be sad now. Please don't be sad that I'll be gone. Be happy for me because this is what I want. Let me go and be free from this endless depressing cycle I have.
”
”
Audrey Ortiz
“
Stay."
The strangled word, spoken in anguish, tore at her heart, ripped through her resolve. She swiped at the tears raining over her cheeks and slowly turned, forcing the painful truth past her lips. "I can't stay. I can no longer give you what you want. I can't give you a son."
Dallas stepped off the veranda and extended a bouquet of wildflowers toward her. "Then stay and give me what I need."
Her heart lurched at the abundance of flowers wilting within his smothering grasp. She shook her head vigorously. "You don't need me. There are a dozen eligible women in Leighton who would happily give you a son and within the month there will be at least a dozen more—"
"I'll never love any of them as much as I love you. I know that as surely as I know the sun will come up in the morning."
Her breath caught, her trembling increased, words lodged in her throat. He loved her? She watched as he swallowed.
"I know I'm not an easy man. I don't expect you to ever love me, but if you'll tolerate me, I give you my word that I'll do whatever it takes to make you happy—"
Quickly stepping forward, she pressed her shaking fingers against his warm lips. "My God, don't you know that I love you? Why do you think I'm leaving? I'm leaving because I do love you—so much. Dallas, I want you to have your dream, I want you to have your son."
Closing his eyes, he laid his roughened hand over hers where it quivered against his lips and pressed a kiss against the heart of her palm.
"I can't promise that I won't have days when I'll look toward the horizon and feel the aching emptiness that comes from knowing we'll never have a child to pass our legacy on to…"Opening his eyes, he captured her gaze. "But I know the emptiness you'll leave behind will eat away at me every minute of every day."
-Dallas and Dee
”
”
Lorraine Heath (Texas Glory (Texas Trilogy, #2))
“
You should stay away from your potential. I mean, that is something you should leave absolutely alone! You’ll mess it up! It’s potential, leave it! And anyway, it’s like your bank balance, you know – you always have much less than you think. Leave it as the locked door within yourself and then at least, in your mind, the interior will always be palatial. Wonderful gleaming marble floors, brocaded drapes. Mullioned windows, covered in mullions, whatever they are. Flamingos serving drinks. Pianos shooting out canapés into the mouths of elegant men and women who are exchanging witticisms… “Oh yes, this reminds me of the time I was in BudaPESHT with Binky… We were trying to steal a goose from the casino, muahahaha…” But it won’t be like that. You don’t want to find out that the most you could possibly achieve, if you gave it your all, if you harvested every screed of energy within you, and devoted yourself to improving yourself, that all you would get to would be maybe eating less cheesy snacks.
”
”
Dylan Moran
“
You have to take risks. We will only understand the miracle of life fully when we allow the unexpected to happen.
Every day, God gives us the sun - and also one moment when we have the ability to change everything that makes us unhappy. Every day, we try to pretend that we haven't perceived that moment, that it doesn't exist - that today is the same as yesterday and will be the same as tomorrow. But if people really pay attention to their everyday lives, they will discover that magic moment. It may arrive in the instant when we are doing something mundane, like putting our front-door key in the lock; it may lie hidden in the quiet that follows the lunch hour or in the thousand and one things that all seem the same to us. But that moment exists - a moment when all the power of the stars becomes a part of us and enables us to perform miracles.
Joy is sometimes a blessing, but it is often a conquest. Our magic moment helps us to change and sends us off in search of our dreams. Yes, we are going to suffer, we will have difficult times, and we will experience many disappointments - but all of these are transitory; it leaves no permanent mark. And one day we will look back with pride and faith at the journey we have taken.
Pitiful is the person who is afraid of taking risks. Perhaps, this person would never be disappointed or disillusioned; perhaps she won't suffer the way people do when they have a dream to follow. But when the person looks back - she will never hear her heart saying 'What have you done with the miracles that God planted in your days? What have you done with the talents God has bestowed upon you? You buried yourself in a cave because you were fearful of losing those talents. So this is your heritage, the certainty that you wasted your life.'
Pitiful are the people who must realize this. Because when they are finally able to believe in miracles, their life's magic moments will have already passed them by.
”
”
Paulo Coelho (By the River Piedra I Sat Down and Wept)
“
Prince Humperdinck: First things first, to the death.
Westley: No. To the pain.
Prince Humperdinck: I don't think I'm quite familiar with that phrase.
Westley: I'll explain and I'll use small words so that you'll be sure to understand, you warthog faced buffoon.
Prince Humperdinck: That may be the first time in my life a man has dared insult me.
Westley: It won't be the last. To the pain means the first thing you will lose will be your feet below the ankles. Then your hands at the wrists. Next your nose.
Prince Humperdinck: And then my tongue I suppose, I killed you too quickly the last time. A mistake I don't mean to duplicate tonight.
Westley: I wasn't finished. The next thing you will lose will be your left eye followed by your right.
Prince Humperdinck: And then my ears, I understand let's get on with it.
Westley: WRONG. Your ears you keep and I'll tell you why. So that every shriek of every child at seeing your hideousness will be yours to cherish. Every babe that weeps at your approach, every woman who cries out, "Dear God! What is that thing," will echo in your perfect ears. That is what to the pain means. It means I leave you in anguish, wallowing in freakish misery forever.
Prince Humperdinck: I think you're bluffing.
Westley: It's possible, Pig, I might be bluffing. It's conceivable, you miserable, vomitous mass, that I'm only lying here because I lack the strength to stand. But, then again... perhaps I have the strength after all.
[slowly rises and points sword directly at the prince]
Westley: DROP... YOUR... SWORD!
”
”
-Princess Bride
“
Dear Future Daughter:
1) When you’re at some party, chain smoking on the roof with some strange girl with blue hair and exorbitant large dark eyes, ask her about her day. I promise you, you won’t regret it. Often times you’ll find the strangest of people have the most captivating of stories to tell.
2) Please, never mistake desire for love. Love will engulf your soul, whilst desire will emerge as acid, slowly making it’s way through your veins, gradually burning you from the inside out.
3) No one is going to fucking save you, anything you’ve read or heard otherwise is bullshit.
4) One day a boy is going to come along who’s touch feels like fire and who’s words taste like vanilla, when he leaves you, you will want to die. If you know anything at all, know that it is only temporary.
5) Your mental health comes before school baby, always. If its midnight, and you have an exam the next day but your hands have been shaking for the past hour and a half and you’re not so sure you want to be alive anymore, pull out that carton of Ben and Jerry’s and afterwards, go the fuck to bed. So what if you get a 68% on the exam the next day? You took care of yourself and at the end of the day that will always come before a high test score. To hell with anyone who tells you differently.
”
”
Abbie Nielsen
“
The Universe is made of hands;
Hands that twist fabric and sizzle in the air.
Hands that grasp curls and flick words away
Small, smooth fingers pouring gold over gaping wounds
Before slicing into soft tissue,
Blood mixing with gold.
Hands that make it beautiful.
The Universe is made of bones;
Bones that cut against yards of skin,
Warm and yielding and moulded around the wings that splay across his back.
Bones that cage the heart and dig into the hollows.
Bones that break,
Tear the warm, yielding skin.
Bones that shred and brush his chin.
The Universe is made of lips;
Lips that breathe and stutter warm sighs,
Caressing the cracks in his broken body, the body that he broke.
Lips that carve paths into stone,
That leave trails upon gooseflesh,
Lips that make incisions,
Too delicate to mend.
The Universe is made of blood;
Blood that runs warm and hot and steady and crimson,
Pumping beneath the stone and the gold.
Blood that burns with every jerk of limbs.
Blood that spills on open palms,
Staining the fabric,
Filling up his throat.
The Universe is made of eyes;
Eyes that breach and eyes that splice and eyes that never leave.
Eyes that ripple oceans.
Eyes that whisper in the dark.
Eyes that rip open the seams.
Eyes that create wounds, create chaos, create broken shards of blue.
Eyes that alight and
won’t
let
go.
The Universe was built.
The Universe fell.
You took it apart,
Dragged the chaos from my soul with your hands,
Your bones,
Your lips,
Your blood,
Your eyes.
And now you’re back.
And so is the Universe.
And so, I suppose, am I.
The Universe is made of five things.
The Universe is made of you.
”
”
Velvetoscar (Core 'ngrato)
“
Margery," I blurted out in a passion of frustration. "I don't know what to make of you!"
Nor I you, Mary. Frankly, I cannot begin to comprehend the motives of a person who dedicates a large portion of her life to the contemplation of a God in whom she only marginally believes."
I felt stunned, as if she had struck me in the diaphragm. She looked down at me, trying to measure the effect of her words.
Mary, you believe in the power that the idea of God has on the human mind. You believe in the way human beings talk about the unknowable, reach for the unattainable, pattern their imperfect lives and offer their paltry best up to the beingless being that created the universe and powers its continuation. What you balk as it believing the evidence of your eyes, that God can reach out and touch a single human life in a concrete way." She smiled a sad, sad smile. "You mustn't be so cold, Mary. If you are, all you will see is a cold God, cold friends, cold love. God is not cold-never cold. God sears with heat, not ice, the heat of a thousand suns, heat that inflames but does not consume. You need warmth, Mary-you, Mary, need it. You fear it, you flirt with it, you imagine that you can stand in its rays and retain your cold intellectual attitude towards it. You imagine that you can love with your brain. Mary, oh my dear Mary, you sit in the hall and listen to me like some wild beast staring at a campfire, unable to leave, fearful of losing your freedom if you come any closer. It won't consume you; I won't capture you. Love does not do either. It only brings life. Please, Mary, don't let yourself be tied up by the bonds of cold academia."
Her words, the power of her conviction, broke over me like a great wave, inundating me, robbing me of breath, and, as they receded in the room, they pulled hard at me to folllow. I struggled to keep my footing against the wash of Margery's vision, and only when it began to lose its strength, dissipated against the silence in the room, was I seized by a sudden terror at the nearness of my escape.
”
”
Laurie R. King (A Monstrous Regiment of Women (Mary Russell and Sherlock Holmes, #2))
“
Pigeon?”
“Yeah?”
A few moments passed, and then he sighed. “Nothing.”
Travis hesitated. “I can’t shake this feeling,” he said under his breath.
“What do you mean? Like a bad feeling?” I said, suddenly nervous.
He turned to me with concern in his eyes, “I have this crazy feeling that once we get home, I’m going to wake up. Like none of this was real.”
I slid my arms around his waist, running my hands up the lean muscles of his back. “Is that what you’re worried about?”
He looked down to his wrist, and then glanced to the thick silver band on his left finger. “I just can’t shake the feeling that the bubble’s going to burst, and I’m going to be lying in my bed alone, wishing you were there with me.”
“I don’t know what I’m going to do with you, Trav! I’ve dumped someone for you—twice—I’ve picked up and went to Vegas with you—twice—I’ve literally gone through hell and back, married you and branded myself with your name. I’m running out of ideas to prove to you that I’m yours.”
A small smile graced his lips. “I love it when you say that.”
“That I’m yours?” I asked. I leaned up on the balls of my feet, pressing my lips against his. “I. Am. Yours. Mrs. Travis Maddox, forever and always.”
His small smile faded as he looked at the boarding gate and then down to me. “I’m gonna fuck it up, Pigeon. You’re gonna get sick of my shit.”
I laughed. “I’m sick of your shit, now. I still married you.”
“I thought once we got married, that I’d feel a little more reassured about losing you. But I feel like if I get on that plane….”
“Travis? I love you. Let’s go home.”
His eyebrows pulled in. “You won’t leave me, right? Even when I’m a pain in the ass?”
“I vowed in front of God…and Elvis…that I wouldn’t, didn’t I?”
His frown lightened a bit. “This is forever?”
One corner of my mouth turned up. “Would it make you feel better if we made a wager?”
“What kind of husband would I be if I bet against my own marriage?”
I smiled. “The stupid kind. Didn’t you listen to your dad when he told you not to bet against me?”
He raised an eyebrow. “So you’re that sure, huh? You’d bet on it?”
I wrapped my arms around his neck and smiled against his lips. “I’d bet my first born. That’s how sure I am.”
And then the peace returned.
“You can’t be that sure,” he said, the anxiousness absent from his voice.
I raised an eyebrow, and my mouth pulled to one side. “Wanna bet?
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
The next morning I told Mom I couldn't go to school again. She asked what was wrong. I told her, “The same thing that’s always wrong.” “You’re sick?” “I'm sad.” “About Dad?” “About everything.” She sat down on the bed next to me, even though I knew she was in a hurry. “What's everything?” I started counting on my fingers: “The meat and dairy products in our refrigerator, fistfights, car accidents, Larry–” “Who's Larry?” “The homeless guy in front of the Museum of Natural History who always says ‘I promise it’s for food’ after he asks for money.” She turned around and I zipped her dress while I kept counting. “How you don’t know who Larry is, even though you probably see him all the time, how Buckminster just sleeps and eats and goes to the bathroom and has no ‘raison d’etre’, the short ugly guy with no neck who takes tickets at the IMAX theater, how the sun is going to explode one day, how every birthday I always get at least one thing I already have, poor people who get fat because they eat junk food because it’s cheaper…” That was when I ran out of fingers, but my list was just getting started, and I wanted it to be long, because I knew she wouldn't leave while I was still going. “…domesticated animals, how I have a domesticated animal, nightmares, Microsoft Windows, old people who sit around all day because no one remembers to spend time with them and they’re embarrassed to ask people to spend time with them, secrets, dial phones, how Chinese waitresses smile even when there’s nothing funny or happy, and also how Chinese people own Mexican restaurants but Mexican people never own Chinese restaurants, mirrors, tape decks, my unpopularity in school, Grandma’s coupons, storage facilities, people who don’t know what the Internet is, bad handwriting, beautiful songs, how there won’t be humans in fifty years–” “Who said there won't be humans in fifty years?” I asked her, “Are you an optimist or a pessimist?” She looked at her watch and said, “I'm optimistic.” “Then I have some bed news for you, because humans are going to destroy each other as soon as it becomes easy enough to, which will be very soon.” “Why do beautiful songs make you sad?” “Because they aren't true.” “Never?” “Nothing is beautiful and true.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
Six is a bad time too 'cause that's when some real scary things start to happen to your body, it's around then that your teeth start to coming a-loose in your mouth.
You wake up one morning and it seems like your tongue is the first one to notice that something strange is going on, 'cause as soon as you get up there it is pushing and rubbing up against one of your front teeth and I'll be doggoned if that tooth isn't the littlest bit wiggly.
At first you think it's kind of funny, but the tooth keeps getting looser and looser and one day, in the middle of pushing the tooth back and forth and squinching your eyes shut, you pull it clean out. It's the scariest thing you can think of 'cause you lose control of your tongue at the same time and no matter how hard you try to stop it, it won't leave the new hold in your mouth alone, it keeps digging around in the spot where that tooth used to be.
You tell some adult about what's happening but all they do is say it's normal. You can't be too sure, though, 'cause it shakes you up a whole lot more than grown folks think it does when perfectly good parts of your body commence to loosening up and falling of off you.
Unless you're as stupid as a lamppost you've got to wonder what's coming off next, your arm? Your leg? Your neck? Every morning when you wake up it seems a lot of your parts aren't stuck on as good as they used to be.
”
”
Christopher Paul Curtis (Bud, Not Buddy)
“
Nekhbet shrieked in alarm. I turned to see what was going on. Immediately, I wished I could burn my eyes out of my head.
Liz made a gagging sound. "Lord, no! That's wrong!"
"Agh!" Emma shouted, in perfect baboon-speak. "Make him stop!"
Bes had indeed put on his ugly outfit.He climbed onto the roof of the limo and stood there, legs planted, arms akimbo, like Superman- except with only the underwear. For those faint of heart I wont go into detail, but Bes, all of a meter tall, was showing off his disgusting physique- his potbelly, hairy limbs, awful feet, gross flabby bits- and wearing only a blue Speedo. Imagine the worst looking person you've ever seen on a public beach- the person for whom swimwear should be illegal. Bes looked worse than that.
I wasn't sure what to say except: "Put some clothes on!"
Bes laughed= the sort of guffaw that says Ha-ha! I'm amazing!
"Not until they leave," he said. "Or I'll be forced to scare them back to the Duat."
"This is not your affair, dwarf god!" Nekhbet snarled, averting her eyes from his horribleness. "Go away!"
"These children are under my protection," Bes insisted
"I don't know you," I said. "I never met you before today."
"Nonsense. You expressly asked for my protection."
"I didn't ask for the Speedo Patrol!"
Bes leaped off the limo and landed in front of my circle placing himself between Babi and me. The dwarf was even more horrible from behind. His back was so hairy it looked like a mink coat. And on the back of his Speedo was printed DWARF PRIDE.
”
”
Rick Riordan
“
We need an engineering friend.” She points a finger at Carin. “Go back to Briar and hook up with an engineering student.”
“Okay, but I’ll need to actually have sex with him beforehand, so I won’t be back until,” she pretends to check the time, “ten or so.”
“We’re all college graduates,” I proclaim. “We can put this together ourselves.”
Clapping my hands, I motion for everyone to get on the floor with me. After three tries of trying to lower myself to the ground and making Hope and Carin nearly pee their pants laughing in the process, D’Andre takes pity on all of us and helps me onto my knees. Which is where Tucker finds us.
“Is this some new fertility ritual?” he drawls from the doorway, one shoulder propped against the frame. “Because she’s already pregnant, you know.”
“Get yo ass in here, white boy, and put this thing together,” D’Andre snaps. “This is ridiculous.”
“What’s ridiculous?” Tucker stops next to me, and I take the opportunity to lean against his legs. Even kneeling is hard when you’re toting around an extra thirty pounds. “We took it apart. How can you not know how to put it back together?”
D’Andre repeats his earlier excuse. “I’m an accounting major.”
Tucker rolls his eyes. “You got an Allen wrench?”
“Are you mocking us right now?” I grumble. “I don’t have any wrenches, let alone ones with names.”
He grins. “Leave this to me, darlin’. I’ll get it fixed up.”
“I want to help,” Hope volunteers. “This is like surgery, except with wood and not people.”
“Lord help us,” D’Andre mutters.
”
”
Elle Kennedy (The Goal (Off-Campus, #4))
“
I Ask for Silence"
Now they can leave me in peace.
Now they grow used to my absence.
I am going to close my eyes.
I want only five things,
five chosen roots.
One is an endless love.
Two is to see the autumn.
I cannot exist without leaves
flying and falling to the earth.
The third is the solemn winter,
the rain I loved, the caress
of fire in the rough cold.
Fourth, the summer,
plump as a watermelon.
And fifthly, your eyes,
Matilde, my dear love,
I won’t sleep without your eyes,
I won’t exist without your gaze,
I adjust the spring
for you to follow me with your eyes.
That, friends, is all I want.
Next to nothing, close to everything.
Now they can go if they wish.
I have lived so much that some day
they will have to forget me forcibly,
rubbing me off the blackboard.
My heart was inexhaustible.
But because I ask for silence,
don’t think I’m going to die.
The opposite is true;
it happens I am going to live.
To be, and to go on being.
I will not be, however, if inside me,
the crop does not keep sprouting,
the shoots first, breaking through the earth
to reach the light;
but the mothering earth is dark,
and, deep inside me, I am dark.
I am a well in the water of which
the night leaves behind stars
and goes on alone across fields.
It’s a question of having lived so much
that I want to live a bit more.
I never felt my voice so clear,
never have been so rich in kisses.
Now, as always, it is early.
The light is a swarm of bees.
Let me alone with the day.
I ask leave to be born.
”
”
Pablo Neruda (I Explain a Few Things: Selected Poems (English and Spanish Edition))
“
When tomorrow starts without me, And I’m not there to see, If the sun should rise and find your eyes All filled with tears for me; I wish so much you wouldn’t cry The way you did today, While thinking of the many things, We didn’t get to say. I know how much you love me, As much as I love you, And each time you think of me, I know you’ll miss me too; But when tomorrow starts without me, Please try to understand, That an angel came and called my name, And took me by the hand, And said my place was ready, In heaven far above And that I’d have to leave behind All those I dearly love. But as I turned to walk away, A tear fell from my eye For all my life, I’d always thought, I didn’t want to die. I had so much to live for, So much left yet to do, It seemed almost impossible, That I was leaving you. I thought of all the yesterdays, The good ones and the bad, The thought of all the love we shared, And all the fun we had. If I could relive yesterday Just even for a while, I’d say good-bye and kiss you And maybe see you smile. But then I fully realized That this could never be, For emptiness and memories, Would take the place of me. And when I thought of worldly things I might miss come tomorrow, I thought of you, and when I did My heart was filled with sorrow. But when I walked through heaven’s gates I felt so much at home When God looked down and smiled at me, From His great golden throne, He said, “This is eternity, And all I’ve promised you. Today your life on earth is past But here it starts anew. I promise no tomorrow, But today will always last, And since each day’s the same way, There’s no longing for the past. You have been so faithful, So trusting and so true. Though there were times You did some things You knew you shouldn’t do. But you have been forgiven And now at last you’re free. So won’t you come and take my hand And share my life with me?” So when tomorrow starts without me, Don’t think we’re far apart, For every time you think of me, I’m right here, in your heart.
”
”
Eben Alexander (Proof of Heaven: A Neurosurgeon's Journey into the Afterlife)
“
They had to die. They were killing innocent people. (Wulf)
They were surviving, Wulf. You never had to face the choice of being dead at twenty-seven. When most people’s lives are just beginning, we are looking at a death sentence. Have you any idea what it’s like to know you can never see your children grow up? Never see your own grandchildren? My mother used to say we were spring flowers who are only meant to bloom for one season. We bring our gifts to the world and then recede to dust so that others can come after us. When our loved ones die, we immortalize them like this. I have one for my mother and the other four are my sisters. No one will ever know the beauty of my sisters’ laughter. No one will remember the kindness of my mother’s smile. In eight months, my father won’t even have enough of me left to bury. I will become scattered dust. And for what? For something my great-great-great-whatever did? I’ve been alone the whole of my life because I dare not let anyone know me. I don’t want to love for fear of leaving someone like my father behind to mourn me. I will be a vague dream, and yet here you are, Wulf Tryggvason. Viking cur who once roamed the earth raiding villages. How many people did you kill in your human lifetime while you sought treasure and fame? Were you any better than the Daimons who kill so that they can live? What makes you better than us? (Cassandra)
It’s not the same thing. (Wulf)
Isn’t it? You know, I went to your Web site and saw the names listed there. Kyrian of Thrace, Julian of Macedon, Valerius Magnus, Jamie Gallagher, William Jess Brady. I’ve studied history all my life and know each of those names and the terror they wrought in their day. Why is it okay for the Dark-Hunters to have immortality even though most of you were killers as humans, while we are damned at birth for things we never did? Where is the justice in this? (Cassandra)
”
”
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
“
Jubal shrugged. "Abstract design is all right-for wall paper or linoleum. But art is the process of evoking pity and terror, which is not abstract at all but very human. What the self-styled modern artists are doing is a sort of unemotional pseudo-intellectual masturbation. . . whereas creative art is more like intercourse, in which the artist must seduce- render emotional-his audience, each time. These ladies who won't deign to do that- and perhaps can't- of course lost the public. If they hadn't lobbied for endless subsidies, they would have starved or been forced to go to work long ago. Because the ordinary bloke will not voluntarily pay for 'art' that leaves him unmoved- if he does pay for it, the money has to be conned out of him, by taxes or such."
"You know, Jubal, I've always wondered why i didn't give a hoot for paintings or statues- but I thought it was something missing in me, like color blindness."
"Mmm, one does have to learn to look at art, just as you must know French to read a story printed in French. But in general terms it's up to the artist to use language that can be understood, not hide it in some private code like Pepys and his diary. Most of these jokers don't even want to use language you and I know or can learn. . . they would rather sneer at us and be smug, because we 'fail' to see what they are driving at. If indeed they are driving at anything- obscurity is usually the refuge of incompetence. Ben, would you call me an artists?”
“Huh? Well, I’ve never thought about it. You write a pretty good stick.”
“Thank you. ‘Artist’ is a word I avoid for the same reasons I hate to be called ‘Doctor.’ But I am an artist, albeit a minor one. Admittedly most of my stuff is fit to read only once… and not even once for a busy person who already knows the little I have to say. But I am an honest artist, because what I write is consciously intended to reach the customer… reach him and affect him, if possible with pity and terror… or, if not, at least to divert the tedium of his hours with a chuckle or an odd idea. But I am never trying to hide it from him in a private language, nor am I seeking the praise of other writers for ‘technique’ or other balderdash. I want the praise of the cash customer, given in cash because I’ve reached him- or I don’t want anything. Support for the arts- merde! A government-supported artist is an incompetent whore! Damn it, you punched one of my buttons. Let me fill your glass and you tell me what is on your mind.
”
”
Robert A. Heinlein (Stranger in a Strange Land)
“
As for us,Etienne was right.Our schools are only a twenty-minute transit ride away.He'll stay with me on the weekends, and we'll visit each other as often as possible during the week. We'll be together.We both got our Point Zero wishes-each other.He said he wished for me every time.He was wishing for me when I entered the tower.
"Mmm," I say.He's kissing my neck.
"That's it," Rashmi says. "I'm outta here.Enjoy your hormones."
Josh and Mer follow her exit,and we're alone.Just the way I like it.
"Ha!" Ettiene says. "Just the way I like it."
He pulls me onto his lap,and I wrap my legs around his waist.His lips are velvet soft,and we kiss until the streetlamps flicker on outside. Until the opera singer begins her evening routine. "I'm going to miss her," I say.
"I'll sing to you." He tucks my stripe behind my ear. "Or I'll take you to the opera.Or I'll fly you back here to visit. Whatever you want.Anything you want."
I lace my fingers through his. "I want to stay right here,in this moment."
"Isn't that the name of the latest James Ashley bestseller? In This Moment?"
"Careful.Someday you'll meet him, and he won't be nearly as amusing in person."
Etienne grins. "Oh,so he'll only be mildly amusing? I suppose I can handle mildly amusing."
"I'm serious! You have to promise me right now,this instant,that you won't leave me once you meet him.Most people would run."
"I'm not most people."
I smile. "I know.But you still have to promise."
His eyes lock on mine. "Anna,I promise that I will never leave you."
My heart pounds in response.And Etienne knows it,because he takes my hand and holds it against his chest,to show me how hard his heart is pounding, too. "And now for yours," he says.
I'm still dazed. "My what?"
He laughs. "Promise you won't flee once I introduce you to my father.Or, worse, leave me for him."
I pause. "Do you think he'll object to me?"
"Oh,I'm sure he will."
Okay.Not the answer I was looking for.
Etienne sees my alarm. "Anna.You know my father dislikes anything that makes me happy.And you make me happier than anyone ever has." He smiles. "Oh,yes. He'll hate you."
"So....that's a good thing?"
"I don't care what he thinks.Only what you think." He holds me tighter. "Like if you think I need to stop biting my nails."
"You've worn your pinkies to nubs," I say cheerfully.
"Or if I need to start ironing my bedspread."
"I DO NOT IRON MY BEDSPREAD."
"You do.And I love it." I blush,and Etienne kisses my warm cheeks. "You know,my mum loves you."
"She goes?"
"You're the only thing I've talked about all year.She's ecstatic we're together."
I'm smiling inside and out. "I can't wait to meet her.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
I am not so much fun
Anymore;
Couldn’t carry the role of ingenue
In a bucket, you say, laughing.
And I want to punch you.
I was never innocent, but
Thanks to you I know things
I wish I did not remember.
You don’t like it
When I talk to the man myself,
Specifying quantities and
Give him the money
Instead of giving it to you
And letting you take care of it.
You keep asking me,
Where’s the dope?
Until I finally say,
I hid it.
The look you give me is
Pure bile.
Well, fuck you.
This isn’t like Buying somebody a drink.
You don’t leave your stash out
Where I might find it.
Finally I think I’ve made you wait
Long enough,
So I get out the little paper envelope
And hand it to you.
You are still in charge of
This part, so you relax.
Performing your junky ritual with
Your favorite razor blade, until
I ask you how to calculate my dose
So I won’t O.D. when I do this
And you’re not around.
Then you really flip.
You tell me it’s a bad idea
For me to do this with other people.
**
Was it such a good idea
For me to do it with you?
Do you wait for me to turn up
Once every three months
So you can get high?
Is this our version of that famous
Lesbian fight about
Nonmonogamy?
Let me tell you what I don’t like.
I don’t like it when you
Take forever to cut up brown powder
And cook it down and
Suck it up into the needle
And measure it, then take
Three times as much for yourself
AS you give me.
I don’t like it when you
Fuck me
After you’ve taken the needle
Out of my arm.
You talk too much
And spoil my rush.
All I really want to do
Is listen to the tides of blood
Wash around inside my body
Telling me everything is
Fine, fine, fine._
And I certainly don’t want to
Eat you or fuck you
Because it will take forever
To make you come,
If you can come at all,
And by then the smack will have worn off
And there isn’t any more.
I’m trying to remember
What the part is that I do like.
I think this shit likes me
A lot more than I like it.
Now you’re hurt and angry because
I don’t want to see you again
And the truth is,
I would love to see you,
As long as I knew you were holding.
So you tell me
Is this what you want?
I bet it was what you wanted
All along.
”
”
Patrick Califia
“
KRIT
"Fuck," Matty whispered.
He'd heard her.
It was me who couldn't breathe now. I had thought it was an accident. But she'd fucking done it on purpose. To protect me. Holy hell.
"I'm gonna go . . . ," Matty trailed off. I listened to his footsteps until he was gone before pulling back and looking down at Blythe.
"You got in front of a six-foot-three one hundred and eighty pounds of muscle because he was going to hit me?"
She nodded. "It was my fault he was going to hit you. I was just going to stop him."
She was going to stop him. This girl. Never in all my life did I imagine there was anyone like her. Never.
"Sweetheart, how did you intend to stop him? I could handle him. I've kicked his ass many, many times." I cupped her chin in my hand. "I had rather had him kick my ass than to have anything happen to you. That was fucking unbearable. You can't do that to me. If you get hurt, I won't be able to handle it."
She signed, and her eyes locked back toward the stage. " I made this worse. I'm sorry. Can you go fix things with the two of you so you can get back onstage?"
The distressed look on her face meant I wasn't going to be able to leave. I wanted nothing more than to take her back home and hold her all night. But she was really upset about this. I had overreacted. She had been sitting over here staring at the floor with the saddest lost expression, and I couldn't think straight. I had to get to her.
"I'll get Green, and we'll go back onstage. But you have to promise me that you won't try and save me again. I take care of you. Not the other way around," I told her.
She reached up and touched my face.
"Then who will take care of you?"
No one had ever cared about that before. That wasn't something I was going to tell her, though. "You safe in my arms is all I need. Okay?"
She frowned and glanced away from me. "I'm not agreeing to that," she said.
God, she was adorable. I pressed a kiss to her head. "Come with me to get the guys," I told her as I stood up and brought her with me.
"You won't do anything to Green then?" she said, sounding hopeful.
"No." Until you're asleep tonight. And then I'm beating his ass.
”
”
Abbi Glines (Bad for You (Sea Breeze, #7))
“
It's not that your mother didn't love you,' the boy named Crow says from behind me. 'She loved you very deeply. The first thing you have to do is believe that. That's your starting point.'
'But she abandoned me. She disappeared, leaving me alone where I shouldn't be. I'm finally beginning to understand how much that hurt. How could she do it if she really loved me?'
'That's the reality of it. It did happen,'the boy named Crow says. 'You were hurt badly, and those scars will be with you forever. I feel sorry for you, I really do. But think of it like this: It's not too late to recover. You're young, you're tough. You're adaptable. You can patch up your wounds, lift your head, and move on. But for her that's not an option. The only thing she'll ever be is lost. It doesn't matter whether somebody judges this as good or bad- that's not the point. You're the one who has the advantage. You ought to consider that.'
I don't respond.
'It all really happened, you can't undo it,' Crow tells me. 'She shouldn't have abandoned you then, and you shouldn't have been abandoned. But things in the past are like a plate that's shattered to pieces. You can never put it back together like it was, right?'
I nod. You can never put it back together like it was. He's hit the nail on the head.
The boy named Crow continues. 'Your mother felt a gut-wrenching kind of fear and anger inside her, okay? Just like you do now. Which is why she had to abandon you.'
'Even though she loved me?'
'Even though she loved you, she had to abandon you. You need to understand how she felt then, and learn to accept it. Understand the overpowering fear and anger she experienced, and feel it as your own- so you won't inherit it and repeat it. The main thing is this: You have to forgive her. That's not going to be easy, I know, but you have to do it. That's the only way you can be saved. There's no other way!'
- pg 398-99
”
”
Haruki Murakami (Kafka on the Shore)
“
Hello,' he said, almost shyly, as he approached the table. He was barefoot and shirtless, and adorably tousled, with golden hair falling over sparkly eyes that looked as if they were still waking up.
'Hi.' Her voice came out oddly shy as well, which only seemed to make Jacks smile.
'You didn't have to sneak out of bed,' he said.
'I didn't sneak.'
'Then why didn't you stay?' He casually slid in to the seat beside her and turned to her with a wolfish grin. It was a smile like a fairytale, part villain, part hero, part impossible ever after.
She couldn't bear how much she loved it.
But then she remembered the stone. She imagined she'd feel differently if it was in an iron box, and she feared that Jacks would, too. That he wouldn't be looking at her as if he wanted to devour her instead of the breakfast.
'Tomorrow, I won't let you leave so easily.' His eyes flashed with mischief, and he stole a bite of her toast.
The gesture was so simple and so comfortable, and all she could think was that it would be so easy to stay here. 'I thought you said it was just one night.'
'I thought you never believed what I said.' He shook his head reproachfully and tugged her on to his lap.
'Jacks-' Evangeline put a hand against his chest. She could feel his heart was pounding, which surprised her. On the outside, he looked so casual and careless, but now she imagined he felt as nervous as she did. It made her want to pull him closer, to press her head in to his shoulder and tell him all the things that she was trying not to feel.
She wrapped her arms around his neck , and for a second she held tight. She held him as if he was hers and she was his, and there was nothing else between them. No curses. No lies. No past wounds or mistakes. She held him as if there was only now, as if nothing else mattered but this moment. Then she let him go. She shoved off his laps with clumsy arms and even clumsier legs that stumbled as she tried to step back.
'Evangeline... what's wrong?' A line creased between his brows.
'This isn't real, Jacks. You and I, we're under the influence of the mirth stone.'
'You think you would only feel this way about me because of a rock?' Jacks' mouth clamped shut. For a moment he looked angry, but she looked in his eyes, all she could see was hurt.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
Well it seems to me that there are books that tell stories, and then there are books that tell truths...," I began.
"Go on," she said
"The first kind, they show you life like you want it to be. With villains getting what they deserve and the hero seeing what a fool he's been and marrying the heroine and happy ending and all that. Like Sense and Sensibility or Persuasion. But the second kind, they show you life more like it is. Like in Huckleberry Finn where Huck's pa is a no-good drunk and Jim suffers so. The first kind makes you cheerful and contented, but the second kind shakes you up."
"People like happy ending, Mattie. They don't want to be shaken up."
"I guess not, ma'am. It's just that there are no Captain Wentworths, are there? But there are plenty of Pap Finns. And things go well for Anne Elliot in the end, but they don't go well for most people." My voice trembled as I spoke, as it did whenever I was angry. "I feel let down sometimes. The people in the books-the heroes- they're always so...heroic. And I try to be, but..."
"...you're not," Lou said, licking deviled ham off her fingers.
"...no, I'm not. People in books are good and noble and unselfish, and people aren't that way... and I feel, well... hornswoggled sometimes. By Jane Austen and Charles Dickens and Louisa May Alcott. Why do writers make things sugary when life isn't that way?" I asked too loudly. "Why don't they tell the truth? Why don't they tell how a pigpen looks after the sow's eaten her children? Or how it is for a girl when her baby won't come out? Or that cancer has a smell to it? All those books, Miss Wilcox," I said, pointing at a pile of them," and I bet not one of them will tell you what cancer smells like. I can, though. It stinks. Like meat gone bad and dirty clothes and bog water all mixed together. Why doesn't anyone tell you that?"
No one spoke for a few seconds. I could hear the clock ticking and the sound of my own breathing. Then Lou quietly said, "Cripes, Mattie. You oughtn't to talk like that."
I realized then that Miss Wilcox had stopped smiling. Her eyes were fixed om me, and I was certain she'd decided I was morbid and dispiriting like Miss Parrish had said and that I should leave then and there.
"I'm sorry, Miss Wilcox," I said, looking at the floor. "I don't mean to be coarse. I just... I don't know why I should care what happens to people in a drawing room in London or Paris or anywhere else when no one in those places cares what happens to people in Eagle Bay."
Miss Wilcox's eyes were still fixed on me, only now they were shiny. Like they were the day I got my letter from Barnard. "Make them care, Mattie," she said softly. "And don't you ever be sorry.
”
”
Jennifer Donnelly (A Northern Light)
“
If he wasn't angry, he certainly did a good imitation. His voice was clipped and as hard as stone. She wrung her hands together. "I love you. Clay."
"No, you don't."
Meg felt as though he'd just slapped her. "Yes, I do. When you leave this town, I'll go with you."
Narrowing his eyes, he studied her. "Will you marry me?"
"Yes."
"Will you give me children?"
"If I can. Kirk and I were never able to conceive, but if I can have children, I want to have yours."
"In this town that we move to, wherever it is, will you walk down the street with me?"
"Of course."
"Holding my hand?"
"Yes."
"And the hands of my children?"
"Yes."
He unfolded his arms and took a step toward her. She wanted to fling herself into his embrace, but something hard in his eyes stopped her.
"And what happens, Mrs. Warner, when someone you know rides through town and points at me and calls me a yellow-bellied coward? What will you do then? Will you let go of my hand and take my children to the other side of the street? Will you pretend that you haven't kissed me, that you haven't lain with me beneath the stars?" With disgust marring his features, he turned away. "You think I'm a coward. Go home."
"I don't think that. I love you."
He spun around. "You don't believe in that love, you don't believe in me."
"Yes, I do."
He stalked toward her. She backed into the corner and bent her head to meet his infuriated gaze.
"How strongly do you believe in our love?" he asked, his voice ominously low. "If they threatened to strip off your clothes unless you denied our love, would you deny our love?"
He gave her no chance to respond, but continued on, his voice growing deeper and more ragged, as though he were dredging up events from the past.
"If they wouldn't let you sleep until you denied our love, would you deny our love so you could lay your head on a pillow?
"If they stabbed a bayonet into your backside every time your eyes drifted closed, would you deny our love so your flesh wouldn't be pierced?
"If they applied a hot brand to your flesh until you screamed in agony, would you deny our love so they'd take away the iron?
"If they placed you before a firing squad, would you say you didn't love me so they wouldn't shoot you?"
He stepped back and plowed his hands through his hair. "You think I'm a coward. You don't think I have the courage to stand beside you and risk the anger of your father. I'd die before I turned away from anyone or anything I believed in. You won't even walk by my side."
He looked the way she imagined soldiers who had lost a battle probably looked: weary, tired of the fight, disillusioned.
"You don't believe in me," he said quietly. "How can you believe in our love?
”
”
Lorraine Heath (Always to Remember)
“
You know, sleeping outdoors isn’t all bad. You get to stare up at the stars and cool breezes ruffle your fur after a hot day. The grass smells sweet and,” he made eye contact with me, “so does your hair.”
I blushed and grumbled, “Well, I’m glad someone enjoyed it.”
He smiled smugly and said, “I did.”
I had a quick flash of him as a man snuggled up next to me in the forest, imagined him resting his head on my lap while I stroked his hair, and decided to focus on the matter at hand.
“Well, listen, Ren, you’re changing the subject. I don’t appreciate the way you manipulated me into being here. Mr. Kadam should’ve told me at the circus.”
He shook his head. “We didn’t think you’d believe his story. He made up the trip to the tiger reserve to get you to India. We figured once you were here, I could change into a man and clarify everything.”
I admitted, “You’re probably right. If you had changed to a man there, I don’t think I would have come”
“Why did you come?”
“I wanted to spend more time with…you. You know, the tiger. I would have missed him. I mean you.” I blushed.
He grinned lopsidedly. “I would have missed you too.”
I wrung the hem of my shirt between my hands.
Misreading my thoughts, he said, “Kelsey. I’m truly sorry for the deception. If there’d been any other way-“
I looked up. He hung his head in a way that reminded me of the tiger. The frustration and awkwardness I felt about him dissipated. My instincts told me that I should believe him and help him. The strong emotional connection that drew me to the tiger tugged at my heart even more powerfully with the man. I felt pity for him and his situation.
Softly, I asked, “When will you change into a tiger?”
“Soon.”
“Does it hurt?”
“Not as much as it used to.”
“Do you understand me when you are a tiger? Can I still speak to you?”
“Yes, I’ll still be able to hear and understand you.”
I took a deep breath. “Okay. I’ll stay here with you until the shaman comes back. I still have a lot of questions for you though.”
“I know. I’ll try to answer them as best I can, but you’ll have to save them for tomorrow when I’ll be able to speak with you again. We can stay here for the night. The shaman should be back around dusk.”
“Ren?”
“Yes?”
“The jungle frightens me, and this situation frightens me.”
He let go of the apron string and looked into my eyes. “I know.”
“Ren?”
“Yes?”
“Don’t…leave me, okay?”
His face softened into a tender expression, and his mouth turned up in a sincere smile. “Asambhava. I won’t.”
I felt myself responding to his smile with one of my own when a shadow fell across his face. He clenched his fists and tightened his jaw. I saw a tremor pass through his body, and the chair fell forward as he collapsed to the ground on his hands and knees. I stood to reach out to him and was amazed to see his body morph back into the tiger form I knew so well. Ren the tiger shook himself, then approached my outstretched hand and rubbed his head against it.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
To: Anna Oliphant
From: Etienne St. Clair
Subject: Uncommon Prostitues
I have nothing to say about prostitues (other than you'd make a terrible prostitute,the profession is much too unclean), I only wanted to type that. Isn't it odd we both have to spend Christmas with our fathers? Speaking of unpleasant matters,have you spoken with Bridge yet? I'm taking the bus to the hospital now.I expect a full breakdown of your Christmas dinner when I return. So far today,I've had a bowl of muesli. How does Mum eat that rubbish? I feel as if I've been gnawing on lumber.
To: Etienne St. Clair
From: Anna Oliphant
Subject: Christmas Dinner
MUESLY? It's Christmas,and you're eating CEREAL?? I'm mentally sending you a plate from my house. The turkey is in the oven,the gravy's on the stovetop,and the mashed potatoes and casseroles are being prepared as I type this. Wait. I bet you eat bread pudding and mince pies or something,don't you? Well, I'm mentally sending you bread pudding. Whatever that is. No, I haven't talked to Bridgette.Mom keeps bugging me to answer her calls,but winter break sucks enough already. (WHY is my dad here? SERIOUSLY. MAKE HIM LEAVE. He's wearing this giant white cable-knit sweater,and he looks like a pompous snowman,and he keeps rearranging the stuff on our kitchen cabinets. Mom is about to kill him. WHICH IS WHY SHE SHOULDN'T INVITE HIM OVER FOR HOLIDAYS). Anyway.I'd rather not add to the drama.
P.S. I hope your mom is doing better. I'm so sorry you have to spend today in a hospital. I really do wish I could send you both a plate of turkey.
To: Anna Oliphant
From: Etienne St. Clair
Subject: Re: Christmas Dinner
YOU feel sorry for ME? I am not the one who has never tasted bread pudding. The hospital was the same. I won't bore you with the details. Though I had to wait an hour to catch the bus back,and it started raining.Now that I'm at the flat, my father has left for the hospital. We're each making stellar work of pretending the other doesn't exist.
P.S. Mum says to tell you "Merry Christmas." So Merry Christmas from my mum, but Happy Christmas from me.
To: Etienne St. Clair
From: Anna Oliphant
Subject: SAVE ME
Worst.Dinner.Ever.It took less than five minutes for things to explode. My dad tried to force Seany to eat the green bean casserole, and when he wouldn't, Dad accused Mom of not feeding my brother enough vegetables. So she threw down her fork,and said that Dad had no right to tell her how to raise her children. And then he brought out the "I'm their father" crap, and she brought out the "You abandoned them" crap,and meanwhile, the WHOLE TIME my half-dead Nanna is shouting, "WHERE'S THE SALT! I CAN'T TASTE THE CASSEROLE! PASS THE SALT!" And then Granddad complained that Mom's turkey was "a wee dry," and she lost it. I mean,Mom just started screaming.
And it freaked Seany out,and he ran to his room crying, and when I checked on him, he was UNWRAPPING A CANDY CANE!! I have no idea where it came from. He knows he can't eat Red Dye #40! So I grabbed it from him,and he cried harder, and Mom ran in and yelled at ME, like I'd given him the stupid thing. Not, "Thank you for saving my only son's life,Anna." And then Dad came in and the fighting resumed,and they didn't even notice that Seany was still sobbing. So I took him outside and fed him cookies,and now he's running aruond in circles,and my grandparents are still at the table, as if we're all going to sit back down and finish our meal.
WHAT IS WRONG WITH MY FAMILY? And now Dad is knocking on my door. Great. Can this stupid holiday get any worse??
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Do you have someone in mind, Galen?" Toraf asks, popping a shrimp into his mouth. "Is it someone I know?"
"Shut up, Toraf," Galen growls. He closes his eyes, massages his temples. This could have gone a lot better in so many ways.
"Oh," Toraf says. "It must be someone I know, then."
"Toraf, I swear by Triton's trident-"
"These are the best shrimp you've ever made, Rachel," Toraf continues. "I can't wait to cook shrimp on our island. I'll get the seasoning for us, Rayna."
"She's not going to any island with you, Toraf!" Emma yells.
"Oh, but she is, Emma. Rayna wants to be my mate. Don't you, princess?" he smiles.
Rayna shakes her head. "It's no use, Emma. I really don't have a choice."
She resigns herself to the seat next to Emma, who peers down at her, incredulous. "You do have a choice. You can come live with me at my house. I'll make sure he can't get near you."
Toraf's expression indicates he didn't consider that possibility before goading Emma. Galen laughs. "It's not so funny anymore is it, tadpole?" he says, nudging him.
Toraf shakes his head. "She's not staying with you, Emma."
"We'll see about that, tadpole," she returns.
"Galen, do something," Toraf says, not taking his eyes off Emma.
Galen grins. "Such as?"
"I don't know, arrest her or something," Toraf says, crossing his arms.
Emma locks eyes with Galen, stealing his breath. "Yeah, Galen. Come arrest me if you're feeling up to it. But I'm telling you right now, the second you lay a hand on me, I'm busting this glass over your head and using it to split your lip like Toraf's." She picks up her heavy drinking glass and splashes the last drops of orange juice onto the table.
Everyone gasps except Galen-who laughs so hard he almost upturns his chair.
Emma's nostrils flare. "You don't think I'll do it? There's only one way to find out, isn't there, Highness?"
The whole airy house echoes Galen's deep-throated howls. Wiping the tears from his eyes, he elbows Toraf, who's looking at him like he drank too much saltwater. "Do you know those foolish humans at her school voted her the sweetest out of all of them?"
Toraf's expression softens as he looks up at Emma, chuckling. Galen's guffaws prove contagious-Toraf is soon pounding the table to catch his breath. Even Rachel snickers from behind her oven mitt.
The bluster leaves Emma's expression. Galen can tell she's in danger of smiling. She places the glass on the table as if it's still full and she doesn't want to spill it. "Well, that was a couple of years ago."
This time Galen's chair does turn back, and he sprawls onto the floor. When Rayna starts giggling, Emma gives in, too. "I guess...I guess I do have sort of a temper," she says, smiling sheepishly.
She walks around the table to stand over Galen. Peering down, she offers her hand. He grins up at her. "Show me your other hand."
She laughs and shows him it's empty. "No weapons."
"Pretty resourceful," he says, accepting her hand. "I'll never look at a drinking glass the same way." He does most of the work of pulling himself up but can't resist the opportunity to touch her.
She shrugs. "Survival instinct, maybe?"
He nods. "Or you're trying to cut my lips off so you won't have to kiss me." He's pleased when she looks away, pink restaining her cheeks.
"Rayna tries that all the time," Toraf chimes in. "Sometimes when her aim is good, it works, but most of the time kissing her is my reward for the pain.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Who is he?”
Eleanor lowered her voice, the name rolling off her tongue like a dark secret. “Dante Berlin.”
I laughed. “Dante? Like the Dante who wrote the Inferno? Did he pick that name just to cultivate his ‘dark and mysterious’ persona?”
Eleanor shook her head in disapproval. “Just wait till you see him. You won’t be laughing then.”
I rolled my eyes. “I bet his real name is something boring like Eugene or Dwayne.”
I expected Eleanor to laugh or say something in return, but instead she gave me a concerned look. I ignored it.
“He sounds like a snob to me. I bet he’s one of those guys who know they’re good-looking. He probably hasn’t even read the Inferno. It’s easy to pretend you’re smart when you don’t to anyone.”
Eleanor still didn’t respond. “Shh . . .” she muttered under her breath.
But before I could say “What?” I heard a cough behind me. Oh God, I thought to myself, and slowly turned around.
“Hi,” he said with a half grin that seemed to be mocking me.
And that’s how I met Dante Berlin.
So how do you describe someone who leaves you speechless?
He was beautiful. Not Monet beautiful or white sandy beach beautiful or even Grand Canyon beautiful. It was both more overwhelming and more delicate. Like gazing into the night sky and feeling incredibly small in comparison. Like holding a shell in your hand and wondering how nature was able to make something so complex yet to perfect: his eyes, dark and pensive; his messy brown hair tucked behind one ear; his arms, strong and lean beneath the cuffs of his collared shirt.
I wanted to say something witty or charming, but all I could muster up was a timid “Hi.”
He studied me with what looked like a mix of disgust and curiosity.
“You must be Eugene,” I said.
“I am.” He smiled, then leaned in and added, “I hope I can trust you to keep my true identity a secret. A name like Eugene could do real damage to my mysterious persona.”
I blushed at the sound of my words coming from his lips. He didn’t seem anything like the person Eleanor had described.
“And you are—”
“Renee,” I interjected.
“I was going to say, ‘in my seat,’ but Renee will do.”
My face went red. “Oh, right. Sorry.”
“Renee like the philosopher Rene Descartes? How esoteric of you. No wonder you think you know everything. You probably picked that name just to cultivate your overly analytical persona.”
I glared at him. I knew he was just dishing back my own insults, but it still stung. “Well, it was nice meeting you,” I said curtly, and pushed past him before he could respond, waving a quick good-bye to Eleanor, who looked too stunned to move.
I turned and walked to the last row, using all of my self-control to resist looking back.
”
”
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
“
I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it.
Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem.
It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face.
I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now.
I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.
”
”
Dodie Smith (I Capture the Castle)
“
This was not going the way I wanted it to. I felt a desperate need to escape before I said something that would screw up my plans. Ren was the dark side, the forbidden fruit, my personal Delilah-the ultimate temptation. The question was…could I resist?
I gave his knee a friendly pat and played my trump card…”I’m leaving.”
“You’re what?”
“I’m going home to Oregon. Mr. Kadam thinks it will be safer for me anyway, with Lokesh out there looking to kill us and all. Besides, you need time to figure out…stuff.”
“If you’re leaving, then I’m going with you!”
I smiled at him wryly. “That kind of defeats the purpose of me leaving. Don’t you think?”
He slicked back his hair, let out a deep breath, then took my hand and looked intently into my eyes. “Kells, when are you going to accept the fact that we belong together?”
I felt sick, like I was kicking a faithful puppy who only wanted to be loved. I looked out at the pool.
After a moment, he sat back scowling and said menacingly, “I won’t let you leave.”
Inside, I desperately wanted to take his hand and beg him to forgive me, to love me, but I steeled myself, dropped my hands in my lap, then implored, “Ren, please. You have to let me go. I need…I’m afraid…look, I just can’t be here, near you, when you change your mind.”
“It’s not going to happen.”
“it might. There’s a good chance.”
He growled angrily. “There’s no chance!”
“Well, my heart can’t take that risk, and I don’t want to put you in what can only be an awkward position. I’m sorry, Ren. I really am. I do want to be your friend, but I understand if you don’t want that. Of course, I’ll return when you need me, if you need me, to help you find the other three gifts. I wouldn’t abandon you or Kishan in that way. I just can’t stay here with you feeling obligated to pity-date me because you need me. But I’d never abandon your cause. I’ll always be there for you both, no matter what.”
He spat out, “Pity-date! You? Kelsey, you can’t be serious!”
“I am. Very, very serious. I’ll ask Mr. Kadam to make arrangements to send me back in the next few days.”
He didn’t say another word. He just sat back in his chair. I could tell he was fuming mad, but I felt that, after a week or two, when he started getting back out in the world, he would come to appreciate my gesture.
I looked away from him. “I’m very tired now. I’d like to go to bed.” I got up and headed to my room. Before I closed the sliding door, I asked, “Can I make one last request?”
He sat there tight-lipped, his arms folded over his chest, with a tense, angry face.
I sighed. Even infuriated he was beautiful.
He said nothing so I went on, “It would be a lot easier on me if I didn’t see you, I mean as a man. I’ll try to avoid most of the house. It is yours after all, so I’ll stay in my room. If you see Mr. Kadam, please tell him I’d like to speak with him.”
He didn’t respond.
“Well, good-bye, Ren. Take care of yourself.” I tore my eyes away from him, shut the door, and drew the curtains.
Take care of yourself? That was a lame goodbye. Tears welled in my eyes and blurred my vision. I was proud that I’d gotten through it without showing emotion. But, now, I felt like a steamroller had come along and flattened me.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Something creaked beneath me! A soft step on rotting wood!
I jumped startled, scared, and turned, expecting to see-God
knows what! Then I sighed, for it was only Chris standing in the gloom, silently staring at me. Why? Did I look prettier than
usual? Was it the moonlight, shining through my airy clothes?
All random doubts were cleared when he said in a voice
gritty and low, "You look beautiful sitting there like that." He
cleared the frog in his throat. "The moonlight is etching you with silver-blue, and I can see the shape of your body through
your clothes."
Then, bewilderingly, he seized me by the shoulders, digging
in his fingers, hard! They hurt. "Damn you, Cathy! You kissed
that man! He could have awakened and seen you, and demanded
to know who you were! And not thought you only a part of his
dream!"
Scary the way he acted, the fright I felt for no reason at all.
"How do you know what I did? You weren't there; you were
sick that night."
He shook me, glaring his eyes, and again I thought he seemed a stranger. "He saw you, Cathy-he wasn't soundly asleep!"
"He saw me?" I cried, disbelieving. It wasn't possible . . .
wasn't!
"Yes!" he yelled. This was Chris, who was usually in such
control of his emotions. "He thought you a part of his dream!
But don't you know Momma can guess who it was, just by
putting two and two together-just as I have? Damn you and
your romantic notions! Now they're on to us! They won't leave money casually about as they did before. He's counting, she's
counting, and we don't have enough-not yet!"
He yanked me down from the widow sill! He appeared wild
and furious enough to slap my face-and not once in all our
lives had he ever struck me, though I'd given him reason to
when I was younger. But he shook me until my eyes rolled, until
I was dizzy and crying out: "Stop! Momma knows we can't pass
through a looked door!"
This wasn't Chris . . . this was someone I'd never seen
before . . . primitive, savage.
He yelled out something like, "You're mine, Cathy! Mine!
You'll always be mine! No matter who comes into your future,
you'll always belong to me! I'll make you mine . . . tonight . . .
now!"
I didn't believe it, not Chris!
And I did not fully understand what he had in mind, nor, if I
am to give him credit, do I think he really meant what he said,
but passion has a way of taking over.
We fell to the floor, both of us. I tried to fight him off. We
wrestled, turning over and over, writhing, silent, a frantic strug-
gle of his strength against mine.
It wasn't much of a battle.
I had the strong dancer's legs; he had the biceps, the greater weight and height . . . and he had much more determination than
i to use something hot, swollen and demanding, so much it stile reasoning and sanity from him.
And I loved him. I wanted what he wanted-if he wanted it
that much, right and wrong.
Somehow we ended up on that old mattress-that filthy,
smelly, stained mattress that must have known lovers long
before this night. And that is where he took me, and forced in
that swollen, rigid male sex part of him that had to be satisfied.
It drove into my tight and resisting flesh which tore and bled.
Now we had done what we both swore we'd never do.
”
”
V.C. Andrews (Flowers in the Attic/Petals on the Wind (Dollganger, #1-2))
“
Ruby?” His hair was pale silver in this light, curled and tangled in its usual way. I couldn’t hide from him. I had never been able to.
“Mike came and got me,” he said, taking a careful step toward me. His hands were out in front of him, as if trying to coax a wild animal into letting him approach. “What are you doing out here? What’s going on?”
“Please just go,” I begged. “I need to be alone.”
He kept coming straight at me.
“Please,” I shouted, “go away!”
“I’m not going anywhere until you tell me what’s going on!” Liam said. He got a better look at me and swallowed, his Adam’s apple bobbing. “Where were you this morning? Did something happen? Chubs told me you’ve been gone all day, and now you’re out here like…this…did he do something to you?”
I looked away. “Nothing I didn’t ask for.”
Liam’s only response was to move back a few paces back. Giving me space.
“I don’t believe you for a second,” he said, calmly. “Not one damn second. If you want to get rid of me, you’re going to have to try harder than that.”
“I don’t want you here.”
He shook his head. “Doesn’t mean I’m leaving you here alone. You can take all the time you want, as long as you need, but you and me? We’re having this out tonight. Right now.” Liam pulled his black sweater over his head and threw it toward me. “Put it on, or you’ll catch a cold.”
I caught it with one hand and pressed it to my chest. It was still warm.
He began to pace, his hands on his hips. “Is it me? Is it that you can’t talk to me about it? Do you want me to get Chubs?”
I couldn’t bring myself to answer.
“Ruby, you’re scaring the hell out of me.”
“Good.” I balled up his sweater and threw it into the darkness as hard as I could.
He blew out a shaky sigh, bracing a hand against the nearest tree. “Good? What’s good about it?”
I hadn’t really understood what Clancy had been trying to tell me that night, not until right then, when Liam looked up and his eyes met mine. The trickle of blood in my ears turned into a roar. I squeezed my eyes shut, digging the heels of my palms against my forehead.
“I can’t do this anymore,” I cried. “Why won’t you just leave me alone?”
“Because you would never leave me.”
His feet shuffled through the underbrush as he took a few steps closer. The air around me heated, taking on a charge I recognized. I gritted my teeth, furious with him for coming so close when he knew I couldn’t handle it. When he knew I could hurt him.
His hands came up to pull mine away from my face, but I wasn’t about to let him be gentle. I shoved him back, throwing my full weight into it. Liam stumbled.
“Ruby—”
I pushed him again and again, harder each time, because it was the only way I could tell him what I was desperate to say. I saw bursts of his glossy memories. I saw all of his brilliant dreams. It wasn’t until I knocked his back into a tree that I realized I was crying. Up this close, I saw a new cut under his left eye and the bruise forming around it.
Liam’s lips parted. His hands were no longer out in front of him, but hovering over my hips. “Ruby…”
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer.
I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))