I Need A Magic Wand Quotes

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It’s good to be with someone when you know you matter. Not assume,” she qualified, “but know. To be with someone, who even when you don’t think you want or need it, will stand up for you. Someone who sends you flowers and buys you magic wands. I’m not going to look around the corner for what’s next.
Nora Roberts (The Perfect Hope (Inn Boonsboro Trilogy, #3))
This ain’t right, you know. She’s the one who ought to rule, fair enough. And you used magic to help her this far, and that’s all right. But it stops right here. It’s up to her what happens next. You can’t make things right by magic. You can only stop making them wrong.” Mrs. Gogol pulled herself up to her full, impressive height. “Who’s you to say what I can and can’t do here?” “We’re her godmothers,” said Granny. “That’s right,” said Nanny Ogg. “We’ve got a wand, too,” said Magrat. “But you hate godmothers, Mistress Weatherwax,” said Mrs. Gogol. “We’re the other kind,” said Granny. “We’re the kind that gives people what they know they really need, not what we think they ought to want.
Terry Pratchett (Witches Abroad (Discworld, #12; Witches, #3))
I believe in magic. Writing is my magic wand, and through my magic I create my own secret world, away from all these worries and responsibilities. Love, honesty and humanity is essential to enter this beautiful world of magic. I dwell among White magical peacocks, glowing unicorns, fire breathing turquoise dragons, talking trees, flying horses, talking wise jackals and wolves, crystal water falls, secret pathways hidden in urban gardens and books with doorways to secret worlds. You need to believe in magic to experience it.
Ama H. Vanniarachchy
Perhaps there was a secret door down low in the wall, a door only large enough for a child. If I stepped through that door, I would be in another world, in fairyland perhaps. It would be warm and bright there, and I would have a magical wand to protect myself. I'd ride on the back of a dragonfly, swooping through the forest. I'd battle dragons and talk to birds and have all kinds of grand adventures. Later, I found that small door into fairyland could be conjured any time I needed it. The world beyond the door was different every time. Sometimes, I found a little stone house in the woods where I could live with just Nanette and my sister, Marie, and a tabby cat who purred by the fire. Sometimes, I lived in a castle in the air with a handsome prince who loved me. Other times, I was the prince myself, with a golden sword and a white charger.
Kate Forsyth (Bitter Greens)
When I was done raking and bagging, I banged on the door and demanded entry /...let me in by the hair on your chinny, chin-chin/ (a fairytale moment there) Dick opened it and in his posthest voice, said that before he could possibly consider letting me re-cross the threshold he needed to ask me whether I was a good f*cking fairy or a bad f*cking fairy? Grinning, I told him that I was very wicked fairy and if he had a wand about his person that I could have lend of, I would prove it. He said that was the right answer and promptly yanked me inside where he located and presented me with his wand, breathily ordering the sorcerer's apprentice to perform magic with it. Judging by the look on his face afterwards, I knew I'd impressed him with my oral sorcery and I was more than happy with the short-lifting sorcery Shane performed on me as the same time.
Gillibran Brown (Fun With Dick and Shane (Memoirs of a Houseboy, #1))
In our world, that's the way you live your grown-up life: you must constantly rebuild your identity as an adult, the way it's been put together it is wobbly, ephemeral, and fragile, it cloaks despair and, when you're alone in front of the mirror, it tells you the lies you need to believe. For Papa, the newspaper and the coffee are magic wands that transform him into an important man. Like a pumpkin into a coach. Of course he finds this very satisfying: I never see him as calm and relaxed as when he's sitting drinking his six o'clock coffee. But at such a price! You pay such a price when you lead a false life! When the mask is taken away, when there's a crisis - and there's always a crisis at some point among mortals - the truth is terrible!
Muriel Barbery (The Elegance of the Hedgehog)
Many centuries ago, I discovered your world by accident. After a long and wonderful career of helping people (like Cinderella) achieve their dreams, I was only eager to do more. So one day I closed my eyes, waved my magic wand, and said, “I wish to go someplace where people need me the most.” When I opened my eyes, I was no longer in the Land of Stories. When I first arrived, your world was enduring a time known as the Dark Ages, and there couldn’t be a better description. It was a period consumed with poverty, plague, and war. People were suffering and starving, and they were very doubtful that conditions would get any better.
Chris Colfer (An Author's Odyssey (The Land of Stories #5))
After my initial disappointment, I realized that Milicent being a normal, non-royal was more important to her position as a role model. It was more inspirational. She didn't have superpowers or a magic wand. She was simply intelligent and savvy and good at what she did. We need women to be allowed to be simply good at what they do. We need them on set, in meetings, behind cameras and pens and paintbrushes. We need them to be themselves, to be human: ordinary and flawed. That way, more girls can see them and think "I can do that." That way, no one can look at them and say " She got that job because she's beautiful. She got that gig because she slept with someone." Actually, she got hired because she was damn good.
Mallory O'Meara (The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick)
TOM Do you want to practise slapping me? EMMA (brow furrowed) Excuse me? TOM Because in the next film, that’s what you do. You slap me. (lying through his teeth) I just read it! EMMA OK, great. TOM (mansplaining) Right. So. Here’s what you do. You need to stand there, you need to use your body, you need to put everything into it to sell it, you need to… While Tom is talking, Emma calmly sizes him up, raises one hand and—not realising that he was talking about a stage slap—cracks him as hard as she can across the cheek.
Tom Felton (Beyond the Wand: The Magic and Mayhem of Growing Up a Wizard)
There were once three brothers who were traveling along a lonely, winding road at twilight--’” “Midnight, our mum always told us,” said Ron, who had stretched out, arms behind his head, to listen. Hermione shot him a look of annoyance. “Sorry, I just think it’s a bit spookier if it’s midnight!” said Ron. “Yeah, because we really need a bit more fear in our lives,” said Harry before he could stop himself. Xenophilius did not seem to be paying much attention, but was staring out of the window at the sky. “Go on, Hermione.” “‘In time, the brothers reached a river too deep to wade through and too dangerous to swim across. However, these brothers were learned in the magical arts, and so they simply waved their wands and made a bridge appear across the treacherous water. They were halfway across it when they found their path blocked by a hooded figure. “‘And Death spoke to them--’” “Sorry,” interjected Harry, “but Death spoke to them?” “It’s a fairy tale, Harry!” “Right, sorry. Go on.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I think we all need it in one shape or another, so why wouldn't it be normal to talk openly about how we're feeling? "I'm happy we won the footy." "I'm pissed off the ref didn't give that penalty." "I'm so excited to see who they sign next." If we apply such a passionate tongue and eager ear to something like football, for instance, why wouldn't we do the same about the unspoken stuff? "I couldn't get out of bed this morning because everything felt too much." "I don't know what I'm doing with my life." "I know I'm loved, so why do I feel so lonely?" Rather than see therapy as the emergency consequence of excess or illness, we should start to see it for what it can be: an essential opportunity to take time out from the voices in your head, the pressures of the world and the expectations we place on ourselves.
Tom Felton (Beyond the Wand: The Magic & Mayhem of Growing Up a Wizard)
The libertarian solution is to prevent the government from redistributing money in the first place. Imagine for a moment that the $2 trillion that the US government spends on transfer payments were left instead in the hands of the people who started with it. If I could wave a magic wand, that would be my solution. It is a case I have made elsewhere.2 Leave the wealth where it originates, and watch how its many uses, individual and collaborative, enable civil society to meet the needs that government cannot.
Charles Murray (In Our Hands: A Plan to Replace the Welfare State)
For two months, Dad, it would be like you had a son. Someone to pitch baseballs to--” “I pitch baseballs to you.” “Someone to hit fly balls to--” “I hit fly balls to you.” “You’d have a real boy--” “He’s not Geppetto,” Tiffany said, “waiting for the blue fairy to touch us with her magic wand.” Maybe not, but I knew Dad had always wanted a son. What father didn’t? But that wasn’t the issue. The issue was: I wanted a boyfriend this summer, and to have a boyfriend, I needed to meet boys, and the Lonestar League was guys, guys, guys. Honesty time. I released a big sigh. “All right, so maybe I’d like to have a brother for the summer.” Okay, not so honest.
Rachel Hawthorne (The Boyfriend League)
Well, happy birthday anyway.” “Wow--that’s right, I forgot! I’m seventeen!” Harry seized the wand lying beside his camp bed, pointed it at the cluttered desk where he had left his glasses, and said, “Accio Glasses!” Although they were only around a foot away, there was something immensely satisfying about seeing them zoom toward him, at least until they poked him in the eye. “Slick,” snorted Ron. Reveling in the removal of his Trace, Harry sent Ron’s possessions flying around the room, causing Pigwidgeon to wake up and flutter excitedly around his cage. Harry also tried tying the laces of his trainers by magic (the resultant knot took several minutes to untie by hand) and, purely for the pleasure of it, turned the orange robes on Ron’s Chudley Cannons posters bright blue. “I’d do your fly by hand, though,” Ron advised Harry, sniggering when Harry immediately checked it. “Here’s your present. Unwrap it up here, it’s not for my mother’s eyes.” “A book?” said Harry as he took the rectangular parcel. “Bit of a departure from tradition, isn’t it?” “This isn’t your average book,” said Ron. “It’s pure gold: Twelve Fail-Safe Ways to Charm Witches. Explains everything you need to know about girls. If only I’d had this last year I’d have known exactly how to get rid of Lavender and I would’ve known how to get going with…Well, Fred and George gave me a copy, and I’ve learned a lot. You’d be surprised, it’s not all about wandwork, either.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
He’s having a laugh. We can’t let him have that sword.” “Is it true?” Harry asked Hermione. “Was the sword stolen by Gryffindor?” “I don’t know,” she said hopelessly. “Wizarding history often skates over what the wizards have done to other magical races, but there’s no account that I know of that days Gryffindor stole the sword.” “It’ll be one of those goblin stories,” said Ron, “about how the wizards are always trying to get one over on them. I suppose we should think ourselves lucky he hasn’t asked for one of our wands.” “Goblins have got good reason to dislike wizards, Ron,” said Hermione. “They’ve been treated brutally in the past.” “Goblins aren’t exactly fluffy little bunnies, though, are they?” said Ron. “They’ve killed plenty of us. They’ve fought dirty too.” “But arguing with Griphook about whose race is most underhanded and violent isn’t going to make him more likely to help us, is it?” There was a pause while they tried to think of a way around the problem. Harry looked out of the window at Dobby’s grave. Luna was arranging sea lavender in a jam jar beside the headstone. “Okay,” said Ron, and Harry turned back to face him, “how’s this? We well Griphook we need the sword until we get inside the vault, and then he can have it. There’s a fake in there, isn’t there? We switch them, and give him the fake.” “Ron, he’d know the difference better than we would!” said Hermione. “He’s the only one who realized there had been a swap!” “Yeah, but we could scarper before he realizes--” He quailed beneath the look Hermione was giving him. “That,” she said quietly, “is despicable. Ask for his help, then double-cross him? And you wonder why goblins don’t like wizards, Ron?” Ron’s ears had turned red. “All right, all right! It was the only thing I could think of! What’s your solution, then?” “We need to offer him something else, something just as valuable.” “Brilliant. I’ll go and get one of our other ancient goblin-made swords and you can gift wrap it.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Time, a magic wand I need To live again that moment when I was a child and I was sure That happiness is just a game, That when tomorrow I will wake Just a few things I will need Sun, some laughs and enough time To play, to stay forever young. No time to worry, no time to crave I must now enjoy the game.
Porumb Ana Diana
Man's sole Magic Wand in Science is observation using the five senses; any other function/tool used to produce illusions to the same data and information is that of the Occult using Esotery. After all, processing the data (i.e., mental activity that produces information) is an upper layer to that of its radiation (i.e., emission/active or reception/passive); and since esotery erroneously claim to transcend the lower layers (of data transfer and information assembly/disassembly) and enables access directly onto the spiritual realms (termed as, Consciousness) without resorting to that authentic Magic Wand for acquiring 'objects of study', the data needed will ultimately be rendered into self-generated artifacts using such a shenanigan. In other words, the Occult comprises practices and techniques using artifacts delivered by the use of Esotery for the aim of constructing some delusion of Science; this is when innocent Magic turns into Sorcery. It is the process of enforcing subjectivity rather than objectivity onto its participants and accomplices for maintaining a discipline that facilitates for spirituality to lurk into the public domain (including that of secret societies) under the pretense of being part of some universal reality rather than an individual experience confined to each person's private sphere separately. Politically speaking, it is the nastiest flavor of Socialism in action; the assault on the ownership of souls to socially modify man instead of scientifically modify the environment. It is hence just another ideology of Social Engineering which is specifically shared by the children of Gaia/Isis/whatever, and only by holding onto the principle of 'Family' as an abstract model of an atomic element in society, is one able to escape this unscientific spiritual redistribution of souls. Remember that Science is the tool which man her-/himself has developed to harvest nature for her/his own service and not vice versa!
Ibrahim Ibrahim (Quotable: My Worldview)
I very nearly titled this book Stop Murdering the Henchmen after this trope. If I could wave a magic wand and remove a single BS lie from our annals of storytelling, it would be this one. This trope doesn’t just insult a population of the disabled. It doesn’t just discount the experiences of family members of loved ones suffering with a disease. This is a trope that kills real people in the real world, every day.   The
Samantha Keel (10 B.S. Medical Tropes that Need to Die TODAY: ...and What to Do Instead (The ScriptMedic Guides Book 0))
We live in a world where we seem increasingly in need of ways to unify ourselves, ways to build bridges and feel as one. It strikes me that very few things have achieved those aims as successfully as the brilliant world of Harry Potter. Not a day goes by that I don't receive a message from fans all over the world telling me just that.
Tom Felton (Beyond the Wand: The Magic & Mayhem of Growing Up a Wizard)
I’m not giving it to you. You need to leave. Be gone!” He snorted, tweaking an eyebrow at me. “Be gone? Okay, Merlin, are you going to wave your magic wand at me next?
Harley Laroux (Her Soul to Take (Souls Trilogy, #1))
Stay Interview Questions 1. What about your job makes you jump out of bed in the morning? 2. What makes you hit the snooze button? 3. If you were to win the lottery and resign, what would you miss the most about your job? 4. What one change in your current role would make you consider leaving this job? 5. If you had a magic wand, what would be the one thing you would change about this department, team, organization? 6. As your manager, what could I do a little more of or a little less of? 7. If you had to go back to a position in your past and stay for an extended period of time, which one would it be and why? 8. What do you need to learn to work at your best? 9. What makes for a great day? 10. What can we do to make your job more satisfying? 11. What can we do to support your career goals? 12. Do you get enough recognition? How do you like to be recognized? 13. What do you want to learn this year?
Beverly Kaye (Love 'Em or Lose 'Em: Getting Good People to Stay)
Dear Christopher, This is the perfume of March: rain, loam, feathers, mint. Every morning and afternoon I drink fresh mint tea sweetened with honey. I’ve done a great deal of walking lately. I seem to think better outdoors. Last night was remarkably clear. I looked up at the sky to find the Argo. I’m terrible at constellations. I can never make out any of them except for Orion and his belt. But the longer I stared, the more the sky seemed like an ocean, and then I saw an entire fleet of ships made of stars. A flotilla was anchored at the moon, while others were casting off. I imagined we were on one of those ships, sailing on moonlight. In truth, I find the ocean unnerving. Too vast. I must prefer the forests around Stony Cross. They’re always fascinating, and full of commonplace miracles…spiderwebs glittering with rain, new trees growing from the trunks of fallen oaks. I wish you could see them with me. And together we would listen to the wind rushing through the leaves overhead, a lovely swooshy melody…tree music! As I sit here writing to you, I have propped my stocking feet much too close to the hearth. I’ve actually singed my stockings on occasion, and once I had to stomp out my feet when they started smoking. Even after that, I still can’t seem to rid myself of the habit. There, now you could pick me out of a crowd blindfolded. Simply follow the scent of scorched stockings. Enclosed is a robin’s feather that I found during my walk this morning. It’s for luck. Keep it in your pocket. Just now I had the oddest feeling while writing this letter, as if you were standing in the room with me. As if my pen had become a magic wand, and I had conjured you right here. If I wish hard enough… Dearest Prudence, I have the robin’s feather in my pocket. How did you know I needed token to carry into battle? For the past two weeks I’ve been in a rifle pit, sniping back and forth with the Russians. It’s no longer a cavalry war, it’s all engineers and artillery. Albert stayed in the trench with me, only going out to carry messages up and down the line. During the lulls, I try to imagine being in some other place. I imagine you with your feet propped near the hearth, and your breath sweet with mint tea. I imagine walking through the Stony Cross forests with you. I would love to see some commonplace miracles, but I don’t think I could find them without you. I need your help, Pru. I think you might be my only chance of becoming part of the world again. I feel as if I have more memories of you than I actually do. I was with you on only a handful of occasions. A dance. A conversation. A kiss. I wish I could relive those moments. I would appreciate them more. I would appreciate everything more. Last night I dreamed of you again. I couldn’t see your face, but I felt you near me. You were whispering to me. The last time I held you, I didn’t know who you truly were. Or who I was, for that matter. We never looked beneath the surface. Perhaps it’s better we didn’t--I don’t think I could have left you, had I felt for you then what I do now. I’ll tell you what I’m fighting for. Not for England, nor her allies, nor any patriotic cause. It’s all come down to the hope of being with you.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Sometimes, You Just Need a Vibrator Coach Sommer introduced me to a Russian medical massage specialist who recommended I use the plug-in (not cordless) model of the Hitachi Magic Wand on its high setting. I’ve never experienced such heights of ecstasy. Thanks, Vladmir! Just kidding. In this case, it’s for relaxing hypertonic muscles (i.e., muscles that are tense even though they shouldn’t be). Just place the wand on your muscle belly (not insertion points) for 20 to 30 seconds, which is often all it takes at the proper hertz. Tension headaches or a stiff neck? It’s great for relaxing the occipitals at the base of the skull. Warning: Having Hitachi Magic Wands lying out around your house can go terribly wrong—or terribly right. Good luck explaining your “hypertonic muscles.” As one friend said to me, “I think my wife has that same problem. . . .”   Gymnast Strong Unusual and Effective Bodyweight Exercises In less than eight weeks of following Coach Sommer’s protocols, I saw unbelievable improvement in areas I’d largely given up on. Try a few of my favorite exercises, and you’ll quickly realize that gymnasts use muscles you didn’t even know you had. QL Walk—An Unusual Warmup
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
We need faith that makes room for suffering, that refuses to deny the brokenness of this sin-sick world and our place in it. We need theology that honors the ache while clasping tightly to the hand of a God who refuses to abandon us. We need a community that doesn’t wait for Jesus to wave a magic wand and fix us before they can accept us. Sweet friend, there is nothing wrong with you. You are not a bad Christian for toiling under the crushing weight of depression. Mental illness is not a failure of faith or evidence of a flimsy prayer life. It’s simply a common part of the human condition, one that many people will experience.
Sarah J. Robinson (I Love Jesus, But I Want to Die: Finding Hope in the Darkness of Depression)
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Very slowly, very distinctly, Alan intoned, “I’ve… peaked.” Then he turned his head to look the other way. But as he turned, I saw the whisper of a smile on his lips. And I realised then that, far from being the terrifying figure I’d always assumed he must be, Alan was a man with a brilliantly dry sense of humour. I didn’t need to be wary of him. Far from it. I needed to relish the time I had with this smart, witty, interesting man.
Tom Felton (Beyond the Wand: The Magic and Mayhem of Growing Up a Wizard)
It has been said that a stoic is someone who says “fuck you” to fate. So I kept going, not because I wanted to, trust me. All of me wanted to stop. I kept going because I deserve to know what not giving up on myself felt like. Some may call this living out of spite. I’m running out of tears to cry. Maybe something is changing me. If I could wave my magic wand, I’d make everything all right, but I’m not one to believe in magic. I have no idea what’s awaiting me or others who are suffering. I have no clue what will happen with time. But for the moment I know this; there are sick people and they need curing.
Jon Douglas (In It for the Long Haul)
They were auditioning in pairs, so I found myself alongside a young girl in front of three or four casting executives. The girl had huge hair and was wearing a very colourful dress. “There’s no script,” they told us. “When we say so, we want you both to mime as if you’ve just heard the doorbell and you’re opening up the door and Mr. Bean is standing there. You think you can do that?” I nodded. I’d been through quite a few auditions by this time so I wasn’t too nervous. The girl, though, seemed kind of kooky. She turned to the casting people and said: “Are we allowed to faint?” There was a moment. The casting people exchanged a look. I found myself thinking: wow, she’s really going for it. Maybe I need to up my game. “I think we’d rather you didn’t faint,” one of them said. She looked a bit crestfallen, but she nodded and the scene started. We both mimed opening up the door and then, before I could react at all and at the very top of her voice, the kooky girl inexplicably screamed: “MOTHER GOOSE!” And she hit the floor like a toppled tree.
Tom Felton (Beyond the Wand: The Magic and Mayhem of Growing Up a Wizard)
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