Chew Words Quotes

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In the end, he was nobody to Adam, he was nobody to Ronan. Adam spit his words back at him and Ronan squandered however many second chances he gave him. Gansey was just a guy with a lot of stuff and a hole inside him that chewed away more of his heart every year.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
How did I love her? Let me count the ways. The freckles on her nose like the shadow of a shadow; the way she chewed on her lower lip when she walked and how when she ran she looked like she was born going fast and how she fit perfectly against my chest; her smell and the touch of her lips and her skin, which was always warm, and how she smiled. Like she had a secret. How she always made up words during Scrabble. Hyddym (secret music). Grofp (cafeteria food). Quaw (the sound a baby duck makes). How she burped her way through the alphabet once, and I laughed so hard I spat out soda through my nose. And how she looked at me like I could save her from everything bad in the world. This was my secret: she was the one who saved me.
Lauren Oliver (Requiem (Delirium, #3))
Don't live by my words, don't die by them, chew them slowly digest them, and smile if they give nourishment to your soul.
Stanley Victor Paskavich
You saw a ghost, didn't you?" he said. To my relief, I managed to laugh. "Hate to break it to you, but there's no such thing as ghosts." Huh." His gaze traveled around the laundry room, like a cop searching for an escaped convict. When he turned that piercing look on me, its intensity sucked the backbone out of me. What do you see, Chloe?" I -I-I don't s-s-s-" Slow down." He snapped the words, impatient. "What do they look like? Do they talk to you?" You really want to know?" Yeah." I chewed my lip, then lifted onto my tiptoes. He bent to listen. They wear white sheets with big eye holes. And they say 'Boo!'" I glowered up at him. "Now get out of my way." I expected him tosneer. Cross his arms and say, Make me, little girl.His lips twitched and I steeled myself, then I realized he was smiling.Laughing at me. He stepped aside. I swept past him to the stairs.
Kelley Armstrong (The Summoning (Darkest Powers, #1))
It's Nathaniel Hawthorne Month in English. Poor Nathaniel. Does he know what they've done to him? We're reading The Scarlet Letter one sentence at a time, tearing it up and chewing on its bones. It's all about SYMBOLISM, says Hairwoman. Every word chosen by Nathaniel, every comma, every paragraph break -- these were all done on purpose. To get a decent grade in her class, we have to figure out what he was really trying to say. Why couldn't he just say what he meant? Would they pin scarlet letters on his chest? B for blunt, S for straightforward?
Laurie Halse Anderson (Speak)
He couldn’t stand it, all of this inside him. In the end, he was nobody to Adam, he was nobody to Ronan. Adam spit his words back at him and Ronan squandered however many second chances he gave him. Gansey was just a guy with a lot of stuff and a hole inside him that chewed away more of his heart every year. They were always walking away from him. But he never seemed able to walk away from them.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Optimist" is a word which here refers to a person, such as Phil, who thinks hopeful and pleasant thoughts about nearly everything. For instance, if an optimist had his left arm chewed off by an alligator, he might say, in a pleasant and hopeful voice, "Well, this isn't too bad. I don't have my left arm anymore, but at least nobody will ever ask me whether I am right-handed or left-handed," but most of us would say something more along the lines of "Aaaaah! My arm! My arm!
Lemony Snicket (The Miserable Mill (A Series of Unfortunate Events, #4))
I am officially turning him over to you. He's your problem now. You'll have to watch out for him and that won't be easy. He's naive, gullible, immature, horribly unsophisticated, ignorant about anything worth knowing, and idealistic to a fault." He paused to make a show of thinking harder. "He's also indecisive, pathetically honest, a horrible liar, and too virtuous for words. He gets up twice each night to relieve himself, wads his clothes rather than folds them, chews with his mouth open, and talks with his mouth full. He has a nasty habit of cracking his knuckles every morning at breakfast, and, of course, he snores. To remedy that, just put a rock under his blanket.
Michael J. Sullivan (Heir of Novron (The Riyria Revelations, #5-6))
And did anyone here bring me food? I'm famished." [Gregor's] fingers found a stray fortune cookie from the night before and he pulled it out. "Here," he said. Ripred reacted with exaggerated amazement. "Oh, heavens, is this whole thing for me?" "Look, I didn't even know --" Gregor began. "No, please. Don't apologize." Ripred's tongue darted out and flicked the cookie into his mouth. "Oh, yes, oh, my word," he raved as he chewed and swallowed. "I'm absolutely stuffed!
Suzanne Collins (Gregor and the Curse of the Warmbloods (Underland Chronicles, #3))
I’d take that gum out of the keyhole if I were you, Peeves,” he said pleasantly. Peeves paid no attention to Professor Lupin’s words, except to blow a loud wet raspberry. Professor Lupin gave a small sigh and took out his wand. “This is a useful little spell,” he told the class over his shoulder. “Please watch closely.” He raised the wand to shoulder height, said, “Waddiwasi!” and pointed it at Peeves. With the force of a bullet, the wad of chewing gum shot out of the keyhole and straight down Peeves’s left nostril; he whirled upright and zoomed away, cursing. “Cool, sir!” said Dean Thomas in amazement. “Thank you, Dean,” said Professor Lupin, putting his wand away again. “Shall we proceed?
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
Gansey despised raising his voice (in his head, his mother said, People shout when they don't have the vocabulary to whisper), but he heard it happening despite himself and so, with effort, he kept his voice even. "Not like this. At least you have a place to go. 'End of the world'... What is your problem, Adam? I mean, is there something about my place that's too repugnant for you to imagine living there? Why is it that everything kind I do is pity to you? Everything is charity. Well, here it is: I'm sick of tiptoeing around your principles." "God, I'm sick of your condescension, Gansey," Adam said. "Don't try to make me feel stupid. Who whips out repugnant? Don't pretend you're not trying to make me feel stupid." "This is the way I talk. I'm sorry your father never taught you the meaning of repugnant. He was too busy smashing your head against the wall of your trailer while you apologized for being alive." Both of them stopped breathing. Gansey knew he'd gone too far. It was too far, too late, too much. Adam shoved open the door. "Fuck you, Gansey. Fuck you," he said, voice low and furious. Gansey close his eyes. Adam slammed the door, and then he slammed it again when the latch didn't catch. Gansey didn't open his eyes. He didn't want to see if people were watching some kid fight with a boy in a bright orange Camaro and an Aglionby jumper. Just then he hated his raven-breasted uniform and his loud car and every three- and four-syllable word his parents had used in casual conversation at the dinner table and he hated Adam's hideous father and Adam's permissive mother and most of all, most of all, he hated the sound of Adam's last words, playing over and over. He couldn't stand it, all of this inside him. In the end, he was nobody to Adam, he was nobody to Ronan. Adam spit his words back at him and Ronan squandered however many second chances he gave him. Gansey was just a guy with a lot of stuff and a hole inside him that chewed away more of his heart every year. They were always walking away from him. But he never seemed able to walk away from them. Gansey opened his eyes. The ambulance was still there, but Adam was gone.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Seeing the woman as she was made them remember the envy they had stored up from other times. so they chewed up the back parts of their minds and swallowed with relish. They made burning statements with questions, and killing tools out of laughs. It was mass cruelty. A mood come alive. Words walking without masters; walking altogether like harmony in a song. (2)
Zora Neale Hurston (Their Eyes Were Watching God)
I made a big show of catching invisible words in my hands and putting them in my mouth and chewing on them. I knew my word-catching charade wasn't the best way to make a fast friend at Stoneberry Elementary School. But it was the only way I could think of to make my sister feel better. And I think if you're lucky, a sister is the same as a friend, but better. A sister is like a super-forever-infinity friend.
Natalie Lloyd (A Snicker of Magic)
Reading is a gift, but only if the words are taken into the soul--eaten, chewed, gnawed, received in unhurried delight.
Eugene H. Peterson
We cannot repeat too often the great lesson of freudian psychology: that repression is normal self-protection and creative self-restriction-in a real sense, man's natural substitute for instinct. Rank has a perfect, key term for this natural human talent: he calls it "partialization" and very rightly sees that life is impossible without it. What we call the well-adjusted man has just this capacity to partialize the world for comfortable action. I have used the term "fetishization," which is exactly the same idea: the "normal" man bites off what he can chew and digest of life, and no more. In other words, men aren't built to be gods, to take in the whole world; they are built like other creatures, to take in the piece of ground in front of their noses. Gods can take in the whole of creation because they alone can make sense of it, know what it is all about and for. But as soon as a man lifts his nose from the ground and starts sniffing at eternal problems like life and death, the meaning of a rose or a star cluster-then he is in trouble. Most men spare themselves this trouble by keeping their minds on the small problems of their lives just as their society maps these problems out for them. These are what Kierkegaard called the "immediate" men and the "Philistines." They "tranquilize themselves with the trivial"- and so they can lead normal lives.
Ernest Becker (The Denial of Death)
we all make vows, Jimmy. And there is something very beautiful and touching and noble about wanting good impulses to be permanent and true forever," she said. "Most of us stand up and vow to love, honor and cherish someone. And we truly mean it, at the time. But two or twelve or twenty years down the road, the lawyers are negotiating the property settlement." "You and George didn't go back on your promises." She laughed. "Lemme tell ya something, sweetface. I have been married at least four times, to four different men." She watched him chew that over for a moment before continuing, "They've all been named George Edwards but, believe me, the man who is waiting for me down the hall is a whole lot different animal from the boy I married, back before there was dirt. Oh, there are continuities. He has always been fun and he has never been able to budget his time properly and - well, the rest is none of your business." "But people change," he said quietly. "Precisely. People change. Cultures change. Empires rise and fall. Shit. Geology changes! Every ten years or so, George and I have faced the fact that we have changed and we've had to decide if it makes sense to create a new marriage between these two new people." She flopped back against her chair. "Which is why vows are such a tricky business. Because nothing stays the same forever. Okay. Okay! I'm figuring something out now." She sat up straight, eyes focused somewhere outside the room, and Jimmy realized that even Anne didn't have all the answers and that was either the most comforting thing he'd learned in a long time or the most discouraging. "Maybe because so few of us would be able to give up something so fundamental for something so abstract, we protect ourselves from the nobility of a priest's vows by jeering at him when he can't live up to them, always and forever." She shivered and slumped suddenly, "But, Jimmy! What unnatural words. Always and forever! Those aren't human words, Jim. Not even stones are always and forever.
Mary Doria Russell (The Sparrow (The Sparrow, #1))
Yes,she worked as a stripper in her grandmother's bakery!" she blurts out.What?! It's so unfortunate that my mouth is full of rice right now. Why did I take such a big bite? It's taking forever to chew!"Stripping in a bakery, huh?" Zane says with a ridiculously adorable half smile. "That's pretty awesome."I just keep shaking my head in a tiny mortified sort of way. "I don't...I'm not a stripper," I stumble over my words,hideously embarrassed. Mom's eyes are huge right now. "Oh, no!" she gasps. "Did I just call you a stripper?!"Indeedly-doodly, Mother.
Nicole Christie
Read them out loud, and take it slow. When you hit a comma, stop and chew. When you hit a period, swallow. Don't try to eat any circled words.
Pat Schmatz (Bluefish)
My auntie Chava used to tell me to chew my words before letting them out. "Seven times, Majan," she would say. "Chew them seven times.
Susan Fletcher (Shadow Spinner)
Resurfacing is nonpareil. And splitting a sandwich with someone you’ve said maybe two words to all morning is idyllic.
Durga Chew-Bose (Too Much and Not the Mood: Essays)
Some things in life are bad They can really make you mad Other things just make you swear and curse. When you're chewing on life's gristle Don't grumble, give a whistle And this'll help things turn out for the best... And...always look on the bright side of life... Always look on the light side of life... If life seems jolly rotten There's something you've forgotten And that's to laugh and smile and dance and sing. When you're feeling in the dumps Don't be silly chumps Just purse your lips and whistle - that's the thing. And...always look on the bright side of life... Always look on the light side of life... For life is quite absurd And death's the final word You must always face the curtain with a bow. Forget about your sin - give the audience a grin Enjoy it - it's your last chance anyhow. So always look on the bright side of death Just before you draw your terminal breath Life's a piece of shit When you look at it Life's a laugh and death's a joke, it's true. You'll see it's all a show Keep 'em laughing as you go Just remember that the last laugh is on you. And always look on the bright side of life... Always look on the right side of life... (Come on guys, cheer up!) Always look on the bright side of life... Always look on the bright side of life... (Worse things happen at sea, you know.) Always look on the bright side of life... (I mean - what have you got to lose?) (You know, you come from nothing - you're going back to nothing. What have you lost? Nothing!) Always look on the right side of life...
Eric Idle
Nonrefundable. It was a good, solid word, one you couldn't chew, one that only dissolved after sucking slowly.
Shannon Hale (Austenland (Austenland, #1))
if all else fails, i'll chew up the remaining shards. (i've swallowed much sharper words than this.)
Amanda Lovelace (To Make Monsters Out of Girls (Things that Haunt, #1))
Fall?” he repeated. “Say more like flying, as if someone threw you. What  .  .  . was that?” I chewed on my words before I let them out. “I  .  .  . sometimes have little disagreements with  .  .  . um, with reality. And physics.
Kat Richardson (Seawitch (Greywalker, #7))
Whatever happens between us, Elio, I just want you to know. Don’t ever say you didn’t know.” He was still chewing. In the heat of passion it would have been one thing. But this was quite another. He was taking me away with him. His words made no sense. But I knew exactly what they meant.
André Aciman (Call Me by Your Name (Call Me by Your Name, #1))
...good words - that triumphalism of positivity- but life will claw and eat you - chew you over and over - if you carry such a small knife ...
John Geddes (A Familiar Rain)
There's a type of inborn initiative that comes from having never been obligated to answer questions about one's name, or one's country of so-called origin, or to explain the way you look is generationally and geographically worlds apart from where you were born. Since childhood, there's been this assumption that I owe strangers an answer when they inquire about matters I myself struggle to have words for, let alone understand.
Durga Chew-Bose (Too Much and Not the Mood: Essays)
Vimes shook his head. “That always chews me up,” he said. “People killing one another just because their gods have squabbled—” “Oh, they’ve got the same god, sir. Apparently it’s over a word in their holy book, sir. The Elharibians say it translates as ‘god’ and the Smalies say it’s ‘man.’” “How can you mix them up?” “Well, there’s only one tiny dot difference in the script, you see. And some people reckon it’s only a bit of fly dirt in any case.” “Centuries of war because a fly crapped in the wrong place?” “It could have been worse,” said Carrot. “If it had been slightly to the left the word would have been ‘liquorice.
Terry Pratchett (Jingo (Discworld, #21))
Mark my words. Someday, somehow, he WILL be back. And upon his return, shake the very foundation of heaven and hell. Irrevocably. Irredeemably. Because that's one bad-ass motherfuckin' bird!
John Layman (Chew, Vol. 6: Space Cakes)
When all the birds and all the fish join forces, the politicians will be forced to chew on and swallow their own slimy, wormlike words. But until the time that the sky and the sea blend into one, I’ll leave my fishing pole in a tree, disguised as a branch.
Jarod Kintz (This Book is Not for Sale)
The Hierarch of Rak Urga drew himself up. “This is not a request, Urgit. I’m not asking you.” “Good. Because I’m not going.” “I command you to go.” “I don’t think so.” “Do you realize to whom you’re talking?” “Perfectly, old boy. You’re the same tiresome old Grolim who’s been boring me to tears ever since I inherited the throne from that fellow who used to chew on the carpets back in Rak Goska. Listen carefully, Agachak. I’ll use short words and simple sentences so I don’t confuse you. I am not going to Mallorea. I’ve never had any intention of going to Mallorea. There’s nothing I want to see in Mallorea. There’s nothing I want to do there. I most definitely do not intend to put myself anywhere near Kal Zakath, and he’s gone back to Mal Zeth. Not only that, they have demons in Mallorea. Have you ever seen a demon, Agachak?” “Once or twice,” the Hierarch replied sullenly. “Are you’re still going to Mallorea? Agachak, you’re as crazy as Taur Urgas was.
David Eddings (Sorceress of Darshiva (The Malloreon, #4))
They’d gravitated closer while speaking, elbows kissing atop the banister. “Tell me something else,” she said. “Something embarrassing.” “That’s an easy one. I’ve been keeping your chewed-up pens in the glove compartment of my car.” A startled laugh burst out of her. “I can’t believe you just admitted to that. That is incredibly creepy.” His smile sharpened. “Bold words from a girl with a drawing of me shoved in her purse.
Kelly Andrew (The Whispering Dark)
For our own part, we learned a great deal about the techniques of love, and because we didn't know the words to denote what we saw, we had to make up our own. That was why we spoke of "yodeling in the canyon" and "tying the tube," of "groaning in the pit," "slipping the turtle's head," and "chewing the stinkweed." Years later, when we lost our own virginities, we resorted in our panic to pantomiming Lux's gyrations on the roof so long ago; and even now, if we were to be honest with ourselves, we would have to admit that it is always that pale wraith we make love to, always her feet snagged in the gutter, always her single blooming hand steadying itself against the chimney, no matter what our present lovers' feet and hands are doing.
Jeffrey Eugenides (The Virgin Suicides)
Can you sacrifice a few? When those few are the best? Deny the best its right to the top--and you have no best left. What are your masses but millions of dull, shriveled, stagnant souls that have no thoughts of their own, no dreams of their own, no will of their own, who eat and sleep and chew helplessly the words others put into their brains? And for those you would sacrifice the few who know life, who are life? I loathe [Andrei] your ideals because I know no worse injustice than the giving of the undeserved. Because men are not equal in ability and one can't trust them as if they were.
Ayn Rand
I’ve felt infinity too, late in my twenties, when I discovered a word in English I’d only ever known in Bengali. Or when I spot, with hours still left in the day, the moon’s hazy thumbprint. How the moon enjoys debunking the day.
Durga Chew-Bose (Too Much and Not the Mood: Essays)
The words he had written wiggled off the page and escaped from the drawer. The letters stacked themselves, one on top of the other. Their towers reached higher and higher until they stood majestic and tall, surrounding Neftali in a city of promise. HUMANITY. SOLIDARITY. GENEROSITY. PEACE. JUSTICE. LOVE. Then a tiny, conceited word came along. Like a hungry termite, it began to gnaw on the tall words, chewing at their foundation, gulping their pulp until they swayed, toppled, and collapsed. All that remained was one fat, satisfied syllable. FEAR.
Pam Muñoz Ryan (The Dreamer)
ABNER Marsh had a mind that was not unlike his body. It was big all around, ample in size and capacity, and he crammed all sorts of things into it. It was strong as well; when Abner Marsh took something in his hand it did not easily slip away, and when he took something in his head it was not easily forgotten. He was a powerful man with a powerful brain, but body and mind shared one other trait as well: they were deliberate. Some might even say slow. Marsh did not run, he did not dance, he did not scamper or slide along; he walked with a straightforward dignified gait that nonetheless got him where he wanted to go. So it was with his mind. Abner Marsh was not quick in word or thought, but he was far from stupid; he chewed over things thoroughly, but at his own pace.
George R.R. Martin (Fevre Dream)
There is a tree. At the downhill edge of a long, narrow field in the western foothills of the La Sal Mountains -- southeastern Utah. A particular tree. A juniper. Large for its species -- maybe twenty feet tall and two feet in diameter. For perhaps three hundred years this tree has stood its ground. Flourishing in good seasons, and holding on in bad times. "Beautiful" is not a word that comes to mind when one first sees it. No naturalist would photograph it as exemplary of its kind. Twisted by wind, split and charred by lightning, scarred by brushfires, chewed on by insects, and pecked by birds. Human beings have stripped long strings of bark from its trunk, stapled barbed wire to it in using it as a corner post for a fence line, and nailed signs on it on three sides: NO HUNTING; NO TRESPASSING; PLEASE CLOSE THE GATE. In commandeering this tree as a corner stake for claims of rights and property, miners and ranchers have hacked signs and symbols in its bark, and left Day-Glo orange survey tape tied to its branches. Now it serves as one side of a gate between an alfalfa field and open range. No matter what, in drought, flood heat and cold, it has continued. There is rot and death in it near the ground. But at the greening tips of its upper branches and in its berrylike seed cones, there is yet the outreach of life. I respect this old juniper tree. For its age, yes. And for its steadfastness in taking whatever is thrown at it. That it has been useful in a practical way beyond itself counts for much, as well. Most of all, I admire its capacity for self-healing beyond all accidents and assaults. There is a will in it -- toward continuing to be, come what may.
Robert Fulghum (Uh-oh: Some Observations from Both Sides of the Refrigerator Door)
In the immortal words of Duke Vaughn, “If you don’t have anything nice to say, take a big bite and chew slow.
Matthew FitzSimmons (The Short Drop (Gibson Vaughn, #1))
She had thought the chewing and digesting were meant literally and wondered, horrified, why Mo had hung on his workshop door the words of someone who vandalized books.
Cornelia Funke (Inkheart (Inkworld, #1))
The genius of the word is that it’s more of an expression than a word.
Durga Chew-Bose (Too Much and Not the Mood: Essays)
Now tell me, briefly, what the word ‘homosexuality’ means to you, in your own words." "Love flowers pearl, of delighted arms. Warm and water. Melting of vanilla wafer in the pants. Pink petal roses trembling overdew on the lips, soft and juicy fruit. No teeth. No nasty spit. Lips chewing oysters without grimy sand or whiskers. Pastry. Gingerbread. Warm, sweet bread. Cinnamon toast poetry. Justice equality higher wages. Independent angel song. It means I can do what I want.
Judy Grahn (Edward the Dyke and Other Poems)
What would you do if you were King’s Thief, Gen? Chew with your mouth open in the royal presence? Chat with the court ladies, dropping the h’s at the beginning of your words and garbling the ends of most of them? Everything about you reveals your low birth. You’d never be comfortable at the court.
Megan Whalen Turner (The Thief (The Queen's Thief, #1))
Many people’s expectations, at least in this country, are fairly similar: be friendly, loyal, pettable; find me charming and lovable—but know that I am in charge; do not pee in the house; do not jump on guests; do not chew my dress shoes; do not get into the trash. Somehow, word hasn’t gotten to the dogs.
Alexandra Horowitz (Inside of a Dog: What Dogs See, Smell, and Know)
argued that depression is a terrible word for the affliction. Should be called something like mindstorm. Still, Lucas’s intuition told him that mindstorms didn’t just show up: they needed something to chew on.
John Sandford (Gathering Prey (Lucas Davenport, #25))
My case is not unique : I am afraid of dying and distressed at being in this world. I haven’t worked, I haven’t studied. I have wept, I have cried out in protest. These tears and cries have taken up a great deal of my time. I am tortured by all the time lost whenever I think about it. I cannot think about things for long, but I can find pleasure in a withered lettuce leaf offering me nothing but regrets to chew over. There is no sustenance in the past. I shall depart as I arrived. Intact, loaded down with the defects that have tormented me. I wish I had been born a statue : I am a slug under my dunghill. Virtues, good qualities, courage, meditation, culture. With arms crossed on my breast I have broken myself against those words.
Violette Leduc (La Bâtarde)
He sat before a note book of blank pages, saying: I swallow my own words. I chew and chew everything until it deteriorates. Every thought or impulse I have is chewed into nothingness. I want to capture all my thoughts at once, but they run in all directions. If I could do this I would be capturing the nimblest of minds, like a shoal of minnows. I would reveal innocence and duplicity, generosity and calculation, fear and cowardice and courage. I want to tell the whole truth, but I cannot tell the whole truth because I would have to write four pages at once, like four columns simultaneously, four pages to the present one, and so I do not write at all. I would have to write backwards, retrace my steps constantly to catch the echoes and overtones.
Anaïs Nin
What answer had your lecturer in Moscow to make to the question why he was forging notes? 'Everybody is getting rich one way or another, so I want to make haste to get rich too.' I don't remember the exact words, but the upshot was that he wants money for nothing, without waiting or working! We've grown used to having everything ready-made, to walking on crutches, to having our food chewed for us. Then the great hour struck, and every man showed himself in his true colours.
Fyodor Dostoevsky (Crime and Punishment)
Between the sleeping and the waking, it is there. Between the rising and the resting, it is there. It is always there. It gnaws on my heart. It chews on my soul. I turn aside and see it. I stop my ears and hear it. I cover myself and feel it. There are no human words for what I mean. It is the language of the bare bough and the cold stone, pronounced in the fell wind's sullen whisper and the metronomic drip-drip of the rain. It is the song the falling snow sings and the discordant clamour of sunlight ripped apart by the canopy and miserly filtered down. It is what the unseeing eye sees. It is what the deaf ear heres. It is the romantic ballad of death's embrace; the solemn hymn of offal dripping from bloody teeth; the lamentation of the bloated corpse rotting in the sun; the graceful ballet of maggots twisting in the ruins of God's temple. Here in this gray land, we have no name. We are the carcasses reflected in the yellow eye. Our bones are bleached within our skin; our empty sockets regard the crow. Here in this shadow country, our tiny voices scratch like a fly's wing against unmoving air. Ours is the language of imbeciles, the gibberish of idiots. The root and the vine have more to say than us.
Rick Yancey
Percy studied the statue uneasily. He’d never had the best relationship with Annabeth’s mom. He kept expecting Big Mama Statue to come alive and chew him out for getting her daughter into so much trouble—or maybe just step on him without a word. “It makes sense,” Nico said. Percy flinched. It almost sounded like Nico had read his mind and was agreeing that Athena should step on him.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
You don’t ever doubt me again,” he said hoarsely before his mouth grazed my nipples, first the left and then the right. His scruffy beard scraped the skin beneath raw as he went back and forth. “I will fucking kill you if you ever doubt me again!” he snarled. My eyes rolled back into their sockets at the weight of his words, the desperation in his voice matching the desperation in my movements. I moaned as he bit my nipple harder, almost chewing it between his teeth. I was trapped underneath him, and even though I knew I could push him away, I also knew I wouldn’t. “You answer me when I’m talking to you! ” he roared. “I won’t,” I breathed, my hands in his short hair. “Oh, God, I won’t.” “You won’t what! ” “I will never doubt you again!” “You’re damn right you won’t.
T.J. Klune (Burn (Elementally Evolved, #1))
The year of the birth of Israel, the year of the Republican tax cut and the Truman Balcony, would be remembered also as the year green (chlorophyll) chewing gum became a fad, the year of a new word game called “Scrabble,” of tail fins on Cadillacs, and an unimaginably daring new bathing suit called the bikini, after the island where the atomic bomb tests were carried out the summer before.
David McCullough (Truman)
She wanted them to argue with her, to gush, to rhapsodize. She wanted them to sparkle, not to chew. Words...words...words... She gobbled them up, spewed them out again, added them up, juggled them, nursed them along, carried them to bed and put them under the pillow like soiled pajamas, slept on them, snored over them. Words... When every other memory of her had fled there would remain-HER WORDS.
Henry Miller (Crazy Cock)
Hell, she knows why you chew your nails, why your eyes are blue one day, black the next. And all you want to do then is curl yourself with her, snug like a worm, lay your pumping head down in her lap. Have her caress you, be kind. No words because both of you are bodies, wrapping and unwrapping, there's eloquence in your embracings. Eyes closed, you realize everything you've ever wanted to say is right there.
Kirsty Gunn (This Place You Return To Is Home)
I watch these kids. They don't seem entirely unhappy. A few times I've even circled the Free Clinic on foot, trying to catch a closer glimpse of these kids and their lives as they pop in and out of the clinic's Sputnik-era, gone-to-seed building--Lancaster's future trolls and Popeyes loitering out back having hushed paranoid conversations. And once I even went to have a look where they hang out in a big way, out in the delivery bay behind the now-closed Donut Hut, the delivery bay grotto out back with a floor spongy with pigeon shit, chewing gum, cigarette ashes, and throat oysters--dank and sunless. I went to visit this place once when all the druggies were away, having their druggy lives downtown doing their druggy things: yelling at parked cars and having conversations with amber lights. I visited this place and I was confused: confused and attracted. Who do these people think they are? How can they not care about the future or hot running water or clean sheets or cable TV? These people. And on the walls down at the delivery bay, do you know what they had written? Written in letters several hands high, letters built of IV needles attached to the cement with soiled bandages and wads of chewing gum? They had written the words WE LIKE IT.
Douglas Coupland
...one of the best feelings there is is the accomplishing of something that's difficult. It's something that's yours. It's something no one can take away from you. And it's brave too, very brave. Determination means courage, and courage means you're a real person. And it doesn't have to be the most earth shattering act either. It could be telling yourself you're going to walk a mile and then going out and walking it. Or telling yourself I'm not going to chew gum for a week and then keeping your word to yourself. This is called dignity. it helps your self respect...
Don Robertson (The Greatest Thing Since Sliced Bread)
No one had chosen Gus. From the time he was a kid, no one had chosen him, and he was embarrassed by that, like it meant something about him. I wanted to tell him it didn’t. That it wasn’t because he was broken, but because everyone else was. But I couldn’t get any words out. I couldn’t do anything but stare at him—standing there, out of steam, his chest rising and falling with heavy breaths—and ache for him and hate the world a little for chewing him up.
Emily Henry (Beach Read)
She keeps talking, and I keep listening, writing down every word she says, even as some hungry part of my mind flies off into a corner, huddles with this new information—a morphine addict, some kind of opiate, for a period—and begins to chew on it, taste its marrow, decide how it might be digested. Decide if it’s true.
Ben H. Winters (The Last Policeman (Last Policeman, #1))
Her eyes are grey. Her hair is straggly and wet. Her fingers are stubby. The nails are chewed and broken. Her teeth are crooked, jagged things. There is a vacancy in her gaze, a feeling of absence when you are near her that is impossible to put into words. Her sigil is the hooked ring. One day her hook will catch your heart. Describing her, we articulate what she is and why she is: when hope is past, she is there. She is in a thousand thousand waiting rooms and empty streets, in grey concrete buildings and anonymous hotels. She is on the other side of every mirror. When the eyes that look back at you know you too well, and no longer care for what they see, they are her eyes. She stands and waits, and in her posture the pain no longer tells you to live, and in her presence joy is unimaginable.
Neil Gaiman (The Sandman: Endless Nights)
The convert will understand. How do they translate ºyw in your English interpretation?” “Atom,” said the convert. “You don’t find that strange, considering atoms were unknown in the sixth century?” The convert chewed her lip. “I never thought of that,” she said. “You’re right. There’s no way atom is the original meaning of that word.” “Ah.” Vikram held up two fingers in a sign of benediction. He looked, Alif thought, like some demonic caricature of a saint. “But it is. In the twentieth century, atom became the original meaning of ºyw, because an atom was the tiniest object known to man. Then man split the atom. Today, the original meaning might be hadron. But why stop there? Tomorrow, it might be quark. In a hundred years, some vanishingly small object so foreign to the human mind that only Adam remembers its name. Each of those will be the original meaning of ºyw.” Alif snorted. “That’s impossible. ºyw must refer to some fundamental thing. It’s attached to an object.” “Yes it is. The smallest indivisible particle. That is the meaning packaged in the word. No part of it lifts out—it does not mean smallest, nor indivisible, nor particle, but all those things at once. Thus, in man’s infancy, ºyw was a grain of sand. Then a mote of dust. Then a cell. Then a molecule. Then an atom. And so on. Man’s knowledge of the universe may grow, but ºyw does not change.” “That’s . . .” The convert trailed off, looking lost. “Miraculous. Indeed.
G. Willow Wilson (Alif the Unseen)
what does help the person who has been raped is to chew it up and then spit it the hell out. And by chew it up I mean talk about it, write about it, paint it, make a movie about it, and then be done with it and move on. Because here’s the truth about rape: you do not have to be victimized by it forever. You can take this awful, bottomless horror the rapist has inflicted on you, and you can seize it and recycle it into something wonderful and helpful and useful. You can, in this way, transform what was “done” to you into something that was “given” to you in the form of brutally raw material. You can, in other words, accept this hideous thing and embrace it and take complete control of the experience and reshape it as you please. This is not to deny the experience and how devastating it is; it is to accept the experience on the deepest level as your own possession now. An experience that is now part of you. Instead of allowing it to be a tap that drains you, you can force it into duty in service to your creative or intellectual goals. Many
Augusten Burroughs (This Is How: Surviving What You Think You Can't)
I want you to know," Noah said, pressing the carved bone against his Adam's apple, hard, as if it would squeeze the words from him, "I was...more...when I was alive." Adam chewed his lip, looking for a response. Blue thought she knew what he meant, though. Noah's resemblance to the crookedly smiling photo on the driver's license Gansey had discovered was akin to a photocopy's resemblance to an original painting. She couldn't imagine the Noah she knew driving that tricked-out Mustang. "You're enough now," Blue said. "I missed you.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
waiting for the other shoe to drop. Did you know it originated in cities like Chicago and New York?” “No. I did not” He tilted his head, his mouth hooking upward to one side as though he were trying not to laugh. “Tell me about it.”He was teasing me again. “Well, it did. So…”He lifted his eyebrows, “That’s all? You’re not going to tell me the specific origin of the idiom waiting for the other shoe to drop’?”I shook my head, “I don’t know it.”He mimicked me and shook his head in response, “You’re lying. You do know.”“Nope. I don’t.”“This is just like the mammals.” He sighed and placed his phone on the table. Before he took a bite from his sandwich he said, “You’re stingy with information.”My frowned deepened, “No, I’m not-”His words were somewhat garbled as he spoke between chewing, “You’re an information tease.”“What?!”“Or maybe you don’t really know the origin and you’re just making things up to impress me-” he took another bite. “I am not! It originates from the late industrial revolution, in the late 19th and early 20th century.Apartments were all built with the same floor plan, in similar design so one tenant’s bedroom was under another’s. Therefore it was normal to hear an upstairs neighbor removing his or her shoes and hearing one shoe hit the floor, then the other, when they undressed at night.”“I wonder what else they heard.” His gaze held mine, seemed to burn with a new intensity.“I suppose anything that was loud enough.
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
Over the years, Skye sampled every drug she could find, and like many addicts, had a working knowledge of pharmacology. She snorted coke and swallowed pills. She took downers—orange and red Seconal, red and ivory Dalmane, Miltown, Librium, Luminal, Nembutal, and Quaaludes. Blue devils, red birds, purple hearts. Enough of them sank her in a kind of coma, where she watched her own limbs suspended in front of her in syrup. For a party, there was Benzedrine, rushing in her veins and making her talk for an hour in one long sentence. Day to day, she carried yellow tablets loose in her pockets, Dilaudid and Percodan, and chewed them in the back of classrooms. But her favorite was the greatest pain reliever of them all, named for the German word for hero.
Frederick Weisel (Teller)
Much of any culture can be linked back to eating and food, food and care, eating and language. To eat one's feelings, to eat dust, words, to eat your own heart out, to eat someone else alive, to eat your cake and have it too, things that are adorable (puppies, babies) that are said to be good enough to eat, to have someone else eat out of the palm of your hand, to be chewed out, a dog-eat-dog world. Chinese isn't any different from English in this way. Chī for "eat," and chī sù, to only eat vegetables, but also, colloquially, to be a pushover. Chī cù, to eat vinegar or be jealous. Chī lì, to eat effort, as for a task that is very strenuous. To eat surprise, to be amazed, chī jī ng. To be completely full or chī bǎo fàn, and thus to have nothing better to do. To eat punishment or get the worst of it, chī kuī. And, most important, to eat hardship, suffering, and pain, chī kǔ, a defining Chinese quality, to be able to bear a great deal without showing a crack.
Weike Wang (Joan Is Okay)
Moments later, I was climbing nervously into the back of the car. The driver wore the archetypal expression of an antagonist. No words were exchanged beyond the brief lines uttered to this nameless stranger, whose inclinations remained unclear. The car sped along empty roads and traversed dingy alleyways. Music blared from its speakers. I did not remember exhaling throughout the entire journey.
Agnes Chew (The Desire for Elsewhere)
The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.
Margaret Atwood (Morning In The Burned House: Poems)
Optimist” is a word which here refers to a person, such as Phil, who thinks hopeful and pleasant thoughts about nearly everything. For instance, if an optimist had his left arm chewed off by an alligator, he might say, in a pleasant and hopeful voice, “Well, this isn’t too bad. I don’t have my left arm anymore, but at least nobody will ever ask me whether I am right-handed or left-handed,” but most of us would say something more along the lines of “Aaaaah! My arm! My arm!
Lemony Snicket (The Miserable Mill (A Series of Unfortunate Events, #4))
The faces around me were flushed from the wine. When jaw muscles relax, the atmosphere becomes relaxed as well. People’s mouths fell open like trash bags, and garbage spilled out. I had to chew the garbage, swallow it, and spit it back out in different words. Some of the words stank of nicotine. Some smelled like hair tonic. The conversation became animated. Everyone began to talk, using my mouth. Their words bolted into my stomach and then back out again, footsteps resounding up to my brain.
Yōko Tawada (Where Europe Begins: Stories)
At General Dexterity, I was contributing to an effort to make repetitive labor obsolete. After a trainer in the Task Acquisition Center taught an arm how to do something, all the arms did it perfectly, forever, In other words, you solved a problem once, and then you moved on to other more interesting things. Baking, by contrast, was solving the same problem over and over again, because every time, the solution was consumed. I mean, really: chewed and digested. Thus, the problem was ongoing. Thus, the problem was perhaps the point.
Robin Sloan (Sourdough)
BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
Send word down the line,” he said. “We’ll camp here for the night.” Valik nodded and started to turn his horse around. “And Valik? There are lamps in the carriage that are apparently supposed to help her back heal faster. Have them set them up in my tents. I’ll see to the men while you get her settled.” At Valik’s raised brows, Wynter added, “Your face is prettier than mine, or so I’m told. She may find it easier to do what you ask than what I command.” “You’re forgetting she kicked me in my pretty face last time I asked her to do something she didn’t want to do.” Wyn gave a grunt of laughter. “Better than kicking you in the balls.” Then he sobered. “And see to it she actually eats and drinks something.” She’d taken little nourishment all day, and though he’d allowed it, knowing anything she ate was likely to come back up once they started moving again, they were stopping for the night now, and she needed to eat. Her body needed sustenance to heal. “If she balks, tell her I’ll force it down her throat myself if I must.” Valik shook his head. “I’ll let you tell her that.” He rubbed his jaw. “I want to be able to chew my dinner.
C.L. Wilson (The Winter King (Weathermages of Mystral, #1))
She was not to eat anything that was inside the house unless it was given to her, even if it was something that sounded good while she chewed it, like cardboard boxes or plastic serving utensils, and in particular she was not to eat anything of Adam’s or from Aurora’s bedroom and if she did, she would be punished. She was not supposed to call Ronan Kerah because he had a name and she was perfectly capable of forming any word she liked, unlike Chainsaw, who only had a beak. She was allowed to climb on nearly anything except for the cars because hooves were not good for metal and also her hands were always very grubby. She did not have to take a bath or otherwise wash herself unless she wanted to come in the house, and she could not lie about having washed herself if she wanted to be allowed on a couch because God, Opal, your legs smell like wet dog. She was not allowed to steal. Hiding objects from other people counted as stealing, unless the objects were presents, which you hid but then laughed about later. Dead things were not to be eaten on the porch, which was a hard rule, because living things were also not to be eaten on the porch. She was not to run in the road or try to return to the ley line without someone with her, which was a silly rule, because the ley line felt like a dream and under no circumstance would she willingly return to one of those. She was to only tell the truth because Ronan always told the truth, but she felt this was the most unfair rule of all because Ronan could dream himself a new truth if he liked and she had to stick with the one she was currently living. She was to remember that she was a secret.
Maggie Stiefvater (Opal (The Raven Cycle, #4.5))
Kereseth, I presume. Cyra didn’t say you were so…” She paused. Cyra’s eyebrows popped up like they were on springs. She was leaning against the wall, arms folded, chewing on a lock of hair. Sometimes she stuck it in her mouth without noticing. Then she’d spit it out, with a look of surprise, like it had crept into her mouth on its own. “…tall,” Otega finished. Akos wondered what word she would have chosen, if she felt comfortable being honest. “Not sure why she would have mentioned that,” Akos replied. It was easy to be comfortable around Otega; he slid into it without thinking much about it. “She’s tall, too, after all.” “Yes. Quite tall, the lot of you,” Otega said, distantly.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
In one such shop I saw lots of books in the window. I was reminded that humans have to read books. They actually need to sit down and look at each word consecutively. And that takes time. Lots of time. A human can’t just swallow every book going, can’t chew different tomes simultaneously, or gulp down near-infinite knowledge in a matter of seconds. They can’t just pop a word-capsule in their mouth like we can. Imagine! Being not only mortal but also forced to take some of that precious and limited time and read. No wonder they were a species of primitives. By the time they had read enough books to actually reach a state of knowledge where they can do anything with it they are dead.
Matt Haig
The Suriel's stained teeth clacked against each other. 'If you wish to speed your mate's healing, in addition to your blood, a pink-flowered weed sprouts by the river. Make him chew it.' I fired my arrow at the snare before I finished hearing its words. The trap sprang free. And the word clicked through me. Mate. 'What did you say?' The Suriel rose to its full height, towering over me even from across the clearing. I had not realised that despite the bone, it was muscled- powerful. 'If you wish to...' The Suriel paused, and grinned, showing nearly all of those brown, thick teeth. 'You did not know, then.' 'Say it,' I gritted out. 'The High Lord of the Night Court is your mate.' I wasn't entirely breathing. 'Interesting,' the Suriel said. Mate. Mate. Mate. Rhysand was my mate. Not lover, not husband, but more than that. A bond so deep, so permanent that it was honoured above all others. Rare, cherished. Not Tamlin's mate. Rhysand's. I was jealous, and pissed off... You're mine. The words slipped out of me, low and twisted, 'Does he know?' The Suriel clenched the robes of its new cloak in its bone-fingers. 'Yes.' 'For a long while?' 'Yes. Since-' 'No. He can tell me- I want to hear it from his lips.' The Suriel cocked its head. 'You are- you are feeling too much, too fast. I cannot read it.' 'How can I possibly be his mate?' Mates were equals- matched, at least in some ways. 'He is the most powerful High Lord to ever walk this earth. You are... new. You are made of all seven High Lords. Unlike anything. Are you two not similar in that? Are you not matched?' Mate. And he knew- he'd known. I glanced toward the river, as if I could see all the way to the cave, to where Rhysand slept. When I looked back at the Suriel, it was gone.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
If I may say, Rich, your wife is looking lovelier with each passing day.” “You may,” Rich’s muffled words fell against the large red apple in his mouth. He carried a plate of various fresh fruit and the bowl of spaghetti Jace had pointed out earlier. He set the plates down and took the apple out of his mouth while he munched on a piece. “She can’t hear it enough times with the discomfort, aches, pains, bloating and cramping she feels.” “Why don’t you also share the gas, cravings and the sudden violent tendencies I get, honey?” Joanna said flippantly as she reached for the spaghetti. “Ah!” Rich smacked her hand away and moved the bowl out of her reach. He pushed the fruit bowl forward in its place. “That’s healthier for our kids.” “They want messy pasta right now.” “Tell them they don’t always get what they want.” “Their mother wants messy pasta right now.” “Tell her she doesn’t always get what she wants.” Joanna leaned forward, pursing her lips and raising her eyebrow. “Once the children are born, papa won’t be getting what he wants late at night when he gives me that “I’m in heat” look. I’m sure of that.” Rich’s hand on the apple froze. Slowly he chewed, looking up at Jace and Gael whose gazes had been volleying back and forth on the couple as they spoke. Reluctantly, he pushed the spaghetti bowl forward. He reached for the fruit bowl but winced when Joanna smacked his hand away and pulled both bowls in front of her.
Rae Lori (Within the Shadows of Mortals (Ashen Twilight #2))
There is a Shotet poem I like,” she said in clear Thuvhesit. He’d heard her speak just a few Thuvhesit words in all the time they’d spent together. That she spoke it now meant something--they were on equal footing, in a way they couldn’t have been before. She had just about died to make them that way. He frowned as he chewed on that. What a person did when they were in pain said a lot about them. And Cyra, always in pain, had almost given her life to free him from Shotet prison. He would never forget it. “The translation is difficult,” she continued. “But roughly, one of the lines reads, ‘The heavy heart knows that justice is done.’” “Your accent is very good,” he said. “I like the way the words feel.” She touched her throat. “It reminds me of you.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
Slight and ridiculous as the incident was, it made him appear such a little fiend, and withal such a keen and knowing one, that the old woman felt too much afraid of him to utter a single word, and suffered herself to be led with extraordinary politeness to the breakfast-table. Here he by no means diminished the impression he had just produced, for he ate hard eggs, shell and all, devoured gigantic prawns with the heads and tails on, chewed tobacco and water-cresses at the same time and with extraordinary greediness, drank boiling tea without winking, bit his fork and spoon till they bent again, and in short performed so many horrifying and uncommon acts that the women were nearly frightened out of their wits, and began to doubt if he were really a human creature.
Charles Dickens (The Old Curiosity Shop)
What do you mean, words whose meanings evolved?" asked Alif. "That doesn't make sense. The Quran is the Quran." Vikram folded his legs-Alif did not watch this operation closely-and smiled at his audience. "The convert will understand. How do they translate ذرة in your English interpretation?" "Atom," said the convert. You don't find that strange, considering atoms were unknown in the sixth century?" The convert chewed her lip. "I never thought of that," she said. "You're right. There's no way atom is the original meaning of that word." "Ah." Vikram held up two fingers in a sign of benediction. He looked, Alif thought, like some demonic caricature of a saint. "But it is. In the twentieth century, atom became the original meaning of ذرة, because an atom was the tiniest object known to man. Then man split the atom. Today, the original meaning might be hadron. But why stop there? Tomorrow, it might be quark. In a hundred years, some vanishingly small object so foreign to the human mind that only Adam remembers its name. Each of those will be the original meaning of ذرة. Alif snorted. "That's impossible. ذرة must refer to some fundamental thing. It's attached to an object." "Yes it is. The smallest indivisible particle. That is the meaning packaged in the word. No part of it lifts out-it does not mean smallest, nor indivisible, nor particle, but all those things at once. Thus, in man's infancy, ذرة was a grain of sand. Then a mote of dust. Then a cell. Then a molecule. Then an atom. And so on. Man's knowledge of the universe may grow, but ذرة does not change." "That's..."The convert trailed off, looking lost. "Miraculous. Indeed.
G. Willow Wilson (Alif the Unseen)
Ask questions, no, screech questions out loud - while kneeling in front of the electric doors at Safeway, demanding other citizens ask questions along with you - while chewing up old textbooks and spitting the words onto downtown sidewalks - outside the Planet Hollywood, outside the stock exchange, and outside the Gap. Grind questions onto the glass on photocopiers. Scrape challenges onto old auto parts and throw them off bridges so that future people digging in the mud will question the world, too. Carve eyeballs into tire treads and onto shoe leathers so that your every trail speaks of thinking and questioning and awareness. Design molecules that crystallize into question marks. Make bar codes print out fables, not prices. You can't even throw away a piece of litter unless it has a question mark stamped on it - a demand for people to reach a finer place
Douglas Coupland (Girlfriend in a Coma)
Summer Between Terms" The day's so calm and muggy I sweat tears, the summer's cloudcap and the summer's heat... surely good writers write all possible wrong-- are we so conscience-dark and cataract-blind, we only blame in others what they blame in us? (The sentence writes we, when charity wants I...) It takes such painful mellowing to use error... I have stood too long on a chair or ladder, branch-lightening forking through my thought and veins-- I cannot hang my heavy picture straight. I can't see myself...in the cattery, the tomcats doze till the litters are eatable, then find their kittens and chew off their breakable heads. They told us by harshness to win the stars. Planes, trains, lorries simmer through the garden, the reviewer sent by God to humble me ransacking my bags of dust for silver spoons-- he and I go on typing to go on living. There are ways to live on words in England-- reading for trainfare, my host ruined on wine, my ear gone bad from clinging to the ropes. I'd take a lower place, eat my toad hourly; even big frauds wince at fraudulence, and squirm from small incisions in the self-- they live on timetable with no time to tell. I'm sorry, I run with the hares now, not the hounds. I waste hours writing in and writing out a line, as if listening to conscience were telling the truth
Robert Lowell
Okay. Apprentice, I command you to…think! Being a man of action is fine, but you need to think before you act.” “That’s.…” Phillip held up a hand. “Stop! Did you think about what you’re about to say?” “No.” “Then take a moment. Think about what you were going to say, what you have riding on my continued good will, and how I’m likely to react to the words you were about to let fall from your mouth like a partially chewed mouthful of spoiled cheese.” They stood in silence for a moment as the pedestrians passed them by. Finally Phillip broke the silence. “Have you thought about it?” “Yes.” “Do you still intend to say whatever it was?” “No.” “Excellent! You have pleased me, my apprentice! Well done! I’m delighted at the prospect of all the marvelous things you’re not going to say in the future! You know, the less you talk, the more people assume that what you’re not saying is important.
Scott Meyer (Off to Be the Wizard (Magic 2.0, #1))
Without slavery, as a matter of fact, there is no definitive solution. I very soon realized that. Once upon a time, I was always talking of freedom: At breakfast I used to spread it on my toast, I used to chew it all day long, and in company my breath was delightfully redolent of freedom. With that key word I would bludgeon whoever contradicted me; I made it serve my desires and my power. I used to whisper it in bed in the ear of my sleeping mates and it helped me to drop them. I would slip it… Tchk! Tchk! I am getting excited and losing all sense of proportion. After all, I did on occasion make a more disinterested use of freedom and even – just imagine my naiveté -- defended it two or three times without of course going so far as to die for it, but nevertheless taking a few risks. I must be forgiven such rash acts; I didn't know what I was doing. I didn't know that freedom is not a reward or a decoration that is celebrated with champagne. Nor yet a gift, a box of dainties designed to make you lick your chops. Oh, no! It’s a choice, on the contrary and a long-distance race, quite solitary and very exhausting. No champagne, no friends raising their glasses as they look at your affectionately. Alone in a forbidding room, alone in the prisoner's box before the judges, and alone to decide in face of oneself or in the face others' judgment. At the end of all freedom is a court sentence; that's why freedom is too heavy to bear, especially when you're down with a fever, or are distressed, or love nobody.
Albert Camus
Later, as the sisters grew, Esther hyperfocused on their differences, but as a little kid she'd been far more hypnotised by their sameness. They both loved chewing lemon peels and watermelon rinds, loved pictures of goats but not actual goats, loved putting sand in their hair so they could scratch it out later, loved watching their parents slow-dance in the living room to Motown records. They loved the sound of the wind, the sound of breaking ice, the sound of coyotes calling on the mountain. They disliked zippers, ham, the word 'milk', flute music, the gurgling sound of the refrigerator, Cecily's long weekends away, Abe's insistence on regular chess matches, and days with no clouds. They disliked the boxes of books that came to their door daily or were lugged home by their father, disliked their dusty lonesome smell and how they consumed Abe's attention. They disliked when their parents closed the bedroom door and fought in whispers. They hated the phrase 'half sister.' There had been no half about it.
Emma Törzs (Ink Blood Sister Scribe)
Studying the history of our ancestors is instructive. I understand some of my parents’ struggles and sacrifices. I am acquainted with my grandparents and great grandparents’ way of life. The common denominator that runs through their lifeblood is a hardpan of resiliency, courage, and work ethic. They also shared a phenomenal degree of competency essential to make due in an open land where the pioneering spirit meets nature under a big sky full of endless possibilities for triumph and setback. My forebears took care of their family members and tended their ancestral land before the word caretaker was a recognized term for a loving man, woman, or child. Self-reliant people who master the skills essential for survival in a harsh clime also value helping other people who are in a fix. All my predecessors were quick to lend a hand to a neighbor in need. Their ability to see life through the heart was the decisive feature of their pioneering pluck. How we start a day, presages how the day shall unfold. Each day when I awaken, I feel clobbered by the preceding day. At days end, I feel comparable to a chewed on piece of masticated beef. I devote all available personal energy reserves to simply getting by and muss over how I can engender the energy to make it through today’s pulp works. In reality, I go on because akin to every generation that preceded me and every generation that succeeds me, I must continue onward or I will expire. The one fact that keeps me going is the realization that all generations of people struggle. What we share with preceding generations is our heartaches and our willingness to struggle in order to make the world a better place for the next generation.
Kilroy J. Oldster (Dead Toad Scrolls)
Harriet turned round, and we both saw a girl walking towards us. She was dark-skinned and thin, not veiled but dressed in a sitara, a brightly coloured robe of greens and pinks, and she wore a headscarf of a deep rose colour. In that barren place the vividness of her dress was all the more striking. On her head she balanced a pitcher and in her hand she carried something. As we watched her approach, I saw that she had come from a small house, not much more than a cave, which had been built into the side of the mountain wall that formed the far boundary of the gravel plateau we were standing on. I now saw that the side of the mountain had been terraced in places and that there were a few rows of crops growing on the terraces. Small black and brown goats stepped up and down amongst the rocks with acrobatic grace, chewing the tops of the thorn bushes. As the girl approached she gave a shy smile and said, ‘Salaam alaikum, ’ and we replied, ‘Wa alaikum as salaam, ’ as the sheikh had taught us. She took the pitcher from where it was balanced on her head, kneeled on the ground, and gestured to us to sit. She poured water from the pitcher into two small tin cups, and handed them to us. Then she reached into her robe and drew out a flat package of greaseproof paper from which she withdrew a thin, round piece of bread, almost like a large flat biscuit. She broke off two pieces, and handed one to each of us, and gestured to us to eat and drink. The water and the bread were both delicious. We smiled and mimed our thanks until I remembered the Arabic word, ‘Shukran.’ So we sat together for a while, strangers who could speak no word of each other’s languages, and I marvelled at her simple act. She had seen two people walking in the heat, and so she laid down whatever she had been doing and came to render us a service. Because it was the custom, because her faith told her it was right to do so, because her action was as natural to her as the water that she poured for us. When we declined any further refreshment after a second cup of water she rose to her feet, murmured some word of farewell, and turned and went back to the house she had come from. Harriet and I looked at each other as the girl walked back to her house. ‘That was so…biblical,’ said Harriet. ‘Can you imagine that ever happening at home?’ I asked. She shook her head. ‘That was charity. Giving water to strangers in the desert, where water is so scarce. That was true charity, the charity of poor people giving to the rich.’ In Britain a stranger offering a drink to a thirsty man in a lonely place would be regarded with suspicion. If someone had approached us like that at home, we would probably have assumed they were a little touched or we were going to be asked for money. We might have protected ourselves by being stiff and unfriendly, evasive or even rude.
Paul Torday (Salmon Fishing in the Yemen)
When I was in high school I had to write an essay duplicating the manner and subject of Bacon’s ‘On Reading,’ and I remember including all the comfortable clichés. I said nothing about how books made me masturbate. I said nothing about nightmares, about daydreaming, about aching, cock-stiffening loneliness. I said something about wonder and curiosity, the improvement of character, quickening of sensibility, enlargement of mind, but nothing about the disappearance of the self in a terrible quake of earth. I did not say that reading drove a knife into the body. I did not say that as the man at breakfast calmly spoons his oatmeal into his mouth while words pass woundlessly through his eyes, he divides more noisily than chewing, becomes a gulf, a Red Sea none shall pass over, dry-shod across. There is no miracle more menacing than that one. I did not write about the slow return from a story like the ebb of a fever, the unique quality it conferred which set you apart from others as though touched by the gods. I did not write about the despair of not willing to be oneself or the contrary despair of total entelechy. I did not write about reading as a refuge, a toy drug, a pitiless judgement.
William H. Gass (The Tunnel)
Where the hell did the Pack find you two? At a beach volleyball tournament? Great tan. Love those curls.” LeBlanc shook his head. “He’s not even as big as I am. He’s what, six foot nothing? Two hundred pounds in steel-toed boots? Christ. I’m expecting some ugly bruiser bigger than Cain and what do I find? The next Baywatch star. Looks like his IQ would be low enough. Can he chew gum and tie his shoes at the same time?” Clay stopped playing with his chair and turned to face the mirror. He got up, crossed the room, and stood in front of me. I was leaning forward, one hand pressed against the glass. Clay touched his fingertips to mine and smiled. LeBlanc jumped back. “Fuck,” he said. “I thought that was one-way glass.” “It is.” Clay turned his head toward LeBlanc and mouthed three words. Then the door to his room opened and one of the officers called him out. Clay grinned at me, then sauntered out with the officer. As he left, a surge of renewed confidence ran through me. “What did he say?” LeBlanc asked. “Wait for me.” “What?” “It’s a challenge,” Marsten murmured from across the room. He didn’t look up from his magazine. “He’s inviting you to stick around and get to know him better.” “Are you going to?” LeBlanc asked. Marsten’s lips curved in a smile. “He didn’t invite me.” LeBlanc snorted. “For a bunch of killer monsters, the whole lot of you are nothing but hot air. All your rules and challenges and false bravado.” He waved a hand at me. “Like you. Standing there so nonchalantly, pretending you aren’t the least bit concerned about having the two of us in the room.” “I’m not.” “You should be. Do you know how fast I could kill you? You’re standing two feet away from me. If I had a gun or knife in my pocket, you’d be dead before you had time to scream.” “Really? Huh.” LeBlanc’s cheek twitched. “You don’t believe me, do you? How do you know I’m not packing a gun? There’s no metal detector at the door. I could pull one out now, kill you, and escape in thirty seconds.” “Then do it. I know, you don’t like our little games, but humor me. If you have a gun or a knife, pull it out. If not, pretend to. Prove you could do it." “I don’t need to prove anything. Certainly not to a smart-mouthed—” He whipped his hand up in mid-sentence. I grabbed it and snapped his wrist. The sound cracked through the room. The receptionist glanced over, but LeBlanc had his back to her. I smiled at her and she turned away. “You—fucking—bitch,” LeBlanc gasped, cradling his arm. “You broke my wrist.” “So I win.” His face purpled. “You smug—” “Nobody likes a sore loser,” I said. “Grit your teeth and bear it. There’s no crying in werewolf games. Didn’t Daniel teach you that?
Kelley Armstrong (Bitten (Otherworld, #1))
What was in New York?” “I had to sign a new contract. A Thin Blue Line was renewed for another season.” “Oh, that’s awesome!” I heard rumblings on a few of the news outlets that the show might get dropped. “I really hope you’re finally able to get a new partner. I don’t know why they keep pushing that story line. Tina is not a good match for Jimmy. Brody and I have been riding together for almost seven years, and I would punch myself in the face before I ever kissed him. The show needs to give Jimmy a woman who he saved or something. That would be an interesting plot. Also, your brother on the show has to stop sleeping with that model. Twitter went nuts when he went back to her. She’s a bitch.” Eli’s gaze shifts to mine, and he chuckles. “I thought you didn’t watch the show.” Crap. I did say that. I chew on my thumb and shrug. “I guess I’ve seen a few seasons.” I say the last word under my breath, hoping he didn’t catch it. “Seasons?” No such luck. “Whatever. It’s just to see how bad you butcher my job.” Eli shakes his head and grabs my hand. His fingers thread with mine and then he gently squeezes. “Sounds like you’re a little more invested than that.” “Fine,” I admit. “I watch it religiously." He brings my hand to his lips and kisses my knuckles. “I knew you liked me.” I laugh and hit his chest with our entwined hands. “You’re crazy. I like your show, but seriously, tell the writers they need to clear that up.
Corinne Michaels (We Own Tonight (Second Time Around, #1))
Don Juan had said that any habit was, in essence, a “doing,” and that a doing needed all its parts in order to function. If some parts were missing, a doing was disassembled. By doing, he meant any coherent and meaningful series of actions. In other words, a habit needed all its component actions in order to be a live activity. La Gorda then described how she had stalked her own weakness of eating excessively. She said that the Nagual had suggested she first tackle the biggest part of that habit, which was connected with her laundry work; she ate whatever her customers fed her as she went from house to house delivering her wash. She expected the Nagual to tell her what to do, but he only laughed and made fun of her, saying that as soon as he would mention something for her to do, she would fight not to do it. He said that that was the way human beings are; they love to be told what to do, but they love even more to fight and not do what they are told, and thus they get entangled in hating the one who told them in the first place. For many years she could not think of anything to do to stalk her weakness. One day, however, she got so sick and tired of being fat that she refused to eat for twenty-three days. That was the initial action that broke her fixation. She then had the idea of stuffing her mouth with a sponge to make her customers believe that she had an infected tooth and could not eat. The subterfuge worked not only with her customers, who stopped giving her food, but with her as well, as she had the feeling of eating as she chewed on the sponge. La Gorda laughed when she told me how she had walked around with a sponge stuffed in her mouth for years until her habit of eating excessively had been broken. “Was that all you needed to stop your habit?” I asked. “No. I also had to learn how to eat like a warrior.” “And how does a warrior eat?” “A warrior eats quietly, and slowly, and very little at a time. I used to talk while I ate, and I ate very fast, and I ate lots and lots of food at one sitting. The Nagual told me that a warrior eats four mouthfuls of food at one time. A while later he eats another four mouthfuls and so on.
Carlos Castaneda (Second Ring of Power)
Gabriel was stunned by Pandora's compassion for a man who had caused her such harm. He shook his head in wonder as he stared into her eyes, as dark as cloud-shadow on a field of blue gentian. "That doesn't excuse him," he said thickly. Gabriel would never forgive the bastard. He wanted vengeance. He wanted to strip the flesh from the bastard's corpse and hang up his skeleton to scare the crows. His fingers contained a subtle tremor as he reached out to trace the fine edges of her face, the sweet, high plane of her cheekbone. "What did the doctor say about your ear? What treatment did he give?" "It wasn't necessary to send for a doctor." A fresh flood of rage seared his veins as the words sunk in. "Your eardrum was ruptured. What in God's name do you mean a doctor wasn't necessary?" Although he had managed to keep from shouting, his tone was far from civilized. Pandora quivered uneasily and began to inch backward. He realized the last thing she needed from him was a display of temper. Battening down his rampaging emotions, he used one arm to bring her back against his side. "No, don't pull away. Tell me what happened." "The fever had passed," she said after a long hesitation, "and... well, you have to understand my family. If something unpleasant happened, they ignored it, and it was never spoken of again. Especially if it was something my father had done when he'd lost his temper. After a while, no one remembered what had really happened. Our family history was erased and rewritten a thousand times. But ignoring the problem with my ear didn't make it disappear. Whenever I couldn't hear something, or when I stumbled or fell, it made my mother very angry. She said I'd been clumsy because I was hasty or careless. She wouldn't admit there was anything wrong with my hearing. She refused even to discuss it." Pandora stopped, chewing thoughtfully on her lower lip. "I'm making her sound terrible, and she wasn't. There were times when she was affectionate and kind. No one's all one way or the other." She flicked a glance of dread in his direction. "Oh God, you're not going to pity me, are you?" "No." Gabriel was anguished for her sake, and outraged. It was all he could do to keep his voice calm. "Is that why you keep it a secret? You're afraid of being pitied?" "That, and... it's a shame I'd rather keep private." "Not your shame. Your father's." "It feels like mine. Had I not been eavesdropping, my father wouldn't have disciplined me." "You were a child," he said brusquely. "What he did wasn't bloody discipline, it was brutality." To his surprise, a touch of unrepentant amusement curved Pandora's lips, and she looked distinctly pleased with herself. "It didn't even stop my eavesdropping. I just learned to be more clever about it." She was so endearing, so indomitable, that Gabriel was wrenched with a feeling he'd never known before, as if all the extremes of joy and despair had been compressed into some new emotion that threatened to crack the walls of his heart.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Let’s take a look at one couple. Carol and Jim have a long-running quarrel over his being late to engagements. In a session in my office, Carol carps at Jim over his latest transgression: he didn’t show up on time for their scheduled movie night. “How come you are always late?” she challenges. “Doesn’t it matter to you that we have a date, that I am waiting, that you always let me down?” Jim reacts coolly: “I got held up. But if you are going to start off nagging again, maybe we should just go home and forget the date.” Carol retaliates by listing all the other times Jim has been late. Jim starts to dispute her “list,” then breaks off and retreats into stony silence. In this never-ending dispute, Jim and Carol are caught up in the content of their fights. When was the last time Jim was late? Was it only last week or was it months ago? They careen down the two dead ends of “what really happened”—whose story is more “accurate” and who is most “at fault.” They are convinced that the problem has to be either his irresponsibility or her nagging. In truth, though, it doesn’t matter what they’re fighting about. In another session in my office, Carol and Jim begin to bicker about Jim’s reluctance to talk about their relationship. “Talking about this stuff just gets us into fights,” Jim declares. “What’s the point of that? We go round and round. It just gets frustrating. And anyway, it’s all about my ‘flaws’ in the end. I feel closer when we make love.” Carol shakes her head. “I don’t want sex when we are not even talking!” What’s happened here? Carol and Jim’s attack-withdraw way of dealing with the “lateness” issue has spilled over into two more issues: “we don’t talk” and “we don’t have sex.” They’re caught in a terrible loop, their responses generating more negative responses and emotions in each other. The more Carol blames Jim, the more he withdraws. And the more he withdraws, the more frantic and cutting become her attacks. Eventually, the what of any fight won’t matter at all. When couples reach this point, their entire relationship becomes marked by resentment, caution, and distance. They will see every difference, every disagreement, through a negative filter. They will listen to idle words and hear a threat. They will see an ambiguous action and assume the worst. They will be consumed by catastrophic fears and doubts, be constantly on guard and defensive. Even if they want to come close, they can’t. Jim’s experience is defined perfectly by the title of a Notorious Cherry Bombs song, “It’s Hard to Kiss the Lips at Night that Chew Your Ass Out All Day Long.
Sue Johnson (Hold Me Tight: Your Guide to the Most Successful Approach to Building Loving Relationships)
I do trust you though. I think if someone tried to take me, you’d at least fight them for me a little…” I watched his face for a moment before narrowing my eyes. “Wouldn’t you?” That had his other eye popping open, his cheeks still slightly pink, but everything else about him completely alert. “You know I would.” Why that pleased me so much, I wasn’t going to overanalyze. “If someone tried to take you, I know aikido, some jiu-jitsu, and kickboxing,” I offered him up. “But my dentist says I have really strong teeth, so I’d be better off trying to bite someone’s finger or ear off instead.” Aaron’s eyebrows climbed up his forehead almost comically. “Like a little Chihuahua,” he suggested, the spoon going into his mouth with a sly grin. I winked at him, immediately regretting it. I didn’t want it to come across like I was flirting. “I was thinking more of a piranha. I’ve only had one filling in my entire life,” I told him, wishing each word coming out of my mouth wasn’t coming out of it. If he thought I was being awkward or a flirt, he didn’t make it known. “Or a raptor.” “A lion.” “A tiger.” “Did you know a jaguar has twice the strength in its bite than a tiger does?” Aaron frowned as he took another bite of his oatmeal. “No shit?” “No. Two thousand pounds per square inch. They’re the only big cat that kills their prey by biting its head, through bone and everything. A tiger bites the neck of whatever animal they’re eating to cut their air and blood flow off. Crazy, huh?” He looked impressed. “I had no idea.” I nodded. “Not a lot of people do.” “Is there anything that bites harder than they do?” “Crocodiles. The really big ones. I’m pretty sure they have about 4000 or 5000 psi bites.” For the fifty-second time, I shrugged. “I like watching the Animal Channel and Discovery,” I said, making it sound like an apology. Aaron gave me that soft smile that made me feel like my insides were on fire. Then he winked. “I don’t know much about crocodiles, but I know all about alligators,” he offered. “Did you know there are only two species left in the world?” “There are?” “American alligator and the Asian alligator. More than a fifth of all of them live in Florida.” “We have some gators in Texas. There’s a state park by Houston where you can go and you can usually see a bunch. I went camping there one time.” One corner of his mouth tilted up as he chewed. “Look at you, Rebel Without a Cause.” With anyone else, I’d probably think they were picking on me, but I could see the affection on Aaron’s face. I could feel the kindness that just came off him in waves, so I winked back at him. “I live life on the edge. I should start teaching a class on how to be bad.” “Right? Quitting your job, coming to Florida even though you were worried….” He trailed off with a grin and a look out of the corner of his eye. “I pretty much have my masters and license to practice. I’ll teach people everything I know.
Mariana Zapata (Dear Aaron)
I now pronounce you husband and wife. I hadn’t considered the kiss. Not once. I suppose I’d assumed it would be the way a wedding kiss should be. Restrained. Appropriate. Mild. A nice peck. Save the real kisses for later, when you’re deliciously alone. Country club girls don’t make out in front of others. Like gum chewing, it should always be done in private, where no one else can see. But Marlboro Man wasn’t a country club boy. He’d missed the memo outlining the rules and regulations of proper ways to kiss in public. I found this out when the kiss began--when he wrapped his loving, protective arms around me and kissed me like he meant it right there in my Episcopal church. Right there in front of my family, and his, in front of Father Johnson and Ms. Altar Guild and our wedding party and the entire congregation, half of whom were meeting me for the first time that night. But Marlboro Man didn’t seem to care. He kissed me exactly the way he’d kissed me the night of our first date--the night my high-heeled boot had gotten wedged in a crack in my parents’ sidewalk and had caused me to stumble. The night he’d caught me with his lips. We were making out in church--there was no way around it. And I felt every bit as swept away as I had that first night. The kiss lasted hours, days, weeks…probably ten to twelve seconds in real time, which, in a wedding ceremony setting, is a pretty long kiss. And it might have been longer had the passionate moment not been interrupted by the sudden sound of a person clapping his hands. “Woohoo! All right!” the person shouted. “Yes!” It was Mike. The congregation broke out in laughter as Marlboro Man and I touched our foreheads together, cementing the moment forever in our memory. We were one; this was tangible to me now. It wasn’t just an empty word, a theological concept, wishful thinking. It was an official, you-and-me-against-the-world designation. We’d both left our separateness behind. From that moment forward, nothing either of us did or said or planned would be in a vacuum apart from the other. No holiday would involve our celebrating separately at our respective family homes. No last-minute trips to Mexico with friends, not that either of us was prone to last-minute trips to Mexico with friends. But still. The kiss had sealed the deal in so many ways. I walked proudly out of the church, the new wife of Marlboro Man. When we exited the same doors through which my dad and I had walked thirty minutes earlier, Marlboro Man’s arm wriggled loose from my grasp and instinctively wrapped around my waist, where it belonged. The other arm followed, and before I knew it we were locked in a sweet, solidifying embrace, relishing the instant of solitude before our wedding party--sisters, cousins, brothers, friends--followed closely behind. We were married. I drew a deep, life-giving breath and exhaled. The sweating had finally stopped. And the robust air-conditioning of the church had almost completely dried my lily-white Vera.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Ephesians 4:18 talks about “having the understanding darkened.” If you don’t renew your mind and use it to study and meditate God’s Word, it’ll automatically gravitate toward what you can see, taste, hear, smell, and feel. This darkens your understanding. Understanding is the application of knowledge. “Knowledge” puts food into your mouth and chews. “Understanding” actually swallows and digests it so that the beneficial nutrients can be released into your body. The knowledge of God is critical, but must be understood to be useful. Without understanding, you can’t release the life that’s in it. When a Christian walks like an unbeliever, they get the same results—death. Believers who don’t understand and apply the knowledge of God in their lives gravitate toward carnal mindedness. Without spiritual knowledge and understanding, your mind can’t be renewed, and the life of God in your spirit can’t be released. That’s why understanding this revelation of spirit, soul, and body is the first step toward walking in life and peace! When a believer’s understanding is darkened, they are “alienated from the life of God through the ignorance that is in them, because of the blindness of their heart” (Eph. 4:18). In other words, the life of God is still there, but they are alienated from it due to ignorance, which refers to the mind. This is where most Christians live their lives—separated from the life of God within, due to their own ignorance of spiritual truth. In His Word, God declares that by His stripes, you were healed (1 Pet. 2:24). You look at yourself and ask, “Is that cancerous tumor gone?” Still feeling pain, emotionally drained, and fearful, you continue, “God says I’m healed, but I’m not. It’s still there, so I must not be healed.” By adopting that attitude, you’ve allowed your five senses to dominate you more than God’s Word. The same power that raised Jesus from the dead is in you, but you didn’t believe it (Eph. 1:18-20). You let your mind be controlled by what it saw in the physical realm more than the spiritual realm. Therefore, even though you have the resurrection life of God in your spirit, it won’t manifest in the physical realm because you’re carnally minded, which equals death.
Andrew Wommack (Spirit, Soul and Body)
was no one else there to comfort her. There was only him. The real him. She stepped forward and laid her head against his chest. Samantha: I’ll never forget the moment when Perry and Celeste walked into the trivia night. There was like this ripple across the room. Everyone just stopped and stared. 23. Isn’t this FANTASTIC!” cried Madeline to Chloe as they took their really very excellent seats in front of the giant ice rink. “You can feel the cold from the ice! Brrr! Oh! Can you hear the music? I wonder where the princesses—” Chloe had reached over and placed one hand gently over her mother’s mouth. “Shhh.” Madeline knew she was talking too much because she was feeling anxious and ever so slightly guilty. Today needed to be stupendous to make it worth the rift she’d created between herself and Renata. Eight kindergarten children, who would otherwise be attending Amabella’s party, were here watching Disney On Ice because of Madeline. Madeline looked past Chloe at Ziggy, who was nursing a giant stuffed toy on his lap. Ziggy was the reason they were here today, she reminded herself. Poor Ziggy wouldn’t have been at the party. Dear little fatherless Ziggy. Who was possibly a secret psychopathic bully . . . but still! “Are you taking care of Harry the Hippo this weekend, Ziggy?” she said brightly. Harry the Hippo was the class toy. Every weekend it went home with a different child, along with a scrapbook that had to be returned with a little story about the weekend, accompanied by photos. Ziggy nodded mutely. A child of few words. Jane leaned forward, discreetly chewing gum as always. “It’s quite stressful having Harry to stay. We have to give Harry a good time. Last weekend he went on a roller coaster— Ow!” Jane recoiled as one of the twins, who was sitting next to her and fighting his brother, elbowed her in the back of the head. “Josh!” said Celeste sharply. “Max! Just stop it!” Madeline wondered if Celeste was OK today. She looked pale and tired, with purplish shadows under her eyes, although on Celeste they looked like an artful makeup effect that everyone should try. The lights in the auditorium began to dim, and then went to black. Chloe clutched Madeline’s arm. The music began to pound, so loud that Madeline could feel the vibrations. The ice rink filled with an
Liane Moriarty (Big Little Lies)
Extract from 'Quixotic Ambitions': The crowd stared at Katy expectantly. She looked at them - old women in black, exhausted young women with pasty-faced children, youths in jeans and leather blousons chewing gum. She tried to speak but the words wouldn’t come. Then, with a sudden burst of energy, she blurted out her short speech, thanking the people of Shkrapova for their welcome and promising that if she won the referendum she would work for the good of Maloslavia. There was some half-hearted applause and an old lady hobbled up to her, knelt down with difficulty, and kissed the hem of her skirt. She looked at Katy with tears rolling down her face and gabbled something excitedly. Dimitar translated: ‘She says that she remembers the reign of your grandfather and that God has sent you to Maloslavia.’ Katy was embarrassed but she smiled at the woman and helped her to her feet. At this moment the People’s Struggle Pioneers appeared on the scene, waving their banners and shouting ‘Doloy Manaheeyoo! Popnikov President!’ Police had been stationed at strategic points and quickly dispersed the demonstrators without any display of violence, but the angry cries of ‘Down with the monarchy!’ had a depressing effect on the entertainment that had been planned; only a few people remained to watch it. A group of children aged between ten and twelve ran into the square and performed a series of dances accompanied by an accordian. They stamped their feet and clapped their hands frequently and occasionally collided with one another when they forgot their next move. The girls wore embroidered blouses, stiffly pleated skirts and scarlet boots and the boys were in baggy linen shirts and trousers, the legs of which were bound with leather thongs. Their enthusiasm compensated for their mistakes and they were loudly applauded. The male voice choir which followed consisted of twelve young men who sang complicated polyphonic melodies with a high, curiously nasal tenor line accompanied by an unusually deep droning bass. Some of their songs were the cries of despair of a people who had suffered under Turkish occupation; others were lively dance tunes for feast days and festivals. They were definitely an acquired taste and Katy, who was beginning to feel hungry, longed for them to come to an end. At last, at two o’clock, the performance finished and trestle tables were set up in the square. Dishes of various salads, hors-d’oeuvres and oriental pastries appeared, along with casks of beer and bottles of the local red wine. The people who had disappeared during the brief demonstration came back and started piling food on to paper plates. A few of the People’s Struggle Pioneers also showed up again and mingled with the crowd, greedily eating anything that took their fancy.
Pamela Lake (Quixotic Ambitions)
You are very quiet,” Archer remarked as they walked together to the refreshment table. They’d just finished a game of whist and when Rose begged off from a second round, Grey’s brother did the same. “My apologies,” she replied. “I do not mean to be rude.” “My brother doesn’t deserve to take up so much room in that lovely head of yours.” She might have been insulted by his disparaging Grey, or his familiarity with her, had she not been so surprised by the remark itself. “You are impertinent, sir.” He grinned-a grin so much more roguish than Grey’s. “One of my more charming traits. I did not mean offense, dear lady. Only that thinking about him will do you no good. The man is bent on punishing himself for the rest of his life.” Rose accepted the plate he offered her. “Thank you. Why would he wish to punish himself?” “Because he’s an ar…idiot. Sandwich?” He held up a cucumber sandwich caught in silver tongs. “Please. I’m not certain I wish to discuss your brother with you, Lord Archer.” “Not even if I can help you win him?” Rose’s heart froze-no, it simply stopped. Her entire body went numb. She would have dropped her plate had Archer not swept it from her hand into his own. “What makes you think I wish to win him?” He flashed her a coy glance. “Please, lady Rose. I’ve not made a career out of studying your sex to fall for your false innocence now.” Oh dear God. Had Grey told him? “I’ve seen the way you look at him, and I’ve had to put with hearing about you for the last four years-no offense.” Rose arched a brow as he piled food upon her plate. “None taken. I wasn’t aware that I looked at your brother in a manner different from how I might look upon anyone else.” “Mm.” He popped a small cake into his mouth, chewed, and swallowed. “That’s just it. You try too hard to treat him like everyone else. It’s obvious you care for him, and not just as the man who saved your life.” “Saved my life? How very dramatic.” He gave her a very serious look as he handed her the laden plate. “Where do you suppose you’d be right now if Grey hadn’t taken you in? Certainly not here, with such good food and charming company.” Point taken. And now she felt simply awful for the way she had spoken to Grey earlier. She was such a cow. “You shame me, sir.” And worse, he’d made tears come to her eyes. Staring at her food-such a wonderful array he’d picked for her-she blinked them away. He steered her toward a window seat where they sat in plain view of the room, but at least with a modicum of privacy. “My apologies, my lady. I did not mean to offend you with my plain and thoughtless words.” “Plain, perhaps. Thoughtless, I highly doubt it.” She managed a small smile. “I don’t think you do anything without thinking first.” Archer laughed, looking so much like Grey it hurt to look at him. “Were that but true.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Galveston?” he asked in that amazing voice, still surprising me by keeping our conversation going. “Yeah. Staying at a beach house and everything. Totally slumming it and having a miserable time, you know?” I gave him a real smile that time. Rip just raised his brows. “I promised her I would go visit, and she promised she would come up too... What’s that face for?” I surprised myself by laughing. “I don’t believe it either. I’ll get lucky if she comes once. I’m not that delusional.” I didn’t imagine the way his cheek twitched again, just a little, just enough to keep the smile on my face. “I’m stuck making my own lunches from now on. I have nobody to watch scary movies with who’s more dramatic than I am screaming at the scary parts. And my house is empty,” I told him, going on a roll. “Your lunches?” was what he picked up on. I wasn’t sure how much he’d had to drink that he was asking me so many questions, but I wasn’t going to complain. “I can’t cook to save my life, boss. I thought everyone knew. Baking is the only thing I can handle.” “You serious?” he asked in a surprised tone. I nodded. “For real?” “Yeah,” I confirmed. “I can’t even make rice in an Instant Pot. It’s either way too dry or it’s mush.” Oh. “An Instant Pot is—” “I know what it is,” he cut me off. It was my turn to make a face, but mine was an impressed one. He knew what an Instant Pot was but not a rom-com. Okay. “Sorry.” He didn’t react to me trying to tease him, instead he asked, “You can’t even make rice in that?” “Nope.” “You know there’s instructions online.” Was he messing with me now? I couldn’t help but watch him a little. How much had he drunk already? “Yeah, I know.” “And you still screw it up?” I blinked, soaking up Chatty Cathy over here like a plant that hadn’t seen the sun in too long. “I wouldn’t say I screw it up. It’s more like… you either need to chew a little more or a little less.” It was his turn to blink. “It’s a surprise. I like to keep people on their toes.” If I hadn’t been guessing that he’d had a couple drinks before, what he did next would have confirmed it. His left cheek twitched. Then his right one did too, and in the single blink of an eye, Lucas Ripley was smiling at me. Straight white teeth. That not-thin but not-full mouth dark pink and pulled up at the edges. He even had a dimple. Rip had a freaking dimple. And I wanted to touch it to make sure it was real. I couldn’t help but think it was just about the cutest thing I had ever seen, even though I had zero business thinking anything along those lines. But I was smart enough to know that I couldn’t say a single word to mention it; otherwise, it might never come out again. What I did trust myself to do was gulp down half of my Sprite before saying, “You can make rice, I’m guessing?” If he wanted to talk, we could talk. I was good at talking. “Uh-huh,” he replied, sounding almost cocky about it. All I could get myself to do in response was grin at him, and for another five seconds, his dimple—and his smile—responded to me.
Mariana Zapata (Luna and the Lie)