I Love Goat Quotes

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Well, I knew that goat would be a little gold mine," I say. Yes, of course I was referring to that, not the lasting joy you gave your sister you love so much you took her place in the reaping," says Peeta drily.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I knew it!" He pumps a fist into the air. "You've fallen in love with me. You want to have my babies. We'll get a team of horses and a covered wagon and we'll journey to South America and raise goats.
Laurie Halse Anderson (Wintergirls)
My heart leaves, hitchhikes right out of my body, heads north, catches a ferry across the Bering Sea and plants itself in Siberia with the polar bears and ibex and long-horned goats until it turns into a teeny-tiny glacier. Because I imagined it.
Jandy Nelson (I'll Give You the Sun)
Did you read the part that says, 'Your hair is like a flock of goats'? How romantic is that? Or that other line, 'Your neck is like the tower of David.' Oh, now, that sounds real attractive! If some guy tried those lines on me, I'm sure I'd fall instantly in love with him.
Robin Jones Gunn (As You Wish (Christy and Todd: College Years #2))
Dante laughed. "No cold soup, no goat cheese. I'll make a mental note. And no Gottfried Curse." "And for you it's no food at all. No sleep. And no tunnels." "I'm low maintenance." "Is that what you are? Because I've been trying to figure it out all semester." "And what have you concluded?" "A mutant. A rare disease. A creature from the inferno. Dante." "And what if you found out you were right?" he asked. "What if it meant that I could hurt you?" "I would say that I'm not scared. Everyone has the ability to hurt. It's the choice that matters.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
Gideon laughed. "I like to be direct." "Okay," I said. "But I warn you, I like to be evasive, inserutable and generally send mixed messages." "I doubt it." "Human interaction is not my strong point," I told him. "Not seriously." "Seriously," I said. Thinking: There is so much about me he doesn't know. Gideon put his hand on my leg. "What's your strong point, then?" "Goats," I told him. "I am excellent with goats.
E. Lockhart (Real Live Boyfriends: Yes. Boyfriends, Plural. If My Life Weren't Complicated, I Wouldn't Be Ruby Oliver (Ruby Oliver, #4))
What is 45 minutes to an old goat like you?" - Vanda "I believe it is still 45 minutes." - Connor
Kerrelyn Sparks (Forbidden Nights with a Vampire (Love at Stake, #7))
A singing goat is like reading books, I love goats and dinosaurs."-Albert Einstein
Andrew Clements
I love you, Aubrey. Can’t you see that? I am head over heels in fucking love with you. I love you more than anything in this entire world. When I look into your eyes, I don’t just see you, I see my children. Hell, I see an entire farm of children and deaf, dumb and blind goats. I see my entire future. Without you, I see nothing. Nothing.
Penelope Ward (Cocky Bastard)
Otis clopped forward and sighed. "Well, if you need a volunteer to die, I suppose I can do it. I've always loved weddings-" Shut up, dummy!" Marvin said. "You're a goat!
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
Ego Tripping I was born in the congo I walked to the fertile crescent and built the sphinx I designed a pyramid so tough that a star that only glows every one hundred years falls into the center giving divine perfect light I am bad I sat on the throne drinking nectar with allah I got hot and sent an ice age to europe to cool my thirst My oldest daughter is nefertiti the tears from my birth pains created the nile I am a beautiful woman I gazed on the forest and burned out the sahara desert with a packet of goat's meat and a change of clothes I crossed it in two hours I am a gazelle so swift so swift you can't catch me For a birthday present when he was three I gave my son hannibal an elephant He gave me rome for mother's day My strength flows ever on My son noah built new/ark and I stood proudly at the helm as we sailed on a soft summer day I turned myself into myself and was jesus men intone my loving name All praises All praises I am the one who would save I sowed diamonds in my back yard My bowels deliver uranium the filings from my fingernails are semi-precious jewels On a trip north I caught a cold and blew My nose giving oil to the arab world I am so hip even my errors are correct I sailed west to reach east and had to round off the earth as I went The hair from my head thinned and gold was laid across three continents I am so perfect so divine so ethereal so surreal I cannot be comprehended except by my permission I mean...I...can fly like a bird in the sky...
Nikki Giovanni
I love you more than I love goats, and you know how I feel about goats", Gaby said.
James Patterson (The Christmas Wedding)
Dear Goat, How does one fall in love? Do you trip? Do you stumble, lose your balance and drop to the sidewalk, graze your knee, graze your heart? Do you crash to the stony ground? Is there a precipice, from which you float, over the edge, forever? I know I'm in love when I see you, I know when I long to see you. Not a muscle has moved. Leaves hang unruffled by any breeze. The air is still. I have fallen in love without taking step. When did this happen? I haven't even blinked. I'm on fire. Is that too banal for you? It's not, you know. You'll see. It's what happens. It's what matters. I'm on fire. I no longer eat, I forget to eat. Food looks silly to me, irrelevant. If I even notice it. But I notice nothing. My thoughts are full and raging, a house full of brothers, related by blood, feuding blood feuds: "I'm in love." "Typically stupid choice." "I am, though, I'm racked by love as if love were pain." "Go ahead. Fuck up your life. It's all wrong and you know it. Wake up. Face it." "There's only one face, it's all I see, awake or asleep." I threw the book out the window last night. I tried to forget. You are all wrong for me, I know it, but I no longer care for my thoughts unless they're thoughts of you. When I'm close to you, in your presence, I feel your hair brush my cheek when it does not. I look away from you, sometimes. Then I look back. When I tie my shoes, when I peel an orange, when I drive my car, when I lie down each night without you, I remain, As ever, Ram
Cathleen Schine (The Love Letter)
Here I am not the one to throw out. No one steals my warmth and shoes because I am small. No one handles my backside. No one whinnies like sheep or goat because I drop in fear and weakness. No one screams at the sight of me. No one watches my body for how it is unseemly. With you my body is pleasure is safe is belonging. I can never not have you have me.
Toni Morrison (A Mercy)
Beatrix,” Amelia said over her shoulder as they proceeded through the hallway. “Perhaps you should reconsider your attire. Poor Captain Phelan may find it somewhat shocking.” “But he’s already seen me like this,” came Beatrix’s voice from behind Christopher, “and I’ve already shocked him. What is the point in changing clothes? Captain, would you feel more comfortable if I took my breeches off?” “No,” he said hastily. “Good, I’ll keep them on. Really, I don’t see why women shouldn’t dress like this all the time. One can walk freely and even leap. How is one to chase after a goat in skirts?
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Use the word 'ya'll' and before you knew it, you'd find yourself in a haystack french-kissing an underage goat
David Sedaris (Me Talk Pretty One Day)
The Forgotten Dialect of the Heart How astonishing it is that language can almost mean, and frightening that it does not quite. Love, we say, God, we say, Rome and Michiko, we write, and the words get it all wrong. We say bread and it means according to which nation. French has no word for home, and we have no word for strict pleasure. A people in northern India is dying out because their ancient tongue has no words for endearment. I dream of lost vocabularies that might express some of what we no longer can. Maybe the Etruscan texts would finally explain why the couples on their tombs are smiling. And maybe not. When the thousands of mysterious Sumerian tablets were translated, they seemed to be business records. But what if they are poems or psalms? My joy is the same as twelve Ethiopian goats standing silent in the morning light. O Lord, thou art slabs of salt and ingots of copper, as grand as ripe barley lithe under the wind's labor. Her breasts are six white oxen loaded with bolts of long-fibered Egyptian cotton. My love is a hundred pitchers of honey. Shiploads of thuya are what my body wants to say to your body. Giraffes are this desire in the dark. Perhaps the spiral Minoan script is not language but a map. What we feel most has no name but amber, archers, cinnamon, horses, and birds.
Jack Gilbert (The Great Fires)
The Shepherd laughed too. “I love doing preposterous things,” he replied. “Why, I don’t know anything more exhilarating and delightful than turning weakness into strength, and fear into faith, and that which has been marred into perfection. If there is one thing more than mother which I should enjoy doing at this moment it is turning a jellyfish into a mountain goat. That is my special work,” he added with the light of a great joy in his face. “Transforming things —to take Much-Afraid, for instance, and to transform her into—“ He broke off and then went on laughingly. “Well, we shall see later on what she finds herself transformed into.
Hannah Hurnard (Hinds Feet on High Places)
I was born free, and that I might live in freedom I chose the solitude of the fields; in the trees of the mountains I find society, the clear waters of the brooks are my mirrors, and to the trees and waters I make known my thoughts and charms. I am a fire afar off, a sword laid aside. Those whom I have inspired with love by letting them see me, I have by words undeceived, and if their longings live on hope—and I have given none to Chrysostom or to any other—it cannot justly be said that the death of any is my doing, for it was rather his own obstinacy than my cruelty that killed him; and if it be made a charge against me that his wishes were honourable, and that therefore I was bound to yield to them, I answer that when on this very spot where now his grave is made he declared to me his purity of purpose, I told him that mine was to live in perpetual solitude, and that the earth alone should enjoy the fruits of my retirement and the spoils of my beauty; and if, after this open avowal, he chose to persist against hope and steer against the wind, what wonder is it that he should sink in the depths of his infatuation? If I had encouraged him, I should be false; if I had gratified him, I should have acted against my own better resolution and purpose. He was persistent in spite of warning, he despaired without being hated. Bethink you now if it be reasonable that his suffering should be laid to my charge. Let him who has been deceived complain, let him give way to despair whose encouraged hopes have proved vain, let him flatter himself whom I shall entice, let him boast whom I shall receive; but let not him call me cruel or homicide to whom I make no promise, upon whom I practise no deception, whom I neither entice nor receive. It has not been so far the will of Heaven that I should love by fate, and to expect me to love by choice is idle. Let this general declaration serve for each of my suitors on his own account, and let it be understood from this time forth that if anyone dies for me it is not of jealousy or misery he dies, for she who loves no one can give no cause for jealousy to any, and candour is not to be confounded with scorn. Let him who calls me wild beast and basilisk, leave me alone as something noxious and evil; let him who calls me ungrateful, withhold his service; who calls me wayward, seek not my acquaintance; who calls me cruel, pursue me not; for this wild beast, this basilisk, this ungrateful, cruel, wayward being has no kind of desire to seek, serve, know, or follow them. If Chrysostom's impatience and violent passion killed him, why should my modest behaviour and circumspection be blamed? If I preserve my purity in the society of the trees, why should he who would have me preserve it among men, seek to rob me of it? I have, as you know, wealth of my own, and I covet not that of others; my taste is for freedom, and I have no relish for constraint; I neither love nor hate anyone; I do not deceive this one or court that, or trifle with one or play with another. The modest converse of the shepherd girls of these hamlets and the care of my goats are my recreations; my desires are bounded by these mountains, and if they ever wander hence it is to contemplate the beauty of the heavens, steps by which the soul travels to its primeval abode.
Miguel de Cervantes Saavedra (Don Quixote)
But I'd also learned that-in love-nothing makes sense. I didn't make sense. I didn't understand myself. Down is up and up is purple. The sky is drawer. The moon is goat. In love, everything was nonsense. Bu maybe that also means anything is possible.
Penny Reid (Dr. Strange Beard (Winston Brothers, #5))
THE ELFIN KNIGHT Are you going to Scarborough Fair? Parsley, sage, rosemary, and thyme Remember me to one who lives there She must be a true love of mine Tell her she'll sleep in a goose-feather bed Parsley, sage, rosemary, and thyme Tell her I sear she'll have nothing to dread She must be a true love of mine Tell her tomorrow her answer make known Parsley, sage, rosemary, and thyme What e'er she may say I'll not leave her alone She must be a true love of mine Her answer came in a week and a day Parsley, sage, rosemary, and thyme I'm sorry good sir, I must answer thee nay I'll not be a true love of thine From the sting of my curse she can never be free Parsley, sage, rosemary, and thyme Unless she unravels my riddlings three She will be a true love of mine Tell her to make me a magical shirt Parsley, sage, rosemary, and thyme Without any seam or needlework Else she'll be a true love of mine Tell her to find me an acre of land Parsley, sage, rosemary, and thyme Between the salt water and the sea strand Else she'll be a true love of mine Tell her to plow it with just a goat's horn Parsley, sage, rosemary, and thyme And sow it all over with one grain of corn Else she'll be a true love of mine And her daughters forever possessions of mine
Nancy Werlin (Impossible (Impossible, #1))
In the silence, I could hear the distinct sound of goats maa-ing in the barn. Lying there listening to them made me smile, too. I'd always loved goats - every one of them different from every other one, and all of them goofy and playful.
Steve Watkins (What Comes After)
ALTERNATE UNIVERSE IN WHICH I AM UNFAZED BY THE MEN WHO DO NOT LOVE ME when the businessman shoulder checks me in the airport, i do not apologize. instead, i write him an elegy on the back of a receipt and tuck it in his hand as i pass through the first class cabin. like a bee, he will die after stinging me. i am twenty-four and have never cried. once, a boy told me he doesn’t “believe in labels” so i embroidered the word chauvinist on the back of his favorite coat. a boy said he liked my hair the other way so i shaved my head instead of my pussy. while the boy isn’t calling back, i learn carpentry, build a desk, write a book at the desk. i taught myself to cum from counting ceiling tiles. the boy says he prefers blondes and i steam clean his clothes with bleach. the boy says i am not marriage material and i put gravel in his pepper grinder. the boy says period sex is disgusting and i slaughter a goat in his living room. the boy does not ask if he can choke me, so i pretend to die while he’s doing it. my mother says this is not the meaning of unfazed. when the boy says i curse too much to be pretty and i tattoo “cunt” on my inner lip, my mother calls this “being very fazed.” but left over from the other universe are hours and hours of waiting for him to kiss me and here, they are just hours. here, they are a bike ride across long island in june. here, they are a novel read in one sitting. here, they are arguments about god or a full night’s sleep. here, i hand an hour to the woman crying outside of the bar. i leave one on my best friend’s front porch, send my mother two in the mail. i do not slice his tires. i do not burn the photos. i do not write the letter. i do not beg. i do not ask for forgiveness. i do not hold my breath while he finishes. the man tells me he does not love me, and he does not love me. the man tells me who he is, and i listen. i have so much beautiful time.
Olivia Gatwood (New American Best Friend)
Who knows more of gods than I? Horse gods and fire gods, gods made of gold with gemstone eyes, gods carved of cedar wood, gods chiseled into mountains, gods of empty air... I know them all. I have seen their peoples garland them with flowers, and shed the blood of goats and bulls and children in their names. And I have heard the prayers, in half a hundred tongues. Cure my withered leg, make the maiden love me, grant me a healthy son. Save me, succor me, make me wealthy... protect me! Protect me from mine enemies, protect me from the darkness, protect me from the crabs inside my belly, from the horselords, from the slavers, from the sellswords at my door. Protect me from the Silence." He laughed. "Godless? Why, Aeron, I am the godliest man ever to raise sail! You serve one god, Damphair, but I have served ten thousand. From Ib to Asshai, when men see my sails, they pray.
George R.R. Martin
Dreams were the worst. Of course I dreamed of food and love, but they were pleasant rather than otherwise. But then I'd dream of things like slitting a baby's throat, mistaking it for a baby goat. I'd have nightmares of other islands stretching away from mine, infinities of islands, islands spawning islands, like frogs' eggs turning into polliwogs of islands, knowing that I had to live on each and every one, eventually, for ages, registering their flora, their fauna, their geography.
Elizabeth Bishop (Geography III)
SCARBOROUGH FAIR, or, THE LOVER'S PROMISE (Lucy:) Are you going to Scarborough Fair? Parsley, sage, rosemary, and thyme Remember me to one who lives there Always he'll be a true love of mine Tell him I've made him a magical shirt Parsley, sage, rosemary, and thyme Without any seam or needlework Always he'll be a true love of mine (Zach:) Tell her she's found me an acre of land Parsley, sage, rosemary, and thyme Between the salt water and the sea strand That makes her a true love of mine Tell her she's plowed it with just a goat's horn Parsley, sage, rosemary, and thyme She's sowed it all over with one grain of corn Yes, she is a true love of mine And her daughter forever a daughter of mine (Together:) Are you going to Scarborough Fair? Parsley, sage, rosemary, and thyme Remember us to all who live there Ours will be true love for all time
Nancy Werlin (Impossible (Impossible, #1))
If love smelled like cheese, as some people assume it does, then I'd rather be a goat and make love all day long.
Jarod Kintz (This Book is Not for Sale)
From sunrise to sunset, I was in the forest, sometimes far from the house, with my goat who watched me as a mother does a child. All the animals in the forest became my friends, even dangerous and poisonous ones. Thanks to my goat-mother and my Indian nurse, I have always enjoyed the trust of animals--a precious gift. I still love animals infinitely more than human beings.
Diego Rivera (My Art, My Life)
Why, why is this? Think'st thou I'ld make a lie of jealousy, To follow still the changes of the moon With fresh suspicions? No; to be once in doubt Is once to be resolved: exchange me for a goat, When I shall turn the business of my soul To such exsufflicate and blown surmises, Matching thy inference. 'Tis not to make me jealous To say my wife is fair, feeds well, loves company, Is free of speech, sings, plays and dances well; Where virtue is, these are more virtuous: Nor from mine own weak merits will I draw The smallest fear or doubt of her revolt; For she had eyes, and chose me. No, Iago; I'll see before I doubt; when I doubt, prove; And on the proof, there is no more but this,-- Away at once with love or jealousy!
William Shakespeare (Othello)
Signs and wonders, eh? Pity if there is nothing wonderful in signs, and significant in wonders! There's a clue somewhere; wait a bit; hist--hark! By Jove, I have it! Look, you Doubloon, your zodiac here is the life of man in one round chapter; and now I'll read it off, straight out of the book. Come, Almanack! To begin: there's Aries, or the Ram--lecherous dog, he begets us; then, Taurus, or the Bull--he bumps us the first thing; then Gemini, or the Twins--that is, Virtue and Vice; we try to reach Virtue, when lo! comes Cancer the Crab, and drags us back; and here, going from Virtue, Leo, a roaring Lion, lies in the path--he gives a few fierce bites and surly dabs with his paw; we escape, and hail Virgo, the Virgin! that's our first love; we marry and think to be happy for aye, when pop comes Libra, or Scales--happiness weighed and found wanting; and while we are very sad about that, Lord! how we suddenly jump, as Scorpio, or the Scorpion, stings us in rear; we are curing the wound, when whang comes the arrows all round; Sagittarius, or the Archer, is amusing himself. As we pluck out the shafts, stand aside! here's the battering-ram, Capricornus, or the Goat; full tilt, he comes rushing and headlong we are tossed; when Aquarius, or the the Waterbearer, pours out his whole deluge and drowns us; and, to wind up, with Pisces, or the Fishes, we sleep. There's a sermon now, writ in high heaven, and the sun goes through it every year, and yet comes out of it all alive and hearty.
Herman Melville (Moby-Dick)
The goat convulses in my arms, and Dorothy starts laughing. Then she puts her arm up and juts her chin out, like she’s about to start doing the Dance of the Cuckolded Woodland Sprite, and I start laughing. She’s laughing, and I’m laughing, and I swear to Gods I’m the luckiest man in the world. I look at her, lit by fire, caked in blood, scored by the Shrieking of the Chorus and the wailing of a dying goat, and I wish I could marry her again. I wish I could marry her a hundred thousand times.
Raphael Bob-Waksberg (Someone Who Will Love You in All Your Damaged Glory)
I'm staring at this girl who I know would break me if I loved her but I can't help it.
Brad Land (Goat: A Memoir)
It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
Quoyle experienced moments in all colors, uttered brilliancies, paid attention to the rich sound of waves counting stones, he laughed and wept, noticed sunsets, heard music in rain, said I do. A row of shining hubcaps on sticks appeared in the front yard of the Burkes’ house. A wedding present from the bride’s father. For if Jack Buggit could escape from the pickle jar, if a bird with a broken neck could fly away, what else might be possible? Water may be older than light, diamonds crack in hot goat’s blood, mountaintops give off cold fire, forests appear in mid-ocean, it may happen that a crab is caught with the shadow of a hand on its back, that the wind be imprisoned in a bit of knotted string. And it may be that love sometimes occurs without pain or misery.
Annie Proulx (The Shipping News)
I understand that there are different expressions of Christianity in different cultures. Contextualization is essential for the growth and expansion of the church. But there is a difference between contextualization and compromise. Using goat's milk for communion in a culture that has never heard of wine or grapes is contextualization; sacrificing the goat is compromise. Having a Saturday night service because we have run out of room in all four Sunday services is contextualization; having a Saturday night service to accommodate and/or appease people who are “too busy” on Sunday is compromise.
Voddie T. Baucham Jr. (The Ever-Loving Truth: Can Faith Thrive in a Post-Christian Culture?)
As you know, I have wealth of my own and do not desire anyone else's; I am free and do not care to submit to another; I do not love or despise anyone. I do not deceive this one or solicit that one; I do not mock one or amuse myself with another. The honest conversation of the shepherdesses from these hamlets, and tending to my goats, are my entertainment. The limits of my desires are these mountains, and if they go beyond here, it is to contemplate the beauty of heaven and the steps whereby the soul travels to its first home.
Miguel de Cervantes Saavedra (Don Quixote)
Mirabai composed many ecstatic songs which are still treasured in India; I translate one of them here: “If by bathing daily God could be realised Sooner would I be a whale in the deep; If by eating roots and fruits He could be known Gladly would I choose the form of a goat; If the counting of rosaries uncovered Him I would say my prayers on mammoth beads; If bowing before stone images unveiled Him A flinty mountain I would humbly worship; If by drinking milk the Lord could be imbibed Many calves and children would know Him; If abandoning one’s wife would summon God Would not thousands be eunuchs? Mirabai knows that to find the Divine One The only indispensable is Love.
Paramahansa Yogananda (The Autobiography of a Yogi ("Popular Life Stories"))
I love you, Aubrey. Can’t you see that? I am head over heels in fucking love with you. I love you more than anything in this entire world. When I look into your eyes, I don’t just see you, I see my children. Hell, I see an entire farm of children and deaf, dumb and blind goats.
Penelope Ward (Cocky Bastard (Cocky Bastard, #1))
If we address frankly what is evoked by cheese, I think it becomes clear why so little is said. So what does cheese evoke? Damp dark cellars, molds, mildews and mushrooms galore, dirty laundry and high school locker rooms, digestive processes and visceral fermentations, he-goats which do not remind of Chanel … In sum, cheese reminds of dubious, even unsavory places, both in nature and in our own organisms. And yet we love it.
Michael Pollan (Cooked: A Natural History of Transformation)
Oh Kay you are like a key that opens the door of my heart. Your charm crushes me. Like a clinking machete slicing my flesh thinly cutting my heart. Let you hit my neck with the longing that you create without compassion and mercy. Kay oh Kay there's no one like you in this world. Because for you, I'm a little kid who can cry for a stuffed toy. Wherever you sing, the rhythm of the music will accompany you. And let the dance floor come to you, twisting and lifting you in a dance that makes everyone crazy. Kay oh Kay you are my sickle machete. You are the dagger that stabbed my soul, you stoned me with the sweet needle of your innocent smile. You're the sweet mouth that sighs that moans that laughs that makes my soul restless. Kay oh Kay. Your sweet spit drips like the most sugary honey on my thirsty mind. I desire you from the most sordid nests, the most abominable paths and the most perverted thoughts. I want to taste the most delicious nectar of your flowers. Oh how you taint me with your fire. You trapped me with your innocence. With your nakedness that leads me astray. How you give hope that I do not have. You won a heart I didn't fight for. Kay oh Kay you are the only answer I never questioned. A destination I never expected but greeted me with joy. You are the reality that I never dreamed of but came true by itself. How do I accept you as you accept me with all the charm of your madness. Kay oh Kay my sunshine moon. You are my river and sea. Only you my eyes are fixed, only you my heart trembles. You let me be the key that enters the darkest hole of your soul. It is not in your majesty that my dreams wander, but in your intoxicating beauty. You have imprisoned my most wretched soul. Oh Kay you are my kitchen knife, my axe, my saw, my hammer, my screwdriver. You enslaved me in this unbreakable lust. I serve you like a stupid servant. A deaf and blind goat that only serves one master. You are the master of all this passion and madness. Everything I know about you is a lie. How did you deign to allow me to love someone other than you? Kay oh Kay, if truly adoring you will give me the true meaning of a poem, then how can you give me true love that you never had?
Titon Rahmawan
Again I waited - oh, but for a brief interval: I presently distinguished an extraordinary shuffling and stamping of feet on the staircase, on the floors, on the carpets; a sound not only of boots and' human shoes, but tapping of crutches, of crutches of wood, and knocking of iron crutches which clanged like cymbals. And behold, I perceived, all at once, on the door sill, an armchair, my large reading chair, which came waddling out. Right into the garden it went, followed by others, the chairs of my drawing room, then the comfortable settee, crawling like crocodiles on their short legs; next, all my chairs bounding like goats,and the small footstools which followed like rabbits. Oh, what a hideous surprise! I stepped back behind the shrubs, where I stayed, crouched and watching this procession of my furniture; for out they all came, one behind the other, quickly or slowly according to their form and weight. My piano - my large grand piano - passed at a canter like a horse, with a faint murmur of music from within; the smallest objects crawled on the gravel like ants - brushes, glasses and cups glistening in the rays of the moon with phosphorescence like glowworms. The curtains, tablecloths and, draperies wriggled along, with their feelers in the puddles like the cuttle-fish in the sea. Suddenly I beheld my pet bureau, a rare specimen of the last century, and which contained all my correspondence, all my love letters, the whole history of my heart, an old history of how much I have suffered! And within, besides, were, above all, certain photographs! ("Who Knows?")
Guy de Maupassant (Ghostly By Gaslight)
Outsong in the Jungle [Baloo:] For the sake of him who showed One wise Frog the Jungle-Road, Keep the Law the Man-Pack make For thy blind old Baloo's sake! Clean or tainted, hot or stale, Hold it as it were the Trail, Through the day and through the night, Questing neither left nor right. For the sake of him who loves Thee beyond all else that moves, When thy Pack would make thee pain, Say: "Tabaqui sings again." When thy Pack would work thee ill, Say: "Shere Khan is yet to kill." When the knife is drawn to slay, Keep the Law and go thy way. (Root and honey, palm and spathe, Guard a cub from harm and scathe!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [Kaa:] Anger is the egg of Fear-- Only lidless eyes see clear. Cobra-poison none may leech-- Even so with Cobra-speech. Open talk shall call to thee Strength, whose mate is Courtesy. Send no lunge beyond thy length. Lend no rotten bough thy strength. Gauge thy gape with buck or goat, Lest thine eye should choke thy throat. After gorging, wouldst thou sleep ? Look thy den be hid and deep, Lest a wrong, by thee forgot, Draw thy killer to the spot. East and West and North and South, Wash thy hide and close thy mouth. (Pit and rift and blue pool-brim, Middle-Jungle follow him!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [Bagheera:] In the cage my life began; Well I know the worth of Man. By the Broken Lock that freed-- Man-cub, ware the Man-cub's breed! Scenting-dew or starlight pale, Choose no tangled tree-cat trail. Pack or council, hunt or den, Cry no truce with Jackal-Men. Feed them silence when they say: "Come with us an easy way." Feed them silence when they seek Help of thine to hurt the weak. Make no bandar's boast of skill; Hold thy peace above the kill. Let nor call nor song nor sign Turn thee from thy hunting-line. (Morning mist or twilight clear, Serve him, Wardens of the Deer!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [The Three:] On the trail that thou must tread To the threshold of our dread, Where the Flower blossoms red; Through the nights when thou shalt lie Prisoned from our Mother-sky, Hearing us, thy loves, go by; In the dawns when thou shalt wake To the toil thou canst not break, Heartsick for the Jungle's sake; Wood and Water, Wind air Tree, Wisdom, Strength, and Courtesy, Jungle-Favour go with thee!
Rudyard Kipling
I drink coffee like goats walk on tightropes. It’s fun to watch, but it sure would be easier if this monkey dressed like a cowboy would get off my back.
Jarod Kintz (I love Blue Ribbon Coffee)
Two guys, a man and a beast, were walking underwater, when two goats began fishing for political votes. That’s when I fell in love, when I saw how serious it all was.
Jarod Kintz (This Book is Not for Sale)
Loving God, allow me to be a sheep at least once in a while, and never let me forget that most of my life I have been a goat.”       Tuesday
Richard Rohr (Wondrous Encounters: Scripture for Lent)
It was a wonderful meal at Michaud’s after we got in; but when we had finished and there was no question of hunger any more the feeling that had been like hunger when we were on the bridge was still there when we caught the bus home. It was there when we came in the room and after we had gone to bed and made love in the dark, it was there. When I woke with the windows open and the moonlight on the roofs of the tall houses, it was there. I put my face away from the moonlight into the shadow but I could not sleep and lay awake thinking about it. We had both wakened twice in the night and my wife slept sweetly now with the moonlight on her face. I had to try to think it out and I was too stupid. Life had seemed so simple that morning when I had waked and found the false spring and heard the pipes of the man with the herd of goats and gone out bought the racing paper. But Paris was a very old city and we were young and nothing was simple there, not even poverty, nor sudden money, nor the moonlight, nor right and wrong nor the breathing of someone who lay beside you in the moonlight.
Ernest Hemingway (A Moveable Feast)
The Shepherd laughed too. “I love doing preposterous things,” he replied. “Why, I don’t know anything more exhilarating and delightful than turning weakness into strength, and fear into faith, and that which has been marred into perfection. If there is one thing more than mother which I should enjoy doing at this moment it is turning a jellyfish into a mountain goat.
Hannah Hurnard (Hinds' Feet on High Places)
I think how easy it would be to go through life as a goat. You don’t have any problems. You don’t fall in love, so you don’t get crushed by loss. You just have your simple, farm-animal life, which I envy now.
Meg Wolitzer (Belzhar)
Hey, turn down the volume on your “How To Make Love Like Lucifer Hand Guide Volume II” audio book a little bit. I’m trying to sacrifice a goat, a burnt offering, and I need silence to start a fire using just my laser-like focus.
Jarod Kintz (This Book is Not for Sale)
I glanced over at...Billy? I think his name was Billy. If it was, he'd be the third one since the walking boot came off. Like the Three Billy Goats Gruff. Trip trap, trip trap right into my bed. Especially after one too many Pinot Grigios.
Rachel Corsini (Sushi and Sea Lions)
Well, that’s splendid!” Mr. Goat said. “As long as we preserve our friendship—that’s the important thing.” “Yes!” Olivia said. “Exactly!” There was a pause. “Can I kiss you?” Mr. Goat said. Olivia groaned. “I just want to be friends,” she said firmly. “That’s all.” “I
Simon Rich (Man Seeking Woman (originally published as The Last Girlfriend on Earth): And Other Love Stories)
My grandmother had been married to my grandfather for almost seventy years. Their relationship had been so close, their roots so deeply intertwined, that I rarely thought of them as individuals. Together, they had been one powerful spiritual force, a two-tiered anchor, a double-sided talisman. Now, for the first time, I wondered if my grandmother had ever longed for another life, if she had had any regrets, if on that last morning, while I was cooking oatmeal and spooning Folgers into her mug, she was dreaming of all the places she had been and the people she had loved, or if, in the end, she had simply taken one giant leap and become a part of it all.
Jennifer McGaha (Flat Broke with Two Goats)
There's only a yard of stuff in it, worth a pound if that," I went on, horrified by the waste of money. "And how many yards of canvas in a Fragonard? And how much do planks of wood cost, or the skin of a darling goat before some clever person turns them into commodes and morocco? Art is more than yards, just as one is more than flesh and bones.
Nancy Mitford (Love in a Cold Climate (Radlett & Montdore, #2))
What the fuck is that?” I ask Uncle Drew as he walks up to us. “That, my little asshole, is a screaming goat. Molly showed me this awesome video on YouTube and I had to get one,” Uncle Drew says with a huge smile. “GAAAAAAAAAAAAAAAAAAAAH!” Uncle Drew turns around and points proudly to a little black and white goat tied to one of Aunt Liz and Uncle Jim’s trees. “Isn’t she cute? Her name is Taylor Swift.” “GAAAAAAAAAAAAAAAAAAAAH!” the goat screams as she looks right at us. “I don’t even understand what is happening right now,” I reply with a shake of my head. “I’ve been trying to teach her—” “GAAAAAAAAAAAAAAAAAAAAH!” “How to sing a—” “GAAAAAAAAAAAAAAAAAAAAH!” “Song, but she never comes in at the right—” “GAAAAAAAAAAAAAAAAAAAAH!
Tara Sivec (Love and Lists (Chocoholics, #1))
I did not mean to be a Christian. I have been very clear about that. My first words upon encountering the presence of Jesus for the first time 12 years ago, were, I swear to God, “I would rather die.” I really would have rather died at that point than to have my wonderful brilliant left-wing non-believer friends know that I had begun to love Jesus. I think they would have been less appalled if I had developed a close personal friendship with Strom Thurmond. At least there is some reason to believe that Strom Thurmond is a real person. You know, more or less. But I never felt like I had much choice with Jesus; he was relentless. I didn’t experience him so much as the hound of heaven, as the old description has it, as the alley cat of heaven, who seemed to believe that if it just keeps showing up , mewling outside your door, you’d eventually open up and give him a bowl of milk. Of course, as soon as you do, you are fucked, and the next thing you know, he’s sleeping on your bed every night, and stepping on your chest at dawn to play a little push-push. I resisted as long as I could, like Sam-I-Am in “Green Eggs and Ham” — I would not, could not in a boat! I could not would not with a goat! I do not want to follow Jesus, I just want expensive cheeses. Or something. Anyway, he wore me out. He won. I was tired and vulnerable and he won. I let him in. This is what I said at the moment of my conversion: I said, “Fuck it. Come in. I quit.” He started sleeping on my bed that night. It was not so bad. It was even pretty nice. He loved me, he didn’t shed or need to have his claws trimmed, and he never needed a flea dip. I mean, what a savior, right? Then, when I was dozing, tiny kitten that I was, he picked me up like a mother cat, by the scruff of my neck, and deposited me in a little church across from the flea market in Marin’s black ghetto. That’s where I was when I came to. And then I came to believe.
Anne Lamott
Still dark out, of course. Innocent goats have slipped into their peaceful, collective sleep. The line of olive trees outside in the field is sipping at the nourishment the darkness provides. And the moon, like some melancholy priest, rests above the rooftop, stretching out its hands to the barren sea. No matter where I find myself, this is the time of day I love the best. The time that’s mine alone.
Haruki Murakami (Sputnik Sweetheart)
To a chorus of resonant barking, the instruments proceeded to adjust themselves into tune. A billy-goat, alarmed, aroused his harem, and distantly a muffled lowing broke out. Philippa said, ‘Oh dear. It must have cost a fortune. Did Gideon ever do this to you?’ Kate thought. ‘No, but I did it to him. He hadn’t called to see me for a week, so I sent eight bell ringers to serenade him at cock-crow and his mother’s parrot dropped dead, quoting Luther.’ ‘What did it say?’ Philippa said. Sitting on the sill, with her long brown hair falling over her night robe, she looked, in the darkness, like the daughter who had come back from Turkey: calm and smiling and soignée. ‘Music is a fair and lovely gift of God, and deserves to be extolled as the mistress and governess of the feelings of the human heart,’ said Kate, surprised.
Dorothy Dunnett (Checkmate (The Lymond Chronicles, #6))
The eighties are a sorely underrated decade in terms of musical composition. They don’t get nearly the respect they deserve. I try to use my platform in the world to bring attention to this travesty by singing eighties ballads whenever I get the chance. Like right now, as I sing “What About Me” by Moving Pictures on the karaoke stage. It was their one-hit wonder and a soul-stirring exercise in self-pity. My eyes are closed as I belt out the lyrics and sway behind he microphone. Not in time to the music—I’m so pissed, I’m lucky to still be standing at all. Usually I play the guitar too, but my fine-motor functions fell by the wayside hours ago. I’m a fantastic musician—not that anyone really notices. That talent gets lost in the shadow of the titles, the same way the talented offspring of two accomplished stars get discounted by the weight of their household name. My mother gave me my love of music—she played several instruments. I had tutors, first for the piano, then the violin—but it was the guitar that really stuck with me. The karaoke stage at The Goat used to be my second home and in the last few hours, I’ve given serious consideration to moving in beneath it. If Harry Potter was the Boy Under the Stairs, I could be the Prince Under the Stage. Why the fuck not?
Emma Chase (Royally Matched (Royally, #2))
While Nape was making the bread and Dryas boiling the ram, Daphnis and Chloe had time to go forth as far as the ivy-bush; and when he had set his snares again and pricked his lime-twigs, they not only catched good store of birds, but had a sweet collation of kisses without intermission, and a dear conversation in the language of love: "Chloe, I came for thy sake." "I know it, Daphnis." "'Tis long of thee that I destroy the poor birds." "What wilt thou with me?" "Remember me." "I remember thee, by the Nymphs by whom heretofore I have sworn in yonder cave, whither we will go as soon as ever the snow melts." "But it lies very deep, Chloe, and I fear I shall melt before the snow." "Courage, man; the Sun burns hot." "I would it burnt like that fire which now burns my very heart." "You do but gibe and cozen me!" "I do not, by the goats by which thou didst once bid me to swear to thee.
Longus (Daphnis and Chloe; The Love Romances of Parthenius and other fragments (Loeb Classical Library))
my taste is for freedom, and I have no relish for constraint; I neither love nor hate anyone; I do not deceive this one or court that, or trifle with one or play with another. The modest converse of the shepherd girls of these hamlets and the care of my goats are my recreations; my desires are bounded by these mountains, and if they ever wander hence it is to contemplate the beauty of the heavens, steps by which the soul travels to its primeval abode.
Joseph Conrad (50 Masterpieces You Have To Read Before You Die Vol: 01 [newly updated] (Golden Deer Classics))
Grover: Oh, um—well, it’s a little embarrassing. I got this request once from a muskrat who wanted to hear “Muskrat Love.” Well ... Ilearned it, and I have to admit I enjoy playing it. Honestly, it’s not just for muskrats anymore! It’s a very sweet love story. I get misty-eyed every time I play it. So does Percy, but I think that’s because he’s laughing at me. Who would you least like to meet in a dark alley—a Cyclops or an angry Mr. D? Grover: Blah-hah-hah! What kind of question is that? Um—well... I’d much rather meet Mr. D, obviously, because he’s so . . . er, nice. Yes, kind and generous to all us satyrs. We all love him. And I’m not just saying that because he’s always listening, and he would blast me to pieces if I said anything different. In your opinion, what’s the most beautiful spot in nature in all of America? Grover: It’s amazing there are any nice spots left, but I like Lake Placid in upstate New York. Very beautiful, especially on a winter day! And the dryads up there—wow! Oh, wait, can you edit that part out? Juniper will kill me. Are tin cans really that tasty? Grover: My old granny goat used to say, “Two cans a day keep the monsters away.” Lots of minerals, very filling, and the texture is wonderful. Really, what’s not to like? I can’t help it if human teeth aren’t built for heavy-duty dining. Interview with PERCY JACKSON, Son of Poseidon What’s your favorite part about summers at
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
Power comes at a price, love," Veliss replied through bared teeth, maintaining the smile she offered to the townsfolk lining the square. "What power?" "All power. The power to rule, to kill, or, in your case this fine morning, the power to incite the lust of the old goat you're about to meet." "Lust? I have no desire to incite lust in anyone." Veliss turned to her with a quizzical expression, her smile suddenly genuine. "Then I'm afraid you're in for a lifetime of disappointment.
Anthony Ryan (Queen of Fire (Raven's Shadow, #3))
If I use the word “God,” I sure don’t mean an old man in the sky who loves the occasional goat sacrifice. I mean “God” as Jane Kenyon described God: “I am food on the prisoner’s plate . . . / the patient gardener / of the dry and weedy garden . . . / the stone step, / the latch, and the working hinge.” I mean “God” as shorthand for the Good, for the animating energy of love; for Life, for the light that radiates from within people and from above; in the energies of nature, even in our rough, messy selves.
Anne Lamott (Stitches: A Handbook on Meaning, Hope and Repair)
She was saying that I should be indifferent about being used and abused like a goat or milk cow or something. I understand her and all black women over here. Women like to be dominated, love being strong-armed, need an overseer to supplement their weakness. So how could she really understand my feelings on self-determination. For this reason we should never allow women to express any opinions on the subject, but just to sit, listen to us, and attempt to understand. It is for them to obey and aid us, not to attempt to think.
George L. Jackson (Soledad Brother: The Prison Letters of George Jackson)
Thanks for not killing me,” Rachael said presently. “Hell, as you said, you’ve only got two years of life left, anyhow. And I’ve got fifty. I’ll live twenty-five times as long as you.” “But you really look down on me,” Rachael said. “For what I did.” Assurance had returned to her; the litany of her voice picked up pace. “You’ve gone the way of the others. The bounty hunters before you. Each time they get furious and talk wildly about killing me, but when the time comes they can’t do it. Just like you, just now.” She lit a cigarette, inhaled with relish. “You realize what this means, don’t you? It means I was right; you won’t be able to retire any more androids; it won’t be just me, it’ll be the Batys and Stratton, too. So go on home to your goat. And get some rest.” Suddenly she brushed at her coat, violently. “Yife! I got a burning ash from my cigarette—there, it’s gone.” She sank back against the seat, relaxing. He said nothing. “That goat,” Rachael said. “You love the goat more than me. More than you love your wife, probably. First the goat, then your wife, then last of all—” She laughed merrily. “What can you do but laugh?
Philip K. Dick (Do Androids Dream of Electric Sheep?)
I'll read it off, straight out of the book. Come, Almanack! To begin: there's Aries, or the Ram— lecherous dog, he begets us; then, Taurus, or the Bull— he bumps us the first thing; then Gemini, or the Twins— that is, Virtue and Vice; we try to reach Virtue, when lo! comes Cancer the Crab, and drags us back; and here, going from Virtue, Leo, a roaring Lion, lies in the path— he gives a few fierce bites and surly dabs with his paw; we escape, and hail Virgo, the Virgin! that's our first love; we marry and think to be happy for aye, when pop comes Libra, or the Scales—happiness weighed and found wanting; and while we are very sad about that, Lord! how we suddenly jump, as Scorpio, or the Scorpion, stings us in the rear; we are curing the wound, when whang comes the arrows all round; Sagittarius, or the Archer, is amusing himself. As we pluck out the shafts, stand aside! here's the battering-ram, Capricornus, or the Goat; full tilt, he comes rushing, and headlong we are tossed; when Aquarius, or the Waterbearer, pours out his whole deluge and drowns us; and to wind up with Pisces, or the Fishes, we sleep. There's a sermon now, writ in high heaven, and the sun goes through it every year, and yet comes out of it all alive and hearty. Jollily
Herman Melville (Moby Dick: or, the White Whale)
When Cherokee and Raphael got back to the canyon house, they set up the tepee on the grass and crept inside it. They lay on their backs, not touching, looking at the leaf shadows flickering on their canvas, and trying to identify the flowers they smelled in the warm air. "Honeysuckle." "Orange blossom." "Rose." "The Sea." "The Sea! That doesn't count!" "I smell it like it's growing in the yard." They giggled the way they used to when they were very young. Then they were quiet. Raphael sat up and took Cherokee's feet in her hands. "Do they still hurt?" he asked, stroking them tenderly. He moved his hands up over her whole body, as if he were painting her, bringing color into her white skin. As if he were playing her-his guitar. And all the hurt seemed to float out of her like music. They woke in the morning curled together. "Remember how when we were really little we used to have the same dreams?" Cherokee whispered. "It was like going on trips together." "It stopped when we started making love." "I know." "But last night..." "Orchards of hawks and apricots," Raphael said, remembering. "Sheer pink-and-gold cliffs." "The sky's wings." "The night beasts run beside us, not afraid. Dream horses carry us..." "To the sea," they said together...
Francesca Lia Block (Cherokee Bat and the Goat Guys (Weetzie Bat, #3))
Mirabai composed many ecstatic songs, which are still treasured in India. I translate one of them here: If by bathing daily God could be realized Sooner would I be a whale in the deep; If by eating roots and fruits He could be known Gladly would I choose the form of a goat; If the counting of rosaries uncovered Him I would say my prayers on mammoth beads; If bowing before stone images unveiled Him A flinty mountain I would humbly worship; If by drinking milk the Lord could be imbibed Many calves and children would know Him; If abandoning one’s wife could summon God Would not thousands be eunuchs? Mirabai knows that to find the Divine One The only indispensable is Love. Several
Paramahansa Yogananda (Autobiography of a Yogi (Complete Edition))
That goat has been nothing but trouble. And the dratted creature isn't even picturesque. Goats resemble nothing so much as badly dressed sheep." "That's quite unfair," Beatrix said. "Goats have far more character and intelligence than sheep, who are nothing but followers. I've met far too many in London." "Sheep?" Christopher asked blankly. "My sister is speaking figuratively, Captain Phelan," Amelia said. "Well, I have met some actual sheep in London," Beatrix said. "But yes, I was mainly referring to people. They all tell you the same gossip, which is tedious. They adhere to the current fashions and the popular opinions, no matter how silly. And one never improves in their company. One starts falling in line and baaing.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
On the Eighth Day Adam Slept Alone It must have been the eighth day. A day the scribes and Pharisees conveniently left out. Adam was either inspecting goats or naming the birds when something pinched my side. I had to stop pruning the tree of knowledge to catch my breath. God had taken a long weekend. At first I thought the solitude of gardening was going to my head. Was it loneliness? An omen? A vision? For a moment I thought I would ascend. Then I realized it was just a rib missing. How you found your way in along the banks of the third river I will never know but I still shiver to recall how perfectly your fingers fell into place along the ridges of my ribcage. Go ahead, Love, take every last bone. Make of me what you will.
Nancy Boutilier (On the Eighth Day Adam Slept Alone: New Poems)
It’s so cute, isn’t it?” Arianna said dreamily. “Are we seeing the same creature? It’s like a demented goat with a bone growth.” “You’re going to hurt its feelings! Now shut up and sit on the ground.” I did as I was told, sticking my ankle out. “How is it going to heal me?” I asked, suddenly nervous. I pictured it licking my ankle and gagged. I could only imagine the diseases unicorn saliva had or what it carried around in its filthy, matted beard and hair. Bleating reproachfully, it stared at me with its doleful, square-pupiled brown eyes. “Oh, fine. Great, glorious unicorn, beloved of oblivious girls everywhere, please heal me. Now, if you don’t mind.” With one last bat of its gunk-crusted eyelashes, it lowered its head and put its stubby horn against my ankle. I cringed, waiting for pain, but felt instead tingling warmth spread out, almost like having butterflies in my stomach. Only in my ankle. Butterflies . . . with rainbows. The feeling of wholeness and well-being spread up my leg and into my entire body, and I couldn’t stop grinning. The forest was beautiful! The tree branches, naked against the brightening sky, held unimaginable wonders. The hard-packed dirt beneath me was a treasure trove of unrealized potential, lovely for what it could eventually give life to. I could sit out here forever and just enjoy nature. I was so happy! And rainbows! Why did I keep thinking of rainbows? Who cared! Rainbows were totally awesome! And the unicorn! I beamed at it, reaching out my hand to stroke it. There was never a creature more beautiful, more majestic. I’d spend the rest of my life out here, and we’d prance around the forest, worship the sunlight, bathe in the moonlight, and . . . I shook my head, scattering the idiotic warm fuzzies that had invaded. “Whoa,” I said, shoving the unicorn’s head away. “That’s enough of that.” I looked down at my ankle, which was now completely healed, not even a scar left. I fixed a stern look on the unicorn. “I am not going to frolic in an eternal meadow of sunshine and moonlight with you, you rotten little fink. But thanks.” I smiled, just enough to be nice without being too encouraging, and patted it quickly on the head. I was going to soak that hand in bleach. “Okay, let’s get out of here.” I stood, testing my ankle and relieved with the utter lack of pain. I still had an irrational desire to do an interpretive dance about rainbows, but it was a small price to pay for being healed.
Kiersten White (Endlessly (Paranormalcy, #3))
Not to hurt feelings but that chapter you assigned? That was all “Columbus is great,” “The Indians sure loved Thanksgiving,” “Let’s brainwash everyone.” I found way better stuff at the library, for example did you know before leaving England to pick up the tobacco the slaves grew, the Englishers filled their empty ships with mud so they didn’t tip in storms? When they got to the New World (which was not new or called America, the America name came from a pickle seller guy who got famous because he lied about doing sex with natives) the Englishers dumped their mud on shore to make room for the tobacco. Guess what was in that mud? Earthworms. But earthworms had been extinct in America since the ice ages, like 10,000 years at least, so the English worms went EVERYwhere and changed the soils and the Englishers also brought other things this place had NEVER known such as: silkworms pigs dandelions grapevines goats rats measles
Anthony Doerr (Cloud Cuckoo Land)
hoped that would be the last time they would see that one. He blew out a breath. “I think I know why those goats ran right off the cliff into the lava.”  “Oh? Why?” Mom asked.  “Because they didn’t see the ewe-turn sign.” He wiggled his eyebrows.  “OH NO!” Kate groaned. “Not again!”  “Don’t mind me, I’m only kid-ding,” Dad said, wiggling his eyebrows even harder.  “Oh maaaaan,” Jack said. “Honey,” Mom said, “I don’t think the kids are interested in your jokes right now.”  “Okay, I’ll stop,” Dad said with a sigh. Mom patted him on the shoulder and Dad looked at her. “I would hate to butt heads with you over it.”  Jack and Kate both burst out laughing and Mom rolled her eyes. “Now kids, no butting in!” Dad said, pointing his finger at them. The kids laughed even harder and Mom chuckled too. Dad put his hands on his hips. “You have goat to be kidding me! I said NO butting in!”  The kids were laughing bigly now, and Mom had a big grin on her face. Their spirits had been lifted, even if only a little. Mom squeezed Dad’s hand. “I love you, honey.”  Dad squeezed hers back. “We already did the bee jokes, dear.” He winked.
Pixel Ate (The Accidental Minecraft Family: Book 13)
To me it seems that man has the fortune of gods, whoever sits beside you and close, who listens to you sweetly speaking and laughing temptingly. My heart flutters in my breast whenever I quickly glance at you – I can say nothing, my tongue is broken. A delicate fire runs under my skin, my eyes see nothing, my ears roar, cold sweat rushes down me, trembling seizes me, I am greener than grass. To myself I seem needing but little to die. Yet all must be endured, since . . . [The Muses] granted me honor by the gift of their works. Golden-crowned Aphrodite, may I draw this lot . . . Stars around the fair moon hide away their radiant form whenever in fullness she lights the earth . . . you, either Cyprus, Paphos, or Palermo I yearn and I desire. in the dripping of my pain May winds and anguish take him who condemns . . . You scorch us Iridescent sandals covered her feet, fine Lydian work. To you I [sacrifice] on the altar a white goat. and I will leave for you For you beautiful women my mind never changes. Their hearts grew cold and their wings fell slack. . . . stirs up quietude . . . trouble in mind . . . sits down . . . Come now, my friends, . . . for day is nigh.
Sappho (Sappho: A New Translation (Reissue))
A grown woman tasting a spoonful of Georgia's Mousse au Citron at a late afternoon lunch, then suddenly standing and announcing that she needed to reconcile with her estranged sister before it was too late. She'd hastened away, leaving her coat, one hundred euros to pay the bill, and the mostly uneaten mousse at the table. After devouring Georgia's beet and goat cheese tart one bitter winter evening, an American man with an engagement ring nestled on top of a slice of Georgia's cherry clafoutis looked across the table at his girlfriend and said later that he could suddenly see clearly that she was not the love of his life. He'd hastened back to the kitchen to remove the ring from the dessert where it was waiting to be served at the right moment. They left the restaurant with the ring in his pocket and his girlfriend in tears. There had been others. Many others, now that she thought of it. It had been a bit of a joke among the kitchen staff, that Georgia's dishes could cause more breakups and engagements and family feuds and reconciliations than the restaurant had ever seen. She'd never really put it all together before, but now that she thought of it... "I think my cooking might give people clarity somehow," Georgia said in surprise.
Rachel Linden (Recipe for a Charmed Life)
And then, on his soul and conscience, [Gringoire] ... was not very sure that he was madly in love with the gypsy. He loved her goat almost as dearly. It was a charming animal, gentle, intelligent, clever; a learned goat. Nothing was more common in the Middle Ages than these learned animals, which amazed people greatly, and often led their instructors to the stake. But the witchcraft of the goat with the golden hoofs was a very innocent species of magic. Gringoire explained them to the archdeacon, whom these details seemed to interest deeply. In the majority of cases, it was sufficient to present the tambourine to the goat in such or such a manner, in order to obtain from him the trick desired. He had been trained to this by the gypsy, who possessed, in these delicate arts, so rare a talent that two months had sufficed to teach the goat to write, with movable letters, the word “Phœbus.” “‘Phœbus!’” said the priest; “why ‘Phœbus’?” “I know not,” replied Gringoire. “Perhaps it is a word which she believes to be endowed with some magic and secret virtue. She often repeats it in a low tone when she thinks that she is alone.” “Are you sure,” persisted Claude, with his penetrating glance, “that it is only a word and not a name?” “The name of whom?” said the poet. “How should I know?” said the priest. “This is what I imagine, messire. These Bohemians are something like Guebrs, and adore the sun. Hence, Phœbus.” “That does not seem so clear to me as to you, Master Pierre.” “After all, that does not concern me. Let her mumble her Phœbus at her pleasure. One thing is certain, that Djali loves me almost as much as he does her.” “Who is Djali?” “The goat.” The archdeacon dropped his chin into his hand, and appeared to reflect for a moment. All at once he turned abruptly to Gringoire once more. “And do you swear to me that you have not touched her?” “Whom?” said Gringoire; “the goat?” “No, that woman.” “My wife? I swear to you that I have not.” “You are often alone with her?” “A good hour every evening.” Dom Claude frowned. “Oh! oh! Solus cum sola non cogitabuntur orare Pater Noster.” “Upon my soul, I could say the Pater, and the Ave Maria, and the Credo in Deum patrem omnipotentem without her paying any more attention to me than a chicken to a church.” “Swear to me, by the body of your mother,” repeated the archdeacon violently, “that you have not touched that creature with even the tip of your finger.” “I will also swear it by the head of my father, for the two things have more affinity between them. But, my reverend master, permit me a question in my turn.” “Speak, sir.” “What concern is it of yours?” The archdeacon’s pale face became as crimson as the cheek of a young girl.
Victor Hugo (The Hunchback of Notre-Dame)
In the Middle of Life After the end of the world after my death I found myself in the middle of life creating myself building a life people animals landscapes this is a table I kept saying this is a table on the table are bread knife the knife is used for cutting bread people feed on bread man should be loved I learned by night by day what should one love I answered man this is a window I kept saying this is a window beyond the winidow is a garden in the garden I see an apple tree the apple tree blossoms the blossoms fall off fruit forms ripens my father picks an apple the man picking the apple is my father I was sitting on the front steps of the house that old woman pulling a goat on a rope is more needed is worth more than the seven wonders of the world anyone who thinks or feels she isn’t needed is guilty of genocide this is a man this is a tree this is bread people eat to live I kept repeating to myself human life is important human life has great importance the value of life exceeds the value of every object man has made man is a great treasure I kept repeating stubbornly this is water I kept saying stroking the waves with my hand talking to the river water I said kind water it is I the man talked to the water talked to the moon to the flowers to the rain he talked to the earth to the birds to the sky the sky was silent the earth was silent if he heard a voice flowing from the earth the water the sky it was the voice of another man
Tadeusz Różewicz (Sobbing Superpower: Selected Poems)
She leaned over the basket again, taking in the mouthwatering aromas wafting out of it. "Fried chicken? Oh, I'm thinking buttermilk fried chicken?" Dylan was once again amused. "How do you do that?" "I like food." "You don't say." "And I love Southern fried chicken." She tried to open the basket, and he tapped her hand jokingly. "Sit," he said. And she did, crossing her legs and plopping down on the blanket. Opening the basket and playing waiter, Dylan began removing flatware and plates and red-checkered napkins, and then wrapped food. "For lunch today in Chez Orchard de Pomme, we have some lovely cheese, made from the milk of my buddy Mike's goat Shelia." He removed the plastic wrap, which covered a small log of fresh white cheese on a small plate, and handed it to her. Grace put her nose to the cheese. It was heavenly. "Oh, Shelia is my new best friend." "It's good stuff. And we have some fresh chili corn bread. The corn, I think, is from Peter Lindsey's new crop, just cut out from the maze, which is right down this hill." He motioned with his head toward the field, and then he handed her a big loaf of the fresh corn bread wrapped loosely in wax paper. "It's still warm!" Delighted, she held it to her cheek. Then he pulled out a large oval Tupperware container. "And, yes, we have Dolly's buttermilk fried chicken." Grace peeled open the top and smelled. "Fabulous." "It is!" He also pulled out a mason jar of sourwood honey, a sack of pecans, and a couple of very cold bottles of a local mountain-brewed beer.
Jeffrey Stepakoff (The Orchard)
Studentdom, he felt, must pass its own Examinations and define its own Commencement--a slow, most painful process, made the more anguishing by bloody intelligences like the Bonifacists of Siegfrieder College. Yet however it seemed at times that men got nowhere, but only repeated class by class the mistakes of their predecessors, two crucial facts about them were at once their hope and the limitation of their possibility, so he believed. One was their historicity: the campus was young, the student race even younger, and by contrast with the whole of past time, the great collegiate cultures had been born only yesterday. The other had to do with comparative cyclology, a field of systematic speculation he could not review for me just then, but whose present relevance lay in the correspondency he held to obtain between the life-history of individuals and the history of studentdom in general. As the embryologists maintained that ontogeny repeats phylogeny, so, Max claimed, the race itself--and on a smaller scale, West-Campus culture--followed demonstrably--in capital letters, as it were, or slow motion--the life-pattern of its least new freshman. This was the basis of Spielman's Law--ontogeny repeats cosmogeny--and there was much more to it and to the science of cyclology whereof it was first principle. The important thing for now was that, by his calculations, West-Campus as a whole was in mid-adolescence... 'Look how we been acting,' he invited me, referring to intercollegiate political squabbles; 'the colleges are spoilt kids, and the whole University a mindless baby, ja? Okay: so weren't we all once, Enos Enoch too? And we got to admit that the University's a precocious kid. If the history of life on campus hadn't been so childish, we couldn't hope it'll reach maturity.' Studentdom had passed already, he asserted, from a disorganized, pre-literate infancy (of which Croaker was a modern representative, nothing ever being entirely lost) through a rather brilliant early childhood ('...ancient Lykeion, Remus, T'ang...') which formed its basic and somewhat contradictory character; it had undergone a period of naive general faith in parental authority (by which he meant early Founderism) and survived critical spells of disillusionment, skepticism, rationalism, willfulness, self-criticism, violence, disorientation, despair, and the like--all characteristic of pre-adolescence and adolescence, at least in their West-Campus form. I even recognized some of those stages in my own recent past; indeed, Max's description of the present state of West-Campus studentdom reminded me uncomfortably of my behavior in the Lady-Creamhair period: capricious, at odds with itself, perverse, hard to live with. Its schisms, as manifested in the Quiet Riot, had been aggravated and rendered dangerous by the access of unwonted power--as when, in the space of a few semesters, a boy finds himself suddenly muscular, deep-voiced, aware of his failings, proud of his strengths, capable of truly potent love and hatred--and on his own. What hope there was that such an adolescent would reach maturity (not to say Commencement) without destroying himself was precisely the hope of the University.
John Barth (Giles Goat-Boy)
Agitated, he hooked a finger under his neck cloth and pulled it loose. “Care for her,” he muttered. “How could that be possible? I’ve scarcely gone near the woman in weeks.” “I don’t know how it’s possible, but it seems to be true. In fact, I think you’re half in love with her. More than half, perhaps.” Rising from his chair, Gray straightened to his full height. “Now wait. I’m half out of my mind with lust, I’ll grant you that. More than half, perhaps. But I’m certainly not in love with that girl. Don’t forget who you’re talking to, Joss. I keep my conscience in my bank account, remember? I don’t even know what love looks like.” Joss paused over his desk. “I know what love looks like. Using up all those Portuguese on one meal, killing a valuable goat, bringing out porcelain from the cargo hold…Crack one plate, and you’d lose half the set’s price. Serving meat onto a lady’s plate.” He shrugged. “Love looks something like that.” Gray ran his hands through his hair, shaking off the lunatic notion before it could take root in his brain. “I’m telling you, I’m not in love. I’m just too damned bored. I’ve nothing to do on this voyage but plan dinner parties. And it’s about to get worse. No chance of cracking a plate tonight.” He jerked his chin at the lamp dangling from a hook, which on any normal night would have been swaying in time with the waves. “If you hadn’t noticed, we’re becalmed.” “I’d noticed.” Joss grimaced and motioned for the flask. Gray tossed it to him. “Good thing we’ve given the men a fine meal and grog tonight. Becalming’s never good for the crew’s morale.” “Not good for the investor’s morale, either.” Gray rubbed his temples. “Let’s hope it doesn’t last.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
The most consistent execution of this project is to be found in the Letter to the Hebrews, which connects the death of Jesus on the Cross with the ritual and theology of the Jewish feast of reconciliation and expounds it as the true cosmic reconciliation feast. The train of thought in the letter could be briefly summarized more or less as follows: All the sacrificial activity of mankind, all attempts to conciliate God by cult and ritual—and the world is full of them—were bound to remain useless human work, because God does not seek bulls and goats or whatever may be ritually offered to him. One can sacrifice whole hecatombs of animals to God all over the world; he does not need them, because they all belong to him anyway, and nothing is given to the Lord of All when such things are burned in his honor. “I will accept no bull from your house, nor he-goat from your folds. For every beast of the forest is mine, the cattle on a thousand hills. I know all the birds of the air, and all that moves in the field is mine. If I were hungry, I would not tell you; for the world and all that is in it is mine. Do I eat the flesh of bulls, or drink the blood of goats? Offer to God a sacrifice of thanksgiving. . . .” So runs a saying of God in the Old Testament (Ps 50 [49]:9-14). The author of the Letter to the Hebrews places himself in the spiritual line of this and similar texts. With still more conclusive emphasis he stresses the fruitlessness of ritual effort. God does not seek bulls and goats but man; man’s unqualified Yes to God could alone form true worship. Everything belongs to God, but to man is lent the freedom to say Yes or No, the freedom to love or to reject; love’s free Yes is the only thing for which God must wait—the only worship or “sacrifice” that can have any meaning. But the Yes to God, in which man gives himself back to God, cannot be replaced or represented by the blood of bulls and goats. “For what can a man give in return for his life”, it says at one point in the Gospel (Mk 8:37). The answer can only be: There is nothing with which he could compensate for himself. But
Pope Benedict XVI (Introduction To Christianity)
People are so soon gone; let us catch them. That man there, by the cabinet; he lives, you say, surrounded by china pots. Break one and you shatter a thousand pounds. And he loved a girl in Rome and she left him. Hence the pots, old junk found in lodging-houses or dug from the desert sands. And since beauty must be broken daily to remain beautiful, and he is static, his life stagnates in a china sea. It is strange though; for once, as a young man, he sat on damp ground and drank rum with soldiers. One must be quick and add facts deftly, like toys to a tree, fixing them with a twist of the fingers. He stoops, how he stoops, even over an azalea. He stoops over the old woman even, because she wears diamonds in her ears, and, bundling about her estate in a pony carriage, directs who is to be helped, what tree felled, and who turned out tomorrow. (I have lived my life, I must tell you, all these years, and I am now past thirty, perilously, like a mountain goat, leaping from crag to crag; I do not settle long anywhere; I do not attach myself to one person in particular; but you will find that if I raise my arm, some figure at once breaks off and will come.) And that man is a judge; and that man is a millionaire, and that man, with the eyeglass, shot his governess “through the heart with an arrow when he was ten years old. Afterwards he rode through deserts with despatches, took part in revolutions and now collects materials for a history of his mother’s family, long settled in Norfolk. That little man with a blue chin has a right hand that is withered. But why? We do not know. That woman, you whisper discreetly, with the pearl pagodas hanging from her ears, was the pure flame who lit the life of one of our statesmen; now since his death she sees ghosts, tells fortunes, and has adopted a coffee-coloured youth whom she calls the Messiah.* That man with the drooping moustache, like a cavalry officer, lived a life of the utmost debauchery (it is all in some memoir) until one day he met a stranger in a train who converted him between Edinburgh and Carlisle by reading the Bible. Thus, in a few seconds, deftly, adroitly, we decipher the hieroglyphs written on other people’s faces. Here, in this room, are the abraded and battered shells cast on the shore.
Virginia Woolf (The Waves)
One day, because I was bored in our usual spot, next to the merry-go-round, Françoise had taken me on an excursion – beyond the frontier guarded at equal intervals by the little bastions of the barley-sugar sellers – into those neighbouring but foreign regions where the faces are unfamiliar, where the goat cart passes; then she had gone back to get her things from her chair, which stood with its back to a clump of laurels; as I waited for her, I was trampling the broad lawn, sparse and shorn, yellowed by the sun, at the far end of which a statue stands above the pool, when, from the path, addressing a little girl with red hair playing with a shuttlecock in front of the basin, another girl, while putting on her cloak and stowing her racket, shouted to her, in a sharp voice: ‘Good-bye, Gilberte, I’m going home, don’t forget we’re coming to your house tonight after dinner.’ That name, Gilberte, passed by close to me, evoking all the more forcefully the existence of the girl it designated in that it did not merely name her as an absent person to whom one is referring, but hailed her directly; thus it passed close by me, in action so to speak, with a power that increased with the curve of its trajectory and the approach of its goal; – transporting along with it, I felt, the knowledge, the notions about the girl to whom it was addressed, that belonged not to me, but to the friend who was calling her, everything that, as she uttered it, she could see again or at least held in her memory, of their daily companionship, of the visits they paid to each other, and all that unknown experience which was even more inaccessible and painful to me because conversely it was so familiar and so tractable to that happy girl who grazed me with it without my being able to penetrate it and hurled it up in the air in a shout; – letting float in the air the delicious emanation it had already, by touching them precisely, released from several invisible points in the life of Mlle Swann, from the evening to come, such as it might be, after dinner, at her house; – forming, in its celestial passage among the children and maids, a little cloud of precious colour, like that which, curling over a lovely garden by Poussin,15 reflects minutely like a cloud in an opera, full of horses and chariots, some manifestation of the life of the gods; – casting finally, on that bald grass, at the spot where it was at once a patch of withered lawn and a moment in the afternoon of the blonde shuttlecock player (who did not stop launching the shuttlecock and catching it again until a governess wearing a blue ostrich feather called her), a marvellous little band the colour of heliotrope as impalpable as a reflection and laid down like a carpet over which I did not tire of walking back and forth with lingering, nostalgic and desecrating steps, while Françoise cried out to me: ‘Come on now, button up your coat and let’s make ourselves scarce’, and I noticed for the first time with irritation that she had a vulgar way of speaking, and alas, no blue feather in her hat.
Marcel Proust (In Search of Lost Time: Swann's Way)
Taking hold of the ladder, she began to climb, stopping when she got to eye level with him. That, however, turned out to be a mistake, because the moment her eyes met his, she forgot everything—even the lines she’d just committed to memory—because nothing else mattered to her except . . . him. “You wrote a scene with a strong heroine in it, and one where the hero gets dangled by his feet.” “I did.” “Why?” “Because I couldn’t figure out a better way to let you know I love you, the real you, without dangling from my feet and letting you cut me down.” Lucetta’s eyes immediately took to turning a little misty. “You . . . love me?” “I do, but before we continue this, I have to admit that hanging upside down is far less pleasant than I imagined, so if you’d be so kind, I really do need you to get me down from here.” Realizing he was completely serious, but also realizing if she cut him down he’d go plummeting to the hard floor and most likely suffer a horrible injury—which certainly wouldn’t have the night turning out well at all—Lucetta looked to the side of the stage and caught Mr. Skukman’s eye. As he, along with a good number of backstage hands, walked across the boards, whispers began circulating around the theater, growing louder after Bram got released and rose to his feet. Smiling ever so charmingly at the audience, he presented them with a small bow right before he took center stage. “Ladies and gentlemen, I must beg your indulgence for just a few more minutes because you see . . . I am . . . Mr. Grimstone.” The whispers ceased immediately. Bram smiled. “I’m Mr. Grimstone, alias Mr. Bram Haverstein, and I’ve come here tonight, with all of you as my witnesses, to proclaim my love for Miss Lucetta Plum, and . . .” He dropped to one knee. “Ask her to do me the very great honor of becoming my wife.” He reached out and took hold of Lucetta’s hand. “Miss Lucetta Plum, I am completely and irrevocably in love with you, and just so we’re clear, I’m in love with the real you, not the person you turn into when you take to the stage. I love the idea that you’re completely oblivious to your unusual beauty, can outrun a goat, and . . . you fascinate me as no one ever has. I’m asking you, in front of all of these people who will probably never buy another one of my books again if you turn me down . . .” He stopped talking and turned his head to the audience. “And just to remind everyone, I will have another novel releasing soon, although I haven’t decided on a title just yet, something about a strong-willed lady, no doubt, or . . .” “You’re getting distracted,” Lucetta interrupted. Bram immediately returned his gaze to hers. “Quite right, but . . . I’ve lost my train of thought.” “You were just about to the part where you were going to ask her to marry you,” a voice called out, a voice that sounded remarkably like Abigail’s. “Thank you, Grandmother,” he called back. “You’re welcome, darling. And just to remind you, I’m not getting any younger, so you might want to hurry this proposal business along.” Grinning, Bram shook his head, brought Lucetta’s fingers to his lips, and then sobered as he held her gaze. “I love you, Lucetta, more than I ever imagined I could, and I would be so incredibly honored if you’d agree to be my wife.” For a second, Lucetta was unable to answer him because her heart had taken to rising in her throat, but after drawing in a deep breath, she managed to nod, ignoring the tears that had filled her eyes and were blurring her vision. “I would be honored to become your wife, especially since—I’m not sure when this happened, but—I’m in love with you as well.” Bram’s hold on her hand tightened for just a second, and then he was sliding a ring on her finger she hadn’t even realized he’d been holding. Before she could take even a second to admire what felt like an enormous rock on her hand, he was standing instead of kneeling, looking intently into her eyes, before he pulled her into his arms and kissed her. The
Jen Turano (Playing the Part (A Class of Their Own, #3))
Glorious Prince of Peace, you who one day will reconcile wolves and lambs, leopards and goats, calves and lions—give me the desire, the humility, and the grace to be a man of peace. As far as it is in my own power (Rom. 12:18–21) and as far as the power of the gospel will take me, let me live as an agent of your reconciling love. I pray in your peerless and peace-full name. Amen.
Scotty Smith (Everyday Prayers: 365 Days to a Gospel-Centered Faith)
So Jesus came and fulfilled the requirements of it to satisfy God. He lived it perfectly. And then instead of the Old Testament law becoming our standard or law, Jesus himself became our law. He gave us his perfect standing by fulfilling God’s righteous requirements and then on the cross took all our sin, failure, guilt, and shame. A pretty sweet exchange, if you ask me. And now we no longer solely live up to an external code, but rather live in relationship with a person who then shows us how to properly view that code. Jesus became the face of the Law rather than the concrete tablets Moses is always holding in those ancient depictions. Love is the new law. The way I think about it is this: if I’m ever tempted to cheat on Alyssa, I could motivate myself by the law—I won’t cheat on her because I might go to hell, etc.—or I could motivate myself with love—I don’t want to cheat on her because she is better than anything out there. So it is with us and God. Jesus ushered in a more beautiful covenant. One that is perfected in love, not in hateful and fearful obedience. The law was just a foretaste of Jesus. To know all the shadows and pictures in the Old Testament were simply a picture of him is astounding. Sacrificing a goat seems a little weird and disgusting until you see it actually had a reason. The sacrificial system was God’s way of saying sin breeds death. Someone must die when there is sin. All the mandates and requirements God laid out for the Israelites were ultimately mini arrows pointing to Jesus. The lamb the Israelites needed to sacrifice for sin was God’s way of saying, “There is one coming after you who will not only be a picture of sacrifice and forgiveness like these lambs, but one who will actually be able to take away your sin and cleanse you forever.
Jefferson Bethke (Jesus > Religion: Why He Is So Much Better Than Trying Harder, Doing More, and Being Good Enough)
I hate being sugar-lipped, especially by a bleating goat in pinstripes.
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
I would have given absolutely anything to sleep with a girl. Any girl actually. Whether it happened with someone I loved, like Hanne, or with a prostitute, made no difference, if it happened as part of a satanic initiation ceremony with goat’s blood and hoods I would have said, yes, I’m up for that. But
Karl Ove Knausgård (Dancing in the Dark (My Struggle, # 4))
Your Mr. Skukman is a man of few words, isn’t he?” Bram said as he walked up to join her. “It’s one of the reasons I hired him.” Bram frowned. “You prefer men who don’t speak much?” “Would you be insulted if I admitted I do?” To Lucetta’s surprise, instead of looking insulted, Bram sent her a look of understanding as he stepped closer to her. “You’re obviously overcome by the shock you’ve recently experienced because of my goat. And while I would love to be able to say that Geoffrey was just out of sorts today, I’m afraid he’s been out of sorts ever since someone abandoned him at Ravenwood a few months back, in the middle of the night.” “Your goat’s name is Geoffrey?” “My sister, Ruby, named it after a gentleman she’d once set her sights on, but a gentleman who turned out to be a bit of a disappointment.” Bram shook his head. “The man had the audacity to go off and marry some well-connected society miss, breaking Ruby’s heart in the process.” Lucetta smiled. “I do believe I’m going to like this sister of yours, Mr. Haverstein, especially since it appears she has no qualms about naming a cranky beast after a gentleman she no longer holds in high esteem.” “Please, since you’ve been set upon by my dogs, and practically mauled by my goat, feel free to call me Bram.” “Very well, since I have experienced all of that madness at the paws and hooves of your animals, I will call you Bram and you may call me Lucetta.” Her smile began to fade. “But pleasantries aside, why do you think your goat tried to attack me, and what was it doing in the tower room in the first place?” Bram blew out a breath. “Geoffrey attacked you because he has a problem with dresses—something we learned when he chased poor Mrs. Macmillan, who’d been trying to help get Geoffrey to the barn the morning we discovered him.” Bram shook his head. “Mrs. Macmillan has not been back to the barn since. As for what Geoffrey was doing in the tower room, I must admit that I can’t even fathom how he got up there without someone noticing.” “It’s
Jen Turano (Playing the Part (A Class of Their Own, #3))
Looking down, she felt heat traveling up her face when she saw that, in her mad dash to get away from the goat, she’d completely neglected to realize that not only had she forgotten her shoes and stockings, she’d also forgotten that she hadn’t buttoned her gown up all the way. “Goodness,” she muttered as she yanked the neckline of her dress up as high as she could. “If it makes you feel better, I don’t believe anyone took note of your somewhat questionable state of dishabille.” Her head shot up as she met Bram’s eyes. “You obviously noticed.” He sent her a charming smile. “Noticed what?” He extended her his arm. “There’s a lovely grove right through those trees, which is nowhere near the barn, I might add. It’ll afford you a bit of privacy to set yourself to rights since I don’t believe you’ll be keen to face all the people still lingering outside the castle doors.” Glancing to where Bram was now looking, Lucetta found a small cluster of people looking her way, although Mr. Kenton and Archibald were walking back toward the castle, the skirts of their dresses fluttering in the breeze. Abigail, however, seemed to be in the midst of a heated conversation with her daughter, both women gesturing wildly with their hands as the remaining members of Bram’s staff edged ever so slowly away from them. “Should we intervene?” she asked with a nod Abigail’s way. “I willingly admit I’m not that familiar with my grandmother when she’s in a temper, but my mother is not a woman who would appreciate an intervention. I suggest you get yourself straightened about, and then I’ll take you for a lovely walk around the grounds. By the time we get back, they’ll have hopefully settled a few of their differences from the past thirty years.” “It’s fortunate your grounds seem to be extensive.” “Quite,” Bram agreed as she took the arm he was still holding out to her. He turned his attention back to Abigail and Iris. “I’m taking Miss Plum for a tour of the grounds,” he called. “We’ll be back in an hour or two.” Abigail and Iris stopped arguing and turned their attention Bram and Lucetta’s way. It was immediately clear that Abigail took no issue with Bram giving Lucetta a tour of the grounds. She lifted her arm and sent them a cheery wave before she spun on her heel and headed back toward the castle, spinning around again a moment later. Putting her hands on her hips, she marched her way back to Iris—who’d not moved at all—took her daughter’s arm, and with what looked to be a bit of wrestling, hauled Iris inside with her. “Perhaps we’ll mosey around the grounds for more than an hour or two,” Bram said as he steered Lucetta toward the trees.
Jen Turano (Playing the Part (A Class of Their Own, #3))
She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was.
Samuel Beckett (Molloy)
My back is broken,” he said, again with a straight face. “A vertebrae? Or what portion?” I asked. “Spinal.” That’s hysterical. Did I also tell you that Tyson threatened to kill me once? Also happened. I had asked him some random question after one of his fights and his response was, “I will kill you, and I will kill Don King, and I will do it right now.” It just came out of nowhere. I said, “Why?” Or, “Over what?” He said that King had stolen money from him, taken advantage of him, and so I just let him answer. And after that, when I asked him something else, he answered, then said, “Mr. Gray, I love you,” and he kissed me on the cheek. I’ve always contended that in those absurd forty-five seconds, it was far more disturbing when he kissed me than when he threatened to kill me.
Jim Gray (Talking to GOATs: The Moments You Remember and the Stories You Never Heard)
What a disaster that was. I was utterly dismayed at the thought that I might take a wrong decision and perhaps miss out on marrying the one and only unique person in the cosmos that God had selected for me, who might be a mustachioed Christian goat-herd called Brawn Hilda living on the windswept hills of Estonia. If I messed up, not only would I be condemned to a ‘second choice’ marriage, but poor old Brawn Hilda would be consigned to a dull life watching goats swanning around (maybe that should be goating around) and reading Leviticus for slaughtering tips, her only joy the sight of her country occasionally winning the Eurovision Song Contest.
Adrian Plass (Seriously Funny: Life, Love & God...Musings Between Two Good Friends)
I soon graduated to Comté, a hard, fruity cheese that when aged has the sweetness and flake of Parmesan, and tête de moines (literally, "a monk's head"), made from sheep's milk. Bleu d' Auvergne, my favorite blue cheese, had nothing much in common with the crumbs I'd seen at home on a California Cobb salad. It was so dense it resembled a hunk of butter, coursing with violet veins. For the wedding, Gwendal also wanted Salers, a cheese from Cantal with an almost peppery after-bite. It is made in huge tomes that, when you cut a slice, leave crags as in the side of a cliff. Monsieur Gilot kindly suggested a milder entre-deux (literally, "in between"), but Gwendal held his ground. As a last choice, we took a tomme de chèvre frais, a round of fresh mild goat cheese the color of newly fallen snow.
Elizabeth Bard (Lunch in Paris: A Love Story, with Recipes)
Vast and grey, the sky is a simulacrum to all but him whose days are vast and grey, and― In the tall, dried grasses a goat stirs with nozzle searching the ground. ―my head is in the air but who am I . . ? And amazed my heart leaps at the thought of love vast and grey yearning silently over me.
William Carlos Williams (The Collected Poems, Vol. 1: 1909-1939)
I ordered a salad with smoked salmon. I know that doesn't sound like a particularly decadent repast, but it is. That's because the French long ago mastered the art of serving salad so it doesn't feel like a punishment for something. There are always a few caramel-crusted potatoes on your salade niçoise, or a plump chicken liver or two bedded down in a nest of lamb's lettuce. A lot of this has to do with what is called a tartine- a large thin slice of country bread (Poilâne if you're lucky) topped with anything from melted goat cheese to shrimp and avocado. My lunch arrived, a well-worn wooden planche heaped with pillowy green lettuce, folded in a creamy, cloudy, mustardy vinaigrette. Balanced on top where three half slices of pain Poilâne, spread with the merest millimeter of butter, topped with coral folds of salmon.
Elizabeth Bard (Lunch in Paris: A Love Story, with Recipes)
The gallettes were darker, a nut-brown from the buckwheat flour, and folded from a circle into a square, with the savory toppings peeping through invitingly. Rosie saw what looked like goat cheese on Yumi's plate. And maybe ratatouille on Marquis's. And over on the plate between her and Henry- ugh, a fat yellow egg stared back at her. Rosie still hadn't forgiven eggs for the whole omelet debacle. "It's called oeuf miroir," Henry said, poking the yolk with his fork almost reverentially, as Marquis and Yumi debated whether or not they should wait for everyone to get their food before they started eating. Yumi, her cheeks full of goat cheese, was firmly on the side of not. "It means egg mirror. Or mirror egg. I think. It looks kind of like a mirror, yeah? And then there's ham and Gruyère underneath. Here, you can have the first bite." Rosie loved Gruyère. The flavors exploded in her mouth. Buckwheat flour was a revelation- nuttier than she'd expected, not like a nut, really, but she couldn't think of any other way to say it. It had a subtle flavor all its own, crisp edges from where it had been seared on the hot pan, and a perfectly soft, almost spongy texture within, where the Gruyère melted into the salty ham, and before Rosie knew it, she'd eaten three bites.
Stephanie Kate Strohm (Love à la Mode)
One early morning while jogging through the outskirts of Bahesht along the river, I had the rare privilege to witness a spectacular anthropological wonder. A huge caravan of what seemed like a thousand kuchis (nomads), at least twice that many camels toting all their worldly goods, and several thousand sheep and goats came walking through town on a singular dirt road. They were obviously heading to a new home somewhere up in the mountains, stirring up the dust in the early morning light. Their caravan stretched for well over a mile. As I ran past countless camels—laden with collapsed, black tents topped by ancient-looking women and led by men who looked as if they had stepped out of the Old Testament—I couldn’t help but marvel that these are some of the very few true nomads left on the face of the earth. The kuchis looked back at me as though I was from another planet. Abraham must have looked like these men, I thought as I continued my jog. Now there was a true nomad who walked by faith and not by sight! His citizenship was in heaven! It dawned on me that if I am to be a real follower of Jesus, I am called to be something of a nomad on this earth. I thought of a verse that I had recently read about Abraham and other spiritual nomads, Hebrews 11:16: “But as it is, they desire a better country, that is, a heavenly one. Therefore God is not ashamed to be called their God, for he has prepared for them a city.” I smiled at the kuchi men that I jogged past. I know that I look different, but I am more like you than you may think ... I’m a nomad, too! Our guys in Bahesht were living as nomads on earth more than I was. I had a family and lived in the fair city of Iskandar in The Museum—basically a mud mansion—and here they were scraping by in one of the most remote and difficult places on the planet, trying to serve the poorest of the poor.
Matthew Collins (Three Years in Afghanistan: An American Family’s Story of Faith, Endurance, and Love)
Goatherd, when you turn the corner by the oaks you'll see a freshly carved statue in fig wood. The bark is not peeled off. It is legless, earless, but strongly equipped with a dynamic phallus to perform the labor of Aphrodite. A holy hedge runs around the precinct where a perennial brook spills down from upper rocks and feeds a luxuriance of bay, myrtle and fragrant cypress trees. A grape vine pours its tendrils along a branch, and spring blackbirds echo in pure transparency of sound to high nightingales who echo back with pungent honey. Come, sit down, and beg Priapos to end my love for Daphnis. Butcher a young goat in sacrifice. If he will not, I make three vows: I will slay a young cow, a shaggy goat and a darling lamb I am raising. May God hear you and assent.
Theocritus
Did I just think about buying a goat to get a girl?
Jiffy Kate (Eye Candy (Fighting for Love #3))