Blush Unseen Quotes

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Full many a gem of purest ray serene, The dark unfathom'd caves of ocean bear: Full many a flower is born to blush unseen, And waste its sweetness on the desert air.
Thomas Gray (An Elegy Written in a Country Churchyard)
Full many a flower is born to blush unseen, And waste it's fragrance on the desert air.
Jane Austen (Emma)
Full many a flower is born to blush unseen and waste its sweetness on the desert air.
Paul Hoffman (The Last Four Things (The Left Hand of God, #2))
Full many a flower is born to blush unseen, And waste its sweetness on the desert air.
Thomas Gray (An Elegy Written in a Country Churchyard)
Full many a flower is born to blush unseen.
James Joyce (Ulysses)
Full many a gem of purest ray serene The dark unfathomed caves of ocean bear: Full many a flower is born to blush unseen And waste its sweetness on the desert air" A good many flowers bloom and fade away in deserted places, seen by no one. In its context in Thomas Gray's "Elegy" it is actually a metaphor for common folk who do heroic things that are never reported in the news or recorded in history. Like a precious stone unmined at the bottom of the ocean or a beautiful flower blooming in the deep woods, their work may not be seen or known, but it is nevertheless heroic. Rubies and roses are beautiful, Gray would say, whether anyone ever sees them or not.
Thomas Gray
Many a flower is born to blush unseen,    "And waste its fragrance on the desert air.
Jane Austen (Northanger Abbey)
My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk: 'Tis not through envy of thy happy lot, But being too happy in thine happiness,— That thou, light-winged Dryad of the trees In some melodious plot Of beechen green, and shadows numberless, Singest of summer in full-throated ease. O for a beaker full of the warm South, Full of the true, the blushful Hippocrene, With beaded bubbles winking at the brim, And purple-stained mouth; That I might drink, and leave the world unseen, And with thee fade away into the forest dim: Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last gray hairs, Where youth grows pale, and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs, Where Beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow. Away! away! for I will fly to thee, Not charioted by Bacchus and his pards, But on the viewless wings of Poesy, Though the dull brain perplexes and retards: Already with thee! tender is the night, And haply the Queen-Moon is on her throne, Cluster'd around by all her starry Fays; But here there is no light, Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways. I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But, in embalmed darkness, guess each sweet Wherewith the seasonable month endows The grass, the thicket, and the fruit-tree wild; White hawthorn, and the pastoral eglantine; Fast fading violets cover'd up in leaves; And mid-May's eldest child, The coming musk-rose, full of dewy wine, The murmurous haunt of flies on summer eves. Darkling I listen; and, for many a time I have been half in love with easeful Death, Call'd him soft names in many a mused rhyme, To take into the air my quiet breath; Now more than ever seems it rich to die, To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad Thou wast not born for death, immortal Bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown: Perhaps the self-same song that found a path Through the sad heart of Ruth, when, sick for home, She stood in tears amid the alien corn; The same that oft-times hath Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn. Forlorn! the very word is like a bell To toll me back from thee to my sole self! Adieu! the fancy cannot cheat so well As she is fam'd to do, deceiving elf. Adieu! adieu! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream? Fled is that music:—Do I wake or sleep? - Ode to a Nightingale
John Keats (The Complete Poems)
It was a unique education for the little girls. The haughty nephew would be at Wickham Place one day, bringing with him an even haughtier wife, both convinced that Germany was appointed by God to govern the world. Aunt Juley would come the next day, convinced that Great Britain had been appointed to the same post by the same authority. Were both these loud-voiced parties right? On one occasion they had met, and Margaret with clasped hands had implored them to argue the subject out in her presence. Whereat they blushed and began to talk about the weather. “Papa,” she cried—she was a most offensive child—“why will they not discuss this most clear question?” Her father, surveying the parties grimly, replied that he did not know. Putting her head on one side, Margaret then remarked: “To me one of two things is very clear; either God does not know his own mind about England and Germany, or else these do not know the mind of God.” A hateful little girl, but at thirteen she had grasped a dilemma that most people travel through life without perceiving. Her brain darted up and down; it grew pliant and strong. Her conclusion was that any human being lies nearer to the unseen than any organization, and from this she never varied.
E.M. Forster (Howards End)
Flowers Born to Fill the Dessert Air! They thought The flower was Born to Blush unseen. And waste its Sweetness In the Dessert air. But the Destiny of The flower Unknown to them. Was A different story, To be known In time. The rains Poured down And the Dessert bloomed. Bringing Travelers from Far and wide. To walk through The dessert, Now Full of flowers. To sooth The tired souls, To inhale the Pure sweetness And, to see the Beautiful flower Blushing, In the sweet dessert air!
Deepa Nilamani
First of all, I simply refuse to believe that you're not absolutely incredible between the sheets." Ignoring her blush, he carried on. "Being good in bed is all about wanting to be there with the person that you're with... if you're enjoying yourself and feeling desired, then you'll be nothing short of spectacular, baby. I know that. Second, yeah, OK... sex is about pleasing the other person, but not in a 'slave pleasing her master' kind of way. It's not a fucking chore, and it sure as hell ain't a wifely duty or obligation. It ain't about fulfiling someone's expectations – it's all about wanting to give and take, in equal measure. Because baby, if you ain't going out of your mind with pleasure, then I'm the one doing something wrong. Not you." Claire
Marysol James (Solid Gold (Unseen Enemy, #8))
Then, note, if angels shouted before and when the world was made, their hallelujahs were more full, more strong, more magnificent, if not more hearty, when they saw Jesus Christ born of the Virgin Mary to be man’s redeemer—“Glory to God in the highest.” What is the instructive lesson to be learned from this first syllable of the angels’ song? Why this, that salvation is God’s highest glory. He is glorified in every dew drop that twinkles to the morning sun. He is magnified in every wood flower that blossoms in the copse, although it live to blush unseen, and waste its sweetness in the forest air. God is glorified in every bird that warbles on the spray; in every lamb that skips the mead. Do not the fishes in the sea praise him? From the tiny minnow to the huge Leviathan, do not all creatures that swim the water bless and praise his name? Do not all created things extol him? Is there aught beneath the sky, save man, that doth not glorify God? Do not the stars exalt him, when they write his name upon the azure of heaven in their golden letters? Do not the lightnings adore him when they flash his brightness in arrows of light piercing the midnight darkness? Do not thunders extol him when they roll like drums in the march of the God of armies? Do not all things exalt him, from the least even to the greatest? But sing, sing, oh universe, till thou hast exhausted thyself, thou canst not afford a song so sweet as the song of incarnation. Though creation may be a majestic organ of praise, it cannot reach the compass of the golden canticle—incarnation. There is more in that than in creation, more melody in Jesus in the manger, than there is in worlds on worlds rolling their grandeur round the throne of the Most High. Pause Christian, and consider this a minute. See how every attribute is here magnified.
Charles Haddon Spurgeon (Good Tidings of Great Joy: A Collection of Christmas Sermons)