Plug And Play Quotes

Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine. And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others. And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.

Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that has nothing to do with you, This storm is you. Something inside you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up the sky like pulverized bones.

This is an apology letter to the both of us for how long it took me to let things go. It was not my intention to make such a production of the emptiness between us playing tuba on the tombstone of a soprano to try and keep some dead singer’s perspective alive. It’s just that I coulda swore you had sung me a love song back there and that you meant it but I guess sometimes people just chew with their mouth open so I ate ear plugs alive with my throat hoping they’d get lodged deep enough inside the empty spots that I wouldn’t have to hear you leaving

Mira, I'm about to be naked," Blue said as he whipped off his belt and tossed it on the floor. "So watch out. Well, in my underwear." "I've seen you in your bathing suit," Mira said. "It's the same thing." "It is not the same thing," Blue said. "When it's accompanied by seventies porn music, it's an X-rated strip show." Blue yanked off his shirt. "Freddie, you're kind of slow on the uptake. Eine kleine porn music, please." Freddie scrunched his forehead in distaste. "I don't want to plug my guitar in just so I can play some bow-chicka-wow-wow accompaniment to your strip show. Mira laughed. "Bow-chicka-what was that, Freddie?

Capable psychonauts who think about thinking, about states of mind, about set and setting, can get things done not because they have more willpower or drive, but because they know productivity is a game played against a childish primal human predilection for pleasure and novelty that can never be excised from the soul. Your effort is better spent outsmarting yourself than making empty promises through plugging dates into a calendar or setting deadlines for push-ups.

An international power supply is the device which means it doesn't matter what country you're in, or even if you know what country you're in (more of a problem than you might suspect) - you just plug your Mac in and it figures it out for itself. We call this principle Plug and Play. Or at least, Microsoft calls it that because it hasn't got it yet. In the Mac world we've had it for so long we didn't even think of giving it a name.

The challenge lies in knowing how to bring this sort of day to a close. His mind has been wound to a pitch of concentration by the interactions of the office. Now there are only silence and the flashing of the unset clock on the microwave. He feels as if he had been playing a computer game which remorselessly tested his reflexes, only to have its plug suddenly pulled from the wall. He is impatient and restless, but simultaneously exhausted and fragile. He is in no state to engage with anything significant. It is of course impossible to read, for a sincere book would demand not only time, but also a clear emotional lawn around the text in which associations and anxieties could emerge and be disentangled. He will perhaps only ever do one thing well in his life. For this particular combination of tiredness and nervous energy, the sole workable solution is wine. Office civilisation could not be feasible without the hard take-offs and landings effected by coffee and alcohol.

Punk was perfect for lazy people, because anyone could do it--you didn't even need to know how to play your instrument, assuming you knew how to plug it in. There was really no difference between Sid Vicious and anyone in London who owned a bass.

But before any of the small appliances who may be listening to this tale should begin to think that they might do the same thing, let them be warned: ELECTRICITY IS VERY DANGEROUS. Never play with old batteries! Never put your plug in a strange socket! And if you are in any doubt about the voltage of the current where you are living, ask a major appliance.

Are we, intellectual sirs, not actively or passively 'producing' more and more words, more books, more articles, ceaselessly refilling the pot-boiler of speech, gorging ourselves on it rather, seizing books and 'experiences', to metamorphose them as quickly as possible into other words, plugging us in here, being plugged in there, just like Mina on her blue squared oilcloth, extending the market and the trade in words of course, but also multiplying the chances of jouissance, scraping up intensities wherever possible, and never being sufficiently dead, for we too are required to go from forty to the hundred a day, and we will never play the whore enough, we will never be dead enough

-I'll play you a song. Blake flexed his fingers and concentrated harder on the cardboard, moving his hands methodically over it's surface. What do you say after an imaginary concert? Livia watched as the song came to a close with his careful plucking a certain keys on the cardboard. She couldn't help but glance to see if the commuters were staring. -I couldn't hear that, but your hands looked beautiful. -Of course not. It's not plugged in. Blake smiled, then watched as she didn't get his joke.

The more you pursue distractions, the less effective any particular distraction is, and so I'd had to up various dosages, until, before I knew it, I was checking my e-mail every ten minutes, and my plugs of tobacco were getting ever larger, and my two drinks a night had worsened to four, and I'd achieved such deep mastery of computer solitaire that my goal was no longer to win a game but to win two or more games in a row--a kind of meta-solitaire whose fascination consisted not in playing the cards but in surfing the streaks of wins and losses.

I think dismissing female pain as overly familiar or somehow out-of-date--twice-told, thrice-told, 1,001-nights-told--masks deeper accusations: that suffering women are playing victim, going weak, or choosing self-indulgence over bravery. I think dismissing wounds offers a convenient excuse: no need to struggle with the listening or telling anymore. Plug it up. Like somehow our task is to inhabit the jaded aftermath of terminal self-awareness once the story of all pain has already been told.

He tried to talk to me in the car, but I just put my sunglasses on, plugged my earbuds in, and blasted Beyoncé all the way back to New York City. When life gives you lemons, put Lemonade on repeat play.

Just because we’re plugged in, doesn’t mean we feel seen and heard. In fact, hyper-communication can mean we spend more time on Facebook than we do face-to-face with the people we care about. I can’t tell you how many times I’ve walked into a restaurant and seen two parents on their cell phones while their kids are busy texting or playing video games. What’s the point of even sitting together?

But I had this idea also that you don't take so wide a stance that it makes a human llife impossible, nor try to bring together irreconcilables that destroy you, but try out what of human you can live with first. And if the highest should come in that empty overheated tavern with its flies and the hot radio buzzing between the plays and plugged beer from Sox Park, what are you supposed to do but take the mixture and say imperfection is always the condidtion as found; all great beauty too, my scratched eyeballs will always see scratched.

Oh, I think my new slave is a wanton little slut. Aren’t you?” “No, I’m a good boy,” he moaned as he pushed his ass back on my hand. “I’m not a whore!” “You’re my whore,” I growled and fucked him with my fingers as I picked up the flogger someone had left on the table. I started spanking him hard with it. “Does my boy want to come?” “Yes,” he hissed and jumped when I slapped him with the toy again. “Please, master? I’ll do anything you want.” “You’ll do it whether I let you come or not!” I pulled my fingers free and walked over to the wall of toys. I grabbed a large butt plug and quickly pushed it into his ass. Then, before he could even get used to the size of it, I slapped the flogger against it. “Admit you’re a dirty slut.” “No! I’m a good boy,” Shely cried out again. “Please don’t breach my ass! I’ve never been with a man before.

A picnic. Imagine: a forest, a country road, a meadow. A car pulls off the road into the meadow and unloads young men, bottles, picnic baskets, girls, transistor radios, cameras … A fire is lit, tents are pitched, music is played. And in the morning they leave. The animals, birds, and insects that were watching the whole night in horror crawl out of their shelters. And what do they see? An oil spill, a gasoline puddle, old spark plugs and oil filters strewn about … Scattered rags, burnt-out bulbs, someone has dropped a monkey wrench. The wheels have tracked mud from some godforsaken swamp … and, of course, there are the remains of the campfire, apple cores, candy wrappers, tins, bottles, someone’s handkerchief, someone’s penknife, old ragged newspapers, coins, wilted flowers from another meadow …” “I get it,” said Noonan. “A roadside picnic.

She sank with an enormous sigh that carried all rigidity like a mythical fluid from her, down next to him; so weak she couldn't help him undress her; it took him 20 minutes, rolling, arranging her this way and that, as if she thought, he were some scaled-up, short-haired, poker-faced little girl with a Barbie doll. She may have fallen asleep once or twice. She awoke at last to find herself getting laid; she'd come in on a sexual crescendo in progress, like a cut to a scene where the camera's already moving. Outside a fugue of guitars had begun, and she counted each electronic voice as it came in, till she reached six or so and recalled only three of the Paranoids played guitars; so others must be plugging in.

Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn’t something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn’t get in, and walk through it, step by step.

I'm sorry," she whispers. "You're sorry? You've been dating Toph for the last month,and you're sorry?" "It just happened.I meant to tell you, I wanted to tell you-" "But you lost control over your mouth? Because it's easy,Bridge. Talking is easy. Look at me! I'm talking right-" "You know it wasn't that easy! I didn't mean for it to happen,it just did-" "Oh,you didn't mean to wreck my life? It just 'happened'?" Bridge stands up from behind her drums. It's impossible,but she's taller than me now. "What do you mean,wreck your life?" "Don't play dumb,you know exactly what I mean. How could you do this to me?" "Do what? It's not like you were dating!" I scream in frustration. "We certainly won't be now!" She sneers. "It's kind of hard to date someone who's not interested in you." "LIAR!" "What,you ditch us for Paris and expect us to put our lives on hold for you?" My jaw drops. "I didn't ditch you. They sent me away." "Ooo,yeah.To Paris.Meanwhile,I'm stuck here in Shitlanta, Georgia, at the same shitty school,doing shitty babysitting jobs-" "If babysitting my brother is so shitty, why do you do it?" "I didn't meant-" "Because you want to turn him against me, too? Well.Congratulations, Bridge. It worked. My brother loves you and hates me. So you're welcome to move in when I leave again,because that's what you want, right? My life?" She shakes with fury. "Go to hell." "Take my life.You can have it. Just watch out for the part where my BEST FRIEND SCREWS ME OVER!" I knock over a cymbal stand,and the brass hits the stage with an earsplitting crash that reverberates through the bowling alley. Matt calls my name.Has he been calling it this entire time? He grabs my arm and leads me around the electrical cords and plugs and onto the floor and away,away,away. Everyone in the bowling alley is staring at me.

He checked her face first to see if she was all right, then dropped his eyes to the keyboard. It was like someone had plugged him in. His eyes widened, his mouth dropped open, and he stretched his fingers. “Will you play it, Blake? Will you?” Livia almost jumped with excitement. Blake covered his smile. He nodded. Livia plopped the keyboard on the kitchen table, which was still moist from where he’d wiped it with the kitchen sponge. Blake kissed her and then spoke solemnly. “I’ll play it for you.

He lifted his gaze to hers. "I have a lot of other things I should be doing, but I'm here." He stared into her eyes for several heartbeats before he returned his attention to the big box. "I've tried to stay away. After you threw me out of the house, I thought it was probably for the best. You're a distraction, and I don't need a distraction right now." He handed the screwdriver back to her and ripped the box open with his big hands. "I've got tapes I need to review, and plays I need to go over in my head before today's practice, yet here I am. Putting baby furniture together for you because I can't get you out of my head. I plug in a tape, and all I do is think about you." He peeled back the cardboard and reached for the instruction sheet that had fallen to the floor. "But the thing is, Adele, I'm not really sure whether you want me to be here or not." His polo shirt pulled out of the waistband of his Levi's and slid up the tan muscles of his back. He straightened and looked at her over the top of the instructions. "I don't know what you want.

E L James, Party Games you’re looking kind of smug inserting that god damn anal plug giving me your kinky love after writing Fifty Shades you’re acting like some kind of renegade giving me your kinky love sit me on a dildo and spin me right around chain me up and hang me upside down giving me your kinky love god damn you E L James making me into some kind of party game giving me your kinky love put me in a dream and wheel in the Fucking Machine god damn you E L James spank a hand on my bum see how much I can cum god damn you E L James stand me up and sit me down lay me out and roll me about god damn you E L James BDSM electro impulses up my brainstem god damn you E L James cast me in a submissive role-play with my genitals on display god damn you E L James suspend me high in the air slap me around like I don’t care god damn you E L James take that whip off the shelf make me forget myself god damn you E L James Why are you wearing oven mittens? branding iron your name written inner goddess don’t keep in hidden god damn you E L James holy crap my mind has snapped to forget one thing that I have heard I’m never going to use the safe-word god damn you E L James By R.M.Romarney

I asked my parents to buy me a Lite Brite like the one I played with in school, and they did. It was the only toy I had that plugged in, that was bought new... I couldn't reconcile it with the other things in my room and in our house, and I can'r remember every playing with it. It was mine, but I didn't feel worthy of using it. It wasn't my turn to use it yet, not when it was still brand-new.

What did we talk about? I don't remember. We talked so hard and sat so still that I got cramps in my knee. We had too many cups of tea and then didn't want to leave the table to go to the bathroom because we didn't want to stop talking. You will think we talked of revolution but we didn't. Nor did we talk of our own souls. Nor of sewing. Nor of babies. Nor of departmental intrigue. It was political if by politics you mean the laboratory talk that characters in bad movies are perpetually trying to convey (unsuccessfully) when they Wrinkle Their Wee Brows and say (valiantly--dutifully--after all, they didn't write it) "But, Doctor, doesn't that violate Finagle's Constant?" I staggered to the bathroom, released floods of tea, and returned to the kitchen to talk. It was professional talk. It left my grey-faced and with such concentration that I began to develop a headache. We talked about Mary Ann Evans' loss of faith, about Emily Brontë's isolation, about Charlotte Brontë's blinding cloud, about the split in Virginia Woolf's head and the split in her economic condition. We talked about Lady Murasaki, who wrote in a form that no respectable man would touch, Hroswit, a little name whose plays "may perhaps amuse myself," Miss Austen, who had no more expression in society than a firescreen or a poker. They did not all write letters, write memoirs, or go on the stage. Sappho--only an ambiguous, somewhat disagreeable name. Corinna? The teacher of Pindar. Olive Schriener, growing up on the veldt, wrote on book, married happily, and ever wrote another. Kate Chopin wrote a scandalous book and never wrote another. (Jean has written nothing.). There was M-ry Sh-ll-y who wrote you know what and Ch-rl-tt- P-rk-ns G-lm-an, who wrote one superb horror study and lots of sludge (was it sludge?) and Ph-ll-s Wh--tl-y who was black and wrote eighteenth century odes (but it was the eighteenth century) and Mrs. -nn R-dcl-ff- S-thw-rth and Mrs. G--rg- Sh-ld-n and (Miss?) G--rg-tt- H-y-r and B-rb-r- C-rtl-nd and the legion of those, who writing, write not, like the dead Miss B--l-y of the poem who was seduced into bad practices (fudging her endings) and hanged herself in her garter. The sun was going down. I was blind and stiff. It's at this point that the computer (which has run amok and eaten Los Angeles) is defeated by some scientifically transcendent version of pulling the plug; the furniture stood around unknowing (though we had just pulled out the plug) and Lady, who got restless when people talked at suck length because she couldn't understand it, stuck her head out from under the couch, looking for things to herd. We had talked for six hours, from one in the afternoon until seven; I had at that moment an impression of our act of creation so strong, so sharp, so extraordinarily vivid, that I could not believe all our talking hadn't led to something more tangible--mightn't you expect at least a little blue pyramid sitting in the middle of the floor?

This seat taken?" My eyes grazing over the only other occupant, a guy with long glossy dark hair with his head bent over a book. "It's all yours," he says. And when he lifts his head and smiles,my heart just about leaps from my chest. It's the boy from my dreams. The boy from the Rabbit Hole,the gas station,and the cave-sitting before me with those same amazing,icy-blue eues, those same alluring lips I've kissed multiple times-but only in slumber, never in waking life. I scold my heart to settle,but it doesn't obey. I admonish myself to sit,to act normal, casual-and I just barely succeed. Stealing a series of surreptitious looks as I search through my backpack, taking in his square chin,wide generous lips,strong brow,defined cheekbones, and smooth brown skin-the exact same features as Cade. "You're the new girl,right?" He abandons his book,tilting his head in a way that causes his hair to stream over his shoulder,so glossy and inviting it takes all of my will not to lean across the table and touch it. I nod in reply,or at least I think I do.I can't be too sure.I'm too stricken by his gaze-the way it mirrors mine-trying to determine if he knows me, recognizes me,if he's surprised to find me here.Wishing Paloma had better prepared me-focused more on him and less on his brother. I force my gaze from his.Bang my knee hard against the table as I swivel in my seat.Feeling so odd and unsettled,I wish I'd picked another place to sit, though it's pretty clear no other table would have me. He buries his smile and returns to the book.Allowing a few minutes to pass,not nearly enough time for me to get a grip on myself,when he looks up and says, "Are you staring at me because you've seen my doppelganer roaming the halls,playing king of the cafeteria? Or because you need to borrow a pencil and you're too shy to ask?" I clear the lump from my throat, push the words past my lips when I say, "No one's ever accused me of being shy." A statement that,while steeped in truth, stands at direct odds with the way I feel now,sitting so close to him. "So I guess it's your twin-or doppelganer,as you say." I keep my voice light, as though I'm not at all affected by his presence,but the trill note at the end gives me away.Every part of me now vibrating with the most intense surge of energy-like I've been plugged into the wall and switched on-and it's all I can do to keep from grabbing hold of his shirt, demanding to know if he dreamed the dreams too. He nods,allowing an easy,cool smile to widen his lips. "We're identical," he says. "As I'm sure you've guessed. Though it's easy enough to tell us apart. For one thing,he keeps his hair short.For another-" "The eyes-" I blurt,regretting the words the instant they're out.From the look on his face,he has no idea what I'm talking about. "Yours are...kinder." My cheeks burn so hot I force myself to look away,as words of reproach stampede my brain. Why am I acting like such an inept loser? Why do I insist on embarrassing myself-in front of him-of all people? I have to pull it together.I have to remember who I am-what I am-and what I was born to do.Which is basically to crush him and his kind-or,at the very least,to temper the damage they do.

The televisor is ‘real.’ It is immediate, it has dimension. It tells you what to think and blasts it in. It must be right. It seems so right. It rushes you on so quickly to its own conclusions your mind hasn’t time to protest, ‘What nonsense!’ ” “Only the ‘family’ is ‘people.’ ” “I beg pardon?” “My wife says books aren’t ‘real.’ ” “Thank God for that. You can shut them, say, ‘Hold on a moment.’ You play God to it. But who has ever torn himself from the claw that encloses you when you drop a seed in a TV parlor? It grows you any shape it wishes! It is an environment as real as the world. It becomes and is the truth. Books can be beaten down with reason. But with all my knowledge and skepticism, I have never been able to argue with a one-hundred-piece symphony orchestra, full color, three dimensions, and being in and part of those incredible parlors. As you see, my parlor is nothing but four plaster walls. And here.” He held out two small rubber plugs. “For my ears when I ride the subway jets.

As a consequence of natural analgesic actions or as a result of the administration of drugs that interfere with body signaling (painkillers, anesthetics), the brain receives a distorted view of what the body state really is at the moment. We know that in situations of fear in which the brain chooses the running option rather than freezing, the brain stem disengages the part of the pain-transmission circuitry, a bit like pulling the plug. The periqueductal gray, which controls these responses, can also command the secretion of natural opioids and achieve precisely what taking an analgesic would achieve -- elimination of pain signals. In the strict sense, we are dealing here with a hallucination of the body because what the brain registers in its maps and the conscious mind feels do not correspond to the reality that might be perceived. Whenever we ingest molecules the have the power to modify the transmission or mapping of body signals, we play on this mechanism. Alcohol does it; so do analgesics and anesthetics, as well as countless drugs of abuse. It is patently clear that, other than out of curiousity, humans are drawn to such molecules because of their desire to generate feelings of well-being, feelings in which pain signals are obliterated and pleasure signals induced.

Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine.

Baseball may be called the national pastime, but it survives on the sentimentality of middle-age men who wistfully dream of playing catch with their fathers and sons. Football, with its dull stoppages, lost its military-industrial relevance with the end of the Cold War, and has become as tired and predictable in performance as it is in political metaphor. The professional game floats on an ocean of gambling, the players' steroid-laced bodies having outgrown their muscular and skeletal carriages. Biceps rip from their moorings, ankles break on simple pivots. Achilles' tendons shrivel like slugs doused with salt. Soccer and basketball are the only mainstream sports that truly plug into the modem-pulse of a dot-com society. Soccer is perfectly suited for a country of the hamster-treadmill pace, the remote-control zap and the national attention deficit—two 45-minute halves, the clock never stops, no commercial interruptions, the final whistle blows in less than two hours. It is a fluid game of systemized chaos that, no matter how tightly scripted by coaches, cannot be regulated any more than information can be truly controlled on the Internet.

Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine. And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others. And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.

One day, on the verge of dying of boredom, Uncle Johnny had had enough. He turned to me and said sternly, “Noah, I’m not gonna sit in here like we’re in an oversized coffin. We’re either opening the door or we’re turning the TV on. Which one do you want?” I rolled my eyes and grumbled for a few minutes before answering, “All right. Turn on the TV.” Without hesitation Uncle Johnny shot up out of that chair and reached up to hit the power button on the TV mounted from the ceiling. No sooner had his butt hit the chair seat than he was right back up again. “Fuck that. I am opening the door, too, because I want it open.” He vigorously emphasized his intention so I didn’t protest. He marched over and swung that door open. I swear he might have even taken a deep breath as if it were fresh mountain air. Then he came back to his chair and sat down. There was a movie on starring Matthew Broderick. I’d never heard of it before but Uncle Johnny was explaining to me that this was a remake and Gene Wilder had played Broderick’s character in the original film. In spite of myself, and my stubborn wish to sit and suffer in silence, I really liked the movie. And I remember thinking, I am really enjoying myself. I even turned to Uncle Johnny and said, “I’m glad we turned the TV on. This is great!” Uncle Johnny just smiled as if to say, “Of course! Finally!” We were right in the middle of the movie when one of my machines started to malfunction. The machine’s beeps drowned out the movie. A nurse came in to fix the problem and it just happened to be the hot nurse I had a crush on. She had short hair, a few tattoos on her arm, and she always wore a bandana over her head. The machine she was trying to fix was plugged in on the other side of the bed, up against the wall. “Oh, I see. Hold on. I have to move the bed out from the wall to fix this,” she said. At this point I was just watching her. She fixed the machine and pushed the bed back up against the wall. She actually hit the wall with the bed and zap! The TV went out! “WHAT?! NO!” I screamed. She couldn’t get it to turn back on. She tried but nothing worked. “Oh no, I’m sorry. We’ll have to get maintenance down here to fix it,” she said with an apologetic look that I met with a glare of disdain. She was no longer hot to me. She was just the nurse who broke the TV. Maintenance didn’t come to repair the TV until the next day. I didn’t get to watch the rest of the movie. In fact, I never saw the end of the movie and I didn’t even know the name of it until years later. Maybe one of these days I’ll get to see The Producers from start to finish.

The morning was already setting up to be hectic, and Jon thanked his lucky stars that Jessie was so good at his job and a constant spark-plug of activity. Oh god, you did not just think Jessie was a spark-plug? You really are getting old. Next thing you know you’ll being saying whipper-snappers and break a hip getting out of bed. He shook his head. I guess I had a good run. Jessie quickly re-entered the office. “Alright. Elisabeth has her caffeine fix and said she’ll be down to say goodbye in a few. So let’s get this bad boy going for the week. Travel plans are done for next month and meetings for the week are in you planner so I’m assuming they’ll be no more complaining about flying coach class this time?” Jessie gave a sly wink and kept organizing his desk. “Yes. And for that I thank you for that my color-coding, hyper computer organized planner. We have to make sure the next presentation for Chicago is ready in three weeks; the storyboards for the new campaign ideas have to be finished by Tuesday the 16th so we can get them shipped before I head out there.” “And let’s not forget our important morning ritual.” Jon looked at Jessie with a question about to form before the realization hit him. His expression changed from confused to stern. “No cat videos Jessie. I swear. Enough of the cat videos.” “C’mon. You know you love them and they brighten your dour moods. Look at this one.” Jessie turned his screen and Jon begrudgingly looked at the cute little puppy and kitten with captions over them. “How can you not love this?” Jessie smiled. “The cute little kitty tells the playful puppy not to do it and yet the puppy bonks the little kitty on the head with his little puppy paw. “Boop Boop.” And then the cat swipes at the puppy and it falls off the bed. You know this is internet gold.” Jon smiled. “Can we get back to work?” Jessie nodded and then walked up to Jon - without hesitating, he bonked him lightly on the head. “Boop.” He paused and added, “I think this puppy is onto something.” Jessie grinned ear to ear still. “I pledge, from now on if something makes me as happy as this bonking picture I’m just going to say Boop boop.” Jon stood stone-faced but a second later, could not stop his smile. “I am not amused.” Jon shook the smile away. “Now, if you’re done boop booping me, there is something else I want to talk with you about.” Jessie looked at Jon with a quizzical smile. “Not to blow my own horn but I have a new and brilliant thought my young apprentice.” Jessie opened his mouth to comment on the blowing horn, but Jon held up his hand and cut him off. “Stop it.” Jessie closed his mouth and swallowed the sexual innuendo-laced comment he had forming on the tip of his tongue.

MY PROCESS I got bullied quite a bit as a kid, so I learned how to take a punch and how to put up a good fight. God used that. I am not afraid of spiritual “violence” or of facing spiritual fights. My Dad was drafted during Vietnam and I grew up an Army brat, moving around frequently. God used that. I am very spiritually mobile, adaptable, and flexible. My parents used to hand me a Bible and make me go look up what I did wrong. God used that, as well. I knew the Word before I knew the Lord, so studying Scripture is not intimidating to me. I was admitted into a learning enrichment program in junior high. They taught me critical thinking skills, logic, and Greek Mythology. God used that, too. In seventh grade I was in school band and choir. God used that. At 14, before I even got saved, a youth pastor at my parents’ church taught me to play guitar. God used that. My best buddies in school were a druggie, a Jewish kid, and an Irish soccer player. God used that. I broke my back my senior year and had to take theatre instead of wrestling. God used that. I used to sleep on the couch outside of the Dean’s office between classes. God used that. My parents sent me to a Christian college for a semester in hopes of getting me saved. God used that. I majored in art, advertising, astronomy, pre-med, and finally English. God used all of that. I made a woman I loved get an abortion. God used (and redeemed) that. I got my teaching certification. I got plugged into a group of sincere Christian young adults. I took courses for ministry credentials. I worked as an autism therapist. I taught emotionally disabled kids. And God used each of those things. I married a pastor’s daughter. God really used that. Are you getting the picture? San Antonio led me to Houston, Houston led me to El Paso, El Paso led me to Fort Leonard Wood, Fort Leonard Wood led me back to San Antonio, which led me to Austin, then to Kentucky, then to Belton, then to Maryland, to Pennsylvania, to Dallas, to Alabama, which led me to Fort Worth. With thousands of smaller journeys in between. The reason that I am able to do the things that I do today is because of the process that God walked me through yesterday. Our lives are cumulative. No day stands alone. Each builds upon the foundation of the last—just like a stairway, each layer bringing us closer to Him. God uses each experience, each lesson, each relationship, even our traumas and tragedies as steps in the process of becoming the people He made us to be. They are steps in the process of achieving the destinies that He has encoded into the weave of each of our lives. We are journeymen, finding the way home. What is the value of the journey? If the journey makes us who we are, then the journey is priceless.

The 50-inch TCL Roku TV balances picture quality and value for money. And this is also what happens when America’s top TV brand and the world’s most popular streaming services content instantly and from one single place. You have everything on the Roku from live TV to game console or if you wish choose from over 1500 streaming channels. This is also the widest selection any smart TV has ever had. Find that perfect movie or TV show easily across top streaming channels by title, actor or director with the acclaimed Roku ‘Search’ feature. On the Roku, you will find more than 200,000 streaming movies and shows that you can choose from. The Remote is simple and puts control into the users’ hands and lets you instantly choose your preferred content from anywhere. Use the Roku Mobile app on your smartphone or tablet to control your Roku TV. Cast your personal media, videos and photos and even music to the big screen. With a 120 Hz refresh rate, the TV displays images at 1080p. It has a built-in wireless and not one, but three HDMI ports that provide a high definition multimedia interface. Wired calls the TCL Roku TV ‘The First Smart TV worth using’. The TCL TV has a Roku box built into it. It is a smart TV that includes the Roku operating system, which is also the favorite OS for most users. The OS is considered as one of the best compared to all the other products and definitely better than any other smart TVs. Recently, the Roku TV was displayed at the prestigious CES 2018 with a brand new OS. We all know a lot about Roku and there are lots of Roku fans across the United States. The recently released series of Roku OS 8 comes with some new and improved features. All Roku TVs have a ‘Tuner’ input that enables you to plug into an antenna and look for channels. In the new Roku TV, the ‘Tuner’ input is available on the Home screen itself; which makes it very easy to navigate to it without fumbling Once you select the ‘Tuner’ input it takes you to the last tuned channel You will also get a preview of what is playing right now The Roku OS 8 also comes with a Smart Guide where you will get a 14-day preview of what is available on all the channels that the Roku TV has scanned for Scroll through the Smart Guide to find out your next programming on the list The experience is fluid with no judder or lag; users will be able to scan through the Smart Guide very easily All you have to do is use the HD antenna and the Roku TV will pop up all the entertainment information In addition to the Smart Guide, there is also a new feature called ‘More Ways to Watch’ Anytime Roku identifies a content that is on the Smart Guide, which is also available on other Roku channels it is marked with a ‘*’. This indicates that there are more ways to watch a single programming content You also don’t have to wait to watch your favorite programming Wherever you see the ‘*’at any time on the Smart Guide, hit the ‘Ok’ button on your remote and watch it on another Roku channel instantly The pricing for the channel or programming is also displayed If you have a Roku set top box that is connected to a different TV (other than the Roku), there is a new feature in the ‘Search’ where Roku will tell you the channel on which a particular programming is available with the precise timing. The Roku OS 8 has already been pushed out to all the players and TVs. The same OS 8 version is available for Roku Set top boxes as well. If any problem in Roku setup, please call us @+1-877-302-5260

Isn’t Facebook fantasy? And Match.com, and OkCupid, and Meetup? And all those ridiculous social websites. All those miserable cauldrons where you stir your loneliness in between two advertisements, all those “likes”, all those networks of imaginary friends, monitored communities, penniless, sheeplike, paying fraternities connected to wealthy servers... what is that? And that anxiety, that permanent state of missing something, that empty space beside you, these telephones that you’re endlessly messing with, these screens you have to unlock again and again and again, these lives you buy so you can keep playing, this wound, this plug, these clenched fists in your pocket? That way you - all of you - have to keep checking and checking all the time to see if someone has left you a note, a message, a sign, a call back, a notification, an advertisement, an... an anything.

Pull the plug and drain your brain of thoughts you don’t want to remain. Scratch the surface of your mind and see what numbers you can find. Clock the speed and then reset the play on life, the alphabet. Set the pieces in their place— the scrabble board, a database. Dare your dreams to watch you soar on mental wings built on their shore. And when a wake is held for you, gleam like the sun in life anew.

tryouts. I plugged my headphones into my phone and turned on What I’ve Done by Linkin Park. I sat for hours playing and singing.

She is the author of The Happy Kid Handbook: How to Raise Joyful Children in a Stressful World. She offers four strategies for helping your children pursue their passions.2 Know your child’s unique interests. Avoid plugging her into the local soccer program or Chinese class because that’s what all of your neighbors are doing. Watch instead (especially when she is playing) for signs of serious interests in particular pursuits. Think outside the box. Passion is not limited to playing fields and theatrical stages. It can exist in the kitchen, in the workshop, in the woods outside your back door, or in any number of other places. Parents are understandably anxious to offer enrichment to their children, but enrichment doesn’t automatically equate with large, organized programs. Nurture optimism. “Optimistic kids are more willing to take healthy risks, become better problem-solvers and experience positive relationships,” she notes. Since failure is a fact of life and your children will certainly have their share of setbacks, help them look optimistically at what they do. Avoid judgment. When you offer a negative judgment of your child’s expressed area of interest, you run the risk of stealing much of the joy from that pursuit. Not only is your child unique and different from every other child in the world, he is also unique from you. If you stomp on his potential passions or push him toward a pursuit he doesn’t particularly like, you’re likely to cause him a great deal of internal conflict.

Players are shaped into puzzle pieces that fit with all the others. A boy is stripped to a set of skills at the whim of coaches and scouts. To keep playing hockey, do more of this and less of that. The untalented and undedicated are discarded, swept away at the end of each season. Survivors plug away, baited by hope.

Building on the Pentagon’s anthrax simulation (1999) and the intelligence agency’s “Dark Winter” (2001), Atlantic Storm (2003, 2005), Global Mercury (2003), Schwartz’s “Lockstep” Scenario Document (2010), and MARS (2017), the Gates-funded SPARS scenario war-gamed a bioterrorist attack that precipitated a global coronavirus epidemic lasting from 2025 to 2028, culminating in coercive mass vaccination of the global population. And, as Gates had promised, the preparations were analogous to “preparing for war.”191 Under the code name “SPARS Pandemic,” Gates presided over a sinister summer school for globalists, spooks, and technocrats in Baltimore. The panelists role-played strategies for co-opting the world’s most influential political institutions, subverting democratic governance, and positioning themselves as unelected rulers of the emerging authoritarian regime. They practiced techniques for ruthlessly controlling dissent, expression, and movement, and degrading civil rights, autonomy, and sovereignty. The Gates simulation focused on deploying the usual psyops retinue of propaganda, surveillance, censorship, isolation, and political and social control to manage the pandemic. The official eighty-nine-page summary is a miracle of fortune-telling—an uncannily precise month-by-month prediction of the 2020 COVID-19 pandemic as it actually unfolded.192 Looked at another way, when it erupted five years later, the 2020 COVID-19 contagion faithfully followed the SPARS blueprint. Practically the only thing Gates and his planners got wrong was the year. Gates’s simulation instructs public health officials and other collaborators in the global vaccine cartel exactly what to expect and how to behave during the upcoming plague. Reading through the eighty-nine pages, it’s difficult not to interpret this stunningly prescient document as a planning, signaling, and training exercise for replacing democracy with a new regimen of militarized global medical tyranny. The scenario directs participants to deploy fear-driven propaganda narratives to induce mass psychosis and to direct the public toward unquestioning obedience to the emerging social and economic order. According to the scenario narrative, a so-called “SPARS” coronavirus ignites in the United States in January 2025 (the COVID-19 pandemic began in January 2020). As the WHO declares a global emergency, the federal government contracts a fictional firm that resembles Moderna. Consistent with Gates’s seeming preference for diabolical cognomens, the firm is dubbed “CynBio” (Sin-Bio) to develop an innovative vaccine using new “plug-and-play” technology. In the scenario, and now in real life, Federal health officials invoke the PREP Act to provide vaccine makers liability protection.

Of course, marriage in one sense changes who you are in certain ways, but it also simply amplifies what you are. Many people think that when they got married, they turned into selfish people. What actually happened is they plugged the guitar into the amp and turned it up to eleven, and the selfish tune they had been playing the whole time suddenly became audible.

The menu card of new age Sustainability should offer a suite of plug and play services with option of pay as you go.

A Holly Jolly Christmas by Burl Ives was playing from a plugged-in plastic radio behind the counter, but the tune did nothing to ease the tension in the room.

It’s the ultimate in what the business gurus happily call disruption, and it’s been a siren song for entrepreneurs with ambitions higher than the next Snapchat plug-in.

Nothing is ever plug and play.

Take content protection, Windows 7’s copy-protection initiative for so-called premium content like high-definition movies from Blu-Ray and HD DVD discs. According to Microsoft’s standards, software and hardware manufacturers are supposed to disable “premium content” across all interfaces that don’t provide copy protection. One such interface is the S/PDIF digital audio port — usually in the form of a TOSlink optical plug — that comes on most high-end audio cards. Since S/PDIF doesn’t support copy protection — meaning that you could theoretically plug it into another PC and rip the soundtrack off an HD movie — Windows 7 requires that your TOSlink plug be disabled whenever you play back that HD movie on your PC. As a result, you’ll only be able to use your analog audio outputs when watching HD content, and that expensive sound card you just bought is now trash. Why would Microsoft hobble an important feature? For you, the consumer? Of course not. Windows 7’s content-protection feature is intended to appease piracy-wary movie studios, so Microsoft won’t be left behind as the home theater industry finds new ways to rake in cash. And ironically, Microsoft boasts content protection as a feature of Windows 7.

In an industry based on analyzing raw data, Gregory was defiantly a gut man. He was also an advocate of the Myers-Briggs Type Indicator, which used Jungian psychological principles to identify people as having one of sixteen distinct personality types. (A typical question was, “Do you prefer to focus on the outer world or on your own inner world?”) Gregory used Myers-Briggs results to help make personnel decisions. It was his conviction that individual expertise was overrated; if you had smart, talented people, you could plug them into any role, as sheer native talent and brains trumped experience. Gregory seemed to revel in moving people around, playing chess with their careers.

Are we, intellectual sirs, not actively or passively 'producing' more and more words, more books, more articles, ceaselessly refilling the pot-boiler of speech, gorging ourselves on it rather, seizing books and 'experiences', to metamorphose them as quickly as possible into other words, plugging us in here, being plugged in there, just like Mina on her blue squared oilcloth, extending the market and the trade in words of course, but also multiplying the chances of jouissance, scraping up intensities wherever possible, and never being sufficiently dead, for we too are required to go from forty to the hundred a day, and we will never play the whore enough, we will never be dead enough

Technology, for instance, has become a kind of imposter for connection, making us believe we’re connected when we’re really not—at least not in the ways we need to be. In our technology-crazed world, we’ve confused being communicative with feeling connected. Just because we’re plugged in, doesn’t mean we feel seen and heard. In fact, hyper-communication can mean we spend more time on Facebook than we do face-to-face with the people we care about. I can’t tell you how many times I’ve walked into a restaurant and seen two parents on their cell phones while their kids are busy texting or playing video games. What’s the point of even sitting together? As

Faith worked miracles for us. Each blow we dealt was deadly. The enemies dropped to our feet like ears of rye to the feet of the reaper. But you can’t plug up a ruptured dam with your butt.

local 111.111.111.111 dev tun proto udp port 1194 ca /etc/openvpn/easy-rsa/keys/ca.crt cert /etc/openvpn/easy-rsa/keys/SERVERNAME.crt # TBD - Change SERVERNAME to your Server name key /etc/openvpn/easy-rsa/keys/SERVERNAME.key # TBD - Change SERVERNAME to your Server name dh /etc/openvpn/easy-rsa/keys/dh1024.pem    # TBD - Change if not using 2048 bit encryption server 10.8.0.0 255.255.255.0 ifconfig 10.8.0.1 10.8.0.2 push "route 10.8.0.1 255.255.255.255" push "route 10.8.0.0 255.255.255.0" push "route 111.111.111.111 255.255.255.0" push "dhcp-option DNS 222.222.222.222" push "redirect-gateway def1" client-to-client duplicate-cn keepalive 10 120 tls-auth /etc/openvpn/easy-rsa/keys/ta.key 0 comp-lzo persist-key persist-tun user nobody group nogroup cipher AES-128-CBC log /var/log/openvpn.log status /var/log/openvpn-status.log 20 verb 1 Note: To paste in

Globalization 3.0 makes it possible for so many more people to plug in and play, and you are going to see every color of the human Rainbow take part.

For decades, Billboard had to rely on record-store owners and radio stations to report the most-bought and most-played songs. Both parties lied, often because labels nudged or bribed them to plug certain records, or because store owners didn’t want to promote albums they no longer had in stock.

Before you move on to the next step, check that this circuit is working by connecting an LED with a resistor to the output of the 555 timer as follows: Connect the negative side (short leg) of an LED to the output on pin 3 of the 555 timer. Connect the positive side (long leg) of the LED to a 100 Ω resistor, and connect the other side of this resistor to the positive supply column. Connect your battery clip to one of the supply column pairs as usual. Then plug in the battery to check that the circuit works. If your LED blinks really fast, then you’re ready to move on. If not, recheck your connections to find out where the error is. When you know the 555 timer circuit works, unplug the LED, 100 Ω resistor, and battery clip.

Step 1: Build the 555 Timer Circuit Plug the 555 timer into the breadboard all the way at the top so that you’ll have room for the other parts of the circuits farther down. Then, connect the capacitors and resistors to the IC according to this project’s circuit diagram. The capacitor I suggest in this project’s Shopping List is a nonpolarized capacitor, so it doesn’t matter which way you connect it. If you use a polarized capacitor instead, connect it according to the plus marking in the circuit diagram. Use wires to make connections as needed, as I show in this breadboard diagram. In this project, it’s best to use the supply column pairs on both sides to make connections easier and keep everything as tidy as possible. The breadboard that I recommend in this project’s Shopping List doesn’t have blue and red markings, but the positive and negative columns are the same as in breadboards with the stripes. The left and right sides of the breadboard each have a pair of supply columns. The positive supply column is the left column in each pair, and the negative supply column is the right column in each pair. Use a red wire to connect the positive column on one side to the positive column on the other side, and do the same using a black wire with the negative columns. As you follow my instructions, connect everything in the 555 timer circuit that should connect to VCC to one of the positive supply columns, and connect everything that should connect to GND to one of the negative supply columns.

Check for Bad and Good Beeps Now, plug your battery clip into the breadboard as you would normally, but without the battery. Touch one measurement lead tip to the positive connector and the other to the negative connector. If you hear a beep, there’s a short circuit, and you need to fix it! Check all your connections to the positive and negative supply columns. Next, check the connection between pin 11 on the 4011 NAND-gate IC and pin 13 on the 4017 decade counter to make sure they’re connected correctly. Use the continuity tester to check that you have a connection by carefully touching the lead tips on the IC pins. There isn’t much space between IC pins, so take care to be sure each tip only touches the correct pin. This time, a beep is a good sign.

Check the Continuity First, check that you don’t have a short circuit between the positive and negative columns. To do this, use the continuity function on your multimeter. A continuity test checks for a direct connection between two points in a circuit. The symbol for the continuity tester usually looks like the one shown here. You don’t want a direct connection between the positive and negative columns because that would short-circuit the battery and stop the game from working. Use the continuity tester to check for short circuits. Turn the dial on your multimeter so that it points toward the continuity symbol. Plug the black measurement lead into the multimeter’s COM socket, and plug the red measurement lead into the multimeter’s V socket. Touch the tip of the black and red measurement leads to each other, and you should hear a beep to indicate that there’s a direct connection.

Step 3: Build the Start and Stop Circuit The last piece of this project is the button circuit that starts and stops the LEDs. Make these connections now: Connect one push button at the bottom of the breadboard, across the notch in the middle. Plug the 4011 NAND-gate IC into the breadboard, a couple of rows above the button. Make sure its chip marking points toward row 1 on the breadboard. Place the second button above the IC on the right component side so that it’s easy to reach it with your finger. Connect the two resistors, R13 and R14, as shown in the circuit diagram. Then, use jumper wires to make the remaining connections in the SR latch circuit, as shown in the following breadboard diagram. Connect the positive and negative supply columns to the NAND-gate IC (pins 14 and 7, respectively), and connect the wire from pin 11 of the NAND-gate IC to pin 13 of the 4017 decade counter.

Step 2: Build the LED-Controlling Circuit Now, you’re going to connect the 4017 decade counter with resistors and LEDs. There are a lot of connections, so take as much time as you need to get them all correct. Plug the 4017 decade counter into the breadboard so that the middle of the decade counter is around row 20, with the chip marker pointing up toward row 1. Then, take out five LEDs and ten 100 Ω resistors. Connect each LED’s negative (short) leg to the negative supply column on the right, and connect each positive (long) leg to its own empty row in the component area on the right. Place the green LED in the middle, the two blue ones on each side of the green LED, and the red ones on each end. Then, connect the ten 100 Ω resistors. In the circuit diagram, notice that pins 1 to 7 and pins 9 to 11 of the 4017 decade counter each connect to one side of a resistor. The other side of each resistor needs to be on a row by itself. Take care to ensure the resistor legs don’t accidentally touch one another. Look at the following breadboard circuit to see how I connected them: Now, connect the LEDs to the resistors on the 4017 decade counter, and connect the decade counter circuit to the 555 timer circuit according to the circuit diagram. Jumper wires are the best way to make those connections. From each resistor, connect a jumper wire to the corresponding LED. Look at the circuit diagram and notice, for example, that the other side of the resistor connected to pin 4 of the 4017 decade counter should connect to the positive pin of the green LED in the middle. Go through the pins in the circuit diagram to figure out which LED to connect each resistor to. Connect pins 8 and 15 of the 4017 decade counter to the negative supply column, and connect pin 16 to the positive supply column. Use a wire to connect the output from the 555 timer (pin 3) to the clock input of the 4017 decade counter (pin 14). Make sure that you have positive and negative connections in all of your power supply columns. The breadboard I recommend in this project’s Shopping List (page 267) divides its power supply columns into two sections, one upper and one lower. Just connect each of the upper and lower halves on the left side with a wire to bridge the gap, as shown. Do the same on the right side. Alternatively, use two jumper wires from the left columns to the right columns. You can use a jumper wire, or you can cut off a small piece of wire, as I’ve done in this photo. Then, use two long jumper wires to connect the lower-left power supply columns with the two lower-right columns. When you’re done connecting the two circuits and all the power supply columns, your breadboard should look like this:

A 555 Timer to Set the Light Speed The circuit that sets the reaction game’s speed will be built around a 555 timer, and it’s similar to the circuits you built in Chapter 8. The components in this circuit diagram will set the game to a “medium” speed: it’s not super fast, and it’s not super slow. Every time the output from the 555 timer goes from low to high, the light moves one step to the side. The number of times the output from the 555 timer goes high per second is the frequency of the output. As I showed in Chapter 8, the formula for calculating the frequency of the output of the 555 timer is The following values from the 555 timer circuit diagram correspond to that formula: R1 = 100 kΩ R2 = 10 kΩ C1 = 1 µF Plug these into the formula, keeping in mind that 1 µF = 0.000001 F and 120 kΩ = 120,000 Ω, and you get this: This means the output will go high 12 times per second and the light will change places 12 times per second. You can experiment with the component values for R1, R2, and C1 later to speed up or slow down the game.

A picnic. Imagine: a forest, a country road, a meadow. A car pulls off the road into the meadow and unloads young men, bottles, picnic baskets, girls, transistor radios, cameras … A fire is lit, tents are pitched, music is played. And in the morning they leave. The animals, birds, and insects that were watching the whole night in horror crawl out of their shelters. And what do they see? An oil spill, a gasoline puddle, old spark plugs and oil filters strewn about … Scattered rags, burntout bulbs, someone has dropped a monkey wrench. The wheels have tracked mud from some godforsaken swamp … and, of course, there are the remains of the campfire, apple cores, candy wrappers, tins, bottles, someone’s handkerchief, someone’s penknife, old ragged newspapers, coins, wilted flowers from another meadow …” “I get it,” said Noonan. “A roadside picnic.” “Exactly. A picnic by the side of some space road. And you ask me whether they’ll come back …

My Sex Bucket List: I want you to talk dirty to me Try a new position every time we have sex (I want to try doggy style first) (we need a kama sutra book) I want you to be more vocal while we have sex; not just at the end I want you to cum in my mouth I want to cum in your mouth I want a facial I want you to cum on my breasts I want to have sex in the shower I want to try 69 I want to try bondage and handcuffs, but I want you to be the one tied up I want to be spanked I want to see if you like your gooch being licked Give you head while you drive You play with my pussy while you drive Sex in the pool Sex in the rain Sex on the island in the kitchen Sex in your office on your desk during business hours Sex outside under the stars Sex in one of the cars Go to a sex club Have sex in front of an audience I want to be choked (maybe) I want to use sex toys with you Sex in a penthouse suite against the window overlooking the city. Sex in an airplane I want to try anal/ butt plugs Watch porn together Recreate a sex scene from a movie Masturbate in front of each other Have sex in front of a mirror I want you to finger me in a restaurant while we’re out for dinner Go to EverTwo14 Make a sex tape

Hey, let’s pull over here.” “Could be dangerous.” “No, come on, listen to that shit!” And there’d be a band, a trio playing, big black fuckers and some bitches dancing around with dollar bills in their thongs. And then you’d walk in and for a moment there’s almost a chill, because you’re the first white people they’ve seen in there, and they know that the energy’s too great for a few white blokes to really make that much difference. Especially as we don’t look like locals. And they get very intrigued and we get really into being there. But then we got to get back on the road. Oh shit, I could’ve stayed here for days. You’ve got to pull out again, lovely black ladies squeezing you between their huge tits. You walk out and there’s sweat all over you and perfume, and we all get in the car, smelling good, and the music drifts off in the background. I think some of us had died and gone to heaven, because a year before we were plugging London clubs, and we’re doing all right, but actually in the next year, we’re somewhere we thought we’d never be. We were in Mississippi. We’d been playing this music, and it had all been very respectful, but then we were actually there sniffing it. You want to be a blues player, the next minute you fucking well are and you’re stuck right amongst them, and there’s Muddy Waters standing next to you. It happens so fast that you really can’t register all of the impressions that are coming at you. It comes later on, the flashbacks, because it’s all so much. It’s one thing to play a Muddy Waters song. It’s another thing to play with him.

My Sex Bucket List: I want you to talk dirty to me Try a new position every time we have sex (I want to do doggy style first) (we need a kama sutra book) I want you to be more vocal while we have sex; not just at the end I want you to cum in my mouth I want to cum in your mouth I want a facial I want you to cum on my breasts I want to have sex in the shower I want to try 69 I want to try bondage or handcuffs, but I want you to be the one tied up I want to be spanked I want to see if you like your gooch being licked Give you head while you drive You play with my pussy while you drive Sex in the pool Sex in the rain Sex on the island in the kitchen Sex in your office on your desk during business hours Sex outside under the stars Sex in one of the cars Go to a sex club Have sex in front of an audience I want to be choked (maybe) I want to use sex toys with you Sex in a penthouse suite against the window overlooking the city. Sex in an airplane I want to try anal/butt plugs Watch porn together Recreate a sex scene from a movie Masturbate in front of each other Have sex in front of a mirror I want you to finger me in a restaurant while we’re out for dinner Go to EverTwo14 Make a sex tape

Flash!” Shit, what a record! All my stuff came together and all done on a cassette player. With “Jumpin’ Jack Flash” and “Street Fighting Man” I’d discovered a new sound I could get out of an acoustic guitar. That grinding, dirty sound came out of these crummy little motels where the only thing you had to record with was this new invention called the cassette recorder. And it didn’t disturb anybody. Suddenly you had a very mini studio. Playing an acoustic, you’d overload the Philips cassette player to the point of distortion so that when it played back it was effectively an electric guitar. You were using the cassette player as a pickup and an amplifier at the same time. You were forcing acoustic guitars through a cassette player, and what came out the other end was electric as hell. An electric guitar will jump live in your hands. It’s like holding on to an electric eel. An acoustic guitar is very dry and you have to play it a different way. But if you can get that different sound electrified, you get this amazing tone and this amazing sound. I’ve always loved the acoustic guitar, loved playing it, and I thought, if I can just power this up a bit without going to electric, I’ll have a unique sound. It’s got a little tingle on the top. It’s unexplainable, but it’s something that fascinated me at the time. In the studio, I plugged the cassette into a little extension speaker and put a microphone in front of the extension speaker so it had a bit more breadth and depth, and put that on tape. That was the basic track. There are no electric instruments on “Street Fighting Man” at all, apart from the bass, which I overdubbed later. All acoustic guitars. “Jumpin’ Jack Flash” the same. I wish I could still do that, but they don’t build machines like that anymore.

Here is another idea: what if human minds are not meant to think for themselves by themselves, but, rather, to integrate with tools and other people’s minds to make a mind of minds? After all a computer operates only when all its circuit boards are integrated together and communicate with each other. What if our minds are actually well made to be “plug-and-play” entities, meant to be plugged into other such entities to make an actual “smart device,” but not well made to operate all alone? What if we are meant to be parts of a networked mind and not a mind alone?

The strategy of exorcizing the sexual body by wildly exaggerating the signs of sex, of exorcizing desire by its secret depolarization and the exaggeration of its mise en scene, is much more effective than that of good old repression, which , by contrast, used prohibition to create difference. Yet it is not clear who benefits from this strategy, as everyone suffers it without distinction. This travestied regime - in the broadest sense — has become the very basis of our institutions. You find it everywhere — in politics, architecture, theory, ideology and even in science. You even find it in our desperate quest for identity and difference. We no longer have the time to seek out an identity in the historical record, in memory , in a past, nor indeed in a project or a future. We have to have an instant memory which we can plug in to immediately - a kind of promotional identity which can be verified at every moment. What we look for today, where the body is concerned , is not so much health, which is a state of organic equilibrium, but fitness, which is an ephemeral , hygienic , promotional radiance of the body - much more a performance than an ideal state — which turns sickness into failure. In terms of fashion and appearance , we no longer pursue beauty or seductiveness, but the 'look' . Everyone is after their 'look'. Since you can no longer set any store by your own existence (we no longer look at each other - and seduction is at an end!), all that remains is to perform an appearing act, without bothering to be, or even to be seen. It is not: 'I exist, I'm here' , but 'I'm visible, I'm image — look , look!' This is not even narcissism. It's a depthless extraversion, a kind of promotional ingenuousness in which everyone becomes the impresario of his/her own appearance. The 'look ' is a kind of minimal, low-definition image, like the video image or, as McLuhan would say, a tactile image , which provokes neither attention nor admiration, as fashion still does, but is a pure special effect without any particular meaning . The look is not exactly fashion any more; it is a form of fashion which has passed beyond. It no longer subscribes to a logic of distinction and it is no longer a play of difference; it plays at difference without believing in it. It is indifference. Being oneself becomes an ephemeral performance , with no lasting effects, a disenchanted mannerism in a world without manners.

Our environmental boat has sprung a leak. Many of us are trying to repair the leak; others are bailing to keep us afloat until the leak is plugged. What is baffling, though, is that far too many of us are dumping new buckets of water into our boat, as if sinking it will not be a problem for them. At this point, each of us must decide what role we will play in the future: Will you be a bailer or a dumper? Your choice of plants in your yard will determine what role you have chosen.

The fact is that the future is hard to predict. Whatever the case, as we move toward the horizon, the only certainty is that we will increasingly choose our own plug-and-play peripheral devices. We are no longer a natural species who has to wait millions of years for Mother Nature's next sensory gift. Instead, like any good parent, Mother Nature has given us the cognitive capacity to go out and shape our own experience.

the Universe at large is the energy source, the client is a lamp (seeking some form of light, be it to shine a light on a problem perhaps, or to lighten a burden they are carrying, or to lighten their spirits), the facilitator is nothing more than the plug that connects the two. She has no part to play beyond connection and possibly translation. Whether the lamp/client chooses to emit light, absorb light, allow light in is entirely up to them. Sometimes people can be so far removed from the reality of who they are, resulting from many wrong turns or mis steps along their life path, that it is difficult for them to light up. It’s taken me many years. Surviving my life had somehow smashed all the lights in my existence and I had stumbled in the dark for most of it. Through this work though, I was beginning to see light again. Perhaps one day I would have the courage to let it shine brightly.

To maximize innovation, maximize the fringes. Encourage borders, outskirts, and temporary isolation where the voltage of difference can spark the new. The principle of skunk works plays a vital role in the network economy. By definition a network is one huge edge. It has no fixed center. As the network grows it holds increasing opportunities for protected backwaters where innovations can hatch, out of view but plugged in. Once fine-tuned, the innovation can replicate wildly. The global dimensions of the network economy means that an advance can be spread quickly and completely through the globe. The World Wide Web itself was created this way. The first software for the web was written in the relative obscurity of an academic research station in Geneva, Switzerland. Once it was up and running in their own labs in 1991, it spread within six months to computers all around the world.

She stood spellbound by the moonlight drifting down the cliffs, a play of silver light and deep shadow. Bell woke, too, and came to join her at the river’s edge. They stood silent beneath the cold glow of the stars, watching the nearest rapid curl and froth, playful as an otter. Finally Clover crawled back into her bedroll, feeling her air mattress deflate by slow inches (she’d lost the plug some time before). “The night was so beautiful that I couldn’t sleep,” she wrote in her journal. She had been warned about the Grand Canyon: its oppressive walls and gloomy crags, and how the sound of water striking rock preyed on travelers’ minds. She found, instead, a nameless beauty.

In 2021 the company inserted three thousand filament-like electrodes, thinner than a human hair, that monitor neuron activity, into a pig’s brain. Soon they hope to begin human trials of their N1 brain implant, while another company, Synchron, has already started human trials in Australia. Scientists at a start-up called Cortical Labs have even grown a kind of brain in a vat (a bunch of neurons grown in vitro) and taught it to play Pong. It likely won’t be too long before neural “laces” made from carbon nanotubes plug us directly into the digital world.

Doctor Girdon Face, and his American Crusade. Oh, it’s very big lately. Lectures and tent shows and local television and so on. And special phone numbers to call any time of day or night. The liberal-socialist-commy conspiracy that is gutting all the old-time virtues. It has a kind of phonied-up religious fervor about it. And it is about ten degrees to the right of the Birchers. The president is selling the country down the river with the help of the Supreme Court. Agree with us or you are a marked traitor. You know the sort of thing, all that tiresome pea-brained nonsense that attracts those people who are so dim-witted that the only way they can understand the world is to believe that it is all some kind of conspiracy. The most amusing thing about it is the way Dr. Face keeps plugging for virtue and morality. He wants to burn everything since Tom Swift, and he is not too certain about Tom. He wants a big crackdown on movies, books, plays, song lyrics, public dancing. And he wants to be the one to weed out the evil.

Keeping ourselves from idols requires us to put something else in their place, because our hearts are hardwired to worship something.

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Let me just say that I adore ear plugs. They come in handy for smashing concrete in a confined space, going to the shooting range, and unexpected run-ins with someone playing Nickelback. I’d have said Justin Bieber, but I wouldn’t use ear plugs there… that would be justification to simply shoot the stereo.

Friedman identifies three world “flatteners.” First are the new technologies and the new processes made possible or enhanced by these technologies. Second are new ways of working and a new playing field for doing business. Third is a whole new set of people who have emerged onto the playing field and want to work. Because they have access to new technologies, they can “plug and play” their way into being competitive (Friedman, 2005).

She was cooking for herself and shit, trying to make a point. I laughed at her trying to be petty. That petty shit didn’t faze me. She wanted to play, so we were going to play. While she was downstairs cooking, I was upstairs locking her clothes up in the safe. I went back to my room before she came upstairs.

IT needs to learn to educate the business about what’s truly involved in any IT solution. Too often, the business’s expectations have been set by “plug-n-play” product marketing, while the reality of implementation, maintenance and support processes tell a different story.

Just hours after Apple first showed AppleTalk to the public, a large group of attendees headed to Chinatown and took over the back half of a pizza parlour. They set up two networks – one for each game – with around twenty Macs, played for several hours, then left the store as they’d found it. Years later one attendee, Jack Kobzeff, described it as a ‘hit-and-run, plug and play net game party’. ‘Net parties’ – or LAN parties, as they’re better known today – would become a fixture of both the Mac and PC gaming communities through the late 1980s and 1990s, but this was likely the first.

No one stops to think.” Most people I know don’t think about culture, or worship, or ways of viewing the world, or idolatry, or felt wrath and felt grace. They are just living their lives. They’re just scrolling through Facebook. They’re just watching box sets. They don’t stop to think. And it’s part of our mission to get them to stop and think—to try and rouse them from their nightmare and bring them back to reality, back to their senses. The idols we worship can’t and don’t deliver what they promise on any level, whether intellectually, emotionally or imaginatively. They can’t give satisfying ultimate explanations of the world. Our task is to make people “stop and think” about their self-deception. To make them “stop and think” about the commitments they make, the authorities they listen to, the stories and scripts they follow. And from here it’s only a short step to get to Jesus.

Could it be that because our own cultural cupboards are bare, our starving imaginations are forced to live off the world’s scraps? Are we always consuming culture and never creating it? Why aren’t we telling better stories with all the same realism, imagination, subtlety, complexity and beauty, but without those aspects which make it difficult and unhelpful for us? Why aren’t we strategically locating, discipling, resourcing and sending out Christians gifted in the arts and the media?

First, culture expresses meaning.

In the same way that genetic information is stored as DNA, epigenetic information is stored in a structure called chromatin. DNA in the cell isn’t flailing around disorganized, it is wrapped around tiny balls of protein called histones. These beads on a string self-assemble to form loops, as when you tidy your garden hose on your driveway by looping it into a pile. If you were to play tug-of-war using both ends of a chromosome, you’d end up with a six foot-long string of DNA punctuated by thousands of histone proteins. If you could somehow plug one end of the DNA into a power socket and make the histones flash on and off, a few cells could do you for holiday lights. In simple species, like ancient M. superstes and fungi today, epigenetic information storage and transfer is important for survival. For complex life, it is essential. By complex life, I mean anything made up of more than a couple of cells: slime molds, jellyfish, worms, fruit flies, and of course mammals like us. Epigenetic information is what orchestrates the assembly of a human newborn made up of 26 billion cells from a single fertilized egg and what allows the genetically identical cells in our bodies to assume thousands of different modalities.24 If the genome were a computer, the epigenome would be the software. It instructs the newly divided cells on what type of cells they should be and what they should remain, sometimes for decades, as in the case of individual brain neurons and certain immune cells.

In a stunning 1971 paper, Twenty Things to Do with a Computer, Seymour Papert and Logo co-creator Cynthia Solomon proposed educative computer-based projects for kids. They included composing music, controlling puppets, programming, movie making, mathematical modeling, and a host of other projects that schools should aspire to more than 40 years later. Papert and Solomon also made the case for 1:1 computing and stressed the three game changers discussed later in this book. The school computer should have a large number of output ports to allow the computer to switch lights on and off, start tape recorders, actuate slide projectors and start and stop all manner of little machines. There should also be input ports to allow signals to be sent to the computer. In our image of a school computation laboratory, an important role is played by numerous “controller ports” which allow any student to plug any device into the computer… The laboratory will have a supply of motors, solenoids, relays, sense devices of various kids, etc. Using them, the students will be able to invent and build an endless variety of cybernetic systems.

SumoMe is a great option if you want to plug and play most of these features into your existing website, all at once. I especially like SumoMe's Welcome Mat, List Builder, and Scroll Box add ons. Thankfully, SumoMe, Kissmetrics, and Intercom all make adding these features as simple as installing a line or two of code into your site.

If we don’t discern, articulate and persuade others with the Bible’s blueprint for the flourishing of human life and culture, then others will… and are. And ultimately these alternative stories are all hope-less.

Girl, cut the crap. We know you haven’t been home because you’re still dodging that fine ass nigga you left. You better get your act together before I snatch him up and show him what this old cat can do,” Granny said with a playful sway of her hips.

I really wanted the backing [track] to be burning the balls off the whole thing,” said Paul. “We came to do it and we had a lot of trouble, actually, with the drumming. We ended up with Jimmy overdubbing a track and he had much more of a dirty feel—he was out of his skull at the time—but he helped to give it a dirty feel.”14 While McCulloch was making his recording debut as a drummer, Paul sat in the control room, his bass plugged into the console, and played along. By the end of the session, ‘Rock Show’ was complete.

I don’t want people only to know me as Iranian, or as gay. I’m a whole person. I want to make music that brings people together. Good music, you know? Stuff that’ll stand the test of time. Not this manufactured crap, like all these boy bands where you can’t even tell which one is singing. It’s plug and play.

But I need more. More of them. More of their roughness. More of their affection. I’m desperate for it. I press back against Bishop, and he begins fucking me harder without hesitation. His balls slap against my clit with every thrust, dragging me closer to the edge. At the same time, one of his hands lifts from my hip and begins playing with the plug in my ass, causing my entire body to tense as pleasure washes over me. So fucking close. “Oh, you like that, love?” Bishop chuckles roughly. “You’re going to fucking love it when you have one of us in each of your holes as we fuck you like the little whore you are for us.

glowing rubber ducky night-light plugged in next to his bed.