I Forgot That You Existed Quotes

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First, you're sorry for invading my privacy for years, years before I even knew you existed. Second, you're sorry for kidnapping me, isolating, controlling me, and manipulating me. Third, you're sorry for lying to me, pretending you cared and oh yearh, marrying me. Fourth, listen carefully Tony, this is the big one...you're sorry for framing me for attempted murder, resulting in incarceration in a federal penitentiary." "I am deeply sorry for one and four. I did provide you with an alternative destination for number four. I am not proud of two, but three would never have happened without it. I am not, and never will be sorry for three. And, for the record, I never lied about or pretended to love you. I didn't realize it at first, but I have loved you since before you knew my name. And, you forgot our divorce. I am sincerely sorry for that also.
Aleatha Romig (Truth (Consequences, #2))
I know what you're thinking," Grandma said into the silence. "Do I have anymore bullets in this here gun? Well, with all the confusion, what with being locked up in a refrigerator, I plumb forgot what was in here to start with. But being that this is a 45 magnum, the most powerful handgun in existence, and it could blow your head clean off, you just got to ask yourself one question. Do you feel lucky today? Well, do you, punk?" Christ," Spiro whispered. "She thinks she's f**king Clint Eastwood.
Janet Evanovich (Two for the Dough (Stephanie Plum, #2))
4. Religion. Your reason is now mature enough to examine this object. In the first place, divest yourself of all bias in favor of novelty & singularity of opinion... shake off all the fears & servile prejudices, under which weak minds are servilely crouched. Fix reason firmly in her seat, and call to her tribunal every fact, every opinion. Question with boldness even the existence of a God; because, if there be one, he must more approve of the homage of reason, than that of blindfolded fear. You will naturally examine first, the religion of your own country. Read the Bible, then as you would read Livy or Tacitus. The facts which are within the ordinary course of nature, you will believe on the authority of the writer, as you do those of the same kind in Livy and Tacitus. The testimony of the writer weighs in their favor, in one scale, and their not being against the laws of nature, does not weigh against them. But those facts in the Bible which contradict the laws of nature, must be examined with more care, and under a variety of faces. Here you must recur to the pretensions of the writer to inspiration from God. Examine upon what evidence his pretensions are founded, and whether that evidence is so strong, as that its falsehood would be more improbable than a change in the laws of nature, in the case he relates. For example in the book of Joshua we are told the sun stood still several hours. Were we to read that fact in Livy or Tacitus we should class it with their showers of blood, speaking of statues, beasts, &c. But it is said that the writer of that book was inspired. Examine therefore candidly what evidence there is of his having been inspired. The pretension is entitled to your inquiry, because millions believe it. On the other hand you are astronomer enough to know how contrary it is to the law of nature that a body revolving on its axis as the earth does, should have stopped, should not by that sudden stoppage have prostrated animals, trees, buildings, and should after a certain time have resumed its revolution, & that without a second general prostration. Is this arrest of the earth's motion, or the evidence which affirms it, most within the law of probabilities? You will next read the New Testament. It is the history of a personage called Jesus. Keep in your eye the opposite pretensions: 1, of those who say he was begotten by God, born of a virgin, suspended & reversed the laws of nature at will, & ascended bodily into heaven; and 2, of those who say he was a man of illegitimate birth, of a benevolent heart, enthusiastic mind, who set out without pretensions to divinity, ended in believing them, and was punished capitally for sedition, by being gibbeted, according to the Roman law, which punished the first commission of that offence by whipping, & the second by exile, or death in fureâ. ...Do not be frightened from this inquiry by any fear of its consequences. If it ends in a belief that there is no God, you will find incitements to virtue in the comfort and pleasantness you feel in its exercise, and the love of others which it will procure you... In fine, I repeat, you must lay aside all prejudice on both sides, and neither believe nor reject anything, because any other persons, or description of persons, have rejected or believed it... I forgot to observe, when speaking of the New Testament, that you should read all the histories of Christ, as well of those whom a council of ecclesiastics have decided for us, to be Pseudo-evangelists, as those they named Evangelists. Because these Pseudo-evangelists pretended to inspiration, as much as the others, and you are to judge their pretensions by your own reason, and not by the reason of those ecclesiastics. Most of these are lost... [Letter to his nephew, Peter Carr, advising him in matters of religion, 1787]
Thomas Jefferson (Letters of Thomas Jefferson)
Somewhere, out in the world, are the people who touched us, or loved us, or ran from us. In that way we will live on. If you go to the places we have been, you might meet someone who passed us once in a corridor but forgot us before we were even gone. We are in the back of hundreds of people's photographs - moving, talking, blurring into the background of a picture two strangers have framed on their living room mantelpiece. And in that way, we will live on too. But it isn't enough. It isn't enough to have been a particle in the great extant of existence. I want, we want, more. We want for people to know us, to know our story, to know who we are and who we will be. And after we've gone, to know who we were.
Marianne Cronin (The One Hundred Years of Lenni and Margot)
The one thing I’d learned was that having someone with you all the time did not take away the loneliness. You could be surrounded by people and be lonely. Something was missing. I could almost pinpoint it, but right when it was within my grasp I forgot; it just slipped away.
Abbi Glines (Ceaseless (Existence, #3))
I have no right to be sad about anything. No right to have therapy from expensive doctors like you for losing children who never existed. There is real grief in the world. There are real mothers losing real children.
Liane Moriarty (What Alice Forgot)
Eternity, Presumption The instant I perceive That you who were Existence Yourself forgot to live
Emily Dickinson
With you, I feel whole. Like there’s hope somehow. I forgot that it even existed. In the apocalypse, you gave me hope.
Rebecca Zanetti (Storm Gathering (The Scorpius Syndrome, #4))
Afterward, I felt it had been wrong not telling the family about the baby, because then I wanted them to know about the miscarriage, so that they knew the baby had existed. But when I told people, they seemed more interested in the fact that I'd kept the pregnancy a secret. They felt they'd been tricked. They said things like "Oh, I did wonder that day when you didn't drink at the Easter BBQ but you said you just didn't feel like drinking!” In other words, LIAR.
Liane Moriarty (What Alice Forgot)
I will love you forever,” he says against my lips. “Forever,” I promise. No matter the circumstances, we would always find each other. This love existed before I forgot, before I remembered, and before we came to be what we are in this moment.
Sloane St. James (Before We Came (Lakes Hockey, #1))
Somewhere, out in the world, are the people who touched us, or loved us, or ran from us. In that way we will live on. If you go to the places we have been, you might meet someone who passed us once in a corridor but forgot us before we were even gone. We are in the back of hundreds of people’s photographs—moving, talking, blurring into the background of a picture two strangers have framed on their living room mantelpiece. And in that way, we will live on too. But it isn’t enough. It isn’t enough to have been a particle in the great extant of existence. I want, we want, more. We want for people to know us, to know our story, to know who we are and who we will be. And after we’ve gone, to know who we were.
Marianne Cronin (The One Hundred Years of Lenni and Margot)
and the memory had vanished, the way old clothes vanished and you forgot they had ever existed until an old photo reminded you: I loved that T-shirt.
Liane Moriarty (Apples Never Fall)
I like myself better when I’m with you. I think you bring out the best in me, Kendall— a side I haven’t seen for a really long time. Kinda forgot that part of me even existed anymore until you got on my plane.
Penelope Ward (Playboy Pilot)
Lads, I forgot to tell you. Naya don’t like good music because she’s a feminist.’ ‘What’s a feminist?’ Tyse asks. ‘It’s like a chick who blames all of her mental problems on dudes,’ Jimmy explains. ‘But not even on specific dudes, just, like, the idea of dudes. It’s fucked up. And it’s ironic cos feminists usually look like dudes themselves.’ ‘But Naya doesn’t look like a dude.’ ‘Aww, thanks Tyse,’ Naya says. ‘James has given you a horribly inaccurate definition of a feminist, but he has ably demonstrated why we exist. Unfortunately, he’s not the only entitled male with no respect for women.
Brendan Lawley
Justice Frankfurter told me, when I had been attacked in an editorial, there were two kinds of pain in public life. One was the deep continuing pain of serious emotional blows. The other, the pain of immediate controversy, was like a toothache. It was terrible, but once fixed, you forgot it ever existed. You have already known the first kind. This is the second.
Doris Kearns Goodwin (An Unfinished Love Story: A Personal History of the 1960s)
Because that you are going And never coming back And I, however absolute, May overlook your Track - Because that Death is final, However first it be, This instant be suspended Above Mortality - Significance that each has lived The other to detect Discovery not God himself Could now annihilate Eternity, Presumption The instant I perceive That you, who were Existence Yourself forgot to live - The “Life that is” will then have been A thing I never knewAs Paradise fictitious Until the Realm of you- The “Life that is to be,” to me, A Residence too plain Unless in my Redeemer’s Face I recognize your own - Of Immortality who doubts He may exchange with me Curtailed by your obscuring Face Of everything but He - Of Heaven and Hell I also yield The Right to reprehend To whoso would commute this Face For his less priceless Friend.
Emily Dickinson (The Poems of Emily Dickinson)
That wondrous instant of our meeting — my mind’s eye sees you standing there, a vision transient and fleeting, true beauty’s spirit, pure and rare. In toils of hopeless grief confounded, amid life’s noise and stress it seems for long that tender voice resounded and those sweet features came in dreams. Years passed; the storms that life engenders dispersed my former hopes of grace and I forgot those accents tender, the heavenly beauty of your face. And in my dark incarceration my days passed like the clouds above, bereft alike of inspiration, of tears, of life itself, of love. My soul awoke to new existence, again you stood before me there, a vision lasting but an instant, true beauty’s spirit, pure and rare. My heart relives the old sensation and once more steal down from above, God’s benediction, inspiration, and tears, and life itself and love.
Alexander Pushkin
He was confident that, on the square, "on the square, mind!" there was nothing he couldn't meet. Ever since he had been "so high"—"quite a little chap," he had been preparing himself for all the difficulties that can beset one on land and water. He confessed proudly to this kind of foresight. He had been elaborating dangers and defences, expecting the worst, rehearsing his best. He must have led a most exalted existence. Can you fancy it? A succession of adventures, so much glory, such a victorious progress! and the deep sense of his sagacity crowning every day of his inner life. He forgot himself; his eyes shone; and with every word my heart, searched by the light of his absurdity, was growing heavier in my breast. I had no mind to laugh, and lest I should smile I made for myself a stolid face. He gave signs of irritation. '"It is always the unexpected that happens," I said in a propitiatory tone.
Joseph Conrad (Lord Jim)
i don’t feel like i need to impress you to keep you here. you might not suppose that means much, but i’ve been fighting for people to stay for so long that i thought i forgot how to just love someone. how to just be loved. how to let my existence be the only thing they’re looking for in me. thank you for helping me believe that i have always been enough that i don’t have to be anything more that i shouldn’t feel like being loved is something i must beg for
Whitney Hanson (Climate)
Because that you are going And never coming back And I, however absolute, May overlook your Track - Because that Death is final, However first it be, This instant be suspended Above Mortality - Significance that each has lived The other to detect Discovery not God himself Could now annihilate Eternity, Presumption The instant I perceive That you, who were Existence Yourself forgot to live - The “Life that is” will then have been A thing I never knewAs Paradise fictitious Until the Realm of you- The “Life that is to be,” to me, A Residence too plain Unless m my Redeemer’s Face I recognize your own - Of Immortality who doubts He may exchange with me Curtailed by your obscuring Face Of everything but He - Of Heaven and Hell I also yield The Right to reprehend To whoso would commute this Face For his less priceless Friend. If “God is Love” as he admits We think that he must be Because he is a “jealous God” He tells us certainly If “All is possible widi” him As he besides concedes He will refund us finally Our confiscated Gods -
Emily Dickinson (Poems of Emily Dickinson)
Somewhere, out in the world, are the people who touched us, or loved us, or ran from us. In that way we will live on. If you go to the places we have been, you might meet someone why passed us once in a corridor but forgot us before we were even gone. We are in the back of hundreds of people’s photographs ~ moving, talking, blurring into the background of a picture two strangers have framed on their living-room mantelpiece. And in that way, we will live on, too. But it isn’t enough. It isn’t enough to have been a particle in the great extant of existence. I want, we want, more. We want for people to know us, to know our story, to know who we are and who we will be. And after we've gone, to know who we were. So, we will paint a picture for every year we have been alive. One hundred paintings for one hundred years. And even if they all end up in the bin, the cleaner who has to put them there will think, Hey, that’s a lot of paintings. And we will have told our story, scratching out one hundred pictures intended to say: Lenni and Margot were here.
Marianne Cronin (The One Hundred Years of Lenni and Margot)
Because that you are going 1260 Because that you are going And never coming back And I, however absolute, May overlook your Track— Because that Death is final, However first it be, This instant be suspended Above Mortality— Significance that each has lived The other to detect Discovery not God himself Could now annihilate Eternity, Presumption The instant I perceive That you, who were Existence Yourself forgot to live— The “Life that is” will then have been A thing I never knew— As Paradise fictitious Until the Realm of you— The “Life that is to be,” to me, A Residence too plain Unless in my Redeemer’s Face I recognize your own— Of Immortality who doubts He may exchange with me Curtailed by your obscuring Face Of everything but He— Of Heaven and Hell I also yield The Right to reprehend To whoso would commute this Face For his less priceless Friend. If “God is Love” as he admits We think that me must be Because he is a “jealous God” He tells us certainly If “All is possible with” him As he besides concedes He will refund us finally Our confiscated Gods—
Emily Dickinson
Lads, I forgot to tell you. Naya don’t like good music because she’s a feminist.’ ‘What’s a feminist?’ Tyse asks. ‘It’s like a chick who blames all of her mental problems on dudes,’ Jimmy explains. ‘But not even on specific dudes, just, like, the idea of dudes. It’s fucked up. And it’s ironic, cos feminists usually look like dudes themselves.’ ‘But Naya doesn’t look like a dude.’ ‘Aww, thanks Tyse,’ Naya says. ‘James has given you a horribly inaccurate definition of a feminist, but he has ably demonstrated why we exist. Unfortunately, he’s not the only entitled male with no respect for women.
Brendan Lawley (Bonesland)
Somewhere, out in the world, are the people who touched us, or loved us, or ran from us. In that way we will live on. If you go to the places we have been, you might met someone who passed us once in a corridor but forgot us before we were even gone. We are in the back of hundreds of people's photographs--moving, talking, blurring into the background of a picture two strangers have framed on their living room mantelpiece. And in that way, we will live on too. But it isn't enough. It isn't enough to have been a particle in the great extant of existence. I want, we want, more. We want for people to know us, to know our story, to know who we are and who we will be. And after we've gone, to know who we were.
Marianne Cronin (The One Hundred Years of Lenni and Margot)
Somewhere, out in the world, are the people who touched us, or loved us, or ran from us. And that way we will live on. If you go to the places we have been, you might meet someone who passed us once in a corridor but forgot us before we were even gone. We are in the back of hundreds of people‘s photographs—moving, talking, blurring into the background of a picture two strangers have framed on their living room mantlepiece. And in that way, we will live on too. But it isn’t enough. It isn’t enough to have been a particle in the great extant of existence. I want, we want, more. We want for people to know us, to know our story, to know who we are and who we will be. And after we’ve gone, to know who we were.
Marianne Cronin (The One Hundred Years of Lenni and Margot)
So -- where do you want to go now, pateesa?" "Forward, Syn. Only way we can go. My father always said 'We take what is given.' Felt like all the galaxy ever handed me was darkness and grief. Like Krayt, I took what was given and gave into my anger... wrapped the anger around me so close, it blocked out the light. Suffocated myself in death and darkness until I forgot how to live. Tried to cut myself off from the Force so I didn't have to feel anything. Tried to make my heart a void... But nothing's a void -- not even in space. I've seen the way all things connect. Energy flows through the galaxy. Creating life, healing it. As long as the galaxy exists, life will find a way. There is no Death -- There is only the Force
John Ostrander (Star Wars: Legacy, Volume 11: War)
I want to tell you that it's horrible. I want to tell you that being suppressed makes every moment of existence a torment, because maybe that would help--but it would be a lie. In fact, the most horrible thing is how easy it is to slide into contentment, how hard it is to nourish anger or regret. If you lose the sense of smell, say, or taste, you'd grieve for it; but if you were born without that sense, you'd never miss it. That's how it was for me--the sense was gone, as though it has never been. For the first few years after suppression, I kept myself in misery by sheer effort of will, trying to imagine, every day, what it was that I had lost. But in the end, it became to much trouble. I gave in to the inevitable. I forgot.
Raphael Carter (The Fortunate Fall)
In love, aside from sipping the wine of timelessness, nothing else exists. There is no reason for living except for giving one's life. I say, "First I know you, then I die." He says, "For the one who knows Me, there is no dying." It is raining outside and Akbar sits at the desk in the library, reading to Meena Begum, who is lying on a rug and looking up at the glass dome. "So, jaan, love is to forget yourself," he says as he shuts the volume. Meena Begum props herself up on her shoulder and turns to him. "Tell me, have you forgot yourself?" she asks. "Entirely," he says. "Why?" "Because we were made for each other before we even met. Our souls found each other on the plains of heaven. I knew it when I saw you." "Did you not say you fell ill and tried to forget me?" Akbar smiles. "A foolish effort to fight fate." Meena Begum's eyes laugh up at him. "You know I do not believe in such things as fate, sir." "Perhaps you need to read more poetry.
Shubnum Khan (The Djinn Waits a Hundred Years)
The gods had given me almost everything. I had genius, a distinguished name, high social position, brilliancy, intellectual daring: I made art a philosophy, and philosophy an art: I altered the minds of men and the colours of things: there was nothing I said or did that did not make people wonder: I took the drama, the most objective form known to art, and made it as personal a mode of expression as the lyric or the sonnet, at the same time that I widened its range and enriched its characterisation: drama, novel, poem in rhyme, poem in prose, subtle or fantastic dialogue, whatever I touched I made beautiful in a new mode of beauty: to truth itself I gave what is false no less than what is true as its rightful province, and showed that the false and the true are merely forms of intellectual existence. I treated Art as the supreme reality, and life as a mere mode of fiction: I awoke the imagination of my century so that it created myth and legend around me: I summed up all systems in a phrase, and all existence in an epigram. Along with these things, I had things that were different. I let myself be lured into long spells of senseless and sensual ease. I amused myself with being a flâneur, a dandy, a man of fashion. I surrounded myself with the smaller natures and the meaner minds. I became the spendthrift of my own genius, and to waste an eternal youth gave me a curious joy. Tired of being on the heights I deliberately went to the depths in the search for new sensations. What the paradox was to me in the sphere of thought, perversity became to me in the sphere of passion. Desire, at the end, was a malady, or a madness, or both. I grew careless of the lives of others. I took pleasure where it pleased me and passed on. I forgot that every little action of the common day makes or unmakes character, and that therefore what one has done in the secret chamber one has some day to cry aloud on the housetops. I ceased to be Lord over myself. I was no longer the Captain of my Soul, and did not know it. I allowed you to dominate me, and your father to frighten me. I ended in horrible disgrace. There is only one thing for me now, absolute Humility: just as there is only one thing for you, absolute Humility also. You had better come down into the dust and learn it beside me.
Oscar Wilde (De Profundis)
There he sat telling me that just as I saw him before my eyes he wouldn’t be afraid to face anything — and believing in it too. I tell you it was fabulously innocent and it was enormous, enormous! I watched him covertly, just as though I had suspected him of an intention to take a jolly good rise out of me. He was confident that, on the square, “on the square, mind!” there was nothing he couldn’t meet. Ever since he had been “so high”—”quite a little chap,” he had been preparing himself for all the difficulties that can beset one on land and water. He confessed proudly to this kind of foresight. He had been elaborating dangers and defences, expecting the worst, rehearsing his best. He must have led a most exalted existence. Can you fancy it? A succession of adventures, so much glory, such a victorious progress! and the deep sense of his sagacity crowning every day of his inner life. He forgot himself; his eyes shone; and with every word my heart, searched by the light of his absurdity, was growing heavier in my breast. I had no mind to laugh, and lest I should smile I made for myself a stolid face. He gave signs of irritation. ‘“It is always the unexpected that happens,” I said in a propitiatory tone. My obtuseness provoked him into a contemptuous “Pshaw!” I suppose he meant that the unexpected couldn’t touch him;
Joseph Conrad (Delphi Complete Works of Joseph Conrad)
When I spoke to you here the last time, my old party comrades, I did so fully conscious of victory as hardly a mortal has been able to do before me. In spite of this, a concern weighed heavily on me. It was clear to me that, ultimately, behind this war was that incendiary who has always lived off the quarrels of nations: the international Jew. I would no longer have been a National Socialist had I ever distanced myself from this realization. We followed his traces over many years. In this Reich, probably for the first time, we scientifically resolved this problem for all time, according to plan, and really understood the words of a great Jew who said that the racial question was the key to world history. Therefore, we knew quite well-above all, I knew-that the driving force behind these occurrences was the Jew. And that, as always in history, there were blockheads ready to stand up for him: partly spineless, paid characters, partly people who want to make deals and, at no time, flinch from having blood spilled for these deals. I have come to know these Jews as the incendiaries of the world. After all, in the previous years, you saw how they slowly poisoned the people via the press, radio, film, and theater. You saw how this poisoning continued. You saw how their finances, their money transactions, had to work in this sense. And, in the first days of the war, certain Englishmen-all of them shareholders in the armament industry-said it openly: “The war must last three years at least. It will not and must not end before three years.”-That is what they said. That was only natural, since their capital was tied up and they could not hope to secure an amortization in less than three years. Certainly, my party comrades, for us National Socialists, this almost defies comprehension. But that is how things are in the democratic world. You can be prime minister or minister of war and, at the same time, own portfolios of countless shares in the armament industry. Interests are explained that way. We once came to know this danger as the driving force in our domestic struggle. We had this black-red-golden coalition in front of us; this mixture of hypocrisy and abuse of religion on the one hand, and financial interests on the other; and, finally, their truly Jewish-Marxist goals. We completely finished off this coalition at home in a hard struggle. Now, we stand facing this enemy abroad. He inspired this international coalition against the German Volk and the German Reich. First, he used Poland as a dummy, and later pressed France, Belgium, Holland, and Norway to serve him. From the start, England was a driving force here. Understandably, the power which would one day confront us is most clearly ruled by this Jewish spirit: the Soviet Union. It happens to be the greatest servant of Jewry. Time meanwhile has proved what we National Socialists maintained for many years: it is truly a state in which the whole national intelligentsia has been slaughtered, and where only spiritless, forcibly proletarianized subhumans remain. Above them, there is the gigantic organization of the Jewish commissars, that is, established slaveowners. Frequently people wondered whether, in the long run, nationalist tendencies would not be victorious there. But they completely forgot that the bearers of a conscious nationalist view no longer existed. That, in the end, the man who temporarily became the ruler of this state, is nothing other than an instrument in the hands of this almighty Jewry. If Stalin is on stage and steps in front of the curtain, then Kaganovich and all those Jews stand behind him, Jews who, in ten-thousandfold ramifications, control this mighty empire. Speech in the Löwenbräukeller Munich, November 8, 1941
Adolf Hitler (Collection of Speeches: 1922-1945)
ENDING UP IN the care of one’s child is generally seen as a natural outcome of a life well lived, but it is unlikely that Stan knew peace once his daughter was calling the shots in his life. Stan’s existence grew quieter for the remainder of his days, insofar as there were no more visits from the cops or notarized statements attesting to Grand Guignol circumstances. But based on all we know about Stan’s relationship with JC, from testimony and his own recorded words, we can only assume that his hours were still privately hellish. As a source close to the Lees says, JC is “very fear-based” and prone to verbal violence. “It’ll be something simple,” the person says, “like ‘Oh, I forgot to pick up the milk,’ and suddenly this whole avalanche of ‘You’re a terrible person and you’re just trying to use me!’ That kind of thing will happen. It’s incredibly hard to be around. It’s incredibly toxic.
Abraham Riesman (True Believer: The Rise and Fall of Stan Lee)
Pittsburgh. The late 1930s. Fear was rampant as to where the next meal would come from. There was little in the way of excitement, just the day to day struggle to make ends meet. Little or no surprise existed, and hope was at a low ebb. In the middle of this, a man sold his life insurance policy. He bought a new car, a fur coat for his wife, boxing gloves for his sons, and four full bags of groceries for the family. He drove up the street for the neighborhood to see. The celebration was deafening. That was my father, and he taught me this lesson in scarcity. I never forgot it. Thanks, George.
Milton Katselas (Dreams into Action: Getting What You Want)
The only reason it’s not your ass on my lap is because you need to eat, and if I had your pretty pink pussy on my dick, I’d fuck you until we both forgot food existed. After today, though, when we eat, your ass is on my lap.
Layla Frost (Give In)
You won’t distract me that easily. Good God, sis, couldn’t you find someone of your own class to dally with? Have your prospects really sunk so low that you’ve taken a Gypsy to your bed?” Amelia’s mouth dropped open. She spun to face him. “I can’t believe you would say such a thing. Our brother is a Roma, and he—” “Merripen isn’t our brother. And he happens to agree with me. This is beneath you.” “Beneath me,” Amelia repeated dazedly, backing away from him until her shoulders flattened against the wall. “How?” “There’s no need for me to explain, is there?” “Yes,” she said, “I think there is.” “Rohan’s a Gypsy, Amelia. They’re lazy, rootless wanderers.” “You can say all that when you never lift a finger?” “I’m not supposed to work. I’m a peer now. I earn three thousand pounds a year just by existing.” Clearly there was no headway to be made in an argument when one’s opponent was insane. “Until this moment, I had no intention of marrying him,” Amelia said. “But now I’m seriously considering the merits of having at least one rational man in the household.” “Marriage?” Amelia almost enjoyed the look on his face. “I suppose Merripen forgot to mention that minor detail. Yes, Cam has proposed to me. And he’s rich, Leo. Rich rich, which means even if you decide to go jump in the lake and drown yourself, the girls and I would be taken care of. Nice, isn’t it, that someone’s concerned about our future?” “I forbid it.” She gave him a scornful glance. “Forgive me if I’m less than impressed by your authority, Leo. Perhaps you should practice on someone else.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
When Jeremy Liew and Lightspeed had invested just a few weeks prior, Liew had included terms giving Lightspeed the right of first refusal to invest in Snapchat’s next round of funding, as well as rights to take 50 percent of the next round. Essentially, Lightspeed controlled Snapchat’s next round of funding and made Snapchat unattractive to other investors, who would want to take a larger stake in the Series A round. Evan was furious. He felt betrayed and taken advantage of. Liew had told him these terms were standard. Evan would warn other students about this betrayal for years to come, as he did in a keynote address at a Stanford Women in Business conference in 2013: One of my biggest mistakes as an entrepreneur involved a term sheet. This particular term sheet was our first. And when we talked to the venture capitalists, and we talked to our lawyers, they took refuge in the notion of Standard. When I asked a question because I didn’t understand something, I was reassured that the term was standard, and therefore agreeable. I forgot that the idea of STANDARD is a construct. It simply does not exist. So rather than attempt to further understand the document, I accepted it. It wasn’t until a bit later, when the company had grown and we needed more capital—that I realized I had made a very expensive mistake. He also warned in a 2015 talk at the University of Southern California, “If you hear the words ‘standard terms,’ then figure out actually what the terms are, because they are probably not standard and the person explaining [them] to you probably doesn’t know how they work.” Teo and General Catalyst put Evan in touch with lawyers who would help him escape the blocking structure with a new round of funding. Evan struck a deal with Jeremy Liew to sell Lightspeed a limited number of Snapchat shares at a discount in exchange for removing the onerous terms. Feeling stung by Silicon Valley venture capitalists, Evan then put the deal with General Catalyst on hold and put together a group of angel investors from Los Angeles, including his father, John Spiegel, and the CEO of Sony Entertainment, Michael Lynton.
Billy Gallagher (How to Turn Down a Billion Dollars: The Snapchat Story)
Sometimes, when I was looking out for my own happiness, I almost forgot you existed.
Alan Gibbons (The Edge)
Closed eyes can't sacrifice a third time i may never know A dreamer's dream my stars are only made of gold Came into this life holding on Was it a dream Or life lived before Alien genetics Formed on the 7th Too late So i was turned away Too late But i seen those gates It’s just lately i’ve forgot the way What am i saying? somewhere out there is a star Covered in gold laugh, its okay it's just best i wait this time can't sacrifice a third time how will i know feverish devils place their bets the abyss or the flame But at the edge i stop & look to the sky tonight I find the stars are covered in gold so right here i will just stay Here i’ll just remain in a place where time and space does not exist but a gateway to Sarin does covered in gold deep in the chest you appear just like I always knew a distant star
greg c warner
I’m going to take you home, strip you down, and fuck you—” “Whoa, whoa, whoa, whoa!” Kevin said. He was back to pushing away from Jagger. “I think you forgot something there. Actually, I think you forgot several things!” Jagger cocked his head. Kevin held up one finger. “Kissing. There has to be lots of kissing.” Then a second finger, and one more for each point he ticked off. “And foreplay. What is it about men thinking foreplay doesn’t exist? I want some groping and rubbing and more sucking! Then— No, before the foreplay starts, but it can be during foreplay, too—a shower. Gods, a nice, hot shower.” Kevin’s eyes gleamed. “The two of us, naked, soapy, rubbing all over each other. But no soap for lube, that burns.” Another finger went up. “Food. I might even need that before all else, except maybe the kissing. If it’s garlicky food, then—
Bailey Bradford (Bearly There (City Shifters #1))
Ah. I knew I forgot something. It’s the reason I came here, to you—it wasn’t just because I needed your touch to help make me stronger. It was so much more than that. I couldn’t be away from you a second longer. I think you’re the best friend I’ve ever had. In fact, we became so close in the last six months, I didn’t think we could get any closer.” She put her fingers on his lips. “The joke’s on me—this goes beyond my wildest expectations. If you’re only pretending, you’re a gifted actor.” “No acting, Brie. I love you. Endlessly.” “And I love you.” Her admission fulfilled his deepest desires. “You mean this?” “Sí, Miguel. I can’t imagine being without you. Not now. You’ve been everything to me for months. I love you so much.” “Nunca soñe que yo pudiera tener esto en mi vida.” I never dreamed I could have this in my life. “I didn’t even know it existed.” “And
Robyn Carr (Whispering Rock (Virgin River, #3))
Years passed—or was it just a moment? Hard to say. Phyllis’s cognitive mind slipped farther and farther away and a different kind of awareness bloomed. The swamp breathed and she breathed with it. She saw everything: the creatures, the flowers, the tender shoots of green and the towering trees, the depths of the water. All that was dead and dying. All that was bursting with life. Her notebooks, tucked away in their plastic container, were gradually forgotten. The urge to record, to quantify, left her. Instead, she returned to the inclination that had guided her through all the years when her mind was sharp. The root of her curiosity: a simple and enduring desire to notice. There were moments during this last stretch when she occupied herself so completely that she forgot there had been any other time than now, any other way to exist but this. And there were also moments when she fought against the ebbing of logic and analysis, feeling adrift and upset, as if something precious had been taken from her that she would never have again. All of this was true. All of it was right. Memories of childhood dusted her skin like pollen. All it took was a brisk gust of wind to send it all scattering. She remembered learning—the crispness of a washed blackboard, a good mark on her paper, the perfect loneliness of a library; she remembered men she’d known and she remembered intimacy; she remembered her parents, having them and losing them; she remembered her sister, pretty and harsh and unwilling to imagine the future Phyllis had foreseen; she remembered teaching—the way her hands shook at the start of every term, her students and their litany of excuses; she remembered her research—working in the field, working at her desk, the minutiae of life glimpsed through a microscope; she remembered every forest she’d ever walked through; she remembered every city she’d ever visited; she remembered preparing, preparing, preparing. And then all of this was gone. Piece by piece, Phyllis said goodbye to each part of her life that had come before. She held on to Wanda the longest. As long as she could. She replayed every moment they had spent together. She repeated Wanda’s name to herself when Wanda left her alone in the tree house, reciting it like a chant, a prayer, so that when she came home, it would already be on her tongue. This didn’t always work. Sometimes Phyllis arrived in a moment she hadn’t been aware of—like time travel, hopping from one place to another with smooth, easy leaps. It was only when she saw the exhaustion on Wanda’s face that she realized she had missed something in between. “I’m sorry,” Phyllis said. “I think I…was somewhere else.” “That’s all right.” “What are we doing?” “We’re weaving nets. Do you want to help?” “Yes. Yes, please.” They sat
Lily Brooks-Dalton (The Light Pirate)
Nodding, I tried to tell myself how Travis didn’t care about me. He hadn’t come for me all these years and he never would. Wanting to be rational, I still felt his rough hands on me. I hurt between my legs like I did when he was done. He had marked me again in the dream and I would never be free. After a short time, Cooper stood up and walked to the next room. Hating to be alone, I still flinched when he returned. He seemed bigger now. His shoulders wider, his face harsher, his whole demeanor reeked of potential violence. Instead of hitting me, Cooper lowered a blanket behind the chair so I could cover myself. I stared at him as he sat back down. We studied each other for a long time as I waited for something bad to happen or the fear to fade. Neither occurred, leaving me stuck behind the chair for hours. Cooper tried twice to caress my face and both times I jerked back and away from his touch. After the second attempt, he stood up and left the room. I heard the front door open and assumed he was leaving. Then, his big ugly dog Rafe waltzed into the room with Cooper following behind. In his hand, Cooper held a gun and I pushed farther back into the corner. “No one,” he said, kneeling down by the chair, “will come here and take you. If they do, Rafe will wake us up and I’ll kill the fucker. No one is hurting you or taking you away from me. Do you understand?” Staring into his dark eyes, I did understand. I craned my neck so I could see Rafe comfortable in the corner. When I looked back at Cooper, he sighed. “Baby, it’s nearly six in the morning. The sun is coming up and you need to sleep. I need rest too, so let’s go to bed and I’ll keep you safe. I won’t even touch you, but I need you to go to bed.” “You love me,” I said in a rough, exhausted voice. “More than anything else. I will never let that piece of shit or anyone else come here and hurt you. You are mine and that makes you untouchable. Do you understand?” Nodding again, I crawled out from behind the chair and Cooper helped me stand. He stepped back, willing to keep his distance to avoid scaring me. Reaching for him, I knew he would keep me safe. If I couldn’t shake the fear of the dream, I could at least know Cooper was someone Travis wouldn’t screw with. Rationally, I knew Travis likely forgot I existed, but I wasn’t rational. I was primal and the monster was always waiting to ruin me again. With Cooper though, I was safe.
Bijou Hunter (Damaged and the Beast (Damaged, #1))
Never doubt me. Never doubt our love. Above all else, know it was an extraordinary gift to love you, to be your husband, even if for just a day.” I choked on my next words. “I forgot to tell you. Our wedding day. That was the best day of my existence.” My eyes overflowed with tears in disbelief I had to leave her. Another broken promise.
Ashlan Thomas (To Love (The To Fall Trilogy #3))
I looked into his orgasmic eyes, watching them cloud over with lust as he looked up at me. “Sweet girl. So good for me. Stay like that. Let me—right there—yes—shit—” I rose up and rolled deeply into him one last time. I felt his cock explode, drenching my walls with his cum as my pussy clamped around his cock. I milked him for everything he had as my entire body burst into a simultaneous sheet of goosebumps. Electricity surging through my body short-circuited my mind, and for a second I forgot where I was. I forgot who I was and what I was doing and what my name was and who was below me. All that existed was myself, the beating of my heart, and the name that echoed off the corners of my mind.
Amy Brent (Because I Love You)
Rohan's a Gypsy, Amelia. They're lazy, rootless wanderers." "You can say all that when you never lift a finger?" "I'm not supposed to work. I'm a peer now. I earn three thousand pound just by existing." Clearly there was no headway to be made in an argument when one's opponent was insane. "Until this moment, I had no intention of marrying him," Amelia said. "But now I'm seriously considering the merits of having at least one rational man in the household." "Marriage?" Amelia almost enjoyed the look on his face. "I suppose Merripen forgot to mention that minor detail. Yes, Cam has proposed to me. And he's rich, Leo. Rich rich, which means even if you decide to go jump in the lake and drown yourself, the girls and I would be taken care of. Nice, isn't it, that someone's concerned about our future?" "I forbid it." She gave him a scornful glance. "Forgive me if I'm less than impressed by your authority, Leo. Perhaps you should practice on someone else.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
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My ties with Fårö have several origins. The first was intuitive. “This is your landscape, Bergman. It corresponds to your internal imaginings of forms, proportions, colours, horizons, sounds, silences, lights and reflections. Security is here. Don’t ask why. Explanations are clumsy rationalizations with hindsight. In, for instance, your profession you look for simplification, proportion, exertion, relaxation, breathing. The Fårö landscape gives you a wealth of all that. Other reasons: I must find a counterweight to all the theatre. if I were to rant and rave on the shore, a gull, at most, would take off. On the stage, such an exhibition would be disastrous. Sentimental reasons: I would retreat from the world, read the books I hadn't read, meditate, cleanse my soul. [after a month or two I was hopelessly involved in the islanders problems, something which resulted in the 1969 Fårö Document.) Further sentimental reasons: during the filming of Persona, Liv and i were overwhelmed by passion. With monumental lack of judgment, I built the house with the idea of a mutual existence on the island. I forgot to ask Liv what she thought.
Ingmar Bergman (The Magic Lantern)
Thank you for allowing me this moment, where I forgot the world existed and only saw you.
J. Střelou (Sea of Evil and Desire (The Deep Saga, #1))
The only question, through all life’s endless battles. What are you going to do about it? No other question exists. It should be stapled on telephone poles down on every street. Not How will I get over this? Not Why me? Not Why is life unfair?
Marta Molnar (Girl Braiding Her Hair: Inspired by the true story of a revolutionary female artist history forgot (Light & Life Series Book 2))
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